#Jacob Savery the Elder
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“And she said to her father: Grant me only this which I desire: Let me go, that I may go about the mountains for two months, and may bewail my virginity with my companions.”
Book of Judges 1:37 Douay-Rheims Bible.
Artwork: Jacob Savery the Elder (Dutch, 1545–1602), Landscape with the story of Jephthah’s daughter (1580 - 1589).
#catholicism#Book of Judges#douay rheims bible#Bible quotes#Old Testament#Jacob Savery the Elder#Jephthah#child sacrifice
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Jacob Savery the Elder (Dutch, 1545-1602).
Fair on St. Sebastian's Day, c. 1598.
#jacob savery#jacob savery the elder#dutch painter#european art#renaissance painting#painting#fair on st sebastian's day#fair#saint sebastian#saints#christianity#religious art#urban landscape#festival#religious festivals#dancing#kissing#eating#drinking#social landscape#houses#trees
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Balthasar van der Ast (1593 – Mar 7, 1657) was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards. He was born in Middelburg and died at Delft.
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His lifetime of works was once summarized by an Amsterdam doctor who said, “In flowers, shells and lizards, beautiful”.
Balthasar van der Ast was born in Middelburg in the Southern Dutch province of Zeeland, in the family of a prosperous wool merchant. His birth was not recorded, but years later, on 30 June 1618, his older brother Jacob’s legal action indicated that Balthasar was around 25 years old at the time, making his birth date 1593 or 1594. His father, Hans, was a widower, and when he died in 1609, Bathasar moved in with his older sister, Maria, and his brother-in-law, the prominent Dutch painter Ambrosius Bosschaert the Elder (1573–1621), whom Maria married in 1604. Van der Ast was trained by Bosschaert as a still life painter, and his early works clearly show Bosschaert’s influence. In turn, the three sons of Ambrosius Bosschaert, Ambrosius the Younger (1609–1645), Johannes (ca. 1612/13-1628 or later), and Abraham (1606-1683/84) were trained by van der Ast upon the death of their father. Together, this group of painters is sometimes referred to as the “Bosschaert dynasty”.
Van der Ast accompanied the Bosschaert family in their move in 1615 to Bergen op Zoom and in 1619 to Utrecht, where van der Ast entered the Utrecht Guild of St. Luke. Roelandt Savery (1576–1639) entered the St. Luke’s guild in Utrecht at about the same time. Savery, had considerable influence on van der Ast and his pupils in the years to come, especially in van der Ast’s interest in tonality.
Besides the Bosschaerts, his pupils were Anthony Claesz and Johannes Baers. It is also likely that Jan Davidsz de Heem (1606-1683/84) was van der Ast’s pupil in Utrecht. He also influenced Willem and Evert van Aelst, and Bartholomeus Assteyn.
Van der Ast remained in Utrecht until 1632, when he moved to Delft where he joined the guild of St Luke on 22 June 1633. On February 1633 he married Margrieta Jans van Buijeren. They had two children, Maria and Helena. In Delft, van der Ast and family lived in the house on Cellebroerstraat until 1640, and in the house in Oude Delft until his death in 1657, when he was buried in the Oude Kerk.
Balthasar van der Ast was originally published on HiSoUR Art Collection
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“Tradition is only democracy extended through time.” — G.K. Chesterton
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
https://www.europeana.eu/portal/record/2021672/resource_document_mauritshuis_156.html?utm_source=api&utm_medium=api&utm_campaign=j4AoMQNzp
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Fair on St Sebastian's Day, Jacob Savery the Elder, 1598, Mauritshuis Museum
The church is surrounded by stalls, and the villagers are celebrating. Some are having a drink under the lean-to of the yellow house, while others are sitting upstairs by the open window, courting. The large pennant flapping on the flagpole depicts St Sebastian, to whom the fair is dedicated. Peasant fairs were very popular with Flemish painters. When Jacob Savery moved to Amsterdam from Flanders around 1590, the theme was not well known there yet. Savery was one of the painters who introduced the subject to Holland.
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