#It’s simply that white fans tend to be the ones who either don’t have any context for what is appropriate to change or not
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otaku-orochi-okami · 6 months ago
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Here We Go Again.
Urgh. Semi kept away. Last proper blog closed down for containing images of a well known influencer and her representatives asked for mine, and several other blogs, to be closed down due to copyright infringement. Did create an AI Waifu blog but my kinks are very dark, and tend to break Tumblr guidelines. Also ChatGPT, the framework that runs the AI chatbots I make, is adding more guard rails so more and more “can’t complete this” messages are popping up so that’s losing its charm too. So back here posting content. I won’t generally be tagging in names of people I post etc after the last blog for obvious reasons but if there’s anyone you like DM me the post and I’ll see if I can tell you who they are. 
So, first things first. This is a NSFW blog.  Normal boring stuff applies to that, MDNI blah blah blah. Feel free to DM me, sometimes I’ll reply, sometime i wont. Don’t take it personally if I don’t, sometimes just busy scrolling. For those who don’t know me, my names Lew, white male in my 30’s, living in UK. My kinks are niche, and tend to get me banned so stuff I post or reblog is just stuff I think is good or done well etc. I’m bi, prefer sex with guys but can’t stand them as anything more than fuck meat, girls I prefer aesthetically to look at and actually talk to, but find sex with them meh. And sissies are losers. That’s not necessarily a bad or a good thing. Depends on my mood.  Actually prefer 2D girls to 3D girls, 3D girls nearly always have some tiny flaw to stop them from being perfect. Plus a perfect girl is subjective anyway. Someone’s 10 is another guys 8. Either way, expect to find a mix of 2D and 3D stuff on here. As last bit might suggest, big fan of pop culture, so happy to talk video games, anime etc as well as kink, or obviously just exclusively one or the other of you don’t want to discuss both. 
Something I haven’t really shared with anyone, despite being in my 30’s, my body is fucking breaking. That’s thanks to boring medical condition I won’t get into. It’s not been too bad until recently, but lately it’s been getting worse. For now, I’m ok in day, but by evenings I’m in serious pain. So to those of you I do message often, preemptive apologies for when I go quiet. As for everyone else; if I’m posting after that time, it’s likely because I queue and schedule my posts, so please don’t assume I’m online and ignoring you. 
Talking of posts, I don’t do exposure any more, doing colabs with x-loservirgin-x really got me into that, but since then too much bitching after losers cum and begging me to take down posts (which is impossible because I can’t take down reblogs), or other losers getting riskier without me there to have guard rails up, even if you don’t realise i do have them, then blaming for when shit hits the fan. As for custom captions. I do them if I can be bothered is the short answer. Feel free to DM with pics or pics suggestions and a theme etc and if I feel like doing it I will. Customs will be DM’d back to you privately, only shared on my blog if you ask me to, so feel free if want to turn your sister etc into private goon fuel.
For the record, my Hard Limits that I won’t engage with are Penectomy, Animals and Minors. Also as a side note, if your profile says anything along the lines of you refusing to pay for femdom’s but please do it for free, I won’t engage with you. Not because I expect to be paid, but because we won’t click. You simply have no idea how the world works, and I have too many interesting toys to talk to rather than waste time with a naive loser unsuccessfully trying to freeload. That shouldn’t offend anyone worth taking to, and if that does offend you, you’re the problem.
As for AI, I have a cute little AI sidekick, River Paige. She may pop up every now and then, either as some images, or writing her own posts. We’ll see how that goes. Here she is:
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Good to be back, will see how long I make it before nuked this time. 
If you wanna know more about me here’s a list of stuff I’m into:
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le--fruitcake · 1 year ago
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Salutations, sire! I was so taken by the milk of the word that I simply had to ask for more wisdom. I was curious to hear more of your opinions on Japanese characters being played by people who aren't Japanese, as I'm not very sure the extent of that issue.
Ah, my vassal returns! Delighted to hear thou wast taken in by mine ramblings. Welcome back, and pray rest thyself. To thy right, thou shalt find the finest refreshments and chilled drinks. Pray enjoy.
Allow me to preface this by saying: I am a white man. I am not an expert on Japanese culture, but I do know a decent amount about the samurai and a little bit about how Edo period Japan worked up until the 1800s or so, when the Black Ships arrived from the West.
I really don’t like the way Hollywood tends to cast any Asian person for roles that are specific to certain ethnicities. It gives me the impression they think Asian people are interchangeable, that Asia has one single culture, and not many individual cultures, each with their own histories and peoples and legends.
I am not the first person to talk about this, and Asian people have spoken on the subject as well. I really liked this article, which says many of the same things I think, and this one, which mentions the term “Asian-washing,” which is an interesting way to put it. I think they’re worth a read— after you finish reading this (or not. I’m not your dad).
This is not anything against the actors who play these roles, simply an observance of the tendencies of the agencies by which they were cast.
Read that last paragraph again, O Ye who Piss on the Poor.
Alright, now to the meat and potatoes, as it were.
Many times, whether in movies, books, games, or TV shows, there are characters that are either Japanese or that world’s equivalent, if it is a fantasy world like the one Robert Jordan’s Wheel of Time takes place in. Some of these fantasy characters hail from the east, carry gracefully curving blades, wear their glossy, straight black hair in a topknot, and have a strong sense of duty and honor— some of the more common stereotypes for a 士 (samurai). Perhaps the character is a spy and assassin, trained in every kind of combat known to mankind, poisons, stealth, et cetera— your average 忍 (Shinobi, ninja. Technically, “ninja” would be 忍者, with 忍 being “endurance”, lit. a blade and a heart, and 者 being person) stereotype. Many times, in the medias I consume, I notice that these types of characters are often portrayed (in live action) or voiced by (in animation) other Asian people, and rarely actual Japanese people.
For example, in the aforementioned Wheel of Time, Lan Mandragoran hails from Shienar in the Borderlands, an area heavily inspired by Japan and Japanese culture, including lacquer armor, hot springs, and a focus on honor, loyalty, and combat— the tenets of 武士道 (bushidō, lit. “the path of the warrior”). Lan was, if you ask me, inspired in part by Toshirō Mifune, a very famous actor who was in many of Akira Kurosawa’s samurai movies from the 1960s, including Yōjimbō, Seven Samurai, Sanjuro, and many others. In the live-action show that came out in 2021, Lan is portrayed by Daniel Henney, who is Korean.
Another example, also from Wheel of Time, is the character Amaresu, wielding her Sword of the Sun. Japanese mythology fans and people who played Ōkami alike can easily draw the connection between her and 天照 (Amaterasu, lit. “Heavenly Illumination”], the Japanese goddess of the sun. However, despite the blatant reference to an actual Japanese mythological figure, the woman who depicts her in the show is Vietnamese (as best as I can tell— PLEASE correct me if I am wrong.)— Hélène Tran. She plays a very minor role overall, but it’s still dishonest to the character and disrespectful the Goddess Herself to depict Her as an ethnicity She is not.
Gennosuke Murakami, the rhinoceros bounty hunter from Samurai Rabbit: The Usagi Chronicles, is voiced by Aleks Le, who is Vietnamese-American. I don’t blame Stan Sakai for this, and to be fair, very few of the English Samurai Rabbit cast is actually Japanese. Kitsune is voiced by Shelby Rabara, a Filipino woman; Auntie is voiced by Sumalee Montano, a Filipino-Thai woman; and Lord Kogane is voiced by ProZD/SungWon Cho, who is, as you likely know, a Korean-American.
In The Old Guard, which you should watch if you haven’t seen it already, the character Quýnh is the only one of the titular Old Guard who is not in the comics. The reason for this is the actress Veronica Ngô, a Vietnamese woman, was cast for the role of Noriko— the actual character from the comics, who is Japanese, as the name implies. However, to her credit, she protested, and said she was Vietnamese, not Japanese. The director of The Old Guard reached out to see if they could accommodate that. They changed the character to Quýnh instead, and we went along our merry way.
In the 2008 movie Speed Racer, both the side character Taejo Togokhan and his sister Horuko Togokhan seem to be intended to be vaguely Japanese, but neither are played by Japanese actors, and look nothing like people who came from the same country, and much less the same woman. Taejo is played by Rain, a Korean man, and Horuko is played by Yu Nan, a Chinese woman. No matter what the intended ethnicity was here, the fact that two people from different countries were cast as siblings is baffling to me.
In the 2005 movie Memoirs of a Geisha (芸者, female entertainer, lit. “technique/art/craft person”. A common misconception with geisha is that they are prostitutes; this is not true. They are dancers, performers, that kind of thing, though Iwasaki-san says there were some women who did sleep with their clients, though she says this “happens in any field”), three Chinese women were cast for the three leading roles. It is important to understand that, during the 1920s-1940s, the era in which the film takes place, Japan kidnapped thousands of Chinese and Korean women and forced them into sexual slavery for the Japanese soldiers. Now, everyone disliked this. China and Japan both gave the movie negative reviews, and the movie ended up being banned in China due to multiple reasons, including the fact that they saw it as wrong that Chinese women played Japanese geisha. Japan didn’t like it because it did not accurately represent geisha, and, for many, the fact that Chinese women were cast to play characters in a role that is uniquely Japanese.
In addition, the actual geisha who interviewed with the author, Mineko Iwasaki, and to whose life several of the experiences of the main character directly parallel, didn’t like the movie or the book, saying that it inaccurately portrayed the geisha lifestyle. She also says the author, Arthur Golden, said he would keep her involvement confidential, but he went on to credit her in the book’s acknowledgment and in interviews.
There is a whole rabbit hole about this movie and book in particular, but I’ll leave you with this article for further reading, if you are interested.
Splinter, specifically the Splinter in TMNT: Mutant Mayhem, is voiced by Jackie Chan. There are several things wrong with this— for starters, Jackie Chan is Chinese, and for seconds, there is no connection between Mutant Mayhem Splinter and Hamato Yoshi (the man that either owned Splinter when he was a rat or becomes Splinter himself), with this version of the rat master having grown up fully in the streets of New York. If anything, he should have a heavy New York accent, but instead, Seth Rogen decided Jackie Chan should voice him. This, I blame squarely on Seth Rogen and/or whoever he hired to pick the cast. The 1987 and 2003 shows had white men voicing him, and the 1990s movies had a Black man voice him, who are obviously not Japanese, but this essay is more so about Asian people who are not Japanese playing Japanese characters. The 2012 series has a Korean man (Hoon Lee) voice him, though he has decent Japanese pronunciation. In Rise, he is played by Eric Bauza, who is Filipino. None of these men are Japanese! However, there is one Splinter who was voiced by a Japanese man...
...Which leads me to the next part of this essay. Characters who are Japanese, and actually played by Japanese people! Hooray!
In the 2007 TMNT movie, Splinter is voiced by Mako— yes, that Mako, the same one who voiced Uncle Iroh. Mako was Japanese-American. In the 1990 TMNT movie, Shredder was played by an actual Japanese man, James Saito, but was replaced for the sequel by François Chau, a man of Chinese and Vietnamese descent. Both Shredders were voiced by David McCharen, a Japanese-American man (if Turtlepedia is to be believed. Seriously, it has the only information I can find on his ethnicity, though his IMDB page says he was born in Japan).
Also in Samurai Rabbit, Yūichi is voiced by Darren Barnet, whose mother was a Swede of Japanese descent. Chizu was voiced by Mallory Low, who is Japanese-, Chinese-, Filipino-, and Hawaiian-American. Miyamoto Usagi was voiced by Yuki Matsuzaki, who did an amazing job, and actually voiced Usagi in the 2012 TMNT crossover several years prior! He also voices Usagi in the TMNT beat-’em-up game, TMNT: Shredder’s Revenge, in which Usagi is a DLC character, and the best $8 I ever spent.
In Pacific Rim, the character Mako Mori was played by Rinko Kikuchi, a Japanese woman. I haven’t seen this movie, but I want to.
I am not the first person to talk about this issue, and I hope I am not the last. I am going to reiterate, for Ye who Piss on the Poor, that this essay is in no way intended to do anything except point out some the specific characters who were played by people who do not match the ethnicity of the character they are playing, and the fact that this tends to happen a lot to Asian characters. I mention Japanese characters specifically because A) that is what Mr. Tehmhachi asked me about and B) that is what I notice, given that I tend to consume Japanese/Japan-inspired medias because I am 歴男.
I am in absolutely no way saying any of these actresses or actors shouldn’t have played the roles. I am only lamenting the fact that so many times, casting agencies or Hollywood or whoever see Asian people as a conglomerate, instead of a variety of richly cultured peoples that deserve accurate representation. I believe any and all characters should be played by people who match the intended ethnicity.
...And that’s all I have to say. Sorry this took so long, I wanted to make sure all my information was as correct as I could get it. For further reading on the topic of casting the wrong ethnicity for the Asian character, there are some articles you can read here and here.
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raxistaicho · 2 years ago
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Falling for the red herring
I’ve mentioned this a time or two on this blog, but a pretty interesting piece of Rhea discourse from the anti-Edelgard community is this notion that the localization ruined Rhea’s image by having Cherami Leigh portray her in an overly stoic manner, preventing her from being seen as cute as she evidently can be in the original Japanese dub. I’m not going to argue on that point: I don’t play with Japanese vocals on and I’ve learned long ago never to take Edelgard’s detractors at their word without fact checking them.
It is ironic, however, that these same types tend to scorn Edelgard for being “gap moe” for the sake of selling Heroes alts and paraphernalia featuring her. But then again, if Edelgard’s detractors didn’t have double standards they wouldn’t have any standards at all.
What I am here to discuss today is this recurring trend from some Rhea fans to try and portray her as more motherly than she actually behaves in either Three Houses or Three Hopes. A particularly good example is the fixation of Cyril as being something of a surrogate son for her. Let’s be frank: nothing in Houses or Hopes supports this notion. She took Cyril in and rescued him from slavery, but that makes him just one of many urchins that she’s provided shelter for. Aside from that she pays him no particular notice over anyone else. A far cry from the fandom notion that she looks after him constantly. Another good example is crediting her for all of the stray cats and dogs in the monastery - I’ve seen her described as a secret lover of animals who plays with them when nobody’s looking.
Now this interpretation of her isn’t entirely without merit: Three Hopes mentions in a rather off-hand way in one of the Azure Gleam supports (I want to say one of Catherine’s but I can’t recall and the supports don’t appear to have ever been posted online in a script format) that Rhea often plays with orphans, and though nothing proves this otherwise, it’s still a pretty impressive case of telling and not showing because we never see anything to support it aside from one character’s say-so.
So why do these particular fans do this? It’s quite simple: it’s because that’s how Rhea’s initially portrayed. When we first meet her, she’s serene, she’s kind, she’s accepting, and she’s certainly got a... motherly figure, as fanart so loves to remind us :p
However, this is a red herring.
As White Clouds continues, the cracks begin to show in her facade. She’s defensive, secretive, prone to deception without need, quick to judge, and swift in anger. At the very end of Silver Snow’s story, we learn the truth about her: far apart from being a kind motherly figure to those under her wing, Rhea lost her own mother to tragedy at what can be presumed to be a young age, and the slaughter of her kin left her trapped in that time of her life ever since. Rhea is, in many ways, a youth in an adult’s body who just wants her own mother back so that her many self-imposed burdens and responsibilities can be lifted from her shoulders. It’s why she struggles to socialize with others, why she shows affection through showering praise and the occasional gift upon the people she likes, and why she struggles accepting the good advice of others. She understands to some extent that she hasn’t led Fodlan in the direction it needs to go and yet she refuses to face her own failures and fix them herself.
This desire to portray Rhea as cuter and more motherly is simply the earnest desire of some of her fans to have her live up to the mask she first presents, and which is ultimately ripped from her face. It’s unfortunate then that that’s not the Rhea that actually exists.
Contrast this with Edelgard (because I was always going to go there :p) and you see her acting like a mother hen to her fellow students. She treats Lysithea like a little sister she needs to look after, she empathizes with Bernie, she expresses concern over Caspar’s future and opportunities, she scolds and sets straight Ferdinand, she urges Byleth to ponder on their own the mysteries surrounding them and the hidden nature of Fodlan rather than telling them what to think, and she keeps on Linhardt to do his work and focus on his future (Linhardt even calls her out on acting like an overbearing mother!) It simply appears to be in Edelgard’s nature to stubbornly care for others. She’s not too unlike Velvet Crowe (who is also compared to being an occasionally overbearing mother by those around her) in this way. This part of her never goes away - it only becomes stronger as time goes on.
It’s ironic then, that Edelgard’s detractors so often speak of her like she’s an ignorant child that needs to leave the room and let the adults - always Rhea, Dimitri, and Claude - do the real work of fixing Fodlan.
Projection is ever the signature style of people who dislike her, I’ve found.
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bao3bei4 · 4 years ago
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fan language: the victorian imaginary and cnovel fandom
there’s this pinterest image i’ve seen circulating a lot in the past year i’ve been on fandom social media. it’s a drawn infographic of a, i guess, asian-looking woman holding a fan in different places relative to her face to show what the graphic helpfully calls “the language of the fan.”
people like sharing it. they like thinking about what nefarious ancient chinese hanky code shenanigans their favorite fan-toting character might get up to⁠—accidentally or on purpose. and what’s the problem with that?
the problem is that fan language isn’t chinese. it’s victorian. and even then, it’s not really quite victorian at all. 
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fans served a primarily utilitarian purpose throughout chinese history. of course, most of the surviving fans we see⁠—and the types of fans we tend to care about⁠—are closer to art pieces. but realistically speaking, the majority of fans were made of cheaper material for more mundane purposes. in china, just like all around the world, people fanned themselves. it got hot!
so here’s a big tipoff. it would be very difficult to use a fan if you had an elaborate language centered around fanning yourself.
you might argue that fine, everyday working people didn’t have a fan language. but wealthy people might have had one. the problem we encounter here is that fans weren’t really gendered. (caveat here that certain types of fans were more popular with women. however, those tended to be the round silk fans, ones that bear no resemblance to the folding fans in the graphic). no disrespect to the gnc old man fuckers in the crowd, but this language isn’t quite masc enough for a tool that someone’s dad might regularly use.
folding fans, we know, reached europe in the 17th century and gained immense popularity in the 18th. it was there that fans began to take on a gendered quality. ariel beaujot describes in their 2012 victorian fashion accessories how middle class women, in the midst of a top shortage, found themselves clutching fans in hopes of securing a husband.
she quotes an article from the illustrated london news, suggesting “women ‘not only’ used fans to ‘move the air and cool themselves but also to express their sentiments.’” general wisdom was that the movement of the fan was sufficiently expressive that it augmented a woman’s displays of emotion. and of course, the more english audiences became aware that it might do so, the more they might use their fans purposefully in that way.
notice, however, that this is no more codified than body language in general is. it turns out that “the language of the fan” was actually created by fan manufacturers at the turn of the 20th century⁠—hundreds of years after their arrival⁠ in europe—to sell more fans. i’m not even kidding right now. the story goes that it was louis duvelleroy of the maison duvelleroy who decided to include pamphlets on the language with each fan sold.
interestingly enough, beaujot suggests that it didn’t really matter what each particular fan sign meant. gentlemen could tell when they were being flirted with. as it happens, meaningful eye contact and a light flutter near the face may be a lingua franca.
so it seems then, the language of the fan is merely part of this victorian imaginary we collectively have today, which in turn itself was itself captivated by china.
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victorian references come up perhaps unexpectedly often in cnovel fandom, most often with regards to modesty.
it’s a bit of an awkward reference considering that chinese traditional fashion⁠—and the ambiguous time periods in which these novels are set⁠—far predate victorian england. it is even more awkward considering that victoria and her covered ankles did um. imperialize china.
but nonetheless, it is common. and to make a point about how ubiquitous it is, here is a link to the twitter search for “sqq victorian.” sqq is the fandom abbreviation for shen qingqiu, the main character of the scum villain’s self-saving system, by the way.
this is an awful lot of results for a search involving a chinese man who spends the entire novel in either real modern-day china or fantasy ancient china. that’s all i’m going to say on the matter, without referencing any specific tweet.
i think people are aware of the anachronism. and i think they don’t mind. even the most cursory research reveals that fan language is european and a revisionist fantasy. wikipedia can tell us this⁠—i checked!
but it doesn’t matter to me whether people are trying to make an internally consistent canon compliant claim, or whether they’re just free associating between fan facts they know. it is, instead, more interesting to me that people consistently refer to this particular bit of history. and that’s what i want to talk about today⁠—the relationship of fandom today to this two hundred odd year span of time in england (roughly stuart to victorian times) and england in that time period to its contemporaneous china.
things will slip a little here. victorian has expanded in timeframe, if only because random guys posting online do not care overly much for respect for the intricacies of british history. china has expanded in geographic location, if only because the english of the time themselves conflated china with all of asia.
in addition, note that i am critiquing a certain perspective on the topic. this is why i write about fan as white here⁠—not because all fans are white⁠—but because the tendencies i’m examining have a clear historical antecedent in whiteness that shapes how white fans encounter these novels.
i’m sure some fans of color participate in these practices. however i don’t really care about that. they are not its main perpetrators nor its main beneficiaries. so personally i am minding my own business on that front.
it’s instead important to me to illuminate the linkage between white as subject and chinese as object in history and in the present that i do argue that fannish products today are built upon.
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it’s not radical, or even new at all, for white audiences to consume⁠—or create their own versions of⁠—chinese art en masse. in many ways the white creators who appear to owe their whole style and aesthetic to their asian peers in turn are just the new chinoiserie.
this is not to say that white people can’t create asian-inspired art. but rather, i am asking you to sit with the discomfort that you may not like the artistic company you keep in the broader view of history, and to consider together what is to be done about that.
now, when i say the new chinoiserie, i first want to establish what the original one is. chinoiserie was a european artistic movement that appeared coincident with the rise in popularity of folding fans that i described above. this is not by coincidence; the european demand for asian imports and the eventual production of lookalikes is the movement itself. so: when we talk about fans, when we talk about china (porcelain), when we talk about tea in england⁠—we are talking about the legacy of chinoiserie.
there are a couple things i want to note here. while english people as a whole had a very tenuous knowledge of what china might be, their appetites for chinoiserie were roughly coincident with national relations with china. as the relationship between england and china moved from trade to out-and-out wars, chinoiserie declined in popularity until china had been safely subjugated once more by the end of the 19th century.
the second thing i want to note on the subject that contrary to what one might think at first, the appeal of chinoiserie was not that it was foreign. eugenia zuroski’s 2013 taste for china examines 18th century english literature and its descriptions of the according material culture with the lens that chinese imports might be formative to english identity, rather than antithetical to it.
beyond that bare thesis, i think it’s also worthwhile to extend her insight that material objects become animated by the literary viewpoints on them. this is true, both in a limited general sense as well as in the sense that english thinkers of the time self-consciously articulated this viewpoint. consider the quote from the illustrated london news above⁠—your fan, that object, says something about you. and not only that, but the objects you surround yourself with ought to.
it’s a bit circular, the idea that written material says that you should allow written material to shape your understanding of physical objects. but it’s both 1) what happened, and 2) integral, i think, to integrating a fannish perspective into the topic.
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japanning is the name for the popular imitative lacquering that english craftspeople developed in domestic response to the demand for lacquerware imports. in the eighteenth century, japanning became an artform especially suited for young women. manuals were published on the subject, urging young women to learn how to paint furniture and other surfaces, encouraging them to rework the designs provided in the text.
it was considered a beneficial activity for them; zuroski describes how it was “associated with commerce and connoisseurship, practical skill and aesthetic judgment.” a skillful japanner, rather than simply obscuring what lay underneath the lacquer, displayed their superior judgment in how they chose to arrange these new canonical figures and effects in a tasteful way to bring out the best qualities of them.
zuroski quotes the first english-language manual on the subject, written in 1688, which explains how japanning allows one to:
alter and correct, take out a piece from one, add a fragment to the next, and make an entire garment compleat in all its parts, though tis wrought out of never so many disagreeing patterns.
this language evokes a very different, very modern practice. it is this english reworking of an asian artform that i think the parallels are most obvious.
white people, through their artistic investment in chinese material objects and aesthetics, integrated them into their own subjectivity. these practices came to say something about the people who participated in them, in a way that had little to do with the country itself. their relationship changed from being a “consumer” of chinese objects to becoming the proprietor of these new aesthetic signifiers.
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i want to talk about this through a few pairs of tensions on the subject that i think characterize common attitudes then and now.
first, consider the relationship between the self and the other: the chinese object as something that is very familiar to you, speaking to something about your own self vs. the chinese object as something that is fundamentally different from you and unknowable to you. 
consider: [insert character name] is just like me. he would no doubt like the same things i like, consume the same cultural products. we are the same in some meaningful way vs. the fast standard fic disclaimer that “i tried my best when writing this fic, but i’m a english-speaking westerner, and i’m just writing this for fun so...... [excuses and alterations the person has chosen to make in this light],” going hand-in-hand with a preoccupation with authenticity or even overreliance on the unpaid labor of chinese friends and acquaintances. 
consider: hugh honour when he quotes a man from the 1640s claiming “chinoiserie of this even more hybrid kind had become so far removed from genuine Chinese tradition that it was exported from India to China as a novelty to the Chinese themselves” 
these tensions coexist, and look how they have been resolved.
second, consider what we vest in objects themselves: beaujot explains how the fan became a sexualized, coquettish object in the hands of a british woman, but was used to great effect in gilbert and sullivan’s 1885 mikado to demonstrate the docility of asian women. 
consider: these characters became expressions of your sexual desires and fetishes, even as their 5’10 actors themselves are emasculated.
what is liberating for one necessitates the subjugation and fetishization of the other. 
third, consider reactions to the practice: enjoyment of chinese objects as a sign of your cosmopolitan palate vs “so what’s the hype about those ancient chinese gays” pop culture explainers that addressed the unconvinced mainstream.
consider: zuroski describes how both english consumers purchased china in droves, and contemporary publications reported on them. how: 
It was in the pages of these papers that the growing popularity of Chinese things in the early eighteenth century acquired the reputation of a “craze”; they portrayed china fanatics as flawed, fragile, and unreliable characters, and frequently cast chinoiserie itself in the same light.
referenda on fannish behavior serve as referenda on the objects of their devotion, and vice versa. as the difference between identity and fetish collapses, they come to be treated as one and the same by not just participants but their observers. 
at what point does mxtx fic cease to be chinese? 
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finally, it seems readily apparent that attitudes towards chinese objects may in fact have something to do with attitudes about china as a country. i do not want to suggest that these literary concerns are primarily motivated and begot by forces entirely divorced from the real mechanics of power. 
here, i want to bring in edward said, and his 1993 culture and imperialism. there, he explains how power and legitimacy go hand in hand. one is direct, and one is purely cultural. he originally wrote this in response to the outsize impact that british novelists have had in the maintenance of empire and throughout decolonization. literature, he argues, gives rise to powerful narratives that constrain our ability to think outside of them.
there’s a little bit of an inversion at play here. these are chinese novels, actually. but they’re being transformed by white narratives and artists. and just as i think the form of the novel is important to said’s critique, i think there’s something to be said about the form that fic takes and how it legitimates itself.
bound up in fandom is the idea that you have a right to create and transform as you please. it is a nice idea, but it is one that is directed towards a certain kind of asymmetry. that is, one where the author has all the power. this is the narrative we hear a lot in the history of fandom⁠—litigious authors and plucky fans, fanspaces always under attack from corporate sanitization.
meanwhile, said builds upon raymond schwab’s narrative of cultural exchange between european writers and cultural products outside the imperial core. said explains that fundamental to these two great borrowings (from greek classics and, in the so-called “oriental renaissance” of the late 18th, early 19th centuries from “india, china, japan, persia, and islam”) is asymmetry. 
he had argued prior, in orientalism, that any “cultural exchange” between “partners conscious of inequality” always results in the suffering of the people. and here, he describes how “texts by dead people were read, appreciated, and appropriated” without the presence of any actual living people in that tradition. 
i will not understate that there is a certain economic dynamic complicating this particular fannish asymmetry. mxtx has profited materially from the success of her works, most fans will not. also secondly, mxtx is um. not dead. LMAO.
but first, the international dynamic of extraction that said described is still present. i do not want to get overly into white attitudes towards china in this post, because i am already thoroughly derailed, but i do believe that they structure how white cnovel fandom encounters this texts.
at any rate, any profit she receives is overwhelmingly due to her domestic popularity, not her international popularity. (i say this because many of her international fans have never given her a cent. in fact, most of them have no real way to.) and moreover, as we talk about the structure of english-language fandom, what does it mean to create chinese cultural products without chinese people? 
as white people take ownership over their versions of stories, do we lose something? what narratives about engagement with cnovels might exist outside of the form of classic fandom?
i think a lot of people get the relationship between ideas (the superstructure) and production (the base) confused. oftentimes they will lob in response to criticism, that look! this fic, this fandom, these people are so niche, and so underrepresented in mainstream culture, that their effects are marginal. i am not arguing that anyone’s cql fic causes imperialism. (unless you’re really annoying. then it’s anyone’s game) 
i’m instead arguing something a little bit different. i think, given similar inputs, you tend to get similar outputs. i think we live in the world that imperialism built, and we have clear historical predecessors in terms of white appetites for creating, consuming, and transforming chinese objects. 
we have already seen, in the case of the fan language meme that began this post, that sometimes we even prefer this white chinoiserie. after all, isn’t it beautiful, too? 
i want to bring discomfort to this topic. i want to reject the paradigm of white subject and chinese object; in fact, here in this essay, i have tried to reverse it.
if you are taken aback by the comparisons i make here, how can you make meaningful changes to your fannish practice to address it? 
--------------------
some concluding thoughts on the matter, because i don’t like being misunderstood! 
i am not claiming white fans cannot create fanworks of cnovels or be inspired by asian art or artists. this essay is meant to elaborate on the historical connection between victorian england and cnovel characters and fandom that others have already popularized.
i don’t think people who make victorian jokes are inherently bad or racist. i am encouraging people to think about why we might make them and/or share them
the connections here are meant to be more provocative than strictly literal. (e.g. i don’t literally think writing fanfic is a 1-1 descendant of japanning). these connections are instead meant to 1) make visible the baggage that fans of color often approach fandom with and 2) recontextualize and defamiliarize fannish practice for the purposes of honest critique
please don’t turn this post into being about other different kinds of discourse, or into something that only one “kind” of fan does. please take my words at face value and consider them in good faith. i would really appreciate that.
please feel free to ask me to clarify any statements or supply more in-depth sources :) 
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lumosinlove · 4 years ago
Text
Vaincre
~
It’s here!! Thank you all for the support of this universe, it truly means so very much to me. Every time I get a comment, or get to read the fan fiction you all write, see the art you create...it just fills me with so much joy. I’m so excited to share the Sweater Weather sequel with you, Vaincre! Go Lions!
cw: brief mention of past injury and past abuse
~
part i: July
I’ve been holding my breath
I’ve been counting to ten
~
The media wasn’t kind. There were network shows and blogs. Magazines and papers and podcasts. Not to mention Twitter.
Remus had heard his name on all of them, even if he wasn’t listening. It was part of Alice’s job to make sure he knew what was being said about him. It was his job to tune most of it out. Some outrage. Some elation. Some confusion.
This is my question, one podcast asked. I mean, I’m happy for Black. Lupin, too. I’m happy for the hockey world to have this happen, it’s about time, I mean, tune it, come on, and all that.
I’m confused about the, you know, ‘let’s put the PT on the roster.’ I’ve seen college clips, like, those have been released, we know that he got injured, we know all that. He’s fast, we know that, too. But a lot of guys are fast.
Just…what a move by Coach Weasley. A good move? I don’t know. I really don’t know.
Remus had always loved to run. It cleared his head. It had been one of the forms of exercise he had been able to do first once his shoulder had healed, before weights or any sort of strength training. His therapists had recommended it. Endorphins, they had said.
But Remus liked it because it was the closest he had been able to get to gliding on the ice, even when he still couldn’t stand to even look at a rink.
A good move? I don’t know. I really don’t know.
Remus was used to not knowing. He was beginning to think he thrived on it. Would he play hockey again? Would he ever find love? Would Sirius want him?
Was this really happening?
He didn’t think of dreams as coming so late, but, then again, why should dreams be put on any sort of time schedule?
Now, he banged out the screen door and onto the rickety, well-loved porch of the lake house that had been passed down through his family for years. His mother and her brothers split it up in the summer, overlapping for a week or so, and there were always little gifts left behind for each family at the trade-off. A bottle of the best maple syrup, or some of the local honey. They were small, but Remus smiled when he saw what his uncle and aunt and cousins had left for him and Sirius after his parents and Julian had given them the month of July with the house to themselves. A little flower arrangement with two hockey sticks, carved out of wood, sticking up in the middle.
Sirius had plucked one from the dirt, twirled it over in his fingers, and smiled.
“Your family will never stop surprising me.”
Green Lake was deep, prime for fishing, and gorgeous. The smell of the water, of the soil and sweet summer air was as good as home to Remus. He breathed it in now as he bent to lace up his sneakers. He could smell the fire pit that they had lit last night, one that he and Julian had roasted thousands of marshmallows over.
“I showed Jules how to roast the perfect marshmallow here,” Remus had said that first July night, leaning back against Sirius’ chest.
Sirius had blew out his burnt-black one. “Like this?”
Remus had scoffed. “No, you heathen.”
Sirius looked good here, surrounded by the woods and rusty cabin, wearing the old fleeces that never seemed to leave this place for when the sun had yet to warm the chilly mornings. Some mornings, they’d make their coffee, tangle their socked feet together on the small couch until the sun began to get high and they’d strip it all off in favor of swimsuits and sunscreen. Other mornings, Remus would rise, pressing a gentle kiss to Sirius’ sleeping face, and take to the dirt road that ran around the lake.
Sirius, just off of the hard won playoffs, needed to rest. Remus needed to train.
A good move? I don’t know. I really don’t know.
They would leave in two days for Pascal’s Cup Day celebration, and then to meet Remus’ parents, his little brother Julian, and Regulus back in Gryffindor for Sirius’ Cup Day. And August training. Remus stretched his hands to his toes and closed his eyes. A strange type of adrenaline filled him whenever he thought about practicing with the team, about the fitness tests that would come first. He’d have to prove himself again and again. He wanted to. But part of him wondered what would happen if he couldn’t.
The screen door squeaked open and shut again, and Remus jumped, looking up to find Sirius, still sleep rumpled, standing there in running shorts.
Remus laughed, reaching up to trace a pillow crease in his cheek. “You’re supposed to be sleeping in while you can.”
Sirius let out a grumbly sort of yawn and gathered his hair, long from the summer and just brushing his chin now, back into a small half-up bun.
“I can’t believe you do this before coffee.”
“Too acidic. Gives you running stitches.”
“Yeah, yeah,” Sirius sighed, and threw his arm around Remus’ shoulders as they walked up the steep driveway to the road.
Remus kissed his wrist. “I’ll miss being here with you.”
Sirius smiled. He was tan from the summer, hair dark as ever and his skin sun-kissed.
Remus leaned into his shoulder. “I mean look at you. I like seeing you this relaxed.”
Sirius bit his lip as the rounded a bend, waving at Mrs. Barrow, who was tending to her garden.
“I don’t think I knew I could be this relaxed,” Sirius admitted. “It was always train, train, train, you didn’t get a Cup, try harder.”
Remus was familiar with the notes that appeared in Sirius’ voice now from years of Sirius’ small slips in conversation, even when, to Remus, Sirius had only been they youngest captain in the league, cold and reserved from even more years of his father’s abusive, relentless attitude towards hockey and Sirius’ skills. Even when Remus had only been the team’s physical therapist, closeted, crushing on Sirius, and surprised by the cracks Sirius showed when he had gotten his ankle smashed by Severus Snape, Captain of the Slytherin Snakes—the Gryffindor Lions greatest rivalry. Pain, it had seemed, and fear of never stepping on the ice again, had given Remus his first glimpses into a different Sirius beneath it all, a boy who was filled with much more than just a need to win, but for whom the want of winning only made him love his sport, and his team, more.
“And now that you have a Cup?” Remus asked. “How’re you feeling?”
They came to the road and Sirius balanced on one foot, stretching his thigh. “Now that I have you,” he said. “I’m feeling just fine.”
Remus snorted. “Yeah, the Stanley Cup Champion part has nothing to do with it.”
Sirius laughed, but took Remus’ face between his palms. “If I didn’t have you, and I had only a Cup, all I would be doing right now is thinking about another Cup.”
Remus put a hand on his chest, fingers finding the number twelve pendant that rested there.
“Now, there’s more,” Sirius said simply, and leaned down for a tender kiss. “Like your mother’s peach pie.”
Remus punched him in the arm as Sirius laughed loudly.
“You’ll have to beat me if you want a slice of that!” Remus called as he took off.
Sirius made a wounded noise, but sprinted after him until they were side by side again.
~
“I don’t think I can leave this beach,” Leo mumbled into the lounging cabana they were spread out beneath, and Logan looked down at him from where he was reading—trying to read—one of the books Finn had given him. He didn’t know how many books Finn had tried to get him to read over the years, but he knew he never made it through more than a few pages without looking up, getting distracted, or having to go back.
“Non?” Logan asked.
Leo shook his head. “The sun. The sea. I’m in heaven.”
“What about hockey?”
“Brr.”
Logan laughed and settled back into the pillows, setting the book aside and rolling towards Leo to feel his sun-warmed back and leaned down to kiss his temple. A private beach definitely had its perks—and so did three hockey salaries.
“We’ll just stay here, then.”
They’d had a good summer. Leo’s Cup Day, Finn’s, his own, all in their hometowns and accompanied by large parades and fanfare. Logan had finally gotten to take Leo home to his sisters and parents for the first time. It had been nice to see Finn around his family again, too, after what felt like eons of avoiding him in that small gap between being at Harvard and then them both making it to the NHL, and to the Lions.
Leo’s sleepy smile up at him melted Logan like ice in the sun.
“Okay, good,” Leo said, then his eyes went behind Logan. “There’s the ghost-on-toast with our drinks.”
Logan snorted and looked up to see Finn—and Finn’s tiny blue swim shorts that he insisted weren’t see-through—walking towards them through the sand from the resort bar with a tray of drinks in his hands.
“Hey, lover-nuts,” Finn said as he set the tray down in the shade. “Got us some snacks, too. That bar tender loves me.”
“You are so pale,” Leo laughed. “I love you, though, please put more sunscreen on.”
“Keep your sandy feet off my towel,” Logan nudged Finn’s foot with his own as he reached for his drink. Finn just smiled and nodded at the book.
“How is it?” Finn asked.
Logan just looked at him.
He laughed and ran a hand through Logan’s salty, damp hair. “I know. I’ll read it to you later. I just thought you might want something for the beach!”
Logan held up his cocktail. “I have something for the beach.”
They settled back under their cabana, the thin, white linen curtains fluttering around them in the three o’clock breeze. Maybe Logan, as he closed his eyes between Leo and Finn, Leo’s hand still on his thigh, Finn’s arm pillowing the back of his neck, never wanted to leave this beach, either.
“Back to Gryffindor tomorrow,” Logan said.
“Group chat says most guys’ll be back this week,” Finn said, squinting at his phone over his sunglasses. “We gotta be back for Dumo’s, and then Cap’s Cup Day. That’ll be nice, man.”
“I like that they’re bringing it to Gryffindor Pride,” Leo said, rolling onto his back. “Should have thought of that. Or, I guess…” Leo trailed off and Logan frowned. They couldn’t do that. Not yet, at least. Leo caught Logan’s expression and rested a reassuring hand on his thigh. “I’m glad we get to go, even if its for them on the surface. That’s real thoughtful of them, you know?”
Logan nodded. It was thoughtful. When Remus and Sirius had brought it up to them, he’d found himself getting a little choked up.
“We want you guys to be able to experience that, too,” Remus had said. “If you want. No matter what you decide to do public-wise in the future.”
Finn clicked his phone off and chucked it to the side. “Hey, don’t take me off island time yet. We’ll order to the room, eat on the deck, hike up and stargaze…”
Finn rattled off the perfect list, tilting towards Logan until their lips met.
“And then we’ll go win another Cup.”
Leo and Logan punched him at the same time.
~
Thomas sat in the shade with Kasey as they watched Alex try to take on Natalie and Noelle at pool basketball.
“I really think they’re going to accidentally drown him,” Thomas said thoughtfully.
“He probably thinks that, too, and is just too competitive to stop,” Kasey replied.
Thomas laughed, and held out his beer to cheers.
“This is a nice house the O’Haras have, man,” he looked at the sparkling ocean beyond the steps and fence, and at the pool with the grill and lounge chairs. They’d only come up for the weekend, between training and visiting their own families, and before returning to Gryffindor for the season.
“Tell me about it.”
“Cheating!” Alex spluttered from the pool as Natalie put all of her weight on him to dunk him under the water. Alex pointed very seriously to the foot marker on the side tile. “We agreed from that to Thomas’ chair, I was too far away!”
“Too bad!” Noelle shouted as she made another basket.
Thomas didn’t think it was the alcohol that made him feel a little fuzzy at the edges as he looked over her in her swimsuit. She was all curves of tanned muscle, softened the summer around her stomach and arms. Thomas was a goner. But she seemed pretty gone, too, so he guessed it was all right.
“This moment’s always rough,” Kasey said softly from beside him, and when Thomas looked at him questioningly, he gestured vaguely with his beer. “The end of July. One more month, but not really. Alex’ll go back for training, you know? It’s like a trick. I always think, I get three months with these two. But it’s more like two and the first week of August.”
Thomas nodded. “I know. Noelle, too. Her training camp starts on the eight. I’m just…”
Kasey sighed in sympathy.
“At least you have Nat, you know?” Thomas said. “Not that I’m saying you have it easier, I just…”
Kasey shook his head. “I know. Believe me, I’m thankful for that every day. But…when you miss someone, you miss someone.”
Thomas nodded. “Yeah. Yeah, exactly.”
Last season hadn’t been too bad. His relationship with Noelle had been new. They only really knew FaceTime dates, and squeezed in weekend flights that sometimes left them more exhausted than sated. They had been taking it slow. Thomas had been kissed by Noelle—a lot. Enough to make him dizzy with it. Only, then she’d met him at the airport in Quebec, they’d spent a month with her family in France…
And Thomas wasn’t sure he knew how to do just FaceTime anymore. There was a new yearning, knotted just below his heart. He knew what her skin felt like under his hands now, knew what she looked like right when she waked up, even her skincare routine before bed. It would feel like being away from the ice for too long, the knot pulling tight. He thought this year was going to be harder. Maybe he knew it, but if he did, he was pretending it might be easy still.
“T,” Noelle called, floating on her back, dark hair fanned out in the water. “C’mere!”
Thomas smiled, setting his drink down. He would come, whenever she called. Wherever.
~
Cole Reyes didn’t know if Adele Dumais staring at him the way she was was a good thing, or a bad thing. He was nervous enough without the seemingly disapproval of Pascal Dumais'—the Pascal Dumais of the Gryffindor Lions, oldest player in the league—teenage daughter.
“Don’t you talk?” Marc, one of his sons, asked.
Cole blinked. “Uh. Yeah. Yeah.”
Adele waved her brother off. “They’re always super nervous at first. Remember Sirius?”
Marc scoffed. “I was a baby.”
Cole let out a breath. Now they were casually talking about Sirius Black, who had lived in the very room Cole had been sleeping in for a week now when he was a rookie, too. It was the same with Logan Tremblay. He felt like he needed to keep the room pristine, like he was living in some Hockey Hall of Fame museum that he had not earned the right to be in yet.
“You’re still a baby,” Adele shot back.
“Kids,” came Celeste, Pascal’s wife’s voice from where she was setting the table. “Come on now.”
“Sorry, maman,” Marc said softly.
“Sorry,” Adele sighed more reluctantly.
“Go help your father with the grill, you two,” she said. “Everyone will be arriving soon.”
Katie, Celeste and Pascal’s youngest daughter, perked up from where she was sitting beside Cole, drawing. Not Pascal, Dumo—Cole kept having to remind himself that he could call Pascal by his nickname now, that it was all official, that he was a Gryffindor Lion, too. Katie hadn’t left his side since he arrived a week ago to billet with the Dumais, and he still wasn’t sure what to make of it.
“Even the Cup?” she asked.
Celeste laughed. “Oui, ma cherie. Cole? Would you mind going to get the flowers for the table? They’re on the kitchen counter, just inside.”
“Oh, sure, Mrs. Dumais,” Cole nodded, glad for something to do. The thought of the Cup arriving gave him the chills. He’d have to be careful not to touch it. He was scared to even look at it, to be honest. His mom would be laughing at him right about now. He wanted to call her afterwards, tell her everything.
“Call me Celeste, I told you, please,” Celeste smiled. She was lovely, with her dark hair twisted and clipped up and a summer dress as green as her eyes, silky against her olive skin.
Cole flushed, but smiled. “Celeste.”
Cole made his way through the sliding door from the back yard and through the dining room. The kitchen was one of the biggest rooms in the house—and it was a big house. Beautiful copper pans hung shining above the island, along with some herbs that Celeste grew and dried herself. It looked like something out of a magazine to Cole, and it was nice, but it wouldn’t beat his mom’s kitchen in the small apartment they shared in Boston. The small space would fill up to the brim with the smell of spices, or cobbler. The thought sent a pang right to his heart. He missed home, that was for sure. After being away for so long, for so many hockey camps, he’d hoped he would be more used to it by now.
The flowers were right where Celeste had said they would be, and he was reaching for one when the back door that led to the garage dinged open. Cole froze, sure that he was about to run into captain Sirius Black completely unprepared, when a girl stepped through instead. She was dressed in denim shorts and a white tank top, had dark brown skin, and a Gryffindor College hat over her hair, which was plaited back into many small braids.
She smiled when she saw him. No sign of surprised, or of the nervousness Cole felt when he met basically anyone.
“You must be Cole,” she said.
Cole nodded. The girl was gorgeous. Cole was a mess of nerves already. He didn’t need the stare of the teenage daughter of one of his idols, but he especially could not handle a beautiful girl right now.
“Yeah,” Cole said. “No, yeah, um. Yes.”
The girl strode forward, setting her bag down on the counter, along with a water bottle decorated in stickers. He caught a few Lions ones. She offered her hand, which was slender and had two golden rings on it. “I’m Layla. I’ve heard a lot about you.”
Cole took it, trying to place her. “Nice to meet you.”
“Oh, I babysit for the Dumais family,” she said in explanation, then waved her hand. “Well, this year, at least. I’m actually—we’re going to be working together.”
Cole blinked. “You mean the Lions?”
She nodded. “I’m in the middle of my undergrad for physical therapy. Dumo’s amazing and he got me an internship under the new PT. You know. I’ll probably get you stick tape or something,” she laughed. “Congrats, by the way.”
Cole tilted his head and she raised an eyebrow.
“On making it to the NHL?”
“Oh,” Cole laughed. “Oh, I, yeah, thanks. You, too—or…yeah.”
Cole was going to stay in his room in the basement and never come out.
“I gotta—Mrs. Du—Celeste wants these flowers outside,” he said, picking the vases up.
“Sure thing,” Layla smiled.
“Layla,” came a shriek, and a moment later Katie Dumais came sprinting into the kitchen and wrapped herself around Layla’s legs and smiled at Cole. “This is my new hockey player.”
Cole couldn’t help but laugh. He didn’t have a lot of experience with kids, but Katie sure was cute.
“Yours?” Layla gasped as she smiled at Cole. “He’s all yours, is he?”
Katie nodded. “Like Tremzy and Sirius. His name is Cole, like when Santa Clause doesn’t like you.”
Again, with the casual mentions of Logan Tremblay and Sirius Black.
“Oh, of course,” Layla laughed. “Well, I’m sure Santa Clause has never not liked you, babes. Let’s go let your mom know I’m here, okay? Your new hockey player can come with us, too.”
“He’s yours, too!” Katie insisted. “You’re here all the time, so he’s yours, too, don’t worry.”
“Oh, good,” Layla said. “I was worried.”
When Katie looked at Cole expectedly, Cole managed, “I guess everyone does need a hockey player?”
“Exactly!” Katie squealed, and Cole could only follow them outside, heart pounding.
~
It was good to be back in Gryffindor. Remus and Sirius had dropped their bags in Sirius’ entryway, said hello to Regulus, showered, and then hopped right back in the car to get to Pascal’s house.
“You two look disgustingly happy,” Regulus said, leaning forward from the back seat.
“We are,” Sirius grinned at him in the review mirror. “I am also happy,” he stroked the leather steering wheel of his Range Rover. “To be back with this baby.”
While Sirius’ hair had grown longer, Regulus had shaved his short. The curls were barely curls at all anymore, but Remus was happy to see that his seemingly ever-present dark circles had receded some.
“Why, thank you, Regulus, you look happy, too,” Remus snorted. “When do you leave for NYU’s orientation?”
“August 23rd,” he said. “Been texting with my housemates, too. They seem cool.”
“Maybe one of you will pull a Finn and fall in love with each other,” Sirius said.
“Twice,” Remus laughed, and Regulus did, too.
“I think I’ve had enough romance drama to last me a life time, thanks,” Regulus smiled. “But, yeah. I’m just…I’m focused on friends right now, I think. Normal, non-hockey creatures like you two. But that’s not to say if something came up…or I guess someone. Who knows.”
Sirius’ smile was softer this time. “Focus on whatever you want, Reg. You deserve it.”
Regulus just grumbled something about hockey gods, and then they were pulling up to the Dumais’. There were silver and white balloons lining the driveway and the fence to the backyard where, as Remus slammed his door, he could already hear laughter. A zing of excitement shot through him.
“I missed this team,” he sighed as Sirius took his hand.
Sirius pressed a kiss to his temple. “Your team.”
“Our team.”
“Jesus Christ,” Regulus said, and gave them a shove forward.
Thomas gave a loud woop when he spotted them coming out to the backyard. Regulus immediately made a B-line towards Leo and the Cubs.
“Yes! The Captain!” Thomas said and pulled Sirius into a hug. “Missed you, man.”
“You, too, T,” Sirius said. “Ready to tear it up?”
“You know it.”
Remus smiled as Thomas hugged him next. “I forgot you two train together before pre-season.”
“You two?” Thomas raised an eyebrow, the small gold hoops in his ears glinting in the sun. Remus noticed he’d shaved three stripes into one side of his head. They were a little wobbly. Maybe Noelle had done it. “You’re not coming with us?”
“You know how this one is about his routines,” Remus said, wrapping an arm around Sirius’ waist. “Wouldn’t want to mess anything up.”
“Please,” Sirius said. “I want you there more than I want a second—”
Remus and Thomas punched him at the same time.
“I know you weren’t just about to say that,” said an accented voice from behind Remus, and they turned to see Pascal standing there. He looked as he always did, smile lines around his eyes, gray streaks at his temples. He wore a white t-shirt and had Katie on his hip. She was definitely getting too big to be carried around like that, but Remus couldn’t see a time when Pascal would ever refuse her. He’d probably carry Adele around like that, too, if she’d let him.
“Dumo,” Sirius smiled, and took the two beers he was holding out, handing one to Remus. He kissed Katie’s forehead. “Good summer?”
“The best,” Pascal laughed, and nodded towards the edge of the yard. “Especially with the promise of seeing that thing again.”
Remus followed his gaze, and his breath caught, just as he knew it would. The Cup stood there, its guards near by with drinks and plates of food in their hands. It sat proudly on a table, surrounded by white tulips—no doubt Celeste’s doing.
“I’m excited to see you two bring it to the parade,” Pascal said. “That will be a wonderful day for everyone.”
Remus glanced at where Logan, Leo, and Finn were standing with Kasey Winter, Gryffindor’s goalie, and his partners Natalie, with her long blonde hair, and Finn’s brother Alex, who played for Tampa Bay.
Sirius’ smile lit up his face. “It will be.”
Remus peered around him. “Is that our rookie?”
Sirius scoffed. “A rookie can’t call a fellow rookie rookie, rookie.”
Remus blinked. “What did you just say?”
“That’s Cole!” Katie said. “I love him.” Then she turned and shouted his name again. He looked up from where he was standing quietly beside Jackson Nadeau, another player, and Remus suppressed a smile at the way his eyes widened when he saw Sirius.
“Oh, here we go,” Sirius mumbled.
“Oh, hush,” Remus said, and sounded far too much like his mother to himself. “You’re going to be throwing hands for him the second someone gets close, and you know it.”
“I don’t know how to tell rookies I’m just a person!” Sirius whispered as Cole began to make his way over. “They act all…”
“Star struck?” Thomas offered.
Sirius just glowered at him.
Cole Reyes did not look as young as he was. Even at 19, he was jacked, and tall, with light brown skin, green eyes, and a stripe shaved into one of his eyebrows. His hair was shaved at the sides, but longer on the top and in tight curls.
Remus glanced somewhat self-consciously down at himself. He could only put on more muscle healthily so fast. He thought he’d been doing well, but looking at Cole…
“Hello,” Cole said hesitantly and Pascal set Katie down and clapped Cole on the shoulder.
“Reyes, meet Sirius. Sirius, meet the boy who is a much better billet than you ever were.”
Sirius snorted, and Cole laughed—nervously.
“Hi, Cole,” Sirius said, and held out his hand. “I know we spoke briefly over the summer, but it’s nice to officially meet you.”
“You, too,” Cole said, smile slight. “Thanks for the call. My mom freaked out. I mean—well, me too, but my mom…” Cole stuttered out, wincing.
“Loves me?” Sirius laughed. “I get that a lot.”
“He’s so humble,” Remus shook his head jokingly. “Hi Cole, I’m Remus. Welcome to the team.”
“You too…?” Cole said hesitantly. “Well, the roster, I guess.”
“Cole,” Katie said, taking his large hand in her small one. “Come meet Tremzy. He’s my best friend.”
Sirius feigned a pout. “What about me?”
Katie smiled sheepishly, throwing herself at Sirius’ legs, “You, too!”
“Always one-uped by Tremblay,” Thomas laughed, shaking his head. “How’s it feel, Cap?”
“Wonderful,” Sirius said dryly and then looked down at Katie, petting her head. “Go on, go show Cole your best friend.”
They watched her lead Cole through the crowd for a moment before Sirius huffed.
“See?” Sirius whispered to Remus. “It’s like he’s scared of me.”
“I’ve never heard you use the phrase spoke briefly in my life. Who are you, Alice?”
“I was trying to be professional!”
Remus laughed. “Why?”
Sirius just rolled his eyes and dragged him over to stack their plates with food.
The party went well into the evening, the sky pink and blue in the setting sun. There were lanterns floating in the pool where Evgeni and Jackson were playing chicken with a delighted Marc and Louis, or sometimes one of Coach Arthur Weasley’s boys, on their shoulders. Logan was sitting with Cole and Finn, cradling a sleepy Katie against his chest, Leo and Regulus laughing with Kasey and Alex.
Remus found Sirius again standing alone in front of the Cup. His hair was falling into his face, the curls gentled by the evening breeze and the Cup’s silver surface reflecting the silver of Sirius’ eyes. Remus went to stand beside him, and neither of them spoke for a moment.
“I’m nervous,” Remus broke the silence.
Sirius nodded. “I know, mon loup.”
Remus sighed, resting his head against Sirius’ arm. “Yeah?”
“Of course,” Sirius switched his drink to his other hand so he could run his fingers through Remus’ hair. “This is…big.”
“It’s what I’ve always wanted,” Remus whispered. It felt dangerous, to say the words aloud. “It’s everything that I lost. Last time.”
Remus could still feel Fenrir Greyback rip at his shoulder, even if it was years ago now, while they were still at college. Being in the NHL meant that Remus would have to play against him again whenever they met Vegas.
Sirius turned towards him, hand on his cheek.
“You will have this,” he said earnestly, and then smile, reaching into his shirt for his necklace, the one Remus had gifted him last Christmas. He brought it to his lips. “Loops.”
Remus smiled at the now familiar sight, touching the pendant when Sirius’ let it drop.
“You know,” Remus said. “You’re everything I’ve always wanted, too.”
Sirius’ smile was one of Remus’ favorites, and he tucked him against his side. Remus followed his gaze to find him looking at Cole again.
“I’m not happy with the way it happened,” Sirius said softly, and Remus knew he was thinking of the pictures that someone had leaked of them kissing. The pictures that had upturned their entire lives. “But I’m glad I get to hold you like this in front of new faces. I wasn’t thinking about trades—I try not to—but getting Reyes, if things had been different, would have meant we were back to square one at parties like these.”
Remus nodded, taking a drink. “And he seemed okay with it. With us.”
“I was thinking we should invite him to train with us. With me, you, and T. Maybe Dumo would join, too. I know he usually goes with Sergei, but Sergei might be with Kuns and Nado, even though they usually like it just them. The Cubs—”
“Okay, Captain, okay,” Remus laughed.
Sirius pressed a hand over his eyes, laughing. “I just don’t like it when they’re nervous around me. Like Leo was. It’s so much better now that we’re friends.”
“You’ll get there with him,” Remus said. “Yeah, invite him to train with us. The more the merrier.”
Secretly, Remus wanted to see how Cole trained. He couldn’t shake the analytical side of him, the physical therapist side. Cole was built for such a young age.
“If I didn’t know better,” Sirius said softly, mouth close to Remus’ ear. “I’d say you were checking him out.”
Remus spluttered. “I’m not! I want to know his routine!”
Sirius cracked up. “This is your superstition, isn’t it? Cracking other player’s codes.”
Remus just shrugged, smiling into his cup.
“Have you cracked my code?” Sirius asked in the low voice he used that made Remus not want to be surrounded by people.
Remus looked up at him. “Maybe. It certainly has nothing to do with a piece of toast at five o’clock.”
“My pre-game toast is very important to me.”
Remus leaned up to press a quick kiss to his lips. “No, you just like honey and cinnamon.”
Sirius rolled his eyes. “Okay, I’m going to talk to Reyes now.”
“Catch him if he passes out.”
Sirius just glowered over his shoulder as he stalked across the grass. Remus looked around at the back yard, at the team, together again. His team.
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olderthannetfic · 4 years ago
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I'm a Chinese, nationally and racially. Racial projection seems to be a common practice in western fandom, doesn't it? I find it a bit... weird to witness the drama ignited upon shipping individuals with different races, or the tendency to separate characters into different "colors" even though the world setting doesn't divide races like that. Such practice isn't a thing here. Mind explaining a bit on this phenomenon?
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Sure, I can try. But of course, fish aren’t very good at explaining the water they swim in.
Americans aren’t good at detecting our own Americanness, and a lot of what you’re seeing is very much culturally American rather than Western in general. (In much of Europe, “race” is a concept used by racists, or so I’m told, unlike in the US where it’s seen more neutrally.) Majority group members (i.e. me, a white girl) aren’t usually the savviest about minority issues, but I’ll give it a shot.
The big picture is that most US race stuff boils down to our attempts to justify and maintain slavery and that dynamic being applied, awkwardly, to everyone else too, even years after we abolished slavery.
There’s a concept called the “one drop rule” where a person is “black” if they have even one drop of black blood.
We used to outlaw “interracial” marriage until quite recently. (That meant marriage between black people and white people with Asians and Hispanic people and others wedged in awkwardly.) Here’s the Wikipedia article on this, which contains the following map showing when we legalized interracial marriage. The red states are 1967.
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That’s within living memory for a ton of people! Yellow is 1948 to 1967. This is just not very long ago at all. (Hell, we only fully banned slavery in 1865, which is also just not that long ago when it comes to human culture.)
Why did we have this bananas-crazy set of laws and this idiotic notion that one remote ancestor defines who you are? It boils down to slavery requiring a constant reaffirming that black people are all the same (and subhuman) while white people are all this completely separate category. The minute you start intermarrying, all of that breaks down. This was particularly important in our history because our system of slavery involved the kids of slaves being slaves and nobody really buying their way out. Globally, historically, there are other systems of slavery where there was more mobility or where enslaved people were debtors with a similar background to owners, and thus the people in power were less threatened by ambiguity in identity.
Post-slavery, this shit hung around because it was in the interests of the people in power to maintain a similar status quo where black people are fundamentally Other.
A lot of our obsession with who counts as what is simply a legacy of our racist past that produced our racist present.
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The other big factor in American concepts of identity is that we see ourselves as a nation of immigrants (ignoring our indigenous peoples, as usual). A lot of people’s families arrived here relatively recently, and we often don’t have good records of exactly where they were from, even aside from enslaved people who obviously wouldn’t have those records. Plenty of people still identify with a general nationality (”Italian-American” and such), but the nuance the family might once have had (specific region of Italy, specific hometown) is often lost. Yeah, I know every place has immigrants, and lots of people don’t have good records, but the US is one of those countries where families have on average moved around a lot more and a lot more recently than some, and it affects our concepts of identity. I think some of the willingness to buy into the idea of “races” rather than “ethnicities” has to do with this flattening of identity.
New immigrant groups were often seen as Other and lesser, but over time, the ones who could manage it got added to our concept of “whiteness”, which gave them access to those same social and economic privileges.
Skin color is a big part of this. In a system that is founded on there being two categories, white owners and black slaves, skin color is obviously going to be about that rather than being more of a class marker like it is in a lot of the world.
But it’s not all about skin color since we have plenty of Europeans with somewhat darker skin who are seen as generically white here, while very pale Asians are not. I’m not super familiar with all of the history of anti-Asian racism in the US, but I think this persistent Otherness probably boils down to Western powers trying to justify colonial activities in Asia plus a bunch of religious bullshit about predominantly Christian nations vs. ones that are predominantly Buddhist or some other religion.
In fact, a lot of racist archetypes in English can be traced back to England’s earliest colonial efforts in Ireland. Justifying colonizing Those People because they’re subhuman and/or ignorant and in need of paternalistic rulers or religious conversion is at the bottom of a lot of racist notions. Ironic that we now see Irish people as clearly “white”.
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There are a lot of racist porn tropes and racist cultural baggage here around the idea of black people being animalistic. Racist white people think black men want to rape/steal white women from white men. Black women get seen as hypersexual and aggressive. If this sounds like white people projecting in order to justify murder and rape... well, it is.
Similar tropes get applied to a lot of groups, often including Hispanic and Middle Eastern people, though East Asians come in more for creepy fantasies about endlessly submissive and promiscuous women. This nonsense already existed, but it was certainly not helped by WWII servicemen from here and their experiences in Asia. Again, it’s a projection to justify shitty behavior as what the party with less power was “asking for”.
In porn and even romance novels, this tends to turn up as a white character the audience is supposed to identify with paired with an exotic, mysterious Other or an animalistic sexy rapist Other.
A lot of fandoms are based on US media, so all of our racist bullshit does apply to the casting and writing of those, whether or not the fic is by Americans or replicating our racist porn tropes.
(Obviously, things get pretty hilarious and infuriating once Americans get into c-dramas and try to apply the exact same ideas unchanged to mainstream media about the majority group made by a huge and powerful country.)
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Politically, within the US, white people have had most of the power most of the time. We also make up a big chunk of the population. (This is starting to change in some areas, which has assholes scared shitless.) This means that other groups tend to band together to accomplish shared political goals. They’re minorities here, so they get lumped together.
A lot of Americans become used to seeing the world in terms of “white people” who are powerful oppressors and “people of color” who are oppressed minorities. They’re trying to be progressive and help people with less power, and that’s good, but it obviously becomes awkward when it’s over-applied to looking at, say, China.
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Now... fandom...
I find that fandom, in general, has a bad habit of holding things to double standards: queer things must be Good Representation™ even when they’re not being produced for that purpose. Same for ethnic minorities or any other minority. US-influenced parts of fandom (which includes a lot of English-speaking fandom) tend to not be very good at accepting that things are just fantasy. This has gotten worse in recent years.
As fandom has gotten more mainstream here, general media criticism about better representation (both in terms of number of characters and in terms of how they’re portrayed) has turned into fanfic criticism (not enough fics about ship X, too many about ship Y, problematic tropes that should not be applied to ship X, etc.). I find this extremely misguided considering the smaller reach of fandom but, more importantly, the lack of barriers to entry. If you think my AO3 fic sucks, you can make an account and post other fic that will be just as findable. You don’t need money or industry connections or to pass any particular hurdle to get your work out there too.
People also (understandably) tend to be hypersensitive to anything that looks like a racist porn trope. My feeling is that many of these are general porn tropes and people are reaching. There are specific tropes where black guys are given a huge dick as part of showing that they’re animalistic and hypersexual, but big dicks are really common in porn in general. The latter doesn’t automatically mean you’re doing the former unless there are other elements present. A/B/O or dubcon doesn’t mean it’s this racist trope either, not unless certain cliched elements are present. OTOH, it’s not hard for a/b/o tropes to feel close to “animalistic guy is rapey”, so I can see why it often bothers people.
A huge, huge, huge proportion of wank is “all rape fantasies are bad” crap too, which muddies the waters. I think a lot of people use “it’s racist” as an easy way to force others to agree with their incorrect claims that dubcon, noncon, a/b/o, etc. are fundamentally bad. Many fans, especially white fans, feel like they don’t know enough to refute claims of racism, so they cave to such arguments even when they’re transparently disingenuous.
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Not everyone here thinks this way. I know plenty of people offline, particularly a lot of nonwhite people, who think fandom discourse is idiotic and that the people “protecting” people or characters of color are far more racist than the people writing “bad” fic or shipping the wrong thing.
But in general, I’d say that the stuff above is why a lot of us see the world as white people in power vs. everyone else as oppressed victims, interracial relationships as fraught, and porn about them as suspect. Basically, it’s people trying to be more progressive and aware but sometimes causing more harm than good when those attempts go awry.
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meanautisticenbian · 4 years ago
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Lilith Clawthorne has Borderline Personality Disorder: an essay
Content warnings: mentions of abuse, cults, and self harm
I don't have much of an intro but I need to get some things out of the way. 
First off, this is an essay that I made mostly for fun and because I feel like more people need to hear about this. I am not excusing Lilith's actions in any way, though hopefully this may explain some of them. 
Secondly, as you might know I have BPD myself. I'm self diagnosed yes, but I still have enough symptoms. I see a lot of myself in Lilith, as well as several traits, and I hope that this essay will be informative.
With all that being said, let's get into the analysis starting with the symptoms that are only hinted at. One of the hallmarks of Borderline Personality Disorder is an intense fear of abandonment, which Lilith seems to display disgusted as her desire to cure Eda's curse. If it's not clear enough, Eda's really the only thing Lilith cares about, which makes sense since she's clearly the only thing she has. We know that she isn't super close to Amity, despite what fans want to believe, we don't know if she's formed any positive relationships with anyone in the Emperor's Coven and it would say a lot of she didn't. With all that in mind, she is clearly very close to Eda and whenever she tries to get away from her, Lilith is always either pissed off or saddened. Sure, this could just be because she wants to heal Eda's curse and is most likely being punished by Belos, and that's why this is listed as something that's hinted at. Then again, Catra from She Ra is BPD coded as well and she mostly wanted to bring Adora back to the Horde because Shadow Weaver wanted her and was an abusive piece of shit, but it was pretty obvious that she also just wanted her crush and only friend back, so I don't see how this can't be applied to Lilith as well.
Lilith seems to have a black–and–white view on the people around her and maybe even herself. Whenever Eda escapes her, she suddenly flips from being loving and caring to her and really acting like she cares about her to treating her like she just pissed on her waffles. Her way of viewing other people (mostly Eda) is another symptom of BPD, being a black–and–white view on everything and rapid changes in self image and views of everyone else. One moment she views Eda as a beautiful and loving sister, the next she's just an old woman slowing her down. One moment Belos is a trustworthy leader, next he's a monstrous tyrant. One moment Luz is an annoying child she can use as bait, next she's her only hope in saving Eda.
She seems to harbor some of these feelings to herself as well. One moment she acts like she's fully aware of the baddie she is, and next she seems to hate herself. Another valid explanation is that this could also be viewed as her hiding her insecurities since she is clearly one to hold back those emotions and she only ever seems to let Eda see this side of her (save for Luz in the season 1 finale) but this is still a common BPD trait that seems to fit her so it would make sense.
Now let's move on to the more explicit symptoms. If it's not obvious enough, Lilith has some major anger issues. She was ready to kill Eda after she did as much as annoy her in Covention and tell her how worthless her life is after she (actually Luz) escapes her in Once Upon a Swamp. It was certainly reasonable for her to be upset about Luz accidentally blowing up the side of a building, but she had a worse outburst over her sister rhyming.
Now we move on to what I think is her most obvious trait: her impulsiveness. Like I said before, Lilith tends to have sudden violent outbursts and act without thinking. It doesn't excuse anything she's done but it certainly does explain a LOT.
It could be a possible explanation for why her first instinct was to use Luz as a human shield while she was fighting Eda and threw Luz off a cliff in order to get Eda to use all her magic instead of making a new bubble for Luz or doing literally anything that WOULDN'T harm Luz. This could maybe (key word) also provide an explanation for why she cursed Eda instead of going and talking to her (assuming she didn't), but her disorder seems to stem more from trauma than it does genetics, both of which are ways BPD can manifest.
Mood swings are another symptom she definitely has, but that can easily be paired with the point about her changes in self image and how she views others, as well as the points about her anger and impulsivity, so I won't go into detail about that.
Depression, guilt, and ongoing feelings of emptiness are obvious traits that don't need much explaining.
The last major trait wanna bring up is self harm and self destructive and suicidal behavior. I couldn't really find any point in which she showed any suicidal tendencies or urges to hurt herself and it is most likely that she won't be showing those traits at any point in the future, though I do believe it is possible that the show may depict self destructive behaviors in her. Obviously, she wouldn't be shown cutting or burning herself, but maybe it could be displayed in a more PG fashion such as her not taking proper care of herself or having risky behaviors.
There are nine main traits of BPD and one needs to have at least five of them to get a diagnosis. Lilith seems to exhibit six and possibly seven of these traits. I could end it here by saying that Lilith definitely has BPD and needs a hug, but we're not done yet.
Despite what most people might say about borderline people and how we're depicted, we're more likely to be victims of abuse than we are abusers. Most of the time the trauma from the abuse is the cause of the disorder, for those who don't inherit it. Many people with the disorder have claimed to have been physically, sexually, psychologically or emotionally abused or neglected during their lifetime. We don't know the exact details of Lilith's time in the coven or what it was like for her, all we know is that it was basically a cult and she definitely experienced some form of abuse. We know that emotional and psychological abuse were definitely present in her and Belos's relationship, and there is definitely a possibility that there was some physical abuse as well. As for neglect, there isn't really anything that can support the claim even if it seems plausible, and logically speaking, she most likely wasn't sexually abused simply just because this is a family show, so unless Disney is ok with Dana going THERE, that one's a little too far out of the realm of possibility.
So, where does that leave us? Well if I'm being honest, she definitely seems to have a case of untreated and probably undiagnosed BPD caused by a series of traumatic events. And the thing is, she's only in 6/19 episodes in the series so far, and we've probably only really seen the tip of the iceberg. She could have a lot more going on with her that we will definitely see in season 2, I highly doubt she won't.
Lilith is definitely BPD coded, and whether the rep is intentional or not, it's still something I can consider good rep. It's super rare that you find borderline characters in the media that are not abusers, manipulators, or terrible, irredeemable people in general. Lilith is not a bad person whatsoever, and even if she's not much of a good person either, she's not irredeemable. She certainly has a long way to go, but with proper guidance and psychological help, she will get there eventually.
I would like to finish this off by saying I'm not trying to excuse or condone her actions, I am simply addressing how it's possible for her to be borderline, based on what screen time she has and my own experiences. I just want to express my appreciation for what rep we have, as well as analyzing her character a bit.
Thank you all for reading
- Sunny
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disneylanddilettante · 4 years ago
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The Disney Renaissance Killed the Disneyland Star
This post has been brewing and stewing in my brain for some time.
We here in the Disney theme park fandom are prone to lament the modern attraction design philosophy that says everything must be based on a movie. Aside from spectacularly clueless comments about “a random mountain in India or whatever” and misuse of the term “barrier to entry,” the reason behind it seems to boil down to: That’s what guests want. On the one hand, this is very clearly an excuse to do what Marketing wants (because film IPs are proprietary in a way that broad concepts are not, and can be merchandised accordingly), but on the other hand…it seems to be…kind of…true? The vast majority of the public, in my experience, does think of Disneyland (which I am going to use as synecdoche for all Disney parks, because it’s the one I grew up with, it’s easy to say, and because I can) as a place where you see Disney characters walking around as if they were real, and go on rides based on Disney movies, and anything else there is just to, idk, fill space until they can think of a cool movie makeover for it.
I have spoken to people online who quite enjoy Disneyland, but also think the Enchanted Tiki Room should become a Moana attraction, Tom Sawyer Island should be something to do with The Princess and the Frog, and the Matterhorn should be turned into Frozen. When I challenged them as to why, they didn’t seem to understand the question—what did I mean, “why?” Isn’t it self-evident? A couple years ago, one of the Super Carlin Brothers (I don’t remember which one; anyway I couldn’t tell them apart if you put a gun to my head) made a video expressing bafflement over the use of Figment as a mascot in Epcot because “He’s not from anything.” As if a ride in that very parkwere nothing.
So there is something to the assertion that film IP tie-ins are what regular guests expect and want. But the question remains as to why they want that—after all, it didn’t used to be that way. Costumed characters and rides based on movies have always been part of Disneyland, of course, but in past decades, the most elaborate and promoted attractions were the ones based on unique concepts that had nothing to do with the movies. The reasons to love Disneyland were things like the Haunted Mansion and the Mark Twain and Space Mountain…not so much the chance to meet Mickey Mouse. So what gave the public the idea that it was all about movies and characters? I’m sure there are several reasons, but I’m going to focus on one that I don’t see brought up that often.
I’m going to blame the Disney Renaissance.
Let me give you some personal background. I’m a young Gen-Xer, born in 1977. I was a child of the 80s…and in the 80s, Disney wasn’t doing so hot. Feature Animation had dropped to a cinematic release about once every four years, the live-action division was even less productive, and the corporate raiders were pawing at the door. In those days, when I saw a Disney movie in theaters, probably four times out of five it was a re-release of an older classic. (Anyone else remember when that was a thing?) There wasn’t much new at Disneyland either. The biggest thing to happen in the first half of the decade was the remodel of Fantasyland, which added one new ride—based on Pinocchio, a 43-year-old film—and otherwise just rearranged and refined what had always been there. On the other hand, the big Imagineering projects of the 60s and 70s were mostly still going strong.
The upshot is that if you were a Disney fan in those days (there weren’t many of us, even in my age cohort), you were a fan of the older movies and/or the parks. And for all its genuine quality, that stuff was showing its age. It was made in decades past, and there was a corniness and a quaintness to much of it. Most of the kids my age considered Disney “baby stuff” and were eager to put it behind them. It seems to have been a widespread phenomenon, because I don’t remember the park being very crowded when I was a young kid. Queues for even the roller coasters tended to top out around 45 minutes and it was very rare that we didn’t have time to do everything we wanted on a given visit.
And then, the year I turned 12—the year my age bracket hit puberty and could definitively be said to have outgrown cartoons altogether (except for the weirdos like me)—The Little Mermaid hit theaters.
Two years later, we got Beauty and the Beast.
And the hits kept coming. Suddenly, Disney was the hottest thing in entertainment again. Not just kids—by this time the generation that would come to be known as Millennials—but their parents watched these movies and went wow, this is really good. Disney is better than I thought. Maybe we should rent some of those older movies that I remember from when I was a kid. Maybe we should go to Disneyland… Unlike in the past, when families went to Disneyland because it was advertised and known as a family destination, families went to Disneyland because the kids were going gaga over the new Disney movies and the parents wanted to make them happy.
So a whole new generation of fans flocked to the parks, most probably never having been before, or not recently. They didn’t know what to expect. They just knew they loved these new movies with their endearing lead characters (so much more full of personality than Snow White or Alice or Pinocchio) and their big bombastic Broadway-style musical numbers (so much more in line with current musical tastes than the Tin Pan Alley ditties from Cinderella or Peter Pan or The Jungle Book). That’s what they wanted from Disney, whether they were paying six bucks a head plus popcorn, or fifty bucks a head plus lodging.
And that would have been fine but for the fact that endearing characters and big bombastic musical numbers are really hard to build traditional dark rides around. What you can do, though, for people who want to meet their favorite characters, is build dedicated character meet-and-greet spots. What you can do for people who want to sing along with Academy Award-winning songs is create huge colorful parades and stage shows that feature those songs. Best of all, if you are certain people who shall go unnamed, these sorts of things are much cheaper to create and operate than rides. Corporate was more than happy to meet, rather than try to exceed, the expectations of this new wave of fans.
The newer guests got used to seeing more-or-less verbatim (condensed) film content in the form of these shows and parades. The classic dark rides began to look decidedly odd to them—why are the movie events out of order? Why doesn’t the main character show up more? Why don’t we get to hear all the songs? And no one was there to explain it to them, because the older generations of fans had largely drifted away and the internet wasn’t quite a household staple yet. Rides that weren’t even based on a movie seemed even odder—what does a Wild West roller coaster have to do with Disney? What does a submarine ride have to do with Disney? I thought this park was supposed to be for kids, but my kids don’t recognize this stuff! They should build a Lion King ride! They should build a Toy Story ride! That Snow White ride isn’t suitable for kids; they should do something about that! I didn’t pay all this money to stand in line for an hour and a half and go on a ride that my kids don’t get!
The pattern was set. IP tie-ins were what the people wanted, and they closer they hewed to their source material, the more guest approval they got, simply because people didn’t know any different. And it has snowballed from there. The Disney Renaissance was amazing for the art of animation, but I think it was a net negative for the art of theme parks.
Tl;dr The Disney Renaissance changed guest expectations for Disney entertainment products in ways that were incompatible with classic Imagineering principles.
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raviposting · 4 years ago
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Okay so I’ve seen a lot of conflicting responses to Buddie this episode, from it being clear to people that they’re getting together, to thinking the writers have unintentionally messed things up to thinking it’s purely queerbait.
And I get the different responses, I do - tbh I’m somehow in two camps, where I simultaneously believe it’s a slowburn but I also think it’s bait. And those are two very different opinions to have and it got me thinking about why we have these different responses as fans to the possibility of a queer ship (namely two men who would presumably be bi/pan) being canon. 
While people talk about how it’s just people wanting two characters to kiss or entitled fans - sure, that’s existent in every fandom, but I think there’s also a very real fear from queer fans who don’t want to get their hopes up and I d on’t love how the conversation has shifted to calling queer fans stupid for having hope, so I kind of wanted to break it down into 3 aspects that I’ve noticed: 
How writers portray bi characters and why that makes fans hesitant to have hope
What queerbait actually means as a concept
How much “slowburn” has changed in procedurals
1. How writers portray bi characters
Something I’ve thought about a lot are the bi characters I’ve seen on TV - Darryl (CEG), Sara Lance (Arrow), Lucifer (Lucifer), just to name a few. These are great characters imo and I think you’d have a fun time watching but a thing to note is that all these characters were established as bi within the first season of their respective shows and they all fairly quickly fell into a clear romantic ship as well (with the exception of Sara as she spanned multiple shows). It may have taken time for them to say the word bisexual, but it was still clear these characters were queer fairly quickly on. You could maybe argue that Lucifer was a slowburn, but then (while it does not take away from him being bi/pan so do not use this as an excuse to be shitty about him) it’s a m/f ship which is still not the point of my post, to find a m/m or f/f ship that has that same treatment.
Some writers have done it - like for Valencia in CEG, or Petra in JTV - when they saw that fans read them this way, but trying to find those characters were few and far between, and when I looked at popular queerbait ships (whether or not they actually are queerbait) it’s usually ships where the characters are largely viewed as bisexual. A lot of times this also comes with pushback from both straight and to be frank, other queer fans as well. Straight fans don’t always see the signs that queer fans do, so to them a queer character who hasn’t been explicitly clear from the start comes out of nowhere. And what I’ve seen from certain queer fans are concerns that people aren’t appreciating the canon queer characters in a show - and I think there is a conversation to be had about that, but I don’t think the response should also be about then demanding less representation for people either. 
If we go back to 911, people talk a lot about how it has canon queer characters, which it definitely does - Michael, Hen, Josh, Karen, and David are all canonically gay/lesbian and that’s awesome, and we absolutely should talk about fans (white fans in particular) ignoring these characters. It also does not change the fact that none of these characters are bisexual and that is the representation people are looking for. Both of these things are true - these characters are often under appreciated in canon AND people deserve bisexual representation. They don’t contradict each other and to act like one negates the other does a huge disservice.
And even if a character was made bisexual in the canon text we don’t get that slowburn. This may be true for things like Leverage, or LOK, but there’s also a real fact of censorship that affected these shows and the fact that general audiences may not understand the queer text tjat the writers intended. It doesn’t make the writing any less wonderful or the ships any less poignant or beautiful or important, and there’s ofc shows like She Ra that made this more obvious (or the.....mess that was Supernatural that made it. Half true?) but these are still real things that should be acknowledged on why people are so hesitant to call it slowburn - because it’s something most queer fans haven’t SEEN DONE, because m/f ships will get that care for slowburn when it’s done but it’s not done for m/m or f/f ships in that same capacity.
2. What queerbait is
This one’s fun because I don’t think many people understand what it is, but queerbait is very dependent on the intentions of the writers/creators/etc. - which tbh can be hard to gauge, because a genuine intention that ended up not happening or someone baiting fans or someone trying to support all ships and not be rude all have very different intentions but to a fan who only sees bits and pieces of this person on social media, it can be hard to gauge.
Honestly with how much the 4th wall gets broken because of social media now I’d personally say we’ve probably moved into a different definition of queerbait - unintentional vs intentional - because we’re at a point where a show knows what ships are popular and at what level of excitement fans are for it - but that being said, there’s still a clear spectrum of intent. And imo? I don’t think 911 has that intent of queerbait - whether it’s a slowburn or they have a different vision for buddie that I (probably) won’t agree with remains to be seen, but this show usually treats its storylines with care. Are they perfect at it? No, definitely not, I definitely think that they’ve dropped the ball a few times (especially with just how many characters they have lmao), but they also clearly do their storylines with earnest and with genuine care for these characters.
Is 911 getting them together? I want to say yes. I don’t think this was always the plan, just something that they decided along the way, but I also don’t think that changes anything about the ship. A lot of people point to Tim Minear being vague about the ship, or the actors and their interpretations, but 1. We have no idea what they’ve been told about Buddie moving forward and 2. No show runner is going to spoil their show that much. 911 may be keeping quiet because they have a different plan for buddie, sure, but also maybe because they’re still figuring out how exactly they want to do this and/or they want to make this slowburn and don’t want to give it away.
3. Slowburn in procedurals
I feel like this is something that procedurals have started shying away from, but slowburns used to be very common - Bones, Castle, their ships didn’t get together for literal years, but that’s just not something that many shows do nowadays, even for m/f ships. Even things like Deckerstar will have the characters get together after ~3 seasons and explore the relationship onwards, whereas a few years ago, y ou’d pr obably be watching a sh ow and it’d take them 7 seasons to get together. My assumption for this is that shows are afraid  of getting canceled, but there’s been a pretty big shift in getting a couple together after say, 6 seasons to now getting them together about halfway through the show. I don’t think either one is bad or good - in good writers’ hands, either can be amazing - but that shift has made it so that a lot of younger fans in particular, I think, don’t fully recognize slowburn when they see it.
911 as a show tends to run pretty fast - it kind of has to with its depth of characters they have - but when they do have slower running storylines they really do make use of that as well. Bobby’s addiction is something that’s always going to be present in his character, May’s suicide attempt was brought up again front and center after 3 seasons, even Chim’s dynamic with the Lees was brought up again and it was reinforced again that they’re his family. There are certain storylines that have to be continuous and aren’t a one and done type of thing, and that includes Buck and Eddie, especially if you want to establish them as queer to a general audience who doesn’t think about these things.
And honestly, despite my fears, I think they are laying groundwork there. We have Buck learning to be more confident in his relationships, we have Eddie ready to date and learning to follow his own heart, we have Buck and Eddie both establishing that Buck is family and will always be there for Christopher. These are pretty big steps to do for a ship and we’ll obviously have to see how the show goes forward but they’ve already insinuated Eddie and Ana are breaking up, I’m sure Taylor and Buck may last a season and be over, but we do have to see what this next season brings. Do I think they’d say this? No, definitely not.
tl;dr: 
911 is a show with good viewership, but there’s always a possibility they can’t continue with their season and then their promises would feel like a lie. Or they may still be hammering out the details as this season hasn’t been written. Or they may just simply not want to spoil their show,  or they don’t want people criticizing a story before it’s finished, all of these could be reasons. The showrunners, writers, actors, ultimately they owe nothing to us as a fandom to potentially spoil their series, or do something, change it or their schedule for it, and get accused of bait. 
But it also doesn’t change why fans are wary of this storyline either, and I wish people would have more nuance and compassion for fans who are worried about queerbait (whether they think it’s not queerbait and dislike people worrying about it or if they do and are calling people idiots for believing it). There’s a lot of reasons why fans are wary and don’t want to have hope, and it’s not necessarily about 911 specifically as it is a pattern of writing seen in other pieces that have fans worried. These things can all coexist and I wish we as fandom in general could acknowledge that, because pretending that they don’t and criticizing each other/people’s intentions or knowledge when they have certain expectations also doesn’t do much to help.
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waffles-for-brunch · 4 years ago
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This project began as an indirect response to a few negative tweets in the days following the Valentine's Day Destiel wedding. During such time that “certain sources” chose to speak against the impromptu "wedding" and state that the direction of the show never included sexuality or romance. Since this argument has sparked a bit of discourse as to the validity of Dean Winchester and Castiel's relationship and sexualities, I began this edit as an exploration of observations throughout the entire 15 season run of the series. (That's not to say that Sam does not also have his own impactful romances throughout the show -he does have several notable ones- but in his case they are never debated upon or erased.)
There are three complete edits linked below. The differences are explained in their descriptions. (I also recommend downloading for best quality rather than simply watching in the browser, but it’s your choice)
BiDeanEdit: (Click here to download)
Runtime: 18:04:44
File Size: 10.0 GB (10,741,415,805 bytes)
Series long compilation edit (in sequence) of Dean Winchester and Castiel’s relationships and intended expressions of their sexualities (ie interest in both genders). This edit focuses on their relationship as it develops with one another, their other notable relationships (DeanxBenny, CasxMeg, DeanxLisa, etc), and the framework around their sexualities with small scenes of expression (ie Dean in ‘Playthings’ or ‘Everybody Hates Hitler’, or early seasons Dean & his transgressions with women, or Cas in ‘Caged Heat’)
BiDeanMLMEdit: (Click here to download)
Runtime: 14:40:57
File Size: 8.05 GB (8,649,798,685 bytes)
Series long compilation edit (in sequence) of Dean Winchester and Castiel’s relationships and intended expressions of their sexualities. This one is the same as the last but with only MLM content (Otherwise referred to as ‘only the gay parts’). We focus on this more repressed side of their sexuality and see these clues laid out altogether in one fluid edit (these examples are also available in the previous edit, however are just not aligned beside any heterosexual content). DeanxCrowley, DeanxBenny, DeanxLee, DeanxCas, etc. 
DestielOnlyEdit: (Click here to download)
Runtime: 13:08:49
File Size: 7.17 GB (7,709,560,696 bytes)
Series long compilation edit (in sequence) of only Destiel related content. The same as the above edit, just simplified even more to only focus on Dean and Cas’ relationship over the years. 
Keep reading below to find my full analysis of the complete edit regarding these guys sexualities, relationships, and the parallels we can draw. 
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To understand why it is that so many queer fans of Supernatural and other similar shows read queerness in characters and their relationships, we should look at the hays code established in 1930. At this time this certain code was established to monitor what was allowed to be depicted outright on film. Within the margins of what was to be stifled, was homosexuality. As such, filmmakers had to plant “queer-coded” seeds into the writing and subtext so that queer audiences watching could interpret these characters and relationships in this manner without the words and actions stating so outright. (At this time homosexuality could be depicted on film as long as said gay character was either a villain, caricature, or met an untimely end- feeding into the blossoming of the kill-your-gays trope. But that’s another topic for a later time.) 
As film changed over the years and times became more accepting of lgbt characters portrayals on screen outside of simple coding, this did not make the code obsolete. Queer-coding and queer-baiting are often used in media in present day as a way to pull in viewership. Networks are able to garner the best of both worlds, in a sense. They can draw in heterosexual audiences that may not want to watch queer media, whilst also drawing in queer audiences by coding some characters and relationships just enough to pull those viewers in. This works simply because there is such a lack of queer representation in most media that we’ll take what we can get. 
This is where Supernatural comes in. There is a reason that Supernatural and thus “Destiel” is known by some as “The Great American Queerbait.” This twelve years long gay slow-burn between one overly masculine character and his awkward angel best friend did not begin with the intention of romance or baiting, as many of these things generally don’t. However, once fans realized the chemistry between these two particular actors and characters, it became something blatantly written into the show. Sometimes jokingly, other times as legitimate moments of emotional intimacy between two characters. So to say that the show’s direction never included sexuality or romance is, to put it bluntly, bullshit. Just because something is not written in clear and concise wording right in your face, does not mean that it is nonexistent and that the writers did not know what they were writing into the show. (Not even to mention the actual love confession in 15x18, but I digress). 
We know very well that queer content has been written subtextually into media for the better part of seventy years. It is a language in media just as much as lighting is a language, just as much as certain camera angles, color design in costumes or set decor, and music design are languages. All of these, outside of the simple words said on screen, make up our media and these characters and our shows. Tv is a world of color, not black and white.
[[ further readings on the above topics: X X X X X ]] 
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I decided upon this full edit encompassing both the female and male aspects of Dean Winchester and Castiel’s relationships & sexualities because oftentimes when we’re looking into potentially queer characters we tend to focus on the same sex attraction and neglect the opposite sex attraction. Both are very important to acknowledge and compare, if at the very least to view where they may overcompensate, where toxic masculinity may come into play, compulsory heterosexuality, trauma responses, etc. Sometimes what a character doesn’t do is just as important to interpret as what they do do. 
For instance, Dean Winchester. If we are to operate under the assumption that he is bisexual, any repression we witness throughout the series as to his male attraction is likely to be a result of his difficult upbringing, similar to most queer identifying people with childhood trauma. His father is a marine, the picture of manliness in which Dean himself blatantly embodies in an effort to impress and make his father proud in any way he can. Dean is already unlikely to seek out activities in any aspect of life of which might make John look at him in a different light (ie, in an every day setting, even simply watching Finding Dory- this is not something S1 Dean would have admitted to liking, but we see Dean in later seasons standing up for himself and his appreciation for it). 
Is it perhaps for this reason that we see Dean as an overly blatant and flirty ladies man in season 1 when John is still alive, while this side of him steadily declines as the series continues? It even becomes established in season 3- in light of Dean’s fears surrounding going to Hell, he enters an attitude for coping that Sam recognizes- hypermasculinity, promiscuity, deflection. Heightening the idea that this caricature of himself that he embodies is a mask that he wears in order to cope with something else. He is donning the image he assumes others think he should fit into. Sam calls him out on this through the years, and eventually this becomes something we see in him less and less as he feels more comfortable simply being himself. 
If we take into account the time of which this first season is filmed, this is 2005, a time where gay jokes were still funny and an overcompensating character was a joke attached to it. We see Dean built up in these first couple of seasons through this lens of jokes about a hyper-masculine character being mistaken for gay, however instead of this building up the masculinity to encourage a raging heterosexual characterization, this overcompensation is exactly what inadvertently sows the seeds of queer-coding. To queer watchers this reads as a deeply repressed character with childhood trauma who overcompensates when faced with observations of gayness and uses hypermasculinity to counteract these accusations. 
It is through circumstances such as “Bugs” in S1 or “Playthings” in S2 that we first see these ‘jokes.’ The brothers are mistaken as a gay couple. Dean being the more “masculine’ of the two characters has a blatant reaction to these situations (Overcompensating), and Sam’s lack of a reaction is what solidifies his own straightness all the more. Neither brother is homophobic (this becomes established as time goes on) so why would either have a problem with this mistake? Sam wouldn’t care because he’s clearly not gay- in fact, he usually just laughs it off. Dean would care because he wonders what about him looks gay? Do other people see it too? Do they know? What’s wrong with him? 
We also see another blatant example of this type of freakout in season 8. “Everybody Hates Hitler.”
(Images: “Playthings” S2xE11)
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(Image below: S8 “Everybody Hates Hilter”)
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We frame these situations in early seasons around girl of the week scenarios and brief bar flirtations. Have to make it clear that our manly straight character looks as manly and straight as possible. Dean is also in his 20s, he’s more carefree/not as traumatized yet, and he is a sexual man so he does sleep around quite a bit. What is notable, however, is how much this drops off in later seasons. As time goes on Dean seeks out less and less the fleeting encounters of one night stands, in favor of genuine connections- even if he himself frequently doubts his own ability to ever have a settle-down type of relationship or life. Lisa is the only long-term female romantic relationship Dean ever has throughout the series run, and this tentatively begins in season 5 and ends in season 6. 
Dean and Lisa’s relationship is founded more in a dream of something that Dean wants to be rather than who he actually is. Although he loves her, their bond is made through trauma and their relationship overall is reminiscent of a soldier who returned home from war with heavy PTSD and begins to burden the family that he will come to realize he doesn’t quite fit within anymore. 
Outside of this, his closest relationships from thereon out are between Benny, and Castiel. 
Let’s start with Benny. Throughout season 8 Benny is framed as an ex and his relationship with Dean directly parallels Sam and Amelia’s. Both brothers must confront their relationships with their ‘significant others’ and decide whether to cut them off or proceed. Both brothers found these people under circumstances in which they did not get along with them at first but were pushed together. Another person comes in the middle of their relationship (Amelia’s husband for Sam, or Cas/Sam for Benny). The brothers each resent the other’s significant other or the circumstances surrounding the relationship. Sam hates Benny because he is a vampire and Sam does not understand why Dean continually trusts him (which is a circumstance inherently queer-coded in itself for comparability to an unaccepting family). Dean does not care for Amelia simply for the fact that Sam chose her over looking for him in purgatory.
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Other instances we see parallels between Sam’s romances and Dean’s:
“Sex and Violence” S4 siren: Nick(Siren)/Dean parallel to Sam/Dr Lady
Season 4: Ruby/Sam and Cas/Dean teamup parallels
S1 Dean pulling Sam from the fire away from Jess vs S12 Sam pulling Dean away from Cas who may die approaching Lucifer to fight
Season 8: Dean/Benny vs Sam/Amelia. Dean and Benny, since they’re essentially going through a breakup, are directly paralleled to Sam and Amelia and their breakup. See “Larp and the Real Girl” for Charlie and Dean’s conversation about Sam’s recent breakup and Charlie picking up on the fact that Dean might also be going through one. 
1x05 vs 8x07: Sam seeing Jessica on the sidewalk as they drive down the street vs Dean seeing Cas on the side of the road as he drives down the street
S11: Perhaps this one can be interpreted loosely and not necessarily romantic (esp on Sam’s end), but “O’ Brother Where Art Thou” both brothers are drawn to forces they actively fight against being drawn to. SamxLucifer and DeanxAmara. 
S11: “Beyond the Mat” not a relationship but with crushes/infatuations. Dean with Gunner Lawless and Sam with Rio. 
S15: Cas telling Dean that “We Are” real. vs Eileen being unsure what’s real and Sam kissing her and saying “I know that was real.”
S15: “The Trap” Dean loses all hope following the death of their friends and primarily Cas. Sam loses hope after Eileen’s death. Directly paralleled in the episode. (We also see Sam lose Eileen in 15x18, where Dean also loses Cas)
Additional parallels between Dean/Cas with anyone else:
Season 9/10: Cain/Colette vs Dean/Cas. “She only asked for one thing. To stop.” vs Cas asking Dean to “Stop”. Both circumstances referring to the Mark of Cain.
S12 “Lily Sunder Has Some Regrets” Lily (human)/Isham (angel) vs Dean (human)/ Cas (angel)
Led Zeppelin: This music means something within John/Mary’s relationship, which Dean directly acknowledges in 12x01 with Mary. We find out Dean has gifted Cas a mixtape of his “Top 13 Zepp Traxx” in 12x19. (the implications of Dean having made a mixtape for Cas, being its own point in a different discussion)
When Lucifer contacts a person to try and get them to open up to him, he uses their dead lover as a ploy. SamxJess, NickxSarah, VincexJen, DeanxCas - 15x19 when Lucifer calls Dean using Cas’ voice. 
The parallels of unreciprocated love/infatuation. DeanxCrowley and CasxHannah. Dean likes Crowley but clearly not the way that Crowley likes Dean. Cas likes Hannah like a friend or sister, but she keeps putting the moves on him for awhile and he appears deeply uncomfortable and has to shoot her down more than once. 
Parallels between Dean’s own relationships:
Dean in “Let it Bleed” torturing demons to find the location of Lisa and Ben vs Dean in Purgatory torturing monsters to find the location of Cas “The angel”
“The Rapture” opens in Dean’s dream which Cas visits and says he’s in trouble and gives Dean an address to go to immediately. “The Song Remains The Same” opens in Dean’s dream which Anna visits and says she’s in trouble and gives Dean an address to go to immediately. 
S6 Dean dodging calls from Lisa vs S12 Dean dodging Cas at the beginning of “Lily Sunder Has Some Regrets” (notable also how Sam treats both circumstances the same)
S11: “Into the Mystic” 11x11 Mildred tells Dean the key to living a long and happy life is to follow your heart. Later in the season “All in the Family” 11x21 When Casifer is still captured by Amara, she puts her hand to Cas’ heart and is able to connect with Dean to contact him. Hinting at the link between Cas and Dean’s “hearts.” 
Not necessarily a parallel but an observation. 7x01 when Cas is loaded up on God juice, and Dean has given up but Sam hasn’t and wants to talk to ‘the guy’, Dean says, “He’s not a guy, he’s God.” But in 11x18 Dean refuses to give up on Cas and let him continue to be possessed. Sam keeps speaking about Cas like he’s just a vessel and Dean says, “It? It’s not an it, Sam. It’s Cas.” Mostly this shows the development of their relationship and Dean’s willingness to continue to fight for him. 
Dean’s dream world with Pamela in S14, she says to Dean “How come you only want what you can’t have?” and in S15 during Cas’ confession scene he says to Dean, “The one thing I want, is something I know I can’t have.”
Before we delve into Dean and Castiel specifically, let’s explore a few more things regarding Dean. 
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Let’s start with Cassie. This is Dean’s first romantic relationship we see on the show, and is arguably his first love. What is notable about her is her characterization and Dean in relation to her. We haven’t seen him in a relationship before, and thus this is the baseline to which we can draw how he is in this type of vulnerable state.
We see here that he is drawn to strong individuals. Cassie is a very strong willed character and can hold her own. She has a boldness about her. Dean appreciates that. We see similar in his next framed love interest: Jo Harvelle. Jo is another strong character, and though Dean sees her more as someone he needs to protect because she doesn’t have as much experience under her belt, he respects her intellect and strong will all the same. They connect through a love for hunting and mutual daddy issues. Personally, this is a relationship I view more as a little sister dynamic in a similar vein to Dean and Charlie, however this pairing is still worth noting because as it was written it was intended to potentially flourish into a romantic relationship. This did not pan out, though the seeds are still there. 
Next up is Anna. Again daddy issues are a solid connection these two hold, and while this relationship is more of a one-night-stand than anything else, there are still important points to be taken from this encounter. The first is just how much Dean cares. We don’t see very many sex scenes with Dean throughout the series, but of the ones we do see, it is apparent that he is a gentle and tender man. He cares. About even a single night with a woman. (Cassie, Anna, Lydia ’The Slice Girls”) This is a contrast to Dean’s general persona of the masculine straight promiscuous lady’s man. He has all the bravado of a man who ‘loves em and leaves em’, but in reality that is not who he is. This is another example of the faces Dean wears in front of certain people (and what he thinks they expect of him), and the person he is once he lets that mask fall. 
It may be important to note as well that Anna, (it is rumored) was originally meant to be more to Dean than this simple one night stand and connection. She was intended to become a romantic interest but, as it turned out, Dean and Cas had more chemistry so the arc that Anna was meant to follow was instead given to Castiel. 
It is another year until the apocalypse comes along, Sam dies, and Dean falls back into Lisa’s lap. While Lisa is another strong-willed woman who rolls with the punches, her lifestyle deviates from Dean’s usual romantic interests simply because of her offering of a normal life outside of everything he’s usually known. A life with her is dipping his toe into a life he could have had if he didn’t hold the weight of the world on his shoulders and hunt the things that go bump in the night.
This is Dean’s last “official” relationship of the series. After putting Lisa and Ben in danger by being someone that he cares about, Dean accepts that he’s simply not a guy that can have a normal life or a normal family. He cares about people and they get hurt. This is a weight he holds on his shoulders for the remainder of the show. He loves someone, or more accurately, they love him, and they’ll get hurt. End of story. It doesn’t help that immediately following this, Castiel “dies” too. 
Maybe it’s Lisa, maybe it’s Cas. Maybe it’s a combination of the two at this point in time, but Dean is never again the same when it comes to relationships after these events at the end of season 6. He becomes more cautious, tries to keep people an arm’s length away, and we even begin to see less and less promiscuity and flirting with miscellaneous women from this point on. 
Let’s talk about Castiel.
Although Dean has had various queer-coded moments throughout the beginning of the series and up to Castiel’s entrance in season 4, his minimal relationships up to this point have all been with women. Simply exploring the evolution of this relationship from Dean’s side of the picture, Dean doesn’t start to truly warm up to Castiel until perhaps the end of season 4. He begins the season unsure of the angel, perhaps even a bit afraid of him, before the two garner a sort of mutual respect as Dean begins to see that there’s more to him than simply an agent of heaven.
They’re friends in season 5. The quirky, strange angel that doesn’t understand social cues, stands too close, stares too much, and says things like “we’re making it up as we go” and “tonight you’re my little bitch.” He’s a far cry from the ethereal entity that showed up in Bobby’s kitchen just a year ago and threatened to toss Dean back into Hell. What really turns the curve, however, is “The End.” 
5 years in the future in the midst of an apocalyptic war, Cas is still around. He’s human and he’s stuck by Dean’s side through it all, even though this Dean is just a shadow of his former self. Then again, so is this Cas. But still, they stuck together. Dean isn’t used to that. He has very few people that have stuck by him for this many years. Could probably count them all on one hand at this point. Bobby and Sam at the top of the list. Everyone else either dies or leaves. And in this future, Bobby and Sam are dead, but Cas is still there.  
Dean has abandonment issues. His mother died when he was four, his dad was in and out emotionally and physically his entire upbringing, Sam left for Stanford the first chance he got. He’s got strings of dead friends and lost relationships surely in tow for years at this point, and half the time Dean has become accustomed to pushing people away before they have a chance to push him away first. (Ie Cassie, Lisa, often even Sam too at times). Cas won’t make these issues any better during their run together, but up to this point Cas hasn’t let him down. The simple fact that in this one future universe Cas had stuck by him, I’m sure that makes a big difference to Dean and actually may be imperative for their relationship going forward and the trust that forms between them. 
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Something that becomes a large part of their relationship is Cas and Dean’s ability to have conversations with just their eyes. This is a shorthand that Dean is known to have with Sam on occasion, especially during times of combat. It takes a certain amount of intimacy and knowledge of the other person to be able to have a shorthand like this. The first instance we see this between them is quite possibly “It’s the Great Pumpkin, Sam Winchester,” when Dean convinces Cas that they can save the town. We see it again in the ‘beautiful room’ when Cas slams Dean up against the wall and Dean seems to understand what’s happening. Another instance, “The Song Remains the Same.” In a way, it’s a locking of eyes that just seems to say “trust me,” and they do. 
Sam wonders if Anna may be right. If killing him and scattering the pieces will stop this whole Lucifer vessel business. Sam asks Cas, Cas looks to Dean, they share a look, and Cas shuts Sam down. In all likelihood that plan could have worked, but Cas wouldn’t do that Dean. He wouldn’t do it to Sam either but at this point he’ll do anything at all for Dean. 
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If we take a moment to consider Dean and Cas’ relationship here, it is unlike any of Dean’s previous ones. Dean never has this same kind of shorthand with any of his other relationships, save for possibly Benny to a certain extent. Cas is an odd guy, and Dean frequently describes him as such, but he finds it endearing (if “Free to be You and Me” is any indication this early in their relationship). The previous women in his life all had the same thing in common, that they’re strong willed, brave, and don’t put up with Dean’s shit when he’s being a shit. Cas does fit all this criteria, but he’s also someone that Dean has a hard time reading. Cas is so literal sometimes that Dean can’t tell what’s literal, what’s deadpan, and what’s just Cas’ personality as an angel. But at the end of the day, simply put, he likes him and he trusts him. Getting Dean Winchester’s full trust as quickly as Cas gets it is an anomaly all on its own. 
Dean’s female relationships are fairly surface level. They’re easy and fairly uncomplicated. Boy likes girl, girl likes boy. Girl gets mad at boy, relationship ends. Easy. Expected. His relationship with Cas isn’t easy. But the big endgame relationships seldom are. There’s blood, loss of trust, rebuilding, and there’s a pull that at the end of the day always brings them back to one another no matter how incredibly messy things get.  
And boy do things get messy. If we touch back into the end of season 6 where things end with Lisa and blow up with Cas, Dean is at an all time low in the relationship department. 
Dean takes Cas’ betrayal hard. Breakups are one thing. Leaving Lisa was expected. It was bound to happen eventually. Dean always knew that somewhere inside. He mourns leaving them, but knows it’s for the best. But with Cas’ betrayal at working with Crowley, he’s devastated all over again. 
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Dean never expects his relationships to last forever, but again there’s a choice few people in his life he lets take up space on the list of those who might stick around. Bobby, Sam, Cas. I don’t think Lisa was ever on this list, as much as Dean wishes he could tell himself she and Ben were. But they weren’t. That relationship was a ticking time bomb. And when they nearly die because of his life and the creatures surrounding him every day, that’s the end of it.
Fast forward, season 7 is a time of mourning. He’s lost Lisa and Ben, he gets Cas back for all of 30 minutes before losing him all over again and never being able to repair that relationship. But he keeps the trenchcoat. Fishes it out of the lake, bundles it up, and keeps it in the back of every single car that he and Sam drive that year. 
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Dean doesn’t keep mementos. Not of Cassie, not of Jo, Not of Anna, or even Lisa and Ben. No pictures, no items, just memories. You know what he does keep? He keeps his dad’s leather jacket, Bobby’s flask, pictures of he and Sam and his mom. Is keeping the trenchcoat in the back of the car for a year similar to those familial keepsakes? Maybe. But it’s also more than that. It’s covered in blood and lake water, and I’m sure Dean would explain it away that Cas was family and that’s why he kept the coat. Probably even believes that too. 
Then we have purgatory. 
Dean prays to Cas every night. He could get out of that place just on his own, but he stays there for months in full combat just to look for the angel and get him out with him.
“First we find the angel”
“Cas, we’re gettin’ out of here. We’re going home.”
“Cas, buddy, I need you.”
“Let me bottom line it for you. I’m not leaving here without you. Understand?”
“Cas, we’re gonna shove your ass back through the eye of that needle if it kills all three of us.”
“It’s gonna work. Nobody gets left behind.”
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When we meet Benny, Dean’s only other primary male pairing of consequence, he is not trusted. This team-up is one of strategy and a mutual goal only- at least at first. Dean and Benny fight well side by side, but the trust only runs so far. That is, until during one particular fight with leviathans in which Cas nearly bites it, Benny saves the angel’s life. This is the main turning point for Dean’s entire trust in Benny from here on out. 
“Benny has never let me down.” Dean says later to Sam. And he never did. He saved Cas, got Dean out of purgatory, and then later on he gets himself sent back to purgatory just so he can help Dean’s brother get out of there. 
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Dean and Benny’s relationship was “pure” in purgatory. They didn’t have to worry as much about the fact that Benny was a vampire and Dean was a hunter, they were just brothers in arms who earned one another’s trust, respect and love. There’s no way you let a man kill you and send you to purgatory to save his brother if you don’t love him. 
 Their relationship once they broke out of purgatory is where things began to sour, not because of anything either of them did to the other, but more the space they let grow. Regular Earth was different from purgatory and these men had to go back to their roles and say sayonara. “What happened in purgatory stayed in purgatory” and all that. Benny was a vampire and Dean was a hunter. That kind of thing mattered here despite the fact that they did care for one another. 
Dean and Benny’s tumultuous relationship in relation to the people in Dean’s life could be reminiscent of a queer experience in itself. A lack of acceptance from Sam, Bobby, Martin- Dean’s family. Not because of who Benny was, but what he was. Pair this with the already established fact that Amelia and Sam were a direct parallel to Dean and Benny, Season 8 has been one of the most blatantly queer-coded seasons as of yet. 
Which brings us to “Goodbye Stranger.” It is established early on this season that Dean feels that there’s something wrong with Cas, something off about him. The fact that they don’t know how he popped out of purgatory is just one part of it. It’s in the way he acts, how spacey he is, the fact that he doesn’t answer Dean’s prayers. “I always come when you call.” Cas once said. And he did. Until now.
This is another aspect of their relationship which is simply there and not spoken about much- similar to their staring and eye communication thing they do. Dean started their relationship unable to read all of Cas’ quirks very well and unsure of the guy. Now, he’s fluent in the language of Cas. He knows by tone of voice, by shiftiness, by his expressions- when something is up. Maybe he started paying more attention after the whole Rafael situation until he could read Cas like the back of his hand, or maybe he just started paying attention just to pay attention. 
He’s known something is wrong for months while Cas has been under Naomi’s control. Just the same as years later, he knows something is up when Lucifer is taking a ride in Cas’ body. And he knows in 12x15 just by the way Cas speaks on the phone that something is off with him. 
They come upon the angel tablet in the crypt, and Dean does fight back when Cas starts in on him, but he spends even more energy trying to get Cas to come back to him and fight whatever force has him under control. He never once stopped to think that this was just Cas. “This isn’t you! Fight this!” Dean would repeat over and over as Cas beats him nearly to death. 
There was a moment he certainly thought that Cas would kill him, and it seemed like he was more bothered by the fact that it was Cas that would do it more so than the thought of dying. 
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Cas breaks through the mind control, heals Dean. Then he leaves. So, again, Cas leaves. He keeps doing that to Dean. I stated before that Dean’s abandonment issues come into play in this relationship, but unlike at the beginning where Dean saw a future that Cas stays in, this Cas keeps coming and going. This makes it difficult for Dean to trust him fully, to rely on him. But the fact of the matter is that he does still trust him completely, and that’s what bothers Dean. 
When Cas does come back again, collapsed and bloody in the middle of the street, Dean puts up a wall. He’s hurt and he’s tired. He doesn’t want to trust him as much as he does and he definitely doesn’t want him to keep coming and going without a thought. (What’s interesting to note here, though, is Dean’s change in character as this occurs through the years. Because while here he may simply give Cas the cold shoulder and not talk much about his hurt in this situation, we see later on in 12x19 after Dean has been fretting for days about where Cas has gone off to, and Cas finally does return, he voices his side of things. “With everything that’s going on, you can’t just go dark like that. We didn’t know what happened to you. We were worried, that’s not okay.”)
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Naomi hits the nail on the head when she visits Dean after Castiel disappears and she notices Dean still hasn’t warded the boat against angels. It is moments like these that we realize just how much everyone else around these two also notice their chemistry and their deep devotion to one another, always seeming to fall back to one another. 
“I think you have me confused with the other angel. You know, the one in the dirty trenchcoat who’s in love with you.” - Balthazar S6
“The stench of that impala is all over your overcoat, angel.” - Crowley S6
“Castiel? Oh, he’s not here. See, he has this weakness. He likes you.” -Uriel S4
(to Dean) “Go ask him, he was your boyfriend first.” - Meg S7
“I have tiptoed through all your little tulips. Your memories, your little feelings, yes. I know what you hate. I know who you love, what you fear.” - The Empty S13
“And then after a rousing speech, his true weakness is revealed. He’s in love... with humanity.” - Metatron S9
“I’m sorry, did you just say that you lost a Winchester? Because, one, that’s... interesting. And, two, how is it that you lost Dean? I thought the two of you were joined at the... you know, everything.” - Kipling S14
“And for what again? Oh, that’s right, to save Dean Winchester. That was your goal, right? I mean, you drape yourself in the flag of heaven, but ultimately, it was about saving one human, right? Well, guess what? He’s dead, too.” - Metatron S9
“Don’t lose it all over one man.” - Hannah S9
“The very touch of you corrupts. When Castiel first laid a hand on you in Hell he was lost!” - Hester S7
“Oh, sweet. Almost anything. Castiel? He’s dead. All the way dead. Because of you.” - Miriam S13
“And then you’d kill the angel, Castiel. Now that one, that I suspect would hurt something awful.” - Cain S10
“He should know this- Lucifer, his favorite, isn’t doing so well. Say nothing of the vessel, your friend Castiel.” - Amara S11
“I’m gonna cure you of your human weakness, the same way I cured my own. By cutting it out.” - Isham S12
Bonus: Dean to Sam about Garth’s baby Castiel- Dean: “This Cas keeps looking at me weird.” Sam: “So kinda like the real Cas.”
It is time and again that opposing forces recognize the relationship between Dean and Castiel, and it’s commented on and used against them frequently.
As we move forward to the angels falling and human Castiel, this season opens up with dean in the hospital with a very ill Sam. The first thing he does before contacting anyone else is pray to Castiel. There’s a moment in 9x03 where Castiel walks into a church and speaks with a woman there. He expresses his lack of faith and she says, “I guess that’s why we pray. You need something stronger than yourself.” Dean never prayed until he started praying to Cas. He prayed to Cas during the apocalypse, in purgatory, when Sam was sick during the trials, now in this hospital. Dean might not have faith in God, but he does in Cas. 
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Castiel is human, and while Dean tears apart the grid trying to find him while angels are on Cas’ ass, he still watches him die, then has to kick him from the safety of the bunker the very same day. Up until this point, Cas has been a genuine part of their family regardless of their squabbles over the past months, but kicking him from the bunker damages that. Once the reasoning comes to light, however, Cas is forgiving immediately. He’d forgiven Dean even before that. That’s one thing about Cas that Dean never seems to get over either. Dean can get angry and take things out on him, kick him from the bunker, make stupid decisions and nearly kill himself, holler at him, blame him, but Cas comes back every time. He forgives him every time. It’s already overwhelming when Sam does this, but the ease at which Castiel consistently forgives Dean is a lot. 
Dean gets the Mark of Cain. It’s a means to an end, he says. When he becomes a demon as a result, this is when his relationship with Crowley is deepened. This relationship is an interesting one because it’s essentially an unrequited example. Dean likes Crowley, and when he’s a demon he has a good time, but Crowley’s feelings appear to go much deeper- even if he tries not to show it. 
 It is very possible that Dean and Crowley’s relationship is a formation more as a result of a joke than anything else- where the writers are concerned. But whether that was the intention or not, this is a relationship that continues to affect Crowley’s actions towards Dean for the rest of the series. He doesn’t let Dean kill innocents as he’s a demon, he saves Castiel from certain death as his grace drains, he gives Sam the information to find Dean so he can be cured, and he aids in getting the mark removed from Dean even as Sam attempts to kill him in the process. In return, Dean gives Crowley the benefit of the doubt more often, and they share a sort of mutual respect. What differs here, however, from Dean’s relationships with Benny or Castiel, is Dean’s actions. It is clear that Dean doesn’t feel as deeply as Crowley does, so this is an interesting relationship to compare side by side with the others. 
Not only this, but DeanxCrowley in these first few episodes can be seen as a parallel with CasxHannah. Two unreciprocated relationships which do not last long in this particular phase, but do result in a friendship within these pairings as time goes on. 
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Still with the Mark of Cain, Dean and Cain have a few things in common. Cain had said that his wife, Colette, before she died had asked him to stop. Stop the killing. It’s several months after that that Dean is going off the rails and Cas, behind Dean as he’s walking away, asks Dean to stop. He nearly kills Cas then, almost fulfilling Cain’s words just weeks earlier: “And then you’ll kill the angel, Castiel. And that, I suspect, would hurt something awful.” This is a direct romantic parallel written into the show. 
When the darkness is released, Amara and Dean are immediately drawn to one another through some sort of connection as a remnant of the mark. This relationship is another interesting one, because it ties in to true desire and consent. Dean is drawn to her, yes, and she is sold as a sort of potential love interest this season, but Dean himself doesn’t want anything to do with her. He’s hypnotized when he’s around her, but as soon as he’s away this energy dissipates. 
So in light of this storyline let’s talk about consent and the sexualization of Dean Winchester for a second, shall we?
Dean is an often highly sexualized individual. He plays along more in his younger days, but the older he gets the more frustrated he becomes with the whole situation. I’m sure there are more but here are some tentative examples (This is also something that happens to Sam a decent amount as well.): 
Wendy at the psych ward in “Sam, Interrupted” kisses Dean
Pamela touching Dean’s inner thigh in “Lazarus Rising” 
Ezra in “Time After Time” kisses Dean without consent
Gets turned into a vampire because he’s “pretty”
Pamela in “Dark Side of the Moon” kisses Dean
Almost becomes a vessel for Sandy’s mate in “The Thing” because she “enjoys looking at his face”
Amara kisses Dean in “O’ Brother Where Art Thou”
Mildred gropes Dean’s leg in “Into the Mystic” and continually makes advances even tho he’s uncomfortable. 
Random girl slaps Dean’s ass in “The Last Call”
Ellie in S8 wants to sleep with Dean and even kisses him randomly
Meg kisses Dean as he’s being held against his will in “Sympathy for the Devil”
Granted, there aren’t a plethora of examples, but it’s still a lot and it is interesting to see how often Dean has been sexualized for someone else’s pleasure. It is bound to work into his characterization as well, and his sense of self-worth. He’s often described as the pretty one of the brothers, and seeing as he is the more promiscuous of the two, it is assumed that he welcomes all of or most of the attention that comes his way.
It is for this reason in particular that the situation with Amara is bothersome to me. Not only is Dean taken advantage of physically, but his mind is essentially hypnotized whenever she is near, not giving him total control over his actions or desires. Amara is in part meant to be sold as a romantic interest, but throughout the season Dean continually expresses his discontent. He’s even ashamed to admit these feelings to Sam and Cas, even though he knows it isn’t his fault he still feels responsible. (Which, if we think about it, this is could be a queer allegory too. The lack of choice, feeling shame, etc.)
What is notable, however, is the day that they attempt to capture Lucifer and speak to Cas to get him to expel Lucifer from his body. Amara makes a surprise appearance and captures Lucifer/Cas herself. Dean yells to Cas. This catches Amara’s attention and appears to confuse her, and even Lucifer, seeing as when Dean is around her he’s meant to have eyes for just her because of their “bond”. His link to Castiel appears to be stronger, however.  
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Amara uses this connection between Cas and Dean when she wishes to contact Dean, simply by placing her hand over Castiel’s heart. She says to Dean, “If you should cross paths, if (god) should reach out to you, he should know this - Lucifer, his favorite, isn’t doing so well. Say nothing of the vessel, your friend Castiel.”
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If we backtrack a moment, Dean finding out that Castiel is possessed in the first place is a very emotional time for Dean. He doesn’t want to accept that Cas would make such a decision, put himself in that kind of danger, and choose to leave once again. Sam, the arguably more rational thinker at this current time, tries to rationalize that Cas may not come back willingly since he chose to let Lucifer in. “Not possible.” Dean says. It’s simply not possible that Cas doesn’t want to come back to them. It’s not something he can accept. 
The next several episodes are begun with Dean either losing sleep trying to figure out what to do about Cas, or simply moping about. Sam has to comfort him each time. This is notable behavior as well, because Dean isn’t often one to wear his heart on his sleeve this frequently. Certainly he has his moments, but much of the time when he’s distressed he simply buries it all down and puts up a front. He doesn’t do that here. In fact, once they do begin to put together a plan with Crowley, Sam thinks they should still utilize Lucifer in the fight against Amara but thinks it’s foolish to move him into a new vessel. 
((I actually counted up the mopey Dean scenes- between finding out Cas is possessed, to getting Cas back.))
There are four convos with Sam (multiple episodes) where Sam has to comfort Dean and say something along the lines of “we’ll get him back.” (Just as an aside, I don’t think there has ever been a scene in the series where Dean comforted Sam about Cas, it’s always Sam having to comfort a freaking out Dean)
Then, of course, there’s the scene where Dean comforts a victim and she says “I watched the man I love die. There’s no normal after that.” 
There’s the “It’s not an ‘it,’ Sam. It’s Cas.” scene. 
There’s Dean trying to get through to Cas when they capture Lucifer. 
There’s the Dean yelling “Cas?” to Casifer when Amara is in the room. 
There’s two more scenes where Sam comforts Dean again. 
There’s “The Chitters” episode with the gay hunter couple. (This isn’t a direct relation, but more of an honorable mention because it seems abstractly relevant)
Amara connecting to Dean through Cas’ heart.
Dean freaking out about making it to Cas in time and again talking to Sam about it.
Dean asking “what about Cas?” as they’re planning the attack with God against Amara.
Someone has said once that you can tell that Dean is in love with Cas because Sam isn’t. It’s in moments like this that this becomes readily apparent. Yes, Sam cares about Cas, of course. But it’s just different than the way that Dean cares about Cas. When Dean cares about certain people, this love weaves into the very fabric of his being and he just feels it so completely and overwhelmingly, he can’t simply not fight for it. 
“Dean, it’s a strong vessel, it’s held Cas for years, and we know what he’s been through.” Sam says.
“It? It’s not an ‘it,’ Sam. It’s Cas.”
Dean appears almost shocked that these words would pass through Sam’s mouth. He’s confused that Sam wouldn’t fight for Cas just as much as Dean would. The type of love they each have for the angel is just different. Visually, action-wise, reaction-wise. This conversation in “Hell’s Angel” highlights that. 
You know what else highlights it? The fact that when they do trap Lucifer, it’s only Dean who gets through to Cas and talks to him to get him to come back and expel Lucifer. It’s Cas only seeking Dean’s forgiveness in S7 when putting the souls back in Purgatory. It’s Dean in S6 being the only one to defend Cas in “The Man Who Would Be King.” It’s Dean later in that same episode being the one to get through to Cas in the circle of holy fire. It’s “I did it, all of it, for you.” It’s Dean carrying around that trenchcoat for a year and mourning when Sam doesn’t. It’s Bobby checking in on Dean mourning Cas, but doesn’t check in with Sam about it. It’s Sam pulling Dean out of the apocalypse world in season 12 as Dean screams for Cas and physically fights against Sam to get to Cas. It’s Sam seeing Cas dead on the ground minutes later, but still able to walk away while Dean is frozen in place, frozen in shock. It’s Dean being the only one to wrap up Cas’ dead body. It’s Sam always having to reassure Dean that Cas is probably fine, whenever he goes missing for a little while. It’s Dean hardly able to function in S13 with this encompassing grief over Cas’ death and yelling “It got him dead! Now you might be able to forget about that, but I can’t.” It’s S15 when Rowena tells Dean and Cas to fix their quarrel before it’s too late, and later Dean in purgatory not sure of it is too late as he’s praying for Cas to be okay and crying against a tree. 
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Sam’s reactions are important to take into account. Sam cares, yes, but Cas isn’t as wholly encompassing in his life as he is in Dean’s. If anything else is to prove that, it’s the way that Dean grieves (I mean, if you were to put Sam in Dean’s place in 15x09 in Purgatory and their fight, there’s no way that Sam would react this extremely). 
There are three different points to highlight Dean’s grief. The first is season 7 with the trenchcoat, which we’ve already talked about. The second is when Cas is possessed by Lucifer, which we have covered as well. The most damning, however, is Dean’s season 13 grief arc following Cas’ death. Dean also loses his mother during this time and a few other friends, but considering how he reacts when Cas comes back, a great amount of this grief has to do with Cas. Dean completely loses hope and faith in anything at all during this time. He hates Jack for giving Cas false hope and getting him killed. He doesn’t believe in their mission anymore. He doesn’t believe anything matters at all. “Right now, I don’t believe in a damn thing.” Dean admits to Sam. When Cas comes back from the dead, however, he pulls a complete 180. He has hope again. He has faith. And all of it begins with Cas.
Lastly, Dean never hooks up with anyone again after Castiel’s final resurrection. We can go through an outline of the steady decline of Dean’s hookups and relations outside of Cas as the decade goes, but during this three year window specifically, Dean’s only pairing is Cas. Sure, he might flirt with someone every now and again, but this never goes anywhere. (Arguably the person he flirts with the most in any episode in these final three seasons is Daphne, but idk if that even counts much considering she is a cartoon.)  And as Pamela says once in Rocky’s bar: “Besides, you don’t want me. You just like to flirt. I’m psychic so I kinda know.” And that was just in Dean’s head anyways so it’s probably even more true than had Pamela actually said it herself. 
When Jack comes in the picture in season 13, and Castiel comes back from the dead, this makeshift little family is formed. All three men act as father figures to this half-angel kid at different capacities, and amongst this dynamic another is formed a bit further between Dean and Cas. They’ve already been acting a bit as an old married couple in recent years (Lily Sunder Has Some Regrets, anyone?) but this co-parenting scenario they’ve found themselves in has solidified this dynamic all the more as they collaborate on the issues that arise with Jack. In “Lebanon” when John Winchester comes back for a brief period, John even says to Dean that he’d hoped he would get a family someday and get out of hunting and such. Dean replies, “I have a family.” Sam, Cas, and Jack are his family. Cas has been family for a long time, but here and now Dean just isn’t looking for anything else or anything normal. He’s happy with himself and the people he’s surrounded by. He’s not looking for anything else or anyone else. 
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For a change of perspective, let’s check out Castiel’s relationships over the years.
Unlike Dean, Castiel’s queerness and interest in Dean has been officially canonized. We can speculate all we want on the legitimacy of Dean’s love for Cas, but we can speak in certainties about Castiel. Castiel is in love with Dean Winchester. Speculation can come in when we consider, just how long has this love existed for him? Let’s start from the beginning.
Right off the bat when we meet Castiel, he’s a semi-emotionless soldier of heaven who works under strict orders and doesn’t have much free-will. Dean begins to change this. We can see even in their first couple encounters that Castiel is interested in Dean- in what he has to say, intrigue in the fact that Dean talks back to the angels (despite that these angels are unkillable beings and could smite him on the spot), the fact that he’s snarky and brave and questions everything. Where Uriel finds Dean annoying and blasphemous, Castiel finds the back-talk fascinating. Dean’s words impact Cas, and it’s not long before he starts to have doubts about Heaven. Following these orders blindly and unquestioningly starts to seem foolish when Dean puts things in a different perspective. 
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Even after Cas undergoes what some have funnily dubbed “conversion therapy” in “The Rapture” (when Cas had finally decided on going against Heaven and to help Dean stop the apocalypse) it’s still not enough to stop him completely. A bit more time with Dean and he’s convinced yet again to help this one human man stop the apocalypse with his brother. He even dies for him and this new mission of his. 
Castiel throughout this first season is interesting because we see firsthand his struggle to understand beginning to feel emotions and accept thinking for himself. “For the first time, I feel...” He says to Anna. He wants her to tell him what to do. He wants orders because that’s all he knows, and he doesn’t understand why suddenly he cares. It hurts him to send Dean in to torture Alastair. It hurts him even later when in the beautiful room Dean dismisses him with a “What do you care, you’re already dead. We’re done.” 
It’s possible that in these first several months, or even these first couple seasons, that Castiel follows Dean around and does as he asks because he’s allotted Dean as the new being he serves. Because serving is what he knows. But it’s also through this that he begins caring more and more. He learns more how to express certain emotions, he learns more about humanity, he learns more about what is important in life and what is worth fighting for. As Cas will admit himself 12 years later, “Ever since we met, ever since I pulled you out of Hell... Knowing you has changed me. Because you cared, I cared. I cared about you. I cared about Sam. I cared about Jack... I cared about the whole world because of you.”
We start to see sprinkles of this especially throughout season 5 as Cas begins to come to terms with caring and adopting Dean’s mindset to care. Consider Sam for a moment. He and Cas don’t necessarily get along a lot and mostly just tolerate one another in these early days. However, as we see in “Abandon All Hope” when Castiel is captured by Lucifer, Cas gets visually upset at the concept of Lucifer taking Sam as his vessel. “You are not taking Sam Winchester. I won’t let you.” 
Sam and Cas don’t have much of a relationship at this point, but Cas cares because Dean does. In “The Song Remains the Same” not long later, he even refers to Sam as his friend.
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By the time S6 rolls around Castiel is in the midst of a civil war in heaven entirely because he has adopted the Winchester’s all encompassing mindset on the importance of free-will. Castiel is making his own choices, and he does everything he can to protect the Winchesters from harm as he does so. He decides not to seek out Dean’s help while he’s raking leaves because Dean had already sacrificed too much in Castiel’s eyes. He raises Sam from perdition because he feels it the right thing to do. He re-sinks the Titanic to keep the boys from being killed by Fate. 
Personally, I think Castiel has been slowly falling in love with Dean this entire time, he’s just not aware what this feeling is. But this becomes even more plausible to me when we get Castiel’s perspective in “The Man Who Would Be King.” Cas cares what Bobby and Sam think of him, sure, but all he focuses on is Dean. Dean’s happiness and ensuring he not sacrifice more. Dean’s loyalty even as Cas seems to be guilty. Dean’s words when they capture Cas in holy fire. 
The problem is, their relationship this season is also rocky. Cas seems to think that he’s merely a tool at the Winchester’s disposal and not much else. But he doesn’t mind because he cares about them so much, so what do his feelings matter? He sees himself as their protector. Their guardian angel. A role he’s fine with filling regardless of how they feel in return. 
But when things get bad, Dean says to him “Next to Sam, you and Bobby are the closest things I have to family. You are like a brother to me. So if I’m asking you not to do something... You’ve gotta trust me, man.” and Cas seems genuinely surprised at this admission. Emotional, even. 
As time goes on, Castiel’s actions nearly primarily revolve around Dean
After Cas realizes his error and is sending the purgatory souls back to their place, he tells Dean repeatedly that he’ll find some way to redeem himself to him. That’s the most important thing to him then. 
When Cas smites the demons outside of the mental hospital in 7x17, all of his flashes of memories coming back were memories of Dean. 
Partially to aid Sam and partially to redeem himself to Dean, Cas takes on Sam’s Hell brain in the asylum and goes crazy.
Cas runs in purgatory to keep the leviathans away from Dean. 
Cas breaks out of Naomi’s mind control/brainwashing because of his feelings for Dean.
Let’s talk about that final bullet point for a moment. The Naomi chapter is damning in “Goodbye Stranger.” It isn’t copies of both Sam and Dean that Naomi trains Castiel to kill hundreds upon hundreds of times. No, it’s ONLY clones of Dean. 
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“What broke the connection?” Dean will ask after Castiel heals him in the crypt and takes control back over his mind. “I don’t know.” Cas will say. It wasn’t the angel tablet. That may have unwound the last of Naomi’s control over him, yes, but he’d dropped that angel blade before that. It was Dean that broke that connection. Even if this remains unsaid, it doesn’t make it any less true. Maybe Castiel starts to have an understanding of what his feelings are and what they mean here, but he won’t be truly sure until he soon becomes human. 
Before we get there, though, we’ll take a brief pause to explore Cas’ heterosexual explorations and connections. 
First is Meg. Cas’ relationship with Meg is born of sexual exploration more than anything else at its conception. He’d just been watching porn in his downtime and when Meg kisses him, he goes with it enthusiastically. Later, he seems to have a certain infatuation with her in his “crazy” state, and seems to trust her perhaps simply because she had been watching over him in the institution. 
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This is interesting because in his “crazy” state, Cas is a lot more raw and unfiltered and optimistic than he ever has been before. He compliments her, is concerned with her safety, and trusts her. On the contrary, with Dean, Cas is a lot more hesitant and even fearful when talking about certain subjects with him because of his past failings. He tries to keep the peace without directly getting involved because his direct involvement in the past had failed them all so spectacularly. 
He and Meg continue to have a sort of connection whenever they cross paths until her demise the next season, and he still holds a respect for her years later, continuing to use her nickname for him “Clarence” as an alias at various times. 
When Castiel becomes human in S9, he’s a bit lost and overwhelmed. April takes him in for the night. Although this is a short-lived romance considering she tortures and kills him the next day, for a brief enough time Cas starts to become acquainted with human romance and sexual desire. He loses his virginity to her. It is estimated by some that this is merely sexual experimentation on the part of a very confused newly human Cas, and others have used this to say that Cas is not gay but pan or bi. The conclusion in any regard, in my opinion, is purely up to the viewer. 
If I’m to offer my opinion, however, seeing as he has shown interest in both sexes, though remains unlabeled, I consider him simply an unlabeled queer person. Sexual identity and orientation has never seemed to matter much to Castiel, so I don’t see why it should matter to me. He loves who he loves, simple as that. 
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When we get to Hannah, she provides an interesting foil to Castiel for a time, and an emphasizing expression on just how much he’s changed since his introduction to Earth and the Winchesters. Where Castiel has been open to a plethora of new emotions and experiences through the years which have made him a bit more human than angel at times, Hannah is still new to humanity and the range and movement of emotions that come with it. Just how little she seems to understand proves how much Castiel has grown and does understand by comparison. 
As such, he seems to pick up on the fact that Hannah has an attachment to him that appears to be forming into a romantic or sexual interest. He gently turns her down multiple times, not expressing interest in her behavior although he does respect her greatly as a person. Though this relationship isn’t considered romantic from Castiel’s perspective, its unrequited nature again is a good parallel to Dean and Crowley’s relationship at this same time. Angel x Angel and Demon x Demon. Both one sided.
Now, let’s get back to Dean. 
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Up to the point that Castiel turns human, for however brief a time, he finally gets a look behind the curtain of human emotion. Now, we all know that Cas is in love with Dean already here- and probably has been for some time. Years, even- but it’s my personal belief that during this time turning human is when he actually realizes it and understands where these emotions come from.
Maybe it’s the heartbreak of Dean kicking him from the bunker, maybe it’s seeing Dean again when he shows up in line at the Gas n Sip, or maybe it’s somewhere in between when he sees two people on the street looking at each other and realizes “oh, that’s love. I know what that is. I felt that, too.” And every moment from then on he realizes what that feeling was in his chest when he looked at Dean for a little too long, or why it hurt so much to see the pain in Dean’s eyes at something Cas had done, or why hearing Dean’s prayers to him just felt different than they did with Sam’s. Why everything that he’d done since he rebelled from heaven was in the name of doing the right thing, muddled alongside doing the right thing for Dean. Caring because of Dean. Caring for Dean.
It’s during this time when he realizes what these feelings are, that he also must come to terms with the fact that they’re unreciprocated (or as he believes, anyway). This is for two reasons. The first, he still believes at this time that Dean kicked him from the bunker just because. And the second, if there’s anything that Cas took to heart from Dean’s example as strongly as the concept of free-will, it’s self-loathing. He doesn’t see himself worthy of love. Dean doesn’t see himself worthy of love either. They’re both messy piles of self-loathing that breeds into a blindness to the depth of care they hold for one another.   
Now that we’re on the topic of self-loathing, this leads into Castiel and his decision to become Lucifer’s vessel in season 11. Much like Dean, Cas has a consistent issue with seeing his own personal self-worth, so when the opportunity comes along to “be of service to the fight” and become Lucifer’s vessel, he takes it on easily. He considers himself expendable, and he won’t see just how much Dean struggles with this fact while he’s possessed. In fact, Cas never knows just how much Dean struggles with his absence at all, which is just one of the many divides between the two of them that could easily be resolved with communication, if either were ever good at that. 
Once Lucifer is shoved from Cas’ body, however, Dean makes a point to let Cas know just how important he is in his life. He’s said Cas was family before, but that was before the falling out at the end of season 6. Dean makes it clear that he and Sam both consider Cas family, once again, during a ride in Baby. “You’re our brother, Cas. I want you to know that.” 
Now, here, simultaneous heartbreak and love occur. Because while Cas is likely very much in love with Dean here, and very much aware of it, to hear that Dean simply thinks of him as a brother must ache a bit. However, we’re also talking about Dean Winchester, and for him to call someone a brother is an immense depth of love, probably the most the man is even capable of. Dean never says the words “I love you” to anyone, so this is about the closest anyone could get. Cas knows this, he’s well-versed in the ways of Dean Winchester by now. So, while it aches, his heart is also full. 
Comparable to:
“We need you, Cas. I need you.” 8x17
“We’re gonna shove your ass back through the eye of that needle if it kills all three of us.” 8x05
“Don’t make me lose you, too.” 7x23
“Don’t do anything stupid” 
The entire purgatory confession/apology prayer in 15x09
Cas returns this love just hours later, offering to go with Dean to die taking out Amara.
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If we jump forward to the divorce arc of season 14-15, we can hit upon the next great heartbreak of Castiel’s sad little love life. While the Winchester brothers, Castiel, and Jack have all become a family unit, Castiel never wants to lose that. But two things happen. First, Cas’ deal with The Empty is made, and somewhere along the line, silently, he becomes aware that allowing himself to be happy, and that happiness, somehow involves Dean. The second thing that happens is Jack kills Mary Winchester, and Dean says Castiel is dead to him. 
So, The Empty won’t take him, but his family is broken apart. Castiel never gives up on a single family member, though. That’s the thing about Cas. The same way he consistently forgives Dean for all his behaviors over the years, he never loses faith in anyone in this family. And when they come to reunite, he’s happy simply in appreciating any and all time they have together, however brief.
Then, in true Castiel fashion, he sacrifices himself for Dean Winchester in 15x18. 
Their relationship has always left things unsaid, but I don’t think there’s ever been a question on whether Dean loves Cas or Cas loves Dean even if they don’t talk about it. You can’t look at Cas and Dean’s faces seeing each other again for the first time in weeks at the end of “The Last Call” and say that there wasn’t love and heartbreak there. On some level I think that Cas knew that Dean loved him back, but Dean was so buried in trauma at that point that it might take him years more to realize what he actually felt and what he needed. But Cas is such a selfless lover that he was absolutely 100% fine with just being around Dean for the rest of his life, even if he never got a chance to tell him how much he genuinely cared for him, and never got that reciprocation back. Castiel’s love for Dean is so pure and selfless it’s overwhelming to even consider, but for someone like Dean it would be a hundred times harder to accept or even fathom someone caring about him as much as Cas does. 
So Castiel never pushes Dean further, never suggests, barely even touches him. The only liberties Cas takes are small touches to heal him (even though he doesn’t need to touch a person to heal them), a few small hugs through the years, just sharing comfortable space inside the impala, small moments watching Dean’s favorite movies with him, or sharing a moment over beers in the kitchen. And Cas’ happiness was in telling Dean how much he loved him likely because then maybe Dean would actually see how much he was worth. Cas wanted Dean to know how much he loved him and how he viewed him, because Dean deserved to love himself and was worthy of it. 
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The five types of love languages are as follows:
Words of affirmation
Physical touch
Gift giving
Acts of Service
Quality Time
One of the reasons Dean and Cas miss the mark with one another so often could simply come down to love languages. A lot of the time, what a person needs in love language is often what they also give. I don’t think this is the case where these two are concerned, though. They’re both so sacrificial that it’s difficult for them to accept this in return, even though this is what they each offer to the other and anyone else around them. 
Both Cas and Dean’s giving love language is “acts of service” which translates into sacrificial actions much of the time, though it can also be more domestic than that as well. It’s Dean grabbing an extra beer for Cas or making food, or it’s Cas healing Dean without any prompting, Cas loading up on pie and beer at the Gas n Sip when Dean’s mad at him. 
What they each need, however, is different. Dean needs “quality time.” He needs his people close, he needs them to answer calls, and he needs to know where they are. This clearly ties in to his abandonment issues, and it hurts his relationship with Cas significantly when the angel just keeps leaving, or disappears without answering his phone for days at a time. And when he dies, obviously. He always comes back, though. And half the time when he’s gone it’s because he’s trying to get a win for Dean against whatever issue the team is facing at the time. 
What Cas needs, best I can tell, is “words of affirmation.” Cas has a consistent problem with thinking that he’s worth less than he is, and is less important to the people around him than he is. Dean obviously has this issue, too, but with Cas it’s somehow infinitely worse, if that’s even possible. Frequently, what he needs to get him going in low points is a few words from Dean or encouragement in general. To name a few:
“Maybe to fix it.” 7x17
“I’d rather have you, cursed or not.” 7x23, Cas then goes with Dean to find and kill Dick Roman
“I’m not leaving here without you.” S8 in purgatory when Cas wanted Dean to leave him behind but Dean was having none of it.
“You’re our brother, Cas.” 11x23, after Cas was possessed by Lucifer and thought he was expendable. 
Over time, Dean does get a bit more vocal with Cas about issues he’s having or just with encouraging words as well. Cas, too, sticks around a lot more. They’re not perfect but they do begin to grow and work with one another in these later years to give one another what they need most to see how much the other is loved. 
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In conclusion, there is a significant amount of romance and sexuality written into this show, and simply interpreted as well. And that’s the thing, when a queer person says that they interpreted a certain piece of media as queer, it’s not up to someone else to say that they can’t, or shouldn’t, or that they’re interpreting something wrong. That’s the thing about media, it can have so many different interpretations and meanings to so many different people. 
It’s my personal interpretation to see the queerness embedded in the text here. Maybe it’s not there for another person, and that’s cool too, just don’t tell me how I should see it. The fact is that it was written into the show to be interpreted, and interpret is what we did. 
I’d love to hear any feedback that others may have regarding this. Any other theories, different interpretations, things I may have missed. I hope you enjoy the edits, and the endings I put together for them. We all need a little bit of happiness after that ending, so I hope it leaves you with a lighter heart. :)
Much love,
Taylor
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leonardhoee · 4 years ago
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Ikevamp OC: Sandro Botticelli
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Birthday: March 1, 1445
Zodiac Sign: Pisces
Height: 173cm (5’8)
Past Occupation: Artist
Vampiric Type: Lesser Vampire
MBTI Personality: ENFJ- A
Build: Lean, but toned. He says his best feature is his ass. Everyone agrees
Fashion Style: Modern day Sandro would wear light academia or cottage core. He would also wear a maid dress or skirt just because he’s proud of his thighs. In Ikevamp’s time period however, his priority is always comfort. He’s wear leather pants with either a white silk or cotton button up. (Tiddies out ofc because he is shameless) 
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Background: Turned in 1510 by Lorenzo de Medici, Botticelli was initially unaware that he had even died and been resurrected as a vampire. As someone who greatly appreciates life, he was angry at first about being brought back without his permission, and immediately left the Medici court. For several decades he traveled the world and realized there was so much undiscovered beauty just waiting to be discovered and immortalized by him. Since then he made it his goal to seek out that beauty wherever he could, and create a painting so extravagant and ethereal that it would put the sun, moon, and stars to shame. 
Personality: He is one of the most outgoing people in the mansion. He is not afraid to speak his mind and often compliments random people he meets in town. He is very genuine, almost to a fault. He always sees the good in others and can be a bit naive at times, only because he choses to believe people at face value. His  authenticity and trust in others, inspire the people he cares about to believe in themselves and become more confident. He also tends to have a flair for the dramatic, basically the embodiment of “I’ll get over it, I just need to be dramatic first”. He can be a bit dreamy and carefree, tossing awareness of his surroundings. (One time he went horseback riding with Leonardo and saw a pretty flower. He spaced out, thinking about how he would paint it in the hands of a beautiful person and ended up getting thrown off his horse when he almost rode into a tree. A true himbo). His carefree attitude however, can leave him a bit detached from people. While he’s very empathetic, he doesn’t know what to do when those emotions are coming from him. Finding beauty is his motivation after being brought back, but what happens when he realizes beauty isn’t the only reason he’s so drawn to you?
In Love: At first, he simply thought he was attracted to you for your beauty. After all, that’s the reason he was drawn to people in the past. He understand’s beauty very well, but he doesn't know what true love feels like from his own perspective. A major conflict for him would be realizing that the reason his heart races after time you smile at him, isn't because he simply finds you worthy of his art. He is hopelessly in love with you. 
“Oh don’t worry, I’m just holding your hand because its pretty haha...”
He can be oblivious at the beginning and won’t understand why you’re jealousy that he’s admiring other people for their beauty. It’s only because he wants them to be art subjects right? 
But once he has come to terms with his feelings, he will be the sweetest lover you can ask for. You are a goddess to him, his one and only muse, and he will make sure you know that he worships every single part of you. (He will definitely ask to paint you nude because “beauty such as yours absolutely must be captured. I only hope I can capture your radiance the way you deserve Amore”)
Hobbies: Painting, Meddling in people’s business, Stargazing
Dislikes: Dishonest and close minded people, Spicy Food
Favorite Food: Crème Brûlée
Hated Food: Banana
Weaknesses: Physical fighting, Math, Situational awareness.
Speciality: Making people smile, Chaos
Extra Things:
-Lorenzo brought him back because he believed it would be a waste for the world to loose such talent so quickly. 
- He arrived at the mansion to surprise Leonardo after hearing he was still alive. It was supposed to be a temporary stay but he fell in love with Paris and asked Comte if he could move in with them.
- Sandro is a great singer and dancer and is often asked by Mozart to sing one of his pieces for him. However he only agrees if he is allowed to draw Mozart after. (He can’t help it, Mozart and Jean are so ethereally beautiful, they just have to be drawn.)
- While he is extremely talented artistically, he doesn't know how to cook, wash dishes, or hail a carriage. Sebastian has officially banned him from the kitchen after he set the cupboards on fire trying to make a cake. (Theo nearly had a stroke after taking a bite and realizing he mixed up the salt and sugar)
- He is already very hyper, and he is not allowed to touch coffee. One time Arthur gave him a cup and he was awake all night trying to turned all the residents into the perfect models. He carried their sleeping bodies to the garden and arranged them to resemble the 12 Olympians. Jean woke up the next morning curled up at Comte’s feet and since then he has banned Botticelli from visiting his room or painting him. 
- Botticelli originally met Leonardo while they were both studying in Verrocchio’s workshop, and he considers Leo to be like an older brother to him. Being the two college-age dumbasses they are, they decided to move in together and start working as waiters in a nearby restaurant. After most of the staff died from the plague, Leonardo came up with the bright idea of rebranding the restaurant, calling it called "Le tre rane di Sandro e Leonardo" (the Three Frogs of Sandro and Leonardo), and serving gourmet cuisine. It ended up being a failure because most of their customers were not used to the innovative new food being served. 
- A threeway with Leonardo is definitely a possibility for you.
- He has a pet peacock named Juno.
- Sometimes he lays down in the garden and watches the clouds imagining different animals based on their shapes.
- Surprising Botticelli is very good friends with Dazai, and his positive outlook on life has helped Dazai appreciate his own existence. None of the other residents understand their conversations but it makes perfect sense between them.
- He cannot handle spicy food. One time Dazai slipped chili powder into his dinner and his face turned red while he teared up. To this day he internally shudders every time he sees the others eating something spicy without flinching.
- He tries to avoid conflicts as much as he can because he tends to get emotional very quickly. Being so empathetic can be draining to him and getting into a fight hurts him more than it will ever hurt the other person.
- He loves making random sketches of you and the other residents, and he will leave them your respective rooms with a small note reminding everyone that they are appreciated.
- His love language is physical touch and he has a habit of kissing everyone on the cheek or forehead.
- Something about Napoleon’s room is so cozy and welcoming that it makes him sleepy. He’s woken up cuddling Napoleon many times. Yes they have kissed each other.
- Though, he doesn’t like taking naps with Leonardo because sleeping on the floor makes all his bones hurt.
- He has a sweet tooth that rivals Theo. Between the two of them, any desserts Sebastian buys, are eating within 2 days.
- Sandro loves shopping with Comte and he constantly asks Leonardo to let him pick out a new wardrobe. He cringes every time he sees those mismatched boots.
- Shakespeare is the only resident that makes him a bit wary. He is very good at figuring out when people are lying and Will’s personality unsettles him.
- Besides Leonardo, Vincent is his favorite resident. Sandro appreciates how kind and welcoming he is, and his favorite pastime is painting with him. If he ever hears people talk bad about Vincent he will not hesitate to give that person a piece of his mind.
- Sandro is a bi king who develops crushes very easily, but most of them are fleeting and superficial. He had a major crush on Leonardo that he quickly got over after they became friends. When they lived together, Leo would often tease him for his habit of falling for people so quickly and moving on within a week.
- Modern Botticelli would be a major Ariana Grande, Harry Styles, and FKA Twigs fan.
- One time he was running to show Dazai a pretty butterfly he found and he was so distracted by it that he didn’t notice the tree branch right in front of him. He ran into it so hard that he knocked himself out for 30 minutes and Napoleon had to carry him back inside the mansion.
Other characters he is similar to: Ranpo Edogawa, Tamaki Suoh, Grell Sutcliff
I’m going to be using Ikevamp Botticelli so you can follow that tag if you want to hear more about him!
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rainofaugustsith · 4 years ago
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SWTOR asks
Going to answer these for myself because I am trying to get my head back to writing. 1. Least favorite class story?
Jedi Knight. Hands down. 
2. Least favorite companion on the Imperial side?
Skadge is the obvious choice.
3. Least favorite companion on the Republic side?
Doc. No fucking question.
4. Least favorite expansion?
Oricon or Iokath. Both because there's no way to complete the story without Ops, and that simply sucks. Also Iokath because it kicks off the traitor arc and the Commander doesn't have a way to say "I'm not allying with any of you. All of you need to get off my lawn now." 
5. Least favorite Kotfe/Kotet chapter?
KOTET chapter 1 because of the walker, and because it actually is hard to see Voss being destroyed. You go through the same areas you played through in the class story/planetary arc and seeing it all in pieces is sad. Also because of the ridiculousness of it being a dark side choice if you don't want that Zakuulan in your Alliance.
I don't begrudge the game giving players a chance to save that person if they want. Obviously, a lot of people want to save him, and cool, you do you. I do have a lot of very strong criticism for Bioware's decision to only allow for extremes, and to make refusing a DS choice. Like if you don't forgive and actively, closely associate with someone who has directly caused you great physical and emotional harm, and if you don't want that character to be there instead of Lana and Theron in the end, that's somehow bad? Okay, Bioware. Please fuck off now and keep fucking off until the end of time for that one.
Runner-up: chapter 8 because that choice was NOT necessary. If you had enough Alliance Specialist influence or had done enough Alliance alerts you should have been able to save both. It's awful. And there's a walker again. The only reason this is not first is because you can pull back the lost companion at the Odessen terminal and I certainly have on my bounty hunters. 
In KOTFE, chapter 10 because no, I actually really don't want to help Kaliyo. 
6. Least favorite romance?
I don't think it's a good idea to say. There are very few romances in the game I do - I'm sapphic and so are my characters, generally. There are some romances that I honestly personally think "I cannot even begin to understand WHY a single person anywhere in the universe would ever like this or want to romance this character." But people do like them and they have that right, and I don't need to understand it. I just filter out those characters' names and ignore it. 
7. Least favorite planet?
Hoth. In addition to the confusing maps that always get me lost, the screens of solid white snow tend to induce headaches for me. I usually get on and off Hoth without doing any side quests because it's physically painful. I really wish they would make a night mode for Hoth. I had a graphics bug once where the sky was dark and it was so lovely.
8. Least favorite flashpoint?
Either of the Ilum ones tied with Spirit of Vengeance because they are like seventeen hours long each and boring as hell. I really like the purple crystal you get at the end of Battle of Ilum but I have enough of them and I can't be induced to run that arc anymore unless it's a Viri clone OR a character who can stealth through the flashpoints.
9. Most embarrassing or bullshit way you have died in game?
Walking across a room. Walking in my ship. Opening a fuse box. Clicking things. It's not a bug, it's a feature. ;) I've also done plenty of falling off cliffs and buildings, forgetting I'd left a character in a combat zone when I went to get a snack, and so on. 
10. Worst multiplayer experience?
Most of the last year or so on Star Forge. I invested in transferring most of my characters off Star Forge because that server had become unplayable. Ninjas, people stealing objectives, people trying to drag me into their mobs so I'd fight their NPCs, duel spammers, people who dress their companions in slave costumes - I'd had way too much of that. If I had not transferred them all I think I would have quit the game because it was unbearable. 
11. Worst fandom experience?
Eh. There are always fandom sheriffs. There are always people wailing when certain characters get screen time. There are always those who are behaving badly in other ways. As someone wise once said, the worst thing about Star Wars fandom is the fans. I filter and block very liberally and do not fucking engage. It's not worth my time or energy, it's just worth blocking them. It's why I have asks turned off entirely and PMs turned off unless someone is a mutual. Fandom's supposed to be fun and nobody has to give even a second of attention to those who are trying to make it not fun. 
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bloody-bee-tea · 5 years ago
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JC Love Month 2020 Day 5
Best Birthday Present
Here’s already a continuation for Day 1 of JC Love Month, because if one JC doesn’t expect any gifts on his birthday then it’s definitely the one who just got kicked out of his family and was adopted by the Nie’s. Well, the Nie’s thrive to exceed expectations.
With everything that has been going on, Jiang Cheng thinks it can be expected that he doesn’t expect any birthday presents. So he guesses it’s fair that he freezes with his chopsticks halfway to his mouth when Nie Huaisang asks him what he wants for his birthday.
“Excuse me?” Jiang Cheng asks, and Nie Huaisang rolls his eyes at him.
“I said, what do you want for your birthday? It’s soon, right? You have to give us at least two days to get your presents.”
“What presents?” Jiang Cheng asks, because, again, with everything going on, there is no way birthday presents are even on the table.
“The ones you’ll be getting from us,” Mo Xuanyu says, munching on as if nothing is wrong in the world and Jiang Cheng very carefully puts his chopsticks down completely.
“I did not expect that I would get any,” Jiang Cheng calmly tells them. “So you don’t have to worry about that.”
Now it’s Nie Huaisang’s, Mo Xuanyu’s and Nie Mingjue’s time to freeze and they all do it rather comically with their chopsticks halfway raised as well.
“What?” Nie Huaisang asks, but there’s already a dangerous glint in his eyes.
“I mean, I don’t usually get birthday presents, either, so you don’t have to bother,” Jiang Cheng hurriedly says, but it seems to be the entirely wrong thing to say, because Nie Huaisang goes white in the face.
“What do you mean, you don’t normally get birthday presents?” Mo Xuanyu asks, and he seems recovered enough from his shock that he goes back to eating. “Even I got a present from my aunt and her family; granted, it was a suitcase and the strong hint that I should move out but still. It is kind of a useful present too.”
“I—usually get a day off work,” Jiang Cheng hesitantly says, frowning down at the table. “And my mother wouldn’t yell at me for a day.”
There’s a deafening silence following his words and then Mo Xuanyu throws himself halfway across the table to pull Jiang Cheng into a hug.
“Shut up, no one wants to hear about your sob-story of a life,” he cries and then clings to Jiang Cheng for longer than Jiang Cheng is entirely comfortable with.
“It’s okay,” he eventually awkwardly says and pats Mo Xuanyu’s shoulder.
Jiang Cheng is not ashamed to admit that he lets out a relieved breath when Mo Xuanyu finally lets go of him, but it was also kind of touching.
“Jiang Cheng,” Nie Huaisang says, and this time it’s Nie Mingjue who interrupts them.
“No fighting and/or shouting at the table,” Nie Mingjue chastises Nie Huaisang before he can even get started and Jiang Cheng shrinks in on himself.
He knows the Nie’s have a room especially for that; it’s soundproofed and what happens in the room, or rather what is being said, stays in there. Jiang Cheng has seen Nie Huaisang drag Nie Mingjue in there more than once already, but it doesn’t seem to help much.
Because every time they come back out of the room, Nie Mingjue has the smuggest look on his face while Nie Huaisang seems to be already gearing up for another shouting match.
One day, Jiang Cheng will ask what that is all about.
So far Jiang Cheng didn’t have cause to go into the room himself, either as the yeller or as the one who is being yelled at, but he guesses his luck will change this evening.
“The room, after dinner,” Nie Huaisang hisses just then, and Jiang Cheng gives a dejected nod, but he can’t quite keep his mouth shut.
“You guys already gave me a home, and a family,” he whispers, more into his rice than to any of them. “There’s no need to bother to get me anything else.”
“You are not a bother,” Nie Mingjue very firmly says, and he puts his hand on Jiang Cheng’s neck. “And getting you a present wouldn’t be a bother either, because that is what family does for each other.”
He says it very calmly and like nothing at all is wrong in the world, and it only brings new tears to Jiang Cheng’s eyes.
He has been crying an awful lot, ever since he came to live here, but Jiang Cheng doesn’t mind it as much as he would have, if—for example—his parents would see him cry.
They only ever told him to suck it up and to be stronger than this; here, they let him cry. Hell, Mo Xuanyu joins in more often than not and it always ends in a cuddle pile that no one complaints about. It’s kind of nice, if Jiang Cheng is being honest.
“Okay,” Jiang Cheng very belatedly says, and he hopes that it will get him out of a trip to the room, but Nie Huaisang is still glaring at him, so Jiang Cheng guesses that he’s out of luck there.
Nie Huaisang drags him off as soon as it’s clear that everyone is done with dinner and when the door closes behind Jiang Cheng he has a second to admire the set-up of the room, before Nie Huaisang starts to yell.
And yell he does.
Mostly about what utter assholes Jiang Cheng’s parents are—and Jiang Cheng doesn’t chime in on that, because yes—but then he goes on about how stupid Jiang Cheng is to think that things would go the same here.
“I’ve only been here for a little less than a week,” Jiang Cheng dares to chime in eventually. “You are giving me a place to stay, and food, and everything else I need. Is it really so unreasonably of me to think that there will be nothing more?”
“Yes!” Nie Huaisang screams right in his face. “Because everyone deserves a goddamn birthday present!”
“Alright,” Jiang Cheng sheepishly says, mostly to get Nie Huaisang to calm down again.
“Don’t alright me, Jiang Wanyin,” Nie Huaisang hisses. “I will get you the best goddamn birthday present and you will like it, for fuck’s sake,” Nie Huaisang tells him and Jiang Cheng takes it for the threat it is.
“Whatever you say,” he tries, hoping to get out of this sooner rather than later, and it’s only then that Nie Huaisang takes a deep breath.
“Okay, I feel better now,” he declares and then simply marches out of the room, leaving a truly bewildered Jiang Cheng behind.
“You alright?” Nie Mingjue asks, poking his head into the room and Jiang Cheng shrugs.
“I don’t know?” he tries, because it’s the truth. “He insists on getting me a present.”
“What is being said in the room, stays in the room,” Nie Mingjue gently reminds him and Jiang Cheng flushes when he realizes that he blundered that rule. “But yes, I figured. He’s right about that, too,” Nie Mingjue says and pats Jiang Cheng���s shoulder.
“Family always gets birthday presents.”
“Fuck,” Jiang Cheng whispers under his breath when that brings tears to his eyes again and he wonders just how long he will start to cry at even the most basic decency being shown to him.
It’s really rather bothersome.
“I have a question,” Jiang Cheng asks, mostly to distract himself, and going by the indulgent smile Nie Mingjue gives him, he knows it damn well, too.
Luckily, he allows the topic change.
“Ask,” he encourages Jiang Cheng.
“Whenever you and Huaisang disappear into this room, he comes out looking as angry as he did before, while you always seem so—”
“Smug?” Nie Mingjue asks when Jiang Cheng is unsure of how to word it.
“Yes.”
“That’s because I am,” Nie Mingjue says and steers Jiang Cheng towards the living room. “I insisted on building this room, but it was mostly for Huaisang. He has a bit of a problem, keeping his emotions inside and he tends to explode.”
Jiang Cheng keeps his mouth closed, because from what he knew about the Nie brother’s before he would have guessed it’s the other way around.
“Surprising, I know,” Nie Mingjue says with a smile, so clearly Jiang Cheng is not the first one to think that. “Huaisang was very adamant that he doesn’t need the room and that it was a waste of money and resources and whatnot and that there is no way a yelling match will make him feel better.”
Jiang Cheng doubts that, because he has seen how unburdened Nie Huaisang had just seemed.
“When we come out of the room, I look smug because Huaisang does feel better after a good yelling and he hates that I was right about it all along.”
“Hence the long face,” Jiang Cheng sums up and Nie Mingjue nods.
When they come into the living-room, Nie Huaisang and Mo Xuanyu are already there, cuddled up on the couch with a bucket of ice cream balanced on their legs.
“This is what happens after the room,” Nie Mingjue tells Jiang Cheng and pushes him down on the couch as well. “Ice cream and cuddles.”
“Oh,” Jiang Cheng breathes when Mo Xuanyu makes space for him without hesitation and Nie Huaisang almost smacks him in the face with a spoon.
“Eat,” Nie Huaisang grumbles, clearly still upset about the whole birthday present thing. “You’re way too thin.”
Jiang Cheng takes the spoon from him, mostly because he’s afraid Nie Huaisang will whack him in the face with it, and then Mo Xuanyu leans over.
“Just take it. He’s a worrywart. He’s going to feed you until you gained at least four pounds and even then he won’t be happy. It’s a love thing.”
“I see,” Jiang Cheng says, mostly to have something to say, because he does in fact not see.
“Did your sister not make her special soup on bad days?” Nie Mingjue asks from Jiang Cheng’s other side, where he settled down with his own bucket of ice. “You can share mine, too,” he offers almost absentmindedly and Jiang Cheng suspects that the feeding thing is not restricted to Nie Huaisang alone.
“She did,” Jiang Cheng admits around a spoonful of ice cream. “But mostly for Wei Wuxian,” he then admits, something he never dared to say before. “I’m not even that much of a fan of lotus pork rib soup,” he whispers and Nie Mingjue just looks at him for a very long time.
“You will tell her that, eventually,” he then decides and Jiang Cheng shrinks in on himself.
“Hey, cut it out, da-ge,” Nie Huaisang suddenly says from across the couch and leans around to smack his spoon on Nie Mingjue’s arm before he turns towards Jiang Cheng. “Don’t listen to him, if you don’t want to tell your sister that, you don’t have to.”
“I tell you, worrywart,” Mo Xuanyu whispers, leaning very close and it’s all ridiculous enough that Jiang Cheng starts to laugh.
“There, that’s better,” Nie Mingjue decides and it’s only then that they resume their movie.
Jiang Cheng didn’t know being almost squished to death on the couch could feel like love.
~*~*~
Despite the yelling he received, Jiang Cheng doesn’t dare to hope for anything on his birthday. He knows it’s better to keep his expectations low, and really. There is nothing they could give him anymore.
They are offering him a family; that’s already more than Jiang Cheng ever dared to wish for.
So when he comes into the kitchen on the morning of his birthday, he’s more than surprised to see a huge cake, but also the smiling faces of Wei Wuxian and Jiang Yanli around the table.
“What are you guys doing here?” Jiang Cheng asks, already close to tears yet again and Wei Wuxian jumps up to hug him.
“We’re here for your birthday,” he tells him and then bodily lifts him off the floor with his crushing hug. “Happy birthday, didi.”
“Hey,” Jiang Cheng complaints but then Jiang Yanli is already there, and she pulls him into a hug as well.
And where Jiang Cheng feared that maybe Wei Wuxian would break his ribs, Jiang Yanli’s is soft and feels like home.
“Happy birthday, A-Cheng,” she repeats and no one mentions it when Jiang Cheng wipes his tears.
“Happy birthday, asshole,” Nie Huaisang says when Jiang Cheng finally takes a seat at the table, and Nie Mingjue immediately cuffs him over the head.
“No bad words at the table,” he says, and Jiang Cheng is reasonably sure that’s a rule he just made up, but Nie Huaisang just glares at him before he turns back to Jiang Cheng.
“That is our present,” he then says and Jiang Cheng frowns.
“I don’t think I understand,” he admits and Nie Huaisang sighs, but his face softens.
“A day with your family,” he then explains. “You get cake and us, and we’re going to gorge ourselves on too much take-out food and unhealthy shit, and there will be some alcohol in the evening and tomorrow we’ll all regret whatever we will do today. That’s our birthday present to you.”
Jiang Cheng has to blink very rapidly to keep from crying, but in the end he simply gives in.
“And I am damn well liking it,” he says under his tears, causing Nie Huaisang to laugh and everything is a blur after that.
Link to my ko-fi on the sidebar!
It’s exactly like Nie Huaisang promised him it would be; too much of everything—especially sugar—but utterly perfect and easily the best birthday present Jiang Cheng has ever gotten.
Next part
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snapeaddict · 4 years ago
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Hi, what do you say to the people who claim Regulus is the real Slytherin hero, and not Snape? To me RAB always seemed like a plot device and nothing more so I don't get why he's being worshipped... He's just another rich pureblood kid...
I say this is a very bad take, and it is disrespectful (that's a strong word for something that isn't really important but I cannot think of a softer version) of the actual people who enjoy his character. I'm going to write down some thoughts, but there's more to it than just what I would reply to them - allow me to ramble a little on the roots of this claim and on the thought process embraced by Snaters and Marauders apologists (I've seen that some people don't like this term, so I mean people who erase the Marauders' flaws and make them morally superior to Snape, justifying them being abusers and him being abused.)
The nonsense of comparing a plot device to a complex, layered character: Comparing Severus and Regulus is ludicrous. You are comparing one of the most (I would argue the most well-written and complex, but Dumbledore is quite something as well) well-written, accomplished character of the books to a plot device. It is indeed what Regulus is, no matter if his character could have been really interesting/seems to be interesting: we know very little of him, and he exists solely for the Slytherin locket plot. The very little we know of him certainly isn't enough to express any critical judgment of his character; he is mostly made out of white pages which are filled out by his fans, which is great, and by the people making this kind of argument, which is unfortunate.
The interest in the character only stems in his usefulness: I would argue that the vast majority of people making this claim do not care at all for the character himself, despite using him as a moral high ground. It is not his character which interests them, but how useful he can be to fuel their hate and biased claims. His personality? Having being sorted in Slytherin. His merits? Being a Slytherin. This is the only fact that matters, because it allows them to 'prove' that Snape wasn't a hero (being a hero does not mean being a good person, by the way) and diminishes Severus' merits. Using a character solely for the purpose of depreciating, downgrading another is not appreciating them: it's just completely hypocritical. This is often the kind of flat argument used by people opposed to social justice movements, if you will allow the broad comparison: using something you have never cared for before (often minority populations) in an attempt to depreciate something, even though the very fact you are using them for this purpose shows how little concerned you are with the actual people you are talking about. Well, it reminds me of this a bit. The true purpose is to try and impose your own views, and here they try to legitimise them by filling an almost inexistent character with their views to carry on with their agenda.
The sudden leniency toward privileged characters: Making such a claim in fact once again proves that Snaters have an extremely biased, subjective and elitist vision of what being good means, an opinion on what is moral integrity (and superiority because they keep comparing people), which they also apply to James and Sirius. I think Regulus is loved because he is a Black, respected by the fandom because he comes from a pureblood, rich family. It is very easy to prove: look at how much love Draco and Lucius get, despite being supporters of blood supremacy, active members of a terrorist group, using discriminatory insults on a daily basis, being actively supportive of the murders of muggle borns/participating in these murders [do not misinterpret this - I'm pointing out double standards, not saying they should not be loved. One's interest in a character does not depend on the character's morals]. Look at how respected Snape was in the fandom before book 6, when people thought he was a rich pureblood from an ancient family. Social hierarchy has a great impact on how people view characters, and they tend to be much more lenient toward privileged characters, because prestige is attractive, even in fiction. Similarly - but it is more concealed - there is the usual refusal to acknowledge that social inequalities do impact one's life, choices, and opportunities to be or do good. The quote "You didn't make good choices! You had good choices" (Little Fires Everywhere) works quite well in this context, especially regarding James and Severus, but also regarding the Blacks versus Severus. Severus' survival was completely, utterly dependent on his adherence to blood supremacist values. This must be taken into account - but weirdly, this is an argument that is often used to prove Sirius' moral superiority, because his family required him to share their beliefs. This is ignoring that despite his difficulties, he still beneficiated from a support system and privileges that others did not have access to. Similarly, you cannot compare Regulus' and Severus' choices. And in my opinion, both are tragic; but if we had to take part in Snaters' silly arguments, then I would remind them that Regulus effectively had no obligation to join Voldemort, his parents were not death eaters. The pressure both characters experienced certainly wasn't of the same nature - even perhaps not of the same intensity. But does comparing them makes any sense, again...
The social biases: While Snape is blamed for his decision to join the death Eaters (rightly), Regulus is praised for his decision to leave them. While Regulus is pitied because he came from a family who brought him up with this ideology (just like Draco is), which apparently takes off all responsibility from him, Severus' background is never considered as a factor which pushed him right into extremists' opened arms. Regulus' privilege is used as an excuse; Snape's social disadvantage and familial issues are, at best, ignored, at worst, interpreted as proof of his inherently bad nature. Some people associate his upbringing with him being bad, whether they want to acknowledge it or not. While Regulus is headcanonned as handsome, Snape is constantly described as 'greasy' and 'ugly' by these same people, and you can see exactly how important appearances are to them. I'm even going to argue that worshipping a rich, handsome, privileged pureblood must sound better to them than being fond of the 'greasy git', and I am also saying these are mostly internalised biases. When you read these claims carefully, it sounds like in the mind of these people, Regulus is more legitimate as Slytherin's hero because he is better - inherently. And it is easy to see why.
The double-standards and their disturbing roots: This is also plainly ignoring the fact that Regulus and Snape defected for the same reasons, if we must make comparisons. Voldemort was targeting one of their loved ones, Kreatur for the former and Lily for the later, which made them realise, because they are humans and thus not selfless, how wrong his methods were when they turned against them. However, in Snape's case, turning against Voldemort in an attempt to save Lily is often held as proof of his selfishness/absence of morality: he wanted her for himself, he only deflected because someone he liked was in danger. In Regulus' case however, his gesture is seen as heroic and compassionate. Why? Well, there are a variety of reasons apart from Snaters' double standards, but I have noticed that most of them seem to think of Lily as 'belonging' to either James or Snape, and think Snape unworthy of having ever had Lily as a friend because of some kind of deep rooted flaws he had even as a child ('He tried to hurt Petunia with accidental magic when he was 11, he was always bad'. In fact I should make a post about how horrible this claim is.) In Regulus' case however, wanting to save Kreatur is seen as an act of compassion. Why? Not only because they want to make Regulus look better than Snape. I think it is also because Kreatur is a house-elf, an inferior being: Regulus' wish to protect him becomes praiseworthy, laudable, because house-elves do not really deserve consideration. So wanting to save him becomes an act of generosity. Even when you're not thinking of the double standards, this way of thinking is disturbing. Snape also turned against Voldemort at the age of 20, 21? Like Regulus did if I recall? They weren't death Eaters for very long. They both actively fought to bring Voldemort down. It would be tremendously hypocritical, wrong and plain bad faith to think of Regulus' action as superior to Snape's 20 years of hard work to bring Voldemort down.
So why can't Snape be a hero? I think this claim is a confession. To me it shows a very simplistic vision of heroism, of good and bad, of models, and a complete refusal to consider the grey, sometimes praise the grey- it's a failure to accept the complexity of the human functioning. Thinking that the people we praise for certain actions, or consider to be examples must be flawless is vain, simply because it is unrealistic, and we could not admire them/relate to them/like or dislike them/learn from them if they were not like us, layered and flawed - but this is exactly what this claim desperately wants us to believe. Or rather, what Snaters want to believe, while imposing their very biased views of good and bad, themselves rooted in prejudices. This is why they are using a character that is mostly inexistent: an empty, one dimensional character can fulfil this aim. This is also why so many people fail to appreciate characters such as James, Sirius and Remus without completely ripping off their flaws, and thus complexness - they cannot be loved if you can find fault in them.
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taexual · 5 years ago
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i’d love you to stay but that’s simply insane // JJK (8)
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 jungkook is an uncontrollable lead vocalist of the campus band, and you’re a goal-oriented top student that’s known his rich and complicated family since childhood. you don’t want anything to do with each other, until each other is exactly what you want to do.
pairing: jeon jungkook x reader
genre: college au
warnings: liiiittle bit of angst (jungkook is nervous and bitter ok)
words: 3.7k
   chapter eight
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Just like the last time you’d attended a Parental Advisory gig, this time the club was also packed with people wasted, excited, and just all-around hot for life. However, instead of finding your usual spot by the second-floor bar – you preferred to steer clear of the crowd where a stranger could have started grinding on you any second and Inna loved the view of the stage from higher up – you and your roommate were now at the barricade.
“I really shouldn’t have told you he asked me to come,” you said with a sigh as the drunken crowd kept pushing you in every direction. You didn’t think Inna was going to hear you but she turned to you with a disappointed look.
“Yes, you should have. And I’m glad you did. Otherwise, we’d be over there, all the way across the club,” she said, swinging her hand back to point at the second floor and nearly poking the eye out of a guy who was walking past. She ignored his surprised yelp and swung her hand right back to point at the stage this time, “when Jungkook needs you here.”
“He doesn’t need me—”
“Hey, why don’t you just accept things for the way they are,” she suggested but it sounded more like an order, “and enjoy yourself a little, yeah? You can always go back to your strict routine tomorrow. You can forget yourself for an hour or two tonight.”
You wanted to get offended – your routine wasn’t that strict – but you felt like she was right and couldn’t bring yourself to argue with her further. Loosening up didn’t come naturally to you, however, so you told Inna you’d head to the bar for some drinks. but she grabbed the sleeve of your jacket as soon as you turned around.
“Are you kidding?” she asked, completely unamused. “There were, at least, ten guys who have been staring at you since we got here. There’s not a chance in hell you’re getting your own drink.”
“Inna, I’m not asking some guys I’m not even interested in to buy me drinks,” you said. You were surprised to hear how decided your voice sounded – as if there was someone you were interested in, but they currently weren’t available to buy you drinks and you didn’t want anyone else to do it instead.
Obviously, Inna noticed this, too, as she replied, “well, you can’t ask Jungkook because he’s on stage, so—”
“I’m not interested in him, either,” you cut her off, crossing your arms over your chest defensively – and childishly – while your roommate scoffed.
“Please,” she was in the middle of rolling her eyes but then she noticed – sensed him, really – a guy giving you a once-over as he walked by and, quickly letting go of your sleeve, she grabbed his instead. “Hey! My friend here was just saying how cute you were.”
Your eyes widened as the guy stopped and looked at you, a smirk appearing on his lips.
“She was?” he asked Inna.
“I—” you tried to interject – to fight for your dignity – but your roommate was on a mission.
“Yeah,” Inna told him. “She’s just not the kind of person who’d make the first move, you know?”
“Well,” the guy said, pleased. “That just happens to be my type. Can I get you ladies some drinks?”
“We—”
“That would be fantastic!” Inna beat you to it once again, looking at you with a proud expression on her face as soon as the guy walked away with a promise of ‘just a second’. You shook your head at her but she wasn’t fazed by your disapproval. “Don’t give me that look, this is what I meant when I told you to forget yourself.”
“I don’t feel comfortable using other people to get me drinks,” you said.
She understood what you were saying but she wasn’t in the mood to start a discussion about it right now, so she just patted your shoulder and said with a playful wink, “he’s the one who offered. And he’ll get to enjoy our company in exchange for the drinks. For a few minutes, at least.”
You were in the middle of a very deep sigh when you turned your head to face the stage again, and your eyes met Jungkook’s gaze. The air got caught in your throat and you started to cough violently about half a moment after you caught his sparkling eyes, and the boy on stage – proud to have this effect on you – smirked before walking away to interact with the other half of the club.
Jungkook walked back and forth on the stage a lot that night – just like any other night – but he kept finding himself on your side of the stage during every chorus of every song. His performance wasn’t meant for your exclusively – he was so good at what he did that, even if he’d have dedicated every song for you, the whole club would have still had the time of their lives – but your heart still fluttered – actually, your whole chest went through an actual earthquake, to be more precise – whenever he appeared in front of you.
This was serious. Seven years seemed to disappear with every blink of his purposefully deep brown eyes, and you were fourteen again. Fourteen and very much in love with him. Fourteen and listening to him tell you that you were his best friend, but. Fourteen and heartbroken when the “but” provided no real explanation as to why he decided to no longer be a part of your life.
And yet, you’d told him you wanted to be friends last Sunday at his house. No buts, no additional conditions, and no goodbyes without an explanation. You were starting over -- a genuine friendship, so long overdue.
And you didn’t lie. You did want to be friends. But, watching him tear himself to pieces as he performed the band’s latest song, you also wanted him in so many other ways, too.
It scared you again because you were starting to realize that no matter how much you tried to convince yourself – and him – that you’d be able to be just friends, it was next to impossible to forget all the feelings, dwelling underneath. They had been simmering slowly for the seven years that you didn’t talk – or maybe they faded away completely, but it was hard to imagine this fire ever going out – but they were full-on boiling now. You couldn’t let them spill because what if?
You survived the “you’re my best friend, but…” but you didn’t think you could survive the “I love you, but…”.
So, turning to look at the guy Inna had harassed to buy you drinks before, you accepted the cocktail he’d brought and gave him a smile. He was handsome, sure, but you didn’t feel attracted to him. And yet, faking attraction was much easier than faking indifference, as you thanked the guy for the drink and allowed him to gently touch your shoulder when he leaned in to ask you what your name was.
Because Jungkook was unable to tear his eyes off of you for longer than a minute tonight, he ended up witnessing the whole thing. He saw the guy bring the cocktails to you and your roommate – but the guy had his eyes for you only. He even saw him say something to the two of you that made you both laugh – but the guy only waited for your reaction.
And, before long, Jungkook found himself gripping the microphone so tightly, his knuckles turned white. He never missed a note – he knew better than that – but he stopped interacting with the club as much as he used to. People in the crowd didn’t notice his unusual lack of fan-service – they were fine as long as he kept singing and they kept drinking – but his bandmates saw that something was wrong immediately.
They wanted to ask him what happened – Taehyung even attempted to communicate with his eyes but Jungkook wouldn’t look at him – but they figured what the problem was as soon as the show ended, when Jungkook slipped away from the changing room and went out to find you. He caught you on your way out of the club.
“Hey!” he hollered so loudly, several groups of people around him stopped and turned. But Jungkook was looking at you. Always at you.
You were already too far from the club to hear him properly, so you excused yourself to Inna – who was more than happy for you two to talk – and went over to him.
“Hey,” you said. “Why are you still here? Isn’t there an after party you’re supposed to get to?”
He was expecting you to comment on the show, on his performance—but most of all, on the god-damn guy that had brought you drinks—or on anything else that had just happened. But, as they tended to do a lot lately – “I want us to be friends” – your words caught him off-guard.
“Uh, yeah, but I don’t really feel like going,” he mumbled and then nodded in the direction of your roommate who was now texting someone on her phone because she wasn’t sure if she should have waited for you. “Were you actually going to leave without saying goodbye to me?”
You hesitated. Because, yes, you were. And now, suddenly, you weren’t.
“Was I supposed to say goodbye?” you asked, feeling stupid.
“Well, that would have been the nice thing to do,” his voice was void of virtually any emotion, so you relied on his eyes and the way they narrowed as he said this.
“I didn’t want to invade your space,” you ended up saying even though, the truth was, you didn’t know how to be his friend anymore. Not even the cocktails you’d consumed inside would have gotten you to admit that, though.
Jungkook gave you a doubtful look. “It’s a club.”
“No, yeah, but you’re in the band and—”
“I invited you to come,” he said. “Obviously, I want you here.”
You lowered your eyes and Jungkook quickly recognized your discomfort. You probably thought that leaving was the right thing to do because you didn’t want to join him at the after-party, but he ambushed you anyway. You offered him your friendship but here he was, all insistent and most likely frustrating, too.
Maybe he was taking this too far. Maybe he wasn’t supposed to look for you. Maybe he should have—fuck, even after knowing you for so many years, he wasn’t sure what “being friends” involved. He couldn’t remember how to play this role.
“Yeah. It’s just—” you started to say but Jungkook laughed lightly – the ultimate way to relieve tension – and you looked at him again, relieved almost as soon as you heard it.
“Okay, enough with the excuses,” he said and then added, in a way that didn’t make it clear if he was teasing you or not, “I get it. You have better plans.”
You watched each other for a few seconds then – him, with a manufactured smile that he hoped looked friendly, and you, with a confused wrinkle between your brows because, even though you’d decided to be friends last Sunday, you still couldn’t figure out how to act around him – before you finally spoke up, choosing to go down the honest route instead of further trying to find a way to excuse your actions.
“I don’t. You’re the only plan I have tonight,” you said and he clearly took it the wrong way as his eyes widened just slightly, his lips stretching into an impressed smirk. “I-I mean—the show. Your show. You know—”
To ease your suffering – and to appeal to his own nagging curiosity – Jungkook deflected. “Who’s the guy who got you and Inna drinks?”
“What?” the question took you by surprise but you regained your balance quickly, “oh. I don’t know. Just some guy Inna saw while dancing and basically demanded he got us drinks. We’d have paid him back – probably – but he just sort of—”
Jungkook liked what he’d heard so he didn’t need the full story. “So, it was just a random guy?”
“Yeah, of course,” you said. “Why?”
“No reason,” he replied, turning to look behind him, at the door of the club, so you couldn’t see his relieved smile – all for your benefit, since he was just trying to be a good friend. “Hey, can we—do you want to go for a walk? Inna seems to have given up on you.”
You turned to check for your roommate but she was indeed no longer there. She must have left and you felt bad about making her wait for you -- and made a mental note to bring her back some sweets on your way home to make up for it -- but you knew she’d have slapped you silly if she found out you were thinking of her when you were with Jungkook.
“So it seems. Why a walk?” you asked when you looked at him again. The two of you had never taken walks together. In fact, you didn’t think Jungkook was ever the type to wander around aimlessly, he always acted on purpose. “I mean, sure, but since when do you—”
“Let’s not analyze since when,” he said, hands now in his pockets as he braced himself for something he’d been thinking about this whole week.
You noticed the gears in his brain come to action and gave him a suspicious look. “So, is there an intention behind this walk?”
“No,” he said as you two headed towards the road that lead behind the club and back to campus. “Okay, nevermind, there is. I have a favor to ask.”
You found that unexpected. “A favor?”
“Yes.”
“Okay. Go ahead.”
Jungkook was going to go ahead but then, as soon as he opened his mouth, he realized he didn’t really know how to.
“I need—would you, uh—” he stammered awkwardly but then stopped, shaking his head. This wasn’t coming out the way he’d intended at all. Finally, he took a breath to calm himself, and just spat it out, “I’d like it if you went to dinner at my parents’ house with me next Sunday night.”
It sounded wrong when he said it and you, watching him without replying, made it worse.
“I just—I can’t endure my father’s judgmental eyes without wanting to get mind-numbingly drunk after I leave,” he explained, his eyes set firmly on the pavement. Thousands of excuses flew through his mind, all so you wouldn’t take his invitation the wrong way. “He’ll kick-start my descent into alcoholism, I swear.”
You still couldn’t grasp what he was trying to achieve by bringing you into his house. His parents wanted him there, he’d promised he would come. It felt like a private matter. A family matter. You couldn’t see where you fit into this.
“And you think he wouldn’t look at you like that if I were there?” you asked.
“No, he probably still would,” Jungkook said. He wasn’t delusional. He knew you being there wouldn’t miraculously make his father proud of him. But he also knew several other things, too. “But, with you there, I wouldn’t want to forget about the night as soon as it ended.”
Just hearing him mention you lit your body up and you were drowning in wildfires by the time he finished his sentence. You wondered if they would go out or were you going to burn alive in them first.
“I—well, I wouldn’t mind coming,” you admitted slowly, walking a thin-line between your duties as his friend and something else entirely. “But are you sure I won’t make it more awkward for you?”
“Why would it be more awkward?”
“Well, you know,” you said but he obviously didn’t know. “I—y-you’re trying to prove to them that you’re a mature adult, right? And if you bring me there, it could seem like you’re still reckless. Like maybe you’re trying to take the heat off of yourself by bringing me along. Or, even worse, it could seem like you’re still, I don’t know, sleeping around and now you’re even bringing girls over to your parents’ place.”
He considered every one of the hypothetical scenarios you pointed out and, even though he wanted to laugh at the campus folktale of him, sleeping with anything that moved, he had to admit, you may have also had a point. However, as soon as you proposed a problem – his mind conjured up a solution.
This solution came in his father’s voice, demanding he stopped destroying himself and his family’s legacy. Insisting it was time he got himself together and started to act like an adult.
“What if I told them I was seriously committed?” Jungkook said.
You snorted. “Well, then me being there would definitely make it awkward.”
He felt stupid having to spell it out for you as he stopped walking and gave you a look. And if his posture didn’t prove how determined he was, his dead-serious eyes certainly did.
“You didn’t hear me,” he said. “You’d be the one I’m committed to. I-I mean, that’s what I’d tell them.”
Your skin prickled. Your palms were wet. Even the campus pigeons stopped pecking the ground and turned to watch the two of you.
“You’re, uh, suggesting we fake-date for your parents?” you clarified.
“I—well, yeah,” he shrugged, realizing why you were looking at him with the shocked doe-eyes, but choosing to play it off as not that big of a deal because it didn’t have to be. “I guess I am.”
You looked away, the evening air suddenly chilly as you crossed your arms over your chest. “I don’t think that’s such a good idea. Our parents know each other, it’d be weird.”
You could have kept going but, at the core of all reasons why you thought this was an awful plan, was the very reason that stopped you from giving in and confessing your feelings to him. You were afraid.
But Jungkook was on a roll now, completely convinced that he was a genius. He thought this was a profound idea that was going to solve a lot of his problems and maybe even make his father forget what a poor excuse of a son he’d been his whole life. Not to mention, it’d provide you both with so many opportunities to spend time together in an environment where you grew up and, thus, strengthen your friendship.
And, as he looked for the quickest way to convince you, he could also make out another advantage -- this one all about you.
“No, come on, think about it,” he said, energetic. “This deal can benefit you, too.”
“H-how would it benefit me, exactly?”
“I can make your dreams come true,” he said and, even before he elaborated, you didn’t doubt that he could. “I can get you a position at my company—well, my family company. You could intern there with me this summer, gain the experience you’d need for your own future, and then start a business of your own. Like you’d always wanted.”
You had to be honest, that sounded good. Wrong -- probably; you were never sure what was right when he was looking at you like that -- but good. 
However, even despite him having this overwhelming effect on you and despite the end-result sounding so desirable, you still saw too many flaws in the plan.
“You couldn’t do that,” you said.
“I could,” he nodded eagerly. “For you.”
You cursed your heart for immediately jumping to your throat after he said this. “N-no, I mean—you’re barely a member of the board.”
“No, but that’s exactly why I need your help. My family will see how good I’m doing, how serious I am, and they’ll finally relieve some of the pressure they’ve been putting on me. Maybe they’ll even start to trust me,” he said and the more he talked, the more he believed this would work. It was hard not to get infected with his confidence. “And then we’re diving head-first into business from there. You help me turn into a very dedicated heir and I help you get something you’d always wanted.”
You were biting your lip in an attempt to save yourself from his contagious optimism. You couldn’t even look at him out of fear that you’d say yes without really thinking this through.
“That sounds too easy,” you said.
Jungkook sighed.
“Listen, I know you don’t want to date or anything and I’m not suggesting that,” he said, careful, “but can we just pretend to for my parents? Please? It’s just a friend helping out a friend, if you think about it.”
You had a feeling he was asking you to sign your death certificate as you said, “it’s really not. This will blow up in our faces, I swear.”
“It won’t! It can’t,” he disagreed, seeing how close he was to getting you to say yes. You’d been avoiding his eyes but now you finally looked at him and he put all of his hopes into the look he gave you. “You’re exactly what I need to show them that I am getting my life together. My parents know you already. They need to catch up with you so they can see how much you’ve grown but how you’re still as hard-working and dedicated as you used to be. How you’re a good influence on everyone you meet.”
“It’s—” you tried to say but he took a step closer to you and you forgot all words.
“In the end, even if they don’t end up being convinced that I’m changed,” he spoke, “they will probably still decide to ask you to join the company after they see your devotion. Your ambition.”
It was outrageous and yet you couldn’t say no because you thought that maybe it really didn’t hurt to try and see what happened -- courtesy of the cocktails you’d had before he found you -- but also because he looked like his life depended on this and it would have broken your heart to turn him down -- courtesy of a lifetime spent loving him a lot more than you probably should have.
“This is borderline ridiculous,” you tried but your voice lacked conviction, “we—”
“All the best ideas are ridiculous!” he argued.
“I can name several scientists who would disagree.”
“I don’t doubt that you can name a lot more than just several,” he countered, extending his hand, palm-up. “But come on. Give your friend a hand, would you? Please. I really need this. I need you.”
And, in the end, the reason why you took his hand wasn’t because of the position in his company that he’d offered. It wasn’t because he was so passionate about this plan. It wasn’t even because you wanted him to mature at least a little, so he’d stop hurting himself. So he’d grow closer to his family.
None of that affected you as much as his eyes did.
You took his hand because you still couldn’t say no to him. Because he needed you.
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Nev, Max, Help!-Nate Jacobs Oneshot
Requested: Yes
Warnings: aggressiveness and rudeness from Nate and a brief panic attack scene
A/N: The reader is gender neutral since the requester did not specify what they wanted and I did not want to disrespect the storyline from the show. Also, it’s a long one. 
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  For once, Amy Winehouse’s low, melancholy voice did nothing to soothe my nerves as I typed what I was looking for in the designated box. “Love is a Losing Game” was definitely not the best song for the mood but I loved her voice so much; it was like a really messed up security blanket for me. My thumbs shook as I kept typing and quickly deleting my words. 
  Someone to have fun with.
  No, that’ll bring every single creep to my profile.
  Someone to watch Netflix with.
  Ew, no, they won’t want to go anywhere or do anything. 
  Someone to discuss Maya Angelou with...
  This could go one of two ways: attract a sensitive, nice person or the ultimate softboi who was really just an f-boy in a sensible cardigan.
    Okay, Y/N, just add to it.
   ...and have adventures, great conversations, and watch the best movies.
   That seemed broad enough and, potentially, weeded out all the weirdos. Patti Stanger would approve of this. I took such a deep breath that I could feel the oxygen in my feet as I pressed the green check mark. An adorable buffering sign appeared before being quickly replaced by a CONGRATULATIONS, Y/N/N, ON COMPLETING YOUR PROFILE. 
   The air came out of me slowly, like a balloon, and I tried to make myself relax as I swiped through different matches. One person was too short, the other too tall, another had way too many pictures with reptiles in his profile, and one’s bio simply read: DM and you’ll find out. 
  Serial killer much?
  “That’s part of your problem, Y/N,” Jules had chastised me a few day prior.
 “What do you mean by ‘part’?” I’d replied.
 “Well, for one, you barely leave the house anymore unless I drag you out,” Jules argued.
  “I’m busy,” I’d defended. 
  “Rewatching Breaking Bad for the eighth time does not count as being busy. Plus, you’re so picky.”
  “Am not!” 
  “You said you’d only do DiCaprio in his Great Gatsby days,” Rue had added.
  “Did you see him in that suit?” 
  Jules then shrugged. “All I’m saying is if you aren’t careful, you will end up all alone.”
  “That’s not true, Y/N might get cats.” 
  That conversation had haunted me since and had driven me to making a dating profile after the required Saturday night family dinner. While my parents and brother were downstairs watching a movie, I was holed up in my room, cringing and regretting accepting any chat requests. 
   Half an hour on the app caused the images of various male genitalia to be burned into my mind. I would need my brain soaked in holy water for it to be erased. I huffed and kept scrolling, vainly hoping and wishing for a decent guy to pop up on my radar.
  Maybe Jules and Rue were wrong. Maybe I had all the right in the world to be picky, I thought harshly to myself. 
  I dropped my phone on my nightstand and flopped against my pillows as Me and Mr. Jones began playing. I sighed and felt myself being lulled into the comforting abyss Amy created. 
   Ding!
   I jumped out and glared at the source of the noise. Another chat request, another picture to ruin my young brain? 
  “Be positive, Y/N, this might be good,” I stated as I grabbed the phone. 
  Tyler wants to chat!
   I frowned and opened up the app, only to be met with the most sculpted six-pack I had ever seen. My heart began banging against my chest and my thumbs fumbled for a moment to answer the chat request. 
  Whoosh. 
  My stomach dropped as I stared at my first chat to Tyler: Shg.ismtle
  I’m. Going. To. Die. Alone.
  I quickly typed: Please ignore that, I’m so sorry!
  Seconds later, my phone dinged.
  Tyler: Really? I thought you were trying to send me a secret code and I liked that we were that cool already.
  This was not real, this could not be happening. Tyler had to be a bot, that was why he didn’t show his face in his profile. Bots were supposed to have a hard time recognizing and creating faces, right? 
   But, on the off chance Tyler was real, it would have been rude to leave the conversation so abruptly? 
   Y/N: Who knows? Maybe it was a secret code and I’m just testing you.
   Tyler: Ok, let me guess what it means.
   Tyler: Hi? 
   Y/N: Haha, you really thought I’d use such a simple code as a first message?
   Tyler: It’s my bad for underestimating u. I should have known u were smarter since you read Maya Angelou.
  Y/N: U a fan? 
  Tyler: “You can’t use up creativity. The more you use, the more you have.” 
  He knows Angelou? He could have Googled a quote though. Still, it’s a good quote to use if he had Googled it.
   Y/N: Nice, but, doesn’t get u out of the guessing game.
   As Tyler helplessly guessed wrong for several minutes, I couldn’t stop myself from smiling. I used to think online dating was a last resort or a breeding ground for predators. But, maybe there were decent people looking for something (or someone) meaningful after all. 
  Tyler: I give up, you’re really good. 
  Y/N: Thx. But, I can tell you what I meant to say. 
  Tyler: The suspense is srsly kiilling me. 
  Y/N: I meant 2 say hey.
  Tyler: I guessed that!
   Y/N: No, u guessed ‘hi’, there’s a difference.
  Tyler: C’mon, barely.
   For the rest of the night, Tyler and I chatted. He told me that he plays baseball at a school across town and he doesn’t like anyone around there. He liked John Mulaney stand-up, lemon bars, going to the gym, hanging out with his friends, and reading good books. He was an only child and his parents tended to spoil him. I told him about my friends and how I liked being on the swim team at my school as well as the different YouTubers and books I enjoyed. When I finally fell asleep, I dreamed of talking to him. 
   On Monday, Jules and Rue were hanging out outside the school as other people either headed to class or relaxed on the lawn. I could not stop my feet from bouncing as I walked up to them.
   “...and that is why Sailor Mercury is the most underrated character of the whole show,” Jules affrimed. 
   Rue seemed halfway interested as her head nodded slowly underneath the hood of her burgundy hoodie. “Cool, all I asked was who’s your favorite but, cool.” 
   Jules rolled her eyes playfully and straightened up when she saw me. “Hey, Y/N, nice shirt.” 
  “Thanks.” I wore a sky blue tie dye shirt with ripped jeans and white Converse.
  Rue leaned forward and squinted at me. “You’re not wearing black, something’s wrong.” 
  “Nothing’s wrong, she’s obviously been influenced by me!” Jules teased as she wrapped a slim arm around my shoulders.
  “Yeah, you can only hang out with this literal rainbow human so long before she starts influencing your outfit choices.”
  We started heading inside, which was really just Jules and me dragging Rue into the building.
   “But I don’t wanna be here. It’s so stupid that I have to wait six more months before I can legally decide where I spend my time,” Rue muttered.
  “It’s fine, you have us!” Jules insisted.
   “Yup!” I agreed.
  “Hey, Y/N, Rue, Jules!” Cassie greeted as she sidled up next to me. 
  We all greeted her.
  “Have a good weekend?” Rue asked. 
  “Yeah, there was this great party that Nick Davis threw. I swear, everyone there was on acid.” Cassie stopped herself and bit her bottom lip. “Sorry---” 
   Rue shook her head. “It’s fine.”
  “How were yours?” Cassie asked as we continued to our lockers. 
  “Fine,” Jules said.
  Rue shrugged in response.
  I opened my mouth to reply when my phone beeped and I wrestled it out of my pocket. 
  Tyler: Is it 2 late 4 a good morning text? 
  I smiled. 
  “You’re so cheesy,” I muttered under my breath. 
  “Who’s that?” Cassie asked, peeking over my shoulder.
   I jumped and cradled my phone to my chest like it was my child. “No one.” 
   Jules pulled open her locker and cocked a bleached eyebrow. “‘No one’ does not cause huge smiles like that!” She jabbed a sparkly-manicured finger at me. 
  “Yeah, show us,” Rue said. “We are your friends.” 
  “It’s nothing,” I insisted as I weaved around them. 
  I pushed myself against my locker and managed to open it with my free hand. Rue was on one side of me and Cassie was on the other. 
  “Is it a boy?” Cassie sang.
  “Or a girl?” Rue questioned.
  “It’s none of your business,” I gritted out as I grabbed my necessary books. 
  As I shuffled the books in my arms, Jules came from behind and slipped my phone away from me. I gasped, whirled around, and watched as Rue tried to look at the phone while Cassie playfully blocked me.
  “Guys, this is not cool! This is such a serious invasion of privacy,” I argued as I tried to move around Cassie.
  “We’re besties, there’s no such thing as privacy!” Jules retorted. 
  “Wow, Y/N, these are so----” Jules cut Rue off.
  “Adorable!” Jules squealed and turned to face me.
  Cassie took the opportunity to glance at my phone and she smiled. “Aw, this Tyler guy sounds so sweet.” 
  I snatched my phone from Jules. “Well, now you know. Can we please go to class now?” 
  As the other girls grabbed their things from their lockers, I got out my phone to reply to Tyler.
  Y/N: It’s never too late...until noon technically.
   Somehow, I started wandering away from the girls until I ran into someone. I tried to jump away, but they grabbed me by the forearms.
  “I am so sorry, I should have looked where I was going---” I stopped speaking when I recognized Nate’s direct gaze on me. I was pretty tall but I always felt like he could throw me into the lockers if he wanted to.
  “Watch it, Y/N,” he muttered. 
  “Nate, let go of them,” Maddy chided, her hand resting against one of his arms. 
  She seemed to have the magic touch because he relaxed and I joined my friends. As the couple continued down the hallway, I couldn’t help but admire them. In a very messed up way, they worked. Kat had told me only a little about what Nate would do whenever Maddy upset him and I felt so bad for her, angry at him, and then conflicted. Nate just had to have that stereotypical amazing all-American look.
  “You okay, Y/N?” Cassie asked.
  “Yeah, is it weird that I can still feel his eyes on me even when he’s not looking?” I asked. 
  “No, his need for dominance permeates everyone’s sense of autonomy,” Rue assured.
  “Nice,” Jules said. 
  “And scary accurate,” Cassie added. 
  Jule looped her arm with mine and steered us in the direction of our first classes. “Anyway, if he tries anything, I’m sure Tyler would gladly kick his butt for you.” 
   Throughout the day, Tyler and I chatted and I even had to get creative with responding. In English, I kept my head down during quiet reading time and made sure my phone was positioned just right in my lap. During geometry, I told Mrs. Packer that I was having some digestive issues and spent most of the class outside the bathroom, texting Tyler. At lunch, I could barely focus on my friends’ conversation.
   “Hello, Earth to Y/N?” Lexi waved her hand in front of my face and I blinked.
   “Sorry, I was----”
   “Texting her boooyfriiiend,” Jules sang.
   “He’s not my boyfriend, we’re just talking.” I started poking at my sandwich. “What did I miss?” 
  “Oh, nothing, just the fact that I nearly blew up the school during chem,” Cassie said. 
  “Magnesium chloride isn’t an explosive,” Lexi argued. 
  “Well, the tube overflowed and everyone was freaking out,” Cassie argued.
  “Yeah, because magnesium chloride can have bad side effects,” Lexi continued.
   “I wonder what would happen if the school exploded and we weren’t all here? Would they have to give us our diplomas?” I thought outloud.
  “Ooh, and I could go to fashion school early!” Jules cheered. 
  “I’d be happy not coming here anymore,” Rue admitted. 
  It was quiet for a moment as we all ate but that quiet was broken when Maddy yelled.
  “WHO ARE YOU TEXTING?”
  I couldn’t help myself but look. Maddy was standing behind Nate, who was sitting with his teammates at the center table. Bebe and Kat flanked Maddy a little behind. Everyone stared at them. Nate’s jaw tightened. 
  “Maddy, calm down,” his relaxed, controlled voice nearly echoed in the silent cafeteria. 
  “DON’T TELL ME TO CALM DOWN! YOU’VE BEEN ON YOUR PHONE ALL DAY!” she snapped. 
  “Maddy---” 
  “ARE YOU TEXTING OTHER GIRLS?” Maddy shouted.
  “Can we talk about this somewhere else?” Nate asked. 
  Maddy sighed. “Are you gonna let me see your phone?”
  “Maddy, we need to talk.” 
  “Don’t talk to me again.” 
  Before Nate could respond, Maddy dumped the contents of her lunch tray over his head and threw the tray aside. Kat and Bebe followed her as she strutted out of the cafeteria amid the shocked gasps. 
   “I’m gonna go check on her,” Cassie whispered.
  We all nodded and she quietly exited the room. As I stared at Nate, the supposed king of the school, drenched in soggy salad and fat-free milk, I wondered why he could never stay broken up with Maddy. Their relationship was not just toxic, it was volatile. Their breakups were always public and outrageous, but they always ended up back together. No one questioned it either. I never understood why people could continue to choose relationship they knew was bad over pursuing something new. I told Tyler as much that night. 
   Y/N: It’s like those dogs that get killed by electric fences because they keep walking into them.
  Tyler: U have a good point, but, that couple’s relationship is more complicated than u think. 
  Y/N: Probably, but, it doesn’t look that way. They hurt each other a lot.
  Tyler: How do u know? 
   Y/N: Bc I’ve seen it. I don’t mean 2 b judgy, but, I could never be in a relationship like that. 
  Tyler: Well, I don’t think anyone would b if they knew it would b bad. 
  Y/N: Good point. But, why would they get back together so much? 
  Tyler: Idk them, but, it could b bc it’s familiar and it’s what they know.
  Y/N: Still, it’s messed up.
 Tyler: Yeah, but I don’t wanna talk abt them anymore.
 Y/N: K, what do u wanna talk abt? 
  A few seconds later, Tyler sent me a picture so graphically beautiful that I was convinced I passed out.
 The next day, I showed Rue and Jules the picture during break time.
 “Holy crap!” Jules took my phone and leaned into it for closer inspection. 
 “Tyler is packing,” Rue agreed. 
  Jules slid my phone back to me. “You haven’t replied to him?”    “No, and he hasn’t talked to me at all today.”
  “He’s probably expecting a reply that’s similar to what he sent,” Rue said.
  My face warmed up. “I can’t send him nudes,” I hissed.
  “Why not? It’s like the greeting cards of our generation,” Jules stated.
  “Really? You’d send your grandparents a greeting card of your naked body?” I replied sarcastically.
  “Relax, if you’re uncomfortable, we can help you,” Jules assured.
  “We can?” Rue asked.
  “We can.” Jules gave her a look and Rue relaxed. 
  “It’s still weird, but, I guess you guys can come over after school.”
  “Sweet! Your mom still bakes cookies for you after school, right?” Jules asked.
  I nodded.
  “She might stop once she learns her darling favorite older child is sending nudes,” Rue snorted as she spoke.
  I recoiled in my seat, taking a second to bask in the sun’s warmth. “Don’t remind me.” 
  After swim practice, once my teammates left the locker room, I eyed my naked form in the mirror. I had nothing to be ashamed of, really, thanks to all the swimming, but, I just felt weird being naked in front of people. There was something so vulnerable about it, like, being on display in a museum or lying on a cold surgery table. But, online dating was supposed to get me out of my comfort zone and I’d found someone who’d made me feel comfortable enough to do it. With this resolve, I changed into a hoodie and some sweatpants and left the school. It was dusk and I typically walked home after practice since it wasn’t far. Plus, I’d told Jules and Rue to just go to my house after school. 
  The late breeze rippled past me and I dug my hands into my pants’ pockets as I started walking towards the parking lot. There was barely anyone around, except stoners hotboxing their cars, some couples making out, and dance team members and football players getting out of practice.
  I kept my head down as I maneuvered around the few cars and people around. It felt like someone could spot what I was about to do once I got home and it was nervewracking. All I had to do was get home, let Jules make me look even better, take these pictures, and never thinking of it again.
   “Something on your mind, Y/N?” Nate called.
   I froze and snapped my head up to look at him. He was leaning against his truck, looking like a model for Ford in only a tshirt and jeans. Ford should hire him. 
   “No, not really,” I said. 
   I started to side step the truck, eyeing the sidewalk that was only a few yards away as though it was a lifeline. 
  “Get in,” Nate ordered.
  I paused and looked at him. “Excuse me?” 
  “I see you walking home all the time, let me do you a favor, one athlete to another.” Nate was about halfway in the driver’s seat of the car and all I could do was stare.
  “We’ve...never really talked before,” I stated. 
  “We can talk during the drive.” 
   I stepped back and my eyes flittered around, like the best decision would hit me in the face. Then, I saw Maddy across the lot. She was standing with a couple of dance team girls, including Cassie. She stared me down as though daring me to do it. I glanced from her to Nate, who started the engine loudly. 
   I quickly climbed into the passenger’s seat and stared into Maddy’s reflection in the rearview mirror as he pulled out of the parking lot. 
  “How do you know where I live?” I asked.
  “You forgot that I gave you a ride before?” Nate asked.
  “When?” 
  “After Cassie’s sweet sixteen. You blacked out, your friends were panicking, and I offered to take you home. For some reason, you remembered your address,” Nate recalled.
  “Oh, thanks?” 
  “Sure.” 
  We pulled up to my house a few minutes later, Lil Wayne bragging about his conquests filling the quiet. I hopped out of the truck and grabbed my bag. 
  “Thanks for the ride, this one, I mean, I owe you,” I said.
  “Yeah, see you around, Y/N.” 
  I closed the door and headed inside.
  “I’m home!” I called.
  My mom poked her head out from the kitchen. “Y/N, how was school and practice?” 
  “Fine.” 
  “Was that Nate Jacobs outside?” 
  I hesitated. 
  How did she know what Nate’s truck looked like?  “Yeah, he gave me a ride today.” 
  “Aw, isn’t that sweet? Rue and Jules are waiting for you in your room. They took the cookies with them.”  
  I nodded and went to my room. As soon as I walked in, they bombarded me with questions.
  “Why did Nate give you a ride?” Rue asked.
  “What did you guys talk about?” Jules inquired. 
  “Don’t you hate him?” 
  “He’s kind of a dick, but, unfortunately, super good looking.”
  “Did Maddy see?” 
  “Do you think she’s gonna kill you?” 
  “Guys, I don’t know but I do know that if you do not take amazing pictures of me with no clothes on soon, I will delete my entire profile,” I interrupted. 
  They both nodded. 
  “But, we will ask for details later,” Jules insisted.
  “Okay, but, please give me a cookie, I’ll need it to get through this.” 
  Rue extended the plate towards me and I bit into the melty goodness as Jules began doing my makeup. It was simple, only bringing out my best features. I made them both turn around as I undressed. Once I had, Jules encouraged me.
  “You look amazing, I would be shocked if he didn’t jizz in his pants,” Jules said.
  “Lower your voice, Y/B/N can only play Five Nights at Freddy’s so loud,” I hissed.
  Jules held her hands up and Rue direct me to lay on the bed, my phone held up in front of her.
  “Okay, look sexy,” Rue said.
  I tried to smolder, but, by their expressions, I did not achieve it.
  “No, like, pout your lips, like, you just heard that TheOdd1sOut is not uploading for a month,” Jules directed.
  “And give the camera bedroom eyes, you know, as though it’s Tyler.”
  “Okay.”    After a few pictures, I slowly got the hang of it and even started posing a little naturally.
  “Oh my gosh, Tyra is shook!” Jules cheered. 
 “Yeah, these are pretty good if I do say so myself.” Rue handed me my phone and I flipped through the pictures. 
  She was a talented photogrpaher and I joked that maybe she should go professional.
  “Yeah, I’m sure I’d have a nice clientele.” 
  I laughed as I changed back into my hoodie and sweatpants. “Okay, help me pick one to send.” 
  Jules took my phone and she and Rue began scrolling.
  “No, the lighting’s off in this one,” Jules muttered.
  “No, it’s never off in any of these,” Rue argued. 
  “I’m not shading your talent, I’m just trying to find the best thing for Y/N to send Tyler.” 
  After a little more bickering, we all agreed on the picture and I sent it to Tyler.
  “Should I follow it up with something?” I asked.
  “Maybe say ‘Wrong person’? Guys want what other guys want,” Jules suggested.
  “Or say ‘Sorry for the late reply’,” Rue added.
  “I’ll go with Rue’s, sorry, Jules.” 
  Jules shrugged. 
  I sent everything off and my friends and I watched as Tyler typed a response.
  Tyler: It was worth the wait ;).
  We squealed so loud that my mom yelled for us to keep it down. We apologized as we descended into a fit of giggles. Through it all, I could not help but feel so bouncy and light all over. Was I...falling for this total stranger? 
  “What do you think he looks like?” Jules asked during lunch later that week.
  I shrugged. “It’s different every day, if that makes sense.” 
  “I guess that’s the nice thing about interacting with someone who doesn’t show their face,” Jules thought outloud. 
  “How do you see him now?” Lexi asked. 
  I sighed. “Right now, I think he’s tall, six feet at least. He’s got a mix of blonde and brown hair like a surfer because it’s lightened from all the time he’s spent in the sun. He has green eyes, freckles, and he dresses well.” 
  “Sounds amazing,” Jules said as she rest her chin in her hand. 
  Rue nodded slowly. “You’re not nervous or anything?” 
  “No, this is so cheesy, but, I feel like I know him, you know? He’s so easy to talk to and has so much to say.”
  “Y/N’s blushing,” Jules teased. “Do you love him?” 
  “I really, really, really, like him.” 
  “Do you think you’ll meet soon?” Lexi asked.
  I shrugged. “I don’t know, neither of us has brought it up.”
  “Well, it just matters that you’re comfortable, okay?” Rue said.
  “Okay.” 
  If I was honest, I did not know if I wanted to meet Tyler. I knew that I liked him more than I liked anyone before, but, there was something strange about breaking this wall the internet provided us. It was freer to talk on the internet than it was in person. What if I said something stupid in front of him? What if he thought that I looked different in person? What if he looked different in person? 
  I managed to keep these thoughts at bay for the rest of the day until I got home. Post-dinner had been officially declared Talk to Tyler Time. None of my family knew what I was doing besides blasting Amy Winehouse in my room for about an hour. My laugh nearly overpowered her high note in “Best Friends, Right?”. I had to blink away my happy tears as I replied to him. 
  Y/N: That did not happen!  Tyler: Yes it did! Do u want 2 c the scar????
 Y/N: No, I think I’m good.
 I wiped away my tears and settled under the covers. I wondered if his friends would agree that Tyler gets into some weird situations as well. Just as I started typing, Tyler beat me.
 Tyler: I want 2 meet u.
 The speed that I launched my phone away from me almost shocked me more than the text.
  Almost.
  My heartbeat thrummed in my ears. This was it, I knew I couldn’t avoid him much longer, but, I felt like I couldn’t move. All I could do was stare at my phone like it was the most offensive object in the world. Slowly, I regained mobility and grabbed my phone. I took a deep breath.
  “Take a chance, Y/L/N,” I whispered.
  Y/N: When and where?
    “You’re meeting him tonight?” Jules squealed the next day.
  I hushed her as people in the hallway paused to look at us. “Not so loud.”   “But this is so exciting. Please let me help you decide what to wear,” Jules pleaded with a pout. 
  “Sure,” I said. 
  Jules hugged me. “This is going to be so fun. I won’t go crazy with glitter since this is the first time you’re meeting this guy.” 
 “Thanks?” 
 “Do your parents know?” Rue asked.
 “No,” I replied as I slowly pulled away from Jules. “They’re coming Senior Night tonight, though. and I’m going to meet him at Mercy Park an hour before it ends.” 
 “Are you sure you even want to do this? I know that Jules and I tease you about your love life, but, this is risky,” Rue said. 
 “You weren’t saying that when you were helping me with those pictures the other day,” I shot back.
  “That was different. You’re...you’re actually meeting him now and he could be a psychopath or a sociopath or, just, a creepy old guy who likes to look at teenagers!” Rue insisted.
  “Rue, relax, everything’s going to be fine.”
  “You don’t know that!” She turned on her heel and hurried into the bathroom with Jules and I on her tail. 
  When we entered, Rue was leaning against the wall, panting and staring up at the ceiling. Jules and I approached her slowly as the girls who were in the bathroom quickly filed out. 
  “Rue, slow down your breathing,” I said slowly.
  “I...I can’t. You-you could get hurt or something and-and I would know about it an-and I-I couldn’t live with that!” Tears burst from her eyes as Rue began pacing and Jules and I were close but gave her room. 
  “Rue, Y/N is going to be okay, we both know what time she’ll be at the park. If anything happens, we’ll know the area she could be in,” Jules assured her.
  Rue shook her head and stopped in her tracks. Then, she looked between us helplessly before bowing her head and sobbing. Jules and I carefully hugged her and let her cry.
  “I’m sorry that I’m scared and I care about you and I don’t want you to get hurt,” Rue mumbled into my shirt.
  “It’s okay, I appreciate it. I really want to meet Tyler, though, and, I promise I will let you know if something happens, okay?” 
  Rue nodded and sniffled.
   It took Jules about an hour to make me look amazing. I had no idea my hair could be so fluffy and put together until she was done with it. She used eyeliner to make eyes look bigger and rounder and added sparkly lip gloss to make my lips look plumper. After she contoured and highlighted the best places she deemed that her work was done. My outfit, a fitted forest green long-sleeve shirt and fitted black pants with Jadons, was also approved by her.
  “Tell me everything later!” she insisted.
  Rue couldn’t join us since she had “prior commitments” but I texted her that I would let her know when I head to the park and when I leave. My nerves didn’t let me focus on the soccer game my parents insisted I joined them and my brother at. I couldn’t care less that the forward on one team got a yellow card or that the goalie on the other team made illegal blocks. I was practically buzzing with excitement and fear so much that I had to give my pretzel to Y/B/N. Finally, the third quarter arrived and I told my parents that I would meet them at home since I’d promised Lexi that I would help her with some homework. 
  Lexi wouldn’t mind being used for a lie this one time; it was an emergency.
  I tried to practice some calming deep breaths as I walked over to the park. The dark night sky provided a little bit of comfort to my walk. I wondered how different Tyler would look from the picture in my mind. I wondered if he thought I would look any different. Maybe (hopefully) it wouldn’t matter to either of us.
  Finally, I reached the park. It was empty, save for the oak trees scattered throughout the lush green scenery that seemed mysterious under the mooonlight. A few benches and wooden tables were around as well, but, Tyler and I had agreed to meet at the fountain which was further in the park. The breathing exercises had to have helped because I felt much more relaxed and I hoped that everything would go all right. 
   When I got to the fountain, there was a tall person facing it. All I could make out were dark clothes and broad shoulders. I took another deep breath and kept walking.
  “This is a nice spot, you have good taste,” I commented. 
  “I could say the same for you.” I stopped in my tracks as Nate slowly turned to face me. His face was unreadable but his eyes stayed on me. 
  “What? Wh-where’s Tyler?” I asked, my voice already hoarse. 
  Nate glanced down at his shoes. “I’m sorry, I didn’t know how else to talk to you.” 
  I shook my head. “No.” My vision got blurry but I could tell that Nate was looking up at me now. 
  “Just let me explain,” he requested softly. 
  He took a step towards me and I took two steps back .
 “I don’t wanna hear it. This....this is some sick joke to you or something?” 
 “No, never, Y/N, just listen to me.” 
 “I don’t want to!” The tears rolled down my cheeks and I swiped at them so hard that I thought I scratched myself. At least I could feel something because my heart felt numb. “You catfished me!” 
  “I just wanted to talk to you, I really do like you, Y/N. Tyler and I are the same, just different names,” Nate insisted, coming closer.
  For some reason, I didn’t move. I didn’t know if it was from emotional exhaustion or stress, but, I let him approach me. I kept shaking my head. 
  “No,” I hiccuped. 
  “I wanted to meet you tonight because I was tired of lying. I want to figure this, us, out,” Nate said.
  I sniffed. “Us?” 
  At that moment, I could actually see his face and Nate seemed so hopeful. There was a slight smile on his lips and his eyes seemed light for once. Maybe he wanted there to be an “us”. Maybe, despite all logic, he wanted to talk to me seriously and could not do it offline because of his reputation. Maybe, he was over the on-again-off-again situation with Maddy. Maybe, this was my chance, our chance.
  I wiped my face again, mentally cringing at how upset Jules would be for my ruining her masterpiece. 
  “Yeah, us.” Nate stepped closer to me, gently wrapped his arms around my waist, and pulled me into his chest.
  Gradually, my muscles relaxed and I relished in the feeling of his strong upper body and his warmth. Then, I began to feel pressure on my waist and gasped as it intensified. 
  “Nate, you’re...squeezing...too hard,” I rasped out. 
  And he started laughing, no, cackling. As he laughed, his grip tightened and I continued gasping and clawing at everything I could. 
  “Nate...stop!” 
  But he kept laughing and squeezing. When he finally released me, I looked up and saw nothing behind his eyes. Everything in me told me to run, but, I knew he could have easily caught up to me.
  “I really thought you were smarter than that, Y/N. C’mon, you couldn’t honestly think that I would do all this to be with you,” he sneered.
  “So why do it then?” I asked, my voice so small that I could have kicked myself for it. 
  Nate sighed and folded his arms. “Because you made it so easy and, to ask for a favor.” 
  “What? That makes no sense,” I argued. “I told you I owed you one that day you gave me a ride!” 
  “Yeah, well, I needed to make sure that you were available when I needed you.” 
  “Whatever, screw you,” I hissed as I pivoted on my heel. 
  “Too late for you, you’re already screwed.” Nate pulled out a folder from inside his jacket pocket. “Remember those special pictures you sent to Tyler? Well, they count as distribution of child pornography, which has a hefty fine and sentence.” 
   My mouth opened and closed several times before I faced him and responded. “But...but you held them, doesn’t that count towards possession? And, you’re extorting me!” 
  Nate glowered at me and stormed over. “Heresay, no solid evidence for your case. Plus, I’m a Jacobs, so, who are you kidding?” 
   I felt so sick to my stomach that I could have thrown up, fainted, or cried at that moment. This was not real, this could not be real.
   “What do you want?” I asked.
   “Like I said, just be available when I need you.” 
  “Fine.” 
  “Sorry, what was that?” He gripped my chin his hand and forced me to look up at him.
  “Okay,” I said softly.
  “Hmm.” His eyes scanned my face before he released me. “And if I ever hear you judging my relationship with Maddy again, these pictures are going to be the least of your concern.” 
  I nodded weakly, regretting every single thing I ever told him. Nate Jacobs was truly the devil. He wandered off into the night like a centurion leaving a victorious battle. It seemed like he always won. 
  I managed not to start crying until I was on the empty sidewalk. No, I sobbed so bad that my throat went dry. 
  How could I have been so stupid? I should have known it was him that day Maddy yelled at him for texting all day. 
  Stupid, stupid, stupid!
  My sobs continued as I grabbed my phone and texted Rue. 
  Y/N: U were right. 
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