#It also feels like most of the MCs in these books are flatter than week-old soda & have to be Very Special Princesses not by their own right

[gooenthusiast]

This is probably also why so many booktok/bookstagram-famous books are (imo as an avid „actual“ reader) shitty? As in ‚books written by 13 year olds on Wattpad make more sense and are written better‘-shitty.

I‘m not going bash people for liking to read or fantasise about toxic relationships, you do you. I don‘t like it, so I don‘t read it.

But I have no idea how people could stick around for an entire book of objectively bad & inconsistent writing and like it, without doing this parapgraph skipping/ only reading dialogue thing (aka not actually reading).

Do they know that reading is not mandatory? Nobody is forcing them to read?

[choices-and-voices]

hi sorry if this has already been asked somewhere but im was wondering if you had any tips on how to get the best experience without having to pay ?

Hi there! Don’t worry, this question hasn’t been asked before, and I am honestly super flattered that you value my opinion enough to ask it ☺️ I’m not sure how helpful my tips will be because I don’t exactly consider myself an expert in this, but here are some things that came to mind! I’ve gone into quite a bit of detail, but if you want a quicker overview, just stick to the bold headings. Also, if any of the people reading this have good tips of their own, please lmk! I’m always learning new things about how to do this too 💕

1. This one’s a bit obvious, but still – take the opportunities that the game gives you to earn free diamonds. That means watching the bonus ads every day (5 diamonds/day), playing through chapters as often as you can (including replaying old books if there are no new releases – 2 diamonds/chapter), and watching ads at the end of book chapters for an extra diamond. Obviously, all this is a bit of a balancing act – you want to be playing Choices often enough to build up your diamonds, but not so often that it takes over your life and makes you feel frustrated, because what’s the point of it if it’s not fun anymore, y’know? So I’ve always been careful not to overdo it. Even if all you do is watch the bonus ads every day, that’s 35 diamonds/week – basically, one big diamond scene a week – which is honestly not too shabby.

2. At any one time, only play 1-2 books that you’re really invested in, and try to supplement that with another 2-3 books that you’re not really invested in or are replaying just for diamonds. As tempting as it can be to rush through every good-looking book in the app all at once, that just leads to a situation where a) you’re trying to divide your free keys between waaay too many releases, and b) there are so many demands on you for diamonds, you never get to consistently spend them on anything. So I personally think it’s best to only read a couple of good books at once, and instead of marathoning them, break them up with chapters from less-good books – this builds up your diamond stash for spending on the good books. Which leads into my next point:

3. Don’t zip through books too fast – even if most of the chapters are already released, spreading them out helps you earn more diamonds for them in the meantime. I’m really lucky to have been playing Choices for so long that almost all the books were presented to me in weekly release format – if I downloaded the app for the first time today, and saw all the fully-released books on there, I feel like I would be way too overwhelmed to play. So I reckon that, even if a book isn’t technically a weekly release for you, make it a weekly release! You might decide to play all the books you’re really invested in on a particular day when you have more free time – say, a Sunday. Then, you have Monday-Saturday every week to earn diamonds for those books, and something to look forward to at the end of it all. As for what you do with those diamonds:

4. Be smart about what you spend diamonds on. There are a couple of different components to this tip – it involves things like a) figuring out which types of purchases are worth diamonds in general, b) figuring out which types of purchases you want to prioritise in certain books, and c) planning ahead before you start playing a book chapter about where you might want to spend diamonds. To address each of those things one-by-one:

a) Figure out which types of purchases are worth diamonds in general. Off the top of my head, there are 6 main types of diamond purchases in Choices: ‘friendly’ scenes with LIs (12-25 diamonds), ‘steamy’ scenes with LIs (25-30 diamonds), scenes with your whole friendship group, collectible items (e.g. the tapestry pieces in Bloodbound, the clues in Veil of Secrets, etc.), outfits, and pets. Your mileage may vary a lot on which of these are most important to you, so take my opinions with a grain of salt. But my general advice would be to i) prioritise group scenes above LI scenes, ii) prioritise ‘friendly’ LI scenes above ‘steamy’ LI scenes, iii) avoid collectibles, and iv) go for outfits and pets only if you really like the look of them. This advice is based on the fact that, firstly, I think you get a better experience of immersion in a book if you know a bit about all the characters around MC, rather than just about one LI; secondly, ‘friendly’ LI scenes tend to tell you more about the LI than ‘steamy’ scenes, which are often 80-90% copied-and-pasted erotica despite being more expensive; thirdly, collectibles are a massive drain on diamond stores, and almost always unlock quite short, generic scenes that it’s easy to find on Tumblr or YouTube; and fourthly, both outfits and pets don’t do much except appear in the story at key moments, which can be a really nice touch but is still only needed in moderation. Of course, there are exceptions to these rules, and you might find that those exceptions are sometimes book-specific. Which leads me to Part B of this point:

b) Figure out which types of purchases you want to prioritise in certain books. It’s all well and good for me to say that group scenes are usually better than LI scenes, but when I’m playing a book with an amazing LI but a pretty meh supporting cast (*cough cough* Myra Dixon carries Baby Bump on her shoulders *cough cough*), I obviously may need to adjust my spending habits slightly. Moreover, by focusing all your diamond spending on just one main thing per book – like Myra’s romance in Baby Bump, or the party’s side-quests in Blades of Light and Shadow, or the posse in Queen B – I think you end up with a much better playing experience, because you feel like you’re seeing at least one facet of the story in-depth instead of getting a patchy surface view of lots of different facets. For the most part, the purchases you prioritise in a book can mostly depend on personal taste, but there are a few books where some background knowledge might be helpful in the decision. Four things that I think are worth flagging are that i) the ‘competition books’ (America’s Most Eligible, Queen B, Hot Couture) do require regular outfit purchases to win, although winning isn’t that much better an experience than being runner-up; ii) Veil of Secrets and Nightbound are two books where it’s worth saving 30-35 diamonds for the final chapter, because your MC is forced to leave the small-town setting if you don’t; iii) Across the Void is a book that frequently invites you to spend diamonds to save characters’ lives, but their death arcs are honestly much better-written and more sensible than their survival arcs; and iv) the It Lives series is the only one where characters can die due to an accumulation of choices you make throughout the story, so maybe it’s worth keeping some diamonds in reserve for that one. Which just leaves us with one more sub-point:

c) Plan ahead before you start playing a book chapter about where you might want to spend diamonds. I want to take this opportunity to thank whichever people in the fandom maintain the Choices wiki, because oh my gosh, they are lifesavers. For the last year or so, my response whenever a new Choices chapter is released has been to wait a few hours, Google ‘[book name] choices’, open the wiki result, and skim through to check how many diamond choices are available & how much they cost. Because all the wiki includes are the possible responses to every choice presented – it doesn’t even state the wording of the choice itself – this is a relatively spoiler-free technique that helps a lot with big picture planning. For example, you might decide not to buy an early group scene because there’s a nicer-sounding LI scene later on, and come to think of it, you should replay a few more chapters of another book first to save up the diamonds for that scene. If you don’t mind encountering just a few more spoilers before you play the chapter, you can also scout out its diamond scenes in more detail by searching the relevant book or character tags on Tumblr, or by looking for a chapter stream on YouTube. You may decide that you don’t need to buy a diamond scene if you’ve already seen it played through by someone else, or alternatively, you may decide whether or not to buy a diamond scene based on how good it looks in an existing playthrough – in either case, these techniques can help you thoughtfully ration out the diamonds you have, instead of being caught off-guard whenever a diamond choice comes up.

5. On the subject of the Choices wiki, it’s also a great way to maximise your success in books without using diamonds. Whenever there’s a ‘right’ option to a choice that gives you a better outcome later in the chapter, that’s indicated in the wiki. So with a bit of pre-reading of the wiki before you play the chapter, and/or with the wiki open on a separate screen as you play, you can get the best outcome without having to buy that outfit or bonus scene that promised you ‘an advantage.’ Obviously, your mileage may vary on whether this method is actually worth it, or whether it takes all the fun out of Choices by ‘cheating’ at the gaming aspect. I personally view Choices as more of an interactive story app than a game I’m trying to beat, so I have no issue with this method, but opinions may differ and that’s okay.

6. If you’re really feeling like a lack of diamonds is limiting your playing experience, it may be best to start out with ‘cheaper’ books until you have more diamonds stored up. In this case, I’m using ‘cheaper’ to mean books where there are fewer diamond scenes, where diamond scenes are less expensive, and/or where diamond scenes don’t play as big a role in the plot. It can be hard to identify which books fit this bill, but as a general rule, it’s more likely to be the earlier-released ones or less-popular ones. Some which I’d recommend are the first few books of the Freshman series, the #LoveHacks series, the High School Story series, the Perfect Match series, Most Wanted, The Heist: Monaco, Wishful Thinking, Bachelorette Party, and The Royal Masquerade.

7. Finally, a really quick tip for making the most out of free keys – keys are used up as soon as you start a book chapter, and refresh ~every 3 hours. This means that, even if you don’t have time to play chapters every 3 hours, you should try to open the app roughly that often and just click to unlock a chapter. When you finally have time to play, you’ll have a whole lot of chapters ready to go plus another two refreshed keys, and you can power through them at whatever speed you need to fit in them into your break time or to earn diamonds for an upcoming release. Once again, this is a tip that may need to be practised in moderation, because you don’t want to be constantly interrupting your life to load up an app on your phone. But even if you just log in and unlock chapters every 6 hours, or every 12 hours, that’s still 2-4 extra chapters ready for you at the end of the day plus your two free keys.

I think that’s about all for my tips! Thanks for reading, and I hope it helped at least a bit ❤️

[lizzybeth1986]

I love the code name, and I'll hopefully remember to sign my messages with it from now on. I'm actually quite flattered that I've earned one, so ty for that. I somehow came up with 2 more questions, most likely to turn into essays, for you. 1 should be more lighthearted than the other, so I'm gonna start heavy if ya don't mind xD. You've touched briefly on how families affect the courtly ladies, so I wanted to see your take on how families have shaped the people at court. Have fun!-CL anon :D

You come up with such amazing questions, CL anon! How do you do it! 😁

So...hmm...how families shape the people in court. That's a pretty loaded question! And I mean "loaded" in the sense that when we're talking about "family" in an environment like this, we're also talking about the larger society they inhabit and what values from that society these parents were busy instilling in these children.

Sometimes the struggle I have with theorizing on these things, is that Book 1 starts out with very different ideas of what modern Cordonian society is supposed to be like, but by Book 3 or Book 4 they have developed other ideas that contradict it...or that you have to really work around to make sense of. For instance, the entire idea of open relationships being accepted in Cordonia that crops up conveniently in Book 2 just so the MC can sleep with whoever she wants after she's gotten engaged...yet the same society has such a strong disapproval of PDA that you can lose points with the general public for even joking about being intimate with someone (can these two things happen in the same space? Of course!! But that point from Book 2 does make the overall stuffy atmosphere in Book 1 about displaying affection look a little confusing, you have to admit). So...making sense of these things with the way the books have changed over the series is challenging, but doable.

The one thing that gets clearer and clearer as the story progresses...is that most noble children seem to grow into an awareness from a younger age itself that their public life should not reflect their private ones. Another is that, in the political climate of the time - they may not understand everything that is going on...but their parents have inadvertently taught them to grow up in fear (a legitimate fear, considering the threats at the time). I'll start with the palace, then move to the duchies. (I won't include Drake and Hana much in this, as Drake's family seemed to operate very differently - and honestly we know way more about his American roots than his Cordonian ones - and Hana grew up in another country...though there will be a short paragraph about her towards the end).

--

Liam

Liam grew up in the palace, the second son and younger brother to the royal heir, but you can tell there were things he had to learn pretty early on in his childhood. Things like compromise. Things like weighing what was more important to the country at a time when many children should be caring about their own needs.

It's not a very easy life, Liam's. His mother was murdered when he was still a young boy. His father often neglected him (remember the Eiffel Tower sequence where he justifies Constantine breaking a promise to visit the landmark with him, by recognizing that his father had bigger responsibilities as King?) and expected a great deal from him even at an early age (I mean...forcing an eight year old into hours of diplomacy meetings for three whole weeks??). And while race is never really mentioned in the books, the subtext is there that Eleanor and Liam possibly might have had to work harder for approval from the court than, say, Leo.

Added to this is the entry of Regina later on, after Eleanor's death. I feel like some aspects of her are based on Queen Elizabeth II - especially the way she advocates for stoicism in Book 1 (which is why she is so hard on herself after Constantine's death, in Book 3). Every move of hers is consciously planned and measured so that only certain aspects of herself will be visible to the general public, and I do think Liam draws a little bit on that with his own public image as well. This can be advantageous, because that means someone like Regina (and Liam) will be in control of their image. Only what they want to show, is shown. But it does mean that they have to weigh anything and everything they do with particular care.

In the "wedding advice" scene in Book 3, Liam speaks of how - even if they did have a conflict - Constantine and Regina would always show a publicly united front (and we see elements of that in the aftermath of the MC's scandal. Regina doesn't openly disagree with Constantine's actions, but she does adopt countermeasures because she sees a bigger picture that Constantine isn't willing to see). The family as a whole seems to be very image conscious (and they would be! The royals will be subject to way more scrutiny from the press and the public than most children, so parents will do whatever they can to protect those children from the worst aspects of it) and have to keep in mind that even their slightest reactions in public could have consequences. You see this pretty clearly in the way Liam handles the chaos at the Coronation Ball. He does what he has to, to calm the court down even though he is personally in turmoil - and we see how much turmoil he is in right after he has made his way to the MC's room.

This might be more extensive than most of the other characters, most coz he is an LI and some of his arc was supposed to revolve around being a different man from his father (they...dropped the ball on that one in Book 3).

Maxwell

To me, at least in the beginning, the Beaumonts were supposed to represent two extremes in one House. Propriety is extremely important, and you see this clearly in the way Bertrand speaks and acts and even thinks. But at the same time, their space is also a space for the nobility to let loose and go wild, as one can see from their Beaumont Bashes. These two extremes are represented pretty accurately in both Bertrand and Maxwell, and in a limited way in their parents as well.

Barthelemy expects a great deal out of his sons (even though he isn't exactly the best at meeting expectations himself. In that way he reminds me a little of Sebastian Delacroix's father from The Junior) and requires that they keep the honour of Beaumont House first. But the mother...even though we never actually meet her or even know her name (a pity)...we do know that she made people relaxed and comfortable around her, and wanted her younger boy to be happy with who he was. In Maxwell's wedding advice, he speaks of the importance of laughter - how his mother made his serious-looking father laugh and that was the most enduring image he had of their relationship.

But it's not like the family wasn't prey to the tense political climate that was there in the country when the boys were younger. For instance, Maxwell's fear of carousels is deeply rooted in his own family's fears of their children getting targeted - because he tells us "I was only three, I had no idea what was going on...And because our parents had spent so much time trying to warn us about dangers, I thought I was going to get murdered". I mean...imagine being three and having those thoughts!! I think that kind of insight should give us pause, because it does direct us to how an unstable political climate can bleed its way into the personal life or people, of their families and children.

I do wonder what implications and impact the discussions between Bartie Sr and Godfrey have on the family, though. Because if most of the fandom is right about what those two were planning, I see Bertrand and Madeleine as the people who will correct the wrongs of their parents in their support of the Crown, much in the way Olivia was last book.

Kiara

Kiki's family is actually my favourite of the lot, and we can see how she developed her skills in an environment that was supportive, and vibrant with challenges and creative stimulation. It's clear that she is one of the few people who really thrived in her family environment. Nothing was really forced on her: learning languages, and mock-treaties, and diplomacy were all things she had an aptitude for, so she went for them. And I'm guessing given the speed at which the book had Hakim and Joelle accept Zeke's decision (which could be retconning for all we know, but I do think it doesn't jar with their characterization until that point)...had Zeke opened up to them earlier, they would have figured out a way without the MC or Penelope having to convince him to open up in the first place.

One thing that I loved about Kiara's family arc was that if the MC tried to sass her about whether "everything in your family is a negotiation", or tried to cast Kiara and her family into this bland, staid stereotype of "negotiators who have no personal connection as a family", Kiki would shut that nonsense down. Every single time. She would establish that these are things important and personal to the family, and make it clear that the MC is no one to judge how they interact as a family.

Hakim and Joelle are my favourite older couple in the series, honestly. We're told they met and fell in love in college, and that their political views align more with Liam's than they do with Constantine's. In fact Liam at one point even tells us that Joelle was "the kind of person King Fabian would have approved of", and she speaks the same language about how it isn't merely enough for the country to be safe - it needs to thrive as well.

Hakim and Joelle are very different people, and in her wedding advice Kiara tells us they "delight in their differences". This is especially apparent in a fail play, where Hakim plans to go to the wedding, and Joelle winds up going to Switzerland. There's plenty of banter between them beforehand about their different ways of thinking, but expressing the same delight.

If there is only one flaw, it's in the writers - because in their mad rush to make Kiara's trauma look like it didn't matter in Castelserraillian, everyone was made to look as if they didn't care...including her parents. Which is bizarre coz the entire reason Hakim was going to leave in the first place was the fact that his daughter suffered in that attack! They never let Joelle mention anything about what Kiara went through, up until the end where she asks us if we took care of Kiara during the tour (and we are the fucking lowlifes here who didn't put the effort to, so Kiara ends up having to lie through her teeth that we "had my back").

I do see Kiara having a particular idea of "strength" that she holds everyone up to, including herself. The whole reason she even agrees with us when we manipulate/emotionally blackmail her into coming for the wedding, is because she's ashamed of herself. She wants to handle her trauma the way she handled everything else, and finds it impossible. I don't see anything that proves this is something she picked up from her family, because even while diplomatic, Hakim is open about his feelings when upset (eg. Constantine) and Joelle is expressive as well. It probably might be more of something she has imbibed in court, and in the overall culture of Cordonia itself. But the fact that the writers made sure she had support from no one, not even her family, up until readers raised questions....that is bizarre, and pretty disgusting.

But other than that, the family is interesting for their political views, and their openmindedness, which is rare in the noble family dynamics we have seen so far.

Olivia

Besides her love for knives and weapons, Olivia's determination to make the Nevrakis name one to look up to...is her entire story arc. Her story revolves around doing the exact opposite of what her parents did, of what her aunt and Anton Severus wanted to do.

Olivia is the rare person in the books who is shown without her family at all, and that is because she lost hers at the age of five. Her aunt (great-aunt in Book 1, but they made Lucretia her mother's sister in Book 3) left her and hid in the French Riviera, insisting that "the Nevrakis heir shouldn't have needed me to hold her hand and wipe away her little tears". This is something Olivia is angry about, but accepts because she has equally high standards of her own resilience.

There is plenty in the culture of Lythikos that contributes to Olivia's character as well. These people pride in their ability to survive, their determination to power through the most challenging, exacting situations. They're a militaristic society, and Olivia takes to that mindset like a fish to water. She believes in self-reliance because it's a hard bitter lesson she has had to grow up with (though one must not discount the value of Liam as a support) and because it's part of her culture, and it's become so much a part of her thinking that when the MC insists to Lucretia that relying on friends and allies is not weakness, just common sense - Olivia is equal parts grateful and shocked by the logic of that statement. It has literally never occurred to her that she can voluntarily reach out for help!

Olivia grew up in circumstances no child should have to grow up in, and manages to embody the best of her culture in contrast to her family. She adopts her father's moniker "if you can breathe you can stand, if you can stand you can fight", but reinterprets it to mean she can fight for her beliefs, fight for more than just her family and duchy. She adopts all the good in the Nevrakis clan while working to obliterate the parts that can place her loved ones in danger.

Penelope

I've actually mentioned this before, but one of the best examples of "winging it" you can see from the books, is Penelope. The writing for her just bounces from one gaffe to another so that when you look at her overall story, nothing adds up. You have to literally stretch logic to connect the dots in her story! (I know, because I've tried).

In Book 1 she suffers from seasickness, but somehow in Book 3 she has grown up by the seaside and there is practically no mention of aforementioned seasickness. In Book 2 her family insist that she not return to court without a suitor (both her parents!) yet somehow in Book 3 when we actually meet her family you'd wonder how Landon would have allowed such things to be said to his daughter. There's a no-pets-allowed rule among the royals that Liam somehow changed when he became King, so how the hell did Penelope's parents think she was going to manage court without her emotional support animals? That too a social season and an entire world tour after that?? A lot about the writing for this family doesn't even make sense, and in some ways you can tell that the writers realized they hit a goldmine with the arc about Penelope's anxiety only when they published it, and then milked it for all it was worth (I know that sounds awful, and it is. But if they'd really, genuinely planned this properly, Penelope wouldn't appear so poorly developed as a character).

Landon and Emmeline are meant to serve as an inspiration to Drake, for their commitment to their people is something he wants to emulate (either as a Duke, or as someone who will do...something in court, I guess). The writing splits the major concerns between them: Emmeline is the Duchess who inherited this estate, and who will work through any condition or situation she is in to do her best for them. Emmeline particularly, seems to have a similar drive to power through - as Olivia, Regina and Madeleine show - the worst situations in the name of "stand up for Portavira".

Landon on the other hand, is more concerned about Penelope's well-being (not that Emmeline isn't, it's more like she doesn't fully understand how difficult it all is for Penelope), and reluctant to place her in situations where she is not comfortable (which is why the hints about them in Book 2 sound so jarring on rereads).

What stands out to me, especially in Penelope's characterization is how much coddling she has come to expect, from everyone. There is very little effort - or even inclination - to right her wrongs. Part of this is the writers seriously retconning the narrative on what Penelope did to the MC, so that NO ONE ever brings it up again. But it's partly also because, as I said, they were fully ready to commit to her story in a way they didn't for Kiara. Often I wonder what it would be like if Landon and Emmeline did get to know about Penelope's involvement. I think they'd focus their anger on the Crown for placing her in that situation in the first place, and going by this characterization they may also make Penelope out to be the victim in this situation (which isn't too far off the mark - but we also mustn't ignore how coddled Penelope is most of the time and how entitled she often sounds). But even this wouldn't be so bad if we saw Penelope take responsibility for her actions, which she never does in Book 3.

One thing I do remember from her "wedding advice" was how she spoke a lot about the need to relax in their relationship, and how in-tune they are as a couple. So in a lot of ways their success with their duchy lies in how they balance their work and family (which apparently Landon seems more comfortable doing? Because he doesn't keep as much pressure on himself for Portavira in the way Emmeline does).

Penelope's family honestly...is a mixed bag. But I can say that for the most part they're supposed to represent a supportive family that deals with a child's diagnosis of their mental health by providing support, and a couple that is dedicated to their people.

Madeleine

The characterization for Madeleine also bounces from one concept to another, tbh. They started out with writing her as merely power-hungry, manipulative, duplicitous....before retconning completely and putting all of this under the label "patriotic". There is a huge, huge disconnect between the Madeleine that rejoiced in almost breaking her lady-in-waiting, and the one who places too much pressure on herself "for the sake of Cordonia". A North Pole to South Pole sized gap, really.

If it weren't for the fact that they wrote her family storyline only because they were really that desperate to make us sympathize with Madeleine, I would have found it interesting. The seeds of it begin in the second half of Book 2, when we notice Adeleide worrying about the pressure becoming Queen is going to place on Madeleine.

In Book 3, we're faced with her father who constantly dubs her a failure and doesn't see her as worthy of attention unless he can benefit from it. And with her mother, who wants to show her support, but can't in a way her daughter is comfortable with. There is a constant emphasis in Madeleine's storyline on expectations, dealing with constant failure, and resilience. She doesn't have the kind of support system she wants from either of her parents, so she has to find her own way to make lemonade out of those lemons. So each time she has to convince herself that each failure is only another step towards the biggest success possible (marrying into the royal family), and when she is robbed of that, twice, she is left having nothing else to muster up the motivation for. Which is why, then, they promote the Cordonia angle so aggressively.

Only problem is, you don't exactly get this impression from Book 2. A person with Book 3 Madeleine's bent of mind, whose main aim was to do her best for Cordonia and who spoke of the importance of an entourage...wouldn't be so short sighted as to think that just because she was engaged she won everything, esp when her last fiancé fell in love and broke off his engagement to her as well. She wouldn't be so careless in her treatment of her own ladies-in-waiting, all of whom (except Hana, and even her family has immense influence even though her mother is from a minor noble house) are from powerful Houses and families, whose support she would need in the future.

Even if one brushes off her bullying of Hana and Penelope as no big deal (as I'm very sure some of her fans do), the fact remains that at the very least such behaviour is short-sighted and in a better story would reveal that she doesn't exactly have Cordonia's best interests in mind after all, if she jumps at the slightest excuse to burn bridges with these powerful families before she even becomes Queen.

In any case...Madeleine's family ranks as one of the messiest of the lot - her father is uninterested/feigns disinterest in the country unless it involves being involved in some elaborate plot against the monarchy, and her mother shows disinterest in her duchy overall, but is clearly invested in what makes her daughter happy. Her mother is supportive, just not in the way Madeleine wants support.

Regina also hails from Krona, and Madeleine is in some ways a reflection of her values and beliefs - which is why the two get along so well. So even though Adeleide is the Duchess of Krona, I'm pretty sure she's an anomaly in a family full of women who practice stoicism and diplomacy in their regular lives.

Hana

This note is going to be small, because as I explained earlier she was brought up in a completely different environment. Hana was brought up in a manner meant to make her flexible to whichever family she would marry into - so she learns different styles of horse riding, learns diplomacy over a toy tea set, is expected to know all the 26 important dance varieties in Cordonia by the time she is an adult, grows up learning about the countries neighbouring Cordonia as well. I have a whole other essay that speaks about her upbringing alone, so I won't speak much about that here, but you definitely get the feeling that her parents spent so much time trying to cultivate an asset for themselves that they rarely ever stopped to think about her as a person.

--

The overall impression I do get from modern Cordonian nobility in the books (not just from these guys, but also interactions with other nobles like Rashad and Neville, and palace staff like Bastien) is that Cordonia is a culturally diverse place, and people in different estates have different dynamics that are influenced by their family situation and by the culture they were born into, but overall there is more of an inclination to show resilience and power, than to confess to weakness. Which makes sense, because many of them are public figures under immense scrutiny, who are aware of the kind of message they could send if they show the slightest signs of weakness. That's my overall impression of this.

I hope you enjoyed that, CL anon! Now I'm curious about what the next question is 😀

[letterfromtrenwith]

Prescription Passion - Ch. 3

Carolight Hospital AU

Ch 3: Dwight tries to get some rest - he doesn't quite manage, but he does get an unexpected invitation...

Chapter 1 Chapter 2

~

“So…do you have a car?”

Dwight groaned at the ceiling of the on-call room, remembering his truly awful attempt at making conversation with Caroline outside the pub a few nights earlier. He was far too old to be acting like a stuttering teenager around women – even women as beautiful as Caroline Penvenen. He’d been utterly dumbstruck at the first sight of her in the hospital canteen. She was one of the few doctors at the hospital who still wore a white coat – the dermatology clinic’s private patients liked the uniform – and with her blonde hair and incredible blue eyes he’d thought she looked like an angel.

“Pleased to meet you, Dr Enys.” The little quick of her lips and raise of her eyebrow as she’d spoken had just about done for him. He’d bungled his way through the following conversation then, as well. Judging by her attitude at the pub, she obviously thought he was a complete idiot. Just some A & E hack compared to her skilled specialist. Dermatology was a rarefied field, a cut above the ordinary, not populated by stuttering fools like him.

With a huff, he turned over on the uncomfortable mattress, hitting the overstuffed pillow. Something that hadn’t changed in the years he’d been away from the NHS – considering the purpose of on-call rooms was to allow medical staff to get necessary rest, they seemed designed expressly to prevent them. He’d slept in much worse conditions, of course, conditions that some people had to endure every day of their lives.

He hadn’t intended to spend the day in the hospital, but his new neighbours had decided that this was a good day to have their kitchen renovated. The drilling and hammering, the workmen’s loud chatter and radio turned up to too high, all combined to make it impossible for him to either concentrate on getting anything done, or catching up on some sleep, so here he was.

Except he wasn’t getting any sleep here, either. Not that he’d ever found hospitals especially restful – and having his thoughts consumed by a certain blonde, blue-eyed skin doctor was not helping at all. With a sigh, he decided to make a trip to the coffee machine; not for caffeine, of course, that was the last thing he needed, but he wondered if a hot chocolate might help. Or rather, the vaguely cocoa-flavoured warm water that passed for hot chocolate out of that machine. He couldn’t be bothered to trail all the way down to the canteen or the coffee shop in the reception, however, so it would have to do.

“Ugh, for God’s sake.” The machine had just rejected his 20p piece for the third time and Dwight could feel the beginnings of a headache coming on.

“There’s a trick to it – you have to sort of shove it upwards.” He turned to find the woman he had been both secretly hoping and secretly dreading running into for the last few days. Caroline wasn’t wearing her white coat today, and her dark red top was incredibly flattering, although Dwight couldn’t imagine that anything would look bad on her.

“Oh, er, thanks…” The coin clattered into the exit tray yet again, and he closed his eyes, wishing the ground would just swallow him up.

“Here, let me.” Caroline’s shoulder brushed against his as she bent to retrieve the coin and he suddenly became uncomfortably aware of how long it had been since he’d been in close proximity to a woman who wasn’t a patient. With a little sort of flick of her wrist, she popped the 20p into the slot and the machine made a satisfying click as it dropped into the coin collector. She held out her hand to him, and it took him a stupid minute to realise she wanted the rest of his change –after she’d entered that, she turned to him with a raised eyebrow. He thankfully managed to get it together enough to tell her what he wanted. Dwight wasn’t sure he’d ever considered pressing the button on a vending machine to be a particularly attractive activity, but it certainly was when Caroline did it.

She handed him the little plastic cup, holding the rim delicately, although the liquid wasn’t really warm enough for that to be necessary. Dwight took a watery sip and grimaced – as she turned back to the machine, he saw Caroline’s soft lips quirk in amusement. She opened the stylish-looking leather purse she’d had tucked under her arm and fished for some coins. He stood for a moment, feeling awkward, and was about to just leave when she spoke again.

“Busy day?��

“Er, no, actually. I’m on call, but my neighbours are renovating so I thought here might be a bit more…restful.” She didn’t really need to know that, but he’d blabbed it out anyway, like the awkward idiot he was.

“Really? This place? Restful?” She had a very musical laugh, tilting her head attractively as she looked back at him.

“Compared to Drillsville, at least.” He paused, trying to think of something else to say, but she beat him to it.

“Are you going to watch the surgery?”

“The surgery?” He frowned.

“Oh, didn’t you know? Francis is performing the last stage of an OOKP. The patient’s agreed the surgery can be public – for the students mainly, but there’s a few others going to observe. It was a chemical burn which caused the injury – I treated him for some of the facial scarring, and I’ve been helping with the cheek implant.” Dwight was impressed. It had taken him a moment to dredge up whatever book he’d read about OOKP in back in his student days. It was an extremely rare and complex procedure involving the implantation of specially cultivated dental tissue into a patient’s eye to restore lost vision.  Like a lot of grafts, it was developed by temporary implantation into the patient’s body –  the cheek, as Caroline had said.

“Wow.” He had no idea Caroline was involved with such work. Slightly unfairly, upon reflection, he’d assumed she performed primarily aesthetic procedures. “When?”

“In about half an hour.” Caroline bit her lip thoughtfully. “Would you like to come?” 

~

“Good afternoon, everybody. My name is Francis Poldark, and I’m the consulting ophthalmic surgeon here at St. Neot’s. This is Mr Frank Worthing.” Francis – his voice muffled slightly by his surgical mask, and rendered crackly by the intercom system between the theatre and the observation room - indicated the unconscious patient on the operating table. “Mr Worthing has kindly agreed to allow you all to gawp at his surgery today for the purposes of enriching your medical education. He suffered a chemical burn to the upper left side of his face in an industrial accident, the resulting damage from which rendered him unsuitable for ordinary corneal transplant. Therefore, we will today perform the final stage of an osteo-odonto-keratoprosthesis procedure, more easily called an OOKP. Approximately four months ago, the first stages of the procedure were performed – the harvest and preparation of the complex. Scans show that it has successfully grown a new blood supply, so today we will be removing the complex from Mr Worthing’s cheek and inserting it into the eye.”

“Ew.” Dwight heard one of the students mutter. Clearly not one destined for ophthalmic surgery – or possibly any medical career at all if that was their attitude. There were many things more “ew”-worthy than sticking an implant into an eye, Dwight could tell them that for a fact.

“While we’re making sure everything is ready, I will introduce the rest of the surgical team, to give you some idea of what is involved in a procedure like this. First of all, assisting me is Mr Harry Blewitt, plastic surgeon, who will remove the complex from the cheek.” Another man amongst the virtually indistinguishable masked and gowned group nodded. “Also assisting – Ms Gloyne, ophthalmology registrar, surgical nurses Mrs Carter, Ms Edwards and Mr Daniel. And last, but very much not least, our anaesthetist, Dr George Warleggan. George, while we prep Mr Worthing, perhaps you could take our audience through your pre-operative checks, and what you’ll be monitoring as we proceed?”

“Of course…” George took over the narration, as smooth and confident as Francis – clearly, this was not the first time either of them had undertaken an educational exercise like this. Frankly, the thought terrified Dwight – he’d performed medical procedures under extremely stressful conditions, but having an audience like this…He admired their nerve; but surgeons were a different breed, far beyond even what he’d been trained to do in emergency medicine.

The surgery began, Mr Blewitt first carefully incising the patient’s cheek before removing the complex. Francis – with occasional contributions from the others – narrated the procedure in clear, simple terms, understandable to even the most befuddled medical student. Most of them were eagerly scribbling notes – Dwight was almost tempted to do so himself. There were a few other non-students in the room, aside from himself and Caroline, mostly distinguishable by their looks of interest rather than wide-eyed awe. He recognised one of them as a heart surgeon he’d been introduced to a week or so earlier, Malcolm Mc-something. The others – a younger man with fair hair, and a pretty, dark haired woman – he didn’t know.

After Francis had begun to remove the required parts of Mr Worthing’s eye – a couple of the students shifted uncomfortably – Ms Gloyne took over the narration, allowing her supervisor to concentrate. She wasn’t quite as confident as Francis, but her strong Cornish accent was engaging to listen to, and she clearly knew what she was talking about. The door to the observation room clicked open and he turned to see Elizabeth Warleggan slip in, taking a seat on the back most of the tiered benches. Catching his eye, she gave him a small smile before turning to watch the procedure, although he saw her gaze flick to her husband at his position by the monitoring equipment. George was bent over his clipboard, making the meticulous perioperative record of all anaesthetists.

As fascinating as Dwight was finding this, he still could not quite concentrate. To his surprise, Caroline had sat down right next to him on the bench, and a rather significant part of his brain was given over to the scent of her perfume, and the places where her arm and her knee touched his. Every time he glanced at her, however, she was staring into the theatre, rapt. It was only natural, Mr Worthing was her patient too. Dwight tried not to stare at her for too long, despite the way the bright surgical lights shining through the glass partition lit up her face and her golden hair.

“And that…is that. Of course, as with all grafts, we shall have to monitor Mr Worthing carefully before we can know if the procedure was a success, but we have completed today’s elements without complication and we can now begin transferring Mr Worthing into recovery. Thank you all for attending today.” A few of the students applauded, and Francis chuckled. Some of them lingered to watch the final parts of the procedure, but most began to file out, standing and stretching. The doctors all made for the door, as well, and Dwight stood to follow Caroline.

“Well, what did you think?” He almost started as she spoke to him when they got out into the corridor.

“Oh, er, very impressive. I’ve never seen an OOKP before, haven’t even read about one since medical school.”

“Me neither, but Francis is a bit of a specialist – this is his sixth, I believe.”

“Wow.” Dwight knew Francis was of some repute in his field, even at his relatively young age for a consultant, but he’d had no idea about that. Francis had practiced with a noted Professor of Opthalmology in Edinburgh for some years before returning to Cornwall, presumably he’d worked on the procedure there. Dwight made a mental note to ask him about it.

“Well, I er, I’d best be getting home. Horace is well past his walk, he’ll be driving Uncle Ray mad.” Caroline glanced at her watch. Dwight did likewise and was shocked to realise the time – they’d been in there for almost six hours! He’d been so fascinated – both by the surgery and by Caroline’s nearness – that he hadn’t noticed at all. Well, at least all the racket at home should be over by now. At least, he hoped so, since he had a proper shift in just over fourteen hours, and his sleep schedule was completely out of whack.

“How is Horace?” It was a monumentally stupid question, but for some reason he’d asked it anyway. To his surprise, Caroline smiled.

“Do you like dogs, Dr Enys?” From anyone else, the use of his proper title and surname might have seemed dismissive or overly formal, but in Caroline’s gentle tones it sounded almost enticing.  

“A bit. My aunt had one, a Pomeranian named Fifi. She used to take fits whenever Aunt Mary played the piano. I don’t know if she was musically inclined or the opposite.” Caroline gave that wonderful laugh again, and a proper, wide smile which just about floored him.

“I really should go. See you around, maybe.”

“Yeah, see you.” With another quick smile, she was gone, heading back towards her own department. He watched her until she disappeared around the corner at the end of the corridor.