#Irena A. Hoffman

[therealmrpositive]

Macabre Month 7 Part VI: Transylmania (2009)

In today's review, I get schooling in the heart of Transylvania, as I attempt a #positive review of the 2009 vampire comedy Translymania #PatrickCavanaugh #TonyDenman #PaulHKim #JenniferLyons #OrenSkoog #DavidSteinberg #MusettaVander #IrenaAHoffman

While origins have been told and retold, the modern vampire has been around for centuries. One would think we are all out of ideas, that there is no way to redo what already has come before and what audiences are familiar with and come to expect. Yet, with exception, it can come with subversion. In 2009, to bring a fresh spin on Dracula and his kin, a group of college students headed to the…

[theophan-o]

Breathtaking Irena Karel as Ewka Nowowiejska

From my old collection of press cuttings/photographs from the Polish Press. It is a fan account. I don’t benefit from it. Copyright belongs to the Photographer.

[triste-guillotine]

Gorgeous Romanian actress Irena Violette

[cinemaocd]

Pan Wołodyjowski (1969), Jerzy Hoffman

[chicago-geniza]

If you think my faceblindness is selective and I can recognize people I care about if I really apply myself and study their features and commit them to memory via some ingenious mnemonic device please know that yesterday in public I mistook two separate photos of Wallis Simpson for Irena Krzywicka on two separate occasions and as I've mentioned many times before, as a child mistook Dustin Hoffman in drag for my own mother

[justforbooks]

Marie Trintignant was born on 21 January 1962 She was a French actress.

Trintignant was born in Boulogne-Billancourt, the daughter of actor Jean-Louis Trintignant and his second wife, French film director, producer, and screenwriter Nadine Marquand. She first appeared on screen aged four in her mother's film My Love, My Love. When Marie's baby sister Pauline died when Marie was eight, she became withdrawn and virtually stopped speaking. Her parents divorced in 1976. Throughout her early life, she was afflicted by severe shyness, but by her mid-teens, she decided to become an actress. She had a strong affection for animals and considered becoming a veterinarian, but in the end pursued a career in acting.

Trintignant was the mother of four sons: Roman with drummer Richard Kolinka, Paul with actor François Cluzet, Léon with Mathias Othnin-Girard and Jules with her husband, director Samuel Benchetrit.

Marie Trintignant was severely injured in a beating on 26 July 2003 in Vilnius, Lithuania by her then-boyfriend Bertrand Cantat, lead singer with the French rock group Noir Désir. Cantat repeatedly punched Marie Trintignant in the head, leading to her death six days later in a clinic in Neuilly-sur-Seine, France by cerebral edema. She was 41. Cantat was convicted of murder ("murder with indirect intent" - dolus eventualis) and served four years in prison.

Awards

Though she never received France's most prestigious acting honor, the César Award, Trintignant was nominated for it five times for her roles in:

Comme elle respire - 1999 (best actress)

Le Cousin - 1998 (best supporting actress)

Le cri de la soie - 1997 (best actress)

Les Marmottes - 1994 (best supporting actress)

Une affaire de femmes - 1989 (best supporting actress)

Partial filmography

Mon Amour, Mon Amour (1967)

It Only Happens to Others (1971)

Défense de savoir (1973) - La petite fille Marie

Le voyage de noces (1976) - La jeune fille au marriage

Série noire (1979) - Mona

La terrazza (1980) - Isabella

Premier voyage (1980) - Marie Lambert

Un matin rouge (1982) - Marie

Les îles (1983) - Nathalie

Next Summer (1985) - Sidonie

Noyade interdite (1987) - Isabelle

La maison de Jeanne (1988) - Martine

Story of Women (1988) - Lulu / Lucie

Wings of Fame (1990) - Bianca

Nuit d'été en ville [fr] (1990) - Emilie / Woman

Alberto Express (1990) - Clara

Les Amants du Pont-Neuf (1991) - (voice)

Contre l'oubli (1991) - Herself (segment "Pour José Ramón Garciá Gómez, Mexique")

Betty (1992) - Betty Etamble

L'instinct de l'ange (1993) - La jeune veuve

Cible émouvante [fr] (1993) - Renée Dandrieux

Les marmottes (1993) - Lucie

Hoffman's honger (1993) - Irena Nova

Fugueuses (1995) - Marina

Les apprentis (1995) - Lorette

Des nouvelles du bon Dieu (1996) - Evangile

Le cri de la soie (1996) - Marie Benjamin

Ponette (1996) - La mère

Portraits chinois (1996) - Nina

Les démons de Jésus (1997) - Levrette

Le cousin (1997) - Juge Lambert

White Lies (1998) - Jeanne

Deep in the Woods (2000) - La mère

Harrison's Flowers (2000) - Cathy

Le prince du Pacifique (2000) - Moeata

Una lunga lunga lunga notte d'amore (2001) - Irene

Petites Misères (2002) - Nicole

Total Kheops (2002) - Lole

Corto Maltese, la cour secrète des arcanes (2002) - La Duchesse Marina Seminova (voice)

Corto Maltese - Sous le signe du capricorne (2002) - Bouche Dorée

Les Marins perdus (2003) - Mariette

Janis et John (2003) - Brigitte Sterni

Ce qu'ils imaginent (2004) - Juliette

Colette, une femme libre (2004, TV mini-series, also writer) - Colette (final appearance)

She also appeared in the film noir Série noire of 1979. Not long before her death she sang a duet in the song "Pièce montée des grands jours" on an album with the same title by French folksinger Thomas Fersen in 2003.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[thefranklinoutdoor]

Gina Hunt: Azimuth

On view: May 20 through August 4, 2018

Opening reception: Sunday, May 20, from 2PM to 4PM

Azimuth presents new site-responsive works by Chicago-based artist Gina Hunt. The exhibition title is a term Hunt encountered during her recent research on sundials, the earliest tools for measuring time; azimuth describes the distance and direction of the sun from the observer. The artist will create an actual sundial on the south-facing exterior wall of the Franklin and will visit the site at regular intervals to make timeline marks based on the movement of light and shadows. Inside the Franklin, Hunt’s screens made from layers of theater scrim that she has dyed red, green, and blue—referencing the colors of light on our digital screens and the cones in our eyes, which are sensitive to red, green, and blue wavelengths—will filter the natural light and create an ever-changing experience. Hunt’s project will be on view from May until August, as the sunlight shifts from the soft and diffused glow of spring to the intense and direct glare of summer. Azimuth will also overlap with the summer solstice.

Hunt has long been interested in “technologies of imaging through the medium of light,” from her early cyanotypes on rice paper, to her more recent paintings on cut and twisted canvas, to her current installations employing hand-dyed theater scrim. She began using scrim while traveling for residencies and a fellowship in 2016 not only because of its malleability and durability, but also its “magical ability to become translucent or opaque depending on the light source.” Surprising interference patterns are formed in her layers of the thin cotton mesh. Hunt’s research has recently yielded: a triangular installation of colorful screens at Badlands National Park in South Dakota; layers of polyester netting stretched between metal poles on Virginia Commonwealth University’s campus in Doha, Qatar; rectangular window coverings at University Galleries of Illinois State University and Drew University in Madison, New Jersey; and an outdoor information booth wrapped with vibrantly colored screens at the now-closed Fergus Falls State Hospital in Minnesota.

Hunt’s work has been exhibited at Virginia Commonwealth University, Doha, Qatar; Drew University, Madison, New Jersey; 65GRAND, Chicago; University Galleries of Illinois State University, Normal; DEMO Project, Springfield, Illinois; E. Tay Gallery, New York; Hoffman LaChance Contemporary, St. Louis; Front Room Gallery, Brooklyn; Elmhurst Art Museum, Elmhurst, Illinois; Jan Brandt Gallery, Bloomington, Illinois; and The Soap Factory, Minneapolis, among others. She was the 2015-2016 Fellow at Virginia Commonwealth University in Qatar. The artist’s work is included in the collections of the National Park Service, Virginia Commonwealth University, and Minnesota State University. Hunt received an MFA from Illinois State University, an MA from Minnesota State University, and a BFA from Minnesota State University.

This project is organized by Kendra Paitz Senior Curator at University Galleries of Illinois State University.

In Conversation: Gina Hunt and Kendra Paitz +                               Performance: Chin-Ting Huang

Sunday, July 15 at 2pm

The Franklin is pleased to present a conversation between artist Gina Hunt and curator Kendra Paitz on Sunday, July 15 at 2pm. This event is organized in conjunction with Hunt’s Azimuth, which was curated by Paitz. The exhibition is on view at The Franklin through August 4.

The conversation will be followed by a performance by Chin-Ting Huang. The Space I Can’t Get In V.2, a performance utilizing bottles, microphones, amps, a mixer, and a lightbox to, in her words, “activate the space as a sequence of mumbles, sounds that evoke breath and make absence present.” She elaborates that the work offers “a look into the private personal biography and into our relationship with everyday objects and how they define our social relations with others.” The artist uses bottles and microphones as instruments, and for this iteration, she will include discarded alcohol bottles collected by Edra Soto (Co-founder of The Franklin) in the Garfield Park neighborhood where The Franklin is located.

All events are free and open to the public.


Azimuth presents new site-responsive work by Chicago-based artist Gina Hunt. The exhibition title is a term Hunt encountered during her recent research on sundials, the earliest tools for measuring time; azimuth describes the distance and direction of the sun from the observer. The artist created screens made from layers of theater scrim that she dyed red, green, and blue—referencing the colors of light on our digital screens and the cones in our eyes, which are sensitive to red, green, and blue wavelengths—that filter the natural light and create an ever-changing experience. Hunt’s project is on view from May until August, as the sunlight shifts from the soft and diffused glow of spring to the intense and direct glare of summer. Azimuth also overlapped with the summer solstice.

Hunt has long been interested in “technologies of imaging through the medium of light,” from her early cyanotypes on rice paper, to her more recent paintings on cut and twisted canvas, to her current installations employing hand-dyed theater scrim. She began using scrim while traveling for residencies and a fellowship in 2016 not only because of its malleability and durability, but also its “magical ability to become translucent or opaque depending on the light source.” Surprising interference patterns are formed in her layers of the thin cotton mesh. Hunt’s research has recently yielded: a triangular installation of colorful screens at Badlands National Park in South Dakota; layers of polyester netting stretched between metal poles on Virginia Commonwealth University’s campus in Doha, Qatar; rectangular window coverings at University Galleries of Illinois State University and Drew University in Madison, New Jersey; and an outdoor information booth wrapped with vibrantly colored screens at the now-closed Fergus Falls State Hospital in Minnesota.

Participants
:

Gina Hunt’s work has been exhibited at Virginia Commonwealth University, Doha, Qatar; Drew University, Madison, New Jersey; 65GRAND, Chicago; University Galleries of Illinois State University, Normal; DEMO Project, Springfield, Illinois; E. Tay Gallery, New York; Hoffman LaChance Contemporary, St. Louis; Front Room Gallery, Brooklyn; Elmhurst Art Museum, Elmhurst, Illinois; Jan Brandt Gallery, Bloomington, Illinois; and The Soap Factory, Minneapolis, among others. She was the 2015-2016 Fellow at Virginia Commonwealth University in Qatar. The artist’s work is included in the collections of the National Park Service, Virginia Commonwealth University, and Minnesota State University. Hunt received an MFA from Illinois State University, an MA from Minnesota State University, and a BFA from Minnesota State University. She currently lives in Chicago.


Chin-Ting Huang’s work has been exhibited at the Sullivan Galleries at The School of the Art Institute of Chicago and NHCUE Art Space, Hsinchu City, Taiwan. She has performed at the Museum of Contemporary Art, Chicago, as well as several Chicago galleries, including 062 Gallery, Defibrillator, Nail in a Packet, and Goldfinch Projects. She received her MFA from The School of the Art Institute of Chicago and her BFA from National Hsinchu University of Education, Hsinchu City, Taiwan.

Kendra Paitz is Director and Chief Curator at University Galleries of Illinois State University. She has organized solo exhibitions featuring Terry Adkins, Carrie Schneider, Dianna Frid, Edra Soto, Juan Angel Chávez, Ebony G. Patterson, Deb Sokolow, Melanie Schiff, Jason Lazarus (co-curated with Barry Blinderman), Stanya Kahn, Lori Waxman, Alice Hargrave, Kendell Carter, Stephanie Brooks, Oliver Herring (co-curated), Irena Knezevic, Adam Farcus, and Shinique Smith, among others. Her group exhibitions include Strange Oscillations and Vibrations of Sympathy, The House of the Seven Gables, Orison for the Forest, and but you gave me flowers. She has authored, edited, and supervised the publication of ten exhibition catalogues at University Galleries. Paitz's essays and interviews have been published by University Galleries of Illinois State University, Normal, Illinois; Tisch School of the Arts, New York University; Hyde Park Art Center, Chicago; Daylight Books, Hillsborough, North Carolina; and Golden Parachutes, Berlin. Paitz organized Gina Hunt: Azimuth at The Franklin.


[bookishluna]

Blogoween | Fall Colored Covers

Blogoween | Fall Colored Covers

Prompt: Tuesday 2nd: Favourite Halloween/Fall Coloured Covers Gather your favourite covers with Halloween/Fall colours (Orange, Black, Yellow, Red, Brown) and share them in a post. You can also use books from your bookshelves to photograph and share on Instagram if you want

Todays prompt is something I am very excited about. I absolutely adore fall colors, plus it is a great way to jump into the…

[lifemadridmagazine]

Cineplaza de Verano: ciclo de cine independiente al aire libre

Matadero y Cineteca presentan la primera edición del ciclo de cine gratuito y al aire libre Cineplaza de Verano Durante cuatro semanas de agosto se proyectarán en Plaza Matadero 16 joyas del cine indie premiadas en festivales internacionales Las sesiones tendrán lugar de jueves a domingo a las 22.30 h. en versión original con subtítulos en español Por fin Matadero Madrid y Cineteca te dan una razón para olvidarte del calor y quedarte en Madrid en agosto: un cine al aire libre con 16 joyas del cine internacional que aún no han tenido estreno comercial en las salas de España pero que ya han cosechado grandes éxitos de taquilla y público en salas y festivales de todo el mundo. -- Desde el 02 de agosto 2018 al 02 de septiembre 2018 Hora: 22.30 h. Precio: Entrada libre hasta completar aforo. Idioma: Versión original con subtítulos en castellano. --

Programación

Jueves 2 de agosto, 22.30 h. SO HELP ME GOD (NI JUGE, NI SOUMISE) (Jean Libon e Yves Hinant, Bélgica, 2017, 100') Versión original con subtítulos en español No recomendada a menores de 18 años Festival internacional de cine de San Sebastián 2017. Interesante juego entre ficción y documental, esta película nos acerca a la cotidianeidad del trabajo de la excéntrica y prestigiosa jueza belga Anne Gruwez. Primer largometraje de Jean Libon e Yves Hinant, creadores de la serie de culto belga StripTease. Viernes 3 de agosto THE LAST PAINTING (Cheng Hung-I, Taiwan, 2017, 107') Versión original con subtítulos en español No recomendada a menores de 18 años Festival internacional de cine de Rotterdam 2017. Una estudiante y activista se convierte en la nueva compañera de un pintor solitario. Él es brusco y desilusionado, ella está llena de esperanza. Afuera, Taiwán se dirige hacia nuevas elecciones presidenciales. Un thriller en capas visualmente impresionante sobre política, arte y asesinato. Sábado 4 de agosto DAPHNE (Peter Mackie Burns, Reino Unido, 2017, 90') Versión original con subtítulos en español No recomendada a menores de 18 años Festival internacional de cine de Rotterdam 2017 (entre otros. La joven Daphne esconde una profunda melancolía. Sus días se reparten entre su trabajo en un restaurante, citas y sexo casual, noches de fiesta y los intentos de su madre por recuperar su rota relación. Tras salvarle la vida a un tendero en un robo fallido, sus certezas empiezan a desmoronarse y se replantea el sentido de su vida. Domingo 5 de agosto ONCE UPON A TIME IN NOVEMBER (Andrzej Jakimowsky, Polonia, 2017, 91') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine de Göteborg 2017 / Festival de cine de Varsovia 2017. Varsovia, noviembre de 2013. Marky y su madre han sido desahuciados de su apartamento como resultado de la brutal política de vivienda estatal. Mientras buscan refugio, se acerca el 11 de noviembre, y con él la marcha de la independencia organizada por nacionalistas polacos. Jueves 9 de agosto ARRHYTHMIA (Boris Khlebnikov, Rusia, 2017, 120') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine de Rotterdam 2018. Oleg es un paramédico de ambulancia de unos 30 años que realiza su trabajo con talento y dedicación, pero que bebe en exceso. Su mujer Katya es enfermera en la sección de urgencias del hospital. De manera paralela a su relación al borde del divorcio, asistimos a cambios en la reforma de la atención sanitaria en Rusia. Viernes 10 de agosto. SELF CRITICISM OF A BOURGEOIS DOG (Julian Radlmaier, Alemania, 2017, 90') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine europeo de Sevilla 2017 ¿Cómo llega un cineasta a transformarse en perro? Desde su cuadrúpeda condición, Julian (el mismo Radlmaier) nos cuenta cómo, al no obtener dinero para hacer su película, se hizo pasar por cineasta comunista y fue a trabajar en la cosecha de manzana con el verdadero objetivo de ligar con Camille, díscola joven canadiense. Sábado 11 de agosto SON OF SOFIA (Elina Psykou, Grecia, 2017, 111') Versión original con subtítulos en español No recomendada a menores de 18 años Mejor película internacional en el Festival de cine de Tribeca 2017. Durante las Olimpiadas de Atenas del año 2004, Misha, de 11 años, llega a la ciudad desde Rusia para vivir con su madre, Sofia. Mientras Grecia vive el sueño olímpico, Misha tendrá que aprender a sobrevivir en el mundo adulto. Domingo 12 de agosto DAYBREAK (Gentian Koçi, Albania, 2017, 85') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine de Sarajevo 2017, Festival de cine de Estocolmo 2017, Festival de cine de Varsovia 2017 y Festival de cine de Tesalónica 2017, entre otros. Leta es desahuciada de la casa donde vive con su hijo de un año. Entonces encuentra alojamiento con Sophie, una anciana confinada en cama, cuya hija da empleo a Leta como cuidadora. Para poder seguir con casa y trabajo, Leta ha de mantener con vida a Sophie a toda costa, incluso cuando la anciana le suplica que acabe con su sufrimiento. Jueves 23 de agosto L'INTRUSA (Leonardo Di Constanzo, Italia, 2017, 95') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine europeo de Sevilla 2017. La integridad sin concesiones de Giovanna, una moderna Antígona que lleva con energía y entrega un centro comunitario en un barrio periférico de Nápoles, entra en peligro cuando llega una intrusa. Se trata de la hija de un implacable mafioso. Para Giovanna, una niña más, para la comunidad, persona non grata. Viernes 24 de agosto ME AND EL CHE (Patrice Goutier, Francia, 2017, 90') Versión original con subtítulos en español No recomendada a menores de 18 años GO no es solo un viejo profesor universitario. Todavía es el joven idealista de 18 años que se atrevió a participar en acciones sociales y políticas para defender sus principios. De hecho, él fue uno de los últimos compañeros de El Che. Fue en algún lugar allá, en Bolivia, en 1967. Al menos, eso es lo que les dice a todos... Sábado 25 de agosto REQUIEM FOR MRS. J (Bojan Vuletic, Serbia, 2017, 94') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine europeo de Sevilla 2017. La señora J. se levanta un día con un plan para celebrar el primer aniversario de la muerte de su marido: suicidarse. La desesperante burocracia para cerrar sus asuntos pendientes y su propia familia (que no sabe nada de sus planes) se empeñan sin saberlo en no dejarla matarse tranquila. Domingo 26 de agosto COLO (Teresa Villaverde, Portugal, 2017, 135') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine europeo de Sevilla 2017 / Festival internacional de cine de Berlin 2017. Paradójicamente, una familia puede estar unida por la falta de relación entre sus miembros. La hija adolescente siempre en fuga, pellas y noches en blanco, la madre siempre ausente trabajando doble turno y el padre en paro pasando los días al sol, componen esta foto familiar fracturada, en la que seguimos las derivas con las que cada uno se separa de los demás y escapa de la realidad. Jueves 30 de agosto LERD (A MAN OF INTEGRITY) (Mohammad Rasoulof, Irán, 2017, 120') Versión original con subtítulos en español No recomendada a menores de 18 años Mejor película Un Certain Regard, Festival de Cannes 2017. Intenso drama sobre la corrupción y la injusticia en la mejor tradición del cine humanista iraní. La nueva película de Rasoulof, detenido en 2010 junto con su amigo Jafar Pahani, fue rodada de manera clandestina y consiguió llegar a Cannes en un USB para después alzarse con uno de sus principales premios. Viernes 31 de agosto MIRACLE (Egle Vertelyte, Lituania, 2017, 91') Versión original con subtítulos en español No recomendada a menores de 18 años Festival internacional de cine de Toronto 2017. Las vidas de los propietarios de una granja de cerdos nacionalizada en un pequeño pueblo lituano se vuelven patas arriba cuando llega un apuesto estadounidense que se compromete a salvar la empresa. Cuando Irena, la dueña, se enamora de él, se da cuenta de que sus intenciones pueden no ser del todo inocentes... Sábado 1 de septiembre TIEMPO COMPARTIDO (Sebastián Hoffman, México, 2018, 96') Versión original con subtítulos en español No recomendada a menores de 18 años Festival de cine de Rotterdam 2018 / Festival de cine de Sundance 2018. Feroz crítica al consumismo y la globalización, esta ácida comedia negra del aclamado director mejicano Sebastián Hoffman nos adentra en el turbio mundo de los resorts de lujo y la especulación inmobiliaria. Domingo 2 de septiembre SILENT MIST (Zhang Miaoyan, China, 2017, 101') Versión original con subtítulos en español No recomendada a menores de 18 años Festival Internacional de cine de Rotterdam 2018. Elegante ejercicio de estilo rodado con predominio del plano secuencia, esta película retrata una serie de violaciones reales y sin resolver que sucedieron en la China rural para componer un brillante análisis de la corrupción moral que azota la China contemporánea. Read the full article

[giftedkids]

Literature about the Refugee Experience

Literature about the Refugee Experience

Titles for lower grade students (PreK- Grade 4)

Bunting, Eve. How Many Days to America: A Thanksgiving Story. Illus. by Beth Peck. Clarion Books, 1988.

Hegamin, Tonya Cherie. Most Loved in All the World. Illus. by Cozi Cabrera. HMH Books for Young Readers, 2009.

Hoffman, Mary. Colour of Home. Frances Lincoln, 2015.

Kobald, Irena. My Two Blankets. Illus. by Freya Blackwood. Little Hare Books,…

[tumblethemuse]

BEA & BookCon 2017: Book List

Below is a full breakdown of books we acquired while at BookExpo America 2017. As we review them, links will go up for each title with the corresponding review and info on where to acquire a copy of said book, along with any interviews or further content in regards to the book and/or the author(s).

Charles:

Autonomous — Annalee Newitz

Beasts Made of Night — Tochi Onyebuchi

Betwixters — Laura C. Cantu

Blossom Plays Possum (Because She’s Shy) — Birdy Jones

Brave — Svetlana Chmakova

Broken Circle — J.L. & M.A. Powers

Careergasm: Find Your Way to Feel-Good Work — Sarah Vermuth

Code Girls: The Untold Story of the American Women Code Breakers of World War II — Liza Mundy

Elizabeth and Zenobia — Jessica Miller

Friends and Mates in Fifty States — Ellen Weisberg & Ken Yoffe

Gunslinger Girl — Lyndsay Ely

Haiku for an Artist — Elizabeth Yahn Williams

How To Be A Supervillian — Michael Fry

It Devours! — Joseph Fink & Jeffrey Cranor

It’s Not Because I’m Better Than Your — Don J. Carey III

Monster Hunter Siege — Larry Correia

Rapunzel — Bethan Woolvin

Red Clocks — Leni Zumas

The First — Kipjo K. Ewers

The Light Trilogy Book 1: Shattered Blue — Lauren Bird Horowitz

The Light Trilogy Book 2: Renegade Red — Lauren Bird Horowitz

The Mermaid — Jan Brett

The Newirth Mythology Book 1: The Invasion of Heaven — Michael Koep

The Newirth Mythology Book 2: Leaves of Fire — Michael Koep

The Nutcracker Mice — Kristin Kladstrup

The Shape of Ideas – Grant Snider

The Tea Dragon Society — Katie O’Neill

They Didn’t Teach This in Worm School! — Simone Lia

When I Cast Your Shadow — Sarah Porter

Wonder Woman Psychology: Lassoing The Truth — Travis Langley & Mara Wood

Writing Radar — Jack Gantos

Sharon:

A Secret History of Witches — Louisa Morgan

All the Birds in the Sky — Charlie Jane Anders

Before I Let Go — Marieke Nijkamp

Berserker — Emmy Laybourne

Bonfire — Krysten Ritter

Carnegie’s Maid — Marie Benedict

Daughter of the Burning City — Amanda Foody

Gunslinger Girl — Lyndsay Ely

Hollow Man — Mark Pryor

Hunting Prince Dracula — Kerri Maniscalco

I, Eliza Hamilton — Susan Holloway Scott

Invictus — Ryan Graudin

Jade City — Fonda Lee

Jane, Unlimited — Kristin Cashore

Mask of Shadows — Linsey Miller

Max Tilt: Fire the Depths — Peter Lerangis

Mean Girls — Micol Ostow

Null States — Malka Older

Odd & True — Cat Winters

Reign the Earth — A. C. Gaughen

Roar — Cora Carmack

Slayers & Vampires: The Complete Uncensored, Unauthorized Oral History of Buffy & Angel — Edward Gross & Mark A. Altman

The Adventurers Guild — Zack Loran Clark & Nick Eliopulos

The Age of Endings Book 1: Secret of Souls — Aubrie Nixon

The Cruel Prince — Holly Black

The Glass Spare — Lauren DeStefano

The Glass Town Game — Catherynne M. Valente

The Golden Compass — Philip Pullman

The Half-Drowned King — Linnea Hartsuyker

The Hawkweed Legacy — Irena Brignull

The Hazel Wood — Melissa Albert

The Language of Thorns: Midnight Tales and Dangerous Magic (Sampler) — Leigh Bardugo

The Last Castle — Denise Kiernan

The Last Namsara — Kristin Ciccarelli

The Legend of Shadow High — Shannon Hale & Dean Hale

The Magic Misfits – Neil Patrick Harris

The Mortal Coil — Emily Suvada

The Newirth Mythology Book 1: The Invasion of Heaven — Michael B. Koep

The Newirth Mythology Book 2: Leaves of Fire — Michael B. Koep

The Nowhere Girls — Amy Reed

The Radium Girls: The Dark Story of America’s Shining Women — Kate Moore

The Rules of Magic — Alice Hoffman

The Unicorn Quest: The Whisper in the Stone — Kamilla Benko

The Wizards of Once — Cressida Cowell

Timeless: Diego and the Ranger of the Vastlantic — Armand Baltazar

When I Cast Your Shadow — Sarah Porter

Wild Beauty — Anna Marie McLemore

Wonder Woman: Warbringer — Leigh Bardugo

Justin:

He got books too! List coming soon.

from BEA & BookCon 2017: Book List