#Industrial Line Striping Machines Market

[taniyaaskd]

 Road Marking Machine Market – Industry Trends and Forecast to 2028 CAGR, Growth, Share, Value, Size, Analysis

"Road Marking Machine Market Size And Forecast by 2028

According to Data Bridge Market Research The road marking machine market will reach at an estimated value of USD 13,376.6 million and grow at a CAGR of 9.30% in the forecast period of 2021 to 2028. Rise in the spending on safer roads is an essential factor driving the road marking machine market.

The Road Marking Machine Market is witnessing remarkable growth, fueled by technological advancements and evolving consumer demands. Businesses in the Road Marking Machine Market are embracing automation and digital transformation to enhance efficiency and stay competitive. Sustainability is also a key focus in the Road Marking Machine Market, with companies investing in eco-friendly practices to align with regulatory requirements. Market players in the Road Marking Machine Market are leveraging data analytics and artificial intelligence to improve operations and customer experiences. As demand continues to rise, the Road Marking Machine Market is attracting significant investments, driving expansion across various industries.

Experts anticipate continued expansion in the Pavement Striping Equipment Market, driven by research and development efforts. Companies in the Traffic Line Painting Machines Market are introducing innovative products and solutions to meet the growing need for efficiency and sustainability. Global expansion strategies are helping businesses in the Highway Marking Systems Market strengthen their market position and unlock new revenue opportunities. Regulatory developments are shaping strategies in the Thermoplastic Road Marking Market, requiring adaptability and compliance. With ongoing technological evolution, the Smart Road Surface Painting Market is set to achieve sustained long-term growth.

Our comprehensive Road Marking Machine Market report is ready with the latest trends, growth opportunities, and strategic analysis. https://www.databridgemarketresearch.com/reports/global-road-marking-machine-market

**Segments**

- **Type**: The road marking machine market can be segmented based on type into self-propelled machines and hand-guided machines. Self-propelled machines are automated and have a higher capacity for road marking, whereas hand-guided machines are more suitable for smaller projects and offer greater control. - **Application**: In terms of application, the market can be segmented into road marking, car park marking, anti-skid marking, and others. Road marking is the most common application, used for guiding traffic and ensuring safety on roads, while car park marking is essential for organizing parking spaces efficiently. - **End-User**: The market can also be segmented by end-user, including government agencies, contractors, and others. Government agencies are major consumers of road marking machines for maintaining public infrastructure, while contractors utilize these machines for various construction projects.

**Market Players**

- **Swarco AG**: A leading player in the global road marking machine market, Swarco AG offers a range of innovative solutions for road safety and traffic management. - **GRACO Inc.**: Known for its high-quality road marking machines, GRACO Inc. is a key player in the market, catering to the needs of various industries. - **Titan Tool Inc.**: Specializing in advanced road marking equipment, Titan Tool Inc. is recognized for its technological expertise and reliable products. - **STiM Group**: With a focus on sustainability and efficiency, STiM Group contributes significantly to the road marking machine market with eco-friendly solutions.

The global road marking machine market is characterized by a growing demand for advanced infrastructure and increased focus on road safety measures. The market segments based on type, application, and end-user provide a comprehensive overview of the diverse needs and preferences of consumers in this industry. Self-propelled machines are favored for large-scale projects, while hand-guided machines offer flexibility and precision for smaller tasks. Road marking, car park marking, and anti-skid marking are key applications driving market growth, with government agencies and contractors being major end-users.

Market players like Swarco AG, GRACO Inc., Titan Tool Inc., and STiM Group are instrumental in shaping the competitive landscape of the road marking machine market. These companies bring innovation, reliability, and sustainability to the table, catering to a wide range of customer requirements. As infrastructure development and urbanization continue to drive the demand for road marking machines, market players are expected to focus on technological advancements and strategic partnerships to stay ahead in this dynamic industry.

https://www.databridgemarketresearch.com/reports/global-road-marking-machine-Market The global road marking machine market is poised for significant growth driven by factors such as increasing investments in infrastructure development, rising emphasis on road safety regulations, and the need for efficient traffic management solutions. One emerging trend in the market is the integration of advanced technologies such as GPS tracking, automated line painting systems, and real-time data analytics to enhance the precision and effectiveness of road marking operations. This trend is likely to propel the demand for innovative road marking machines equipped with smart features that can streamline the marking process and improve overall efficiency.

Moreover, sustainability considerations are gaining prominence in the road marking machine market, with a growing awareness of environmental impacts associated with traditional road marking materials. Market players are increasingly focusing on developing eco-friendly solutions that utilize recyclable materials and reduce carbon footprints. This shift towards sustainability aligns with global initiatives for green infrastructure development and is expected to drive the adoption of environmentally conscious road marking technologies in the coming years.

Another key driver for the road marking machine market is the rapid urbanization and expansion of transportation networks in developing economies, leading to the construction of new roads, highways, and parking facilities. This surge in construction activities is creating lucrative opportunities for road marking machine manufacturers to cater to the evolving needs of infrastructure projects and enhance road safety standards. Additionally, the modernization of existing road infrastructure in developed regions is fueling the replacement and upgrade of aging road marking equipment, stimulating market growth and innovation in product development.

Furthermore, the competitive landscape of the road marking machine market is witnessing intense rivalry among key players striving to differentiate their offerings through technological advancements, product diversification, and strategic collaborations. Companies are investing in research and development initiatives to introduce cutting-edge road marking solutions that address specific customer requirements and enhance operational efficiency. Market leaders are also expanding their global presence through partnerships and acquisitions to leverage new market opportunities and strengthen their competitive position in the industry.

In conclusion, the road marking machine market is poised for robust growth driven by increasing urbanization, infrastructure development projects, technological innovations, and sustainability initiatives. Market players are expected to focus on catering to the diverse needs of end-users, advancing technological capabilities, and forging strategic partnerships to capitalize on the expanding market opportunities and maintain a competitive edge in the evolving landscape of road marking solutions.**Segments**

In the global Road Marking Machine Market, the equipment types include Handliners/Hand Pushed Type, Self-Propelled Marking Machine, and Line Marking Truck/Mini Truck. The coating types consist of Thermoplastic Paint, Cold Paint, Heated Paint, and Two Component Materials. Marking types include Air Spray and High-Pressure Airless Spray. The machine types are Manual, Semi-Automatic, and Fully Automatic. The applications of road marking machines range from Road & Highway Marking, Car Park Markings, Anti-Skid Markings to various others. The market is further segmented by country into regions like the U.S., Canada, Mexico, Brazil, Argentina, Germany, Italy, U.K., France, Japan, China, India, Australia, Saudi Arabia, U.A.E, South Africa, and others, allowing for a comprehensive analysis of regional preferences and trends.

**Market Players**

- AUTOMARK INDUSTRIES (INDIA) PVT LTD - BORUM A/S - Graco Inc - HOFMANN - Road Marking Equipment of Sweden AB - ROAD MAINTENANCE SERVICES LIMITED - STIM GROUP - Nipshell Hydraulics - Vinayak Construction Equipments - Lokpal Industries - TATU GROUP - Titan Tool Inc

The major players in the road marking machine market include a mix of domestic and global companies like AUTOMARK INDUSTRIES (INDIA) PVT LTD, GRACO Inc., HOFMANN, STiM Group, Titan Tool Inc., and more. Market share data is available across different regions such as North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA), and South America, enabling a detailed competitive analysis. These players contribute significantly to the industry with their technological know-how, product innovation, and market presence, driving the competition and advancements in road marking solutions.

The global road marking machine market is witnessing notable growth factors such as increasing investments in infrastructure, emphasis on road safety regulations, and the integration of advanced technologies for more efficient operations. The ongoing trend of incorporating smart features like GPS tracking and automated line painting systems is reshaping the market, offering more precise and effective road marking solutions. Sustainability concerns are also influencing market dynamics, pushing manufacturers towards eco-friendly materials and practices to align with the global push for green infrastructure development.

Urbanization and the expansion of transportation networks, particularly in developing economies, are creating lucrative opportunities for road marking machine manufacturers. The demand for new roads and parking facilities is driving the need for advanced marking equipment to enhance safety and efficiency. Additionally, the modernization of existing road infrastructure in developed regions is spurring the replacement and upgrade of aging equipment, boosting market growth and fostering innovation in product development.

Competitive rivalry among key players in the road marking machine market remains intense, with companies focusing on technological advancements, product diversification, and strategic collaborations to differentiate themselves. Investment in research and development activities is crucial for introducing cutting-edge solutions that meet evolving customer needs and improve operational efficiency. With a keen focus on enhancing global presence through partnerships and acquisitions, market leaders are poised to capitalize on new opportunities and maintain a competitive edge in this dynamic landscape.

The market is highly fragmented, with a mix of global and regional players competing for market share. To Learn More About the Global Trends Impacting the Future of Top 10 Companies in Road Marking Machine Market :   https://www.databridgemarketresearch.com/reports/global-road-marking-machine-market/companies

Key Questions Answered by the Global Road Marking Machine Market Report:

What is the current state of the Road Marking Machine Market, and how has it evolved?

What are the key drivers behind the growth of the Road Marking Machine Market?

What challenges and barriers do businesses in the Road Marking Machine Market face?

How are technological innovations impacting the Road Marking Machine Market?

What emerging trends and opportunities should businesses be aware of in the Road Marking Machine Market?

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[meridiansolutionuae]

Unlock Precision and Accuracy with Arabcal: Your Trusted Calibration Laboratory in Qatar

The quick pace of our modern world makes precise instrumentation combined with accurate measurement needs more essential than ever. The way your equipment works directly impacts your product quality together with service delivery across all industries, including manufacturing and healthcare. The procedure of calibration enables instrument performance measurements to ensure components operate within their designated tolerance range. The Qatari company Arabcal Calibration Laboratory serves as your trusted calibration partner, whatever your instrumentation needs might be.

What is Calibration, and Why Does it Matter?

Modern-day equipment calibration procedures establish the accuracy of measurement readings through acknowledged standard references. Integration issues in instruments develop through time, so their measurements become incorrect, which influences the reliability of your work output. The regular calibration of measurement instruments through thermometer and pressure gauge examples helps organizations achieve precise results while maintaining industry standards along with equipment reliability.

The ongoing accuracy of instruments represents an essential requirement for all industrial sectors that need predictable quality performance. Regular instrument calibration delivers two major outcomes: error reduction and operational performance enhancement alongside regulatory compliance and the prevention of costly errors.

Arabcal: Leading the Way in Calibration Excellence

Arabcal Calibration Laboratory operates as the leading calibration service provider throughout Qatar as it delivers superior instrumentation calibration services to multiple measurement tools. Our cutting-edge facility with its expert personnel and innovative technology assures the precision and trustworthiness of all your measurements.

Our services cover a broad spectrum of instruments across various industries, including:

Electrical & Electronic Instruments

Pressure and Temperature Gauges

Flow Meters

Dimensional Measurement Equipment

Force & Torque Instruments

Weighing Scales & Balances

The designed services at our facility streamline your business compliance with international standards while satisfying the exacting needs of your trading market. Our customers at Arabcal experience convenience throughout every stage, from their initial calibration service inquiry until we deliver their registered instruments.

Why Choose Arabcal?

Accurate and Reliable Results: The calibration process at Arabcal relies on modern standards as well as modern equipment to provide precise, reliable results in each measurement job.

Expert Technicians: We have certified, experienced personnel on our team who dedicate themselves to giving exceptional service with technical assistance to their customers.

ISO Certification: Arabcal's ISO accreditation provides you with full assurance that your instruments will be calibrated to industry standards worldwide.

Quick Turnaround: Time management stands as a critical factor in the modern business world, which we fully comprehend. We maintain smooth operational workflows that enable rapid service delivery without any loss of high-quality results.

Customer Satisfaction: We work toward developing enduring partnerships with clients by delivering individualized service protocols designed to meet your bespoke calibration requirements.

Serving Diverse Industries in Qatar

Arabcal Calibration Laboratory is proud to serve a variety of sectors in Qatar, including:

Manufacturing: Striped production lines execute tasks more smoothly through tool and machine calibration and precision.

Healthcare: Medical devices alongside laboratory equipment require precise calibration as an essential basis for protecting patients while fulfilling regulatory requirements.

Oil & Gas: Accurate critical instrumentation remains important for maintaining operational efficiency and safety within energy sector operations.

Automotive: Testing and diagnosing tools for vehicles must be calibrated because it creates superior performance with enhanced safety outcomes.

Construction and Engineering: Accurate measurement tools serve as essential elements that maintain project precision while ensuring international standard compliance.

How Arabcal Helps Your Business Thrive

Your selection of Arabcal for calibration work will bring you a partner who appreciates the significance of operational reliability in all operational aspects. With our comprehensive calibration services, your business can:

Improve operational efficiency

Your business can minimize expensive mistakes with our services.

Ensure compliance with industry standards

Arabcal operates to achieve enhancements in product quality together with superior customer satisfaction.

Inaccurate measurement methods should not prevent your business from progressing forward. Fully trust Arabcal Calibration Laboratory for all your calibration requirements throughout Qatar. Quality, alongside precision and customer satisfaction, makes us the premier calibration provider for every business throughout Qatar.

Contact our team now to reserve your calibration service appointment while detecting the strategic advantage that precision calibration delivers.

[jenseits-qr-codes]

Maximize Growth with Expert Business Setup Consultants in UAE

The Titan line painting machine represents a cutting-edge tool used for high-quality, efficient line striping in various applications. Widely used in road maintenance, parking lots, and sports field management, this machine ensures precision and durability with every project. It helps businesses achieve a professional finish, save time, and increase productivity. As businesses in the UAE look for ways to expand and enhance their operations, adopting state-of-the-art equipment such as the Titan line painting machine is essential. Whether you are an entrepreneur or a seasoned business owner, embracing innovative solutions like this can significantly impact your business growth and success.

Expert Advice for Business Growth in UAE

When it comes to establishing and growing a business in the UAE, seeking expert advice can be one of the most effective strategies for long-term success. Business setup consultants in the UAE possess the local market knowledge and industry expertise required to guide entrepreneurs through every step of the process. Just as businesses in the construction or facility management sectors rely on tools like the Titan line painting machine for efficiency, they can also benefit from professional advice that helps them avoid common pitfalls, comply with local regulations, and build a strong network of business connections. Expert guidance maximizes business opportunities, helping you to streamline your operations, reduce risks, and boost profitability.

Unlock Your Potential with Business Setup Consultants in UAE

Unlocking your potential in the UAE’s rapidly growing market requires understanding the local business dynamics and identifying strategic opportunities. Business setup consultants in UAE play a critical role in unlocking this potential. Whether you plan to operate a business in construction, logistics, or even the parking management sector, adopting innovative technologies like the Titan line painting machine can give your company a competitive edge. These consultants will guide you through legal and regulatory requirements, ensuring your business complies with all necessary frameworks. They also assist in securing the necessary licenses and permits, setting up banking relationships, and choosing the most beneficial business structure.

Strategic Planning with Business Setup Consultants in UAE

Strategic planning is essential when it comes to scaling up your business in the UAE. Business setup consultants in the UAE offer valuable insights on how to navigate the region's unique market conditions. As you build your business, adopting tools and technologies that align with your strategy is crucial. For example, investing in a Titan line painting machine can improve operational efficiency and meet growing demand in industries like construction and maintenance. Consultants will assist you in creating a roadmap for expansion, ensuring your business goals align with long-term growth objectives. They provide a detailed understanding of the market, helping you prioritize efforts for maximum impact and profitability.

Boost Your Business Success in UAE

Business success in the UAE is not just about having a great idea—it's about execution, market positioning, and efficient operations. Whether you're running a small startup or a large company, having the right tools and strategies is key to boosting your success. A Titan line painting machine can greatly enhance operational output, allowing businesses in the construction or maintenance sectors to complete projects faster, with better quality, and at a lower cost. By working with professional consultants, businesses can leverage local market knowledge, refine their processes, and implement growth strategies that are perfectly suited for the UAE's competitive environment.

Navigate the UAE Market with Expert Guidance

Navigating the UAE market can be a challenging task, especially for newcomers. The country's diverse economy, strong legal frameworks, and rapidly changing business landscape require a deep understanding of the local environment. Expert business setup consultants in the UAE provide critical insights into market trends, consumer behavior, and industry-specific opportunities. They ensure businesses remain compliant while helping entrepreneurs take advantage of available incentives and government programs. For companies looking to expand into sectors such as construction or parking lot management, investing in reliable and effective equipment like the Titan line painting machine will enable them to scale efficiently and deliver top-tier services that attract a loyal customer base.

Professional Business Setup Services for Growth

Professional business setup services in the UAE are integral to ensuring your company not only starts strong but also continues to thrive. These services provide entrepreneurs with valuable resources, from company formation and documentation to post-setup business management. They are a one-stop solution for establishing your brand, launching products or services, and scaling your operations. Whether your business requires innovative tools like the Titan line painting machine for painting parking lots or the latest technology in other fields, consultants ensure that you have the right resources to maximize your growth potential. By outsourcing the complexities of the setup process, business owners can focus on their core operations and strategic initiatives that lead to success.

Achieve Faster Expansion with Expert Consultants in UAE

Expanding your business in the UAE can happen faster than expected, provided you have the right expertise to navigate the country's competitive market. Expert consultants bring invaluable knowledge to the table, helping businesses develop scalable solutions, improve operational processes, and build effective growth strategies. In industries that demand high-quality services, such as road maintenance or commercial property management, using advanced equipment like the Titan line painting machine can speed up project timelines and ensure consistent results. Consultants will also help businesses identify expansion opportunities, secure financing, and build strong networks, ultimately ensuring that your growth trajectory aligns with market demand and industry trends.

Conclusion

The UAE offers exciting opportunities for businesses looking to expand, with various sectors seeing rapid growth and investment. To maximize these opportunities, companies need to leverage the best tools, strategies, and advice available. From expert business setup consultants in the UAE, who can guide you through complex processes, to advanced machinery like the Titan line painting machine that enhances operational efficiency, there are numerous resources available to ensure your success. By embracing innovation, seeking professional guidance, and developing a robust strategic plan, your business will be well-equipped to thrive in the UAE’s dynamic market environment.

[jessiealston]

Exploring the Revenue Models of Fintech Companies: How Do They Make Money?

Fintech companies have emerged as powerful disruptors in the financial services industry, leveraging technology to offer innovative products and services. But as they grow in popularity and scale, many people wonder: how do fintechs earn money? This guide explores the various ways fintech companies generate revenue, providing insight into their business strategies and financial models.

Key Revenue Streams for Fintech Companies

Transaction Fees: A primary revenue source for many fintech companies is transaction fees. Companies like PayPal and Stripe charge a fee for every transaction processed on their platforms. These fees are typically a percentage of the transaction amount and can add up quickly with high transaction volumes. As more businesses and consumers use fintech solutions for payments, this revenue stream continues to grow.

Subscription Services: Some fintech companies operate on a subscription-based model, offering premium services for a recurring fee. For example, apps like Wealthfront and Betterment provide basic investment services for free but charge a fee for premium features, such as personalized financial advice or advanced portfolio management tools. This model ensures a steady income stream while providing value to users willing to pay for extra services.

Interest Income: Fintech companies that offer loans or credit lines, such as SoFi and Affirm, generate revenue through interest charges. By offering competitive rates and leveraging technology to assess credit risk more effectively, these companies can attract borrowers and earn substantial interest income over time. This approach can be particularly profitable when combined with data-driven risk management strategies.

Interchange Fees from Card Payments: Fintech companies like Chime and N26 make money from interchange fees. Every time a customer uses their debit or credit card, the merchant pays an interchange fee, a portion of which goes to the fintech company. This model is advantageous because it provides a continuous revenue stream without directly charging customers.

Data Monetization: Fintech companies often collect vast amounts of data on user behavior and financial habits. By analyzing this data, companies can offer targeted financial products or sell anonymized data insights to third parties. This how profitable are fintechs strategy relies on advanced data analytics capabilities and a strong emphasis on user privacy and data security.

How Profitable Are Fintechs?

Given their diverse revenue streams, how profitable are fintechs? Profitability can vary widely depending on the company’s business model, market position, and operational efficiency. Many fintech startups focus initially on user acquisition and market penetration, which can lead to losses in the short term. However, once a substantial user base is established and monetization strategies are optimized, these companies often achieve significant profitability, particularly due to lower operational costs compared to traditional financial institutions.

Understanding the Fintech Business Model

To understand how does the fintech work, it's essential to look at their innovative use of technology. Fintech companies use digital platforms to deliver financial services, allowing them to operate without the overhead costs associated with physical branches. This digital-first approach not only reduces costs but also enables them to offer services faster and more efficiently. Machine learning, artificial intelligence, and big data analytics play crucial roles in enhancing customer experiences and managing risks.

How Do Fintech Companies Operate?

To grasp how do fintech companies work, consider their ability to operate entirely online. This enables them to scale rapidly and reach a broader audience without the need for extensive physical infrastructure. By offering services through mobile apps and online platforms, fintech companies can provide 24/7 access to financial services, attracting a tech-savvy customer base that values convenience and accessibility.

For a deeper dive into the various methods fintech companies use to generate revenue, you might find our article on how fintechs earn money particularly informative. It covers the nuanced strategies fintechs employ to remain competitive and profitable in a fast-evolving market.

Are Fintech Companies Profitable?

Lastly, are fintech companies profitable? The answer is generally yes, but profitability often depends on factors such as the business model, market dynamics, and scalability. Many fintech companies achieve profitability faster than traditional financial institutions due to their lean operating models and focus on technology-driven solutions. However, as with any business, there are risks involved, including regulatory challenges and competition from both traditional banks and new market entrants.

In summary, fintech companies employ a range of innovative strategies to generate revenue, from transaction fees and interest income to data monetization and subscription services. Their digital-first approach and ability to leverage technology give them a significant advantage in the financial services industry, allowing them to grow rapidly and achieve profitability. As fintech continues to evolve, these companies are likely to find even more ways to innovate and thrive in the competitive financial landscape.

[blackkudos]

James Reese Europe

James Reese Europe (February 22, 1880 – May 9, 1919), sometimes known as Jim Europe, was an American ragtime and early jazz bandleader, arranger, and composer. He was the leading figure on the black American music scene of New York City in the 1910s. Eubie Blake called him the "Martin Luther King of music".

Early life

Europe was born in Mobile, Alabama, to Henry Jefferson Europe (1848–1899) and Loraine Saxon (maiden; 1849–1930). His family — which included four siblings, Minnie Europe (Mrs. George Mayfield; 1868–1931), Ida S. Europe (1870–1919), John Newton Europe (1875–1932), and Mary Loraine (1883–1947) — moved to Washington, D.C., when he was 10.

Europe moved to New York in 1904.

Band leader

In 1910, Europe organized the Clef Club, a society for Black Americans in the music industry. In 1912, the club made history when it played a concert at Carnegie Hall for the benefit of the Colored Music Settlement School. The Clef Club Orchestra, while not a jazz band, was the first band to play proto-jazz at Carnegie Hall. It is difficult to overstate the importance of that event in the history of jazz in the United States — it was 12 years before the Paul Whiteman and George Gershwin concert at Aeolian Hall, and 26 years before Benny Goodman's famed concert at Carnegie Hall. The Clef Club's performances played music written solely by Black composers, including Harry T. Burleigh and Samuel Coleridge-Taylor. Europe's orchestra also included Will Marion Cook, who had not been in Carnegie Hall since his own performance as solo violinist in 1896. Cook was the first black composer to launch full musical productions, fully scored with a cast and story every bit as classical as any Victor Herbert operetta. In the words of Gunther Schuller, Europe "... had stormed the bastion of the white establishment and made many members of New York's cultural elite aware of Negro music for the first time". The New York Times remarked, "These composers are beginning to form an art of their own"; yet by their third performance, a review in Musical America said Europe's Clef Club should "give its attention during the coming year to a movement or two of a Haydn Symphony".

Europe was known for his outspoken personality and unwillingness to bend to musical conventions, particularly in his insistence on playing his own style of music. He responded to criticism by saying, "We have developed a kind of symphony music that, no matter what else you think, is different and distinctive, and that lends itself to the playing of the peculiar compositions of our race ... My success had come ... from a realization of the advantages of sticking to the music of my own people." And later, "We colored people have our own music that is part of us. It's the product of our souls; it's been created by the sufferings and miseries of our race."

Some of Europe's best-known compositions include several that were co-composed with Ford Dabney (1893–1958) for the famed dancers Irene and Vernon Castle. The Castles regarded Europe's Society Orchestra among the best they had worked with and hired Europe late in 1913 as their preferred band leader with Dabney as their arranger.

Co-composed with Dabney for the Castles; Joseph W. Stern (1870–1934), publisherComposed soley by Europe for the Castles; G. Ricordi & Co., publisher

Co-composed with Dabney for Kern and Bolton's

Nobody Home

(1915)— Princess Theatre April 20, 2015, through June 1915; Maxine Elliott's Theatre June 7, 1915, through August 7, 1915

Co-composed with Dabney, lyrics by Gene Buck, for Ziegfeld's

Midnight Frolic,

sang by Nora Bayes; Francis, Day & Hunter Ltd., publisher

"Boy of Mine" (©1915)

In 1913 and 1914 he made a series of phonograph records for the Victor Talking Machine Company. These recordings are some of the best examples of the pre-jazz hot ragtime style of the U.S. Northeast of the 1910s. These are some of the most accepted quotes that are in place to protect the idea that the Original Dixieland Jass Band recorded the first jass (spelling later changed) pieces in 1917 for Victor. Unlike Europe's post-War recordings, the Victor recordings were not called nor marketed as "jazz" at the time, and were far from the first recordings of ragtime by Black American musicians.

Neither the Clef Club Orchestra nor the Society Orchestra were small "Dixieland" style bands. They were large symphonic bands to satisfy the tastes of a public that was used to performances by the likes of the John Philip Sousa band and similar organizations very popular at the time. The Clef Orchestra had 125 members and played on various occasions between 1912 and 1915 in Carnegie Hall. It is instructive to read a comment from a music review in the New York Times from March 12, 1914: "... the programme consisted largely of plantation melodies and spirituals [arranged such as to show that] these composers are beginning to develop an art of their own based on their folk material ..."

Military service

During World War I, Europe obtained a commission in the New York Army National Guard, where he fought as a lieutenant with the 369th Infantry Regiment (the "Harlem Hellfighters") when it was assigned to the French Army. He went on to direct the regimental band to great acclaim. In February and March 1918, James Reese Europe and his military band travelled over 2,000 miles in France, performing for British, French and American military audiences as well as French civilians. Europe's "Hellfighters" also made their first recordings in France for the Pathé brothers. The first concert included a French march, and the Stars and Stripes Forever as well as syncopated numbers such as "The Memphis Blues", which, according to a later description of the concert by band member Noble Sissle "... started ragtimitis in France".

Post-war career

After his return home in February 1919 he stated, "I have come from France more firmly convinced than ever that Negros should write Negro music. We have our own racial feeling and if we try to copy whites we will make bad copies ... We won France by playing music which was ours and not a pale imitation of others, and if we are to develop in America we must develop along our own lines." In 1919 Europe made more recordings for Pathé Records. These include both instrumentals and accompaniments with vocalist Noble Sissle who, with Eubie Blake, would later have great success with their 1921 production of Shuffle Along, which gives us the classic song "I'm Just Wild About Harry". Differing in style from Europe's recordings of a few years earlier, they incorporate blues, blue notes, and early jazz influences (including a rather stiff cover record of the Original Dixieland Jass Band's "Clarinet Marmalade").

Death

On the night of May 9, 1919, Europe performed for the last time. He had been feeling ill all day, but wanted to go on with the concert (which was to be the first of three in Boston's Mechanics Hall). During the intermission Europe went to have a talk with two of his drummers, Steve and Herbert Wright. After Europe criticized some of their behavior (walking off stage during others' performances), Herbert Wright became very agitated and threw his drumsticks down in a seemingly unwarranted outburst of anger. He claimed Europe did not treat him well and that he was tired of getting blamed for others' mistakes. He lunged for Europe with a penknife and was able to stab him in the neck. Europe told his band to finish the set and he would see them the next morning. To Europe and his band the wound seemed superficial. As he was carried away, he told them "I'll get along alright." At the hospital, they could not stop the bleeding and he died hours later.

News of Europe's death spread fast. Composer and band leader W. C. Handy wrote: "The man who had just come through the baptism of war's fire and steel without a mark had been stabbed by one of his own musicians ... The sun was in the sky. The new day promised peace. But all the suns had gone down for Jim Europe, and Harlem didn't seem the same." Europe was granted the first ever public funeral for a black American in the city of New York. Tanney Johnson said of his death: "Before Jim Europe came to New York, the colored man knew nothing but Negro dances and porter's work. All that has been changed. Jim Europe was the living open sesame to the colored porters of this city. He took them from their porters' places and raised them to positions of importance as real musicians. I think the suffering public ought to know that in Jim Europe, the race has lost a leader, a benefactor, and a true friend."

At the time of his death, he was the best-known black-American bandleader in the United States. He is buried in Arlington National Cemetery.

[kathyprior4200]

My Little Hazbins: Redemption is Magic!

Art by CHLane123

DEDICATED TO MAGICTRIX COSPLAY AND BLACK GRYPH0N

In Tartarus, the black alicorn Archangels sent by Princess Celestia had finished imprisoning several demon ponies and monsters. Those unfortunate enough to be imprisoned would be sitting around in cages day after day, with no hope of escape. Tartarus was filled with dragons, manticores, hydras, shadow ponies, and a wide array of villains. The three-headed dog Cerberus guarded the entrance. The only view of the outside world was the occasional glimpse of the sky and Ponyville when the heavy doors of Tartarus opened and closed.

 One pony princess walked sadly on a balcony of the Trottin’ Hotel. Her name was Charlie Mane, the pony princess of Tartarus. Her coat was white and she had red blushes on her cheeks. Her mane of hair was long, curly, and blonde, as was her tail. The front part of her was covered by a pink tuxedo suit with a black bow tie. Using her white unicorn horn, she sent bursts of fireworks into the darkness, which seemed to wake up the other demonic ponies and monsters down below. On her flank was her cutie mark, a red apple in a heart shape with a pentagram in the center.

 Tears flowing down her eyes, she began to sing out loud:

 “At the end of the rainbow, there’s happiness

And to find it, how often I’ve tried

But my life is a race

Just a wild horse chase

And my dreams have all been denied”

 “A ray of hope in this world of black

I wish the world to be free of sin

But no matter hard I try

I can’t get by

I never seem to win”

  “Why have I always been a failure?

What can the reason be?

I wonder if the world’s to blame

I wonder if it could be me”

 “I’m always chasing rainbows

Watching Cloudsdale drifting by

My schemes are just like all my dreams

Ending in the sky”

 “Some ponies look and find the sunshine

I always look and find the rain

Some ponies make a winning sometimes

I never even make the game

Believe me”

 “Will this world be a better place?

Or will loss never go away?

The choices I face, me, a disgrace

Loss of hope here to stay”

  “I’m always chasing rainbows

Watching clouds drifting by

My schemes are just like my dreams

Ending in the sky”

  “I’m always chasing rainbows

Waiting to find Rainbow Dash and friends

In vain.”

  Not too far away from Charlie’s location, a slender female pony wearing a black dress, opened up red curtains and watched the fireworks in the sky. Toward the back was a slender black pony wearing a black top hat with a skull on it. His face was stormy gray and his two large eyes were yellow. He casually sipped from a red goblet, using his hoof. Behind him was a shadowy figure of a tall cyclops pony…and the white alicorn Lucifer sitting on a chair, holding his cane.

 At Valentino’s Porn Studios, a demon unicorn pony named Vox posed for a selfie, his cutie mark a TV, his head dark blue with a small black top hat. He wore a large red bow-tie. A short earth pony with wild hair sat next to him, smiling and typing into her phone. Valentino, the owner, lounged in a chair, wearing heart-shaped glasses, a red robe and displaying sharp teeth. His coat was light blue-gray, his black mane slicked back. His cutie mark was a bag of money with a silhouette of a naked mare in a pose. He tapped his hoof impatiently as he glanced down at texts.

 Valentino: Did you get my bits, Angie baby?

Angel Dust: I’m wittha John now. I don’t get why this needed to happen so soon after the imprisoning tho. Boss.

Valentino: Just do it. No sass. K sugar.

Angel Dust: Yes, Val.

 Down below, a dark pony with a mane of hair proudly took a discarded weapon into her mouth and left to sell it on the black market. The harpoon weapon could stun any pony, leaving them open for imprisonment, or even death to the more sinister folk. An emotionless pony wearing a lab coat and red glasses, wrote on a clipboard, her pen in her mouth. Rosie, an Earth pony wearing a large fancy pink hat with pony skulls on it, crossed out Franklin’s name on the “Franklin and Rosie’s Emporium” sign. Rosie grinned as Franklin was mauled by dark hydras.

  TURF WARS

 The time on the grand clock read 5:07, and down below, the next patrol would occur in 365 days. A small blue pony fell down to the ground with a yell, a cloud of dust rising in the air. The pony had six dark blue hooves and large red eyes. He touched his face and body, clearly relieved.

“Oh, I’m alive. I’m alive!” he exclaimed.

Immediately, he was run over by a speeding car, exploding in a flash of blood.

The car stopped on a road, where a Jackpot Hotel and Casino stood in the background.

A tall, white demon pony hopped out of the car and rested his hoof on the top of the door. He slicked back the hair on his head with one of his pink gloved hooves. Being a pony with spider-like features, he had multiple hooves, six in total. He wore a black bow tie, tall stiletto boots, and a shirt with pink and white stripes. His large irises were pink, the sclera in his left eye dark instead of white. Pink dots resembling small eyes were lined up below his eyes. His right eye had black schlera, his left eye white, both with pink pupils. His tail was furry and white like his mane of hair. On his bare flank, a cutie mark of a heart and a bag of white slugs was displayed.

 “Thanks for the fun time, hot stuff,” said the driver.

The white pony closed the door. “Yeah, yeah, listen. Keep this discreet, hear me? I can’t let it get out I’m offering my services to rando ponies on the street. It was a quick cash grab, ya got that?”

Travis, the dark black pony scoffed. He wore a black hat and both his eyes were red. One eye had black sclera. His fur coat was messy and his cutie mark was an owl with red eyes.

“Whatever you say, butt!” he mocked with a laugh.

The white pony cupped his face dramatically. “Ouch, ooh, such an insult!”

Travis stared nervously, a small heart in his left eye.

The white pony leaned in, showing a mouth full of fangs. “Let me know when you come up with something creative to call me, you sack of poorly packed horse spit!”

He poked Travis in the face with one hoof, and grabbed his collar by one of his other hooves.

“Tell the missus I said hi,” he added before giving Travis a quick kiss.

“Pack of poor…” Travis muttered, rolling up his window and speeding off. The car squealed and flipped over on its side in the air, falling with a loud crash.

 The white pony glanced over at a nearby store. A sign advertising a casino with a pack of cards on the front read, “Casino: just a few wins away.” Beside an elevator, was a fridge with an upside down cross on the front. A vending machine with the word “drugs” on it in white letters, caught the pony’s attention. Giddy with excitement, he trotted over and glanced down at the options:

 Coke

Bojack

McWeedies420

Squip

Hero-in

Krunchy Krokodil

Angel Dust

  The pony pressed “Angel Dust” and a white sack of drugs fell to the bottom. With a greedy smile, he took it in his hoof. Coincidentally, Angel Dust was also his name.

With a yoink, a small gray pony snatched the bag from Angel’s hooves with his mouth.

“Hey!” Angel called angrily.

“Up yours, drag show!” he taunted, before being crushed to death by a boulder.

“Oh my god!” Angel cried in terror, racing to the scene.

But it wasn’t the fallen thief he was concerned about.

“My drugs! Damn it!” he cursed, picking up a piece of the sack.

  Overhead were neon signs on top of buildings. One in yellow letters read “Begg Clop” and another one in teal: “I couldn’t think of a pun for our shop but we sell hard drugs!”

  Angel turned around and spotted a flying metal aircraft, which was firing lasers at buildings. It looked like an industrial rocket ship made with gears and a steampunk style to it. A metal hook hung from the bottom of it. The lasers struck the buildings, which caused bright pink explosions to fill the air.

From inside the ship, a dark gray Pegasus stood high above over the controls, laughing manically. Down below, his deviled egg colt minions stood and watched. Each of them wore black top hats and pinstriped round clothing, and the scurried around on all fours. They were called Egg Colts.

The room had deep purple walls, cabinets for the minions and decorations of their leader along the wall.

The overlord was Sir. Stallionus. He wore a gray coat with yellow vertical stripes down the front. He wore a top hat with a moving pink eye and a grinning mouth of fangs. He sprouted a demonic grin of his own, his teeth sharp. His coat was dark gray and his cutie mark was a black snake. His gray wings opened up to reveal pink eyes against yellow skin flaps. His mane of hair and tail were long and black.

 Up on the platform, he oriented two levers in his hooves, the control button in the center displaying a pentagram design.

“Those other cowardly sinners dare not hinder my territorial takeover! A wise decision. The power of my machines are unmatched! No pony else can compare to the likes of I!”

One egg minion with #23 on his back added, “Gee that was pretty swell boss!”

“Yeah!” another chimed in: #666.

“You really showed them what for!” called a third.

Another minion teasingly ran his hoof up the overlord’s back. “I like it when you shot them with your ray gun…”

Sir Stallionous punched a minion out the window and whirled around in anger. The other minions backed up. “I wish he’d shoot me with his ray gun,” a minion whispered, head lowered.

Sir Stallionous rolled his eyes at his masochist minions. He turned back to the controls and grinned. Pentagram circles revealed the areas he had taken over and the other territories ahead. “At this rate, I will seize control of the entire west side of Tartarus Town by day’s end!”

He laughed and bragged some more. “And nothing, not a single beast in this inferno of suffering, will be able to take back this empire from my constrictive grasp!”

As to prove his point, he grabbed a minion in his hoof and tightly squeezed him.

Another minion blew a noisemaker and then popped open a blue bottle of a brown drink. The overlord threw the minion across the room as the eggs celebrated down below.

“Tartarus will be mine,” he declared, “and everybody will know the name of Sir …”

“Edgelord!” yelled a voice.

“Pardon?!” Sir Stallionous shot back in shock. “Who said that?!”

He leaned in close to two of his minions, not pleased.

“What did you just say to me, you fried hay-eating chicken fetuses?!”

The minions shook in fear.

“Speak up!” he hissed.

“It wasn’t us, mister boss sir!” said a minion.

 Just then, an object shot through the glass at the front, creating a small hole. A small pink bomb with a black horseshoe on the front, landed on the floor. Sir Stallionous observed it for a moment…the bomb looked like a cherry…which could only mean…

The bomb exploded, covering the room in sparkles and thick red smoke.

Sir Stallionous coughed and swiped some of the smoke away.

“You looking for a fight, old Equine?” a female voice challenged.

Sir Stallionous spotted his rival standing proud and casually catching another bomb in her hoof: Cherry Bomb.

She towered tall in pink high heel boots on her four hooves, ripped black jeans along her legs, a pink crop top with an x on the front. She also had white wings with black specks on them. She had a long strawberry blonde mane and tail, a single pink eye with an x that took up most of her white face…a grin of sharp teeth…it was her alright. Her cutie mark was a cherry.

“Why don’t you get that tinker toy horsespit off my turf before I smash it…” she declared before catching her bomb in her wing. A random barbell of metal crashed into the floor close to Cherri Bomb.

“…more.”

“Oh, you wanna go, missy?” Sir Stallionus retorted. He flicked his mane back before opening it. Well, I’m happy to oblige!”

He let out another evil laugh as his minions closed in, holding stun guns in their mouths, which crackled with yellow electricity.

But Cherri Bomb wasn’t scared. With graceful leaps, she avoided the blasts and threw down another bomb. She used the cover to escape, jumping down and swinging once from the anchor at the bottom of the flying craft. Landing gracefully on the ground, she continued her assault from below.

“Catch me if you can, pony boy!”

“Get her!” he bellowed through the red smoke, the eggs quickly running around in a frenzy.

 The minions jumped to the ground after her, the overlord following suit. Cherri Bomb dodged a blast, grinned and picked up the minion egg in her mouth. She spun around and threw the minion straight into Sir Stallionous’ face. He threw the egg back at her, and she caught it with one hoof.

“Thanks for the gift!” she called out, before cracking the egg open with an evil grin. She placed a bomb into it, then threw it back at him...straight to his face. Sir Stallionous could only make a face of surprise before the egg blew up in pink smoke.

“Why you little…”

Cherri Bomb ducked as another egg pony sailed over her head.

 Just then, a familiar white pony stomped on an egg minion and threw a grenade in the distance.

“Angel Dust!” called Cherri Bomb, happy to have her partner in crime arrive.

“Great to see you too, sweetie!” he teased.

Another pink explosion filled the air as the fight continued.

“Hey, thanks for the backup, Angie!” Cherri Bomb said as she fired a flaming red arrow with a large gun over toward Sir Stallionous.

Angel Dust laughed, leaning against volcanic rock as cover. He threw a grenade over his head with a hoof.

“You kiddin’? This is the best action I’ve seen in ages!”

A pink explosion rocked the streets.

“Where have you been anyway?” she asked. “I thought you up and gone away or some spit.”

“I wish,” he remarked as he lit another fuse and handed the bomb to his ally. She threw it forward, then ducked behind the rock next to Angel.

Angel continued, “I’ve been staying at this crappy hotel on the other side of town. Some boards are lettin’ me stay rent-free if I play nice.” They covered their ears.

A column of green smoke rose into the air with a fiery whoosh. The duo leaped over the rock and charged at the army of egg minions on all fours. Using four hooves, Angel Dust fired rapidly from a gun at the minions, making some of them explode.

He sighed, and used one of his hooves to gesture. “Y’know, no fights, no pranks, no “problematic language.” Her words, not mine.”

He tripped an unsuspecting minion, sending him into the air and exploding in a yellow yok mess. He waved a spiked club and continued firing his gun.

“These naysayers are no fun!” Angel complained in frustration. Splatters of yok landed on his head and face. “I’ve been clean for two weeks!”

“Holy spit!” Cherri Bomb yelled after avoiding a green explosion and leaping into the air.

Angel scooped up yok with his hoof. “Well, sorta clean.” He smashed apart another egg minion with his club. “As clean as you can get with a spitload of powder shipped down from Las Pegasus.”

Angel’s shadowy silhouette displayed sharp fangs, and pony ears as Cherri posed in the background, one of her boots missing. A sign read “50% off meth” above a small super market.

A black chain wrapped tightly around Angel’s waist sending him flying backwards. Cherri Bomb gasped as her ally was pulled away. Sir Stallionous threw the chained Angel Dust hard onto the ground a distance away. He landed with a thud against volcanic rock.

“Oh, harder daddy!” Angel teased with a wide smirk.

Sir Stallionous gasped, eyes tearing up. “Son?!”

Angel Dust stared blankly, one eye raised, a look of disbelief on his face.

Cherri Bomb rushed into action, landing a sharp kick to Sir Stallionous’ back. The villain landed on the ground, then neighed threateningly.

“You bores have no class!” he exclaimed. “In war, the side remembered is the side with the most…style.” He straightened his black bowtie with a spring.

Cherri Bomb broke open an egg and smashed the robotic egg pony on the ground. Angel stood up, freeing himself from the chains.

“Or the side that ain’t dead,” she added.

“Speaking of style, is your hat like, alive or something’?

Sir Stallionous huffed. “Oh, well, that’s none of your goddamn business, now is it?”

Angel continued, “Would that make your hat the top and you the bottom?”

He and Cherri burst into laughter. Even a pink “loser” sign pointed at the oblivious villain. “Ooooh,” said a minion near him. “One hellish burn.”

“I’m going to blow you to bits!” Sir Stallionous yelled, pointing at them with a dark hoof.

“Hmm! Kinky!” Angel teased.

An advertisement displaying a plate of, sausage, eggs and a tomato slice stood halfway buried in the ground. A glowing pink sign pointing down read “flank.” Another yellow sign read, “Clop here.”

“I’m not like that! Pervert!” yelled the villain. Cherri Bomb and Angel Dust held in laughter.

Angel suddenly pushed Cherri Bomb out of the way, as an egg pony shot tendrils of claws from behind them. The claws had eyes in the center and grabbed onto Angel’s four hooves. He struggled to free himself, the cords stretching.

Sir Stallionous chuckled. “Not so cocky now, are we?”

“Y’know, you really need to watch what’s coming out of your mouth,” Angel remarked. “Cocky…cumming, you get it?”

The villain didn’t respond.

Angel sighed. “I’ve been making these sex jokes the whole time!”

A drill poked out from the ground, Angel avoiding it. A minion held a drill in his small hooves at Angel. Two extra hooves popped out from Angel’s body, holding his rifle.

“And it’s obvious you ain’t catching on.”

He cocked his gun. “I mean, it’s just sad!”

He jumped into the air, freeing himself and firing the gun. The laser hit Sir Stallionous, and his gray top hat fell off.

Cherri Bomb popped up next to Angel. “So, think you’re gonna get into a lot of trouble for this?”

“Eh, what’s one little brawl gonna cause?” He shrugged and retracted his extra hooves. Sir Stallionus lay fuming on the ground.

More egg minions scrambled over to the edge of a high cliff, overlooking the scene. Egg shells, wires, and yok puddles littered the cracked street.

Cherri Bomb playfully elbowed Angel. “Glad ya haven’t changed. You know you’re my favorite guy to party with!”

“You know it, sugar bits,” Angel replied.

“You ready to finish this?” she asked. She rolled a bomb from one of her wings to her other wing and back into her mouth.

Angel cocked his gun again. “Born ready, baby!”

The duo charged at Sir Stallionous. Everyone yelled. More egg minions fell and Sir Stallionous realized he was running out fast.

 After several more minutes of battle, Sir Stallionus and his remaining minions retreated back to his ship. “This isn’t over, naysayers!” he declared at his enemies. “I’ll have my revenge!” The ship hatch closed. The egg minions steered the ship and it rose into the air, almost sending the overlord flying out of the craft. He tossed out more minions in response before taking the controls and flying the craft away.

Angel and Cherri Bomb bro-hoofed with their hooves.

“See you around,” she said.

“Until the next brawl,” said Angel.

Cherri Bomb waved goodbye and blasted music from an Eye Pod (a device made from an actual moving eye. “Hello, daddy. Hello mom. I’m your ch-ch-ch-cherry bomb! Hello world! I’m your wild filly. I’m your ch-ch-ch-cherry bomb!” she sang out loud. Angel Dust laughed and continued on his way.

After buying some more amino and pot from the 666 Shop, Angel met with Charlie and Vaggie in a white carriage drawn by red bat ponies. A great day indeed for the promiscuous pony.

 The Trottin’ Hotel Interview

  Transcript during the 666 News:

“BREAKING NEWS: A LARGE SCALE TURF WAR IS UNDERWAY IN TARTARUS TOWN BETWEEN SIR STALLIONOUS AND CHERRI BOMB. THE SURROUNDING AREAS ARE COVERED IN DEBRIS, SO PLEASE AVOID DOWNTOWN ON YOUR COMMUTE TODAY. TRAFFIC IS “HELLA” BACKED UP. GET IT? “HELL” BUT WITH AN “A” AT THE END? THAT’S A WORD YOUNGER PEOPLE SEEM TO ENJOY USING. I DON’T REALLY LIKE IT, THOUGH. I WROTE IT BECAUSE IT SEEMED LIKE THE NATURAL KIND OF PUN TO MAKE FOR THIS SITUATION, BUT NOW THAT I SEE IT IN TEXT, I FEEL LIKE IT WAS A MISTAKE, A MISTAKE I CAN’T TAKE BACK…LIKE CHEATING ON MY WIFE. I’M SO SORRY, MARTHA. I SHOULDN’T HAVE DONE IT, BUT YOU DID GAIN A LOT OF WEIGHT AFTER THE FILLY AND I REALLY NEEDED SOME SPACE. YOU KNOW, WHAT? NO, THAT WAS A GOOD CALL. I BUCKED THE CLEANING MARE, AND THAT WAS A PRETTY NICE TIME, EVEN THOUGH SHE LAUGHED AT ME WHEN I TOLD HER I COULDN’T GET OFF UNLESS SHE LICKED MY HOOF FIRST. I DON’T SEE HOW THAT’S A WEIRD REQUEST. MAYBE IF I’D JUST GET A HOOKER, SHE WOULD’VE BEEN MORE AGREEABLE. THE POINT IS, MY WIFE IS A FUCKING SNITCH. ONE TIME, WE WENT TO THE ZOO AND I GOT REALLY MAD BECAUSE I THOUGHT THE ORANGUTAN WAS MAKING FUN OF ME. HE KEPT DOING THAT STUPID DUCK LIP FACE? THEIR LIPS ALL PUCKERED? THEN IT STARTED SCREAMING, AND THAT REALLY PISSED ME OFF. MY WIFE TOLD ME IT WAS JUST A MONKEY, AND TO “CALM DOWN.”

 A neon logo appeared on the screen, displaying “666 News” in a circle with a neon eye underneath. The names of the news cast appeared on the bottom of the screen.

A skeletal mare with short blonde hair and a large toothy grin was wearing a pink dress and a pearl necklace. Sitting at the other chair, dressed in a blue business suit was a pony with a gray gas mask for his face along with short white hair. They were live on the air.

 “Good afternoon every pony!” said the mare. “I’m Katie Killjoy.”

“And I’m Tom Trench,” said the stallion. “Chaos at Tartarus Town today as a turf war is raging on the west side between notable king Sir Stallinous and self-proclaimed spunky powerhouse Cherri Bomb!”

Two pictures surrounded by flame borders showed Sir Stallionus wearing a yellow “music band” shirt, and wearing his top hat as a baseball cap with a dopey expression on his face. The other picture showed Cherri Bomb standing under glittering spotlights.

“That’s right Tom!” Katie added. “After the recent imprisoning, many areas are now up for grabs! Creatures all over Tartarus are already duking it out to gain new territory!”

The clips showed Sir Stallinous fighting Cherri Bomb with his egg minions. Hydras fought manticores, minotaurs, and ogres growled at each other.

“Those two seem to really be going at it, huh? Looks like they’re fighting tooth and nail for that hot spot!” Katie popped a tooth and a nail into her mouth.

“And I’d sure like to nail her hot spot!” Tom Trench said with a chuckle.

Katie giggled forcefully. “You are a limp prick jackass, Tom. Or should I say…”

Adding insult and injury, she poured her hot coffee over his crotch…

“No wiener havor.”

“Augh! Not again!” he groaned.

Another picture surrounded by a border of flames displayed Charlie with the letters “Princess of Tartarus” next to it.

Katie continued. “Coming up next, we have an exclusive interview with the daughter of Tartarus’ own head honcho, who’s here to discuss her brand new passion-project!”

Tom Trench winced in pain on the desk.

“All that and more after the break!”

She broke her mug in her hoof, and turned to Tom Trench. “Suck it up you little bi…”

The TV went off air, displaying Katie’s mouth, pointed ears and eyes, colored bars and “off air” with a pentagram in the “O”.

  Inside the break room, Vaggie adjusted Charlie’s black bowtie with her hoof. Nearby, a red tinted sign said that smoking was, indeed, allowed. Another sign read “on air,” in large letters. Vaggie was a light gray pony, who wore stripped leggings over her hooves, a white crop top on her front half and a pink x over her left eye. Her mane and tail was long and white, looking like the wings of a moth. Her cutie mark was two harpoons in a cross shape.

“Okay, you remember what to say?” Vaggie asked.

Charlie took a deep breath, enthusiasm in her voice. “Yes! Let’s do this!”

Vaggie put a comforting hoof on her shoulder. She signaled with her hoof for her to pay attention. “Just, look at me and I’ll mouth it to you.”

Charlie sighed. “Come on, Vaggie! I know what to say!”

She walked on all fours over to the pitcher of red punch. “I just feel like we need to…I don’t know, make things sound more exciting…”

She tossed a donut aside before gasping.

“Oh! What if I…”

“Sing a song about it?” Vaggie finished.

“You knew I was gonna say that.” She gently touched her friend’s nose with her own.

Vaggie adjusted Charlie’s bowtie again with her mouth. “Because I know you. But please don’t sing. This is serious.”

Charlie stomped her white hoof and briefly winked. “Well, you know, I’m better at expressing myself through song!” She stood on the table and arched her hoof dramatically. Down below, Charlie’s doll Pegasus ponies Razzle and Dazzle chewed on donuts.

“But life isn’t a musical, hon,” Vaggie reminded her.

“Fine,” Charlie said with a slump. Then she brightened again.

“But I do have these other ideas of what to say.”

She got off the table and, using her magic, pulled out a piece of paper, hopping excitedly. The paper hovered in the air by pink sparkly magic. “The highlighted bits are my favorite parts!”

Vaggie took the paper and scanned it in disbelief. “Uh, it’s all highlighted. Is this a drawing?”

“Yes!” Charlie answered. She pointed to her picture. It showed a list that read: “4, unicorn kisses,” “5, dolphin high-fives?” and “6, sing show tunes = happy ending!” She drew stick figures of ponies and monsters standing on clouds under a rainbow with a sun and red hearts with faces on them. A castle was also in the background.

“That’s the happy ending, see? Everyone’s smiling and happy in Canterlot and Ponyville!”

“I don’t think it’s that simple,” Vaggie stated. She then begged her: “Just please follow the talking points we went over.”

She pulled Charlie close and stared her directly in the eyes. “And do. Not. Sing.”

Charlie sighed exasperatedly. “Fine.” Then she trotted over and spoke in an accent. “I’ll just have to resort to my impeccable improve skills.” She gave a salute, several moves of her head and went outside.

Vaggie somehow knew that this would not be going well.

Charlie walked over to Katie Killjoy, who posed in her red dress, smoking a cigarette.

“Hi! I’m Charlie Mane.”

She waved and held out her hoof.

“Katie Killjoy,” the mare deadpanned before blowing out smoke and snapping her cigarette. “I’d say it’s a pleasure to meet you, but that would be a lie. You can put that away,” she regarded Charlie’s hoof. “I don’t touch the gays. I have standards.”

“Yeah?” Charlie asked nervously, looking at a big flashing sign that read “Tartarus’ #1 News!” “How’s uh…how’s that working for ya?”

“Look, my time is money, so I’ll keep this short,” Katie cut in. She invasively tapped Charlie’s chest and nose with her hoof. “We’re not here because we wanted you here. You’re here because Jeffry couldn’t make it for his cannibal cooking segment.”

Katie mentioned to a billboard that showed a tall stallion with glasses, short blonde hair with a white chef’s hat, a red apron, red suit, red horns, and a red devil’s tail. He held a platter of rotten hay and a horse head in his hands. Above it read “It’s Dahn Good! Cooking show: Guarantee Cannibalicious!” “Who approved this show?” was written on a sticky note tapped to the corner of the advertisement. Tom Trench shook his head in his seat.

Katie fluffed her blonde mane, swayed her flank, and continued: “You might be some royal bigshot, but that doesn’t mean spit to me. I’m too rich and too influential to give a flying buck about what some tux-wearing pony “princess” wants to advertise.”

“But I…” Charlie began.

“So don’t get cute with me, honey,” she warned, getting into Charlie’s face, “Or I will bucking bury you!”

“And we’re live!” said a voice.

Katie rushed back into her seat with a bony crack of her neck.

“Welcome back!”

Charlie sat in a chair next to her.

“So, Charlotte…”

“It’s Charlie,” she squeaked.

“Whatever,” Katie dismissed. She took a frustrated breath and clicked her red pen in her hoof. “Tell us about this new passion project you’ve been insistently pestering our news station about!”

“Well…” Charlie cleared her throat. She looked nervously at the monstrous crew in front of her. Vaggie encouraged her to go on.

Charlie took a deep breath.

“As most of you know, I was born here in Tartarus, and growing up, I’ve always tried to see the good in everything around me.”

Katie clicked her pen impatiently. She spotted a green caterpillar and stabbed it with her pen with a predatory grin. Ink splattered on Charlie’s face and around the area.

Charlie continued, wiping off the dark pink ink from her face: “Tartarus is my home and you are my subjects. We…”

Vaggie waved with a smile.

“…we just went through another imprisoning. We lost so many souls, and it breaks my heart to see my subjects being locked up every year. And no one is even given a chance!”

Charlie banged her hoof on the desk, waking Katie from a bored drooling daze.

Charlie made her way forward. “I can’t stand idly by while the place I live is subjected to such violence and punishment! So, I’ve been thinking. Isn’t there a more humane way to hinder overpopulation and crime here in Tartarus? Perhaps we can create an alternative way to change souls through���redemption?”

Charlie pulled a buff red pony into a side hug. “Well, I think yes. So that’s what this project aims to achieve!” She ran back to the desk.

“Fillies and gentlecolts, I’m opening the first of its kind! A hotel that rehabilitates sinners!”

 The audience stared in stunned silence.

 A bloodstained logo “Radio Hack” was displayed above a window which provided a stack of dozens of TVs inside.

In a bar, dark demon ponies wearing cowboy hats were playing pool, not even paying attention. The lead stallion wore a cloth over his grinning face and had a large barrel gun for an arm. His colt friend looked like a demonic bug, and another looked like a mustached villain from an old film. Meanwhile in a bar, purple and blue dragon-like ponies sat and drank while casually watching the TVs overhead.

Charlie stuttered, “Ya know…’Cause hotels are for every pony passing through…temporarily…”

A tattooed dark blue stallion demon stood up and let out a loud laugh.

“Is this filly for real? She thinks, you hear what she thinks? She…heh, heh, heh, oh she’s nuts.” The pony walked away with a small lavender creature and a tall maroon horse wearing punk rock clothing and crazy neon hair.

Charlie added, “I figure it would serve a purpose…a place work toward redemption!”

She weakly added in a Fluttershy voice, “Yay.”

 One pony leaped away as a tall shadowy figure stood in the background…

The figure stood right next to a ratted flier which read “Beware him! Do not fuck with him!” “The Radio Pony” was scrawled in white on ponies screaming and fleeing from a monster with antlers overhead. A nearby flier read, “Discord vs the Radio Pony, tonight at 7!”

The stallion smiled and tilted his head a notch as he watched the TV with curiosity and amusement. His shadow pony next to him briefly morphed into a shadowy face with antlers on top. He spotted the fliers out of the corner of his red eyes, holding in a laugh.

“Who, me? ‘Obviously’ not! I’d never put on a show and make other ponies flee to their graves.”

Just the thought of it got him excited.

 He had heard of the pony princess before, but he wasn’t expecting her to appear on TV. He certainly never heard of an idea so crazy before. Getting ponies and creatures out of Tartarus and redeeming them was even less likely than making pigs fly (which was one magic trick he could do on occasion).

When Charlie started to sing, the red eyed pony couldn’t help but tap his cloven hooves and silently hum along.

 Befriending the princess, and doing something different seemed like a good idea. He glanced over at a faraway hotel building.

He knew where he would go next.

  Back at the news station, a camera pony with blue hair and a white face looked up and scoffed, “Stupid bitch.”

Vaggie punched him hard in the face in response, causing him to fall off the chair to the ground.

Charlie stared around her, concerned. “Look, every single one of you has something good deep down inside. I know you do.”

A light bulb went off into her head. “Maybe I’m not getting through to you…”

Vaggie hoof palmed, knowing what was coming next. “Oh no…”

Charlie stomped her hoof and her bodyguard ponies appeared. One sat and began to play a grand piano.

 Summoning the Disney princess within her, Charlie belted out her song:

  “I have a dream

I’m here to tell

About a wonderful, fantastic new hotel

In Tartarus as well

It will all be well

Catering to a specific clientele”

 Razzle and Dazzle howled along…

The tempo rapidly picked up…

 “Inside of every pony is a rainbow

Inside every sinner is a citizen, bright and silly

Inside of every creepy hatchet-wielding maniac

Is a jolly, happy cupcake-loving colt or filly”

 “We can turn around

They’ll be Equestria-bound!

With just a little time

Down at the Trottin’ Hotel!”

 “So all you junkies, freaks and weirdos

Creepers, fuck-ups, crooks, and zeroes

And the fallen superheroes, help is here!

All of you cretins, sluts and losers

Sexual deviants and boozers

And prescription drug abusers

Need not fear

Forever again

We’ll cure your sin

We’ll make you well

You’ll feel so swell

In Tartarus here, at the Trottin’ Hotel!”

  “There’ll be no more cages

And no more evil schemes

Just puppy dog kisses, and cotton candy dreams

And puffy-wuffy clouds

You’re gonna be like, wow!

Once you check in with me!”

 “So all your cartoon porn addictions

Vegan rants, psychic predictions

Ancient Roman crucifixions

End right here!”

 “All you monsters, thieves and bears

Cannibals and crying mares

Frothing mouthers full of scares

Fill with cheer!”

 “You’ll be complete!

It’ll be so neat!

Our service can’t be beat!

You’ll be on easy street! (Yes!)

Life will be sweet at the Trottin’ Hotel!

Yeah!”

  Throughout the song, Charlie imagined giving a shiny cupcake to a masked killer, holding cotton candy and a brown puppy in her hooves in the clouds…avoiding the attacks of every horror movie serial killer… (Music Logic)

She pictured throwing drugs into a bin of fire, giving shots to monsters, giving money to charity, disturbing porn additions with a bra…

Snatching a “My waifu” porn mag of out a stallion’s hooves…

Knocking over crosses…

Avoiding a scary spider pony with yellow bat wings and pink eyes all over his body…

Giving ponies big hugs…

 Charlie emerging in her horned demon form from a flaming pentagram, her horn lighting up in pink, and jumping with joy in a land full of candy, rainbows, and ice cream.

  Charlie finished with a pose on the table, front hooves in the air and panted.

The top hat pony smiled. “Wow! That was…shit!”

 The crowd burst into rancorous laughter and boos, including a blue pony made of fire in the boo section. Katie shrieked and banged her hoof on the table.

“What in the River Styx makes you think a single denizen of Tartarus would give two shits about becoming a better denizen? You have no proof that this little experiment even works! You want ponies and monsters to be good just…because?”

Charlie lifted up her head. “Well, we have a patron already who believes in our cause, and he’s shown incredible progress!”

“Oh?” Katie asked, leaning in, “…and who might that be?”

“Oh just someone named…Angel Dust.”

“The porn star?” asked Tom Trench in disbelief. He subconsciously unzipped his zipper and Katie whirled on him; “You fucking would, Tom!” Her hooves left dent son the desk.

Katie turned back to Charlie. “In any case, that’s not even an accomplishment. I’m sure you can get that hooker to do anything with enough booger sugar and lube.”

Someone wolf-whistled in the audience.

“Oh, I beg to differ,” Charlie argued, holding up her hoof. “He’s been behaved, clean, and out of trouble for two weeks now.”

 “Breaking news!” announced a voice as music came on. Excited, Katie pushed Charlie aside. “We are receiving word that a new player has entered the ongoing turf war! Let’s go to the live feed!”

To Charlie’s sheer horror, Angel Dust was seen on screen, crushing egg shells and fighting with Cherri Bomb.

“Oh spit,” she breathed.

“Oh spit indeed!” exclaimed Katie with a grin. “It looks like the one who has just joined the battle is none other than…”

She let out a dramatic gasp…”porn actor Angel Dust! What a juicy coincidence!”

The screen showed Angel Dust with the words “Angel Dust in ‘Well, Ok’: 18+.”

Satisfied, she turned back to Charlie. “You must feel really stupid right now.” Katie and Tom laughed again.

“Ratings!” Katie and Tom added with jazz hooves.

“Don’t look at this!” Charlie called, waving her hooves in vain from behind the screen.

“Well, it sure looks like your little project is dead on arrival. Tell us, how does it feel to be such a total failure?”

 Failure. Failure…Charlie could see her doubt reflected in Katie’s pink eyes and overbearing shadowy figure. Katie and everyone laughed and neighed some more, their jeers painful to Charlie’s ears.

“Yeah?” Charlie asked. She snatched up Katie’s red pen with her horn. The pen hovered in the air with pink magic surrounding it. “Well, how does it feel that I got your pen, huh? Snitch!”

Katie glared dangerously. Charlie dropped the pen with a nervous smile, “Oops.”

Katie grew taller, her form turning to shadow. Out sprouted claws, four extra sharp appendages, and four red eyes on her face like a spider. She launched herself at Charlie, hooves raised. Charlie pulled her hair with her mouth and landed punches as the alarm went off in the news room. Katie crawled on the desk on all fours, baring her fangs before Charlie jumped at her and knocked her off the table. Tom Trench got so distressed that his entire body burst into flames.

Charlie ran out of the news room, Katie following her close behind, as everyone yelled.

“And stay out, you retarded spike!” Katie cussed as Charlie made a run for it down the sidewalk on all fours. Charlie was tempted to strangle the homophobic, news diva with her bare hooves…but that would only contradict her goal…if she even had one anymore.

 Vaggie followed her and the two of them didn’t say a word as they waited for their ride. Soon enough, a carriage drawn by red bat horses rolled to the curb. Vaggie and Charlie hopped in…and so did an ecstatic Angel Dust. The doors closed and they drove off toward the Trottin’ Hotel.

 Car Ride to the Hotel

 Charlie had never felt so humiliated in her life. She sat in her seat and curled into herself. Once again, her ideas were dismissed, mocked, ridiculed. No one was willing to see the good in themselves. The ponies and creatures were content to wallow in suffering, violence, and cruelty until the end of their lives. They would be locked up forever, unable to enjoy life on the surface. They’d never know what friendship was. Tears were already threatening to spill from her yellow eyes, but she held them in.

Maybe her father was right. What if she really was a failure, like every pony said?

As if reading her mind, Vaggie gave her a small hug next to her. “You’re not a failure, Charlie. It’s just…no one understands your ideas. The denizens think they’re…I don’t know…outlandish?”

She got a sad sigh from Charlie in response. “I just wanted to make things better for my kingdom. I know I don’t feel much like a princess, but at the same time…I feel like it’s my duty…my destiny to being some cheer to this place.”

“Heh. No one can ever top your optimism,” Vaggie mentioned, with a playful roll of her eyes. “Your happiness can be spotted miles away.”

A small smile formed on Charlie’s face. “Well, at least I can pull myself up and keep going…”

Vaggie stared, hopeful…

“…But today isn’t one of those days.”

Vaggie slumped slightly. “I did warn you not to sing.”

“I couldn’t help it,” she countered. “How else was I supposed to get my message across?”

“Not everyone likes singing and music all the time.”

“My family does.”

“But the other ponies and creatures aren’t your family.”

 Charlie stared out the window at the buildings whizzing by. “Sometimes I feel like my family is bigger than just my parents.” She turned to look at her girlfriend. “You’re my best friend, sorta like my older sister…and the only one who seems to get me. You’re part of my family already.”

Vaggie chuckled softly. “Without me, you wouldn’t have lasted very long out in the big world.”

“For once, I agree with you there,” Charlie replied. “I sure would love to meet Princess Twilight and Princess Celestia and so many others…”

During several minutes of silence, the two mares locked hooves just out of sight. It was their habitual way of showing comfort, and it worked on the many days when Vaggie didn’t want any hugs. The carriage bumped over potholes along the road.

“Don’t get too discouraged,” Vaggie said. “We’ll get back to the hotel and figure things out from there.”

“I kinda feel like singing another lament now.”

“Please don’t.”

“Fine.”

  The carriage wobbled past the 666 Shop, Cozy Glow Fashion Show, the Nightmare Night Club (featuring Nightmare Moon eating other ponies who don’t worship her) the Changling Cave (Chrysalis’ makeover, hand over your soul and turn into one of us. Free green cocoons for customers!)  and Tirek’s Donuts store, complete with slime and worms displayed on the donut structure. Pink eyes decorated the ceiling of the carriage’s interior. Charlie curled into herself again, and took a breath. Even the painted eyes on the small cloth ceiling seemed to judge her every move. She glanced over at Vaggie, whose eye was twitching in annoyance.

Angel Dust was busy blowing raspberries out the window. He froze when he saw an angry Vaggie staring at him.

“What?” he asked with a shrug.

“What? What?!” Vaggie shouted, pulling out chunks of her long white hair with her hooves. “What were you doing?!”

Angel sighed. “I owed my filly buddy a solid! Isn’t that a “redeeming quality?” Helping friends with stuff?”

“Not with turf wars that result in territorial genocide!”

“Eh, you win some, you lose a few hundred,” he said with a snicker. “It wasn’t that bad anyway.”

He blew raspberries again. Vaggie threw a dagger that nestled in the side of the wall. Angel stared, shocked and terrified. Vaggie growled in warning.

“Aw come on, I had to!” Angel protested. “My credibility was on the line!” He sighed. “I mean what kind of reputation would I have if every pony found out I was trying to go clean? It just throws out my entire persona.” He lifted up his furry chest.

“Your credibility?” Vaggie asked in anger. “What about the hotel? Your little stunt made us look like a bucking joke!”

“No, no no, babe. Jokes are funny! I made you look…uh, sad. And pathetic! Uh…oh with progeria!” Charlie covered her face with her mane as Angel blabbered on.

“Great! Now I’m bummed thinking about it! This thing have any liquor?” He bent down to the floor and tossed a bottle aside. He then flicked a wrapper away onto a wooden seat.

Vaggie was fuming. “Can you please just try to take this seriously?”

“Fine, I’ll try. Just don’t get your taco in a twist, baby.”

“Was that you trying to be sexist or racist?”

“Whatever pisses you off more. Is there seriously no liquor in here?”

“I’m gonna kill him,” Vaggie swore, flicking her tail and sitting back down.

“Too, late, toots.”

He laughed again. “Sorry, you’re stuck with me, bitch. Get used to it.”

Vaggie swore in Spanish.

“Listen, who cares if some jagoffs got hurt?” Angel nonchalantly asked. “Most of them are ugly freaks. Look around! Got a bunch of buckin’ harlequin babies down there.”

“You’re one to talk,” Vaggie muttered.

Angel laughed then yelled “Hey!” in protest. “This body is flawless! Everyone wants some of me and I’ve got the creepy fan letters to prove it!”

He pulled out a dirty scroll from his enlarged furry chest that read: “Show me your hooves! Bryrin. #1 fan/critic.” There was a picture of a young angel in the lap of a large gray Stallion, licking Angel with his green tongue. He had a tattoo of Angel with a red crossed out sign.

This time, Charlie spoke up. “That was really uncool, y’know, Angel.”

Vaggie growled and turned to her friend. “Uncool?!” She mentioned to Angel. “After that train-wreck, there is no way anyone is gonna wanna stay at the hotel. All thanks to you and your selfish horsespit!”

Angel glanced at a discarded pile of ash and used cigarettes. “Does this mean I don’t get a free room anymore?”

Vaggie spread out her hooves as if asking “Well, what do you think?”

He let out a mock sigh. “Ah, well, shucks.”

Charlie pulled off her dark pink shirt, revealing a white shirt with a black bowtie.

“Hey, come on, we don’t know if things are over yet. Try to relax, Vaggie. It’ll be okay!”

Now it was Vaggie’s turn to let out a small smile of thanks. Charlie placed a comforting hoof on her shoulder, and her friend calmed down.

“What would I do without you?” Vaggie asked. She and Charlie slowly leaned into each other, their heads gently touching.

“Get a room, fillies!” Angel remarked, before receiving a “Shut up!” from both of them.

 Finally, the deviant crew arrived at the Trottin’ Hotel. It was an elegant building fit for any pony who wanted to stay a few nights. Eye designs lined the border of a dark pink canopy at the front like a creepy mosaic. Branches jutted out from the roof as part of the structure. Old fashioned lanterns attached to the wall had flames flickering inside, nonstop. The double doors consisted of stained glass windows with red apples in the center. Little stained glass snake eyes peered unblinkingly at them from around the larger window in the door.

 Angel, Vaggie, and Charlie got out of the carriage and threw open the double doors. A random black bug scurried away from the incoming light. A yellow sign read “Concierge” behind a pink “welcome” banner. The check in table was decorated with colored flags leaning toward the floor and random balloons with small star shapes on them. A vase was decorated with yellow eyes along the sides. Another flower pot was in the shape of a horse mouth…white flowers posed above. Vaggie sighed and plopped onto a red cushioned couch in the style of a monster’s mouth.

The red rug down the hallway was decorated with the same eyeball designs, apples on the end, plus shadow skulls of horned monsters in the center.

All around the room, were pictures of Charlie as a little filly with her father and mother on various trips.

 Angel Dust came across a red fridge leaning low against the wall. He opened the door and pulled out a purple box labeled “Popsies.” He shrugged at the dripping ruined box and took out a popsicle. He gave it a lick, talking with his mouth full.

“It’s prolly a good idea to get some actual food in this place. Y’know, to feed all the wayward prisoners ya got in here.” He laughed nervously, trying to cheer Charlie up. But Charlie just sat sadly on a wooden box in a darkened area of the room. Angel closed the fridge door, sucked on a popsicle and reached out one of his hooves to her…then hesitated. He walked away, letting her have some alone time.

Charlie walked past the two posing elephant statues balancing balls on their trunks, and toward the front door. She opened the door and went outside. She conjured up an old phone and dialed her mom’s number.

Charlie took a deep breath as a voicemail tone came through.

“Hey Mom. Um, I know I keep calling, and you must be busy. Really busy. But, um…the interview didn’t go well and…I don’t know if I’m going to make a difference. I don’t know what I’m doing. I could really use some advice, Mom.”

She slid down and sat on the stone ground, tears falling from her eyes. “I think Dad was right about me. A-anyway, I’ll stop talking before this gets long. Love you! Bye.”

She ended the call with a tap and rubbed her eyes with her hoof. Standing back up on all fours, she opened the door, closed it, and leaned against the stained glass window, eyes closed.

      Enter Alastor (and Sir Stallionus)

 A slow ominous knocking from outside interrupted Charlie’s thoughts. She opened her eyes. It was a rhythmic knock, sounding like “shave and a haircut.” (Or was it “skunks in a barnyard”, or “dragons in a cauldron?” She wasn’t sure.

   From outside, Gabriel C. Brown’s voice sang a haunting song out of nowhere as jazz music played:

 “I’m not a fan of puppeteers but I have a nagging fear

Someone else is pulling at the strings

Something terrible is going down

Through the entire town

Wreaking anarchy and all it brings…”

    An ice cold feeling of dread spread through her veins. No pony else would ever do that kind of knock.

 “I can’t sit idly, No I can’t move at all…”

 Unless…

 “I curse the name, the one behind it all…”

 She tentatively reached out her hoof to the door handle, and quickly pulled it open.

 Sure enough, the most feared pony in Tartarus was standing right outside her door.

He wore dark red dress pants, a red dress shirt along with a dark red pinstriped coat underneath. His shoes were black with red hoof prints on the sides. The two black lines in the center of his dress shirt looked like an upside down cross.

His coat was gray and his large eyes were red. He had a gray unicorn horn in between dark black antlers from his head. His mane and tail were black and red. A monocle attached to a chain was positioned under his right eye. His cutie mark was a microphone bearing a grin of sharp teeth. But his own grin of sharp yellow teeth was the most fearsome of all.

A vintage microphone staff appeared next to him in red aura, his horn glowing red.

 Charlie’s face morphed into sheer terror, eyes wide as saucers.

 “Alastor! You’re broadcasting on the air…”

 Eyes glowing red, the stallion began to speak.

“Hell…”

She slammed the door in his face.

Opened the door…

“…o.”

Slammed it again.

 “…and stealing all the souls, magic mayhem everywhere…”

 Alastor stood, shocked in front of the stained glass door, smile still plastered on his face, hoof in the air.

 “Well… that was…rude,” he thought. “Usually ponies and creatures are too sacred to answer when I come by. Or they rush to try and please me because they know I could slaughter them at any time. I’ll just wait here then…or maybe break this door down…”

  “I’m fine with the smiles and the dancing around

But not with being bound

Now that Hell is being torn apart

A terrifying world of stress

Caused by your demonic mess

As you sing we’re never fully dressed!”

 “Hey, Vaggie?” Charlie called.

“What?” Vaggie replied in annoyance.

Charlie flashed a nervous smile. “The Radio Pony is at the door!”

“What?!” she demanded.

“Uh, who?” Angel asked. He sucked erotically on his popsicle.

“What should I do?” she asked, pulling at her lower eyelids.

“Well, don’t let him in!” said Vaggie.

 The strange singing continued.

“Alastor! Whatever did we do

To make you take our world away?”

Alastor! Are we your prey alone?

Or are we just a stepping stone for taking back the throne?

Alastor! We won’t take it anymore

So take your tyranny away!”

 Charlie was tempted to do just that. But she also had a duty to not leave any sinners behind. She took a breath and opened the door again.

“May I speak now?” the stallion asked. The song appeared to be coming from his microphone staff.

“You may…” Charlie replied.

  The man held out his gray hoof. “Alastor, pleasure to be meeting you, sweetheart, quite a pleasure.”

He eagerly grabbed her white hoof and leaned his face close to hers before strutting inside. Charlie stood, dumbfounded, her hoof still out. The music stopped playing.

“Excuse my sudden visit,” he went on, “but I saw your fiasco on a picture show and I just couldn’t resist. What a performance! Why I haven’t been that entertained since the Siren sisters sang their songs of doom!”

He bobbed his head side to side and burst into laughter. “So many arguments!”

Vaggie suddenly pointed a spear weapon at him. “Stop right there!” She swore in Spanish under her breath. (Son of a deranged mare!) I know your game. And I’m not gonna let you hurt anyone here, you pompous, cheesy, talk show spitlord!”

Angel peeked around the corner to see what was going on.

Alastor merely laughed slightly and nudged the weapon away with his fingers.

“Dear, if I wanted to hurt anyone here…”

He added in a low creepy tone, “I would have done so already.”

His large red eyes briefly turned to red radio dials and radio static filled the room. He tilted his head slightly, letting his chaotic magic roam. Red electricity traveled around his horn. Vaggie and Charlie were frozen in fear as they caught glimpses of red Voodoo symbols, static, and warped reality.

Then just as quickly, the noise and magic ceased and Alastor shook his head, eyes back to full red.

“No, I’m here because I want to help!” He bowed.

Charlie was sure she hadn’t heard him right.

“Say what now?” she asked, eyebrows raised.

“Help!” he responded with another laugh. His staff hovered in the air by his magic. “Hello? Is this thing on? Testing, testing…”

He tapped it and a glowing red eye appeared in the center. “Well, I heard you loud and clear!” the microphone responded, eye shaking in fear.

“Um…you want to help?” Charlie asked.

 Alastor appeared behind the mares, hooves on their backs, switching from a shadow to his regular self. Both Vaggie and Charlie flinched.

“With…” he mentioned in an imitation of Charlie’s voice,

“…this ridiculous thing you’re trying to do!” finishing in his normal voice. “This hotel!”

Charlie could hear the call bell ding twice on the table, even though no one was there to ring it.

“I want to help you run it.”

“Uh…why?” Charlie asked, confused.

Alastor laughed again. “Why does anyone do anything? Sheer absolute boredom! I’ve lacked inspiration for decades!”

He placed his hoof on an annoyed Vaggie’s head. Then he shoved her aside.

“My work became mundane, lacking focus, aimless! I’ve come to crave a new form of entertainment!”

He laughed again.

Charlie looked downcast. “Does getting into a fight with a reporter count as entertainment?”

“It’s the purest kind, my dear! Reality! True passion! After all, the world is a stage! And the stage is a world of entertainment!”

Charlie brightened a bit. “So, does this mean that you think it’s possible to rehabilitate a pony or a creature?”

Alastor help up a hoof and laughed. “Of course not. That’s wacky nonsense! Redemption, oh it’s non-existent! Nononono, I don’t think there’s anything left that could save such loathsome monsters! The chance given was the life they lived before in Equestria; the punishment is this!” He spread out his hooves. “There is no undoing what is done!”

“So then, why do you want to help me if you don’t believe in my cause?” Charlie asked.

Alastor smirked and looked at Charlie, sideways. “Consider it an investment in ongoing entertainment for myself!” He pulled her close to him with his hoof and twirled her around in a quick dance. “I want to watch the scum of the world struggle to climb up the hill of betterment! Only to repeatedly trip and tumble down to the fiery pit of failure.”

“Right…” Charlie began, slowly removing his hoof from her back.

Alastor took her aside for a walk. “Yes indeedy! I see big things coming your way, and who better to help than I.”

 “Ah, so uh, what’s the deal with Smiles over there?” Angel asked Vaggie.

“Wait, you’ve never heard of him before?” Vaggie asked. “You’ve been here longer than me!”

Angel shrugged.

“The Radio Pony, one of the most powerful beings Tartarus has ever seen?”

“Eh, not big on politics,” he replied.

Vaggie, annoyed, leaned in close to explain.

“Decades ago, Alastor manifested in Tartarus, seemingly overnight. He began to topple overlords, dragons, centaurs, and other creatures who had been dominant for centuries. That kind of raw power has never been harnessed by a mortal soul before. Then, he broadcast his carnage all throughout Tartarus, just so everyone could witness his ability. Sinners started calling him The Radio Pony. (As lazy as that is). Not even Discord himself could imagine how chaotic Alastor could be. Many have speculated what unimaginable force enabled him to rival our world’s most ancient and destructive evils. But one thing’s for sure: He’s an unpredictable source of danger, a wicked spirit of mystery, and a violent monster of chaos, the likes of which we can’t risk getting involved with unless we want to end up erased.”

“Ya done?” Angel asked with a snicker. “He looks like a strawberry pimp!”

“Well, I don’t trust him!” Vaggie argued.

To be fair, do you trust any Stallions? Colts? Any pony who’s male?” Angel asked with a slight laugh.

Vaggie ignored him and walked up to her friend.

“Charlie, listen to me. You just can’t believe this creep! He isn’t just a happy face! He’s a dealmaker, pure evil! He can’t be redeemed! And is most likely looking for a way to destroy everything we’re trying to do.”

“I…” Charlie began. “…we don’t know that. Look…I know he’s bad, and I know he probably doesn’t wanna change, but the whole point of this is to give every pony a chance! To have faith things will be better! How can I turn someone away? I can’t. It goes against everything I’m trying to do. Everything I believe in.”

Alastor stared in fascination at a family picture on the wall. It showed a white alicorn pony Lucifer dressed in white, a mare, Lilith in a dark purple dress, and Charlie as a little filly wearing a brown and white dress in the middle. The picture border consisted of branches and yellow eyeballs and a dried rose in the upper right hand corner.

 “Such a lovely portrait! A picture of perfection! It’d be such a shame if something awful were to happen to them…”

 “Just trust me,” Charlie added placing a comforting hoof on her girlfriend’s back. “I can take care of myself.”

Charlie,” warned Vaggie, “Whatever you do, do not make a deal with him!”

From a distance, Alastor held out his hoof, glowing in red magic. Both girls glanced in his direction, worry on their faces.

 “I’ll have these two in the palm of my hooves…”

 “Don’t worry, Charlie replied to Vaggie. “I picked up one thing from my Dad…” she spoke in a manly voice, “Ya don’t take shit from other ponies!”

Gathering her courage, Charlie marched over to the Radio Pony.

“Ok, so…Al. You’re sketchy as fuck, and you clearly see what I’m trying to do here is a joke. But I don’t.”

Red Voodoo symbols appeared around Alastor, then vanished.

Charlie continued. “I think everyone deserves a chance to prove they can be better. So, I’m taking your offer to help. On the condition that there be no tricks or voodoo strings attached.”

Alastor twirled his cane with his magic and held out his hoof. “So it’s a deal then?”

Flashes of eerie green light surrounded him, electricity snaking up the walls.

“Nope!” Charlie yelled, stepping back. The energy stopped. “No shaking! No deals! I…hmm…”

Charlie decided to try another approach.

“As princess of Tartarus, and heir to the throne, I uh, hereby order that you help with this hotel, for a long as you desire.”

A moment of pause…

“Sound fair?” she asked.

“Fair enough. Cool beans.” Alastor shrugged, walking on and making his cane disappear. Charlie breathed a sigh of relief.

Alastor stopped and spotted Vaggie off to the side. He smirked in a way outside observers would describe as lecherous. He tickled her under her chin with his hoof.

“Smile, my dear! You know you’re never fully dressed without one!”

Alastor hummed happily on his way, while Vaggie growled in disgust and rage.

“So…where is your hotel staff?” Alastor asked.

“Uh, well…” Charlie began. Alastor peered at Vaggie through his monocle. “Oh ho ho ho, you’re going to need more than that.”

He walked over towards Angel.

“And what can you do, my effeminate fellow?”

Angel grinned. “I can suck your dick!”

“Ha! No.” Alastor deadpanned.

“Your loss,” Angel said with a slight laugh. Alastor summoned his cane.

“Well, this just won’t do!” Alastor exclaimed. “I suppose I can cash in a few favors to liven things up!”

 The spell came easily in his mind: “dife sèvitè, reveye.”

  He stomped his hoof and his horn glowed red. A fire sparked to life in a small circular fireplace. Horse skeletons decorated either side of the wall.

A dark figure plopped down onto the chimney floor.

Alastor walked over and lifted up the creature in a cloud of red magic. A large single yellow eye was revealed. Angel, Vaggie, and Charlie peered at the creature. In a puff of smoke and a squeak, the creature revealed herself. A cute cyclops filly was wearing a pink dress with a poodle on the front, her short wide hair dark magenta with a streak of yellow. Her coat was light yellow and she even had little Pegasus wings at her sides.

“This little darling is Niffty!” Alastor introduced, before dropping her. She landed on her hooves.

“Hi! I’m Niffty!” she greeted with a wave. “It’s nice to meet you! It’s been a while since I’ve made new friends!” She laughed slightly and her pupil grew smaller, darting in circles.

“Why are you all women?” she asked. “Have any men here?! I’m sorry, that’s rude.” She missed the fact that Angel was male, for obvious reasons.

She briefly picked up Charlie, while Vaggie held her spear defensively at her.

“Oh man, this place is filthy!” she exclaimed, flying around and lifting up couch cushions. “It really needs a lady’s touch, which is weird, because you’re all ladies, no offence.” She chewed on a black spider she found, then rushed toward some stained glass windows.

She flew around, using a dust ruffle to clean them. “Oh my Celestia, this is awful! No, no, no…Nope!”

She raced around, removing cobwebs, then poking at a piece of a voodoo doll. Well, it was actually a live blue beetle doll that Alastor had stabbed with a clothing pin for Niffty to play with. Alastor looked amused, while the others stared in disbelief.

  Meanwhile, at a casino, a pony placed a joker, an ace, a 2, and a fourth card down on the table. He had a black and white coat, wore a black top hat and had red wings with card suits decorated on them. He also had long red eyebrows and wore a red bow tie.

“Ha!” he declared in triumph. “Read ‘em and weep, colts!”

He suddenly felt himself being forcefully pulled out of the room through space and time.

“Full…whoa!”

 “Transpòte ganbadeur la.”

 He ducked as a curtain of red energy surrounded the existing space. Voodoo symbols flashed in the background along with eight yellow eyes, a creepy voodoo skull and a purple skeleton of a worm-like creature. Another voodoo skull with horns appeared for a moment not too far from tan ghost-like spirits with creepy faces and a row of jagged teeth.

 The pony figured he must have had too much booze to drink.

 “What the hay?!”

As the images faded, he soon found himself at the hotel bar, not in the previous room at the casino. A large “Come and play Blackjack” sign took up much of the wall behind him. Most peculiar, the gray wood walls were missing halfway up, replaced by the red themed décor of the hotel. Husk was sitting in a portion of the casino he was in. It felt like he was in a house with no roof surrounded by the outside world.

 “What the buck is this?”

He saw Alastor and pointed an accusing hoof.

“You.”

“Ah, Husker, my good friend!” Alastor cheerfully greeted. “Glad you could make it!”

Alastor’s head briefly had the appearance of large antlers sticking out from either side. When he moved it, it was revealed to be an antler skull with glowing green eyes hanging in the background. Snakes were wrapped around one of the white curtains supporting a bar stand. “Big Booze,” “Welcome” and “Big Soul” signs were placed overhead on the stand. Neon green card suits consisted of the designs at the bottom of the stand.

“Don’t you “Husker” me, you son of a bitch!” Husk spat, and swiped Alastor’s hoof aside from his shoulder. “I was about to win the whole damn pot!”

Husk stared in anger as the stacks of money and chips on the table vanished in static.

“Good to see you too!” added Alastor.

Husk hoof palmed. “What the hay do you want with me this time?”

Alastor grabbed hold of him, startling him so much that cards fell from his hands.

“My friend, I am doing some charity work, so I took it upon myself to volunteer your services! I hope that’s okay.”

Husk was taken aback. “Are you spittin’ me?!”

“No, I don’t think so,” Alastor replied. He casually brushed off his sleeves.

Husk shoved the Radio Pony off him. “You thought it would be some kind of big buckin’ riot just to pull me outta nowhere? You think I’m some kinda buckin’ clown?”

“Maybe.”

Audience laughter emitted from the microphone.

“I ain’t doin’ no buckin’ charity job,” Husk protested.

Alastor appeared next to him. “Well I figured you would be the perfect face to man the front desk of this fine establishment.”

He pointed toward the bar stand with the staff. The sound of audience clapping came from his radio staff.

“With your charming smile and welcoming energy…”

Alastor spread the corners of Husk’s mouth upward into a demonic smile of yellow teeth with his hooves. Husk frowned seconds after he let go.

“…this job was made for you!”

Alastor strutted over toward the bar stand, the soles of his shoes revealing red hoof prints as he walked.

“Don’t worry, my friend,” Alastor continued, “I can make this more welcoming…if you wish.”

His horn glowed red and a green mug of cheap cider appeared on the counter.

Husk stared with wide eyes, suddenly very thirsty. He swore he could hear the sound of a slot machine.

“What, you think you can buy me with a wink and some cheap cider?!” He took the mug in anger. “Well you can!”

He immediately guzzled it down and clopped away.

 “Too easy,” thought Alastor.

 By this time, Charlie, Vaggie and Angel Dust had arrived to see what the commotion was about. Vaggie rushed toward the bar, furious.

“Hey, hey, hey, hey!” yelled the mare. “No, no bar, no alcohol. This is supposed to be a place that discourages sin! Not some kind of…mouth, brothel, colt-cave…”

Angel lunged himself into her, knocking her to the floor.

“Shut up! Shut! Up! We are keeping this.” He pointed at Husk with multiple gloved hooves.

He slid up to Husk. “Hey,” he said in a flirtatious voice.

“Go buck yourself,” Husk deadpanned, drinking his cider.

“Only if you watch me,” Angel retorted.

To make matters worse for Husk, Charlie leaned in close to him, excitement and red stars in her eyes.

“Oh my Celestia! Welcome to the Trottin’ Hotel! You are going to love it here!”

“I lost the ability to love years ago,” Husk replied, gulping down more cider.

Alastor walked in, an ever-present grin on his face.

“So, what do you think?”

Charlie ran over to him. “This is amazing!” she beamed.

“It’s okay,” Vaggie said from nearby.

 Alastor laughed and pulled the two mares close to him. “This is going to be very entertaining!”

  Alastor conjured fire in his hoof…Charlie stared in wonder at the flames and the voodoo symbols. He pushed Vaggie aside and changed his attire. He now wore a fancy red suit with a white undershirt and a black bow tie. A red top hat appeared on his head, complete with small spikes along the black band and two needles sticking out from the top. He twirled Charlie around in a dance, the princess looking stunned. Pointing his hoof over her head, he transformed Charlie’s outfit. Her blonde hair was now short and wavy. She wore an elegant black and red dress, black gloves, a pink hat with a small black bow and black heels.

 Charlie stared at her conjured clothing in amazement.

Vaggie was on the floor, fuming.

Alastor lifted Charlie up with red magic and threw her into the air. She yelped in delight and landed gracefully next to him. Two glowing apples and a skull with deer horns flashed in the background.

Reality had been altered to the Radio Pony’s liking. The entire room was lit in psychedelic colors. Voodoo symbols and shapes were etched in every nook and cranny, including a pair of pink claws reaching for the door. Alastor and Charlie waltzed in the spotlight as electro swing music began to play in the distance. The all-encompassing noise, though, was the signature radio-static sound.

 Alastor sang his reprise to Charlie:

“You have a dream

You wish to say

And it’s so laughable

But hey kid, what the hay! “

 Charlie found herself sliding down one of the apple-etched railings, Alastor leading the way. They landed on the lower floor as Alastor continued his reprise.

Deer statues and painted antlers were everywhere.

Back at the bar stand, Husk sat looking bored. Vaggie hissed at Angel grabbing onto her, while Niffty stared in wonder. Alastor’s horn sparked and their outfits changed as well.

Angel was wearing a neon pink suit, Husk a pink bow tie, Vaggie a dark dress, with her mane now smooth and long, and finally Niffty, with a cute top hat with small flowers.

 “‘Cause you’re one of a kind

A charming pony belle!

Now let’s give these burning fools a place to dwell

(Take it, colts!)”

   Shadowy ponies rose to life from a hole in the ground. The happy spirits played a trumpet, a tuba, and a drum set. Charlie stomped her hooves to the beat, while Vaggie watched with worry. She reached out to her friend but was pulled away by Alastor. He enveloped the group into a tight hug, followed by glowing images of dark spirits staring at them. Niffty watched in amazement, but not the other three.

Alastor pulled Husk and Angel close again. He rubbed Angel’s head with a white hat and went on his merry way. Husk mouthed “buck you.”

Vaggie stood, annoyed in the spotlight. Using his cane, Alastor added a feathered peacock hat and a white fox fur to her outfit. Then out of nowhere, he slapped her flank.

“Pompous pervert!” Vaggie thought in rage as he wondered away.

Alastor danced some more, kicking a horned skull to the side. In the background, Niffy happily swept up the bits of bone.

 “Inside of every pony is a lost cause

But we’ll dress ‘em up now with just a smile!

(With a smile!)

And we’ll chlorinate this cesspool

With some old redemption flair

And show these simpletons some proper class and style!

(What’s in style? Oh!)”

 He made his way to the circular fireplace, where he waved his staff. Shadows arrived to join the party, including a shadowy version of himself, with large antlers, a mane of hair, and fangs. He made it disappear in a poof, then snuck toward Charlie. He led her in an upbeat dance, spinning her around, helping her match her steps to his. Charlie blushed when he toyed with her cheeks. As Charlie was led away, Vaggie stood in the background, horrified and disgusted. What was happening to her friend?

Charlie and Alastor laughed as they danced, the princess locked in a happy trance.

 “Here below the ground

I’m sure you’re plan is sound!

They’ll spend a little time

Down at this Rottin’ Ho…”

  Alastor was about to finish his song, when an explosion burst apart a window behind him.

  Niffty stared in amazement, shouting “Whoo!” before she was blasted backwards, the door hitting her in the face.

 Alastor’s spell soon wore off and everyone was back in their regular clothes. Alastor, Husk (still drinking), Niffty, Charlie, Angel, and Vaggie, peered out of the hole to see what was going on. Vaggie had her weapon at the ready.

 Looking skyward, the group saw a cracked blimp in the air. It had a small random band aid with a sad face on it along the rim. A familiar villain popped out of his hideout.

“Ha!” Sir Stallionous laughed. “Well, well, well, look who it is harboring the striped freak! We meet again, Alastor!”

Apparently, he was also rivals with Alastor.

But Alastor simply asked, “Do I know you?”

The pony boss looked disappointed. Then he said in anger, “Oh yes you do! And this time, I have the element of…surprise!”

The villain raced toward his pink velvet chair and pulled a lever. A metallic cannon lowered to the ground. The cannon fired up with pink energy as pink smoke appeared around them.

“He laughed manically. “I’m so evil!”

Then he added, “I have an Egg army!”

 “Well, we have an Alastor,” Charlie responded.

 Alastor’s horn shot out red light and bursts of magic red tendrils of smoke rising from his horn. The weapon froze in mid fire and a fiery portal opened up below the blimp.

 A horde of black tendrils rose from the hole, latching onto the ship. One tentacle ripped off the cannon and threw it into another smaller portal, causing it to explode in pink smoke. One of the tentacles had already smashed a hole in the large round window.

Sir Stallionous looked on in shock as his Egg Colts slammed against the wall (one of them read #Ouch.) One of the eggs cracked open, spilling out yellowish brains and small organs among the stains of yok. Sir Stallionous and another minion were thrown against the wall.

“Whoa, whoa, whoa!” he screamed before he was slammed against the ceiling by a black limb.

“Oh, that hurt!” he cried.

Sir Stallionous screamed as he was dragged along the floor and lifted up slightly. He was held in place, surrounded by the wrapped up tendril. At once, the tendril shrunk and squeezed the helpless snake. The Egg Colts galloped around screaming as black cracks appeared on the floor and walls.

From the outside, more black tendrils were closing in. Red voodoo symbols appeared around the blimp.

 “Ede m 'sèrviteur.”

Four horned shadowy ponies with red auras floated around, wearing toothy grins.

 The tendrils were now wrapped around the entire blimp, holding it in place like thick black vines.

 Red radio waves filled Alastor’s eyes as more magic shot from his horn. Voodoo symbols appeared all around him as he altered the state of reality. Radio static consumed the air.

The vines thickened and completely enclosed the blimp. The spirits swooped around it in excitement, with echoing shrieks. The aura around the tendrils glowed a fiery yellow, the same color as the portal rim.

 “Kalfu! Destriksyon pa bra nwa.”

 The tendrils proceeded to crush the blimp. Pink rays of light shot from the center and the blimp exploded in a loud BOOM!

Pink smoke spread everywhere as the spirits sped away. The tendrils broke into severed bloody pieces that rained down to the ground. Alastor smiled victoriously, while behind them, the group of five stared in utter terror and shock. (Save for Niffty who had a small smile on her face).

 “Well, I’m starved!” Alastor exclaimed, turning around to face the group. Who wants some jambalaya?” He spread his hooves out. “My mother once showed me a wonderful recipe for jambalaya! In fact, it nearly killed her! Straight from New Horseleans!”

He laughed as he led the way back to the hotel. The others followed.

“You could say the kick was right out of Tartarus!”

He added while laughing at his own joke, “Oh, I’m on a roll!”

Charlie and Niffty smiled while Husk, Angel, and Vaggie looked on with concern. Angel blew Husk a kiss, which earned the druggie demon a glare from the gambler. Charlie turned to Vaggie excitedly. Vaggie reluctantly went along with Charlie’s idea, even giving her a small supporting smile. As long as Charlie was happy, then she was alright, too.

From up above, the hotel looked like a mashed-up haunted house. An old dark train was perched on a balcony, with some monstrous faces carved in. A ship, reminiscent of the Titanic, was leaning upwards against the building as part of the structure. An old carousel served as part of the upper balcony and windows. Skull designs decorated the small windows in a row. Finally, on top of a giant yellow eye, was the sign “Trottin’ Hotel” supported by pillars of worn wood.  

Alastor continued, “Yes, sir, this is the start of some real changes down here! The game is set! Now…”

 He glanced up and aimed his horn toward the sign. Pink electricity shot out and made contact with the sign.

The sign now read “Rottin’ Hotel.”

 “Stay tuned everypony,” he finished with a low sinister laugh.

 Back at the crater, smoke took the faces of monsters and rose into the air. Broken egg minions littered the ground. One minion rubbed his head. With a shaking arm, Sir Stallionous lifted himself up from the gaping hole, fangs shattered.

“Now will you shoot me with your ray gun?” asked the minion.

Sir Stallionous face-planted on the ground in response.

[johnjankovic1]

MASON-DIXON 2.0

The open revolt at the behest of Middle America against Wall Street’s day-traders and Silicon Valley’s coders was symptomatic of the brinkmanship across the political spectrum by Democrats and Republicans over many decades. The bipartisanship shown for indexes like the Dow Jones or the S&P 500 and its casual disregard for the tinderbox of America’s Rust-Belt between its unemployment and low wages as open immigration flood the labour market would together inaugurate Donald John Trump who himself became a kind of canary in the coal mine for the Brexit referendum and the West. To confound the measure of GDP with good governance was then shown to be a form of illiteracy for the income inequality, deindustrialization, and poverty rates of a country, nor was it right for demagogues of globalization to confuse less immigration with racist or nativist policy if it adds to wage growth by tightening labour markets. Because Washington DC is among the wealthiest zip-codes according to the US Census Bureau its insularity left it oblivious to the economic insecurities of ordinary Americans. Because the ruling-class is the paragon of dumb they thrashed about the epithet of white-nationalism to explain away populist ideas. Lost on the Establishment was how its own theology of neoliberal-economics was what stoked the ire of people.

Unless capitalism is under the ward of a competent watchman then it appears society will break as economics and culture are so often indivisible. This old wisdom recalls the 1861 Civil War which, like today’s redux feud, followed from manufacturers in the North and farmers to the South. Progressivism north of the Mason-Dixon Line in antebellum America was just and good in its cause to emancipate the Black race whose free labour enriched southern plantations. Ironically these roles of right and wrong between industries have flipped in today’s secularism of the coastal elite and the heartland: (1) Bank of America cut credit to gunsmiths in breach of their 2nd Amendment rights; (2) Delta Airline ceased discounts to law-abiding gun owners; (3) Procter & Gamble in its lunacy removed the Venus symbol from the livery of its tampons as transexuals now menstruate; (4) International airports banned the Christian eatery Chick-fil-A; (5) Nike monetized hatred for America’s flag; (6) Big-Tech deplatformed conservatives; (7) Gillette assailed men for their ‘toxic-masculinity’; (8) Goldman-Sachs divested from oil and gas; (9) Walmart added pronoun buttons of ‘he-she-they’ to store uniforms in conformity with new gender theories, etc. This cultural clash issues from a species of economic globalization that erases Christianity while it serves to belittle those who farm the nation’s breadbasket or who send their sons to die in wars like Afghanistan and Iraq.

While these same ideologues of the Washington Consensus from corporate America sneered at the country’s interior, unbeknownst to them was how their own cosmopolitan truths were being cannibalized. If Trumponomics is indeed the prejudice of white voters what explains socialism’s sudden popularity? Why are liberals sponsoring a doctrine whose tenets are similarly antithetical to free-markets and free-trade? To racialize the phenomenon does not square with a young and multiethnic demography which supports the notion of bigger government nor does the constant refrain of racism explain away the hostile takeover of the Democrat Party by the communist senator Bernie Sanders. The scapegoating of whites by the punditocracy is no longer tenable. What is happening suggests a rejection by the body-politic of an aristocracy which has made Washington the handmaiden to its business through an activism masquerading as philanthropy from a wealthy donor class. When equality of opportunity is defenestrated by means of offshored jobs, wage stagnation, or delayed family-formation from college debt then populism akin to the Right’s Tea Party or the Left’s Occupy Wall Street emerges to undo such market fundamentalism that has precipitated the loss of social mobility.

Passions like these from the electorate will not abate in the foreseeable future since Washington’s abstinence from interfering in markets has left the social fabric in a state of disrepair for two reasons: (1) If the goal of a market economy is to always increase productivity by rationalizing production then it has reached its logical endpoint; (2) A paradox has changed socialism into a luxury of affluence. Number one is the ouroboros nature of markets which discriminates against the sum of humanity through automation, self-driving autonomy, robotics, and 3D printing in blue-collar jobs, followed by Artificial Intelligence, machine-learning, and generative-design in white-collar ones, thus in time no worker is spared from the breadline regardless of IQ or education. Number two is the irony of how the democratization of wealth has led a younger demography to usher in a postmaterialist society through its sharing-gig economy which has become a precursor to socialism. Because Generations Y, Z, and A are the most privileged in the genealogy of civilization they have disavowed Christianity and capitalism in support of socialist policies to appease their own moral vanity after being reared in abundance for so long. The first’s Industry 4.0 and the second’s pampered existentialism ensure that today’s class warfare will not be ephemeral.

Voters of both liberal and conservative stripes have sought a buccaneer to agitate against Washington’s aristocracy whose blinders have ignored the socio-economic implications wrought by free-trade, deregulation, and open labour markets. As America’s GDP skyrocketed since the boom of the business cycle in the 1990s its Gini-Index steadily rose above the averages of other OECD countries. By itself such inequality would arouse some tepid indignation but next to America’s opulence, bailouts for the moral-hazard of banks, the globalization of production with fewer protections because of less unionization, and the two-fold increase of housing costs, a wick for a revolution was primed. Few parents of a household can feasibly raise their offspring in this new economy as mothers and fathers both enter the labour market to make ends meet. The dynamics of family-formation changed overnight as neoliberal-economics pushed birthrates downward and delayed it well past the peak fertility window for the majority of women. Whereas the decline in birthrates during the stagflation of the 1970s was monetary in its causality, today’s identical phenomenon results from a structural change in the global economy where two parents work full-time in half of US households compared with 31 percent in 1970 according to Pew Research.

The integration of economies by big-business with the forfeiture of sovereignty has marginalized the middle-class to the point of becoming a minority group for the first time in 2015. To compound a sense of being alienated this globalization substitutes a mosaic of culture bereft of any single identity for the melting-pot of assimilation which otherwise spurs unity as the true sinews of a nation rather than the many enclaves that sprout from a more heterogeneous society like in the former. Arguing in this case for a monoculture is not at all equivalent to arguing against race. The Christian West is indeed the most hospitable to expatriates despite how such humanity goes unrequited in places like China, Japan, or Iran since the US has been a sanctuary for migrants everywhere. But the sight of labour markets suddenly brimming with an influx of workers from recorded entries and illegal ones exacerbates the anxiety of those who are already beset with stagnant wages. Racist! Racist! Racist! No, you lying demagogue, it is economics. Slower growth provokes mistrust for variables which may suppress earnings further. Of these many grievances two were the bona fide genesis for today’s populism: (1) NAFTA and (2) China’s entry into the WTO. Big-business in the 1990s then began to exploit cheaper labour in Mexico’s maquiladoras and China’s export-economy at the expense of shuttering factories back home.

What has been shown is how free-trade at a certain threshold becomes inimical when imports which are either duty-free or minimally tariffed actually begin to redistribute wealth more so than create it. The most optimistic of studies authored on NAFTA found its welfare gains to be less than 0.08% in tandem with how wage growth fell by 17 percent in certain industries. Economist Dani Rodrik wrote a beautiful synopsis of this effect in ‘The Globalization Paradox’:

To drive the point home, I once quantified the ratio of redistribution-to-efficiency gains following the standard assumptions economists make when we present the case for free trade. The numbers I got were huge—so large in fact that I was compelled to redo the calculations several times to make sure I wasn’t making a mistake. For example, in an economy like the United States, where average tariffs are below 5 percent, a move to complete free trade would reshuffle more than $50 of income among different groups for each dollar of efficiency or “net” gain created! Read the last sentence again in case you went through it quickly: we are talking about $50 of redistribution for every $1 of aggregate gain. It’s as if we give $51 to Adam, only to leave David $50 poorer.

The asymmetry is nothing less than a paradox of tragicomic proportions. If opening markets beyond a certain limit shifts inordinate sums of money to the richest while inflicting penury on the poorest then a welfare state with a bevy of social safety nets ought to be established to keep an economy functional lest it devolve into a matter of Bolsheviks seizing power. The more capitalism is practiced, the more interference is needed unless the intended effect is for populism to be borne of a class conflict. The lesson here really is that free-markets need not be exercised to the point of self-destruction. From this quagmire can the philosophy of capitalism be distilled into two basic questions: (1) What are the hidden costs for creating a finance and digital economy which does not produce anything other than trading securities and codes all day while manufacturers are offshored? (2) Is the raison-d’être of capitalism to produce material things and comforts like imports from Mexico and China or is it to better an individual society by exploiting all human capital within it regardless of IQ or education? This existentialism is scarcely debated although it is paramount to ensure the proper workings of a country.

[meridiansolutionuae]

Unlock Precision and Accuracy with Arabcal: Your Trusted Calibration Laboratory in Qatar

The quick pace of our modern world makes precise instrumentation combined with accurate measurement needs more essential than ever. The way your equipment works directly impacts your product quality together with service delivery across all industries, including manufacturing and healthcare. The procedure of calibration enables instrument performance measurements to ensure components operate within their designated tolerance range. The Qatari company Arabcal Calibration Laboratory serves as your trusted calibration partner, whatever your instrumentation needs might be.

What is Calibration, and Why Does it Matter?

Modern-day equipment calibration procedures establish the accuracy of measurement readings through acknowledged standard references. Integration issues in instruments develop through time, so their measurements become incorrect, which influences the reliability of your work output. The regular calibration of measurement instruments through thermometer and pressure gauge examples helps organizations achieve precise results while maintaining industry standards along with equipment reliability.

The ongoing accuracy of instruments represents an essential requirement for all industrial sectors that need predictable quality performance. Regular instrument calibration delivers two major outcomes: error reduction and operational performance enhancement alongside regulatory compliance and the prevention of costly errors.

Arabcal: Leading the Way in Calibration Excellence

Arabcal Calibration Laboratory operates as the leading calibration service provider throughout Qatar as it delivers superior instrumentation calibration services to multiple measurement tools. Our cutting-edge facility with its expert personnel and innovative technology assures the precision and trustworthiness of all your measurements.

Our services cover a broad spectrum of instruments across various industries, including:

Electrical & Electronic Instruments

Pressure and Temperature Gauges

Flow Meters

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Weighing Scales & Balances

The designed services at our facility streamline your business compliance with international standards while satisfying the exacting needs of your trading market. Our customers at Arabcal experience convenience throughout every stage, from their initial calibration service inquiry until we deliver their registered instruments.

Why Choose Arabcal?

Accurate and Reliable Results: The calibration process at Arabcal relies on modern standards as well as modern equipment to provide precise, reliable results in each measurement job.

Expert Technicians: We have certified, experienced personnel on our team who dedicate themselves to giving exceptional service with technical assistance to their customers.

ISO Certification: Arabcal's ISO accreditation provides you with full assurance that your instruments will be calibrated to industry standards worldwide.

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Serving Diverse Industries in Qatar

Arabcal Calibration Laboratory is proud to serve a variety of sectors in Qatar, including:

Manufacturing: Striped production lines execute tasks more smoothly through tool and machine calibration and precision.

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Oil & Gas: Accurate critical instrumentation remains important for maintaining operational efficiency and safety within energy sector operations.

Automotive: Testing and diagnosing tools for vehicles must be calibrated because it creates superior performance with enhanced safety outcomes.

Construction and Engineering: Accurate measurement tools serve as essential elements that maintain project precision while ensuring international standard compliance.

How Arabcal Helps Your Business Thrive

Your selection of Arabcal for calibration work will bring you a partner who appreciates the significance of operational reliability in all operational aspects. With our comprehensive calibration services, your business can:

Improve operational efficiency

Your business can minimize expensive mistakes with our services.

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Arabcal operates to achieve enhancements in product quality together with superior customer satisfaction.

Inaccurate measurement methods should not prevent your business from progressing forward. Fully trust Arabcal Calibration Laboratory for all your calibration requirements throughout Qatar. Quality, alongside precision and customer satisfaction, makes us the premier calibration provider for every business throughout Qatar.

Contact our team now to reserve your calibration service appointment while detecting the strategic advantage that precision calibration delivers.

[fucenindustrialsewingmachine]

The Indian Denim Industry

Denim has always been an important aspect of fashion, from workwear to casual wear — denim has changed the way people dress. Employees in the mining business wore the blue and white striped fabric as it is durable and good for rough usage.Denim fabric began to be exported to England for the production of low-cost, durable labor clothing for employees.

The British coined the term "Dungaree," which is similar to "Dungri." The term was first used in the seventeenth century to describe inexpensive, coarse, thick cotton cloth. And "Dungree" clothing was utilized by populations working in harsh environments since it did not rip readily. With the introduction of branded industrial sewing machines, the production of denim has also increased with time.

Denim intro in India

Flying Machine launched the first denim lines in India in 1980 to cater to the growing adolescent market. After recognizing the market potential, Arvind Mills released the primary branded Indian denim in 1995, fifteen years after the release. By that time, major manufacturers such as Lee and Levi's had begun marketing in India.

For a few years, the Indian denim sector has been prospering in the home market, and the market now covers a sizable global market. After China, India has the world's second-largest denim market. Despite this, the industry has a number of unexplored opportunities.

Denim is more popular than ever among Indian generations, particularly among Indian adolescents. Denim is more of a fashion statement for the majority of Indian children than merely a casual outfit. The denim market in India is divided into three categories: men's, women's, and children's denim. Men control 85 percent of the denim market, while women account for only ten percent, and children account for only five percent of the whole Indian denim market.

The Indian denim industry has had a high-quality boom over the previous decade. Denim production capacity in the country is currently around 1.1 billion meters per year. By 2020, the global denim market is expected to have grown to USD 64.1 billion. The Indian denim market accounts for 80-85% of total denim production. Despite this remarkable statistic, Indian denim production accounts for barely 5% of the global textile sector.

Growing denim manufacturers around the world are eyeing India as a potential denim export market due to its first-rate standards, cost-effectiveness, the introduction of good industrial sewing machines, and a large pool of skilled labor. Growing disposable incomes, westernization of work culture, and the resulting upward push in the popularity of denim jeans are driving the denim business in India.

[beinglibertarian]

Rolling Stone Gathers Moss

“Why bother with newspapers, if this is all they offer? Agnew was right. The press is a gang of cruel faggots. Journalism is not a profession or a trade. It is a cheap catch-all for fuckoffs and misfits – a false doorway to the backside of life, a filthy piss-ridden little hole nailed off by the building inspector, but just deep enough for a wino to curl up from the sidewalk and masturbate like a chimp in a zoo-cage.”

– Hunter S. Thompson

Fear and Loathing in Las Vegas by “Raoul Duke” first appeared in Rolling Stone magazine in November 1971. The preceding quote from that publication sums up the environment that led to the rise and, eventually, the fall of the great Rolling Stone itself; the shift away from the counterculture that it once represented and the pathological deterioration of principled liberalism.

If these words were to be circulated on the campuses of U.C. Berkley today the same way they were in 1971, you could expect firebombs launched through windows, police cruisers overturned, and any poor fool in a red hat to be viciously assaulted with a bike lock. University students today surmise that musings this offensive, have been manufactured by the primitive IBM computer that once spat out numbers used to help exterminate Jews in the Nazi death camps; a right-wing hate machine. Or maybe Milo Yiannapolous wrote it?

The suffocating media bias of the 1960s was difficult to escape. A lethargic gray specter of middle-class America was distributed with cunning sterility through the generic, bogus smiles of cable news networks and traditional print. Despite the election and assassination of Kennedy and the signing of the Civil Rights Act, if you had turned on a T.V. this was still Eisenhower’s America: regimented, religious, conservative. And the cultural vacuum created by the Eisenhower years had began to suck even harder with Lyndon Banes Johnson at the helm.

American media was out of touch with this new generation. Elitist authoritarians were preaching their moral superiority stamped with stars and stripes to a generation of cynics. These kids didn’t have a fucking clue what they wanted, but they wanted no part of what they were being given. So rose Rolling Stone, a counterculture bible for babyboomers, co-founded by Jann Wenner.

The adjective “cruel,” meaning to willfully cause pain or suffering to others and feeling no concern about it, paired with the noun “faggot,” the antiquated pejorative used to define a homosexual man, is Thompson’s description of the media community of the day. A description evidently endorsed through publication by Jann Wenner in 1971. Because according to Thompson: “…there is no such thing as objective journalism. The phrase itself is a pompous contradiction in terms.”

Wenner today lives with his common law partner Matt Nye in, I’m guessing, New York City. He gives big money to Democrat candidates and makes millions off fabricated stories about the gang-rape epidemic at the University of Virginia. Then loses that money and gives more money to Democrat candidates. Wenner’s closet homosexuality in 1971 didn’t have him take any offence to Thompson’s comments, or at least not enough to hinder publishing the “hate speech.” Maybe it was the dollar signs flashing in his eyes, knowing that something as wild as Thompson’s Vegas adventure was a viable revenue stream. Or maybe liberals back then had more important things to bitch about.

Things were different in the 1960s. The anti-war movement and the civil rights movement were a just cause. The catalyst for a just movement of equal rights for women and gays and minorities was free speech, of which Jann Wenner was a huge proponent. When students at U.C. Berkley marched in the streets in the 1960s, it was an attack on the elitist, authoritarians and an establishment hellbent on keeping opposing viewpoints and the ideas of personal liberty stifled. The gang of “cruel faggots” kept the official narrative running but no one under 30 was listening.

The whole goddamn world had had enough of the travesty of war in Southeast Asia. There was no ignoring the ineptitude of American politics. The only reasonable thing to do in 1969 was to drive out to Altamont for the weekend, load up on heinous chemicals, hunker down and rethink your approach to the political process.  

Thompson, the then-young, liberal anti-hero, could often be found gobbling LSD and firing his guns (he was a lifetime member of the NRA) at propane bottles for a crowd of jeering burnouts or Bay area bikers at his fortified compound, Owl Farm, in Woody Creek Colorado.

It was Jann Wenner’s idea to put Hunter, with all of his fear and loathing, on to the campaign trail in 1972. Why not get the guy who wrote Hell’s Angels? Hunter was someone with a penchant for dealing with vicious thugs and sick freaks gone crazy on power, someone who could draw a parallel between Richard Nixon and Sonny Barger.

Thompson’s openly-biased, subjective and wild account of the 1972 presidential election was the red Chevy convertible of campaign coverage. ‘Sympathy for the Devil’ on repeat and at full volume, barrelling across the country at 110 miles an hour or so and in search of an honest politician. In Hunter’s eyes, the only one that even came close was George McGovern, the senator from South Dakota.

McGovern’s non-interventionist platform focused on a complete withdrawal from Vietnam, amnesty for draft evaders and a Milton Freidman inspired, negative income-tax meant to replace the bureaucratic burden of social welfare programs and a complicated tax code. Thompson’s version of events is the story of an idealistic underdog fighting against the odds only to be crushed by postmodern Americanism and the establishment incumbent, “Tricky Dick Nixon.” McGovern might have owed a White House win, in part, to Thompson’s and Rolling Stone’s relentless support had he not owed his White House loss to the mental distress of his vice-presidential pick, Thomas Eagleton.

There’s no way to properly explain how great Rolling Stone was in those early years. How well the magazine represented the anti-establishment culture, individual liberty and equality for everyone. It can’t be compared to anything else because there was nothing else, only the traditional mainstream garbage and Rolling Stone.

In the four decades that followed, the magazine continually fell behind market trends in the music industry, clinging nostalgically to some bygone era. They were late to the party covering punk in the 70’s. While they tried to figure out what had happened in 1991 Seattle they had totally dropped the ball on hip-hop. All of a sudden it was three years later, Kurt Cobain was already dead and they had lost so much ground in the L.A. scene that the black community had given up on them.

Wenner had pompously brushed off having any type of internet media strategy until around 2009, when he appointed one of his sons in charge of the “digital media” division. The type of position acquired only by a millionaire trust-fund brat of a rich liberal.

For years, Rolling Stone was unable to get a handle on what was happening in music or technology. Incompetence was a bad rash that spread through the entire organization. Getting caught with the University of Virginia gang-rape lies was an obvious black eye on the magazine. Wenner’s ability to make sound decisions was in question. His son should have been sent to North Dakota to learn how to weld. Despite all of that, the magazine was still making money, selling something like 1.5 million copies monthly. Not that anyone would admit to reading it or spending money on it.

On February 20, 2005 Hunter Thompson blew his own brains out in the kitchen of Owl Farm. His chronic alcohol and drug abuse had rendered his writing profitless and that was of no use to Rolling Stone. He had survived the last 10 years by republishing old articles and collections of his work from different outlets. He had already lost faith in the American political process. After Bill Clinton failed to appease his concerns over firearms, marijuana legalization and the American constitution, Hunter simply lost interest and poured himself a stiff drink.

One of the core tenets of Thompson’s “Gonzo journalism” was: total subjectivity; blatant, outright bias. An approach emulated by current Rolling Stone top shelf contributor, Matt Taibbi; a pliable, milquetoast impressionist with a learned sense of Thompson’s wit and scorn. The trick, which Taibbi understands as did Thompson, is that good journalism has a subjective theme, of course, but doesn’t blur the lines that keep public servants accountable. Taibbi likens journalists cozying up to politicians to the separation of church and state. Lacking objectivity, a good journalist should still keep an arms length from politicians and be critical of all of them, especially ones entrenched for decades in unashamed cronyism, a disregard for human life and vicious foreign policy.

“Reporters are supposed to be unpleasant, grumpy people who instantly deface the posters of the powerful whenever they get the chance”

– Matt Taibbi

In 2008, Taibbi had the opportunity to join other journalists on one of Obama’s campaign flights. He liked Obama, but when he noticed all the pictures that lined the walls, pictures of Obama and all the different journalists, all with their arms around then candidate Obama and smiling, he admits that he felt a little dirty.

The real downfall of the magazine was that Jann Wenner had hitched the Rolling Stone wagon to a political party instead of a political principal.  

Obama graced the cover of Rolling Stone annually through his presidency. Jann Wenner and him had carved out their friendship and put it on display. Few presidents have had the opportunity to sustain 8 full years of foreign bloodshed without any outrage from Wenner and co.

Now that Obama was out, there was a constant theme in the election for his replacement and the primaries leading up to it. Americans were sick of the status quo. They were sick of being fed lies from mainstream media and “fake news.” People were waiting to revolt in the wake of establishment politics. Just give them a guy who’s going to shit on everything and see what happens.

American media today is out of touch and not only with this new generation. Outlets like Rolling Stone keep the official narrative going, but no one under 30 is listening.

When Rolling Stone endorsed Hillary Clinton for president, that was it. The joke was over. Jann Wenner had finally come out of the closet as an elitist authoritarian and a cruel faggot.

* Darcy Gerow is a family man and tradesman. He is a national board member for the Libertarian Party of Canada and the co-founder of @TheHardTruthsBookClub, an organization committed to causing greatness in working age me through brotherhood and literature.

The post Rolling Stone Gathers Moss appeared first on Being Libertarian.

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Time Clock 1

Time Clock 120v Not Digital

Reset Clock 1

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Electronic time clock

A time clock, sometimes known as a clock card machine or punch clock or time recorder, is a device that records start and end times for hourly employees (or those on flexi-time) at a place of business.

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In mechanical time clocks, this was accomplished by inserting a heavy paper card, called a time card, into a slot on the time clock. When the time card hit a contact at the rear of the slot, the machine would print day and time information (a timestamp) on the card. One or more time cards could serve as a timesheet or provide the data to fill one. This allowed a timekeeper to have an official record of the hours an employee worked to calculate the pay owed an employee.

The terms Bundy clock, bundy clock, or just bundy(1) have been used in Australian English for time clocks. The term comes from brothers Willard and Harlow Bundy.

History(edit)

Origins(edit)

Early time clock, made by National Time Recorder Co. Ltd. of Blackfriars, London at Wookey Hole Caves museum

Bundy clock

An early and influential time clock, sometimes described as the first, was invented on November 20, 1888, by Willard Le Grand Bundy,(2) a jeweler in Auburn, New York. His patent of 1890(3) speaks of mechanical time recorders for workers in terms that suggest that earlier recorders already existed, but Bundy's had various improvements; for example, each worker had his own key. A year later his brother, Harlow Bundy, organized the Bundy Manufacturing Company,(4)(5) and began mass-producing time clocks.

In 1900, the time recording business of Bundy Manufacturing, along with two other time equipment businesses, was consolidated into the International Time Recording Company (ITR).(6)(7)(8)(9)

In 1911, ITR, Bundy Mfg., and two other companies were amalgamated (via stock acquisition), forming a fifth company, Computing-Tabulating-Recording Company (CTR), which would later change its name to IBM.(10)

The Bundy clock (see image left) was used by Birmingham City Transport to ensure that bus drivers did not depart from outlying termini before the due time; now preserved at Walsall Arboretum.

Time Clock 120v Not Digital

In 1909, Halbert P. Gillette explained about the state of the art around time clocks in those days:

IBM time clock

Time clocks.—Such an appliance which may not, in general, be used in the field, but which is of immense value in the office and particularly in a shop, is the time clock. Various forms of time clocks are in common use, two types of which are illustrated. (The first) is a time card recorder, which is a clock so made that it will automatically stamp on a card inserted in a slot in the clock by the workman the time of his arrival and of his departure. The cards are made to hold a record covering the pay period and need no attention from a timekeeper or clerk until the termination of this period. Parallels network & wireless cards driver download for windows 10. The record of the men's time can then be compiled very readily by one who need not be a skilled mathematician or time clerk.

The time clock system has been developed very highly in shops for keeping track of time used in completing any job by workmen, but as this in a way is not in the realm of field cost keeping, it will not be entered into here.

Another form of time clock (..) has the numbers of the employees fixed on the outer edge of a disk or ring and a record is made by the employee who shifts a revolving arm and punches his number upon entering the office and leaving. The working up of employees' time then becomes simply a matter of computation from printed figures. These two types are made by the International Time Recording Co. of New York.(11)

An example of this other form of time clock, made by IBM, is pictured. The face shows employee numbers which would be dialed up by employees entering and leaving the factory. The day and time of entry and exit was punched onto cards inside the box.(12)

Mid 20th century(edit)

In 1958, IBM's Time Equipment Division was sold to the Simplex Time Recorder Company. However, in the United Kingdom ITR (a subsidiary of IBM United Kingdom Ltd.) was the subject of a management buy-out in 1963 and reverted to International Time Recorders. In 1982, International Time Recorders was acquired by Blick Industries of Swindon, England, who were themselves later absorbed by Stanley Security Systems.

The first punched-card system to be linked to a Z80 microprocessor was developed by Kronos Incorporated in the late 1970s and introduced as a product in 1979.(13)

Late 20th century(edit)

In the late 20th century, time clocks started to move away from the mechanical machines to computer-based, electronic time and attendance systems. The employee registers with the system by swiping a magnetic stripe card, scanning a barcode, bringing an RFID (radio-frequency identification) tag close to a reader, entering a number or using a biometric reader. These systems are much more advanced than the mechanical time clock: various reports can be generated, including on compliance with the European Working Time Directive, and a Bradford factor report. Employees can also use the system to request holidays, enter absence requests and view their worked hours. User interfaces can be personalized and offer robust self-service capabilities.

Electronic time clock machines are manufactured in many designs by companies in China and sold under various brand names in places around the world, with accompanying software to extract the data from a single time clock machine, or several machines, and process the data into reports. In most cases local suppliers offer technical support and in some cases installation services.

More recently, time clocks have started to adopt technology commonly seen in phones and tablets – called 'Smartclocks'. The 'state of the art' smartclocks come with multi-touch screens, full color displays, real time monitoring for problems, wireless networking and over the air updates. Some of the smartclocks use front-facing cameras to capture employee clock-ins to deter 'buddy clocking' or 'buddy punching', whereby one employee fraudulently records the time of another. This problem usually requires expensive biometric devices. With the increasing popularity of cloud-based software, some of the newer time clocks are built to work seamlessly with the cloud.(14)

Types(edit)

Basic time clock(edit)

A basic time clock will just stamp the date and time on a time card, similar to a parking validation machine. These will usually be activated by a button that a worker must press to stamp their card, or stamp upon full insertion. Some machines use punch hole cards instead of stamping, which can facilitate automated processing on machinery not capable of optical character recognition.

There are also variations based on manufacture and machine used, and whether the user wants to record weekly or monthly recordings. The time cards usually have the workdays, 'time in', and 'time out' areas marked on them so that employees can 'punch in' or 'punch out' in the correct place. The employee may be responsible for lining up the correct area of the card to be punched or stamped. Some time clocks feature a bell or signal relay to alert employees as to a certain time or break.(citation needed)

Fraudulent operation of time clocks can include overstamping, where one time is stamped over another, and buddy-punching, where one employee records time for another. In extreme cases, employees can use buddy-punching to skip entire days of work or accumulate additional overtime.

Self-calculating machines(edit)

Reset Clock 1

Contactless magnetic time clock card

Self-calculating machines are similar to basic time clocks. Nevertheless, at the end of each period the total time recorded is added up allowing for quicker processing by human resources or payroll. These machines sometimes have other functions such as automatic stamping, dual-colour printing, and automated column shift.(citation needed)

Software based time and attendance systems are similar to paper-based systems, but they rely on computers and check-in terminals. They are backed up with software that can be integrated with the human resources department and in some cases payroll software. https://loadoutlet812.tumblr.com/post/657433190171017216/download-sealevel-port-devices-driver. These types of systems are becoming more popular but due to high initial costs they are usually only adopted by large business of over 30 employees. Despite this they can save a business a lot of money every year by cutting down errors and reducing administration time.(15)(citation needed)

Mobile time tracking(edit)

With the mass market proliferation of mobile devices (smart phones, handheld devices), new types of self-calculating time tracking systems have been invented which allow a mobile workforce – such as painting companies or construction companies - to track employees 'on' and 'off' hours. This is generally accomplished through either a mobile application, or an IVR based phone call in system. Using a mobile device allows enterprises to better validate that their employees or suppliers are physically 'clocking in' at a specific location using the GPS functionality of a mobile phone for extra validation.

Biometrics(edit)

Biometric time clocks are a feature of more advanced time and attendance systems. Rather than using a key, code or chip to identify the user, they rely on a unique attribute of the user, such as a hand print, finger print, finger vein, palm vein, facial recognition, iris or retina. The user will have their attribute scanned into the system. Biometric readers are often used in conjunction with an access control system, granting the user access to a building, and at the same time clocking them in recording the time and date. These systems also attempt to cut down on fraud such as 'buddy clocking.' When combined with an access control system they can help prevent other types of fraud such as 'ghost employees', where additional identities are added to payroll but don't exist.

See also(edit)

References(edit)

^Bundy. (n.d.). Collins English Dictionary – Complete & Unabridged 10th Edition. Retrieved April 10, 2014, from Dictionary.com website: http://dictionary.reference.com/browse/bundy

^Willard Legrand Bundy Biography

^U.S. Patent 452,894

^IBM Archives: Bundy Manufacturing Co.

^Bundy Museum of History & Art

^Engelbourg (1954) p.33

^Belden, Martin; Belden, Marva (1961). The Life of Thomas J. Watson, Little, Brown; p. 92

^IBM Archives: International Time Recording

^IBM Archives: ITR time recorder

^Bennett, Frank P.; Company (June 17, 1911). United States Investor. 22, Part 2. p. 1298 (26).

^Gillette, Halbert Powers, and Richard T. Dana. Construction Cost Keeping and Management. Gillette Publishing Company, 1909, p. 110-112.

^Engelbourg, Saul (1954). International Business Machines: A Business History (Ph.D.). Columbia University. p. 385. Reprinted by Arno Press, 1976, from the best available copy. Some text is illegible.

^Kronos History

^David Needle, TabTimes, Android tablet gives old punch card time clock facelift

^'Time Is Money'(PDF). https://www.accelo.com/assets/Uploads/WhitePaperTimeIsMoney.pdf. July 2014.External link in |website= (help)

External links(edit)

Wikimedia Commons has media related to Time recorders.

IBM Time Clocks (PDF files)

www.timerecorder.de/ (mostly in German, but partly translated into English) is one of the most comprehensive online documentations of the history of time recorders and time clocks

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Time_clock&oldid=991721279'

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Meet 14 of Australia’s Most Exciting Textile Designers

Meet 14 of Australia’s Most Exciting Textile Designers

TDF Design Awards

by Lucy Feagins, Editor

Photos – Zoe Helene Spaleta

Photo – Molly Heath

Badaam, The Meeting Place

The Meeting Place collection by Badaam encourages cultural exchanges by experimenting with drape, silhouette and patterns found in the Asia-Pacific region. The symbol and line prints represent ancient knowledge systems passed down through carvings on rock or ground, while the rawness and colour of handwoven silk reflect the earth these symbols were first drawn. 

The collection hopes to remind people of the sacred role of creation, and that each shared story contributes to the diversity and cultural understanding of the environment they inhabit.

Amber Days, Wanala Collection 

Founded by Yorta Yorta and Boonwurrung woman Corina Muir, Amber Days is an apparel label inspired by the Australia bush, desert and sea. In Wanala, the Aboriginal-owned, female-led label collaborated with Aboriginal artist Arkie Beaton on a playful print depicting floral energy in bright bursts of colour.

Since launching in October 2018, Amber Days has released five collaborations with female First Nations artists. With each new collection comes a new opportunity to strengthen awareness of Aboriginal culture, stories, and the importance of caring for the country.

Left photo – Victoria Barnes. Right photo – Timothy Robertson

Photos – Jesse O’Brien

Instyle Interior Finishes, Native

Native is a beautiful commercial upholstery fabric designed by Carol Debono from Instyle’s in-house textile design studio.

The inspiration for Native was driven by colour and a desire to create a pared-back textile with a

timeless and versatile appearance at an accessible price point. Working closely with Instyle’s longstanding Australian manufacturing partner, Carol utilised existing yarn qualities made from high-quality Australian wool to translate these into a new fabric design. By using quality raw materials and the simplest of constructions (a plain weave) the resultant Native textile is understated, price-competitive, heavy duty and highly versatile, complementing a vast range of furniture types and shapes.

Nobody Denim and GEORGE, Woven Bag

The objective of this textile project was to reduce Nobody Denim’s footprint and reimagine commercial textile waste. Cut offs otherwise destined for landfill were gathered from the denim label’s cutting room floor, and rerouted into the hands of weaver and designer, Georgina Whigham for her label, GEORGE.

Prioritising a slow approach to manufacture, each bag is meticulously handmade by Georgina using her traditional four shaft floor loom. Completely left to chance, the colour palette of each piece is determined by what denim fabrication has recently been cut at Nobody’s factory. The process takes several hours to complete via the laborious process of cutting, weaving and sewing. 

Left photo – Georgie Brunmayr. Right photo – Hattie Molloy x Annika Kafcaloudis

Photos – Still Smiths

Curio Practice, Australian Woollen Blankets

Curio is a practice in slow craftsmanship and responsible knitting, partnering with ethical local factories and using consciously selected Australian merino wool yarns to create heirloom-quality blankets for the everyday. 

The label’s blankets are made using around 1.9kg of high-grade Australian merino wool sourced from farms across Victoria, New South Wales, and Western Australia. On average, each blanket takes two hours to knit in ethical Melbourne knitting factories, and are then linked, washed and pressed. 

Takeawei, Glaze Test Woollen Blanket

Ceramicist Chela Edmunds of Takeawei collaborated with Geelong Textiles Australia to create a colourful blanket that simulates the process of glazing of clay bodies in the weft of the weave. Unlike symmetrical checks that rely on mirrored elements, the check design is irregular and features large sections of block colour, tonal stripes and small pixelated colour transitions to show the breadth of variation that can be achieved. Edges are naturally frayed from the weaving and milling process. 

The woollen blankets are made from 90% Australian wool and 10% nylon for durability, wash and wear.

Photos – Victoria Aguirre

Photos – Getty Images

Pampa, Eclipse

Working with their partner weavers in Argentina’s Andean mountains, Pampa produced a collection of rug designs inspired by the moon and sun. These celestial bodies are re-cast as universal symbols of warmth, vitality and comfort during a year of instability and uncertainty.

Taking its cues from Bauhaus, Eclipse is an exercise in colour play and architectural form. The result is a series of textiles that are bold, bright and expressive. Handwoven in luxuriously soft sheep’s wool, each piece takes many hours to weave and is entirely unique in its craftsmanship.

Tara Whalley, New York Fashion Week Collection

Created specifically to show at New York Fashion Week in 2020, Tara Whalley’s uplifting fashion collection was inspired by bright and joyful flowers, from those spotted on strolls through her Melbourne neighbourhood to the striking blooms Tara admired in Japanese markets on her honeymoon. These references were channelled that into a bold collection that includes apron dresses, boiler suits, kimonos, loose-fit pants, silk scarves and eye-catching ball gowns. 

The 28-piece collection as always features Tara’s whimsical, hand-painted artwork – a mix of pencil and gouache, translated into digital prints. Each piece is designed to be trans seasonal and inclusive.

Photos – Caro Pattle

Photos – Jenny Wu

Caro Pattle, Woven Vase & Cup

Using machine-made textile remnants sourced from a neighbouring dead stock merchant and her own wardrobe, Caro Pattle reproduced contemporary domestic objects including a vase and cup in handwoven form.

Woven Vase & Cup are the result of an iterative research and development phase that focused on creating the perfect balance between process and material. The vessels are a collaboration between industrial and hand-crafted techniques, combining industrially produced fabric with the ancient technology of coil basketry. Woven from a single cotton/elastane textile remnant, the objects pay homage to the unique properties of the gauzy fabric. In restricting the material palette, Woven Vase & Cup offers a moment of aesthetic appreciation for an undervalued resource.

Oat Studio, Capital Collection

Textile label Oat Studio’s Capital Collection integrates iconic architectural shapes and lines into a printed fabric design. Inspired by Australian modernism, the collection expresses a love for these bold architectural forms, and expresses them through the contrasting soft tones and textures of natural fabrics. 

All Oat Studio fabrics are printed-to-order to eliminate waste. The studio uses water based inks and recycled paper by-products, and works with printers who have achieved a Sustainable Green Print Accreditation.

Photo – Stephanie Cammarano

Photo – Mike Baker

Kuwaii, ‘Chronicle’ For Spring/Summer ’20

Melbourne fashion label Kuwaii reimagined the colourful painted pieces of local painter Charlotte Alldis onto silhouettes in their summer 2020 clothing and footwear collection, Chronicle. 

The range was inspired by story telling, and fully made up of archival Kuwaii styles spanning our 10 years of business. Designed to be worn over and over, Kuwaii imagined pieces to be like ‘walking artworks’ – pieces customers would keep and would remember forever. Pieces were constructed in Melbourne on a selection of natural fibre based cloths (linen and cotton).

GH Commercial, Oceanic Commercial Carpet Collection

Combining non-traditional graphic elements with functional comfort, the designs for the Oceanic carpet collection by GH Commercial are inspired by ocean ecosystems in the Great Barrier Reef and the Tasman and Coral seas.

The objective of the carpet collection was to enhance user experience through striking patterns and biophilic design elements, but also providing exceptional comfort underfoot and reduced noise reduction in busy commercial spaces, providing a more pleasant indoor environment. The cohesive collection features three different carpet mediums to provide an extensive array of patterns that work as standalone solutions or grouped together. 

Photo – Christian Koch

Photo – Sam Wong. Set design – Nat Turnbull

Ikuntji Artists + Publisher Textiles, Clothing Collection

Aboriginal art centre Ikuntji Artists partnered with Publisher Textiles to release a collaborative collection of 100% Australian designed and made clothing. Prints were created by both established and emerging artists in order to show the breadth of Ikuntji designs, provide a diversity of prints for different markets, and provide income to artists. Each piece was crafted by Publisher and the fabric screen printed by hand.

Artists drew their inspiration from their personal Ngurra (country) and Tjukurrpa (Dreaming). The designs are unique to Central Australia, particularly the sand hills, waterholes, jagged mountains and sandy plains of the West MacDonnell Ranges.

Paire, The World’s Comfiest Socks

Paire socks are made from a hybrid wool-cotton fabric that combines the comfort of the former with the durability of the latter.

The Melbourne label developed their unique yarn-blend from scratch, made up of 50% Australian merino wool and 50% organic cotton. The smoother, softer, moisture-wicking and odour absorbing fabric is a true chameleon that’s warm in the cold and cool in the heat. The socks are cut at 90 degrees, hand sewn shut so there’s no irritating seam, and contain cloud cushioning for added support.

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How to print an embroidery pattern on Fabric?

Embroidering designs on pattern fabrics is difficult. Chances are there that the customers want work to be done on the outfit having a filled background. However, it will help you in trying and learning new things. For printed embroidery fabric, you need to do some planning. Because if your approach is well planned, it will result in sound output and unique design. You never know that your new design will make the most favorable one and might start trending in the market.

 Mostly we think about embroidering on solid colors. However, printing the embroidery fabric will allow you to do color and patterning, depending on what you want. For printing the embroidery fabric, you need to follow some steps.

 1.Fabric Selection

 If you are doing the printing for the first time of the embroidery background, visiting the local fabric store can oppress you. Do not fear. Just follow these easy steps to make the right decision. Also, keep in mind that every print is not an excellent option to pair with embroidery.

 Scale: Some of the prints are large and bold, while some are small. You can see this in the fashion industry when the designs or patterns are held together. For example, one of the items is bold and intense. In contrast, the design in the similar color family is smaller in scale, providing a sense of a solid that does not participate with the border designs. It will work in joining stripes with the designs as well.

 Most of the time, a design will appear to command the subject of embroidery or its positioning. When the patterns consist of a whole print or lettering, this happens. Imagine a fabric covered with properly arranged horseshoes, embroidered with horse head and rider. 

 Print Character: Some of the print features as unprinted fabrics. Print colors are the same in value to the background leaning to be recognized as solids rather than prints. For the perfect awning, clothes search for tiny dots, mini-stripes, and watercolor paints.

 Designing can be a motivation-fabric with curvy lines that can be the best background for a fish in the pond and an embroidered roller coaster. Fireflies print on the background for embroidered patterns. Stitch them in colors the same as that of the background and let the children find and count how many fireflies are there. Those fabrics with more solid design constituents and bold colorations lead to the slight eminence of an embroidered decoration. For example, a fabric with 'meow' offers a shade for cat quilting.

 Graphics: Some prints come with already made locations for embroidery. Like the flower-printed frames, a comprehensive, bold look over-fill them with something connected. With these preprints, make the perfect positioning of your skills to midway the embroidery inside the print designs.

 2.Selection of thread

 The thread color and weight selection define how important the embroidery designs look concerning the background fabric and the mood craving. Suppose joining the heavier thread with an enormous design so it will be visible in a better way. On the other hand, if you are embroidering on a silky pastel lingerie fabric, a 60-weight thread is the token to keep the soft appearance and feel.

 The project's overall appearance is affected by the color of the thread and decides the eminence of the embroidery in contrast to the background. The color of the thread is similar to the background print color, the less critical the embroidery.

 If the fabric print has metallic highlights, the same shiny thread color can emphasize the little lighter or the darker coloring. If the fabric is various colored, select the background color as an indication for choosing the decorative thread colors.

 When you're printing embroidery fabric with coverlet designs overprinted fabrics, select either wisp thread for just an indication of patterning. Then, put the same thread color to the background for more or a different color for design eminence.

 3.Choosing the design

 When choosing an embroidery design to put together with a print, you are producing an overall outlook. The design should have some connection to the print, either in theme: color or scene.

 Playing with the scene is part of the fun. Frequently, you can select a design component from the print fabric and find an embroidery design that's the same, and it can stitch it in synchronizing colors. Complete embroidery design becomes a well-known function when sewing is done over a print over the designs. Designs such as coverlet designs and satin stitch boundaries permit the print to show through the embroidery. It depends on the print, whether it is good or not. Mainly, the overall project can become too busy grazing as there is no center point.

 4.Special effect

 Choose a light color to embroider on the dark color background. To prevent the color and design of the fabric from manifesting through the print requires a topper. What about while flowers on the dark red color polka dot fabric? 

 Entirely block the background from showing through the embroidery design. Select the vinyl topper. Put it down on the right side of the fabric earlier to stitch the light color. It backs away after the needle penetrates it during the sewing method.

 Redo the process: Create all the print by repeating the designs randomly over the whole surface of the project. You can quickly move the fabric and recite as required or use the embroidery software to fill the loop. 

 Go Bold: For printed embroidering over bold points, select the open, free designs and have fewer stitches. Gold or silver threads go well with the accent bold prints, as they will stand out without controlling.

 If you like the print, but somehow, it's a bit too bold with an embroidery design, put the piece of sheer fabric or lace over it before putting the design in it. You can watch the videos of Embroidered Material online tutorials. By hand, sewing or machine embroidering patterns are printed on fabric. After learning this process, practice it on the napkins, kitchen towels, and other clothing. You can also give the gifts like the printed embroidery fabrics-personalized bed sheets, pillows etc.

Source Link

[mlmtamilnadu]

Cryptocurrency MLM Software – MLM Software Tamilnadu

Create Your Own Cryptocurrency MLM Software:

Crypto MLM Script development:

A team that understands the Multi-level marketing business and its intricacies builds the interface and the logic behind the Multi-level marketing script development. The Crypto MLM script development.

MLM Software consulting

MLM business can be built around different products, if you are still planning to start an MLM business but need to decide which one is the right choice for you, we can help.

Machine Learning backed MLM:

Our Machine learning expertise allows us to offer Machine Learning backed MLM software development for generating forecasts, predicting expansion based on the datasets provided.

Chatbot development:

Chatbots allow your platform to be available 24x7, throughout the year. Smart conversational Chatbots offers great experience for your prospective clients and a smart knowledgebase companion.

 Why is MLM Software Tamilnadu the best Cryptocurrency MLM software development company?

MLM Software Tamilnadu has developed a variety of products in different industries. We implement cutting edge technology and build software that incorporates brilliant strategies to solve and handle challenges that have been limiting the company's growth. MLM Software Tamilnadu’s expert blockchain development team has worked on state of the art Cryptocurrency powered products ranging from cross-border payments systems to blockchain powered referral marketing platform and payouts management systems.

Cryptocurrency MLM Software Development

In the Cryptocurrency MLM software, the cryptocurrency is the product and the payment method. Unlock the possibility of selling your own cryptocurrency through the platform.

 Types of Cryptocurrency MLM software we can build for you.

The Binary MLM Platform - In a Binary MLM plan, the new members who join the network become a top level member, and people who join under them can earn benefits for the top level member and similarly they would have to join two members each to become a top-level member. The Cryptocurrency powered Binary MLM platform allows users to sell cryptocurrency to the members or allows the members to purchase the cryptocurrency from the organization selling it and use it to pay for it, thereby increasing its value as well.

Hybrid Model - The hybrid MLM plan usually consists of a couple of strategies that are used in combination to give maximum benefit to its members who signup for the network. Hybrid is ideal if you are planning to grow quickly and offer great benefits to your members.

Matrix Model - Matrix model or the forced matrix compensation plan is popular among MLM companies, imagine it in the shape of a Pyramid. The matrix model focuses on generating more revenue and benefits to people who add more members under them.

Stairstep Model - In a Stairstep model, the businesses willing to sell their product to reach an audience would have to sponsor members who will be the distributors of the product. The members would have to purchase these products up front or would be sponsored by the business. For every product sold, members get to take a commission. As they sell more, they move up the plans assigned to them based on targets (Ex: Diamond, Platinum etc)

Custom MLM plan Development - The strategies and MLM business models mentioned above are time tested, no doubt. But as the world changes, business plans, and ideas change as well. We are aware of the constantly changing landscape of the MLM business and the challenges it presents. Our team of business development executives and blockchain developers have worked with different businesses to help tackle any business challenges on priority. If you have an idea you would love to discuss, do drop us a line, we'll get in touch with you.

 How do you make money running an MLM business?

It's quite simple. The entire success of your business depends on how many members you have and how proactive they are in helping you in adding more members to the network. Depending on your MLM plan that is mentioned above, your mode of earning changes. However, let us explain some of the way you can make money using the MLM business and how we can incorporate those in the Cryptocurrency MLM software development.

Cryptocurrency: Creation of cryptocurrency is done on the ERC20 protocol. ERC-20 based tokens are fungible, meaning, the tokens can be used for transactions and can be exchanged for goods. ERC-20 tokens by nature do not hold any value unless they are equated to an asset or an equity etc. Once it is backed by an asset and more widely it is being used/accepted; the value of it increases. Depending on the use case, the Cryptocurrency itself would be the product or it could be used to purchase products within the network. The Cryptocurrency MLM software could incorporate the cryptocurrency within the platform and can be used to build product offerings within the platform.

Membership: You could accept membership fees from new members and a renewal fee for those who have already joined (probably could throw in a discount for a certain high-level tier). Membership fees could induce some commitment from the members and make sure that only serious members join the platform. The Cryptocurrency MLM software development would include Multi-tiered membership plans that work well.

Products: Be it a physical product, digital or a financial product, the Cryptocurrency MLM software development would incorporate it and would make it easier for the members to showcase it to potential customers. We could build a product page for it and link a knowledge base so the person selling the product can refer to it as well as the customer can know what they are buying. Helping the members sell better would increase the revenue.

 Why should you use a Cryptocurrency MLM software?

Using Cryptocurrency in MLM software has a lot of advantages, namely:

Cross-Border

You can start your MLM business anywhere in the world. Cryptocurrency makes it possible to have cross-border payments with low fees.

 Faster transaction

The speed of clearing funds in the traditional system takes days. Whereas using cryptocurrency, the transactions happen much faster and without hassle without going through any other middle layer banking system.

Flexibility and Transparency

Cryptocurrency offers unparalleled flexibility and transparency to any plan you choose. Transactions are visible to anyone and it creates trust among members.

Low cost

Transactions are low cost, for every cryptocurrency transaction made on the blockchain would be really low as a banks or middle men are not involved.

 What are the basic features we include in the Cryptocurrency MLM Software development?

Whatever your model maybe, these are the basic features that we would develop for you as part of the software.

Payment Integration:

Accepting payments from members would be easier. Bitcoin (manual) and Stripe(automatic).

Admin Panel:

A robust admin panel that would help you manage the platform easily. Tracking things on the platform is made easy.

Marketing Suite:

Our thoughtful email and SMS marketing suite allows you to send timely communication to your members right from your dashboard.

 User Panel:

Users can track their performance over a period of time, get notifications and view their payouts all in one place.

Referral module:

Referral tracking module allows members to invite new members and earn an affiliate out of it. It's one of the proven ways to grow your network faster.

Thanks for reading our Content. To know more about our Services, kindly Visit our Website:

 MLM Software Tamilnadu

26, 49th Avenue, Ashok Nagar, Chennai – 600083

www.mlmsoftwaretamilnadu.in

Contact : + 91 9840566115.

[ico-development-company-stuff]

Cryptocurrency MLM Software Developers – ICO App Factory

Create Your Own Cryptocurrency MLM Software:

Crypto MLM Script development:

A team that understands the Multi-level marketing business and its intricacies builds the interface and the logic behind the Multi-level marketing script development. The Crypto MLM script development.

MLM Software consulting

MLM business can be built around different products, if you are still planning to start an MLM business but need to decide which one is the right choice for you, we can help.

Machine Learning backed MLM:

Our Machine learning expertise allows us to offer Machine Learning backed MLM software development for generating forecasts, predicting expansion based on the datasets provided.

Chatbot development:

Chatbots allow your platform to be available 24x7, throughout the year. Smart conversational Chatbots offers great experience for your prospective clients and a smart knowledgebase companion.

Why is ICO App Factory the best Cryptocurrency MLM software development company?

ICO App Factory has developed a variety of products in different industries. We implement cutting edge technology and build software that incorporates brilliant strategies to solve and handle challenges that have been limiting the company's growth.ICO App Factory’s expert blockchain development team has worked on state of the art Cryptocurrency powered products ranging from cross-border payments systems to blockchain powered referral marketing platform and payouts management systems.

Cryptocurrency MLM Software Development

In the Cryptocurrency MLM software, the cryptocurrency is the product and the payment method. Unlock the possibility of selling your own cryptocurrency through the platform.

Types of Cryptocurrency MLM software we can build for you.

The Binary MLM Platform - In a Binary MLM plan, the new members who join the network become a top level member, and people who join under them can earn benefits for the top level member and similarly they would have to join two members each to become a top-level member. The Cryptocurrency powered Binary MLM platform allows users to sell cryptocurrency to the members or allows the members to purchase the cryptocurrency from the organization selling it and use it to pay for it, thereby increasing its value as well.

Hybrid Model - The hybrid MLM plan usually consists of a couple of strategies that are used in combination to give maximum benefit to its members who signup for the network. Hybrid is ideal if you are planning to grow quickly and offer great benefits to your members.

Matrix Model - Matrix model or the forced matrix compensation plan is popular among MLM companies, imagine it in the shape of a Pyramid. The matrix model focuses on generating more revenue and benefits to people who add more members under them.

Stairstep Model - In a Stairstep model, the businesses willing to sell their product to reach an audience would have to sponsor members who will be the distributors of the product. The members would have to purchase these products up front or would be sponsored by the business. For every product sold, members get to take a commission. As they sell more, they move up the plans assigned to them based on targets (Ex: Diamond, Platinum etc)

Custom MLM plan Development - The strategies and MLM business models mentioned above are time tested, no doubt. But as the world changes, business plans, and ideas change as well. We are aware of the constantly changing landscape of the MLM business and the challenges it presents. Our team of business development executives and blockchain developers have worked with different businesses to help tackle any business challenges on priority. If you have an idea you would love to discuss, do drop us a line, we'll get in touch with you.

How do you make money running an MLM business?

It's quite simple. The entire success of your business depends on how many members you have and how proactive they are in helping you in adding more members to the network. Depending on your MLM plan that is mentioned above, your mode of earning changes. However, let us explain some of the way you can make money using the MLM business and how we can incorporate those in the Cryptocurrency MLM software development.

Cryptocurrency: Creation of cryptocurrency is done on the ERC20 protocol. ERC-20 based tokens are fungible, meaning, the tokens can be used for transactions and can be exchanged for goods. ERC-20 tokens by nature do not hold any value unless they are equated to an asset or an equity etc. Once it is backed by an asset and more widely it is being used/accepted; the value of it increases. Depending on the use case, the Cryptocurrency itself would be the product or it could be used to purchase products within the network. The Cryptocurrency MLM software could incorporate the cryptocurrency within the platform and can be used to build product offerings within the platform.

Membership: You could accept membership fees from new members and a renewal fee for those who have already joined (probably could throw in a discount for a certain high-level tier). Membership fees could induce some commitment from the members and make sure that only serious members join the platform. The Cryptocurrency MLM software development would include Multi-tiered membership plans that work well.

Products: Be it a physical product, digital or a financial product, the Cryptocurrency MLM software development would incorporate it and would make it easier for the members to showcase it to potential customers. We could build a product page for it and link a knowledge base so the person selling the product can refer to it as well as the customer can know what they are buying. Helping the members sell better would increase the revenue.

Why should you use a Cryptocurrency MLM software?

Using Cryptocurrency in MLM software has a lot of advantages, namely:

Cross-Border

You can start your MLM business anywhere in the world. Cryptocurrency makes it possible to have cross-border payments with low fees.

Faster transaction

The speed of clearing funds in the traditional system takes days. Whereas using cryptocurrency, the transactions happen much faster and without hassle without going through any other middle layer banking system.

Flexibility and Transparency

Cryptocurrency offers unparalleled flexibility and transparency to any plan you choose. Transactions are visible to anyone and it creates trust among members.

Low cost

Transactions are low cost, for every cryptocurrency transaction made on the blockchain would be really low as a banks or middle men are not involved.

What are the basic features we include in the Cryptocurrency MLM Software development?

Whatever your model maybe, these are the basic features that we would develop for you as part of the software.

Payment Integration:

Accepting payments from members would be easier. Bitcoin (manual) and Stripe(automatic).

Admin Panel:

A robust admin panel that would help you manage the platform easily. Tracking things on the platform is made easy.

Marketing Suite:

Our thoughtful email and SMS marketing suite allows you to send timely communication to your members right from your dashboard.

User Panel:

Users can track their performance over a period of time, get notifications and view their payouts all in one place.

Referral module:

Referral tracking module allows members to invite new members and earn an affiliate out of it. It's one of the proven ways to grow your network faster.

Thanks for watching our content, to know more about our services. Kindly Visit our Website:

ICO App Factory

101, Kumaran Colony 3rd street,

Vadapalani, Chennai-600026

https://www.icoappfactory.com/

icoappfactory@gmail.com

+91-7397224461

[cryptoappfactory]

Cryptocurrency MLM Software – Crypto App Factory

Create Your Own Cryptocurrency MLM Software:

Crypto MLM Script development:

A team that understands the Multi-level marketing business and its intricacies builds the interface and the logic behind the Multi-level marketing script development. The Crypto MLM script development.

MLM Software consulting

MLM business can be built around different products, if you are still planning to start an MLM business but need to decide which one is the right choice for you, we can help.

Machine Learning backed MLM:

Our Machine learning expertise allows us to offer Machine Learning backed MLM software development for generating forecasts, predicting expansion based on the datasets provided.

Chatbot development:

Chatbots allow your platform to be available 24x7, throughout the year. Smart conversational Chatbots offers great experience for your prospective clients and a smart knowledgebase companion.

 Why is Crypto App Factory the best Cryptocurrency MLM software development company?

Crypto App Factory has developed a variety of products in different industries. We implement cutting edge technology and build software that incorporates brilliant strategies to solve and handle challenges that have been limiting the company's growth. Crypto App Factory’s expert blockchain development team has worked on state of the art Cryptocurrency powered products ranging from cross-border payments systems to blockchain powered referral marketing platform and payouts management systems.

Cryptocurrency MLM Software Development

In the Cryptocurrency MLM software, the cryptocurrency is the product and the payment method. Unlock the possibility of selling your own cryptocurrency through the platform.

 Types of Cryptocurrency MLM software we can build for you.

The Binary MLM Platform - In a Binary MLM plan, the new members who join the network become a top level member, and people who join under them can earn benefits for the top level member and similarly they would have to join two members each to become a top-level member. The Cryptocurrency powered Binary MLM platform allows users to sell cryptocurrency to the members or allows the members to purchase the cryptocurrency from the organization selling it and use it to pay for it, thereby increasing its value as well.

Hybrid Model - The hybrid MLM plan usually consists of a couple of strategies that are used in combination to give maximum benefit to its members who signup for the network. Hybrid is ideal if you are planning to grow quickly and offer great benefits to your members.

Matrix Model - Matrix model or the forced matrix compensation plan is popular among MLM companies, imagine it in the shape of a Pyramid. The matrix model focuses on generating more revenue and benefits to people who add more members under them.

Stairstep Model - In a Stairstep model, the businesses willing to sell their product to reach an audience would have to sponsor members who will be the distributors of the product. The members would have to purchase these products up front or would be sponsored by the business. For every product sold, members get to take a commission. As they sell more, they move up the plans assigned to them based on targets (Ex: Diamond, Platinum etc)

Custom MLM plan Development - The strategies and MLM business models mentioned above are time tested, no doubt. But as the world changes, business plans, and ideas change as well. We are aware of the constantly changing landscape of the MLM business and the challenges it presents. Our team of business development executives and blockchain developers have worked with different businesses to help tackle any business challenges on priority. If you have an idea you would love to discuss, do drop us a line, we'll get in touch with you.

 How do you make money running an MLM business?

It's quite simple. The entire success of your business depends on how many members you have and how proactive they are in helping you in adding more members to the network. Depending on your MLM plan that is mentioned above, your mode of earning changes. However, let us explain some of the way you can make money using the MLM business and how we can incorporate those in the Cryptocurrency MLM software development.

Cryptocurrency: Creation of cryptocurrency is done on the ERC20 protocol. ERC-20 based tokens are fungible, meaning, the tokens can be used for transactions and can be exchanged for goods. ERC-20 tokens by nature do not hold any value unless they are equated to an asset or an equity etc. Once it is backed by an asset and more widely it is being used/accepted; the value of it increases. Depending on the use case, the Cryptocurrency itself would be the product or it could be used to purchase products within the network. The Cryptocurrency MLM software could incorporate the cryptocurrency within the platform and can be used to build product offerings within the platform.

Membership: You could accept membership fees from new members and a renewal fee for those who have already joined (probably could throw in a discount for a certain high-level tier). Membership fees could induce some commitment from the members and make sure that only serious members join the platform. The Cryptocurrency MLM software development would include Multi-tiered membership plans that work well.

Products: Be it a physical product, digital or a financial product, the Cryptocurrency MLM software development would incorporate it and would make it easier for the members to showcase it to potential customers. We could build a product page for it and link a knowledge base so the person selling the product can refer to it as well as the customer can know what they are buying. Helping the members sell better would increase the revenue.

 Why should you use a Cryptocurrency MLM software?

Using Cryptocurrency in MLM software has a lot of advantages, namely:

Cross-Border

You can start your MLM business anywhere in the world. Cryptocurrency makes it possible to have cross-border payments with low fees.

Faster transaction

The speed of clearing funds in the traditional system takes days. Whereas using cryptocurrency, the transactions happen much faster and without hassle without going through any other middle layer banking system.

Flexibility and Transparency

Cryptocurrency offers unparalleled flexibility and transparency to any plan you choose. Transactions are visible to anyone and it creates trust among members.

Low cost

Transactions are low cost, for every cryptocurrency transaction made on the blockchain would be really low as a banks or middle men are not involved.

 What are the basic features we include in the Cryptocurrency MLM Software development?

Whatever your model maybe, these are the basic features that we would develop for you as part of the software.

Payment Integration:

Accepting payments from members would be easier. Bitcoin (manual) and Stripe(automatic).

Admin Panel:

A robust admin panel that would help you manage the platform easily. Tracking things on the platform is made easy.

Marketing Suite:

Our thoughtful email and SMS marketing suite allows you to send timely communication to your members right from your dashboard.

User Panel:

Users can track their performance over a period of time, get notifications and view their payouts all in one place.

Referral module:

Referral tracking module allows members to invite new members and earn an affiliate out of it. It's one of the proven ways to grow your network faster.

 Thanks for reading our Content. To know more about our Services,

kindly Visit our Website:

 Crypto App Factory

www.cryptoappfactory.com

101, Kumaran Colony, Vadapalani, Chennai

Call us : +91 7397 2244 61