#Indian Tunic Man

[noughticalcrossings]

Steed Acquisition

[Image ID:

Four sequential digital paintings of Sir Gawain acquiring Gringolet the horse

The first is of Gawain, an Indian man with heterochromia in red and white checkered hose and sleeves with a green tunic and holly-embroidered hood, sat astride Gringolet, a dapple grey Highland Pony with red tack. He bears a red kite shield with a gold pentacle, a motif also seen in the tack. The text reads, in an old English font, Sir Gawain’s FAILSAFE GUIDE to acquiring a NOBLE STEED.

The second is a silhouette of an armoured man on horseback chasing down Gawain on foot against a tumultuous sky. Gawain’s arms are cartoonishly placed. The text reads: Step One: Stop Running.

The third is a red-washed scene of Gawain splitting the other knight’s helmet open with a sword, with comically exaggerated motion like an old cartoon hammer strike. The text reads: Step Two: Unspeakable Violence. The text appears spattered with blood.

The fourth is a bust of Gawain kissing Gringolet on the cheek, hand affectionately wrapped around the horse’s nose. They are surrounded by the outline of a heart and the text reads Step Three: Profit.

End ID.]

[wakamotogarou]

St. Christopher, The Christbearer

Dog-man, Cynocephali Saint, christened by baby Jesus after helping him cross a river.

The Dogheaded people

They were seen by conquerors, explorers, evangelists and described in detail. Alexander the Great, Marco Polo, St. Augustine, Christopher Columbus all described these creatures. You also have Anubis the Egyptian god and St.Christopher who was converted to Catholicism and achieved Saint-hood by helping believers cross a river.

There were letters corresponding with the Vatican on whether or not these dog headed men could be saved or not. The Catholic church was not surprised and simply asked if their eyes were on the front of their heads or on the sides. Apparently dog headed men were nothing new to cultures around the world.

'Ratramnus’s Epistola de Cynocephalis, is a letter written concerning if dog headed men could be saved. The response was yes based on the evidence that they showed the ability to have free will; they wore clothes, kept animals, had relationships, and obeyed laws etc. So they could choose salvation and therefore could be worth ministering to.

( Canaanites = canines, described as cannibals and great fighters who did detestable things.)

In Tibet there was recorded history of over 200,000 living in a village. They lived in Parts of India along the Mountain Range, there are traces of them in the Celtic lands they lived in Ireland.

St. Christopher is the patron saint for travelers. Dog-headed people often have acted as guides, ferries and Shepards. I will cover this in a future post, which will feature Xolotl and Aztec Gods, including Anubis!

Canines are interwoven into human history.

On these mountains there live men with the head of a dog, whose clothing is the skin of wild beasts. They speak no language, but bark like dogs, and in this manner make themselves understood by each other. Their teeth are larger than those of dogs, their nails like those of these animals, but longer and rounder. They inhabit the mountains as far as the river Indus. Their complexion is swarthy. They are extremely just, like the rest of the Indians with whom they associate.  They understand the Indian language but are unable to converse, only barking or making signs with their hands and fingers by way of reply, like the deaf and dumb. They are called by the Indians Calystrii, in Greek Cynocephali (“dog-headed “). [They live on raw meat.] They number about 120,000.  Near the sources of this river1 grows a purple flower, from which is obtained a purple dye, as good in quality as the Greek and of an even more brilliant hue. In the same district there is an animal about the size of a beetle, red as cinnabar, with very long feet, and a body as soft as that of a worm. It breeds on the trees which produce amber, eats their fruit and kills them, as the woodlouse destroys the vines in Greece. The Indians crush these insects and use them for dyeing their robes and tunics and anything else they wish. The Cynocephali living on the mountains do not practice any trade but live by hunting. When they have killed an animal they roast it in the sun. They also rear numbers of sheep, goats, and asses, drinking the milk of the sheep and whey made from it. They eat the fruit of the Siptakhora, whence amber is procured, since it is sweet. They also dry it and keep it in baskets, as the Greeks keep their dried grapes. They make rafts which they load with this fruit together with well-cleaned purple flowers and 260 talents of amber, with the same quantity of the purple dye, and 1000 additional talents of amber, which they send annually to the king of India. They exchange the rest for bread, flour, and cotton stuffs with the Indians, from whom they also buy swords for hunting wild beasts, bows, and arrows, being very skillful in drawing the bow and hurling the spear. They cannot be defeated in war, since they inhabit lofty and inaccessible mountains. Every five years the king sends them a present of 300,000 bows, as many spears, 120,000 shields, and 50,000 swords. They do not live in houses, but in caves. They set out for the chase with bows and spears, and as they are very swift of foot, they pursue and soon overtake their quarry. The women have a bath once a month; the men do not have a bath at all, but only wash their hands. They anoint themselves three times a month with oil made from milk and wipe themselves with skins. The clothes of men and women alike are not skins with the hair on, but skins tanned and very fine. The richest wear linen clothes, but they are few in number. They have no beds, but sleep on leaves or grass. He who possesses the greatest number of sheep is considered the richest, and so in regard to their other possessions. All, both men and women, have tails above their hips, like dogs, but longer and more hairy. They are just, and live longer than any other men, 170, sometimes 200 years (Ctesias, “Indica”, from Photius I).

[littlefeather-wolf]

Unidentified Dakota man

Credit : Denver Public Library Special Collections

Creator : Walter Sherburne Photographic Art Gallery.

Date : 1870

Standing portrait of an unidentified Native American Dakota Sioux man wearing a tunic, leggings, long kilt, hair pipe breastplate, and parted long loose hair.

Dakota Indians--Clothing and dress; Indians of North America

[forgottenbharat]

Unveiling the Splendor of Ancient Indian Clothing and Style

India's rich history is adorned with a tapestry of clothing and fashion that has evolved over the centuries. From the Vedic times to the Indus Valley civilization, the clothing of ancient India tells a captivating story of tradition, culture, and artistry. In this blog post, we dive into the remarkable world of ancient Indian clothing, exploring the styles, fabrics, and colors that adorned both men and women. Let's embark on a journey back in time to discover the fascinating attire that shaped the fashion landscape of ancient India.

Clothing and Style for Men:

Dhoti: A cloth wrapped around the waist and knotted at the back.

Antariya: A white cotton or muslin cloth tied to the waist, accompanied by a sash called Kayabandh and a scarf called Uttariya.

Turban: A cloth wrapped around the head, often symbolizing social status and identity.

Phetas: Special turbans worn for religious purposes.

There are numerous types of phetas which are being used in different places across India for different purposes.

Peplon or chiton: Layered clothing made of linen and wool, adjusted according to weather conditions.

Man-buns and short or shaved beards were popular styles

Clothing and Style for Women:

- Sari: A long piece of cloth draped around the body and over the head, showcasing elegance and grace

Knee-length skirts paired with intricate jewelry like bangles, earrings, and beaded necklaces.

- Elaborate jewelry made of stones, animal claws, feathers, and shells.

- Handloom textiles woven by skilled artisans.

- Gold ornaments, particularly worn by upper castes.

Sirradai: A short lower garment made of handspun cotton and silk.

Traditional Colors Used in Ancient Indian Clothing:

Ancient Indians were adept at dyeing clothes, and specific colors held symbolic significance:

- Ivory, jasmine, August moon, August clouds after the monsoon, and the color of the peacock's neck were significant traditional colors.

- The Vedic treatise Vishnudharmottara described these hues.

Traditional clothing of india

Men wore a variety of garments depending on their region, occupation, and social status. Some common examples include:

Lungi: A simple garment made of a single piece of cloth wrapped around the waist and legs, similar to a sarong.

Veshti: A long piece of cloth wrapped around the waist and legs, similar to a dhoti but without the pleats.

Angrakha: A long tunic with a V-shaped neckline that is worn over a dhoti or other lower garment.

Sherwani: A long coat-like garment that was often worn for formal occasions.

Pajama: Loose-fitting pants that are typically worn with a kurta or other upper garment.

It's worth noting that the styles and materials of these garments varied widely depending on the time period and region in which they were worn.

Conclusion:

Ancient Indian clothing showcased the richness of culture, history, and artistry. Through the ages, men and women draped themselves in garments like dhotis, saris, turbans, and knee-length skirts, reflecting their customs, traditions, and social status. Warriors donned armor and wielded weapons as they protected their kingdoms. The vibrant colors derived from natural elements added splendor to the attire. The remnants of ancient Indian clothing, discovered through sculptures, paintings, and literature, provide us with a glimpse into the past, where clothing was not merely functional but also an expression of identity and heritage.

#beautyofindia #indianclothing #indianimpact #indianhertage#forgottenbharat

[astra-galaxie]

Devi Pandit

Biographical information

Full Name: Devi Pandit

Gender: Female

Sexuality: Heterosexual

Status: Alive (incarcerated)

Age: 56 (season 3)

Birth: 1960

Race: Human

Nationality: Indian

Origin: Chhattisgarh, India

Residence: Chhattisgarh, India

Profession(s): Nurse

Family:

Kavi Pandit (father)

Mala Pandit (mother)

Nathan Pandit (son)

Oberon Douglas (son-in-law)

Avi Douglas (grandson)

Partner(s): Léon Toussaint (ex-boyfriend)

Profile

Height: 5'5" Age: 56 (season 3) Weight: 154lbs Eyes: brown Blood: O-

The mother of Nathan Pandit, Devi is a middle-aged Indian woman with rich skin, black hair pulled into a tight bun, and brown eyes behind a pair of silver-framed glasses. She wears a Salwar Kameez in shades of purple: dark purple trousers underneath a lavender tunic, a matching dark purple transparent scarf wrapped around her neck, silver bracelets on both wrists, and brown sandals.

Synopsis

Devi hails from Chhattisgarh, India, where her mother raised her after her parent's divorce. Mala divorced Kavi when Devi was eight because he was always busy with work. While neither knew the truth about the man's job, Kavi tried his best to be there for his family, but eventually, Mala couldn't stand him always being gone, so she filed for a divorce.

Mala got custody of Devi and limited Kavi's time to see her to the extreme. Under her mother's guidance, Devi grew to hate her father for his absence and eventually refused to speak to him. Kavi respected his daughter's wishes even if it hurt him to lose her.

After graduating high school, Devi became a nurse and found work at her local hospital in the emergency room. It was here that she met Léon Toussaint when the man brought in one of his friends who had been injured during military training.

While some might say that a hospital isn't the place to find love, that wasn't the case for Devi and Léon. Once Léon's friend had been discharged, he and Devi exchanged numbers and made plans to have a date at a local restaurant.

Devi experienced happiness like never before when she was with Léon. Even her friends and coworkers noticed that the woman was friendlier and more pleasant to be around. Léon brought out the best in Devi; to this day, he is and always will be her one true love.

But sadly, Léon's deployment in India was coming to an end faster than the couple liked. He tried to get Devi to move with him to America and even offered to move to India, but Devi refused. She wasn't ready to give up India, nor did she want Léon to leave America after he told her about his desire to reconnect with his family. She refused to get in the way of him reconnecting with his family as she secretly longed to do the same with hers.

And so, Devi and Léon broke up, and she watched his plane fly away, never to return. She regretted the decision but knew in her heart that she'd made the right choice. She buried her love for Léon and vowed never to let herself get close to anyone again, fearing that she would lose them like she lost Léon.

But two weeks after Léon left the country, Devi discovered she was pregnant.

Devi never envisioned herself as becoming a mother; she always thought children were annoying and gross. But, she couldn't bring herself to get an abortion as Léon had told her about his desire to have children and how hard it would be for him due to the damage caused by his cancer treatments. To Devi, terminating the pregnancy felt like she would terminate Léon's only chance to have a child.

So, she didn't get an abortion and gave birth to a healthy baby nine months later. But to Devi's shock, the baby was born with congenital cataracts, making them blind. The doctors said they could do nothing to remove the cataracts, but the baby could live a successful life with the proper support.

But Devi didn't know how to raise a baby, let alone a blind baby. She couldn't afford the support they would need or give them the life they deserved. So she surrendered the baby to the hospital, walking away from the last gift Léon had given her.

She never knew what became of the baby after the hospital sent them to the local orphanage. She used to walk by it every day, telling herself that one day she would visit her child. But every day, she kept on walking past the building. A few times, she thought she saw a glimpse of a child staring blindly out of a window, but whenever she got closer, the child would be gone.

She finally visited the orphanage about ten years after giving up the baby. But to her surprise, the workers told her that Kavi had taken the child a few years earlier. Devi has no idea how her father found out about his grandkid, but she hopes that her child was living a good life wherever they were.

Knowing her child was living somewhere she would probably never find them, Devi moved on with her life. The only people who knew about her child were her coworkers, who stopped asking about them when Devi became hostile when they brought the subject up.

In reality, Devi was ashamed of her past decisions. While she never wanted to be a mother, she could have tried to find Léon and give him the choice of raising the baby. Instead, she took the coward's way out and hated to admit it. So, Devi started acting like she despised her child and that it was their fault for being born blind. After many years of thinking like this, Devi destroyed her love for her baby.

It wouldn't be until decades later that she would make another grave mistake. She accidentally killed Randy "Bodhi" Green when the man confronted her about abandoning her child over 30 years ago. Devi couldn't believe that her past actions were returning to haunt her, and she tried to escape her problems again. But unlike when she abandoned her baby, Bodhi wouldn't let her run.

A struggle ensued, leading to Devi shoving Bodhi away from her. But she pushed him too hard, and they were too close to the electrified train tracks. Bodhi landed on the bars and died before he even realized what was happening.

Devi couldn't believe what she had done. She fled the scene, hoping no one would find out what had happened. But she should have known she couldn't get away with murder; after an intense investigation, The Bureau arrested her for her crime, and she was sentenced to 8 years in jail.

But the hardest part about being arrested was learning that the agents were friends with the child she had abandoned 34 years ago. Now she really believed that her past was coming to get her. She confessed that she had made mistakes in the past, the greatest being that she never tried to find her child after Kavi took them away.

She was grateful Adalet told her that Nathan was doing well, and Devi hopes that maybe one day, if he is willing, they can meet and she can learn about who her son became. And perhaps she can also learn about her father and Léon.

But for now, she will serve her prison sentence for murdering an innocent man who deserved to live a good, long life.

Story Information

First appeared: Blackout Dead

Trivia

If her parents hadn't divorced and she didn't grow up under her mother's negativity and bitterness, Devi would have been a much kinder person. Sadly, due to the change in Mala's personality after the divorce, Devi grew to have a negative outlook on life

The only time she wasn't such a negative person was with Léon. After he left, the negativity slowly returned

She decided to become a nurse after spending time in the hospital when her appendix burst. She was fascinated by what the nurses were doing and wanted to be like them when she grew up

She used to stay up for as long as she could, waiting for her father to come home from work. On the nights that she couldn't stay up any longer, she made her mother promise that she would get Kavi to give her a good night kiss when he returned

Sadly, unknown to Devi, most nights, Kavi never came home. Mala would lie and say that he did to spare her daughter's feelings

Kavi might have been gone a lot because of work, but Devi always loved her father, even if she didn't show it. She knew he was doing important work and saving people, so in her child's mind, he was a hero, and sometimes heroes have to make sacrifices they don't want to make

Devi just wished she wasn't a part of his sacrifices

She loves listening to jazz music; it reminds her of Léon

Disclaimer: Character design was created using Rinmarugames Mega Anime Avatar Creator! I have only made minor edits to the design! Background courtesy of CriminalArtist5

Links to my stories:

The Case of the Criminal (Ao3/Wattpad)

Killer Bay (Ao3/Wattpad)

Where in the World are the Killers? (Ao3/Wattpad)

[quailfence]

[Image description taken from alt: Image 1: A shot of three men standing in an open metal doorway. In the center is a tall, handsome Indian man with a long beard and thick brows, looking down into the room with a neutral expression. He wears a turban and a robe with an ornate trim, slightly open beneath a sash tied at the front. The men on either side wear tunics of similar design with belts. To the left is a slightly less tall man with a scar running down his cheek into his beard. The man to the right is much shorter, peering through the gap between the door frame and the other’s shoulder. He has curly dark hair, long sideburns, and a curious expression. Image 2: Godfrey stands from the table, starting to lift one hand. He says, “Oh! Er, hello—my name is Godfrey Norton, and this is Dr. Seward and Jonathan Harker.” Beside him, Jonathan stands shakily, a bruise dark on one cheek and his hair straggling over his face. Jack holds him by the arm and clutches his other hand as if in surprise, wide-eyed and flustered. Image 3: Godfrey offers his hand for a handshake towards the man with the turban, who towers over him with arms folded behind his back. Godfrey says, “…I presume we have the pleasure of addressing our rescuers?” The man looks down at his hand but does not react. Image 4: The man turns to his two companions, and asks something in an elaborate unreadable text. The short man answers in the same language, leaning forward to look at the newcomers with a hint of a smile. The man with the scar replies as well, arms folded and posture guarded. Image 5: The man turns back to address the others with a warmer expression, saying in English, “Indeed you do. I am Captain Nemo. This is my first mate, Mr. Skutnik, and this—” The short man cuts in, “Call me Ishmael,” as he leans casually against the door frame and raises a hand in greeting. Between them, Skutnik remains silent with his arms crossed. End description.]

First page || Previous page || Next page

Start reading Episode 1

Dialogue transcripts:

Panel 1 (n/a)

Panel 2 Godfrey: Oh! Er, hello—my name is Godfrey Norton, and this is Dr. Seward and Jonathan Harker.

Panel 3 Godfrey: …I presume we have the pleasure of addressing our rescuers?

Panel 4 [Nemo, Ishmael, and Skutnik all speaking Nautilus language]

Panel 5 Nemo: Indeed you do. I am Captain Nemo. This is my first mate, Mr. Skutnik, and this— Ishmael: Call me Ishmael.

[sellyjen88]

Why Jodhpuri Suits Are a Must-Have for Every Man's Wardrobe

In the realm of traditional wear for men, few garments exude the level of sophistication and elegance that a Jodhpuri for men does. Known for its structured silhouette and regal appeal, the Jodhpuri suit has become a staple in Indian formal wear, especially for weddings and grand celebrations. This versatile outfit, also known as the Bandhgala suit, seamlessly blends traditional Indian elements with modern design, making it a must-have in every man's wardrobe. Let's explore the charm of the Jodhpuri suit and how it compares to other classic pieces like the sherwani for men, kurta set for men, Achkan, and single kurta. We'll also highlight how brands like Tasva are redefining traditional wear for the modern man. 

Jodhpuri for Men: The Quintessential Indian Suit

The Jodhpuri suit is characterized by its high-collared jacket, which is often paired with matching trousers. The jacket, typically made from luxurious fabrics like silk, velvet, or brocade, is the centerpiece of the ensemble. It is usually embellished with subtle embroidery, buttons, or brocade work, giving it a refined and regal appearance. 

What sets the Jodhpuri suit for men apart from other traditional garments is its structured fit, which enhances the wearer's silhouette and exudes confidence. The Jodhpuri suit is perfect for formal occasions like weddings, receptions, or high-profile events where you want to make a lasting impression. Its versatility allows it to be worn with or without a tie, depending on the formality of the occasion. 

Brands like Tasva have taken the Jodhpuri suit to new heights by incorporating modern design elements while maintaining its traditional essence. Tasva's Jodhpuri suits feature contemporary cuts, innovative fabrics, and intricate detailing, making them a popular choice for men who appreciate the blend of tradition and modernity. 

Sherwani for Men: The Epitome of Royalty

While the Jodhpuri for men is all about structure and elegance, the sherwani for men is synonymous with grandeur and opulence. Originating from the Mughal era, sherwanis have long been associated with royalty and are a popular choice for grooms on their wedding day. 

Sherwanis are typically more ornate than Jodhpuri suits, featuring intricate embroidery, zari work, and luxurious fabrics. They are worn over a kurta or a shirt and paired with churidar pants or pajama trousers. The addition of a stole or dupatta and traditional footwear like mojdis completes the regal look. 

For those looking for a truly grand and traditional outfit, the sherwani is an unbeatable choice. However, for events where a balance between tradition and modernity is desired, the Jodhpuri suit offers a more understated yet equally impressive alternative. 

Kurta Set for Men: Versatile and Timeless

The kurta set for men is a classic and versatile option for those who want to embrace traditional wear without going overboard. A kurta set typically includes a long tunic-style top (kurta) paired with pajama pants or churidars. This ensemble is perfect for a wide range of occasions, from casual gatherings to festive celebrations. 

Kurta sets come in various fabrics and designs, from simple cotton kurtas for everyday wear to silk or jacquard kurtas for more formal events. For men who prefer a more minimalist approach to traditional wear, a single kurta paired with jeans or trousers can offer a modern twist. 

Brands like Tasva offer a wide range of kurta sets that combine traditional craftsmanship with contemporary styling, making them a popular choice for the modern man. 

Achkan: A Fusion of Tradition and Modernity

The Achkan is another classic piece of traditional wear that shares similarities with the sherwani but with its own distinct features. The Achkan is typically a knee-length coat, often made from lighter fabrics like cotton or silk blends, making it more comfortable and suitable for various occasions. 

While the sherwani is often reserved for the most formal events, the Achkan offers a more versatile option that can be dressed up or down depending on the occasion. It can be paired with churidars, pajamas, or even trousers for a more contemporary look, making it a perfect choice for semi-formal events. 

The Jodhpuri for men is a timeless and sophisticated choice that perfectly blends tradition with modernity. Whether you are drawn to the grandeur of a sherwani, the versatility of a kurta set, or the understated elegance of an Achkan, there is a traditional outfit for every occasion. Brands like Tasva are leading the way in redefining traditional wear for the modern man, offering a wide range of options that cater to different tastes and preferences. Embrace the rich heritage of Indian fashion and elevate your style with the perfect traditional outfit. 

Share this Blog & your thoughts with us in the comments below!

[whiteliness01]

Embracing Contemporary Comfort : The Timeless Appeal of Men's Kurta Payjama in White

Introduction

In the vibrant tapestry of men's fashion, certain ensembles stand out not just for their aesthetic appeal but also for their cultural significance and comfort. One such attire that seamlessly blends tradition with modernity is the men's kurta payjama set in white. This classic ensemble exudes elegance, sophistication, and timeless charm, making it a popular choice for various occasions, from festive celebrations to formal gatherings. In this blog post, we'll delve into the allure of the white men's kurta payjama set, exploring its history, style, and contemporary relevance.

The Historical Roots

The kurta payjama has been a staple in South Asian men's attire for centuries, with its origins dating back to the Mughal era. Initially worn by royals and nobles, the kurta payjama evolved over time to become a symbol of cultural identity and sartorial elegance. Traditionally, it consists of a long tunic-style shirt (kurta) paired with loose-fitting trousers (payjama), reflecting the region's rich textile heritage and craftsmanship.

Timeless Sophistication

What sets the white men's kurta payjama apart is its timeless sophistication. The pristine white hue symbolizes purity, simplicity, and elegance, making it a versatile choice for various occasions. Whether it's a religious ceremony, wedding festivities, or a formal event, the white kurta payjama exudes understated luxury and effortless style. The simplicity of the ensemble allows for endless styling options, from traditional accessories like a dupatta (scarf) or a waistcoat to modern touches like tailored fits and contemporary silhouettes.

Modern Interpretations

While rooted in tradition, the white men's kurta payjama  has undergone modern interpretations to suit the tastes and preferences of the contemporary man. Designers and fashion houses have reimagined this classic ensemble by experimenting with cuts, fabrics, and embellishments, adding a contemporary flair while preserving its cultural essence. From lightweight cotton and linen fabrics for casual wear to luxurious silk and brocade for formal occasions, there's a plethora of options available to suit every style and occasion.

Comfort and Versatility

One of the defining features of the men's kurta payjama  set in white is its comfort and versatility. The loose-fitting silhouette of the kurta and payjama allows for ease of movement, making it ideal for long hours of wear. Whether you're attending a festive celebration or a formal event, you can rely on the comfort of this ensemble to keep you feeling relaxed and at ease. Moreover, its versatility makes it suitable for a wide range of settings, from casual outings to semi-formal gatherings, making it a wardrobe essential for every discerning gentleman.

Origins and Cultural Significance

The kurta payjama holds a special place in traditional South Asian attire, with its origins dating back centuries. Historically worn by men across the Indian subcontinent, the kurta—a loose-fitting tunic—paired with the payjama—loose-fitting trousers—was favored for its comfort and breathability in the region's warm climate. Over time, this attire became not only a symbol of cultural identity but also a sartorial statement of elegance and refinement.

Timeless Appeal in White

While the kurta payjama is available in a myriad of colors and designs, the classic white ensemble holds a unique allure. The pristine white fabric exudes an aura of purity and simplicity, making it a versatile choice for various occasions, from festive celebrations to casual gatherings and formal events. Whether adorned with intricate embroidery or kept minimalistic, the white men's kurta payjama  exudes understated elegance and sophistication.

Contemporary Comfort and Style

In today's fast-paced world, comfort is paramount, and the men's kurta payjama set in white effortlessly blends comfort with style. Crafted from lightweight and breathable fabrics such as cotton, linen, or silk, this ensemble ensures ease of movement while keeping the wearer cool and comfortable even in warm climates. The loose silhouette of the kurta and payjama adds to the relaxed fit, allowing for unrestricted mobility and airflow—a perfect choice for modern men leading active lifestyles.

Styling Tips and Trends

When it comes to styling the men's kurta payjama set in white, the possibilities are endless. For a contemporary twist, consider opting for a mandarin collar or a button-down kurta with subtle detailing. Accessorize with statement jewelry, such as a classic watch or beaded bracelets, to add a touch of sophistication to your look.

Conclusion

In conclusion, the men's kurta payjama  set in white epitomizes timeless elegance, cultural heritage, and contemporary comfort. Whether worn for traditional festivities or modern celebrations, this classic ensemble remains a perennial favorite among fashion enthusiasts worldwide. With its versatility, comfort, and understated charm, the white kurta payjama is more than just a garment; it's a sartorial statement that transcends time and trends. So, embrace the allure of this timeless ensemble and make a stylish impression wherever you go.

[daisylore83]

Contemporary Classics: Reinventing Kurta Pajama Style for Today's Man

Kurta Pajama, a traditional South Asian attire, has long been cherished for its elegance and comfort. Originating from the Indian subcontinent, this ensemble has transcended cultural boundaries to become a global fashion statement. In recent years, it has undergone a remarkable evolution, blending traditional craftsmanship with contemporary aesthetics to cater to the modern man's tastes.

The Evolution of Kurta Pajama

Traditional Roots

Historically, Kurta Pajama was worn as everyday attire in South Asian countries such as India, Pakistan, and Bangladesh. Its loose-fitting silhouette and breathable fabric made it ideal for hot and humid climates. The intricate embroidery and vibrant colors reflected the rich cultural heritage of the region.

Modern Adaptations

Today, Kurta Pajama has evolved beyond its traditional roots. Fashion designers have infused new life into this classic ensemble by experimenting with cuts, patterns, and embellishments. From sleek, minimalist designs to bold, contemporary interpretations, there's a Kurta Pajama style to suit every taste and occasion.

Why Kurta Pajama Style Matters Today

Versatility

One of the key reasons for Kurta Pajama's enduring popularity is its versatility. Whether you're attending a wedding, a religious ceremony, or a casual gathering, there's a Kurta Pajama ensemble that fits the bill. Its timeless appeal makes it a wardrobe staple for men of all ages.

Comfort

In today's fast-paced world, comfort is paramount. Kurta Pajama's relaxed fit and lightweight fabric ensure maximum comfort without compromising on style. Whether you're lounging at home or stepping out for a social event, you can always count on the comfort of your Kurta Pajama.

Cultural Significance

Beyond its aesthetic appeal, Kurta Pajama holds deep cultural significance for many communities. It symbolizes tradition, heritage, and identity, serving as a proud expression of one's cultural roots. By embracing Kurta Pajama style, men can connect with their cultural heritage while making a fashion statement.

Also visit:

Styling Tips for Kurta Pajama

Casual Looks

For a laid-back vibe, pair your Kurta Pajama with denim jeans or chinos. Opt for earthy tones and subtle prints for a relaxed yet stylish look. Complete the ensemble with a pair of sandals or loafers for the perfect blend of comfort and style.

Formal Attire

When dressing up for special occasions, choose a Kurta Pajama ensemble in luxe fabrics like silk or brocade. Add a Nehru jacket or a tailored blazer for a touch of sophistication. Finish off your look with classic leather shoes and minimal accessories for a polished appearance.

Kurta Pajama in Contemporary Fashion

Celebrities Sporting the Style

From Bollywood actors to Hollywood celebrities, Kurta Pajama has found favor with style icons around the world. Celebrities like Shah Rukh Khan, Ranveer Singh, and Jay Z have been spotted rocking Kurta Pajama ensembles on various occasions, further cementing its status as a fashion must-have.

Runway Trends

On the fashion runways, designers have been experimenting with new ways to reinvent Kurta Pajama style. From asymmetrical hemlines to avant-garde embellishments, there's no shortage of creativity in the world of Kurta Pajama fashion. With each season, designers push the boundaries of traditional craftsmanship to create bold, statement-making pieces.

Also visit:

Choosing the Right Kurta Pajama for You

Fabric Options

When shopping for Kurta Pajama, consider the occasion and the climate. Cotton is ideal for casual wear and warm weather, while silk and brocade are perfect for formal events and cooler temperatures. Pay attention to the fabric quality and craftsmanship to ensure longevity and comfort.

Fit Considerations

Finding the right fit is essential for a flattering Kurta Pajama ensemble. Opt for a silhouette that complements your body type, whether it's a slim-fit kurta or a relaxed-fit pajama. Pay attention to measurements and alterations if needed to achieve the perfect fit.

Conclusion

At Rajwadi, The enduring popularity of Kurta Pajama is undeniable, as it continues to enchant fashion-forward individuals worldwide. This iconic garment seamlessly blends timeless elegance with cultural roots. From traditional celebrations to modern sensibilities, there is a Kurta Pajama combination to suit any event. Its versatility, comfort, and historical significance make it a cherished wardrobe staple for men of all generations.

FAQs

Can I wear Kurta Pajama for everyday occasions? Absolutely! Kurta Pajama is perfect for everyday wear, offering comfort and style in equal measure.

How do I style Kurta Pajama for a formal event? For formal occasions, opt for a Kurta Pajama ensemble in luxe fabrics like silk or brocade, and accessorize with classic leather shoes and minimal jewelry.

Is Kurta Pajama suitable for all body types? Yes, Kurta Pajama comes in a variety of fits and silhouettes to suit every body type, so you're sure to find one that flatters your figure.

Can I customize my Kurta Pajama ensemble at Rajwadi? Absolutely! At Rajwadi, we offer customization services to ensure your Kurta Pajama ensemble fits you perfectly and reflects your personal style.

How can I care for my Kurta Pajama to maintain its quality? To keep your Kurta Pajama looking its best, follow the care instructions on the label and avoid harsh chemicals or machine washing. Instead, opt for gentle hand washing and air drying to preserve the fabric and embroidery.

[silentanomaly]

When you dress up in a purely original costume, despite it not being Halloween (that day did not pan out all that well), and you ask your friends (now roommates) if you could borrow them for 1 minute to take a picture because your costume requires the use of both hands, and you don't want to spook the resident dog (named Bandit, while you're ironically serving up Bandit harder than he). But, they keep insisting you take the mask off to not spook the dog which was defeating the purpose of said request and dismissing the reasoning behind borrowing them (meaning stepping into another room)...all because they're too brain rotted from watching The Boys and Invincible, I swear. That's what they're doing right now. They just started Invincible. More media about assholes in costumes doing catastrophic things 'cause drama, and they couldn't be bothered to pay attention to their friend in a costume doing no harm for a minute. Couldn't be bothered to pause it. Couldn't be bothered to turn it down. Couldn't be bothered to listen 'cause I swear it's *like* they didn't hear me (even though they did), and I just said "ah, fuck it, never mind" and hobbled back upstairs to my room. Positive I heard one ask "what was that about?" as I ascended away from the dumbfuckery, like some silly fucking one-liner sitcom, lmao. Hate to sound pretentious. But, damn, I get let down on even the smallest things, and yet those things, be they small, actually mean something to me.

Mutuals, I am a hedge wizard of the far future, beyond the apocalypse, who, other than knowing skills related to healing and poultices, has also acquired the power of gun. My outfit is slightly androgynous. But, that's because gender conformity/non-conformity should be fucking irrelevant at that point, and you just wear what you find and what works. Wizards be pretty flashy with the fashy(ion) anyway.

Rough description:

- Neutral patchwork Indian poncho/scarf garb (I genuinely forget what it was called, only heard it once when I met a man from India who informed me of my apparel's origins, but, it's kept me warm, as was it's purpose for the immigrant students coming to Canada and I am forever grateful for the information) adorned with pins from travels (my travels have been limited but they mean a lot to me)

- said "poncho" layered over top of baggish longsleeved branch laden garb speckled with rhine stones that draped down to my knees and poofy collar with eccentric pointless zipper stitched in (copper pellet USP in one of two side pockets) popping out from underneath "poncho"

- black vertical contour Zara catsuit from neck to wrist to ankle featuring silver ring zipper from sternum to neck as base layer beneath baggish garb

- on head was black elastic headband pushing back my beyond shoulder length brown hair coming out beneath a bronze cat eared mask from mid-cranium/frontal cortex to cheekbones/upper nose bridge wrapped in barbed wire

- lime green paisley bandana as nose and mouth covering, obscuring neck where catsuit zipper would otherwise be visible

- black fingerless mitts pulled over ends of patterned sleeves from baggish branch laden garb

- brown leather braided belt fastened around waist pulling "poncho" together around baggish garb to better frame the torso like a tabbard over a tunic/gambeson

- red and blue velvet pouches one containing aventurine (a gift from my best friend) the other a Blarney stone (a gift brought back from Ireland from my best friend's sister who is also my friend) both bringing good luck and fortune for an adventurous spirit fixed to belt off to my left side

- slightly used tomahawk (not bloodied, it's okay, no violence) tucked behind same belt off to my right side

- brown leather Fergie knee high boots (zippers on each side of each boot, single strap and buckle on each down near the ankle) upper cuff flaring upwards at front and dipped down at back (originally used for Overwatch Mercy costume, too many men told me I was a trap and reluctantly attempted to flirt with me, it was hysterical, I am straight, I just like to wear cool stuff, doesn't help that I have a good frame either, toot toot my horn I will)

- did I mention the not-a-real-but-real-looking-gun (but real for the sake of the setting this could derive from) that would be a fun surprise for would-be underestimaters seeking to take advantage of what might be an unassuming healer of sorts?

- and to tie the wizard aesthetic together I have a shoulder high staff that's been in my family for a while now shaped like a monkey foot (not literally, but, we call it that, good for stamping unwanted bugs) that I would hold in my left hand while g.u.n. (gross underestimer neutralizer, still working on the name) or u.s.p. (unseen sneaky pistol, lines up with acronym, try harder guy) would be in my right hand (staff planted in ground, staff arm supporting gun hand for maybe seemingly weary but dangerous gunslinger, it's for character, yo)

I wanted to explain it all to them. Not literally all of the aforementioned details though because they'd just get to see it and there would be a degree of it speaking for itself, also they can barely pay attention longer than a minute. I wanted to show them all the bits of my costume, the same way they did with their costumes around Halloween. I was so enthused and ecstatic to see and hear about them. One was Gandalf, the other Gollum, both terrific DIY. I assisted with Gandalf through providing monkey foot staff, literal Glamdring replica I bought a while back when Green Earth closed at the mall, and a green glass wizard pipe I got from a friend at a secret Santa (fuck, that could also be part of my hedge wizard costume, kept in my other pocket). I wanted to share my late/latest costume with them, and tell them about the sentimental parts of my costume that played roles in holding it all together, shit that's slightly personal to me, lol. I wanted to have just one picture, like how they got pictures in their costumes from a bunch of people they saw at a party consisting of my friends of which I wasn't invited to. The absolute tone deafness of it all.

This shit feels a bit like a lackluster Tim Robinson skit right here, especially with the way I'm responding to this. I've been having a pretty hard time of late, and everywhere I go the people who matter to me just hurt through and through (dramatic, but, my life really is one jab to the heart after the next and the next and the next, not much respite between them most the time, at least not enough for me to not only heal but also get somewhere in life). I came home to heal from recent events, and they really couldn't indulge me for a moment. Still luv 'em tho.

Shit. I created art. Just wanted it to get out there somehow. Most fun I had creating something in a while, and I mean..I normally just have fun playing video games or whatever. Creating ideas and concepts and then flexecuting them feels way better. I didn't mean to type "flexecuting," but, I'm keeping that there. It means showing off your well thought out aesthetic. Flexecution, if you will. Anyone who says this better give credit or else eat copper..'cause I'll get you with my uspinger, ya dinger.

Why do I have friends and feel like the pure raw stuff I attempt to dish out to them is for whatever reason rank to everyone? It's hard to notice people caring if and when they do. Do people care about me, or do they just say they do? What do people like about me other than that I am nice and helpful and make them feel good? This line of questioning angers me.

Again, I've been having a hard time of late. Sorry for the existential dread over not being acknowledged in a costume. It's like childhood when your parents basically tell you to fuck off after you sought acknowledgement for something you felt proud of like a picture you might hope would go on the fridge or something.

HoW tRaGiC

[chiefjoseph1877]

Man in ceremonial dress poses on painted horse. He is wearing a feathered headress, tunic or jacket trimmed with feathers, decorated leggings & beaded moccasins; he holds a spear, and is seated on a horse painted with spots, and wearing a beaded breast collar and saddle blankets also trimmed with feathers. Caption on mount: By Dr. Latham. Joseph, the famous Chief of the Nez Perces, one of the greatest Indians that ever lived. 1903. Before the Chief would pose for this picture and the next he exacted $10 from the artist.

[crazyexplorer]

4 printed ethnic ensembles every man should have in his wardrobe

Ethnic ensembles have always been integral to Indian culture, and printed ensembles are no exception. The intricate designs and bold patterns of printed ethnic wear have been a long-standing tradition in India, representing the country's rich cultural heritage.

Over time, men's ethnic wear has evolved and gained immense popularity, with designers experimenting with different styles and fabrics. Today, designer Nehru jackets and Sherwanis for grooms are making an encore, and with them, the trend of printed ethnic wear is here to stay.

It's not just about embracing the cultural heritage of our country, but ethnic wear also helps men stand out in a crowd. However, with many options available in the market, selecting the right ethnic ensemble can be challenging. We aim to make things easier for you by highlighting the top 4 printed ethnic ensembles every man should have in his wardrobe.

Nehru Jacket

The Nehru jacket is a timeless classic that never goes out of style. Named after the first Prime Minister of India, Jawaharlal Nehru, this jacket is a popular choice for men who want to add a touch of sophistication to their outfits. The Nehru jacket is a versatile piece paired with a kurta or a shirt and trousers. It's available in various fabrics, including silk, linen, and cotton. The printed Nehru jacket is a classy and stylish choice that instantly elevates your outfit. And these exquisite prints on the Nehru jackets by Anita Dongre are a sight to behold. These jackets are perfect for any occasion, from the intricate floral patterns to the more abstract designs.

Link

Sherwani

Sherwani is a quintessential part of Indian weddings and every groom dreams of donning one on his special day. This long coat-like ensemble exudes elegance and royalty and is a popular choice for weddings and other formal events. A printed sherwani statement piece can take your outfit to the next level. It's available in various designs and patterns, from floral to geometric, and it's a must-have in every man's wardrobe. The intricate embroidery and prints on this Trish Sherwani for the groom by Anita Dongre are a testament to the exquisite craftsmanship of our country.

Link

Kurta

A Kurta is a traditional Indian garment that has been a staple in men's ethnic wear for centuries. This loose-fitting tunic is comfortable and versatile, making it a popular choice for casual and formal occasions. The printed Kurta is an exquisite choice that can add a touch of class to your outfit. It's available in various fabrics, including cotton, silk, and linen, and it's perfect for any season. This Kurta features a subtle print that adds depth and texture to the garment, while the blue colour is ideal for any day celebration.

Link

Bandhgala

A Bandhgala, also known as the Jodhpuri suit, is a fusion of Western and Indian styles. It's a sophisticated ensemble perfect for weddings and other formal events. It features a closed neckline and a buttoned-up front, giving it a regal appeal. A green-printed Bandhgala such as this one is a classy choice that can add a touch of elegance to your outfit. 

Link

Printed ethnic ensembles are an essential part of any man's wardrobe. These are a marvel of Indian craftsmanship and are perfect for any occasion. Embrace the rich cultural heritage of our country by adding these exquisite printed ethnic ensembles to your wardrobe today.

[authoralexizeri]

Empathy for the Devil Excerpt #2

Just one more week until Empathy goes live on Kindle Vella! I'd like to post on here more often, but I have no experience with this promo stuff. I don't want to annoy anyone by flogging my book all the time, but I don't really have much to say that isn't about the book.

Anyway, here is another snippet, this one from episode 2: Creatures in Cages. This is the moment when the MC, Ian, meets our other main character, Sarael. Warnings for language.

The figure strolled along the aisle, looking in each cage as they passed. It wasn’t until they glanced in at the bat-girl that I realized it was guy. His black hair fell in loose waves to his shoulders, shimmering with an iridescent sheen, like a rainbow or an oil-slick, and his dark skin was the most unusual shade of red-brown, almost East Indian or Native American, but not quite. He wore plain gray trousers and a blue tunic under a long, duster-length black coat that reminded me of a steampunk cosplayer I’d seen once.

As he turned away to look at the other side of the aisle, I caught a glimpse of his face, his jaw strong, his lips full, his cheekbones sharp and sculpted, and his eyes were the most unexpected shade of pale green. I felt my breath catch and my cock harden. I wasn’t gay, but fuck, he was the most beautiful man I’d ever seen.

He stopped and looked sharply at me, his soft, moss green gaze sliding down my body, causing a visceral reaction as effective as any physical touch. His lips quirked, like he knew, and my face grew hot.

“What are you smirking at?” I said, giving him the finger. That dampened his smile a little, but not enough. He spoke to me, his voice mellow and lyrical, even though I couldn’t understand a damn word he said. I was pretty sure everyone had this dream at some point, where everyone in the dream is speaking a foreign language, but I was ready to wake up.

He said something else and made a motion with his hand, tracing a circle in the air with one finger. It took a moment to realize he was telling me turn around so he could look at me. When I didn’t move, he spoke again, saying something different, I think, and pointed at my shirt. He motioned for me to take it off.

“Oh, hell no,” I said, taking a shaky step back from the wire. “Go fuck yourself, you pervert.”

[mangomybeloved]

as a desi specifically indian american scooby doo fan, i love this design!!! this is so cute!! for the scarf, the proper name would be a dupatta!

as for what religion she would practice, it depends! there's alot of religions practiced in india including hinduism, islam, christianity, jainism, sikhism and others! so depending on what you prefer, you can choose from any of these! i've noticed you made her vegetarian, so you could make her hindu as some hindus are vegetarians! i personally am not hindu, so I can't speak further on it, so others can feel free to elaborate more on it!

for dressing, i know it varies depending person to person! there are people whom i know who wear kurtas (a type of tunic common in south asia!) over jeans as a casual outfit or in everyday wear!

there are others i know who tend to wear more western clothes and try to incorporate pieces of their culture through jewelry or accessories like jhumka earrings or nose piercings!

these are jhumka earrings!

additionally, for jewelry, heavy jewelry is generally mostly worn for weddings, rather than on a everyday basis, so i don't know if velma would be wearing more fancy jewelry regularly? but i could see her with a nose piercing or occasional earring here and there!

i'd also recommend for research into how desi lesbians would act is watching movies featuring desi lesbians!! some of my recommendations include Badhaai Do (a movie about a gay man and a lesbian who enter into a lavender marriage to hide their sexualities from their parents! it has a happy ending and is cute!! will also make you cry!), Ek Ladki Ko Dekha Toh Aisa Laga (a movie about a woman who's under pressure to marry a man but realizes she's a lesbian and falls for a woman! this movie is a bit more sad and will make you cry, but has a happy ending and is very good!!)

Additionally, there's a popular couple online who are desi as well who are engaged sapphics! Their names are Anjali Chakra and Sufi Malik and they recently got engaged and I believe Anjali is Hindu while Sufi is Muslim! They have a youtube channel and are very adorable together!

This is all the information I can think of atm, feel free to ask anything more if you like!

Velma by Me!

A question for the Desi Scooby Fans

Hi guys! In my quest to rewrite the horror show that was HBO Velma, I decide to also redesign the characters, making some changes, mostly to their wardrobe, sometimes to their appearance. I will be keeping the changes in ethnicities while adding accordingly to the demands (my demands. I’m the one demanding) like making Shaggy Afro-Brazilian.

Now this brings me to my current query:

Is this design correct for Velma

I wanted to bring more influence from India into her design, but I’m also not Desi myself (I’m Brazilian) and India is a very big place with vastly different habits and traditions depending on where you are. Being half American would also add in ways I can’t even fathom.

If you guys could send me information (or direct me to somewhere where I can learn more) about how a Desi-American Lesbian girl would act, dress in her day to day, also reliable information about what religion she would practice and how it all would shape how she sees, interprets and interacts with the world I would be eternally grateful

Yours Truly,

The Scooby Gang (Gih. That’s me)

[hakenterprises]

Pure Cotton Indian Handmade Designer Trail Cut Men's Wear Fully Stitched Botton Down Kurta For Man.        

[inky-duchess]

Fantasy Wardrobe: Popular Men's Fashion of History

Fashion is one of my favourite worldbuilding components and choosing which way I want characters to look, is one part of research that is more fun than work. The use of different styles give each culture a defined feel and could act as a symbol of all kinds of lands in your WIP. Since it is your WIP, you can play with different elements of the garments and pay fast and loose with the styles.

Shirt

The shirt is the key to every other item of clothing on this list. The shirt was always worn under everything. It was often made of linen and worn by all classes. The shirt was often embroidered with blackwork and was sometimes even able to peak out from slashings in the garment over it. Shirts were seen as an intimate item of clothing. You should hear about the chaos that occurred when Anne Boleyn found out that Katherine of Aragon was still sewing Henry VIII's shirts.

Tunic

The tunic was worn by all classes. The tunic could be sleeveless or with sleeves. Tunics usually reached the knee or mid thigh when worn in hot climates and could be cut to the hip like a regular shirt today. They were belted at the waist.

Doublet

The doublet was a jacket worn over a man's undershirt. The doublet was usually laced or buttoned up at the front, reaching from the neck of the wearer to the hip of the waist. The doublet was often padded in order to keep the wearer warm.

Jerkin

The jerkin is a tight fitted jacket worn again over the shirt that is buttoned or laced at the front. The jerkin could be worn with or without sleeves. Leather was a popular material for these to be made and was worn by both classes.

Breeches

Are pants. Most breeches stopped at the knee though some reached the ankle, similar to today's trousers. Breeches could be in laced at the front and were worn by every class of men.

Hose

These were a style of pants that usually ended above the knee. Hose were often worn with a codpiece, a rather bold fashion statement for men. Hose would have also been worn with stockings held up by garters. Hose might be padded at the things to add some flare to the look.

Overgown

The overgown is rather like a great loose jacket worn over the doublet or jerkin. It was usually sewn with fur for warmth and made of contrasting fabric than what lay underneath.

Justacorps

This is the classic knee-length coat worn by men 18th century. Men would wear this over a waistcoat and shirt. This was a popular fashion for highborn men. It does still look fine.

Kaftan/ Caftan/Boubou

This is a large robe that is pulled on over the head with long sleeves. It can have a v-neck or round neck. They are usually heavily embroidered.

Achkan/Sherwani

This is the long coat worn by Indian men. It is usually buttoned up at the front, reaches just below the knees and is long sleeved.