#In case it is required

[aptechvisaglobalimmigration]

[th3e-m4ng0]

How do you draw the bodies? I know you made a tutorial on how to draw the helms, but I’ve just gotten into transformers and I’m struggling with the mechs😭

i made this in advance LOL hope it helps

[honeyblooms-blog]

I wanted In Stars and Time as a physical game I could put on my shelf so I made it!

[pain-tool-sai]

i got some really good pictures for the photography event this round

[radiationsaint]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[95-6qrsk2rx9uq42069nnnnnjthewolf]

i think tim is high maintenance the way a boarder collie or austrialian shepherd is. like you have to make sure they're not only given space to expend energy but you have to specifically let them get the herding instinct out and challenge them intellectually or they start destroying ur home

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[diamondzart]

DID “DESPICABLE ME 4” TRAILER LEAVE YOU DISAPPOINTED? There’s a solution! :D

My very good friend @annchanorsomethin writes THIS AMAZING FIC on AO3 for over a year already! I am following it since November 2022 and let me tell ya, I wish this was the way Illumination treated their canon. I don’t think this amount of planning went into the real DM4, judging from the trailer…

And for those of you who were upset about the absence of Dr Nefario and Dru, this fic has you covered, believe me 😏

SUMMARY:

After Balthazar Bratt's defeat, everything seems to go better than ever: Gru and Lucy are back working for the AVL and Gru's overly enthusiastic brother, Dru is the new bad guy in town... or is he? The illusion of everything going so well fades, as the past comes back to haunt the family, threatening to destroy them once and for all... If it wasn't for the most passionate of the family doing everything in their power to protect what they love most - even if it means to step over the bounds of time and space itself.

Rated M for possible graphic depictions of violence in the future (though for now it stays in PG, I think). Features Professor Rott as the main antagonist – the original character inspired by early concept arts for Gru from late 2000s, the idea and design of Rott belong to @elitadream

This post also features original concept art made by me, styled to mimic Eric Guillon’s (official concept artist from Illumination) style, so it looks more like a real DM4 concept. I really, really hope this story will find more followers, because it totally deserves them! For now there are 11 chapters, and there will be more!

[canisalbus]

Imagine if Machete was Muslim instead of Catholic. His name would be something like Saif سيف, and Vasco would probably be something like Dhahabi ذَهَبِيّ

.

[syncope-syndrome]

Prompts For When You Need A Whumpee To Fall Like A Sack Of Bricks

For when a slow and steady loss of consciousness doesn't quite cut it (but that's still good, don't get me wrong).

whumpee's still running on adrenaline when they bump into caretaker, nothing but smiles until they catch onto caretaker's horrified expression. they follow their gaze until they see the familiar stain of blood against their shirt. their shock drains the adrenaline from them, and before caretaker's even able to take a step forward their knees have buckled.

a sudden wound — a gunshot, a stabbing — and the pain lancing through them white-hot and agonizing. they're still processing what's happened to them, gaping like a fish out of water when they feel the ground slam into the side of their head. they're not sure when they fell, but every pulse pours out more red and reminds them over and over of why.

a caretaker running themselves ragged with just how many people are hurt or in need of them, unable to take a moment's rest for themselves. their vision starts to swim when they stand up but they ignore it, because it's not that bad yet and others have it worse. they're doing an excellent job pushing through, until they're suddenly not. their vision wavers a little stronger this time, and then into black, barely able to get out a surprised "oh" before they're on the ground.

bending down to grab something and not hearing the approach of someone from behind them. one moment, they're sifting through papers, a drawer, a cabinet — the next, there's a burst of horrible pain at the back of their skull and a deep, sudden darkness.

trying to climb out of bed after a broken fever — common sense tells them to stay in bed but they want a bath so badly. their body trembles the moment they move to stand, and they're barely upright for more than a few seconds before their weakened legs fold and they collapse in a pile of exhausted, aching limbs.

doing nothing, thinking of nothing until there's a bright surge of light and heat, white bleeding into black, so abrupt that it's not until they wake again that they even comprehend that anything happened to them.

[stealingpotatoes]

Was thinking... The first time Cal brought Merrin to meet everyone, and the first time Ezra brought Sabine, how did things go down?

Cause I'm kinda imagining Ezra being intimidated by Merrin (I mean, he's never really had a good interaction with her kind to my knowledge) and Cal being super chill about her, and the other way around, with Cal being intimidated by Sabine and Ezra just like, "No, she's cool" ���

And Merrin and Sabine are just somewhere discussing what selfless idiots their Jedi are!

Also: 🥔

merrin nation is gathering in the askbox today huh!!! i reckon everyone'd be super chill w Sabine, she's very easy to get along w. MERRIN HOWEVER probably has Ahsoka a little hesitant given the whole "ancient enemy" thing but she gets over it very quick. Luke is too busy pretending to know what a Nightsister is (he's soooo knowledgable in the force) to be scared. Ezra actively assumes Merrin is going to steal his blood, which is not helped by the fact Merrin can smell fear and enjoys pranking people (see: her jfo greez interactions and all her interactions w bode). he is shitting himself

[bugsbenefit]

genuinely still baffled by the "they don't need to address Mike's sexuality, all that matters is that he's in love with Will" crowd. especially when people say it who claim to care about Mike's character (when you could also just say you don't really care for that part of the show, which would be fine, no one cares about all characters/arcs)

because Surely you realize how him being gay or bi would change his entire character, right. whether he's attracted to girls or not would change the way all his actions up until now are to be interpreted. not even making a statement on his sexuality here, this is generally speaking

if he was actually attracted to El you'd have to address when and why he suddenly stopped loving El since in fiction "it just happened" isn't usually a satisfying answer to breaking a multi season couple up. Why is Will it for him? he's been acting weird for ages so when did he realize? and what made it click he fell out of love with El for good? you'd have to give some explanation for why he was able to proclaim his love for El accidentally in s3 and then fail to do it in the same season while looking uncomfortable with kissing her and so on since his pov was so majorly withheld

if he's not attracted to girls his arc in s5 needs to focus more on comphet and how dating El affected him/why he felt he couldn't break up with her/homophobic attitude in his surrounding slash Hawkins. or the idea of platonic and romantic love in general. there would be no how he got from point A(El) to point B(Will), like what the focus of a bi!Mike s5 arc would have to be on to explain what happened, but a focus on how he ended up at point A in the first place and why he was stuck there/how it affected him

and even core moments of the series would have entirely different meanings depending on if he's attracted to girls. "it's not my fault you don't like girls" being a peak example. if he's gay it's easy to explain it with projection. if he IS attracted to girls though it would read as a much more intentional (even if blurted out) act of homophobia, since it would be him pointing something out that Will genuinely does (not liking being around girls) but he himself can't relate to

and that's all just the surface level differences. Mike being attracted to girls or not being attracted to girls would give his arc an entirely different focus in s5. AS WELL as make his past actions have entirely different meanings. the idea that "it doesn't matter for his character" is so insanely wrong it's wild how many people confidently peddle it

[stars-obsession-pit]

Idk what the most common tag for “danny and phantom are separate entities” is (I know “pitch pearl” is a name for something but I think that’s specifically the ship version? Idk) but I just had a thought…

What if it that concept was combined with the Danyal Al Ghul / Demon Twins AU?

Like, I can think of a number of potentially interesting ways to take it

“Half ghost twins” Danny and Damian: one is the ghost and other is the human

A teenage(ish) civilian ghost helping Danyal act like a normal civilian child

Or alternatively, a very much not civilian ghost tries to help Danny blend in but has no idea what normal teens are like either so they’re usually way off

Danny working with the ghost someone the League killed (or potentially even someone he himself killed…)

A ghost overshadowed Danny to seek their revenge on the League but then went “wait, this is a traumatized child soldier” and decides they need to help him

Danny died and was tossed in the Lazarus Pit, and when he emerged, another spirit was tagging along at his side

Danny died and was tossed into the Lazarus Pit. His body emerged, but his soul wasn’t in it. Instead, he’d swapped places with another ghost who was now controlling his body while he tried to coach them on not getting his body killed until they can find out how to swap back

[mariquitascadoodles]

Since season 6 dropped and we got introduced and so sequentially stripped from bby girl Leola .

I was thinking of , how was she made ?

Like in the traditional sense of a union between 2 people or is there something more magical to it ?

There was never another mention or reference to a partner / other guardian figure for leola . dude was really out here being a single mother?

But i like to think leola herself , was created from something else , like she is magic itself ? Either created using dark magic / some sort of really strong life giving magic or she in turn is a single star/ small piece from aaravos's constellation .

As mentioned in season 6 , startouch elves are constellations themselves. Thus they can't really die , their physical body can but not their immortal one .

Who's to say aaravos didn't take a star or lil star cluster from his constellation and breathe life in to it .

So like a parent , she really was a part of him and when she left , that part of aaravos died along side with her .

Idk why he would have created a daughter , maybe dude really wanted to be a father ?

Idk ! Just some food for thought ! I've been turning this theory in my lil pea brain for a few months now . >u< I'm sure I'm not the only one to think this ! Let me know what u think tho !

If we get a second parental figure for leola in season 7 , THATS OKAY TOO !

Here is an image from tales of xadia that I think would be nice for this theory QwQ

[ceaselessims]

thinking of a tma art project that consists of a collection of polaroid candid photos taken through out the seasons and then edited to matchbox twenty's "how far we've come"

[destinywillowleaf]

this might already exist (and if it does please send it my way i want to read it) but XY AU where language barriers exist.

Ash is fluent in Japanese and has decent Galarian (Iris and Cilan helped fill in a lot of gaps from school).

Serena is Kalosian but went out of her way to learn Japanese after that summer camp.

Clemont is fluent in Kalosian, has passable Galarian, and knows enough Paldean and Japanese for challengers (but usually uses a translation tool anyway. which is currently stuck in the gym thanks to Clembot).

Bonnie only knows Kalosian and a couple random Galarian phrases.

i might make loose comic thoughts on it but like. ash shows up in kalos with 0 knowledge of the language aside from MAYBE a few basic things from Alexa like "hello" and "i want to battle". two people with wildly different accents trying to speak the same secondary language until serena shows up and can more effectively communicate some thoughts that get lost in translation. bonnie and ash half-miming to communicate early on but still getting equally excited about pokemon things. an extra layer of "ash does not know miette is flirting with him" cause she thinks he knows at least some kalosian. do you see my vision