#If you don't want to do it. that's fine. but at most trying (who knows. reblogging three or four times) would be good. I would be very happy

[gloomwitchwrites]

Hey 😊👋 I love your Task Force 141 Imagines and finally had the courage to request one myself:

How would they react to the trend where their partner makes dinner but gives them the bigger portion and gives themselves only a small one with the excuse that "That's all we had left" ?

(I hope you understand what I mean)

I'm about 99.9% sure you're talking about the viral TikTok trend. That's what I interpreted the ask as (which is how I wrote it). Most of the time, those videos are pretty wholesome. Sometimes they aren't. But with regards to 141, they're gonna be wholesome about it. No body shaming. Not dismissive. Just walking green flags who are also done with your shit (because pranking them is just hilarious). Anyway! Enjoy!!!

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Reader (can be read as gn!reader)

Content & Warnings (per the warnings MDNI): established relationship, pranks & practical jokes, humor, fluff, married couple, mild suggestive themes

Word Count: 1k

ao3 // main masterlist // imagines & what if masterlist

John Price

"Love, what is that?"

"That's all we had left."

"That's all we had left?" repeats John.

You shrug nonchalantly. There's plenty of food, enough for each of you and leftovers for tomorrow, but John doesn't need to know that...yet.

"It's fine,” you shrug. “I'm not that hungry so I gave you a bigger portion."

John's concern only worsens. "You did what?"

"I wasn’t hungry so I—"

“I heard what you said,” interrupts John. He points at your plate. “But there’s nothing on it.”

“I’ll be fine.”

"No," he says firmly, waving his hand. "No."

Without asking, he swaps your plates.

"John. Stop."

"I'm not that hungry," he says, repeating your own words back at you. "Ate more than enough at work. I don't need all this. You do."

You reach for the plate but he lifts it off the table, holding it out of reach. Part of you wants to scold him to carry on the rouse, but instead you're giggling.

"Not sure what's funny,” grumbles John.

"There's more,” you laugh, covering your mouth.

"There's—” John glances between you and the kitchen. John rolls his eyes but he's trying to hold back a smile. “You naughty fucking thing."

Kyle "Gaz" Garrick

You place a plate piled high with food in front of Kyle.

“Thanks, babe.” He glances up at you, grinning. His gaze shifts to your plate, smile fading into confusion. You purposely gave yourself less just to see his reaction.

“I forgot forks.” You walk back into the kitchen. “You want a fork, right?”

“Yeah,” replies Kyle slowly, now pointing at your plate. “But…what is that?”

You return to the table. “That’s all we had left.”

Lies. There’s plenty left.

“But why is mine full and yours—” He gestures at your plate.

You feign confusion. “You work really hard. You need it.”

“This,” says Kyle pointing at his own plate. “Is a lot.” He then points at your plate. “That’s not.”

“It’s fine.”

“You’re taking some of mine.”

“Kyle—”

“Don’t argue with me.”

You pick up your fork, intending to eat, but Kyle is quick, snatching your plate right off the table and swapping it with his. He keeps your plate in his hand, shoving you away when you try to reach for it.

“Sit,” he commands.

“Kyle.”

He ignores you, clearing the plate in a couple of bites.

“Kyle,” you scold, but you’re giggling, dropping the guise.

“Why are you laughing?” he asks, glancing around.

Unable to keep control of your composure, you point in the direction of the kitchen. Frowning, Kyle follows your index finger. He takes a few steps into the kitchen and comes to a dead stop.

He slowly spins on his heel, his expression so exasperated that you burst out laughing. With a loud sigh, Kyle returns to the table, swapping the empty plate for the full one.

Dropping into his seat, Kyle shakes his head. “Get yourself a real portion and then come join me.” Then, with a smirk, “You little terror.”

John "Soap" MacTavish

Johnny reclines on the sofa, completely absorbed in the rugby match on the television.

With you, is dinner. Two plates, one for each of you. You’ve loaded Johnny’s plate, but have hardly filled yours. It’s just a prank. A test to see if he notices anything.

He has a knack for not paying attention to the smaller details. Sometimes Johnny is so distracted whenever there is a game on that he's oblivious to everything else around him. One time—just to see—you walked around completely naked. It took nearly a full fifteen minutes for him to realize it.

You casually take a seat next to him, offering Johnny his plate.

"Thank you," he says, taking it without removing his gaze from the television.

You keep your plate in your lap, casually moving the few bites of food around while taking incredibly small bites.

Johnny chews. Watches. Still oblivious to your tiny portion.

You purposefully bang your fork against the side of the plate.

He does a double take. "What’s that?"

"What’s what?"

"That.”

You shrug. "It’s all we had left."

With a growl that’s more groan, Johnny starts pushing his food off his plate and onto yours.

"Johnny. No. That's your food." He tuts, not saying anything. "I'm fine." you insist, trying to push his plate away.

“No, love,” says Johnny. He settles back onto the sofa and gives your cheek a quick peck.

You wait a beat. "There's plenty of food."

Johnny turns. Blinks. "Oh, aye?" He grabs your plate and dumps the food back on his.

"Johnny!"

"You’re having a right laugh.” He gestures toward the kitchen. “Go on.”

As you stand, he gives your ass a light smack. When you turn to swat his hand, you’re greeted with his cheeky grin.

Simon "Ghost" Riley

The plate you set before Simon is nearly overflowing.

"Thank you, love," he murmurs, placing his hand at your back.

You lean in, giving him a quick kiss. He accepts it with a soft smile, lightly squeezing your thigh before you step away to grab your own plate.

Compared to Simon’s portion, your plate is practically empty. It’s really only a few bites, but it’s just for kicks. There is plenty still left in the kitchen. You just want to fuck with Simon.

When you set your plate down and fall into your seat, Simon’s attention immediately focuses in on the lack of sustenance.

He leans forward a bit, staring you down, silent.

“What?” you ask, pretending that this is all perfectly normal.

He keeps staring.

“What is it?” you prompt.

“No.”

No. Just—no.

You blink. "No? No what?”

Simon sucks his fork clean and tosses it onto the table, still shaking his head. You’re losing. It’s hardly started and you’ve lost.

“It’s all that’s left!”

He shakes his finger at you, walking away and into the kitchen. “I know you,” he says over his shoulder. “You’re taking the piss.”

Goddamn it.

Simon sees right through you. Always does.

taglist:

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@ash-tarte @marispunk @gingergirl06 @certainlygay @greeniegreengreen

[troglobite]

(i agree w op and it's a good point; i'm pushing back against a couple things in this second addition/rb & some implications in the op, as well. still not trying to be argumentative, but push the conversation further & challenge certain entrenched ideas. bc again, i agree & am coming from that angle.)

hotter take: the demonization of "ultraprocessed foods" is damaging no matter what. highly recommend this nutritionist for any info abt that. if [general, not op/rb] you won't listen to me, maybe [general] you will listen to a thin and licensed nutritionist.

the intent here is good: don't deprive your child of unifying and delightful social experiences. let them enjoy food. don't give them complexes about food. don't micromanage your child's diet to the point where they resent it, etc.

but also, maybe, just let them enjoy food. and teach/show them how! they are CHILDREN. unless they have allergies, sensitivities, or other serious health concerns, they will be FINE if they eat some candy MOST days of the week for various stretches of time. or ANYTHING sweet. or salty. basically every person in the world (with medical exceptions, exceptions for taste/preference, etc.) would be fine having at least 1 dessert every day. (and also this is only using "health" as a reference, which is a Whole Thing in and of itself)

maybe, also, as is the solution to most things: simply treat children like people who are just learning how things work.

instead of limiting what they eat without their involvement, instead of demonizing food and scaring them away from it or shaming them, or even acting like certain kinds of diets are even accessible to most people, how about we instead:

teach kids abt what we currently know abt how food works. why do they crave sugar and salt? why do these foods taste really good, and these ones don't? can we make them taste better? sometimes tastes change over time, so every few years we can try this food again, if you're up for it. how do you feel after you eat A LOT of food, regardless of what it is? what do you want to eat at different times? how do different foods make you feel? what kinds of tastes do you like? here are traditional and culturally relevant foods, and how/why they're important. how do we MAKE food? what abt food safety?

give them knowledge and choice in what they eat and how they eat it and when.

this is only possible if we education ourselves abt food, as well! which is why education around this is so important. but even the basics: hunger is this, food gives you energy, you need different kinds of energy, you probably should have a wide variety of it, etc.

for example, there is no such thing as junk food, there's just food. nutrition isn't just about calories or vitamins, etc., it's also abt social connection (covered well in this post), cultural connection, and emotional regulation.

it also looks different for everybody. no two people will require the same kinds of food in the same amounts prepared in the same ways. and what we know about nutrition is actually quite limited! not to say what we have is Completely Wrong, but that it's silly to paint with such a broad brush when we keep having to research and revise--and there are so many factors to health and diet that are difficult to account for, and make each person's needs individual. food & movement aren't the only two. and your socioeconomic status & geographic location control what you eat way more than anything else.

"ultraprocessed food" serves so many purposes: it lasts longer, it's typically more reliable and widely available, it's generally more affordable, and it's, crucially, more consistent and predictable, which is a HUGE thing for children (not even speaking of neurodivergent people in general). for ppl who can't afford the money or time of fresh foods, "ultra processed foods" are GREAT. (and they're also great for anyone who loves them)

if you have a problem with them, take it up with the government! we can have "ultra processed foods" that don't hurt people--it's the hormone disruptors and unnecessary food dyes that are the problem. they're outlawed elsewhere. we could follow their lead. preservation of foods isn't inherently bad. (and on the labor side, again, take it up with the govt: all workers deserve to be safe at work, protected, have a more than livable wage, benefits, etc.)

all of this is an overarching pipe dream about how we talk abt, teach abt, and interact with food, particularly as it pertains to raising our kids. but that's the point i'm going for here.

op is completely right, as is the addition; my hackles rise against "more wholesome foods" and "ultra processed foods" and the "let them have it every once in a while". you can go a month eating "junk" food (again, no such thing), and unless you have particular allergies or health concerns, you'll probably be fine.

determinants of health are so much bigger than what we eat and what we physically do.

so when it comes to teaching kids about food, we have to stop categorizing some foods as bad and others as good. it seems to be easier, but oversimplifying things for kids never goes well. if you're gonna simplify, at least be accurate and at least don't give them fucked up complexes abt shit.

tree nuts are WIDELY considered a Good Food. but they hurt me and could possibly even kill me, because i'm allergic.

fresh greens are WIDELY considered a Good Food. but they're raw, uncooked, and staring down the barrel of fewer safety regulations--so not only are they inconsistent in quality and texture (bad for kids & anyone with sensitive tastes), but they're also riskier. and ALSO, i have hEDS, and my body Cannot Digest fresh greens very well. (if accessible, an opportunity to teach kids abt where food comes from and maybe grow your own! but also [stares at heavy metals in most of the US soil] so y'know. ymmv.)

they're no better or worse than an "ultra processed" version of greens. that includes things like salsa, flavored veggie smoothies, premade soups, frozen veggies, etc.

the sum of my response to op & addition is: yes, absolutely. but also, there are no bad or good foods, and nutrition is more complicated than that. as per uszh, the solution is to treat kids like people and give them what knowledge you can, then let them make their own choices.

and the sum of everything else is: basically what i wish more people knew so that they COULD teach their kids that stuff. and also for themselves! and also this doesn't even get into the concept of "health" as a Whole Fucking Thing.

This is a controversial take that everyone will hate but it's one thing to feed your kid better, more wholesome food than twinkies and hot pockets daily, it's another thing to force them to adhere to a crunchy granola beige colored diet where they cant share the snacks their peers are eating or have a normal childhood or have fun. None of you were raised like that and if you were you know what im talking about.

[alexanderwales]

My web serial, Worth the Candle, has been adapted into a webcomic. This was thanks to my agent, who I have a great fondness for, since without him I would have to spend time trying to make connections and call people and do a bunch of work that I don't know how to do and am not good at.

I was offered the chance to write the webcomic, but declined, mostly because writing Worth the Candle had taken four years and was pretty draining, and was a story that I feel like I'm done with, minus some editorial stuff, answering fan questions, and the odd bit of promotion. So my level of involvement is that I get the pages as they come in, make some comments on them, and generally just give feedback which they are free to ignore.

So let's talk about some of the adaptational changes! You can read the first three issues on Webtoon here, or the first eight issues if you're willing to pay, and the books start here, but I'll assume that you haven't read either, and there won't be substantial spoilers because I'm talking about stuff from the very beginning. Actually, I guess there will be some spoilers, but later on, and I'll mark them, mostly having to do with some foreshadowing that the webcomic does which I didn't do.

(I licensed the rights to make the webcomic to WebToon and took my money upfront, they didn't ask me to write this post, I have not actually asked the artist/writer why they made these changes, it's just me guessing and commenting, for fun. Edit: My agent has informed me that I'm mistaken, I do get a cut. So apologies for the misinformation, and hooray for me, I guess I signed the contract ages ago and just forgot the details.)

Character Design

Here's how Juniper Smith is described in the books, ch 2:

I won’t belabor my physical description. My friend Greg had once said that I looked like someone had chosen ‘default’ for every option in the character creator, which I’d tried to laugh at but cut kind of deep. I wasn’t handsome, I wasn’t ugly, none of my features were very prominent, my eyes were blue, my hair was brown, average build, average height … After Greg had made his comment at one of our D&D games, my nickname had been ‘default’ for a while, at least until I stopped pretending to find it funny, and even after that my friends would use similar lines to trash talk me, saying that I was “the most generic man alive”, “a white bread with skim milk motherfucker”, or “the human equivalent of vanilla ice cream”. Not that I was any less of an asshole to them.

This is how he looks in the comic:

I would more or less give this full marks.

In terms of other aspects of character design, Juniper is here given a black shirt with a red symbol on it rather than the stock white t-shirt he's wearing in the opening chapters of the first book, probably in the interests of adding in some visual variety. On the page, it's perfectly fine that every person in the first 50k words is wearing basically the same stock outfit. In a visual medium, I do think that you need that pop. I do think it's interesting that Juniper is wearing the same clothes in the classroom as he is on the plane, implying that when he transmigrated his clothes ... came with him? I don't know.

The other major character of the first section is Amaryllis, who is a major character in the entire work. Here's her description in the book:

Standing by a workbench, among various car parts, tools, and cans of unidentified fluids, was the most beautiful girl I had ever seen.

I’m not really sure what protocol is here, in terms of prose. I mean, I don’t want to sound like a creep, so maybe I should stay as generic as possible and tell you about her dark red hair pulled back in a braid, the glacial blue of her eyes, how starkly alert she looked as she peered over the parts in front of her, or her grease-smeared clothes. Save for her eyes, I wasn’t really focused on any of that. My mind was consumed by tracing her curves, the shape of her chest in her blood-stained t-shirt, the fullness of her lips and the delicate way she had them parted -- and yeah, it was pretty fucked up that the splatter of blood on her shirt wasn’t worth rating much of a mention. I was consumed with staring at her and thinking how gorgeous she was, until I noticed that she was having a powerful effect on me, at which point different parts of my mind were given over to marveling at the sensation of being so attracted to a girl, and others were still focused on her.

Imagine that someone spent a few years studying your likes and dislikes, running through video of your every private moment, somehow surreptitiously hooking up EKGs to measure your physiological responses without you knowing. Then imagine that they sat down with that data and the best photo manipulation artists in the world and made the absolute perfect picture to cause your heart rate to spike, a jolt to run up your spine, butterflies in your stomach, and a cold sweat on your palms. Then imagine that they did this again, over and over in slight variations, until they had a full 4K 60fps 3D movie to show you. That was what it was like watching her.

And here she is (as she's introduced) in the comic:

Aside from the change in clothes, which in the book are the same white t-shirt and blue jeans that everyone else is wearing, Amaryllis has a scar on her face, of unknown provenance. This was probably added for visual variety, but I do find scars to be very fetching, and in one of the early versions of Worth the Candle she did have one (patterned off a woman with an extremely attractive facial scar I had met, the kind of facial scar that looked like it was applied by a Hollywood makeup artist specifically to give a touch of the exotic and mysterious, except she was a just a Midwestern mom).

And of course Amaryllis was always going to be an adaptational challenge, because the books are told through Juniper's eyes, and she's The Most Beautiful Girl in the World to him, and conventionally attractive to everyone else. Juniper tries to be normal about this. But if you're in the visual medium, you have to show both how Juniper feels and how she actually looks, and attractiveness is just so incredibly personal. My wife and I get in these kinds of discussions a lot, where she'll think someone is good-looking and I'll say "him?" or vice versa.

I think the above panel in particular is a good middle ground, a glamour shot that snaps back to the reality of their first meeting:

(The void gun she's holding there is much different from the one described in the book, not something cobbled together from spare parts and void equipment, but this is another very minor change that I would assume is meant for communicating immediately that this is a lethal weapon, and there's probably not a place for explaining how and from what it was cobbled together, which is also under-explained in the book for reasons of pacing.)

Story

I've read the first nine episodes, and overall, it's hewing very closely. There are a few bits in particular that stand out to me in how they're handled.

Spoilers for later in the series follow, I guess.

These are the opening lines of the webcomic. This is much stronger foreshadowing than I used, and I like it. Part of Juniper's backstory is that he's been deeply depressed and self-destructive, and he's slow to open up about this with other characters or the reader. The "it" that he couldn't go through with is, then, suicide. In the books? This comes very very late. Juniper being depressed after Arthur's death is brought up after the first major arc, halfway through what's now Book 1, and gets more explicit as the books go on, eventually getting to Juniper talking about his attempted suicide with people and grappling with it like ... almost halfway through?

I don't know what the plans for the webcomic are, but my guess is that they're setting up for much, much later on in a way that I didn't. This was always a background element, something that informed Juniper's character, not so much the suicide attempt as the feeling that came after, this understanding that yes, he did want to live, a heady, energizing kind of "I guess I don't have the way out that I thought I did" sort of thing.

So I take it as a good sign that this is the opening line. It points toward them understanding where they're going.

One of the other major adaptational changes is that they signpost Arthur's death with a memorial on his desk:

When I was getting pages, this was one of the first moments where I was like "yes, this is a good change, visual storytelling to replace my walls of text, flows and offers indirect information". I am very happy with the adaptation thus far, and stuff like this is what I love about adaptation in general, the need to grapple with the strengths and weaknesses of the medium.

Content Rating

Worth the Candle gets grim and dark in places. It at least attempts to grapple with serious things. The webcomic is rated Young Adult, and I'm not sure how they're going to handle the later stuff, but I can talk about how they're handling the stuff now, and what I think it means overall.

First, there's a lot less swearing. Worth the Candle in its entirety uses the word "fuck" ~1200 times. Granted, this is over the course of 1.6 million words, so a fuck density of one every 1.3k words, and some of those are in the verb "soulfuck" rather used descriptively, as exclamations, etc. My personal feeling is that this doesn't matter basically at all. I don't think I notice when someone isn't swearing unless they're using corny substitutions or trying to get cute with it.

Second, the violence is toned down in that YA way, where they're still showing much of the same things, just not with the same level of visceral detail. When a Marvel comic has someone thrown into a wall, they're no blood or snapping of bones or mangling of bodies, at least if it's a comic at a certain rating (I have definitely read some edgy 90s comics that do go hard on the violence). I think, overall, that this isn't my preference, which might be obvious from the way that I try to write fight scenes and such. But I'm also sort of inured to this toning down of violence, since it's omnipresent.

Third, there's the sex stuff, and ... well, it hasn't come up in the webcomic yet. I think I laid out my reasoning for why I think sex scenes should be written/included in Why to Write a Sex Scene, but the brief version is that sometimes you're showing how characters relate to each other, what they think of each other, and the sex scene shouldn't always just be something that's skipped over and left to the reader's imagination, because things happen, there are moments of communication, it can and does develop a relationship in the moment rather than after the fact. Plus a little titillation is, in my opinion, usually good.

The great thing about writing webfic is that no one can stop you from just including three solid chapters of hardcore pornography in the middle of your story. I have never done that, but I could is the point, and I would only get complaints from people who have no power over me. That same freedom doesn't exist here, and ... yeah, it makes my heart sink a little bit.

Fourth, there's some of the more mature content stuff, the topics that might not be broached. I don't know how they're handling that, so I reserve judgment, but I think my opinion is probably going to be "well, you do what you have to do", and if my version of the story is superior because there are no brakes, then I can be smugly superior about that.

Conclusion

This is already a fairly long post, and there are a few other things that I could have remarked on, but I think this is all the most interesting stuff.

Alright, just one real quick: Arthur is adaptationally more attractive, though this is also how Juniper sees Arthur and I think by the standards of webcomics, this is actually sort of necessary. Most of the flashback cast is not described until much later on, and by then you kind of know and understand them from the things they've said, if you can keep track of them. Many of the flashbacks are nearly disembodied. But if you're showing Arthur early, then the first impression he's going to make is in his appearance, and that really anchors people.

So overall, I am happy with the adaptation. There are challenges ahead, and I'm thankful that I'm not the one who needs to tackle those challenges.

[sir3n-s]

Steve knew that one day he wouldn't be able to refuse to play dnd. 

Especially since he was now dating a dragons master or whatever it's called. He can't keep up with all the names. 

And don't get him wrong Eddie is great and dnd sounds sort of interesting but he's been against playing for so long he doesn't want to give up the act. 

But he if was going to give up the act he was going to get something in return. 

The kids were all gathered at Steve's house for a movie night. 

They had 2 different kinds of movie night, one where they all actually watched movies and the other where the movie was just there for background noise while everyone either talked or worked on something.

Tonight Mike, Will, Lucas, and Dustin were making character sheets for Eddie's new campaign while trying to get Steve to join as well. 

"Just play one campaign" Dustin whined for the 20th time that night. And probably the 100th time in his life. 

"Are you ever going to let this go?" 

"No! You have to play one now that you're dating Eddie. Aren't couples supposed to try out each other's hobbies?" He got him there.

"He's got a point Stevie," Eddie says finally engaging in the conversation after being glued to the TV. Despite the volume being low he was still watching it with intense interest. 

"You're right, couples should try each other's hobbies" Steve agreed. 

"Uh oh," Robin says without looking up from the puzzle she was going with Nancy, knowing what he was going to say next since he ran his plan through her first.

"I will play a campaign but!" He says before the kids could get too excited, "you all have to play basketball with me" 

They all groaned. Except Lucas who was completely fine with this arrangement.

-

It was Saturday and they were all at basketball court in the park. Most of them were wearing their gym clothes. 

Except for Lucas and Steve who actually had basketball jerseys. 

Max and el were also playing since they wanted to join despite the fact they won't play dnd either. 

And who was he to say no to them? The more the merrier.

Robin and Nancy were sitting at the bench in the shade, Robin saying she refuses to play a sport because she's too clumsy and Nancy saying Robin shouldn't have to sit alone. But Steve knows they just want to talk shit about them. 

He wasnt going to stop them, he knew it was a lost cause to try to get them to join as well. 

The only rule they had before playing was that Steve and Lucas couldn't be on the same team, 'it wouldn't be fair' Dustin said and everyone else agreed. Even Robin and Nancy. 

So they ended up being the team captainsin on each team. 

Steve's team was Max, Mike, and El while Lucas had Will, Dustin, and Eddie. 

And it was going well! Better than Steve thought it would. Especially with how unathletic most of them were. 

Steves team was winng, and despite Dustin whinning about how it was because Steve was older and had more experience he hasn't even made all the points. 

He did score the first point but El scored the last 2. 

It's was 3 to 1. The only point they had was from Lucas. Eddie couldn't throw for shit, Dustin kept dropping the ball, and Will was actually doing pretty well but was kinda being ignored because Lucas and Dustin wouldn't stop arguing.

He can tell eddie was getting annoyed with having to constantly break up their fights.

Their team only needed one more point to win and Mike had the ball.

"Pass it to me!" He yells towards Mike and he does pass it to him. Just way too hard. 

Because it goes past his hands and right towardd his face. Smacking him hard in the nose and knocking him over. 

He hears everyone gasp as he groans on the ground.

He heard the tapping of people feet on concrete, and on grass, get close to him. 

"Holy fuck are you okay?" Despite his eyes being closed he can easily tell that's Eddie's voice.

"Damn Mike why did you throw it so hard" he hears max says. He also hears a light punch but doesn't comment on it this time.

"I didnt mean to!" 

"I'm okay" Steve says while getting up, grabbing his nose when he felt something on his lip. Blood, of course.

"That would've been a great throw if I was a little bit farther from you," he says towards Mike as Eddie helps him off the floor and leads him to the bench despite saying he was okay to keep playing.

Everyone gather arounds him as El hands him some of the napkins she keeps in her pocket.

"If this is how you all act everytime someone gets hurt it's going to get extremely annoying as we keep playing" Everyone makes weird faces, except for Robin who was grinning.

And Nancy because Robin definitely told her. 

He smiles. "You guys are going to want me to play more than one campaign, so you will all be playing more games of basketball."

While Lucas smiled, everyone else groaned.

[atqh16]

This scene hurts so bad because as much as I'm frustrated with Jiang Cheng for telling Wei Ying to abandon the Wens (because its such a morally bankrupt suggestion), I do understand that Jiang Cheng desperately wants to protect his brother. His anger, harsh words, and ultimatum are selfish, yes, but it's because they come from a desperate man clinging to one of the two family members he has left by the skin of his teeth. He has been stripped raw from what happened to his parents and clan, and it has given him tunnel vision so he could focus his efforts on keeping what little he has left safe.

But similar to Lan Zhan's request of "come back to gusu with me," Jiang Cheng doesn't realize there's no room for Wei Ying left on that side anymore. What the other clans want is him de-clawed and de-fanged like the miserable creature they see him to be. What awaits Wei Ying on that side is more snide remarks about his position as a servant. What's left there is more bitter, spiteful, and petty reprimands every time he ever reaches beyond the narrow limits they've set for him. There is no life for Wei Ying in Gusu Lan or even in Lotus Pier. They don't understand what they are asking of him, and he doesn't know how to explain it.

On the other hand I genuinely challenge the idea that Jiang Cheng was in a politically precarious position to do anything for Wei Ying. Because I argue that he has the most to gain in the situation.

The only thing that eclipses the dislike the clans have for Wei Wuxian is the fear they have of him. They see him as a monster on the loose and Jiang Cheng could have so easily turned it into the Jiangs monster on a 'leash'. Wei Ying would have no problem playing along. He himself had asked his brother for a solution. All Jiang Cheng had to do was go back to the clans and go "Wei is chill but he's keeping the Remnants cause he's right, the Jins were mistreating them so they're under us now"

There will be an UPROAR, but all he needs to do is double down and go. "Yeah? Fine, we're leaving, " and no one will be able to do anything about it. They just ended the sunshot campaign. All of them are still licking their wounds. Nie Mingju is a brute, but he just fought a war. He's done. There's a reason they left Wei Ying more or less alone even after he defected from the Jiang Clan. They knew they couldn't take him with what was left, and they didn't want to try so soon after just losing so many.

As for the Jiang sect, they're starting from scratch. Becoming self sufficient is difficult but still more than doable. The Wen Remnants managed to turn the burial mounds into a home and grow radishes. You can't tell me Yunmeng doesn't have even more to offer the Jiangs than the burial mounds gave to the Wens.

Another secret weapon the Jiang have would be Jin Zixuan. Who's so in love with Jiang Yanli at this point that the idea of him defecting from the Jins for her to open his own sect (or join hers) is more than a possibility. Getting back into the Lans good graces is also feasible with Lan Xichen and Lan Wangji there.

If Jiang Cheng had been just a little smarter and willing to play the long game, he could have had everything. A tougher road, maybe but one that would've been worth it just to have Wei Ying. Instead, he just bends and snaps under the pressure almost immediately. It's another case of circumstances offering him an impossible task for him to rise to, but he just doesn't even try.

How much longer 'til your luck runs out?

[First] Prev <–-> Next

[ninupi]

Hello I have a request! Could you write a scenario where either Kakucho or Draken (you can write for both or do one or the other I don't mind) have a crush on reader(they're friends though but they haven't confessed) however there's someone else who also likes reader and asks them to help them get together with reader🥸How would they react? And what would they do? I hope that makes sense 😅

Thank you 😊

Jealous | k. draken & kakucho (separately)

₊˚⊹♡ tags; fem!reader, both of these are in a good timeline where everyone look gets along, mention of reader looking up at draken, everyone lowk making fun of sanzu in drakens lol, ran being canonically blind but refusing to wear glasses is so funny to me LMFAOO, kakucho being a liar boy

₊˚⊹♡ wc; 830 (draken) 331 (kakucho)

₊˚⊹♡ a/n; ahh im so happy I finally found time to write this, I literally couldn't stop thinking about it when I first saw it lol

k. draken

Draken was intensely watching the TV from the couch while Mikey and Mitsuya were competing in mortal combat on the TV. Most of the guys were over at Mikey's house right now taking turns playing the new game. 

"I'm going to kick your ass Mitsuya..." Mikey warned after receiving a combo almost ending his character's life "You said that the last two rounds, maybe you should focus on fighting!" Mitsuya laughed nudging Mikey with his elbow trying to distract him. 

"You seriously suck at this Mikey!" Smiley laughs angering the blonde even more "Next round, you and me asshole!" Mikey yells pointing at Smiley after Mitsuya's character brutally rips Mikey's apart. "Ok let's go, this is gonna be a piece of cake" he smiles while switching places with mitsuya to sit on the floor. 

While the two of them argued about who they wanted to play Draken heard the front door open "I'm home! And I brought y/n so don't be weird!" Draken perked up once he heard Emma mention your name, you two had become friends earlier this year at school and Emma's been bringing you around a lot more. 

"Ok, so no one cares that I'm home?" Emma asks walking into the living room while y/n is behind her "No, not really" Mikey answers locking his character in "Oh screw you Mikey, I hope you lose!" she yells throwing a couch pillow at the back of his head.

"Hi y/n! How are you?" Draken can't help the way his face contorts in disgust at Sanzu's tone of voice "Hi Haru, I'm fine. Are you playing too?" Haru? Draken didn't know that the two of you were so close "Yeah, I played against Baji earlier and won" he bragged causing Baji to yell at him. 

"Are you not going to say hi to me Draken?" you question softly kicking his leg, he can feel the back of his neck getwarm. "Hey" He knows he probably seems like an asshole he just gets so nervous every time he talks to you. But when he sees you smile at him he knows you don't mind his cold demeanor. 

"Come on y/n, let's go!" Emma grumbles grabbing your hand and leading you toward her room "Bye y/n!" Sanzu calls out waving to you "Bye Haru! Bye Draken!" you smile waving at the two of them. Draken gives Sanzu a certain look when he hears Baji speak up. 

"You're so embarrassing man..." he sighs and Draken looks at Baji who's nodding towards Sanzu "Huh? What do you mean?" Sanzu questions offended "When are you going to tell her you like her? I'm sure she knows but it's best to get rejected now" Smiley laughs starting up his round with Mikey. 

"What are you guys talking about? I don't like y/n..." Draken turns to give Sanzu giving him an unimpressed look while everyone else turns to look at him including Smiley who paused the game to do so, much to Mikey's dismay. "NO!" he screamed out at the paused screen displaying how he was about to hit a combo on Smiley's character. 

"Do you think we're dumb?" Mitsuya genuinely questions fully turning to face Sanzu "Hi y/n! I love you y/n! Can I lick your shoes y/n!" smiley mocks Sanzu causing the guys to all laugh except Sanzu who starts protesting in embarrassment "I don't sound like that, and be quiet what if she hears you!" he hisses looking in the direction of Emma's room where the two of you were. 

"Her room is on the other side of the house, they can't hear anything" Mikey explains while fidgeting with the controller in his hands "Whatever man just ask her out already she might say yes, who knows" Smiley shrugs turning back to the tvand unpausing the game.

"Can you help me ask her out?" Draken can't even hide the way his face contorts in disgust before facing Sanzu "What?" he asks even though he heard him the first time "Can you help me ask y/n out?" Sanzu asks again a bit more harshly this time "No, do it yourself" Draken snaps feeling a bit annoyed about Sanzu's presence now. 

He feels Sanzu slump into the couch next to him when he gets up saying he needs a drink when the others ask him where he's going "Get me a soda!" Mikey calls out before losing to Smiley, again. When Draken walks into the kitchen he sees you sitting there almost like you were waiting for him. 

"Hey..." he mutters walking to the fridge "I heard you guys," you say without much emotion "Oh" Draken just continues to stare at the inside of the fridge not really caring about a drink anymore "I don't really like Haru like that you know..." you sigh leaning against the counter next to the fridge. 

Draken can feel a weight lift off of his shoulders "Oh really?" he questions standing up a bit straighter while closing the fridge, without grabbing a drink. "Yeah I kinda like someone else...someone a bit taller." you smile looking up at him. "That's nice to know" he smiles giving you his full attention now. 

kakucho

Kakucho really liked ran haitani, but right now he really wanted to punch his teeth in. "I'm real sorry about that sweetheart, are you alright?" Kakucho watched ran held your arm softly with a clenched jaw as he approached the two of you "Yeah I'm fine, don't worry about it" you smiled up at him.

"Hey, what happened?" Kakucho questioned walking up behind you softly pulling you out of rans hold. "Oh nothing, we just bumped into each other" you explain with a soft laugh while ran moved a bit closer to Kakucho squinting at him. 

"You should wear your glasses, then you'd see where you're going" Kakucho muttered pushing Ran's face away roughly "Come on my eyesight ain't that bad" he laughed standing straight realizing it was Kakucho who joined the conversation. 

"It actually really is, you need glasses" Kakucho sighs wondering how Ran's gotten this far in life being so blind "Oh yeah you should probably get glasses if it's that bad! But I have to go, I'll see you later kakucho?" you question looking at him with hopeful eyes. 

"Yeah, I'll come pick you up" he smiles nudging you with his elbow "Ok great, I'll see you later, bye guys!" you call out, running towards your class "You gotta set me up with her Kakucho" ran immediately says once you're out of earshot, nudging him with his elbow.

  "Yeah, not happening man," Kakucho says walking away from the taller boy "What? Why not? C'mon, help me out man" Ran sighed throwing an arm over the younger boy's shoulder "I'm not gonna help you ask out my girlfriend."

Kakucho is forced to stop when ran stops walking looking at him slightly shocked "Oh man I'm sorry, I didn't know you two were dating…that's my bad" Kakucho refused to look at ran knowing he was lying straight to his face. Ran didn't need to know that right now though, "It's fine, but yeah I'm not setting you up with her."

[jheselbraum]

Do you think the GF fandom tends to wobbify Stan a lot more than Ford?

Oh absolutely. And part of it is standard fandom projection, you know? Which is fine, it's whatever. People do it to Ford a lot, too. No biggie. People do it because they see themselves in Stan and that's fine, it just gets in the way of more serious thematic discussion, though back in the day it was a Lot worse people were a lot less chill about the whole thing to the point where if you so much as dared to point out that Stan is a criminal without the qualifiers that he's a criminal because he had no familial support as he was maturing into an adult and was homeless so he kind of had to in order to get by, you'd get fucking demolished.

And like, it's because a lot of people relate to having shitty parents and being told by teachers that they're not smart enough and being homeless or at least really fucking poor. Like, it's just kind of something that happens with fandom, you know? And it's fine, mostly, fandom is a sandbox and a lot of these people are projecting so they can work through real world shit that's happening in their lives (you guys have no idea how many unposted "Ford has some kind of mystery chronic illness that's just absolutely wreaking havoc on his daily life" fics I wrote after I got diagnosed). And it's not like there's zero justification for it, Stan's a very sympathetic character in the show canonically, despite his status as a wanted criminal (presumably internationally), and a bit of a softie at times.

The problem is when the fanon woobification is used in place of actual textual evidence when people try to have serious discussions about the canon material and not your fanfic where Stan is just. Just real sad about his brother, why won't he thank him? He's sad!

This chart from @itsabouttimex2 explains the cycle very succinctly.

Like, I'd argue that Stan isn't even the most woobified character in Gravity Falls by volume (that honor goes to Fiddleford to be honest) but he's the character whose woobification is the most visible and has the most capacity to grind any serious discussion about anything even slightly negative that happened to Stan or, god forbid, was caused by Stan to a halt. Again, this problem has gotten better over the years, despite the fandom's recent "relapse" for lack of a better term, but (and I say this knowing exactly who I was in 2017) sometimes in order to talk about something you like in a fan context, you have to take a step back and remind yourself of who these characters actually are and what the text of a work is actually trying to say. Like, "death of the author" as a way to interpret a work is incredibly popular in fandom at large, not just in Gravity Falls, and it has its merits, but I feel like it's gone from "the meaning of the text is not derived from the author's intention, but the reader's interpretation" to "the meaning of the text is not derived from the text, but the reader"

"Sometimes the curtains are just blue" has already been used to justify completely abandoning the idea of critically analyzing a work (to the point where many reading this will see the word "critical" and assume that I'm talking about literally criticizing something and not analyzing a work to determine its meaning, its purpose, and effectiveness at conveying those two things) and some people will take that a step further and go "Sometimes the curtains are red, because red is better than blue. Sometimes morally."

I didn't expect to go off to yes or no question like that, it just kind of happened. I don't know, I prefer discussions about this show where I don't have to step over a dozen people who think I'm talking about the version of Stanley Pines that lives in their head and always Responds Correctly to whatever personal issue they might have.

[hedgehog-university-au]

Sonic: I don't have a ton of family, but I have my Uncle Chuck! He's really great and I go visit him whenever I get the chance.

Tails: I haven't really talked to my birth parents since I was pretty young. And I don't think any of my foster families count, since they never really wanted me, so.... But it's okay, I'm doing fine by myself!

Amy: I love my parents! They're... busy, most of the time, so they don't spend too much time with me or call very often, but that's just because they're working so hard! And they promised to come up for my graduation!

Knuckles: My family is pretty great. Uncle Pachacamac is a bit... difficult, but I love my cousin Tikal. She's always here for me and gives me good advice.

Tikal: Aww, right back at you, cousin 🧡. And yeah, my dad can be a bit much. I still love him, but...

Espio: My relationship with my family is rather... strained. Particularly after the, uh, The Incident ™.

Vector: I got my Ma! She's awesome, and she lives here in town so I get to take the guys over to her house sometimes. And all the guys on my floor are like my family!

Shadow: I have my sister Maria. She means the world to me. Besides her, I'm... okay with most of my family. Our grandfather, Gerald, is pretty good... Oh. If we're talking about biological family, then I guess I am required to mention Black Doom. He is my biological father. That is all he is to me. And I've recently found out that he has another son, Eclipse, who is also on campus. I do not have any particular interest in him.

Maria: You should get to know Eclipse better, Shadow! But as far as me, I also really love Shadow! He's the best little brother a girl could ask for! And I love the rest of our family too, especially Grandpa. Our cousin, Ivo, is pretty gruff, but I believe he has a soft side. And I'm having fun getting to know his kids, Metal, Sage, and Belle better!

Belle: My dad and I aren't very close anymore. It's also been pretty hard trying to connect with my half-siblings. Sage is pretty nice, and we've gotten a chance to get to know one another a bit better, but Metal still isn't super friendly towards me. It's getting a bit better, though. And I've enjoyed getting to know my cousin Maria. She's super sweet, although Shadow still intimidates me a bit...

For characters!

If any of you have family, what's your family relationship like?

More character questions!!

[a-dragons-journal]

hey, i know you’re na’vi link so i wanted to ask something. i’m questioning na’vi kin right now but can’t talk about it on my main blog because one of my friends follows me. they know about my alterhumanity and i post about it on that blog. however, i am white. very white. i’ve seen some people say that na’vi kin is cultural appropriation? i’m worried my alterhuman friends will try to accuse me of cultural appropriation if i confirm this kintype. any advice?

Okay, well, first off, I'm also white, so let's get that out of the way. However I have had this conversation with and have heard the opinions of Native American people with both opinions, so I can pass on my conclusions from that conversation, and if other people have opinions they want to add I welcome them to, especially Indigenous folks of course.

Thing number one: if it's not a choice, it can't be morally wrong. End of. You can't apply morality to things that aren't choices. You can engage with it in moral vs immoral ways, but simply having an identity that you didn't choose cannot be immoral.

Now obviously that doesn't apply to me, and it may or may not apply to you, so here's the rest of it:

Someone who's Na'vikin/link isn't claiming to be Indigenous here and now. We're not claiming to have direct experience with those struggles or the same amount of voice as Indigenous people do with regards to them. Na'vi are similar to and based on Indigenous people, but they aren't actually Indigenous people.

The Na'vi aren't based on any one Indigenous culture - although the Metkayina are much more heavily based on the Maori than anything else, the other clans we've seen aren't as specific, and are intentionally a mish-mash of dozens of Indigenous cultures. So... who is allowed to be Na'vikin/link, exactly? If the answer is "only people from the culture they're based on," then the real answer is no one. And about that:

This is really just a variant on the old "is kinning outside your race problematic" argument, and we came to a community-agreed-upon conclusion on that years ago: no. For a lot of reasons, including the above, and also the fact that if you're saying it's okay to identify as a wolf but not as a character of a different ethnicity than you... does that not imply that it's easier for a white person to connect that deeply with an animal than with a person of color? Is that not pretty damn problematic itself?

As a bonus round, if your answer then becomes "well, I guess you can be Na'vikin/link, but you shouldn't talk about it/engage with it in public": we know that suppressing kintypes is bad for you. We have learned this the hard way - how many stories are out there about how incredibly unhealthy that is for most people? You're now advocating for a known harm in order to avoid a hypothetical one. I don't think that's fair to anyone.

For what it's worth, I do think there are probably ways to engage with being a Na'vi that are appropriative, racist, and weird toward Indigenous people - just like there are plenty of ways to be a fan of the Na'vi that are appropriative, racist, and weird toward Indigenous people. But I don't think being a Na'vi is inherently that way. I don't think it's that hard to be Na'vi and be respectful of real-world Indigenous cultures that the Na'vi have parallels to. As long as you're not claiming to be Indigenous here and now, or have some ~special connection~ to Indigenous cultures because of your Na'vi 'type, or appropriating Indigenous things because they have Na'vi vibes, then I think you're fine.

But, as I said, I'm more than willing to hear other opinions if people have them! Please, add on in the notes. (I also feel like I'm forgetting a major point in my argument as to why it's fine for some reason, but can't get my hands around it, so hopefully I'm wrong and if not you might see an update to this post in the future when I remember. I've got a bit of a headache right now, so I'm a little bleary.)

[ratlesshonret]

Something that has struck me from being in the Limbus community a while now, and having recently joined the Limbus subreddit, is that Limbus Company has a big problem...

The Onboarding Experience.

THE PROBLEM

When I started Limbus, the sheer amount of shit to get was overwhelming. So many IDs and EGOs, all of which individually were so expensive that it took a ton of grinding just to get one thing.

That was ten months ago. I believe the amount of IDs/EGOs in the game has increased by at least 50% since then.

I grind a lot more than the average player, doing about 2 MDs a day, as well as all my dailies. It takes me about a week to save enough Shards to gain one Identity/EGO, not including any limited-time events or new BPs coming out. Right now, I have... I'd say just over half the EGO, and all but two Identities. After ten months of playing.

This is woefully slow. Sure, you don't need every EGO/ID to play the game, but if you want good teams, it'll likely take at least 2-3 months to Shard enough IDs and EGO to build enough good teams to reliably take on Refraction Railway without headache.

There's also the story content. For the first... almost four Cantos, the game is so easy that you don't really need to try. Just do Pulls to get 1-2 good IDs and then throw them at the story until you get through. Though of course, 4-48 always takes people by surprise. And then 5-30. And then Canto V Dungeon. And then BHK. And then--

Even me, who grinds a lot, was actually pretty underleveled until Canto VI, where I was just slightly underleveled. Because getting EXP Tickets, especially for a whole team, is slow as shit. And UT3ing a whole team, for a new player, is actually a serious time investment just for the bare minimum. I see people going into Ricardo with UT2 team members because they don't have Thread. And UT4? Forget about it.

Sure, you can say Limbus isn't very hard, but a lot of stages sort of play like stat checks. And getting those stats can be rough as a new player.

I know they've done stuff to remedy this, like the "New Players Event" or whatever, and they'll be tapering off the EXP Curve for levels above 45, but it doesn't seem like enough.

New players have to grind a lot just to get a good enough team to beat story content. Especially now that Canto VII has such rough encounters.

So what can we do?

POSSIBLE SOLUTIONS

-Improve the "New Player Track" to add enough to level/UT a full team

Feels like a bandage solution for such a serious problem.

-Bump up the rewards for ALL Thread and EXP Luxcavations

Could be a good solution, if done well. Though if you buff it too much, you risk making early and midgame content too easy.

-Bring back old Mirror Dungeons and Railways.

This is my personal favorite solution. Letting people run old MDHards as they came out to get rewards feels nice. And old Railway rewards definitely wouldn't break the game, since most of them came out at a time when people just generally had less stuff anyway, so the rewards are only okay by today's standards.

Also gives players more stuff to do other than the "Story > Thread/EXP > MDNormal" loop. And justifies the inclusion of those mini episodes they release upon a new RR/MD dropping to a modern audience.

This still doesn't "fix" Shards though. I feel like Shard economy is still really rough as a new player. I think my solution is just to increase how many BP Levels doing an MD gives you based on which one you're doing. So maybe MD1 gives two levels, MD2 gives three, MD3 gives four, etc...

If that happened, new players would have ways to get Shards as they do now, with more Shards the further they get into the story. And I wouldn't have to grind for a week to get one ID.

But maybe I'm insane and Shard economy is fine, who knows.

CONCLUSION?

no idea.

[castingspellsanddaisies]

How's sexy time with...Jobe Bellingham? + his general personality + how's he emotionally? + how's he as a partner? | Tarot Reading

DISCLAIMER: Take everything with a grain of salt and have fun!

WOW... The brothers really look alike, huh?

This post has 18+ content, so if you don't want to read it, beat it.

How's sexy time with him?

9 of swords + 9 of cups + queen of cups + king of swords + king of wands reversed + 8 of wands reversed + 4 of swords + judgement + the star

Ladies and gentlemen, this man right here... Knows what he's doing.

What's the word? Munch? Yes, that's it. Jobe loooves to go down on his partner like there's no tomorrow. And he likes to make them scream! The wetter, the loudest the better for him.

He's loud too. I feel like he talks a lot during it and he's very vocal. Hot. He likes to call the shots, so very demanding (''now open your legs for me'', ''louder I wanna hear you'' ''who told you to stop, baby?'' these phrases came into my mind, so... Similar to this).

BUT he may have problems climaxing and making his partner c*m with only penetra*on. Oh, I see... That's why he prefers oral s*x. He liked to finish with his partner suc*ing him off most of times. And vice versa.

He's just... Really good with his mouth. Squ*rting too. And he goes round after round after round...

What's his general personality?

mountain + ship + lily + star | back of the deck: bouquet

the wheel of fortune + page of wands reversed + 3 of swords reversed + 10 of pentacles reversed | back of the deck: 2 of pentacles

Jobe's very hard on himself to always be better than he was yesterday. But he feels like his life's not moving as he would like.

He struggles a lot to have confidence in himself and in his goals, what he does. But here's the thing: Jobe is good at hiding his insecurities from everybody. He's very good at pretending everything is fine. He adapts easy to any situation. He acts like the people around him act.

I see that he has some insecurties concerning ''making his family proud''. Do I have to say it out loud? It's about him having big shoes (Jude's) to fill.

How's he emotionally?

king of wands + the moon reversed + king of pentacles + justice reversed | back of the deck: 5 of cups

Jobe's kind of pessimistic.

he likes to go to the core of every trouble he faces. He's not afraid to dig in and find ugly things about himself and other people. He prefers to know the ugly truth than live with pretty lies.

He's very critical with himself. He must be careful to not be unkind and unfair sometimes to people.

How's he as a partner in romantic relationships?

garden + cross + letter + crossroads | back of the deck: lily

10 of cups reversed + the star reversed + 4 of cups + 8 of pentacles | back of the deck: 5 of swords

He's the thing: Jobe's very reticent about dating, and that's because he feels like there's no one good enough for him. But calm down! What I mean is that Jobe can see how the ''dating scenario'' is nowadays and he doesn't like what he sees (people cheat all the time, they lack commitment, lack of accountability, lack of maturity...).

He's easy to disatisfy when he tries a relationship with someone. And he lacks mtivation to try something serious. It's like he lost faith in good relationships happening for him. And he's very direct about it with people. He doesn't shy away from saying how relationships are not for him - at least not right now. He loses interest quickly.

That's it, folks. I hope you enjoyed the reading! Take care <3

[triangular-static]

look i understand if people just don't like the idea of billford, i think we have a different internal concept of what shipping means (they're not good for each other at all but i need to dissect their dynamic like a bug. you understand. it's fun) but it's fine to avoid things you don't like, good for you genuinely

however people saying they like. don't see it. like. i'm not saying there's no platonic way to read it, i'm aroace spec myself i'm all for reading things in different ways. but i do think saying they weren't partners in any queer sense at all is trying too hard to go against what the narrative is trying to say, or missing it. somehow

anyway media literacy time if a character makes a joke like this

and the previous context of that joke within the show is that it's about an ex wife. what connection do you think the text is trying to get you to make.

and that's just from a writing point of view. not even noting that from an in universe perspective ford likely knows the joke from the same source as stan. and is therefore. placing himself in that role of the joke are you seeing where i'm coming from

(not to mention bill's side of this text which is. extremely manipulative but also does not read very platonic. again, it can technically be read as platonic! bill literally can manipulate ford's feelings. but the specific wording used is very much meant to look like possessive ex partner wording whether the character means it that way or not. it's coding. look again i'm not saying it was good for them i'm just saying there was something there.)

and then there's also the divorce/break up/rock bottom input on the website. like. how else is that supposed to be read. and the corresponding page in the book itself.

the language being used here. like yes he's saying it in a joking way but then there's the other side that isn't joking which is him crying at the bar. it's the both sides (the very coded language on top of the very genuine emotions and dynamic beneath)

i know most of us are on the same page with this i've just seen a couple people saying they don't see it when this is some of the most clear cut coding i've ever seen. and these are just the things that explicitly reference a relationship off the top of my head i'm not even including the general vibes of Everything

tl;dr it's barely even subtext anymore it's all but straight up text. what's not clicking have we forgotten what coding is (lighthearted i just enjoy the phrase what's not clicking. what's not clicking)

[naamahdarling]

Augh

[pardonmydelays]

i have a confession to make: i'm actually doing better than i ever was

[mel-loly]

Dont mind me:3

I- Tsu.. You didn't need to... But.. Yeah, uh... Thanks..😅💛

(no pressure, but if you can read the tags, I'd be happy! and that doesn't just apply to tsu but to everyone)

[wizardnuke]

um personally i think that if your girlfriend is insecure over you being friends with another girl you should run far away really fast. but i may be misreading the situation. i don't think i am though.