#If you can't even commit to a character making bad choices then whats the point of making them the villain of 3 different routes

[sunshine-in-a-bottle]

Everything to do with Edelgard's route is incredibly frustrating to me.

She has no agency. She's not starting this war for herself, she's being held at gunpoint by TWSITD and the best she can do is try to put literally any of the conflict on her own terms. It puts her in this constant in-between of "its her fault" and "its not her fault". You can never say how many things she's done have been her own choice.

Her most prominent captors are male, and it feels incredibly sexist to have this compelling female character who's influence is actually not hers, but The Men Behind Her, but also allow her to take the fall for all these decisions as if she had been to one to make them. She's villainized for what she can't control. She doesn't even get to take responsibility. She goes "oh my fake uncle did that. Sad." They couldn't commit to her making morally grey choices, but they sure can have her be disdainful of the people who suffered from those choices, as if they want to have their cake and eat it too. pick one.

And Yet More Possible Sexism. Hubert waits for Edelgard to make decisions, and if he doesn't like them, he'll secretly do what he wanted to do instead and claim its for her own good. As her most loyal friend, he should know how little agency she already has, how valuable it must be to her to be allowed to make her own decisions, and yet he still makes these choices for her.

Edelgard claims that the Truth of Fodlan is passed down from Emperor to Emperor, but we have no way of knowing if that evidence was doctored, edited, or biased when the earliest part of her life was dedicated to surviving a coup and then enduring torture from the people who have every reason to lie to her. When did she learn this info? She wasn't emperor when it was given to her. Is it an oral telling or is it written down? If its recorded, how safe is that location, and who was its original writer?

The Abyss DLC makes a good point about the way information can be edited and altered depending on who's in power and what propaganda you want to push through its library. To take a historical account at face value without examining these possible biases is a good way to spread misinformation, and Edelgard, under TWSITD's thumb, is hardly in a good place to recover info that hasn't been influenced by her captors.

I think the fact that Edelgard doesn't have all the information is probably the worst part of her route. Her endgame narrative is not one of true freedom. She's plugging in the narrative she has, coloring it with her trauma and her deepest wishes beyond all else. This route is not triumphant. You do not win a better future.

Her end card also is deeply disconcerting.

Just. The other routes don't have all these peasants looking distressed or unsettled. The destruction of two countries who fought to be allowed to be independent now being forced to abandon their culture in favor of once again joining the empire they had left in the first place. The emphasis on Hubert being the one drawing your in the background, having control, in a way that literally none of the other (male) lords have. Edelgard doesn't even get to be the true focus in her own goddamn mural. What is this.

What is the point of having this amazing, morally grey female character who takes up the focus of the entire game if you're going to constantly undermine literally everything she does by waving your hands and saying "well TWSITD did that actually. Hubert did that actually. She didn't actually want to do any of this, and if she did it wasn't that bad, and all of her info is dubiously sourced. She'll sound vaguely bitchy though if you want to feel like hating her."

Just. Stop doing this.

[sorcerersandskillusers]

I want to talk about one of the most terrifying and interesting bsd characters who almost no fan remembers.

This character nearly tore down the ADA without ever getting involved herself, yet the entire fandom has ignored her because of her terrible anime adaptation.

Who am I talking about?

Nobuko Sasaki

If you haven't read Dazai Osamu's Entrance Exam, then you probably don't even know who this character is, in the anime she is watered down to the lovesick girlfriend of an actual villain, and you probably dismissed her immediately. But in the light novel, we get to see how dangerous and cunning she really is, to the point she nearly gets the better of Dazai and almost causes the ADA to be shut down. (Fukuzawa says he would have closed the agency if they hadn't caught her)

In terms of intelligence I'd put her on the same level as Mori, just slightly below the super human genius characters i.e. Dazai, Fyodor and Ranpo

The Azure Apostle

For those who don't remember, Sasaki was the Azure Apostle, a mysterious figure who challenged the agency with several horrifying cases, which would all lead to mass casualties if the agency failed to stop them. These were; uncovering an underground organ smuggling operation (which the agency failed to stop and which massively hurt their reputation) stopping a bombing of Yokohama port which could have killed hundreds of people, and preventing a commercial aeroplane from crashing into the city (this was not included in the anime)

Each of the people, who committed these crimes, had no Idea they were being manipulated and thought it was their own idea the whole time. There was no evidence that anyone else had been involved at all, and the agency had no way to connect her to any of the crimes. And she even makes the genius move of framing Dazai, the mysterious new member with suspicious knowledge of the underworld and a hidden past, as the true culprit.

In fact, she only made one mistake, challenging Dazai. If Dazai had been basically anyone else, they would have been cornered and arrested, but since Dazai's mind works on a level even master strategists can't imagine, he was able to turn the tables on her.

But even after Dazai sees through her plans, the ADA still has to act exactly the way she wants them too and stop the plane crash. Even when they know they're being manipulated, they still have to do exactly what she wanted.

Finally, after Dazai and Kunikida confront her and get her to admit to being behind all those crimes, even then they are powerless to stop her.

Even after being involved with so many massive crimes, Sasaki herself hadn't done anything illegal, so within the law the ADA is completely powerless to stop her.

They can't arrest her, and if they try then the agency will be put in even more danger as will many innocent lives. She has completely trapped the ADA, and even Dazai in a choice to follow the law and let her go or take justice into their own hands and prove they will stoop as low as she did.

In the end, there she has them in a perfect deadlock, let her continue her mission, or kill her themselves. Both are bad outcomes for the ADA.

In the end, Dazai has her killed by using a third party (Rokuzo) to shoot her, so the agency can't be blamed for her murder, though this ends her plans it deeply scars Kunikida and shakes his resolve in his ideals.

The trauma from this event still haunts Kunikida to this day, we see that when he is affected by Q's curse, Sasaki is who he sees.

So thats the Azure Apostle, a terrifying master mind who nearly brought down the Armed Detective Agency, but now lets look at the other side of this character.

Nobuko Sasaki Herself

We know several things about Sasaki as a character and her history from the light novel. That she was a brilliant criminal psychologist and was internationally recognised despite being so young

,that she was the ex-lover of the Azure King and the real mastermind behind his plans, and that she had very little motivation of her own.

That's not meant to be an insult to the character, she says herself that she never really had much direction in life, even with her incredible intelligence she never really had anything she wanted to achieve.

But the Azure King was the opposite, he had powerful drive and strong ideals, he wanted to punish criminals who couldn't be touched by the law and when he failed to change the law as a bureaucrat, she offered him an alternative.

A very important thing here is that neither of them were manipulating or forcing the other into this path, as far as we see they genuinely loved each other, each providing something the other couldn't, Sasaki her mind and the Azure King his drive.

When the Azure king died, Sasaki had no path of her own to follow, so she simply kept following his, even though she doesn't seem to have really cared about his cause.

All of this creates a very unique character, you can't say she was driven by revenge, because she wasn't really driven at all. It's more like she was running on momentum, she had chosen a path to follow and could not stop even though there was nothing pushing her down it any more.

She's a perfect antithesis of Kunikida and was the best possible villain a light novel about him could have had.

A man who brings his ideals into reality with his own hands against a woman who uses others to enforce ideals that were never hers to begin with.

Anyway, I made this because Sasaki is criminally underrated in this fandom, If you haven't read "Dazai Osamu's Entrance Exam" I highly recommend it, I've only put a tiny fraction of the amazing story here.

[meo-eiru]

heyy!! here I am with some more thoughts, this time about Elias.

honestly, for some reason, he seems like a very lonely person to me. you mentioned his will to change himself (and go to extreme lengths in that); also his almost paranoid fear of darling leaving him, (delete all of your contacts except for him, etc) – usually such level of jealousy is a sign of very low self-esteem. dunno if it's true, I just had a feeling that he's super insecure deep down. (he's afraid to look bad in our eyes, remember? to an unhealthy extent.)

and he's so empty. so beautiful on the outside, but so so empty. he loves you, he exists for you, isn't that enough? it isn't. you can't feel genuine affection for someone just because they look good. and Elias knows that! he's actually self conscious (unlike some elf with big tatas), but he can't offer you anything else, which must make him feel even more insecure, because deep down he knows that he won't be able to keep you by his side forever.

actually that will of his to go to extreme lengths for us is pretty frightening. how toxic it can be? depends on the darling! because if you are a normal person, you'd be patient with him, change him, and have a happy ever after and all those boring things. but what if Elias happens to fall in love with an unreasonable and possessive monster?

I feel like he'd go very well with a darling who's yandere for him too. and a stereotypical one at that, who'd want to keep him by their side like a pretty doll. get it? not a life partner, not even a human. a doll, a pretty thing to take care of. they would choose pretty clothes for him, brush his hair, but at the end of the day, he's nothing more but a pretty thing, an object.

I really like the doll metaphor for Elias. (I'm a huge doll lover, I ever have one of that super expensive bjd) dolls are beautiful, but aren't alive. they can't be someone you'd open your heart to; under their shiny porcelain skin, they're hollow.

unlike Silas, Elias is a more tragic character in my eyes. he's willing to carve his bones to whatever shape you desire, because if he isn't validated and noticed by you, he has no value. and you (if you are a normal person) will grow tired and bored of him, sooner or later. he wants to be loved, when there's pretty much nothing to love in him.

unlike Silas, his love can ruin only himself.

(I swear it's not like I want to see him suffer in particular. I'm open to all kinds of despair, pain and sadness, whether it yan's or darling's!)

(also I tried to find his colour scheme, but all I found was you mention his hair, so it's just how I think he looks like.)

DHDKDHDKYS NOT ONLY IS YOUR ANALYZES AMAZING YOU ALSO DREW ELIAS??? AND HOW DID YOU GET HIS COLOR SCHEME SO RIGHT???

I love you thank you god I love asks like yours.

You’re very on point, Elias is like a pretty doll. Beautiful on the outside but completely empty inside, and that beauty is the only thing that gives him any kind of worth. He’s aware of this more than anyone.

He’s not rich, he doesn’t have an amazingly successful career, no hobbies, no specialities, no interests. He’s extremely pathetic and all he can do is pitifully attempt to pull you down to his level.

That’s why committing self harm comes so easily to him even if he doesn’t yearn for it. Endangering himself, his only value, his body, is the only way he can keep you with him. He doesn’t have any power over you he can use against you. He only has this disgustingly and pathetically beautiful body.

He wants to be loved by you, he wants you to be obsessed with him as much as he is with you, but deep down he knows he doesn’t have any qualities that could deserve such love. That is why he leans into his appearance so hard, since the moment he was born that face of his was the only thing that gave him any sort of value.

If you find any part of him ugly he’ll have no choice but to try to fix it even if it completely ruins him. Because he thinks that’s the only way for him to keep your eyes on him. He’s just through and through pathetic. Extremely pitiful.

He would indeed roll well with a yandere reader who treats him like a living doll. Because Elias wants to be values by you, even if it means getting stripped of the little sense of identity he had. He wants you to keep your eyes on him and see him as an object who exists for your satisfaction. Because at the end of the day that is what he is. An empty shell who was unfortunate enough to be born with the ability to love.

Elias’ existence can’t handle his own love. He’ll start breaking from inside out like a doll under pressure. That’s why he needs your reassurance, he needs you to reaffirm his worth. He can’t exist for himself so he needs to exist for you. He might be a beautiful shell of a human but he too can have some sort of value if he’s being used like a tool by you.

But watching you also makes him feel extremely jealous and frustrated. Because you have everything he doesn’t have. You have hobbies, things you enjoy, things you do for yourself, people who stay with you not for your outer shell but for who you are inside. Everything Elias never had and never will.

That’s why he tries so hard to ruin your relationships and threaten you to stay with him, to keep you at his level like a pathetic bug. Because you’re not like him. You can abandon him any day of the week and continue your life like you lost nothing, but Elias isn’t like that. If he loses you he truly will have nothing left.

So please love him, ruin him, break him, treat him right, use him, make him feel alive, give him some sort of value. Please be kind to Elias. He needs you more than anyone on this world

[tamtuliko]

I have to mention a few more things about Great and Tyme.

Great said: you were dying for me that night.

But darling, you were dying for him too that night.

Their eye contact here is so much. You can feel need, lust, want, they are dying for each other. I know Tyme did it for recording, but dude was so into it.

Look at his face, for revenge my a$$, he was into it as much as Great. Also Greats hand on his ribcage. Oh boy.

The fact that we see both angles is such a masterpiece.

Like in Greats timeline it's mostly his POV, but here we are watching from both side.

We see Tymes POV and we see Greats as well. The camera work for this is so good.

Small details I think about it.

• Time for their $ex in real timeline and making love in Greats 4 minute limbo. I tried to zoom in and screenshot Great's watch, but I can't clearly see it. But I think it is midnight. This show is all details and the fact that Bible is wearing watch every moment and especially during their intimate moments, makes me wonder if the time was the same.

Another tragic thing:

Greats Timeline, they won Real Timeline Tyme left

Cross road and bridge

Decisions. Hard choices. Encountering a crossroad and not sure which way to go. Why is life so difficult at times? Life is filled with choices, both large and small. Some are minor, but others will be life-changing, one way or the other. We can not avoid them;when you stand in crossroad, you are at a stage in your life when you have to make a very important decision. Turning points & deciding moments. See Tyme leaves Great here, he made choice, not to use him, not to scar this broken boy anymore, because he saw how tragic Great is, and I'm not saying that Tyme is good guy here, or Great is oh so bad guy, they both are red flags, but here we see their characters better. Tyme, who wills to move forward, but refuse to use Great anymore cause he might develop some feelings towards him. Great, who can't go after Tyme because he downs even knows what he wants, just $ex? Hook up and all. Or to be ally and go against his father, let Tyme use him? He does what he can, avoids making choices, and calls his brother to reject him. This kid is all alone.

In Greats 4 minutes limbo, he and Tyme cross the bridge and go somewhere far away.

To dream that you are crossing a bridge signifies an important decision or a critical junction in your life. This decision will prove to be a positive change filled with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage, isn't this sad??? Great wanted to have better future with Tyme, to move to new stage not just to fuck up. Bridge could be symbolic of connection, stability, and progress. Often, when bridges appear it could mean you are encountering a new start, travel, different way of life or a change or transition. It is normally a symbol of hope and commitment. Also, it is a symbol of relationships with others, especially those with whom you have strong, lasting, and deep connections, and I believe Tyme and Great have a strong connection. Maybe fucked up one, but still.

Another small things I'm thinking but can't find the conection:

In Greats Timeline, this ball also fell in a hole when he was calling someone to ask what time it was. And then the time moved.

They show us time here 11:50 pm. Why?? There is no way they are just giving it to us...

<still>, I mean you can do research, but what kind of research this dude did, so he knows about Greats fear of dogs??? Suspicious...

We see these minutes in real timeline as well. Why show it us with so big numbers?

Their meeting at bar, can't see clearly is the watch says 11??

Finally, this Shot is crazy. Tyme you little piece of shit, you did enjoy it 🤣

2 more days to watch episode 7, hoping we will get more answers this time. Cause I need to focus on my actual life, okay???

[spop-romanticizes-abuse]

(i kept forgetting to make this post for a while and only remembered when i was reading @antispopausandstuff 's recent post; sorry for the tag!)

i have to say this: catra having a mental breakdown basically every single season was pathetic.

usually villains have a third-act breakdown where they realize that they're losing to the heroes or they're losing control over their own allies, and they spiral into anger and desperation.

azula's spiralling in s3 of atla is a clear example of this, as she goes from the level-headed, cunning prodigy to a child who has lost everyone in her life and is desperately trying to use fear to keep people around. it's tragic because yes, she's a horrible person who enjoys torturing people and seeing them in pain, but she's also a 13 year old who was groomed into the perfect soldier by her father.

not all third-act breakdowns are like this though. sometimes instead of feeling bad for the villain, we feel satisfied seeing their downfall, because they weren't a sympathetic character in the slightest and they deserved to have that realization right before getting their ass whooped.

with catra, i get neither of these. i guess i felt a little bad for her the first time and i felt satisfied the second time, but then it just got boring.

there was no need for her to have a meltdown in every single season, only for the writers to use it as an excuse to make catra do even worse shit and hurt more people.

not to mention, her mental state wasn't consistent enough during these breakdowns. let me explain. let's take the s3 one, for instance.

catra is clearly rattled by the knowledge that shadow weaver picked adora over her (which.. wow who would have thought. but whatever). she is dissociating as she walks back to scorpia, there are tears in her eyes, she's devastated.

but then, as soon as catra reaches the horde with adora as her prisoner, she seems perfectly fine. she's calm and smirking proudly as she throws a bound adora to the floor.

and then when entrapta tries to oppose catra's attempts at opening the portal, oh no! catra is not mentally well again and she electrocutes entrapta. and she threatens to do the same to scorpia.

and then she goes right back to being calm and tells hordak that entrapta betrayed him (i'm sorry i don't care how good at lying someone is, i doubt they can deliver such a convincing lie when they are in a poor mental state) and mocks him for trusting entrapta.

and then throughout the portal sequence, catra is oddly calm. not just during the false reality, when she was pretending that everything was normal, but even after that when she starts sadistically torturing adora.

this doesn't seem like a character who finally snapped and is doing horrible things in a desperate attempt to regain control. it reads as a character who always wanted to do horrible things and finally got the chance to do it.

i can't view catra's breakdown in s3 as sympathetic because her actions seemed so intentional. the writers didn't even try to make it look like catra was going through some serious mental health issues and was only making such a dangerous choice because of that.

coming back to my original point, repeating a trope (especially a one-time trope like this) quickly gets stale. and it's even funnier when you think about the fact that catra basically had a dedicated mental breakdown every season and still didn't learn her lesson.

you stop feeling sorry for her and start rolling your eyes, wondering what atrocities she's going to commit this time. it's just the same thing over and over again, and it's funny that the writers used this as a way to keep reminding viewers that catra is a poor traumatized baby who definitely didn't make the choices that led to all this.

it's just bad writing. sure, in real life, people may have multiple breakdowns if they going through some shit. i can certainly attest. but it just doesn't work from a story point of view, especially when the writers refuse to hold catra accountable for your actions. mental health issues or not, you are responsible for your actions and you should work on changing your unhealthy coping mechanisms.

[oh-no-its-bird]

Tora gets hit w the time travel beam *gestures vaguely towards the "team ro time travel to warring states era but make it Tora AU team ro" post*

And gets mistaken for a bastard senju kid and missing brother of Tobirama bc of the resemblance. But also using the same logic I used w Itachi of the "the only people allowed to draw the connection are people who personally knew Tobirama when he was Tora's age (which, if sticking to the original team ro prompt, would be like 12) so only like. The founders + Touka get to make that conclusion

Him 🤝 Tenzo -> getting mistaken for a Senju and getting lots of hugs from Hashirama that make them Feel Things (TM)

People are telling Tora he's probably a bastard kid and he's making deliberate eye contact w that one time he tried to break into the senju compound and was kicked out bc the gates keyed into senju blood specifically. He's pretty sure he's not a senju guys. Trust him. Really.

Mmmm ok but actually taking it seriously, how would Tora affect the team ro dynamics in that specific adventure? In my original post I went really in depth on what each character thinks of their situation + the founders, so would that change at all?

On top of that, since it's a few month before the Uchiha coup, it's also peak Itachi-Tora-Shisui chaos hours as they plot to stop it

I think it's mostly the same, tho maybe Tora's general affect on Itachi means he isn't quite so much in the "Hey what if we just kill Madara. What then." boat

But also I can see the opposite, with maybe Itachi instead getting Tora on the "Hey what if we kill Madara in his sleep" boat

Shisui can sense the "Tora and Itachi are doing something alarming" button being slammed in the room over and investigates

Oh my god worst possible outcome: they get Shisui on board too. I can see it tbh, they were looking for ways to avoid the coup and the possible village retaliation and like hey !!! Opportunity they sure as fuck won't be getting anywhere else!!!

Plus like, play into the "Itachi rarley offers his own opinion bc he trusts Tora and Shisui to be in charge, but when he does offer it he's listened to"

Well he sure did offer his opinion!! And he sure is being listened to!!!

They actually all just feed into eachothers stress and decide that yes. To avoid the Uchiha coup and or possible village retaliation (they dont know the massacre is on the board yet but suspect smthn similarly bad), this is the best choice to make.

It turns into Kakashi having to talk them all down (whether he does so in time or not is debatable)

They get stopped, obviously, (tho actually commiting to killing off Madara like that would be very funny) and Madara assumes it was Tora's idea bc hes a clear leading figure in the trio and the other two are Uchiha. Tora is willing to take the fall for his friend, but Itachi is not

Itachi has a whole breakdown and bursts into awful messy tears for the first time since his father took him out to a battlefield as a child.

It's a whole thing and everyone is horrified (Tora and Shisui especially but even Madara + whoever else was there are cringing awkwardly at the sight of a previously blank faced little kid just. Loosing it.)

Itachi confesses to it being his idea and, at this point we're past the time travel reveal, explains he just needs to make sure Madara doesn't freak the fuck out and inevitable fuck over the entire Uchiha clan w a shitty reputation that haunts him for years to come

Madara is horrified what the fuck

Also INCREDIBLY demoralized ab the village now, what do you MEAN he fucking left it what do you MEAN originally Izuna died (they were keeping them in the dark ab everything future-wise other than just the fact that the village existed but this kind of forced the lid off that pot)

Also note: Kakashi !! Was !! Not !! Aware of this !!! Holy shit kids !!!!!!

They end up having a whole Thing(tm) about how look even if Madara one of the causes of their shit reputation,,, it can't all be traced back to and blamed on one man. That's not how politics work you guys.

(Queue shocked Pikachu faces and disbelief of three teenagers)

Kakashi, having his own special front row seats to the Konoha politics and rumor mill + yondaime's student + experience with facing the worst of it bc of his dad, giving them some sort of speech about scapegoats and politics and the soul crushing realities of systematic oppression and blame

It's a learning experience.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 成化十四年/The Sleuth of the Ming Dynasty

(The) Sleuth of (the) Ming Dynasty (it's hard to get an agreement on how many definite articles should go where) is a beautiful, high-budget 2020 drama about a weenie genius detective, his long-suffering and deeply traumatized sugar daddy, and the eunuch with the most difficult job in the Great Ming: keeping these two dumbasses from getting their fool selves imperially executed.

Depending on how you like it, it's either an OT3 or an OTP with an intense, underage third wheel, and either way, it's delightful. I wouldn't call it a comedy, but it has very many funny elements that keep the drama fun and engaging. The first half is full of shorter mysteries that are clever and thoughtfully plotted, and the second half goes in on the longer mystery that ties them all together.

I've already done my quick guide to the early-episode characters, if you want a taste of just how many people are running around and how wonderful they all are. But in case you want to know a little bit more before you commit yourself to a 48-episode series, here's five reasons I think you should watch it!

1. The whole thing smacks of gender

Yeah, this was originally going to be selling point #2, but I know what the people want.

This is not a show about gender. But boy it is a show that has a lot to say about gender, and not just by way of critiquing premodern Chinese gender roles (though it does do that!). Many of the cis characters are either a) somewhat gender nonconforming, b) canny enough to weaponize binary gender expectations, or c) both. Sui Zhou's entire third-act storyline is about how expectations of masculinity exacerbate PTSD in veterans. Three different AFAB characters either dress or live as men. The part where one of the male characters goes undercover in drag is played for laughs, but the joke isn't 'ha ha, a boy in a dress,' it's 'ha ha, this particular boy in a particular dress, and also he's terrible at it.'

And that's even before we get to the eunuchs.

There are several professionally dickless, permanently unmanned characters running around. One-third of the OT3 canonically had his external genitalia nonconsensually removed when he was five years old, and because of this, he has been given unimaginable authority. He's basically the second most powerful man in the entire empire, and he only gets that way by being unquestionably, ostentatiously, and genuinely submissive to the first most powerful man.

I have seen other Chinese media where eunuchs are treated like sinister clowns, good only to be the bad guys and the butts of jokes. Sleuth's main eunuchs are real and complex characters, and because of this, the show gets to explore what it is to live in this weird third-gender category of incredible power and powerlessness.

Now, don't go into this expecting woke gender treatises. Wang Zhi's never going to sit down and go, "You know, my friend and fellow eunuch Ding Rong, because of my lack of a penis, I understand my relationship to masculinity differently than other men do." But the show understands that even if he doesn't say it, it's true. And that makes a lot of the characters and their relationships just so much more interesting.

2. Uncle Jackie Money

Sleuth was the was the fourth c-drama I dove into, following the Untamed, Word of Honor, and Guardian -- or, Some Money BL, Less Money BL, and No Money BL. So imagine my absolute wall-eyed shock to find this was All The Money BL, courtesy of its executive producer, Jackie Chan (seen here with some of his handsome boys):

Sleuth looks good. The costumes are amazing. The sets are stunning. The cinematography is beautiful. Everything is so detailed, and while I can't speak to the absolute historical accuracy of all those details (see point 3), they're still gorgeous. In fact, you know what? I'm going to shut up and show you some of the promotional images.

(For actual screenshots, I'm just going to point you at @rongzhi's tsomd photoset tag, as they have done a tremendous service to the fan community -- though do beware of spoilers.)

Uncle Jackie's influence doesn't end with the money, though. Even though things get a bit goofy and wirework-y near the end, most of the drama's fights are shows of real martial arts skill. You can see his fingerprints on a lot of the choreography -- I'm thinking particularly of the time Tang Fan tries (and fails!) to stab Sui Zhou three times, which is pure Jackie Chan high-speed dexterity.

Add this one to the category of shows your Average American Television Enjoyer Who Can Handle Subtitles would like. In fact, I have shown the first episode to my normie father-in-law, who was impressed. Show it to your dad! See if he picks up on the gay!

3. I am from ... HISTORY!

The Chinese title translates to "The 14th Year of Chenghua," which works out to the year 1478. There are some clear anachronisms, but they tend to be played for comedy, so it's hard to hold that against them. On the whole, though, the show is trying real hard to evoke a very specific moment, and I feel it does so beautifully.

This does, however, mean that several of the characters are real people. I don't even have a good sense of how many of them are based on historical figures, that's how many. Hilariously, Wang Zhi's tag on AO3 used to read "Wang Zhi (?-1487 CE)."

Moreover, these are characters I've seen pop up in other media, played very differently! In particular, Noble Consort (up there in blue) tends to be written as an uncomplicated villain elsewhere, whereas Sleuth gives her a chance to add some goodness to her badness, until, damn, you can't but root for the bitch. (It also downplays the cradle-robbing, which, honestly, is for the best.)

You may have guessed from the eunuch section earlier, but it bears repeating: Wang Zhi is straight-up the best character in the show. He's smart as hell, and he has to be, because the second he's stupid, he's dead. I actually consider it helpful to know ahead of time that he's never going to do a heel turn -- I feel like on my first watchthrough, I was holding my breath for the first two-thirds of the show, waiting for his sudden but inevitable betrayal. It does not come. Wang Zhi is one of the heroes.

He's also, like, evil. He orders people flogged, tortured, and executed. The very first thing you see him doing is sinister as hell. And the show clearly doesn't think this is good, but it also doesn't judge him for it. He's a traumatized seventeen-year-old who has not had a normal moment of his entire life. He's working thanklessly for a boss who could kill him on a whim -- and he's doing it because he literally, physically was made for his job. He's mildly freaking out because he has no emotional grounding to help him understand that these weirdos want to be his friends.

Was the real Wang Zhi like this? That's beside the point. The point is, you get to see how someone in that position could wind up as the war-crimes-committing platonic ideal of a little meow meow.

4. oh my god the food

Warning: This show will make you hungry.

Again, beware of spoilers, but @peppersandcreamsicle and @qinzai have put together an entire cook-along Google Doc so you don't just have to drool -- you can do something about it! Or you can just read it and learn about Chinese cuisine, which is a little more my speed.

But it's not just about how good the food looks. Food is a vital emotional part of the series. People bond over it. They make and share it as a sign of love and care. It indicates status, ethnicity, interest, personality. The show's message about the healing power of cooking for the people you love will bring you to tears.

And yes, Sui Zhou is the main one doing the cooking, so get ready to drool over both the dishes and the handsome man preparing them.

Oh, and as though that weren't enough, Fu Meng Po can actually cook in real life. He's so dreamy. Absolute unreal handsome man with a devastatingly sexy voice. (I know my opinion might be different if I could hear his Taiwanese accent, but I can't so it's not!)

5. An Unsunk Ship

So like I said, my intros to c-drama couples had been WangXian, WenZhou, and WeiLan. That meant I'd basically come to terms with the idea that you can't have a main couple in a BL-but-not-really drama without splitting them up at least a little in the end, for no-homo plausible deniability reasons.

Tang Fan and Sui Zhou are still definitvely, unequivocally together when the story ends, as the iconic pentultimate scene of the series confirms with beauty and simplicity. I refuse to give any more details than that, but that ship's afloat.

(These shirtless pictures aren't from the end, but I wanted to include them, and I didn't have a better place to do it. ...Also, you know, ships and water? Yeah?)

And I think their winding up together reflects Sleuth's entire attitude. Tang Fan is made of sunshine, and the series loves him for it. There is tragedy aplenty in this show, but there's no misery. It is ultimately a hopeful show that believes in the power of second chances, if you're willing to take them. Time and again, the moral of the story is that you are only ever as good as the people who have your back -- but you have to be willing to let them have your back. Let people help you. Let people cook for you. Let people give you a reason to keep living. And then keep living.

Also, Sui Zhou gets two good kabedons off on that little twink, which means they're legally married now. I don't make the rules.

Bonus: Banger opening theme

This is one you will watch all 48 times.

Bonus #2: The Halo Video

This is the video that made me go, huh, these Sleuth boys seem like other boys I've enjoyed! Perhaps I shall enjoy them as well! And then I did. So if that might be convincing to you too, well, have at it. Even if it isn't, it's a fascinating three-minute study of shared those-boys-are-in-love visual language across these shows.

Fair warning that it contains shots from right up to the end, so if you'd rather go in completely blank, give this one a pass until later. (Excuse me while I now go watch it for the 10000th time.)

Have I convinced you to watch it yet?

It originally ran on iQiyi, though Viki's got it as well, and Viki's is free if you're willing to put up with some ads about it.

...I just noticed iQiyi's description of the series reads, "When the two handsome leading actors Darren Wang and Fu Meng-Po work together, what will happen? A lovely prefectural judge and an arrogant embroiered [sic] uniform guard join hands to crack unusual cases! Are you going to choose a new idol?" And you know what? Yes. The details are a little off, but that is the correct spirit. Thank you, thirsty blurb.

[poorlittleyaoyao]

i still think the worst jgy meta is the victim blaming madam qin one

If we're thinking of the same meta--the one that goes into detail about how long the betrothal/wedding planning process would have likely gone on for--then that meta is SUPREMELY frustrating to me, because the information it brings up is worth considering, but then it draws the conclusion that "Madam Qin is the real cause of the problem here!" which is both victim-blaming and oversimplifies the whole tragedy.

The tragedy of Qin Su is that multiple people close to her decided that she shouldn't know a critical piece of information about herself. If it were just JGY, I think her reaction wouldn't have been as intense as it is, but when QS receives Bicao's letter, she receives with it the knowledge that Bicao, JGY, and her mother have all withheld this from her, and she'll never get closure on it because her mother is dead and JGY is insisting that she carry on like it never happened. QS deserved to know! This was a breach of her trust!

But at the same time, you understand why everyone makes the choices they do, and why they believe that QS will be better off not knowing. In Madam Qin's case, we can assume that she fears for the damage to QS's reputation and prospects in even a best-case scenario if she comes forward. It's fully possible that Qin Cangye could disown QS since she is not his child, or (if QCY is a real one and stands by his wife) that the Qin clan as a whole would suffer retribution from JGS for besmirching his name, since he's Chief Cultivator and they don't have any concrete proof. Madam Qin also would have feared for herself. I mean, we don't know what kind of many QCY was. He could've killed his wife for committing adultery, for all we know! Or JGS could've had her killed to shut her up! Fearing for herself isn't a moral failing!

Understanding how protracted the wedding process would have been just drives home how horrifically trapped Madam Qin must have felt. She's kept the secret of her rape for two decades, and now it's coming back to hurt her in brand new ways, and she feels so powerless that she can't do anything but watch it happen until finally, at the very last minute, she works up the courage to talk to the one man in the situation who doesn't hold authority over her (and is therefore a safer bet)... and it's too late, because her daughter is already pregnant,* and to call off the wedding now would obliterate her reputation even without the incest.

Now she has to live with the regret of not acting differently on top of everything else. It's haunting. It's awful. It's not something to point at and judge her about. And I think it's telling that, IIRC, JGY himself doesn't ever blame her, either. There is no "how dare you blame me when her own mother didn't tell her!" or "I wouldn't have done it if Madam Qin had spoken up sooner!" Instead, he simply states that Madam Qin, like him, was afraid of JGS, shutting down any questioning of either of them. JGY places the ultimate blame for all of this firmly at his father's feet, and that's where it belongs.

*(It should go without saying that I'm talking about my understanding of the novel here, because the show makes the deeply cursed choice to cut the whole premarital pregnancy thing. But it's still JGS's fault there too, and I wrote character study fic about it once if you want to have a bad time.)

[gabrielsbubblegumbitch]

tw // suicide mention

I saw your post about Vox committing suicide, and seeing as you are a fellow angst fan, would you care to elaborate? 👀

I would like to preface all my posts on headcanons related to psychology and mental illness with a disclaimer: diagnosing mental conditions, especially personality disorders, can be extremely challenging. It's a complicated process that relies heavily on a psychologist's interpretation of facts, making it susceptible to biases. Personality disorders cannot be diagnosed based on surface-level observations and are not just labels that we can assign to people like in the case of MBTI. Additionally, I am not a clinician with any expertise in diagnosing people. Therefore, the following post should not be taken as a reliable professional opinion. It's simply my interpretation of the internal mechanisms that may be responsible for the behavior of certain characters in my fan fiction. Furthermore, I want to make it clear that I have no intention of stigmatizing people with personality disorders by associating them with villains. A personality disorder does not determine someone's character or make them a bad person. Some characters may be evil because of the choices they make, not as a result of their mental conditions.

So, you probably know I headcanon Vox as suffering from NPD (Narcissistic Personality Disorder). People with NPD can experience something called narcissistic collapse. It is not a professional psychiatric term, but it's widely used to describe the situation when a narcissist's weaknesses and flaws are revealed to the outside world, and they can no longer uphold their perfect Self image. It might sound a little silly to someone who's never experienced it or even something fair, simply the truth winning out, the pathological deceiver finally being exposed. But let me tell you, this is genuinely a terrifying feeling. While experiencing it, people may act like wounded animals. They can exhibit anger outbursts, act impulsively, go into depressive episodes, and make various desperate attempts to rebuild their perfect Self that are usually harmful to others.

But sometimes, the revealed truth is so ugly that the image cannot be rebuilt. It can make people suicidal because they'd rather die than live as someone hated, since love and admiration are what keep them going. So, yeah, Vox did something terrible (can't tell you what for now but here you can get some idea), and the consequences for his reputation were so damaging and irreversible that he decided there's no point in living anymore if it means experiencing his own downfall from grace.

[qsmp-yaoi-island]

I'll say the admins' decision that purgatory 2 is as canon "as the ccs want it to be" is awful and going to cause so many problems.

I think it's perfectly fine to have CCs choose to be out of character for their own lore because then they don't have to commit to rp all the time, but you absolutely cannot do this with the MAIN plot of the story. One of the main reasons is that not everyone will pick and choose what's the same as canon.

A perfect example is just a few days ago, Phil was involved in a main story point of protecting Luffy who escaped. Luffy told Phil that he was looking for Tubbo/Bagi, and of course, because Phil was not informed of anything going on, he told them that they went back to purgatory. Even though Bagi and Tubbo said their purgatory isn't canon. So now imagine Phil is panicking about Luffy not finding the people he's looking for only for tubbo or bagi to show up randomly and confuse the plot even more.

I will say that I don't really care about how the story should be perfectly consistent because I know that's impossible, but it's more about how it's ruining the rp choices of others. Phil did such incredible rp stressing over how everyone left for purgatory again, but for them to show back up without a care or explanation? Undermines all of his emotions and effort into making it feel real.

Another point is how it's effecting the CCs efforts for consistency. Tubbo gets kidnapped IN FRONT OF HIS FRIENDS EYES, but logs in the next day and gets attacked by a code. So now you face the confusion of either believing he was taken and how that effected the characters rp around him, or believe that the code is back as a main story element. You can't believe both because they directly contradict eachother, so you end up wasting a good plot point for another. For example, Fit has canon separation anxiety and seeing tubbo go missing in front of him could have made for good character development.

Baghera was asked to stay off the server for the past few weeks because the admins had lore planned out for her. She expressed that she missed being on and seeing her friends but trusted in the admins that her return would be worth it to wait for. So some characters are allowed back and immediately cause inconsistenties but some people have to wait? It sucks for CCs like Baghera, Slime, and Pol who express how they want to get back on but are committed to their lore. But I also can't entirely blame the people who came back from purg2, even though I do think its a bad rp choice on their part, because the admins specifically told them they could.

Finally, the worst part is how it demeans the story being told. Imagine after purgatory 2 ends all the people coming back could talk about the hell they went through, the people they met, the fate of Cellbit and Baghera. But instead Bad's "1/4" came back and immediately told Pomme he saw Baghera. Isn't that lame? Doesn't that feel like a waste of good exposition? Hell even Foolish was there and just chose to ignore it because, hey, there's no canon reason he should know that!

That's the problem now is that no one knows what to tell eachother anymore, because it will only be inconsistent with what others are saying or doing. The stories is slowly losing its integrity because it's doesn't know what is important to take seriously anymore. Should you worry about the code attacks? I don't know, it happened to someone who wasn't even technically there. Hey I saw this missing person but I'm also supposed to be missing too, so should you even believe me?

It's confusing, it messy, and it will absolutely ruin story lines down the road.

I love the story of the QSMP. It's what drew me into the server and made me love it ever since, and to see it get pushed aside for a competitive event really sucks. With the way the server has been so rp and lore dependent for the last nine months, it just feels so strange for it to not be the focus anymore. Purgatory was fun, Purgatory 2 looks even better, but I would not trade them for the fandom toxicity, story inconsistency, or divided attention on gameplay it created.

I know with time the story will pick up again, people will return, and it'll be well throught out and planned again. I just think it's important to be critical of these decisions now so they don't get repeated in the future. If there ever is a Purgatory 3 or some other event, all I would hope for is that it has a clear and defined plot revelvancy so you don't have to scramble to tie up all the loose ends later.

[sharonisthebettercarter]

Well the comics did a good job squandering any sympathy and shiz for dicklander, and the show too. I only feel bad for his child self. His grown ass can get attacked by rabid kryptonian dogs for all I care.

i disagree.

and look, i ain't gonna tell you how to feel boo, i can't obviously. i can only spew out nonsense and hope i might reach you or someone else who comes along to read my long winded bullshit.

but while both renditions are pieces of shit, i feel so much for comics homie too if not more. he's even more whoobie than show homie but gets dismissed but i digress.

throughout the story, we're made to feel *suspicious* about the claims on homelander or that his story may have more than meets the eye. ennis presents it point blank. he doesn't tell the reader how to feel about homelander, or anything, or anyone. he makes it clear how billy feels, how other characters feel, but he also certainly makes it show that things aren't quite adding up about him and billy's claim. he presents the story and lets *you* the reader feel (which is what real *good* writing does)

BUT it's framed out in a way to make the reader realize he *wasn't* this big bad awful guy he was made out to be, a piece of shit sure, but and not the real monster they were after, that billy was fuckin' wrong (like his dumb ass always is), that his end and final point in the story was manipulated, coerced by outside force, and not truly justified as a result.

leik, this guy got his WHOLE LIFE fucking RUINED, his whole self image, gaslit into fucking oblivion to *believe* he was a bad guy until he *became* a bad guy, after literally never once getting a *choice* for anything, ever, at all, at any point in his whole gotdamn life.

this boi never had a chance... and even after ALL that. people STILL want to control or punish him when he lacks one major vital thing that would warrant him *actually* deserving that.

AGENCY. fucking agency, the answer is agency, homelander has none of it, never has, and still does not have it. (he pretends to but it's not quite the same, the lack of it is what makes him a ticking time bomb)

you seem like someone to really value your own agency so idk, i feel like you should get that??

BUT GOTDAMN LET THE BOI JUST FUCKING BREATHE AT LEAST ONCE PLEASE????

UGH

just try to imagine if every single choice in your life was made *for you* by *someone else*, and that's homelander. and it doesn't stop into adulthood, it just turns into a fucking fucked up conservatorship beside someone who wants to kill you, oh yeah, and stunted growth so you never get a chance to really grow up and feel like or be your own person either.

like i'm not kidding, he might as well be a child STILL in that regard and it is super fucked up how often people exploit and groom him that way. i don't care if he's fucking 16, 40, or in his 70s, the man *ain't* grown like he should be and *needs* the space to actually *grow* before we decide to fucking judge him, else we're no better than his abusers.

and when a kid commits a crime, it's the parents/guardians that are brought up on charges/trial. there is a *reason* for that.

homelander's very clear lack of sanity/mental capacity and vought being his 'guardian'/conservator?? (if he even is a real legal person...) would put him under this spectrum of bullshit, and baby i don't want to say it's ableist not to acknowledge this, but...

i mean if i'm being real, it kinda sorta is...?? wait... HOLD THE--- FUUUUUUUUUUUUUUUUUUUUUUUUCK!!! OH MY FUCKING SATAN--it IS!! and I JUST GOT WHIPLASH FROM WHAT THE FUCK IS WRONG WITH THE BOYS FANDOM WHEN IT COMES TO HOMELANDER.

this motherfucker is *CRIMINALLY INSANE*, emphasis on that last fucking part, in every sense of the word *CLINICALLY*. and when that happens, even the fucking laws in the fucked ol' U.S. of A. DO NOT 'punish' a mofo by regular 'incarceration', they still order institutionalization but with a HOSPITAL for TREATMENT. (granted there are a whole mess of other problems in this country that still do not handle this properly jesus fucking christ--)

ABLEISM! it's fucking ableism that doesn't let fandom recognize this!! EVEN some of the people who claim to love him!!

except THEN make it WORSE on top of everything *because* of the stunted growth and vought AND limited personal agency and... fuck me... UGGGGGGHHHHHHH--

but THAT is homelander. and uh... yeah. yeah, you'd probably lose your gotdamn mind too, i don't think ANYONE could walk out sane, realistically speaking. pain is easy to say we'd walk out clean from, and then we all turn into pussies the *second* it's our turn to deal.

and the whole point of the twist is to rob you of any satisfaction of his death and make you angry at his circumstances rather than at him. again, ennis doesn't explicitly *tell* readers how to feel because it's more of a graphic novel but...

i personally think the show is aiming to recreate this effect because if they can pull it off (and manage to make an entire population feel like utter ableist shitheads for wanting him dead), then they'll be pulling off some kinda magical MAJOR amazing heist of the feels for the ages that will *hopefuly* be enough to push society in some better directions than its current state (man, we really could not have asked for a better time for this series... holy shit--)

as much as it pains me, *this* was why he was killed in the comics. not just for... ugh, sadness, realism... but because it was *part* of the lesson in exemplifying what was actually wrong.

man i am just way too fucking hyper analytical with this shit and also sometimes SO SLOW i--

[tobiasdrake]

What do you think of Majin Buu's redemption?

Complicated. Buu's arc isn't... I wouldn't really call it a redemption, so much? It's closer to a child learning right from wrong for the first time. Just. Muddied by the extent of the wrongs Buu committed in ignorance.

Morally speaking, Majin Buu is a very complicated character that operates on an eldritch scale. He doesn't map 100% onto a relatable human experience.

The original state of Buu, colloquially known as Kid Buu or Pure Buu, is effectively a mindless killing machine.

Like. That's not to say that he's a zombie or something. Pure Buu demonstrates creative attacks, learns moves from watching others perform them, and is capable of advanced problem-solving.

But by the same token, he doesn't really seem... self-aware. Pure Buu's behavior is more akin to a feral beast than a sentient person.

I would compare him to a robot. He's capable of learning, applying knowledge, and working out solutions to obstacles in front of him. But he has no sense of self, identity, or real understanding of the universe around him; Only a program that he uses his comprehension to carry out.

He's making advanced calculations, rather than informed choices. He exists for the singular purpose of purging all things that exist.

No, Goku. He does not. He is not interested in fighting you. He is not interested in anything. He is executing Annihilation.exe.

The only reason the fight on the Kaioshin world can even happen is because their god-world apparently can't be blown up.

This is what writing yourself into a corner with protagonists who can't breathe in space and a villain who blows up any planet he touches looks like.

Even Buu himself doesn't like this version of him. He practically begs Goku and Vegeta not to erase his identity and personality.

This is the foundation that Buu starts from: A killing machine programmed to destroy. But then he absorbed the Daikaioshin or The Great God of the World Kings and developed an intellect and personality.

(Given that Dragon Ball's mythology is rooted in Japanese Buddhism, it's likely no coincidence that Daikaioshin and by association Fat Buu has a Buddha-like appearance.)

Fat Buu is a lot like Piccolo Jr., with the difference being that the reincarnated Piccolo was very adult-coded while Buu is clearly meant to be taken as a child. Nonetheless, he's the first aspect of Buu to be self-aware enough to become capable of moral agency. Daikaioshin's influence on his mind made him more intelligent, turning him from a mindless killing machine into an impulsive and easily influenced child.

Look at him in that center panel. Just. Thinking about what Goku said. Mulling it over in his head. Like, he was onboard with this whole "Do what I say because I have power over you" thing but now that you mention it....

Goku does not get enough credit for being the one to kill Babidi. This rolled up to him. He straight-up ended Babidi with a question.

In this form, Buu does vile things, to be sure.

But as the text box says: He's a child at play. Majin Buu at this point has the moral complexity of a five-year-old. He's not really evil; He just... doesn't know better. He's never been taught better, and so his actions are almost paradoxical in nature.

Legit, one of my favorite chapters of the entire Buu arc is when he encounters a starving blind kid and heals his blindness so he can be properly afraid of him. Then winds up making friends.

Nuked that town and also he made that milk by Candy Beaming a human being so that's horrifying. And yet, you can see the peculiarity of his villainy even this early. Buu craves approval, even though he's been taught to care only about destruction and carnage.

Craves it so much that bringing an end to his carnage is as simple as asking him to stop.

And that's that. It's really not so much a redemption story as it is a child being taught better. Mr. Satan was the first person ever to actually say to this thinking form of Majin Buu, "Hey, that's bad. Don't do that. It's bad."

The first person to try parenting him instead of fighting him. (To be fair, it would have been impossible to parent him before Goku's semantic homicide of Babidi.)

Once this form of Buu returns in the final battle, he still isn't really a moral actor. He becomes a protagonist out of nepotism.

(Yeah, Viz uses Hercule instead of Mr. Satan because they hate fun. HAIL SATAN.)

After Satan asks him to please stop being bad, Buu becomes morally neutral. He's effectively Satan's uncontrollable toddler. He doesn't comprehend high-minded ideals of good or evil; He's an emotional and impulsive creature who cares about his bestie.

Which, to be honest, puts him in good company. Most of the cast of Dragon Ball are ex-assholes who don't so much have a traditional redemption story, but instead just... stop doing the thing. They used to be assholes, and then, for one reason or another, they stopped.

It's actually something I find really grounded about the way Dragon Ball handles its cast. Most of the characters in the series are like this, to varying degrees of past heinousness. There's none of the gravitas of atonement or redemption questing or the Big Moment of Redemption. They just. Stop being assholes and become some guy.

Piccolo is a rare exception.

[yuikomorii]

Heya! In which of the boys route do you think Yui was broken/hurt the most?

I always wanted to know which would be the worst scenario (route) for like.. an avarage girl irl . I know most girls would not survive there😅 but just wanted to know your opinion which of those 6 doors you would never open. Or 13 if we count all the characters.

// Since it's an otome game, it goes without saying that there will be a lot of plot armor and that the love interests can't really harm the heroine seriously throughout the route, regardless of what she does, because the plot would go nowhere like that. Most characters are jerks but not really that hard to handle, since they were known for scaring Yui rather than letting her get genuinely hurt. However there were certain Diaboys who were very scary, as it felt like they had no feelings of remorse or empathy.

Laito:

Can’t say that his HDB route is the worst thing Rejet has ever written (because it’s definitely not) but it baffled me how he was so okay with Yui breaking like that to the point where she lost all her will to live and only wanted to be set free from him. I mean, she literally tried to commit and he was just there not even intending to stop her bleeding veins despite being the one who cut them?? It’s true that in the Vampire Ending she doesn’t turn out that bad but after all, this is just because it’s fiction.

Kanato:

He was easier to understand than Laito because at least you were able to know that he had a soft spot for sweets and Teddy. Nevertheless, it was a bit too much how he kept stabbing Yui with the fork and a few chapters later, I’m pretty sure he stabbed Yui with a knife in more places as well. Still, it’s surprising how she turned out worse in his route, considering the fact that in the afterstory she kills innocent people—

Kou:

I love Kou but he was a literal demon in MB. I really hated how he made his fans bully Yui JUST FOR FUN. It wasn’t even any sort of punishment, he merely wanted to make her suffer. Another thing I couldn’t stand was how he kept putting Yui’s life in danger, only to make her prove her love. I understand wanting to test someone but it would have been way better if he actually saved Yui after seeing her do something dangerous. That way it would have proved that he cared for her yet he continued to watch her get hurt for him over and over again, without feeling any empathy. He was sorta redeemed at the end but yeah, most of his route was big yikes, especially since you wouldn’t have expected a cheerful and friendly idol like him to be such a wicked person.

Carla:

I like the Tsukinami family's desire to preserve their lineage but sorry, I must say that I find it repulsive that a 17-year-old would be forced to become pregnant out of the blue with strangers. I understand that Yui was partially to blame for Carla's anger and subsequent dungeon scene but that moment grossed me out sooo bad. She lost her will to live but Carla literally jumped on a depressed girl and was on the verge of rap€ing her, if his Endzeit didn’t kick in. He gets gradually better throughout his route but this scene left a sore taste in my mouth.

Kino:

Look, Kino is a great villain and a lot of fun, but his LE route was trash. Kino killed a child, mistreated Yui, abducted both Yui and Ayato, planned to sell Ayato to the church for execution, manipulated Yui and tortured Ayato. The pain he caused them both was immense and although I appreciated Yui calling him out, it's so sad that she was brainwashed. While it's true that Kino can be quite cute when he wants to, their romance was so rushed and forced because they didn't give us any reason why Yui would fall for him other than manipulation when Ayato, who was seen to care more about her than for himself, was right there. I wish they developed Kino’s feelings better, given that he straight up blackmailed Yui to become his, otherwise Ayato would had been killed, therefore Yui had no other choice but accept the situation. That’s why his CL route is way better.

I only mentioned 5 instead of 6 but that’s mostly because no other character came closer to them in terms of bad scenario. The rest of them felt decent in their routes for a game called Diabolik Lovers, lol.

[arceespinkgun]

I'd love to hear your opinions on IDW Rodimus. I personally thought he was one of the better characters in that comic, but I have not read the Marvel comics so I have no point of comparison.

Just to clarify: I hate this character as he is in MTMTE and Lost Light. Not Rodimus as he appeared in IDW before those series. I'm not familiar with all his appearances, but his origin story seemed pretty strong to me. What I'm about to say isn't the fault of the character, it's the fault of the writer, James Roberts, who I resent for throwing out all the characterization that came from other writers before him in this and many other instances.

I don't really know what to say. Rodimus is a monster. I can't recount every horrible thing he did, there's too many. A few egregious ones are:

Punishing Rewind for having a snuff film collection, but then telling him to project a record of Fortress Maximus being tortured onto a wall to trigger Maximus during a hostage situation, then telling Swerve to shoot Fortress Maximus after Swerve repeatedly protested. Swerve said he was a bad shot, that Maximus was too close to Rung, that Maximus was already calm... Rodimus had so many chances to reconsider.

When Red Alert attempted suicide, Rodimus lied to Rung about it. You know, Red Alert's therapist? And not only did he lie about that, but he called this person who'd just tried to take his own life a bunch of ableist slurs. And Rodimus smeared him like this to cover his own ass and hide what Red Alert had found.

Bringing Overlord onto the ship because his ego is so fragile it couldn't handle Prowl calling him a wimp, then lying repeatedly about it, including during Overlord rampaging around killing the crew.

When Ultra Magnus is presumed dead and Drift is exiled by Rodimus, one issue after they're gone, Rodimus goes to Rung and Cyclonus and is basically like, you two are the new Ultra Magnus and Drift, really showing how disposable everyone is to him.

Rodimus's treatment of Drift in general was especially gross. Please keep in-mind that Rodimus is the captain, so he had direct power over him. Rodimus got possessive and impatient any time Drift was doing anything other than attending directly to Rodimus, including calling him some horrible, undisclosed thing, and threatening to have the law changed specifically in order to punish Drift for his Decepticon past (this is during peace time). He claimed to Thunderclash that he'd "rehabilitated" Drift. He had Drift take the blame for Overlord, kicked Drift out of the Autobots, and didn't intervene when Drift was assaulted for this. And we learn that Drift only hadn't told the crew the truth about Overlord in the first place because he'd felt "beholden" to Rodimus. The way Rodimus treated Drift almost felt to me like Drift was his courtesan or something, along with the racist tropes that implies... it's really bad. EDIT: oh, and it was even worse because Rodimus exiled Drift right after Drift had his legs torn off by Overlord, and because when Rodimus eventually did confess to bringing Overlord on board, he didn't look for Drift or even send him a message.

Now I know what fans might say. But he came clean/apologized/grew so it's an arc! But that's not the case. As I've reread most of MTMTE just now, I saw that this character is basically written as a complete monster until about issue 18, and then suddenly starts behaving heroically and saying the right things after no growth at all. It's not an arc, it reads like JRo just reconsidered this guy's entire characterization, but you can't do that! You have to commit! Plus, I do not really care that Rodimus did better eventually, because "making amends" should have included stepping down as the first act. No, there absolutely should not have been a vote over his captaincy. He should have been removed or better yet, removed himself. (Also, what kind of a sadistic choice was that vote? Because if Rodimus had been voted out, that would have meant Megatron would've been sole captain of the Lost Light, and there was no vote over that! That was just unilaterally decided by Optimus Prime!)

A really great example of how Rodimus doesn't really grow or change genuinely is issue #36. In that issue, he and other crew members go back in time, and Rodimus keeps trying to find a way to prevent Trailbreaker's death. He shows a lot of concern for him. But this comes out of nowhere. As I've just reread a large chunk of MTMTE, I can tell you that Rodimus and Trailbreaker had no connection whatsoever before this. And again, none of this is the character's fault. This is the writer's fault. Because Rodimus doesn't actually grow, I wouldn't blame people from being like, "Well, I prefer to think of Rodimus as the version who behaves better and says the right things." But that would be the reader's choice, not something the writer or series should be credited for.

When it comes to Rodimus in the Marvel comics, what sort of things did he do that made him a flawed, complex character? Hiring a bounty hunter to take out Galvatron, which went poorly, but the intention was to try and keep people safe. Giving in to being goaded by Galvatron and losing his cool, but he gets talked down by Arcee. As Hot Rod, he was especially impulsive, and make mistakes like getting bored and going for a drive when he was supposed to be keeping watch at a diplomatic summit, which gave the Decepticons an opportunity to attack... but he then tried to redeem himself as soon as possible by immediately going one-on-one with their leader and putting himself at great risk. This basically applies to any of Rodimus's or Hot Rod's errors in judgment. He always tried to address them ASAP, and often they were made with good intentions (in one of the annuals, he disobeyed orders because he thought Kup was being hurt, for example), not to cover his own ass or spite people.

I also want to mention Rodimus from the 80s cartoon as well. He is known for saying absolutely deranged things and being so depressed, he took any opportunity to be rid of the mantle of leadership.

But the thing about this is that his actual actions were still almost always for others' benefit. I think that's the other biggest thing that JRo ignored.

[archivalofsins]

You know when I started watching Milgram due to Star. I didn't really think I'd like any of the characters in it.

I was super suspicious of everyone even only knowing the bare minimum. My first instinct isn't to trust people generally regardless of their age. Ultimately, like when I started out, I would have found certain people innocent, but it was mostly due to surface level observations or not knowing enough about them.

I'm kind of happy to have reached the point that i can go I actually wouldn't find any of these people innocent. I actually don't think forgiveness can fix any of them in the same way I wouldn't think it would immediately fix a real person.

Looking at it from the standpoint of an apology and forgiveness can't fix this. Gives me the opportunity to examine how much weight an apology and being forgiven has to me. It allows me to interrogate who an apology and forgiveness is for in general.

My belief is that forgiveness is given as closure for the one who has been offended or hurt. It's ending the pain for them not the one being pardoned.

It won't change how the person who committed the transgression feels about it. Regardless of if the people they committed these acts towards or society at large forgives them.

"I’m still guilty even if the morning comes."/ "I need to be tagged as RED."

Forgiveness isn't something that can be given by the one the offense wasn't towards. An apology can't be received by people who were never offended/hurt to begin with.

It can only reach someone's ears once they know what the offending party did wrong.

"“I’m sorry” won’t reach anyone. I hope it will someday."/ "Hey, what if- If I am a bad girl? Don’t hate me."

Yet people finding out lessens the offenders' chances of being forgiven. Because whoever discovers what happened won't view the offender as a victim anymore.

"You don’t even know yet, and yet."

It's not something most want to receive from people who know nothing about them.

"Am I a bad girl? Please don’t answer."/ "So off the mark, what’s it to you? It’s just absurd. Like really, who do you think you are?"

It's not something that anyone other than the person it's given to can accept and if they don't want it for themselves they're less likely to want it for others.

"Feeling magnanimous? INNOCENT? I’m so not that."-"Just choose the only choice, GUILTY. Say that sympathy is useless. Hate evil as the evil that it is."

Magnanimous Kids Definition 2 Being generous and forgiving.

Sympathy Kids Definition 2 a: the readiness to think or feel alike that makes for a common bond b: readiness to favor or support

It's something people don't have to accept or give once an offense has occurred.

"It’s a tie after saying sorry? What are you hoping for?"

"Even I can say "I'm sorry". Even I have hope."/ "You’re sorry? I don’t care! Please, go ahead and die already. Remember MY cries, MY repents, MY words of “I’m sorry” that I said to you?" "Shall we replace the poor soul, and the miserable delusion- “I didn’t mean to offend”, “I won’t do it again” How many wins in a row?"/"I want a reason for judgment execution, I want it. Give me the next target."

It's something that some people can't move on without.

"I won’t stop until you say “sorry”."/ "Tears aren’t enough, no way no how it’s going to end. It’s so hot, so hard to breath, there’s no solace for my heart."

People don't even have to accept when they're not forgiven or their apologies aren't accepted. Others have every right to think that someone is making a big deal out of nothing. That what they did was actually a really small thing and nothing serious.

"I just got a little greedy."-"Is this selfish? This isn’t too much is it?"

"Lick that sin and oppose punishment, until you can meet the king of the masquerade." "Why, hey why, I’m nowhere to be found? So I will NEVER forgive you if this is happening to me even though I’m right."

"So it’s wrong? Oh shove that! INNOCENT, isn’t that right?"-"Come to know me as an honest man, eat your words, gulp them down."

There's no guarantee that even if you tell someone that what they did was wrong that they'll accept it or that the information will even be news to them.

"Giving you love to the point of pulling you down. It’s just because I still get worried, please forgive me."/"Saying I love you but doing what I did, I know I have no right, crossed and covered in sin. My love, it scored an own goal, destroyed my love and me with its weight. Tell me, oh tell me why, can’t I just do it right?"

"My emotions are out of control, that’s inconvenient? I don’t care!"/ "What you trampled is my, “This is how to be in love with you”."

There's something so incredibly human with how all the characters engage with the concept of apologizing or being forgiven. Something that makes them all much more endearing and relatable to me. At the beginning of Milgram I really didn't care for any of the characters here. I thought they were all pretty bad people and were mostly forgiving them based off of personal and surface level judgments.

In the very beginning though I was just uninvolved. I'm the sort that likes minding my business until I have enough information. So, I only voted on Amane trial one. This trial is the first one I've actually participated in voting fully in. It's incredibly easy to get caught up in others pace and the stories they tell about themselves.

Especially under a time crunch. I can't say if I like the characters and my opinion is subject to change next trial but I've very much enjoyed getting to know more about them over the course of Milgram. Along with greatly appreciating how realistically they're all written.

I guess if like was quantified by how willing you would be to be in the same room as a person then I like them all a lot more than when I got into this. They seem decent and on a more fun note incredibly unpredictable. Something that will make trial three very fun.

Hopefully Milgram gets more and more people to interrogate the concepts of apologies and forgiveness. I wonder if trial three will make people question if one really needs to be sorry to be forgiven. Plus considering how the number four is viewed overseas it is kind of funny trial two is ending right before the fourth anniversary of the series. So the intermission will be taking place during that.

[villainsandvictimsalliance]

Hello. Okay, so I'm going to start this off with 'this might be an crazy thing to ask'.

I just saw your post from January about Nana Shimura, and I feel like I'm insane.

I'm legitimately not trying to be belligerent here, but can you please explain to me, in your opinion, why you think that it is Nana's fault for anything that has happened in relation to her? I'm just trying to understand, because I don't see how anything could necessarily be her fault solely. Specifically when talking about the 'creation' of Tomura.

If AFO had wanted to get his hands on someone from that bloodline, if only to be a bastard or whether it was for an actual reason, he would have done it regardless of what Nana's choices would have been.

And I can't help but notice the fact that all of this skips an entire generation. Everyone is so quick to blame Nana for doing what humans do, I.E. having a husband and a child, and I feel I'm not really qualified to speak on that front because I never have wanted children and I don't foresee that changing at this ripe old age I'm at, so I'm not even going to go into whether or not I think it was wrong of her to have a family.

I just find it very interesting that people are blaming Nana for something that happened literal years after her own physical death. Things that happened at the hands of her own son. Things that would have never happened had it not been for her son, that she had no part in.

It's just that the way I see it, that man had years upon years to come to terms with what his mother had done in order to protect him, but in the end he failed anyway. Whether he knew it or not he failed more than his own mother did. He failed and he gave his fucking own child over to this horrible person, and he couldn't have been completely ignorant of that, let's be honest. Whether or not what she did was the right choice, Nana gave him up for a reason, and the fact that he couldbut possibly put himself in his mother's shoes, after how many years? Is more telling of him than it is of her.

Even if what Nana did wasn't the right choice, then what WAS the right choice? How was there a wrong or a right choice when you could never possibly predict the outcomes of whatever you chose to do? In my opinion, people are trying to pin everything on Nana when all she was doing was doing the best she could with what she was given, and I think that's unfair and stupid.

I haven't been following you for long, but I've seen your posts for quite a while, so I actually do respect your opinion, which is why I am asking you.

I really don't like the way Horikoshi writes women as a whole in this particular story, and I don't know if that's a track record of his or if this is his only work or whatever, I don't really pay attention to that sort of thing. And that's a whole other post for another time. But I just find it really weird that everyone seems to be coming after Nana while simultaneously defending her son, when her own son is the one who is committing these atrocities long after she is dead?I find it very weird indeed.

Sorry for the long post, I have far too many feelings about MHA.

First of all, sorry for taking so long to answer and thank you for taking the time to write this ask 💜

Nana Shimura is one of my favorite bnha female characters because of how complex and flawed she is!!!

Here's the short answer:

Regardless of the actions of the people around her, Nana Shimura had a responsibility with her son as a mother and with the world as a hero.

We all have to make decisions without knowing the outcomes. That's life. It doesn't absolve us from the consequences of our actions. It also doesn't mean we are evil, but simply human. It is in our nature to make mistakes and make bad decisions sometimes.

It seems extremely harsh to judge a woman for doing her best against an enemy that was so much stronger than her, but that's the whole point of writing a character like Nana. There are no easy answers.

What was the correct thing to do instead of abandoning Kotaro? How could she have won against AFO? How could one (1) woman do both and do it well?

Nana isn't responsible for what Kotaro did so many years after she left him, but she did leave him. She had a son and then left him because she needed to be a hero. We don't know the exact circumstances of how she had Kotaro, but many fans ask why she had him if she knew her hero job would put him at such risk. Or why she chose to be a hero over being his mother.

Logically, we know it was to save the world. It's just that her choice isn't black and white. She caused a lot of pain in doing what she did, even if she contributed to a lot of joy.

AFO defeating her was inevitable. Like her OFA predecessors, they were alone on their journey. See, it took Deku an army to fight AFO and his influence.

There's also the fact that Nana took Toshinori in after she left Kotaro. Of course she only did it because the kid meant to sacrifice himself for the cause just like her, but it doesn't erase the parallel between Toshinori and Kotaro. One got to enjoy her company until she died because he had the right conditions to be her heir while the other lost her forever because she loved him.

Sadly, her love didn't save Kotaro and didn't make All Might's life easier.

Any person with responsibilities is a person with failures. That rings true for every single bnha hero and villain.

The way I see it, people either have a reason to hate her or not.

Some dislike her 'cause she left Kotaro. Some are unreadable in their judgment and hate her just because she is a woman. Some just dislike her general writing or don't enjoy her type of character.

At the end of the day, Nana Shimura is still a tremendous female character. She inspired All Might himself (he who is hailed as the best hero of all times). She faced AFO alone and she died mocking him with a smile. She sacrificed her happiness and all the things dear to her in order to save the world. Nana passed down OFA and kept hope alive in a time full of violence and chaos. She is one of the best female pro-heroes to have existed and the only female OFA user. He was freaking jacked with muscle because her quirk was float.

Her flaws depict her greatness and the weight on her shoulders. Nana Shimura, everyone.