#If i had it to over again would have been a mechanic

[kiryoutann]

Before reading, please check series masterlist to read the warning(s), disclaimer, and to make sure you’re on the right chapter. Minors do NOT interact.

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TW: POSSIBLE SUICIDAL INTENT, gore metaphor, self harm (reader scratching herself as a coping mechanism), manipulation.

You remember that time.

You remember that time when Dad looked happy—a nearly foreign sight. For what felt like ages, he had been frowning, dark circles under his eyes, the visible crease on the side of his mouth ever since the constant fights between him and Mother.

But lately, he's been smiling; he's been humming the tune you thought he'd forgotten. You also remember plopping down next to him on the couch, cheeks puffed out, eager to know what had him in such a good mood. "Daddy, what are you smiling about?" you asked then, and yet-

And yet, the moment he heard that, something in his eyes abruptly dimmed, just like it always did whenever Mother walked into the room. You instantly regret speaking up, wishing you had just stayed silent and let him bask in his already rare moment of happiness.

“Curiosity killed the cat,” as Mom used to say. This time, your curiosity will kill Dad. So, you’re never curious again, never dared to ask again.

Dad has been coming home later and later, leaving barely any time for you to spend together. It’s like he’s always working, always busy. Gone are the days of sneaky trips to the ice cream shop or casual strolls through the park. Sometimes, you compare yourself to that old dog the Jenkins had—the one they stopped walking because they lost that love they had when he was still a cute little puppy.

It was as if the unhappiness that had held Dad back had somehow transferred over to Mother.

Lately, the fights between your parents had become increasingly frequent, leading you to shut yourself away in your bedroom and sing loudly just to drown out the noise. Mother would often sigh heavily, slamming the cupboards like she had some kind of grudge against them. The constant frowning had begun to etch deep wrinkles onto her face, and the dark circles under her eyes appeared to grow darker with each passing day. She was even losing her hair—the bathroom sink was a testament to that.

You started to notice strange behaviors from Mother as well. She would constantly check Dad’s phone whenever he was in the bathroom, rummaging through the trash for any stray pieces of paper or receipts, even asking you to check his clothes and bring them to her. Whenever Dad came home, she would confront him, demanding to know why he was home so late.

Everything feels weird. When you try to ask them, they will shut you down, telling you it is a “parents’ problem”—something a child like you shouldn’t know or have any business in.

But their “parents’ problem” quickly becomes yours when you always find yourself lying in bed, desperately trying to drown out another round of their arguing. You even start wishing you could spend more time at your friends' houses just to avoid being at home. Every night, you pray for it to stop.

For this to end. Until it does.

The “parents’ problem” that has been brewing for months finally rears its head when Dad stops coming home altogether. The silence you have grown accustomed to was quickly shattered by the sound of Mother’s hysterical crying, accompanied by the slamming of cabinets and the crashing of plates being thrown across the kitchen. You stop in your tracks, heart pounding as a silhouette emerges.

Mother. She walks toward you, her long hair plastered to her tear-streaked face, and-

And she smelled something like the alcohol Dad used to hide in the fridge. She grips your arms in a tight, almost bruising grip, leaning down to look you straight in the eye.

"I was right, sweetheart. Mommy was right," she whispered, her voice hoarse from all the shouting. "Mommy was right all along." She repeats the phrase over and over, as if you'd eventually grasp its meaning. After all, you were her daughter; you should understand.

But you didn’t. For goodness’ sake, you were just an eight-year-old girl—just enough brains to process why Dad didn’t come to your ballet recital despite his promise, just enough to try to understand why Mother was like this. What was she right about? Was Dad never coming home again? When is he coming back? So many questions, few to no answers. Not enough courage to let them swim to the surface because exactly what Mom said—“Curiosity killed the cat.”

Biting your lip, you ask in a small, fearful voice. “What are we talking about, Mommy?”

Mother took a shaky breath, her eyes so swollen and red from crying that you wondered if she might actually take her last breath right then and there. It makes you wonder if losing the supposed love of her life truly felt like a kind of living death.

“Your father…” she began, her voice barely above a whisper. “Your father, he’s… He’s not coming back, baby.”

Something about her own words brought anger to her face. Mother’s visage contorted into unbridled rage, teeth bared and nose scrunched up. You cry out in pain as she grips your arms tighter.

“He’s not coming back! Your father is with another woman—a WHORE! So don’t you DARE go looking for him, because he’s not coming back!”

At that moment, you didn't know which was scarier—Dad not coming back or Mother's anger. Or the thought that this meant you would be living alone with her. Even so, your lips began to tremble and you began to cry.

The anger that mother had was long-lived. Sometimes, it seemed like it outlasted the love she had once held for your father. Or perhaps, in a twisted way, that anger was just an extension of that love. The wound that mother carried was as deep as her affection had been. Love. Seeing its manifestation through your parents' relationship, it appeared like a despicable thing meant for people on a dark path.

Mother never truly recovered from it.

Day after day, week after week, month after month, even year after year, the anger never left her—it simply transformed into a hollow, empty place where the light once resided. Did Dad take it with him when he went off with that woman—that "whore," as Mother had said?

Still, you suppose it was better than those times when Mother would go out for drinks and come back late or even fail to come fetch you from ballet class. More often than not, it was a friend's mother who ended up dropping you home. Some questions they asked about your mother: "Is she okay?" and “Are you okay?”

That, you never know how to answer. Sure, you're doing fine at school and in your ballet classes—your toes are a little sore sometimes, but your teacher says that’s expected. And it’s not like Dad’s gone forever or dead. He’s still out there, even if he wasn’t coming home. Mom is still here, even if sometimes it feels like she doesn’t really see you.

… What an odd thing to feel, an even weirder thing to complain about. When Mother wasn’t at work, she was always there when you came home. She was easy to find in her room except on nights when she went out drinking and came back late, drowning herself in tears.

And yet, it felt like she wasn’t there at all. Dad left, and Mother was gone.

So, when that question was asked, you would just smile and say you were doing fine, that everything was okay. Yes, it was strange, unsettling, but everything was okay.

At least before you hit your teenage years.

Where did this change come from? Where did this hatred come from? Someone flipped a switch, turning your hollow mother into a bitter, resentful woman even to her own daughter. Slowly but surely, you begin to notice the glares she throws at you—the same ones she sports when talking about other women, as she said, “Look at the way she dresses, like some cheap harlot.”

“Change.” One day, she said, her voice sharp and commanding.

You furrowed your brows in confusion. “What? Change what?”

Mother's eyes narrowed, settling her gaze on your chest, then your stomach—you hold your breath from the burn of her glare. “I said, change. What, you don't see how you look?” She scoffed, shaking her head. “I don't know who gave you the confidence, but it's like you're asking for it.”

The sting of her words spread across your sternum, and you bite your inner cheek to keep yourself from crying. "But you said this looked good the other day."

“Then I said wrong, change.”

“But I like this top,” you protest, but you add a hollow chuckle for good measure, wanting to avoid coming off as defiant. “And it’s the only thing yellow in my closet.”

Mother’s lips thinned into a disapproving line. “You still have that yellow hoodie.”

“But it’s a birthday party! In the summer!”

“That’s too bad. Either you change, or you’re not going.”

Deciding the conversation is over, your mother walks past you. As you feared, she stops, sweeping her critical gaze over your face. The crease between her brows deepens; her lips curl into a sneer.

“And what’s with all that makeup? You’re trying too hard. Tone it down.”

You say nothing, fixating instead on the mild sting of your nails digging crescents into your palms. Don’t cry, don’t cry. Hasn’t this happened before? Why aren’t you used to this yet? The thing about you is that you cry over the same things over and over again, asking questions you already know you don't understand. “Why would Mom say that to me?” echoed in your mind, and yet, the answer remains elusive, so stop asking that!

You flinched as your mother suddenly swiped her fingers across your lips, smearing your carefully applied lipstick. Out of instinct, you quickly swatted her hand away.

“Mom, stop!”

“A lipstick on a pig is still a pig,” she spat, her hatred for you dripping—soaking into your skin and inciting your own blood to boil and burn you from the inside. “No matter how thick that makeup is, you’ll never be like those pretty girls. So stop trying.”

Your breath catches, your throat tightens. Mother finally walks past you, leaving you to “self-reflect,” expecting you to be on your right side of the brain after. To change your clothes, remove that makeup. “A lipstick on a pig is still a pig,” she says. Your lips quiver; the headache doubles.

Which one you loathe the most, you can't even say for sure. This tube top or the color. Your blush or your lipstick. You and your tendency to persist when you should stop—that you're ugly, a pig, and you'll never be those pretty girls.

You will never be those pretty girls.

You will never be...

Her.

Hayley. You couldn't help yourself from poring over the name on Facebook after hours of scouring for a hint of who she is and what's so special about her. And from what you can tell, she was everything you're not. With her big, bright blue eyes framed by dark, mascara-laden lashes, her light blonde hair, and that perfectly sun-kissed skin. Not to mention she has a figure that just fits right – a body a girl would die for. Hayley's life is balanced between her rising career and her enjoyment, as evidenced by several uploaded holiday photos in Southeast Asia, in places like Bali, Koh Rong, Phuket, Kuala Lumpur, Chiang Mai, and Singapore. She has a good relationship with her parents—both her biological ones and her stepparents. She has a golden retriever named Barney.

You knew enough to understand that she was the type of girl who frequented the clubs, not the quiet pubs where Simon and she met. The only reason she was even there was because of her dark-haired friend, who was now tipping her head back to finish another shot glass.

Are you stalking her? Yes, you suppose you are—there’s no point in denying it when you’re sitting at a bar, watching the social butterfly laugh with her equally beautiful friends. But you’re maintaining your distance, aren’t you? You’re not doing this because you’re a pervert (not that this justifies anything, you're aware)—you just need to know about her, to confirm something.

(Curiosity killed the cat.)

Hayley laughed again, her head thrown back, golden hair cascading down her back. The way her eyes crinkled at the corners, the way her glossy lips parted to reveal a perfect set of teeth. She and her group of friends looked like they were engaged in some kind of game, and as the loser, Hayley stood up and made her way to the bar. You looked up, pretending to sip at the drink you ordered earlier, appearing casual.

“Four Margaritas, love.” Hayley requested of the bartender, who responded with a nod to acknowledge her order over the din.

The man left his post to get something from the backroom. There wasn't much to do in the bar besides tapping her perfectly manicured nails on the shiny bar surface. Hayley swept a bored glance around: the strobe lights, the DJ booth and the drunk people dancing around it, the crowded booths at the ends of the room, and more drunk people.

Then, her eyes landed on you. Something ignited in those cerulean irises.

A confident smile played on her lips. “Hi there,” she said to you, voice sweet like honey. "Mind if I join you?"

For a moment, your brain stops thinking—completely caught off guard. Hayley doesn’t wait for your response, already sliding into the seat next to you. She widens her smile, the apples of her cheeks lifting fascinatingly. This was not how you envisioned this encounter going at all.

“I’m Hayley, by the way.” She gives you her name that you’ve known before she even knew you existed. You can’t help but wonder if she said the same thing to Simon that night, if he bore into her blue eyes like you do now.

You managed a small, nervous smile. In response, you provided your name, and Hayley tried it on her plump lips. Up close, she was even more stunning—her flawless skin, perfect makeup base, the way the low lighting cast shadows across her face. How was it possible that someone could be so effortlessly gorgeous? What's more, she didn't just seem kind; she also appeared humble and genuine—the type of beautiful girl who didn’t flaunt her good genes or think she was better than everyone else.

Still, despite all that, your dislike for her continues to grow. It’s almost unfair that she gives you nothing but kindness and you try to find her flaws, something that you hope will mar her perfection.

“Are you here all on your own?” Hayley asks again, to which you nod.

Despite already knowing she didn't come alone, you ask anyway, "You?"

“Me?” Hayley glance over her shoulder towards her table. “I’m here with a few friends. Say, love, why don’t you join us? It gets a bit boring sitting on your own, doesn’t it?”

“Oh, I’m… I’m kind of not used to such large groups,” you say, only to realize how lame it sounded. The poorly constructed excuse lays out the contradiction more clearly, like a lie written on a billboard. If you’re really the awkward, socially withdrawn weirdo you paint yourself to be, what are you even doing in one of the most crowded places in town?

Yet, Hayley didn't seem to judge you. The raised brow indicated that she thought it was strange, but her lips quirked up in a small smile, as if she found you… interesting.

“That's alright, darling. But you wouldn't mind a bit if I stayed here with you, would you?”

“Not at all.”

Hayley smiled, fishing her phone out of her purse. “Well, I was supposed to grab the next round for the girls, but I’ll just text them to grab the drinks. I reckon they can manage without me for a little while.” She opened her texting app, her manicured fingers making little tapping sounds as she typed.

Soon enough, a dark-haired woman approached the bar. Hayley greeted her friend, introducing her to you and you to her. The other woman smiled and nodded, but not wasting more time before saying goodbye to you and taking the drinks to their table. And just like that, you were alone with Hayley once again.

It makes you wonder why she even bothers to spend time with you—a complete stranger she just met. Is she always like this—always approaching and engaging with people she knows little about? Is that why she approached Simon the other day?

You grip your glass, soaking your fingers from the condensation around it. A temporary distraction from the memories that flash through your mind.

“Sooo, you seeing anyone at the moment?”

When that bold question came out of Hayley’s mouth, you came to a conclusion about her. It was clear that she was the type of woman who knew what she wanted and wasn’t afraid to go after it. The type to pop the question out before dealing with the answer—and whatever it is, she actually has the guts to deal with it. What other people think or feel about her does not define her, and that speaks volumes about the kind of person she is.

It also speaks to the kind of person you are.

Inevitably your thoughts drift to Simon. Shaking your head, you answer her question. “No, I’m not seeing anyone at the moment.”

Then, you take a deep breath, trying to steady your nerves. “And what about you? You’re not married, are you?”

Hayley laughs at that, wiggling her ringless fingers. “No ring on.”

“Not with anyone?”

An amused smile was etched on her face. “Don’t you worry, love. I’m a free bird, through and through.” She said as she leaned closer to you, the intoxicating blend of floral and citrus notes entering your olfactory. “Why? Got somethin' fun on your mind?”

At this close proximity, you could almost feel the warmth of her breath upon your cupid's bow. Up close, her physical details came into sharper focus—the freckles that peppered her nose, her deep-set eyes, a small mole sitting above the rosy pink of her lips, and the way her lip gloss glistened under the dim, hazy club lights.

And her lips. The ones that touched Simon’s.

The agony coursed through you, pumping in sync with each beat of your heart, spreading into the farthest reaches of your body. Poison in your blood. Thoughts raced in a frenzied, feral way that defied logic and reason. You wondered what it must have felt like for Simon. Had her kisses been soft and sweet, the kind that made him melt? Or were they passionate and hungry, with him nibbling and biting at her flesh?

Memories of that night are recalled to your mind, the image of their bodies pressed together coming with absolute clarity. The way he tilts his head to deepen the kiss, the way she hooks her legs around him.

Before you can register what you’re doing, you close the remaining space between you and Hayley, crashing your lips against hers in a kiss that’s almost daring. But it’s desperation that fuels you—your desperation to find any trace of him in her mouth, across her palate, beneath her tongue. You wonder if she can taste it, the bitterness of you. But when she kisses you back, more roughly and greedily, you find the answer.

Around you, the deafening music continues to play, the flashing lights like a kaleidoscope that twists and turns. Your olfactory senses register the strong smell of alcohol and cigarette smoke, and tears well up in the corners of your eyes. It reminds you of him—everything reminds you of him. Simon is everywhere but here. Even as you kiss another, it’s him you expect instead. You can’t help but wonder if it was the same for him that night—did he think of you as he sank deep inside of her?

When the kiss was broken, Hayley was about to smile at you before something faded it. A fat tear ran down your cheek. She furrowed her brows in concern.

“Hey, are you alright?” She asked, her accent growing thicker with worry. “Did I do something wrong? Go too far, perhaps?”

Hayley’s soft hands reached up, wiping away the salty liquid from your cheeks. You bit your bottom lip to hold back the sobs that threatened to escape. “N-no, it’s nothing,” you stuttered, voice barely above a whisper as you erased your own tears with the back of your hand.

Swallowing hard, your vision blurs again. “I’m sorry,” you mumble. “I need to... I need to go.”

Without another word, you turned and fled, ignoring Hayley calling your name. Pushing your way through the throngs of people, you made a beeline for the exit. The air in your lungs seemingly thinning, and your throat tightening. You switched to breathing through your mouth, as it was becoming increasingly difficult. A taxi approached, slowing down when you waved at it.

Two hours had passed since you fled the club, two hours spent waiting in suspense until, finally, the vehicle's headlights flickered to life, followed by the beeping sound indicating someone unlocked it. You remained silent, hearing the footsteps getting louder before you slowly rose to your feet, turning to face the person who had emerged.

“Simon.”

The owner of the name stood frozen in his tracks. The dim lighting of the streetlights only added to your difficulty in obscuring whatever expression he was sporting, but you didn't miss the way his shoulders tensed, his hands clenched tightly at his sides.

For a solid two minutes, his name was the only word spoken between the two of you. It wasn't like you were generous enough to offer him time to fully process the situation—no, it was more because you wanted to see how Simon Riley would react, how Simon Riley would deal with the unexpected.

You caught the way his mask slightly shifted—he clenched his jaw. “How?”

Instead of answering, you take a stuttering breath, feeling invisible needles piercing through your chest. “I forgot something in your car.” You tell him.

Simon's frown deepened, his head tilting slightly as he seemed to contemplate your words. It was absurd—after all these weeks, here you are, standing in front of his apartment, having somehow discovered the address, and claiming to have forgotten something in his car.

But he doesn't say anything, just continues to make his way to the car. You follow closely behind him. He opens the door to the passenger seat, then steps aside to let you check the car. You stretch your hand under the passenger seat, blindly feeling for anything, brushing through the dust and small gravel collected there until you finally touch something cold and metallic.

Pulling it out, the phone you had planted there weeks earlier came into view. You knew this meant Simon had laid his eyes on it too. It wouldn’t take long for him to connect the dots and figure out you had been tracking him this whole time.

Fucking hell. Simon remembered what he had said about modern phones. He closed the car door with a sharp click, then turned to you.

“So you’ve been followin’ me, then?”

“You didn't return my texts,” you stated bluntly.

"I asked you a question." He growls, almost like he's threatening you.

You observed the anger brewing in the depths of his dark eyes, radiating from him like a hot flame. Good, you thought silently. At least there was something that riled him up; otherwise, you would be suffering alone while he goes to fuck any willing bodies he can get his hands on.

"Why didn't you call me?" You ask again. “Why does it say your number is no longer in service? Why didn't you tell me?”

“Tell you what?” he snap, voice dripping with venom. “You think I owe you an explanation?”

Your blurry vision missed a flicker of change in his expression. When the tears escaped and the world came into focus again, all you saw was Simon locking his jaw, irritation radiating from him. He turned and began to walk away.

You followed him, quickening your pace to catch up. “Simon! Simon, wait!”

Despite your best efforts, he continues to keep his back turned to you, refusing to even spare you a glance. He fixed his gaze straight ahead, seemingly hell-bent on creating a vast gulf between you. You called out his name once more, your voice echoing in the stillness of the night, but he kept right on walking.

“Yes, I deserve an explanation! I don’t know why you’re being like this. We were fine the last time we were together. What happened? Why did you just disappear on me?”

You reached out, your fingers brushing against the sleeve of his jacket to get him to stop and face you. He came to a halt. A jolt of electricity surged through you as he encircled your fingers with his own, but it soon faded as he let go of your grip on the leather. Something inside you dropped away, leaving a shameful hollow space inside.

Simon towers over you, his stature imposing and intimidating. He locks a hard glare on you. “I asked you a question, didn't I?” His voice fell to a dangerously low tone. “Why the fuck have you been following me?”

The dam holding back your tears broke, leaving you choking on your own sobs. How could he not know? All these tears, all these cries… how could he still fail to see that it was all for him? To be stripped bare only for him to overlook it. Should you skin yourself alive then? To tear your heart out, to hold the raw, bleeding organ in the palm of your trembling hand as an offering?

“Because I want to know where you are,” You settle for the simpler version, hyperventilating as you take a breath. “You know my place, my workplace... You even went to my cousin’s wedding. And yet, I know nothing about you, Simon. Nothing.”

“You think just ‘cause we fucked a few times, that gives you the right to pry into my life?”

A sharp pang of pain shot through your chest. The world was ruby-colored, either from your boiling anger or the hemorrhage from the sharpness of his words. Your jaw clenched, your gaze sharpened.

“Fuck you, Simon,” you spat. “You know we’re not just fucking.”

The clenched fists at your sides tremble, and you don’t know if it’s from anger or hurt or the weight of your own expectation to make him see it. Or perhaps it’s all three. How could he speak like this when there's a specific section in your dresser for the clothes he frequently brings and leaves, when he constantly returns and stays longer even as the morning has risen, when he drove you to the countryside and dances and twirls you around like those old couples do? Not when he embraces you until your tears subside, nor when each of his kisses offers that one thing you've chased your whole life.

There’s no way this isn’t love. He just needs to stop denying it.

Simon's eyes narrowed into slits. "Then you read it all wrong, darlin'."

The way he said it was cold, without a shred of sympathy—but nothing was colder than the way Simon continually turned his back to you as he continued to walk farther and farther away, as if all he wanted was to get as far away from you as possible. Disgusting woman in love. But you never got the hint, did you? You kept following him, running after him like a stupid little dog created solely to love, love, love, and never be loved back.

“Is that the reason, Simon?” You cried, voice cracking. “Is that why you fucked that woman—Hayley?”

“Who?”

“Hayley. The woman you fucked in the back of that pub alley! Was that why you left me?”

For the first time, Simon was lost for words, gears turning behind his brown eyes. He let out a frustrated sigh, jaw clenched tight. “You fucking stalked me?”

“I did,” you admitted, but this wasn’t an admission of guilt, nor an act of taking accountability. The words falling from your lips lacked the necessary remorse for either of those things. “I know it’s wrong, but—”

“Wrong?” Simon scoffed. “Christ, you’re bloody mental if you think that’s just wrong.”

You try to draw a deep breath through your mouth, your shoulders stuttering with the effort. The pain and the anguish are written all over your face, reddening your skin. But then, something shifts—and when you open your eyes, you are someone new.

Simon watched a thin smile spread across your swollen lips. “Do you think she's a good kisser?”

The question slipped out of you in a voice that was just barely above a whisper, but in the stillness of the night, Simon heard it, caught your quiet words. There was no faltering in your voice, no quaver, no stutter. He felt your pupils searing his skin hotter than the mansion’s fire.

“What?” He asked again, making sure he hadn’t misheard.

You were more than happy to repeat. “Do you think Hayley is a good kisser? Because I know she is—I kissed her. How did she taste? Did you enjoy it?”

“Fucking hell, you’re a fuckin’ psycho.”

“Did she moan when you kissed her, Simon? Did she wrap her arms around you, pull you in closer? Did you run your fingers through her hair—her body? Did she moan your name the way I do when we’re—”

You cut yourself off, your breath hitching again. The numbing agent has worn off, and now you're paying the withdrawal tenfold. Like your own personal hell, the memory of your intimate moments together replays, leaving nothing but a bitter taste and more hot, salty tears streaming down your face.

 “Did she feel as good as I do when you’re buried deep inside me?”

Simon didn't respond, remaining silent. Or perhaps this very silence was his answer. He was always a man of few words, preferring to act instead. Right now, his actions spoke louder than anything.

“Or was she better?” You hissed. “ANSWER ME!”

Nothing. Even when you scream in his face, he keeps giving you nothing. This is the man you love—only able to take, take, and take until there is nothing left to fill the cavern he leaves behind.

You take a step towards him, hands trembling by your side. “Can she love you like I do?”

The confession hung in the air, heavy with the weight of your love and pain. You caught the way Simon’s eyes widened in surprise, but they quickly returned to their stoic stare, and the mask—that damn mask—hid too much for you to make any conclusions about him. The unfairness was palpable: you were tearing your heart out, vulnerable and all exposed for him—while he was hiding behind a mesh of polypropylene.

Always guarded, always unreachable.

Simon’s shoulders rise as he takes a deep breath, gazing up at the sky before turning back to you. “You need to go home.”

“What?”

Before you could really process his words, Simon had already turned and was walking briskly to his car, his broad back starting to move away from you. Hurriedly, you ran after him, your hands outstretched to grab anything of his. Stop. Stop walking away. Stop trying to leave me.

“Simon!” You called out—God, how you hated how weak and pleading it sounded. “Simon, wait! Listen to me!”

Simon reaches his car, already grasping for the handle. Panic rises in your throat. He yanks the door open, ready to get in. Your mind is gripped with desperation, scrambling to find something—anything—to keep him here with you, and yet the only thing that can act fast enough is your voice.

“”Go home,” That’s your response, Simon? After everything I just confessed to you? I just laid my heart bare—I told you that I love you, and your answer is to tell me to go home?!”

You flinch at the sudden slam of the car door. Simon whirls around to face you, chin held high, imprisoning you under his angry gaze. “YES, I'm tellin' you to fucking go home!” He roars, his booming voice quickening your pulse. “I don't want this sappy shit you're tryin' to dump on me. Go home an' leave me the fuck alone!”

“NO!” You shouted, voice cracking as you dangled on the edge of control—on the verge of crumbling. “I won't go home! I-I love you! I don't want to go home!"

You stepped forward, your hands gripping the front of his shirt. "Is it because of me?" you questioned, as if this was the only possible explanation. “Because if it is, I can fix it! I can be whatever you want me to be—I don't care! You don't even have to love me back! Just please, don't leave. If you want, you can always use me—just keep using me. Just don't go, Simon. Please, please, don't leave me."

Because there will always be a really bad part of you that ruins everything. No matter how deeply you love or how faithful your devotion is, it will taint it. At the end of the day, it will be worth nothing. So, if your body is the only thing that would satisfy him—distracting him from your inability to make him love you—then so be it. You were always the cheap and vulgar daughter, after all.

“Fucking hell,” he cursed under his breath. “Stop. Fuckin' stop sayin' shit like that 'bout yerself.”

Despite all your pleading, Simon remains the same man he always was. A rotten one, selfish—a stray dog who loves to wander. He hasn’t changed—his dead heart has no room for your love, for you. The more you try to hold him, the more he eludes your grasp. Perhaps he has grown so accustomed to sadistic things that a woman tearing out her heart for him doesn't faze him anymore.

Or worse: he loves things like this.

A raw, throbbing heart—the soft feast of organs for a home-fashioned dinner. The beautiful swan—you, heart enlarged and sweet from your consumption of his deceit. His prized delicacy, just the way he likes it.

You felt Simon’s hands wrap around your wrist, prying your fingers off him. “No, please! Don’t go, don’t leave!”

But he was unyielding, his mind pinpointed on one goal: to get away from you. He pushed you back. You watched as he turned and opened the car door, sliding inside. Hastily, you tried to wrench the car door open—he had locked it from the inside. You slam your hands against the window.

“Simon! Simon, please!”

The glass vibrated under the force of your blows; your palms stinging with the impact. Tears streamed down your face as you continuously hit the window. Simon turned on the ignition.

“GET OUT!! I’ll die if you leave! I’LL DIE IF YOU LEAVE!”

The car lurched forward; Simon's face remained obscured from view. Your hand slides off the glass as the vehicle speeds away. The sound of the engine faded into the distance, taking with it the last piece of your shattered heart.

You stood there, frozen, alone on the empty street. He was gone.

The bitter realization hits you like a physical blow, knocking the breath from your lungs. You sank to your knees, hands clutching at the fabric of your coat as uncontrollable sobs wracked your body. He was gone, and your last memory of him was his dark eyes staring at you as you begged to mean something to him.

But would it make a difference if the last recollection of him stayed on that sunny day in the countryside? Would everything have been better if you hadn't come here?

You dig your fingernails into the back of your hand, hoping the sting will distract you like it did before. Yet, even after collecting your own skin beneath your nails, the long-awaited numbness never comes. Or is it because no amount of bodily harm can relieve the agony?

(It feels like a kind of living death, doesn’t it?)

Sometimes, you get jealous of euthanized dogs.

@strawberrygato @aprosiacperson @chipsbuttercream @arrozyfrijoles23 @pastel-devil-06 @rroseskull @olives10 @cricricorner

SUPPORT ME THROUGH KO-FI! CHECK MY WRITING COMMISSION. SHARE YOUR THOUGHTS HERE.

[revolutionsingingintherainnn]

can I request ‘accidentally calling the other wife/husband’ for lando please 🥹

girlfriend? wife? ✮ ⋆ ˚｡𖦹 ⋆｡°✩

Prompt: 63. accidentally calling the other wife/husband

𓆉 ln x reader 𐙚

𓆉 fluff 𐙚

masterlist ☾☼

1. ˚. ✦.˳·˖✶ ⋆.✧˚.

just as the car reached the hotel, lando immediately held your hand. there were crowds of people on both sides, restricted by a barricade.

"you know what to do, right?" he asked you, softly.

"yes, lovie. we've done this hundreds of times before," you replied, unable to keep the smile hidden.

"i know, i know. i just worry. ever since my tiktok started showing me all those videos of celebrities getting attacked, i've been paranoid,"

"i'm aware. you forget, though, that you're the celebrity,"

lando tsked, "half the time, these people talk to me about you. the only reason they're fans of me is because of you,"

you laughed, and lando opened the door, stepping out. you followed. immediately, you walked inside the hotel with your head down, and watched lando from inside the safety of the hotel.

lando was taking his time and signing whatever was getting shoved in his face, smiling and interacting with a few of the fans as well. he took selfies, marvelled at the nail art that some of them had done, had brief discussions about tattoo designs for the fan. he loved it.

somewhere between the cheers of the fans, lando looked at the hotel entrance, searching for you. when he couldn't see you, he pouted, whispering to himself, "where's my wifey?"

the fans nearby heard him, and began cheering louder. lando's eyes widened as he realised his mistake.

well, fuck.

2. ˚. ✦.˳·˖✶ ⋆.✧˚.

they had another mini break after singapore. the team were all gathered at the mtc, just reviewing the past few races, and discussing what they were planning for the upcoming races.

zak and andrea had given speeches, as were expected, and then oscar and lando were called on stage as well.

oscar gave his speech first, though, it was just him thanking the team, andrea, zak, and lando, and how he was grateful for all their help in hungary and baku especially.

then, it was lando's turn.

"i think, oscar summed it up pretty well, actually. nothing left for me to say."

people laughed.

"um, yeah, no, i'm really thankful for all the hardwork that every person in this room has done. i mean, like oscar said, it wouldn't have been possible with any of y'all. our wins are yours, because really, we just go out and drive. everything else is all you," he said, gesturing to the room full of people.

"and, while i am so happy to be able to work with all of you, i really need to give special mentions to andrea, zak, oscar, jon, my mechanics, my wife-"

the crowd burst out in teasing "ooohs" and lando slapped a hand over his eyes as he laughed.

"we're not married yet. i keep doing that. we're not married yet. besides, when we get married, i'd call all of you. most of you. some. no, all." lando broke off again, as the crowd laughed.

he turned towards his girlfriend, and said, "babe, i've made a commitment now. we gotta have a huge wedding,"

everyone laughed again, including you.

"i'm gonna go bankrupt with so many people at the wedding,"

people continued laughing.

"how about this, the reception would be from mclaren?" zak said, wrapping an arm around lando's shoulders as he laughed.

"oh, how nice of you, zak,"

"no! it's gonna be all papaya! i'm not getting married in papaya colours!" you shouted from the side, smiling.

"huh? it's gonna be all papaya? well, babe, we gotta make sacrifices here," lando said.

the laughs of everyone mixed together, and eventually, lando composed himself enough to continue his speech.

3. ˚. ✦.˳·˖✶ ⋆.✧˚.

max was streaming on twitch. he wasn't doing anything in particular, really. he was just there, chatting with the chat, but mostly talking to lando who was sprawled on the bed behind him.

niran was on his way to max's apartment, and max and lando were just patiently waiting for their friend.

max began reading some of the comments in the chat, and responding, when one of them caught his eye.

"who is lando texting so angrily?" max read out loud. he turned and looked at his friend, who was still quickly typing on his phone.

"mate, who are you texting?" max asked, watching lando's concentrated face.

"the wifey," lando mumbled.

immediately, max turned to the chat and said, "he's not married! he's a dumbass who gets words mixed up! they're still only dating!"

"huh?" lando looked up, confused.

"you called her your wife." max explained.

lando groaned, "it keeps happening, i don't even know why,"

"right, cause that makes so much sense. what are you fighting with her about anyway?" he asked.

lando looked at his friend, confused, "we're not fighting,"

"then why do you look so mad?"

"do i? we were just planning our trip next month, and i was focused on that," lando revealed.

"that makes sense. do y'all fight though?"

lando's attention was back at his phone as he began typing again, "no. i do something stupid, she yells at me, i apologise,"

"what if she does something stupid?" max asked.

lando looked up from his phone, and the two best friends stare at each other for a few seconds before they burst out laughing. lando rolled on the bed as he laughed, and max fell off his chair.

the chat buzzed, trying to figure out what was so funny, but max and lando couldn't stop laughing.

"what if she does something stupid? oh, max, that was the funniest shit you've ever said," lando laughed.

"i knew it the moment i said it," max responded through his laughter.

"the only stupid thing she does is me," lando said, calming down a little.

"oh, for fuck's sake, lando!" max yelled at him, making him dissolve into laughter again.

+

˚. ✦.˳·˖✶ ⋆.✧˚.

lando was sweating, his cap on his head was hiding the mess that his curls had become. he ran a hand through his face to wipe off the excess sweat as he paid attention to the question.

"so, lando, first pole position of the season in the very first race. how do you feel about that?" the interviewer asked.

"um, i mean, i feel good about it, obviously. seems like a good start, honestly, and the car is working beautifully, so i have no complaints there. it all just comes down to me, really," he said, grabbing his water bottle.

"that's good to here. do you think you'll be able to win tomorrow?"

"that's- uh, that's hard to say. i mean, we've got competition from both ferraris, and then there's max and george, who are also excellent drivers, so its hard to say. our goal for today was a pole, and our goal for tomorrow is a podium, if not a win,"

"right. and, who do we have with you as a support for the first race of the season?" the interviewer took a lighter tone, and lando immediately smiled.

"i've got my family here, a few of my friends who could come down here, and i've got my girlfriend," he responded.

"that's beauti-"

"no, wait. my wife. my girlfriend. no, my wife, my wife. i've been so used to calling her my girlfriend in public and my wife in my head that i keep getting them mixed up," lando laughed, holding his left hand up where his wedding ring glimmered.

"oh yes! you got married at the start of this year!"

"yeah, yeah, yeah, yeah, yeah. finally married her, and then got her to sign the license. burned it the next day so there's no way she can divorce me now. we're stuck together for life," lando said, making the interviewer laugh.

"it's a beautiful wedding band," the interviewer complimented.

lando put his hand up again, showing the ring to the camera, "right? she picked it. she has amazing taste in stuff like this, i can't even tell you. she's just perfect, man,"

"alright, well, it's nice to see you in such good spirits! crush it tomorrow, yeah?" the interviewer said.

"for her? anything," lando said, scoffing, as if the mere thought of him not doing anything for his wife was just plain stupid.

the interviewer laughed again, as lando walked away.

𓇼🐚☾☼🦪

honestly, one of my favourite things i've ever written. i hope i've done justice to the prompt, anon! this is my prompt list, so y'all can select a number, give me a driver and i will write it as soon as possible! i also have a google form for a taglist if anyone's interested! you can sent in your requests here :)

taglist: @imlonelydontsendhelp ; @greantii ; @anamiad00msday ; @maketheshadowsfearyou ; @nocturnalherb16 ; @justaf1girl ; @peterholland04

[ropebunnykant]

okay sooo, this is actually part two of a post dissecting the boat scene because i have far too much to say about it, you can find part one here.

where i last left off, i was talking about how bison is asking kant to answer him after asking who forced him to work for the police, which gets us to this moment.

lauren @sunsetsover already talked a little bit about this moment here, and to reiterate what she said, this is the first time in the show where we see kant actually ask for something he needs.

now, in the early episodes, i talked a lot about how kant needs control and how he doesn't really ask for things. his tactic tends to be just taking, and again, it goes back to those control issues. and it's funny because kant, in so many ways, is a walking contradiction. he has had to be in control of everything since he was a child, a young child, which we learn in this scene as well. his control issues aren't him being an asshole, it's a coping mechanism. he's had to have everything under control, has had to have everything on his shoulders since the moment his parents died. and yet, at the same time, kant has never had any ACTUAL control over his own situation. his parents died and he was forced to take on the role of father, parent, caretaker, for babe who couldn't have been older than two or three, if that, when their parents died. and since that, every decision he's made has been a product of taking care of babe. he probably never went to college because he had to take care of babe, he never had dreams or goals because he had to look after his brother. he stole cars, he became a police informant, all so he could take care of babe, and he didn't actually have a say in any of it!

kant hasn't had a choice in anything, and he's never actually asked for or done anything for himself.

but in this moment he does. in this moment he has to. so he asks bison, in his still deadpan tone, to calm down. he tell him he'll explain everything if they get on land, and he tells him that he's scared of the ocean. this is kant at his most vulnerable, his most open, begging bison to listen to him - not just when it comes to the truth, but about what he needs in the moment. the camera pans back to show us the water again and then kant looks and some emotion finally comes back when he does, and you can see the fear in his eyes again as he tells bison he's scared. but of course bison doesn't listen. why would he?

who cares what you need, kant? who cares what you want, kant? you hurt him. you betrayed him. you told him you loved him and you lied. at least that's what bison believes.

you can see kant slowly starting to come back here. the fear and guilt slowly coming back into his expression after he'd been completely blank.

and bison lays it on thicker. tells kant how much he's hurt him.

and i think this right here. this is when kant decides to stop speaking entirely. this is when he realizes nothing he could possibly say is going to fix this. nothing is going to get him back on land. and maybe he deserves that, doesn't he? for what he did? for everything he's done?

bison asks kant outright if he gave him the necklace because he loves him but kant can't answer. not because that's not exactly why he did give bison the necklace, but because he knows bison won't believe it. kant could get on his knees right now and tell bison everything, the whole truth, but bison wouldn't believe it. bison has already made up his mind that kant never loved him, he'd be talking to a wall. and that hurts. because he knows he fucked up. he knows he lied. but that necklace was real. that necklace was kant's burger pin. he gave it to bison like he gave bison his heart and now bison is dangling it in front of him as if it's proof of the opposite.

and god this little sequence right here, too. the way bison is yelling and he's angry but he's just so hurt too. you can see it on his face in the second screenshot. he's asking because he needs kant to tell him that he doesn't love bison. that he never did. because maybe then it'll make it a little easier to put a bullet between his eyes. but kant can't tell him that. because it's not the truth. because yes kant lied, yes kant betrayed him. but loving bison was never the lie. bison is holding the proof of it in his hands, even if can't see that.

kant takes a breath here and god, again, you can see how resigned he is at this point. he can't answer bison, doesn't see a point. he knows there's nothing he can do to change bison's mind. if he says he does love bison, he'll call him a liar. and lying isn't an option anymore - not only would it not get him anywhere, but he can't do it anymore. he can't physically lie to bison anymore. he's done. there's nothing else he can say.

then bison throws the necklace in the water and tells kant to go get it and oh the fear is back again, and the heartbreak too. i think kant was thinking, hoping, that bison would just shoot him. but instead you see him realize that bison wants him to jump in the water instead. that bison wants him to drown for this. to spend his last moments in absolute fucking terror.

and god this might be the part of the scene that got me the most. kant looks at the water and he doesn't see the water in front of him. he sees a suitcase from the plane crash and he hears himself calling for his dad. he might very well be having a ptsd episode or getting close to one.

kant is so terrified in this moment but he looks at bison and bison tells him to go and kant has a choice here. for once, he has a choice. he can jump in the water like bison wants him to, or he can let bison shoot him for not listening. and the crazy part is, you would think the man so panicked over this water would choose the gun, the quick and painless way, but even here before bison threatens to push him, kant is already starting to step towards the edge. he doesn't even need to think about it. because he deserves this, doesn't he? he deserves to die in sheer terror and fear because of what he did to bison. and at least this way, maybe he can die with bison believing he loved him. maybe he can prove himself in his final act.

but he still can't actually bring himself forward yet. because he's still fucking terrified of jumping in, of what will happen. because all he can think about is when he was a kid and he almost drowned in a plane crash.

i've reached image limit again, but you can find part three here.

[bleuwish]

homura's emotionality and fragility are so overlooked in the main series and i think that wraith arc, the rebellion movie, and hopefully the upcoming walpurgisnacht rising movie, does her proper justice in this aspect of her character.

she's characterized primarily by her cold and distant disposition, someone who's known to be capable of pushing aside her own emotions and suppressing it for the sake of the one and only objective that exists in her mind, and to the point that she would sacrifice even herself for it. this came with the misinterpretation that she is a heartless and abusive individual who never cared for the feelings of the other casts, that she was unkind and never cared for her companions that arent madoka.

imo the "i dont really care if you live or die, i dont really care" quote that was popular with homura is nothing but a defense mechanism—that mechanism, feigning an act of emotional aridity, is a vital part of her development because it led to her feelings being bottled up that we're left with an explosion of suppressed and repressed thoughts in rebellion, that of which caused her to become a witch. being hurt so many times by the fact that her friends died repetitively throughout different timelines, she thought that her emotions caused her to waver when achieving her goal and thus swept them under the rug, never fully processing them.

underneath that mask of coldness, she is a frail girl that never wished to become strong—she was only forced to be so by the narrative and this is shown in rebellion. homura's witch labyrinth is a reflection of her psychological distress that erupted like a volcano and her perception of what the 'ideal' would be. in that movie, we were shown a version of homura most prevalent during the earlier timelines; someone who is meek and shy, but that remained herself regardless, the her in the labyrinth, and that labyrinth being a projection of her mental landscape.

she doesnt mind being the weakest magical girl among the holy quintet if that meant that she could be with the people she loved most, as long as that meant that they are alive then she doesnt mind, because she's already pleased with the fact that she was able to work beside them and live in a world with them again, just like how they used to. this ties in as well with my claims of her being so attached to an idealized past because this version of homura in rebellion is one that was cradled in her memories and it showed the dynamics that the holy quintet had, or at least she wished to have.

still, homura didnt want to lie to herself and pursued the truth of the labyrinth, merely following her intuition that told her something was incredibly off with the place. mitakihara was the only city in the labyrinth and i think that showed how small her focus is in this world, her perception of things have always been so narrow because she didnt want anything else other than to co-exist and work together with the other mitakihara magical girls.

another piece of media that showed homura's emotionality is wraith arc, and i think this is where her fragility is beautifully presented, because it allowed the readers to see what was really going on in her mind and how she managed with the fact that her madoka became a concept in itself.

in this arc, she was seen to rely on her feelings the most, and specifically that of love. this was to the point that when she doubted her love for madoka, she allowed the wraiths to consume what was left of the soul contained in her soul gem. these doubts and worries came into the scene when she began to question what was it that she originally wished for? because in the wraith arc, she had no memories of how she became a magical girl there, she had no idea on what existed in that timeline before her consciousness was transferred over there, and she had no idea what her magic turned into.

this was until the sooner chapters where it was revealed that her time manipulation magic had turned into a memory manipulation magic. this was a result of the strong emotions she felt during the time she was separated from madoka and with her refusal to ever forget her, but this came with her skepticism—was her concept of 'madoka' simply a creation of her own mind? was it created by her imagination to cope with the lonely reality of the world? did she really harbor feelings towards something that never 'existed' in the first place? if 'madoka' never existed, what was she originally fighting for to begin with, why did she become a magical girl? can she truly trust her love for 'madoka' when it was the thing that caused her to feel so disconnected from reality itself? is she finally waking up to the 'truth'? if 'madoka' never existed, then surely there wont be any more reason to protect this world and to serve as a magical girl, right?

because of questioning how she feels towards madoka and how she remembers madoka, she began to feel out of touch—offbeat—and lost her desire to fight wraiths, and this character neurosis evident in her resulted in becoming a victim of those wraiths. the wraiths absorbed her feelings to the extent that she ended up being an empty shell of a person, her soul that rested inside the confines of her soul gem was eaten up that her magic became efficient, and eventually null.

when gradually, to the end of the arc's manga, she began to think deeply if this was what she truly wanted? why did she ever distrust her memories of madoka? if 'madoka' never existed, then surely she wouldnt have been a magical girl to begin with, and if her wish in that timeline would be to remember madoka, does that mean she wanted to remember something? she could only remember a thing if it really was there. if she couldnt protect the world that her goddess had sacrificed herself for, was her wish really worth it? why did she ever doubt her love?

at that moment, the strength of the emotions she felt, despite that mask of nonchalance, she was able to regain her time manipulation ability and go back to the start to ensure that the wraiths wouldnt ruin madoka's world ever again. the things that she felt became a huge driving force that if she felt none, if she was truly cold and empty and emotionless and hopeless, then she wouldve stopped and given up a long time ago.

note: this post is not proofread and i literally just made this in one sitting. never let me yap about my special interest ever again. this is also just an interpretation i have on her character; everyone is allowed to create their own opinions.

[nebulousmoon3990]

SPECTERS OF SILK

[Dark!Paul Atreides x Runaway Reader]

part 1

Description: In an alternate universe where Paul never dreamed and fell in love with Chani, he becomes a tyrant feared throughout the universe, being a sadistic maniac whose power is worshipped as that of a god. The Brotherhood sent you as Muad'Dib's concubine to try to manipulate him, but all you want is to live free, so you don't try to persuade him, but to escape. But your unexpected twist in fate makes Atreides start to love you, his obsession growing without you realizing it. So when you finally escape, Paul is not accepting it.

.

Warnings: possible spelling mistakes (English is not my first language), bene gesserit!Reader, nsfw, afab!reader, obsessive and possessive behavior, Dark!PaulAtreides, slavery (not sexual), child abuse, mentions of torture and blood, swearing, mentions of ideas like suicide, use of Voice, sexual content (not recommended for minors, read at your own risk), obscenity, (Spoiler: Corrino!Reader), everything is fictitious and false!

You were always going too fast.

Always fast.

But now it seemed you were too slow.

-

You were a slave, sold from master to master, you never knew your parents, you never knew your origins or what made you a slave in the first place, you were just… there.

Being used, being ordered around, obedient, educated, all for your own good.

Maybe that was what drew Reverend Mother Gaius Helen Mohiam to you.

What had it been like? Oh, you had been thrown out by your former master and taken to be sold again. On the streets, you walked in handcuffs, your gaze expressionless as you walked, you had been taught that, as a slave, you should look down, never directing your gaze to those above you.

That was why you had bumped into her.

She was accompanied by two sisters, all three dressed in black, with a veil like night over them. The slave buyer attacked you in front of everyone for your carelessness, but you didn't say anything, you weren't allowed to. Imagine your surprise when somehow, the Reverend Mother approached her seller wanting to buy you.

Her sisters also showed surprise (moderate, of course), but they said nothing. That day you were taken by them, and you were never the same again.

You were trained in the bene gesserit arts, your teaching was much more severe than the others, said by the Reverend Mother herself, but she never told you why.

You never questioned it further, fearing punishment.

You trained in all kinds of things: history, politics, justice, posture and reflexes, trained to control and know the human body and its reactions, trained to control your body. You trained in the Voice, the mechanism was the hardest, trying to find the perfect timbre, you trained your body in hand-to-hand combat, trained to study and identify any poison, toxin or anything harmful to health and well-being and how it all affected the body.

You learned everything.

But you were never told why you, a slave, should learn these things.

And, although you could not ask the reason for your training, you asked about your freedom.

"Will I be free?" "Will I have freedom after I complete my purpose?" "Will I be able to have freedom someday?"

The answers were always the same.

"Only destiny knows, child."

It was not a No, it was a doubt. You could be free someday, that is why you obeyed the Reverend Mother, that is why you pushed yourself beyond measure. In the hope that, someday, you would be set aside and could be free.

You never knew your purpose, but the hope of sweet freedom remained like a blanket of comfort over your heart.

There was hope.

That was until Paul Atreides ascended the throne.

The Kwisatz Haderach.

He killed the former Emperor, Shaddam Corrino, and seized power. He showed no mercy as he brought the Fremen into the universe and subjected the great houses to his empire. A tyrant, sadistic and cruel, he killed billions, his power unknown even to the Brotherhood.

Your influence and fear spread throughout the universe, your presence dominating and claiming everything in front of you, even though your reign was only five years old, everyone already felt the weight of your power.

It was in this dictatorial regime that you understood the reason for your training.

A sacrifice.

Reverend Mother Gaius had trained you to control whoever rose to power, whether it was Feyd-Rautha or Paul Atreides, you were a plan B in case Irulan failed, and although your training at first was for the case of Feyd reigning, with Paul conquering the throne and massacring the entire Corrino house for treason, the Reverend Mother focused your training on controlling the Kwisatz Haderach.

And you only found out about this a month before marrying the Emperor.

Shocked, you accepted it, you trained for it and to maintain your obedience to the brotherhood, but you did it because you didn't realize the main point, you only realized it after a few hours.

The Reverend Mother did not expect to give you freedom.

That was enough for you.

You wanted to be free! You were a bird trapped since birth, with no choices, no peace, no love, no affection, living a life of fear and suffocation, where you could be given and subjugated by anyone who bought you for a price, you were tired of being controlled and handled like a doll.

With your marriage to Paul, possibly being one of coldness and appearances, just to manipulate events, you would only be taken from one cage to another.You refused to do that.

So, as you approached the throne room, with a light gray dress and veil that covered your entire face, along with the bene gesserit accessories that you clutched tightly, either out of anger or fear, you decided at that moment.

You would do anything to escape, both from the brotherhood and from Paul Atreides.

You would be free.

Whatever the cost

—

Paul made many choices in life.

Some good, some bad, and that led him to who he is today.

The Emperor of the Universe.

Paul Atreides stopped being the innocent and kind boy when his entire home, his honor, and his father were taken from him. And although he made many bad choices, he will never regret keeping a part of the innocent boy he was inside him.

The golden path he was following, for the survival of humanity, would make him be recognized as a maniacal and heartless tyrant, never as the savior of the human race. But for him it was okay, the only people he loved and cared about were his mother and his sister, and they were both on his side in this game.

But perhaps, the decision to keep the old Paul Atreides inside him, would make him regret or be grateful for the rest of his life.

It all depends on you.

-

Paul was intrigued.

He knew the old witch would try anything to keep him under her control. But he had expected that after Irulan's death when she tried to poison his little sister, Gaius would be more fearful of confronting him.

Apparently, she was braver (or stupider, it's the same) than he thought.

Offering a political marriage was a bold move, one that Paul could have easily rejected.

But the Reverend Mother needed a lesson for defying him so openly, and what would be better than seeing her plan fail miserably?

Oh, that would be fun.

To become a tyrant, Paul had immersed himself in the memories of his Harkonnen ancestors, seeking to delve into the pleasure of others' suffering, the diabolical and maniacal methods he had so immersed himself in made him find himself silencing the whispers in his mind to go further, to do more.

So there he was, sitting on the throne in black robes, he allowed himself to sink into ways in which he could break his new concubine. Delighting in the good manners of making the woman surrender to the brink of madness.

Then when he felt the Reverend Mother he was confused for not feeling anyone with her.

Wouldn't the union be today? Why didn't she-

"My lord, Reverend Mother Gaius is here." Gurney said as he entered the throne room, Paul waved his hand tediously as Duncan went to his side. The large doors opened with a creak that everyone had become accustomed to, Gaius' figure approached him along with another woman at his side, it took more than a few seconds before Paul realized.

He didn't feel that woman, didn't feel her presence and hadn't even anticipated her arrival.

He didn't see You.

He waited until you were at the foot of the throne, where you bowed subtly, your movements being followed by everyone in the room "Your divinity."

Only those closest to Paul could call him sir or by his name, the rest could only address him with titles befitting the Emperor. The slightest bit of disrespect caught in speech could lead someone to the gallows, or even a worse sentence, in another life, Paul would be disgusted by this and would be more benevolent.

But he didn't go.

He smiled falsely at the witch, his anger towards her hadn't diminished one bit over the years "I was beginning to think you wouldn't come." No expression appeared on the old woman's face, but in her eyes, deep down, he could see the trace of anger towards him.

Even after years, the enmity between them remained strong and firm. Paul was amused by how the witch was forced to respect him, even though years ago she had treated him with ferocity. "We didn't mean to take so long, but Your deity knows how rigorous the process is to enter the palace."

"Yes, I know." His attention was on the girl beside him, once again his interest being drawn to her. He stood up from the throne, the movement attracting the attention of both of them. With slow steps, he approached you. Wisely, you didn't dare meet his eyes or raise your head, not even when Paul was in front of you.

"I assume this is the girl you talk about so much, isn't it?" He tried to look through you again, to see your mind or your ways, but Paul found himself blank again. It was as if he was near a black hole, a beautiful mystery that constantly pulled him closer to you.

What the hell are you?

"That's right, your deity." Paul looked at your face through the gray veil over you, for some reason he felt like seeing your face. So he took the veil and lifted it up, passing it over your head, finally giving Paul a view of your face.

Although Paul had acted surprised when he took your veil, your face still seemed unmoved, he got no reaction from you other than the almost imperceptible movement of your head when the veil was lifted.

Your face was a truly divine vision, the features of your face were like a painting taken from the sky, the skin as soft as the clouds and soft as the petals of the Caladan flowers he still remembered. Your hair was like a flowing river, caught in the hairstyle you wore, its vibrant and vivid color hidden behind the veil.

And your eyes, Oh your eyes.

Your eyes were lowered, but Paul could still see them, they were a mixture of your own tones that made Paul sigh in ecstasy, an explosion like the immense clouds of nebulae that roamed the universe, their beauty reflected in your irises. Your eyes, your eyes were the window to your soul, the soul that Paul Atreides lost himself in the moment he saw you.

Still mesmerized by you, Paul put two fingers to your chin and lifted your head. "Look at me." His voice came out lighter and sweeter than he had used in years. Out of the corner of his eye, he could see Ducan and Gurney looking at each other in confusion, but he didn't care.

You followed his order, your beautiful eyes meeting his deep blue, you stared at each other for a few seconds before his voice rang in the air again. "What is your name?" Your eyes blinked slightly before your voice, the voice he had unconsciously longed to hear, spoke.

"It's [Name], your deity."

"[Name]" he felt the name on his tongue, tickling his mind, he traced his thumb across his lips, gently parting them "Indeed, it is a very beautiful name, it suits the owner." His cheeks darkened slightly and his lips trembled, his eyes averted to the new floor, shining in subtle embarrassment.

How cute you were.

Maybe this wasn't as bad as he thought.

NEXT CHAPTER

bye

[slaaverin]

To hell and back

This post is very difficult to make for me. This is not about BTS, or about fandom, but about mental health, and my personal story. I never really opened up about it anywhere except in a few facebook groups. But today is the day I decided to speak about my story.

It is surely more for me than for you.

Very few people in my friends and family can really understand what I have been going through, because it is a topic so complex that even I have trouble understanding it sometimes.

Well, firstly, I am schizophrenic. At least according to science. If you asked me though, it would be a different answer.

The truth is, I became spiritual again when I was 25, not long after discovering BTS. I took on a meditation practice and grew my consciousness very quickly.

Someday, I had an idea on how I would be able to help the collective, and I thought about becoming clairaudient (hearing the other side). So, I "hear voices". I followed my intuition on how to achieve this, and after some time it actually worked, I could hear.

So this ability to hear was totally consented on my part, I wanted this from the start.

But yeah, according to science, when you can hear anything, they put a schizophrenic label on you. I think it's mostly that they are in over their head with this kind of subject, and they simply don't understand everything enough to really be able to help anyone, except with medication.

Unfortunately, the universe is bigger and more nuanced than a label, so I never really got help from psychiatrists. I had to navigate through this on my own.

Everything was going fine at first, I was learning how to use this ability, and things were going well.

But someday, everything went to shit.

I won't go into that much details, I'll spare you, because it is pretty horrific. But long story short, I made a trip to "hell". Literally.

Of course, I myself do not believe in the christian hell. I've studied spirituality enough to understand it is not that literal, and there are many realms with different purposes.

But there are some dimensions that are close enough of what we would imagine hell to be like. And I have gone there.

I spent 2 weeks in 2 dimensions at once. In my physical body, but also in this dark dimension.

It's not really important to believe in this, or to argue whether it was real or not, because the thing is, my experience, impressions, feelings, all of it, were real to me. It felt real. It felt tangible. The mechanics does not matter, what matters is that I experienced it, and the trauma from it was real.

It was the most horrific, the darkest, the most twisted, so terrible that words cannot even give it justice. It is an experience that I felt somehow was a glitch in the matrix. Like we should not be able to experience something like this, it should not be allowed.

But it was. And no matter how much I cried for help, prayed all the gods, begged, no one came to save me. I could not sleep, did not eat, and barely functioned during those 2 weeks.

I felt left there, abandoned, alone, helpless, in total despair and horror, and with a pain that was so profound that I thought it would kill me. I was patiently waiting for death to take me, in how much my heart was broken into a million pieces.

I got annihilated entirely by the end. No emotions, no thoughts, no personality, no beliefs, nothing that made me me, was left.

I was gone, an empty shell. I had been entirely destroyed. A metaphorical death.

But something was left. A tiny flicker.

It was the light of my consciousness, my divine spark.

I understood then that even the worst darkness that exist would not be able to destroy my light, and that I was eternal.

So all of my fears vanished. I began clinging to that light and use a strength I didn't even know I posessed to crawl back from the pit of my own hell.

I had PTSD for years after this experience. And it was not truly over. I was still plagued by many interferences, trickster energies, evil things.

But over time, I healed, and brought back the pieces of myself that were scattered, and my psyche, even with PTSD, began to mend.

But now I had to learn how to play "the game". How to not get tricked, how to keep my internal balance despite being surrounded by nothing but darkness.

Some day the darkness put so much pressure on my being that I thought of ending my life. And that's not really like me, because I'm really pro-life.

But it's like I've been through some fucking intense internal military-like training, with no rest, with no pause, and no mercy. Ever.

It pushed me to my limits.

So of course I transformed. I became stronger mentally, I learned discernement, I took my power back, literally my entire being was totally refined.

I mastered "the game" of darkness, outsmarted them, mended every breach of my psyche, moved past all my fears, and my mind became as cutting and sharp as a knife. It took me years, but I learned the lesson. And I can say that darkness was my greatest teacher. The wisdom I gained, there is really no price for it. In the end I saved myself.

Today, I am good. I work very hard to keep my internal balance, to remain optimistic, to keep spreading love around me.

If you saw me you wouldn't tell I have any particularity lol

But to say this whole process has been hard is a understatement. It is SO FUCKING HARD like it's so hard and complex and layered that's it's really a bit ridiculous?

Sometimes I feel like I'm in a very bad movie, so I guess the universe and my higher self really have a weird sense of humour. But I laugh it off too because it's better than crying about it.

I know we are never alone, and that everything supports us, but the illusion that we are is really strong sometimes. Almost no one would be able to understand my experience, without having lived it, so I feel like I'm bearing this cross on my own.

But you know, all of this really puts things into perspective. The fact I have been in a place such as this, survived, and came back, makes every other little problems in life feel truly trivial.

I don't know what your faith is, it is not really important. What I learned in my studies is that most people who actually go to those places had things to learn, it's never "some punishement". It's clearly not because I deserved it.

But I did my share of learning indeed. Today I feel like I am a better version of myself thanks to this experience.

I believe it was for my highest benefit, because I can't reconcile senseless pain and hurt in my mind with a loving god. I know things aren't random.

It all began because I wanted to help. So in sharing my story, I want you to share a message of hope.

The deepest pain, the darkest fear, nothing that is abyssal and scary and any emotion you might feel, none of it will actually hurt you. You cannot be hurt. You cannot be destroyed by anything, ever. We just think that some emotions will kill us, so we avoid to feel them. We fear, so we flee.

If you actually embrace your fears, it won't kill you. It will liberate you. Nothing else will happen.

You know why we come to earth to have crazy experiences and we don't mind the trauma and the pain that come with it? Because our souls know that we are not taking any real risk in the first place.

Your light is deeper than the deepest fear, largest than the most painful hurt, and you are safe at all time, even if it doesn't feel like it.

So please, rest easy, don't take life so seriously, it's all going to be ok. We will all wake up from this dream someday and go back to love, and it will only be a memory, a blip in our eternity.

We are safe & loved.

I think I needed to get all this out of my chest.

(Please don't feel the need to psychoanalyze me or feed me religious doctrines, I had years to process and really understand the mechanics of everything that happened to me so far, but obviously I didn't want to turn this post into a million words so many aspects are left out.)

Thank you for reading my post and take care💜

[deeplyshalllow]

Omg I’m a moron… for over a decade… I’ve interpreted the DTL lyrics as being:

Nothing matters, [except] knowing [the mantra] “Nothing Matters”.

Like hakuna matata. But just now I realised it’s

Nothing matters, [so] [the act of] knowing nothing [is what] matters

🤦🤦🤦

Still. Oof, depressing.

The causes you care about don’t matter to those in power. Trying to do or say anything about it is not fashionable, nor acceptable amongst your rank of society. It’s futile and only makes you look like a fool, it brings embarrassment and ridicule upon your associates and family, it causes disagreements and fights. All of which will make your life miserable. (There’s a cost, there are things you’ll lose, there are bridges you’ll cross…) So don’t talk about it, stop thinking about it. Heck, don’t think at all. And life will be so much easier for you. More bearable. Yikes to go grimdark, Fiyero is lucky he was just kept away in universities and not sent away for a lobotomy or something, that is if Winkie Country’s politics weren’t aligned with Animal rights

to get lighthearted again:

Don’t wish, don’t start, wishing only wounds the heart. […] Elphaba could be that activist, but Fiyero can’t be like Elphaba….. OR CAN HE *dramatic music change* (❗️Fiyero has been emboldified. ❗️Fiyero no longer gives a twig. ⁉️ Fiyero has been given a gun— wait who signed off on that, wai—)

My ex therapist once said that I overthink and care about things too much, so I’d better stop, because it was making me sick and was going to kill me. And yet, the thinking and caring too much, was also what was keeping me alive. What a Catch-22! /s Go figure!

I also realised:

Make sure you’re where less trouble is rife!

Is not

Make sure you wear less,

And therefore not suggesting that Fiyero’s go-to defence mechanism, if he finds himself in trouble, is to start stripping off. Turn that fight break-out into a fight make-out. Make love not war. For over ten years I’d thought “yeah that sounds like a philosophy he’d have.”

Ten plus slutty, slutty years

The notion of “you’re not here to be politically controversial, you’re here to promote cheer/ your job isn’t to think, your job is to stand there looking handsome” (a variation of being seen and not heard, oh dear [FOOTNOTE]) … like when Mme Morrible and Glinda prevent Fiyero from speaking to the crowd in Thank Goodness comes to mind. On the one hand, the assumption that he’s incapable of knowing anything would allow him to acquire great information as a double agent, but on the other hand he’s successfully barred from knowing that the public celebration is for his own engagement, which he wasn’t even asked about. They didn’t think he could be trusted to consent to an engagement?? Ouch. And yet they trusted that he would perform/feel socially pressured enough to people-please and accept without fuss.

To take it way further, it could even be argued as if Glinda couldn’t trust him to not be “stupid” and choose the “wrong” fiancée… (even if she thought it would be for his own good and keep him safe from trouble in the long term. If this had been the case it backfired spectacularly)

Fiyero really do be out there getting objectified and treated like an object in Act 2- it seems out of his control compared to Act 1 where it was on his own terms.

What are your thoughts on the engagement, by the way?

Do you think it encouraged any spark of resentment towards Glinda?

If they had gotten married— ie, if there was a larger time gap between Elphaba returning to the Emerald City and Fiyero still couldn’t track her down— do you think Glinda and Fiyero’s married relationship might echo that of Nessarose and Boq? In which one feels kept/caged [FOOTNOTE] by duty, and the other possessive/fearing abandonment?

(Even more grimdark au where this married Fiyero’s growing stress, depression, and risk of disobedience puts him on Morrible/Wizard-prescribed medication, which Glinda wants to believe is helping him stay happy and carefree, when really it’s just keeping his thoughts muddled… I’d cry… why did I make myself sad like that??)

* THE FOOTNOTE: any comparisons of Fiyero with Animals (given his book origins as ambiguously indigenous/a poc) outside his political alignments is unintentional on my part. But the ammo is present, I guess. Dehumanisation is a Wicked theme. But I’m leaving that potential can of worms to the pros though

This Ask turned into a terrible flow of consciousness, SINCERE apologies, *hits ask anyway*

Yeah, honestly, poor Fiyero. I think the interesting conundrum about him, and one of the reasons he's so depressed, is that he should be in a position where he has some power. He's a prince possibly an heir to the Vinkus, he's what everyone in Oz loves, handsome, charming and generally good. But it's very obvious that he thinks he can't actually do anything, so he doesn't try ("those who don't try, never look foolish"). He sort of lets life pass him by at the beginning of the musical, doing what others expect of him.

And then there's Elphaba, who isn't at all what Oz wants, but even so she does fight, she does do what is right and she cares more about her cause than what people think. And I think that is what changes and inspires him - because suddenly there is a way to do good, it opens up a world for him that he wouldn't otherwise know, and by act 2 he is happy to divert from his expected path to explore this.

Fiyero and Glinda, on the other hand... Glinda is who Fiyero would expect to end up with - both personally and by society. It's the path everyone expects both of them to take. It probably would be where he ended (or at least with a girl like her) if it wasn't for Elphaba giving him another option - a path he'd prefer. So Glinda, who is different to Fiyero because she does her best to stick to the path that is intended for her, ends up having to be the one to pull him along that path (hence the surprise engagement - clearly he wasn't proposing fast enough!)

Ultimately, of course, Fiyero is given the option to choose and follow Elphaba (the unplanned path) but had he not? I think had he not met Elphaba, he'd have probably been content enough, not happy but not knowing much better, with Elphaba but no opportunity to leave? Yeah, I think it would be an unhappy marriage, by this point in the musical, though Fiyero and Glinda clearly do care for each other, they don't actually have much in common, especially not in terms of morals. I think Fiyero would resent standing there smiling when he could be doing good, and Glinda would start blaming him for ruining the happiness that she always expected to have when she married him. I think you can already see traces of this in Thank Goodness tbh.

I hope that answers your question :)

[samueldays]

Oh for sure, diplomacy was historically relevant, that joke was mainly aimed at the "default interface" aspect of how things sometimes happen - presenting options is a subtle way of nudging choices by leaving some things off the menu while letting the recipient think his choice is free.

Cort��s is a fascinating character. One thing that I've wondered about, which would also be relevant to the design of such a game, is how much of his success happened because he was specifically Catholic. Obviously it had An Impact, but it seems very hard to specify and formalize such a thing in game mechanics without huge arguments.

There's a specific footnote I read on the topic: Cortes brought priests who established schools and told the Aztec nobles "send your children here", the nobles were suspicious of this and sent the children of their servants first in case it was going to be human sacrifice again, these children of servants received the first education and preferential treatment and high status as the ones preaching to the next set once the nobles saw it was safe to send their real children. Ha ha. :)

But on the larger scale, when Cortes kicks over the human sacrifice empire, how much of his zeal is from the divine sacrifice religion? And how much of the support of the indigenous allies comes from seeing he's committed to a specific alternative, rather than an opportunist who just wants to be the one holding the knife?

To go on another tangent, I'm reminded of Ayuba Suleiman Diallo whom I've mentioned before: he was a slaver in West Africa, he was enslaved in turn and shipped off to North America, he got free and made his way home and resumed slaving.

That is not how things are 'supposed' to go! (At least not according to the stories of the European-American culture I've been raised in, the former slaver is supposed to either suffer an ironic death under the whip, or else get free and have a moral revelation to fight slavery thereafter.) But some people just want the whip hand, and other people are understandably cynical about "freedom" meaning "under new management".

One of my mutuals (foss?) remarked that Factorio is the best videogame about colonialism, it doesn't overbearingly lecture and it doesn't explicitly tell you it's about colonialism, it directly invites you to see things from the viewpoint of the colonizer who landed in a new world and started extracting resources. If you know the game and look at the map here, you can trace a thought process embedded in the image that goes something like:

hmm, my rapacious industry (southeast) is upsetting the natives, maybe I should build some solar panels and restrain myself

hmmm, the solar panels are underwhelming, I'll build some guns and walls on my frontier to repel native raids instead

hmmm, those cliffs and lakes over there would be good chokepoints, I can drive out the natives to create a buffer zone

hmmm, the landmass ends there, conquering the entire north peninsula would be more convenient to give me a shorter border, I just have to cleanse it of the increasingly violent natives. gotta arm up heavily. Bring the earthmovers and deforestation, it'll be easier to draw straight lines on the map than keep working with the terrain at this point.

Diplomacy with the natives? the default interface presents no options for that.

[gece-misin-nesin]

Bruce Wayne stop slandering your dead son whose murder you were high-key responsible for challenge

[iniziare]

Tag drop: Guizhong (don't mind me re-dropping this with the fixed ones, shh)

[zelphafrost]

Love this so much!! It reminds me of Deborah Underwood's children's book "Interstellar Cinderella." Beautiful art and such a great book!

Mechanic by Axel Sauerwald

[crows-bite]

Maverick is such a wild character because I think about them so much and want to talk about them but like. Idk writing them is really all about digging into these incredibly selfish, irrational and unreasonable feelings, and sometimes I get like embarrassed talking about them because if I say what they’re feeling out loud you’ll all be like “damn those feelings are incredibly selfish, irrational and unreasonable” and I’ll just be like “yeah man they really are” 😭

But at the same time it HURTSSS because I really sympathize with them at the same time. Just. Really terrible situations all round that produced a very self reliant person in the worst possible way. Idk. They suck but I love them and feel for them at the same time.

[sirfrogsworth]

How do you take a photo of time?

I've been watching the track events at the Olympics since I was a wee lad. It was a tradition in our family. We'd gather around our ancient low-definition 19 inch CRT television and watch tiny blobs compete against other tiny blobs and root for our country.

It was a bit like watching YouTube on your phone in 144p.

Several heroes emerged.

Jackie Joyner-Kersee was amazing.

You can't forget about Flo-Jo.

And then the Olympics decided NBA players were allowed in the competition.

Which formed... The Dream Team.

Was this fair?

Well... they won each game by an average of 44 points.

So... no. It was not fair.

Though it became more fair as time went on.

But, umm... yeah. The other teams looked like the Washington Generals and the US looked like the Harlem Globetrotters if they stopped screwing around half of the game.

But my absolute favorite Olympian was a runner named Michael Johnson.

He was cool as heck.

For one thing... gold shoes.

But he also had this crazy, upright, Tom Cruise-ish sprinting style that just made him look like a running robot on the track.

And in the 1996 Atlanta games he just trounced EVERYONE. I mean, it wasn't even close.

Yikes. Those losing blobs are probably really embarrassed.

Last night I decided to invigorate my nostalgia and watch the track events again. And I got to see one of the wildest races in history.

It didn't even last 10 seconds but it was one of the most exciting sporting events I've ever witnessed. Almost every runner won the race.

After I saw that initially, I was like... who the heck won???

Even in slow motion I wasn't sure.

This was one of the closest finishes in history. There has never been a race where all 8 runners were within this margin.

The arena was silent as the winner was being confirmed. The runners just kind of paced around waiting for official word. My best guess was the Jamaican runner, Kishane Thompson. But then the loudspeaker announced Noah Lyles.

The last tiny morsel of American pride burst out of me with a big "Wooooo!"

I forgot what it was like to be proud of my country. I wish it happened more often. But this young man, despite being last place in the first 3rd of the race, turned on the afterburners and won in a photo finish.

And that's when my inner nerd took over.

Because when they showed the photo finish image, it looked super weird.

Why is the track white?

Why do all of the runners look all warpy like that QWOP game?

So I went down a research rabbit hole to figure this out.

Photo finishes are actually fascinating. The first photo finish captured the end of a horse race in 1890. But that was mostly luck and timing. The actual photo finish mechanisms weren't used until 1937.

Originally they would film the finish line through a physical slit.

And the first horsie head that appeared in that slit would be the winner. This technology ended a huge aspect of corruption in horse race fixing almost overnight.

But we have come a long way since then. And I'd like to introduce you to the Omega Scan 'O' Vision Ultimate.

This slow motion camera sits fixed on the finish line of every race. The concept of the photo finish has remained remarkably similar to the 1930s approach. The camera sensor is specially designed to only record a vertical slit.

Only the finish line itself is actually captured.

And because it limits what it records to only that slit, it can capture 40,000 frames per second to get amazing temporal resolution.

So why don't the photo finishes just look like, well... this?

That is because the camera takes a picture of time more-so than dimensional space. I guess it would be more accurate to say it *assembles* a picture of time.

As the runners cross the finish line, the camera combines all of the little strips of pictures into a single image.

It's almost like if you tried to reassemble a piece of paper after it had been shredded.

Imagine each strip of paper is a picture of ONLY the finish line, just at a slightly different point in time.

What if someone stopped on the finish line and didn't move... what would that look like?

Once they got there, the same part of their body would just be repeated.

So the right side of the photo finish picture represents earlier in time and it just assembles the image strip by strip as time passes and you literally get a picture of time itself.

NEAT!

Okay, but how do they determine the winner from the photo finish?

I mean, that shoe looks like it is ahead of Noah Lyles!

Clavicles!

The IAFF rules state the foremost part of the torso must cross the finish line first. And the endpoint of the torso is the outer end of the clavicle.

So if you get this bone across the finish line first, you win the race.

Two more fun facts!

The start of the race is actually just as carefully timed as the end of the race. There are sensors in the starting blocks of each runner.

The starting gun also has an electronic sensor.

They have determined the fastest a human can react to the sound of a gun is roughly 100 milliseconds. So if you start running before 100 milliseconds they know you didn't actually hear the gun, you just got antsy and started running too early.

And the final fun fact...

Did you notice the Omega logo at the top of the photo finish?

That isn't superimposed or added after the fact. That is captured by the camera.

But if this image is composed only of tiny little slivers, how did they get the Omega logo to show up?

That is a little display. And it is synchronized with the Scan 'O' Vision Ultimate to show a little sliver of the Omega logo for each frame captured.

So when the final image is stitched together, it looks like a cohesive logo at the top of the photo.

Pretty clever, Omega!

[loumauve]

hear me out except it's me with my endless supply of 'will never be a thing' queer ships in heat media. is this about my latest acquisition of Lina/Katherine from the 2023 Locked In? maybe

look. would it be unhealthy for so many reasons? you know it! does it make sense in a mentally unstable sort of way tho? hell yeah.

so here I am. at the edge of the cliffs once again. about to throw myself onto a tiny row boat so I can set out into the fog by my lonesome

[arolesbianism]

Sigh. It begins (being forced to see the worst aro hcs I've ever seen in my life because ppl have a talent for finding the absolute worst characters to be their token aro hc)

[kitasuno]

to be loved is to be known | suna rintarou x reader

you're in love with suna. you think suna's in love with someone else. he's not.

slight angst, happy endings, and miscommunications atsumu is sexy reader is gn wc: 1481

It is dusk and warm and just barely humid when you realize you don’t know Suna Rintarou at all. 

You know that Suna likes chuupets and volleyball and his dingy digital camera with the cracked screen. His left eye twitches slightly when he lies, he always ties his right shoe before his left, and he keeps forgetting to buy pencil lead despite preferring mechanical pencils over traditional. He likes the rain. Can’t bite into ice cream. Wool scarves over fleece, seven followers on his private Twitter, and is always late because he likes feeding the stray cats in the alley next to the Family Mart with the good sausages. 

What you didn’t know is that Suna Rintarou is in love. You find out from Kita Shinsuke, who tells Aran after practice, a conversation not meant for your ears but gracing them nonetheless as you stand before the entrance to the gymnasium. You feel a dryness in your throat and a sting in your eyes as Kita shares that Suna is not only in love but had confessed to someone. Maybe it’s your divine punishment for eavesdropping. Maybe it’s rotten luck. Because, coincidentally, and horribly so, you’ve been in love with Suna Rintarou ever since you met him. 

So when Suna walks up from behind you, back from the vending machine, and asks you why you’re lingering outside and staring at Kita with that look on your face, you lie. 

“I have a crush on Shinsuke.” You blurt out. 

He blinks. Once. Twice. And stares. 

The longer Suna stares at you under the grey, purplish-pinkish sky with his hands shoved into his pockets and his left eye twitching, you realize you don’t know him at all. Because Suna, in all his indifference and nonchalance, looks hurt. You see something flit beneath his eyes, but you’ve never been good at reading people. So you settle on the idea that it’s something less than betrayal but more than indifference, and you don’t know why your heart’s beating so fast and sinking, pitter pattering and twisting in your stomach. 

You feel sick. 

“You like Kita-san,” He says, and it comes out as a statement, not a question. He blinks a third time, and as the look in his eyes disappears as quickly as it came, you decide you much prefer the hurt or the discomfort or the something over the blank apathy that he’s looking you over with now. “You have a crush on Kita… Shinsuke.” He finishes, and you can’t hear the bitterness in his voice over the shrill of your heart. 

You’ve always liked Suna’s eyes but tonight you like the pavement more, and as you stare a hole into the concrete beneath you, you ignore how your feet are fidgeting and your palms are sweaty and how Rintarou is hovering over you. 

“Mhm,” You squeak, tearing your eyes from the asphalt with the cracks and an ugly pill-bug on the ground. As you look up to grey eyes and dark hair, you wish that loving Suna Rintarou was harder. 

“I’m, uh, I’m going to tell Shinsuke tomorrow.” You say, Shinsuke’s name foreign on your tongue compared to the warmth and honey that Rintarou’s tastes like. I’m in love with you and this is a bad idea, you think. I like you, not Kita, is what you don’t say. Instead, and arguably worse, is the mention of Miya Atsumu’s name. “Atsumu gave me the confidence to confess!” 

Suna pauses. 

“Atsumu told you to?” He asks, and it’s the most bewildered you’ve heard him in a while.

A glance at his phone. Hands that emerge from his pockets. If you weren’t so preoccupied with the concrete you would have seen the twitch of his fingers and the tightening of his jaw as he opens Line. You nod dimly. 

“Okay,” is what he says, and you feel your heart in your stomach again. You look up. “Okay.” He repeats again. 

And maybe it’s the hurt that stings in your chest from Rintarou being so okay with you (hypothetically) being in love with Kita Shinsuke that pushes your eyes to water and your mouth to open. 

“Is that it?” You ask. 

A beat of silence. And then, a scoff. 

“Yeah. Congratulations,” Suna says. “Good luck.” 

As dusk turns to nightfall and what was a barely-humid night in July is now overwhelmingly warm and sickly and hot, Rintarou’s gaze is overbearing. And when your eyes start to swim and Suna’s gaze turns to confusion and then realization, you do the only thing you know how to do. You bolt. 

An incessant string of dings. Your lip wobbles under your teeth as you pull out your phone from under your covers. 

from: miya osamu (21:03)  where the fuck did ya go  and whys suna blwoin up my phone

from: amazing perfect miya atsexy (21:03)  WHYYSS SUNARIN BLOWING UOA PP MY PHONE ??!?@@>>!?>??!??! WHYS HE SAYIN U LIKE KITA-SAN

from: you (21:05) its so over i ran home

from: you (21:05)  i told him i like shinsuke and that i am confessing to kita  tomorrow

amazing perfect miya atsexy and miya osamu are typing…

from: amazing perfect miya atsexy (21:06)  WHAT

from: miya osamu (21:06) r u fuckin stupid why would ya do that

from: you (21:07) i heard shinsuke tell aran that suna confessed to someone today and then rin came back so i told him i like kita bcuz i panicked and also he cant know i like him right as he’s ginna get BAGGED wait but idk if he got rejected or not WHO AM I KIDDING suna would NOT get rejected LOLOL but anyways i think he knows i like him bcuz i started cryig and then he had this look on his face like he knew i was bullshittin him now venmo me money before i kil msyelf 

from: miya osamu (21:12) yeah he was gonna confess to YOU today

from: you (21:12) ?

from: amazing perfect miya atsexy (21:12) HOLY MISCOMMUNICATION

from: you (21:18) Wht??

from: miya osamu (21:19) suna was supposed to confess to u today 

from: you (21:21) but shinsuke said rin already confessed

from: amazing perfect miya atsexy (21:22) why wiud u ever think about takin gossip from KITA SHINSUKE AN WHYD YA BRING ME UP IM GNNA BE STONED AT DAWN

from: miya osamu (21:22) HOORAY !

from: amazing perfect miya atsexy (21:22) SHUDDUP  

You bolt, again, but this time it’s out of your bed, down a flight of stairs, and through your front door. You’re halfway down the street near the Family Mart with the Good Sausages™ when you barrell into someone who smells faintly of blackberries and Suna’s laundry detergent. 

“Excuse me,” You blurt, scrambling away, until you feel a grip on your waist and a familiar shape behind you with a familiar smell and a familiar voice, and Ohmygod, you’re out of breath and close to frantic but Suna Rintarou is holding you steady by your waist, warm and tall and here. 

“Rintar-”

“I like you.”

You feel it more than you hear it- Suna is muffled and quiet as he mumbles into the back of your shoulder, tall frame folded into you. 

“Idiot.” He adds, and you don’t have to turn to know the tips of his ears are pink and his eyebrows are furrowed. “You’re an idiot.” 

It’s twilight, and just-barely humid when you realize that Suna Rintarou knows you. 

Suna knows that you ramble when you’re nervous. He knows that you like the rain and you don’t like humidity. You carry extra lead in your pencil pouch and you like volleyball and stray cats. You can bite into your ice cream. You color coordinate your bookshelves. You don’t have a crush on Kita Shinsuke. 

You don’t know that Suna keeps his digital camera with the shitty cracks because you bought it for him from a shop in Akihabara. You don’t know that Suna leaves his packs of pencil lead at home because leaning over your desk in class and seeing that smile on your face is far more fun. You don’t know that he writes with extra pressure on his worksheets to crack his lead and ask for more. 

You didn’t know that Suna Rintarou is in love with you. 

So he grins into your shoulder and tells you.  

amazing perfect miya atsexy (22:14) 1 Attachment GROSS!!!!!! do NOT start making out at practice or i will RESIGN !!!

sunarin (22:14) @ y/n lets start making out at practice

y/n, miya osamu, and 2 others reacted with Thumbs Up! ojiro aran, amazing perfect miya atsexy reacted with Thumbs Down!

from: amazing perfect miya atsexy (22:15)  @ KITA SHINSUKE @ KITA SHINSUKE @ KITA SHINSUKE @ KITA SHINSUKE 

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