#Ibsen-reimagined

[therealvinelle]

Are you a big fan of theater?

Huge fan of live performances, but it strongly depends on what they're performing. I'm one of those plebs who tends to run away from things reimagined or modernized. If a director says he has a vision for Shakespeare, or she's doing a fusion of Ibsen and the director's own relationship with her mother, told in vignettes, or if it's an allegory for (insert political issue here) I will respect the people making it and it might even be interesting, but by god it's not for me.

For this reason I'm very choosy about performances I'll watch, for instance I want to see Peer Gynt but I want to watch it at Gålå, and now that I've discovered the Globe and the TNT theatre I will be hard pressed to watch Shakespeare performed by anybody else, they're both just so good at it (and TNT actually make Norway a regular point on their tour! Wee!). I'm generally very leery of different theatres, different houses will be run by different people and by god it shows.

So yes. Love theatre, big fan, I strongly recommend people look up what offers or clubs they can join for free or discounted tickets. I've been to more free cinema and theatre than I can recall through clubs.

[danielpoussart]

Broadway's Best: A Look at This Year’s Standout Productions

Every year, Broadway stages bring to life stories that captivate and inspire audiences from around the globe. This year has been no exception, with a variety of productions drawing rave reviews and packed houses. From musicals that have audiences singing along to dramas that provoke deep thought, the Broadway lineup has something for everyone. In this article, we’ll explore some of the standout productions that have defined the year, comparing their impact, innovation, and the reasons they’ve captured the spotlight.

Musicals That Continue to Shine

One such show is Wicked, a longtime Broadway hit that shows no signs of slowing down. The reimagined story of the Witches of Oz has continued to enchant audiences with its powerful ballads and gripping narrative. Wicked’s ability to transport viewers into a world of magic, friendship, and destiny has kept it among the top shows this year. Its themes of acceptance and the complexity of good versus evil continue to resonate with both first-time theatergoers and seasoned fans alike, making it one of the year’s must-see performances.

In contrast, Moulin Rouge! has brought a fresh burst of energy to the Broadway musical scene. Known for its dazzling visuals and eclectic music score, this production combines modern pop hits with classic songs, creating a vibrant spectacle. Audiences are drawn into its world of romance and decadence, and the show’s over-the-top design and choreography have made it a hit with those looking for a sensory feast. Moulin Rouge! has successfully captured the hearts of theatergoers, delivering a bold and unforgettable experience.

Powerful Dramas: Stories That Challenge and Engage

Take Me Out, a revival of the classic Richard Greenberg play has made waves this year. The show, which delves into the complexities of identity, race, and sexuality within the world of professional baseball, has earned critical acclaim for its honest and raw portrayal of sensitive themes. The performances have been lauded for their intensity, with each actor contributing to a dialogue that speaks to modern-day issues of inclusion and acceptance. As a drama that tackles tough societal topics head-on, Take Me Out has positioned itself as one of Broadway’s most important shows this year.

Similarly, A Doll’s House, starring Jessica Chastain, has breathed new life into Henrik Ibsen’s classic play. The minimalist production strips the story down to its emotional core, focusing on themes of independence, freedom, and personal responsibility. Chastain’s performance as Nora has captivated audiences, and the stark staging has highlighted the universal struggles that still resonate with today’s audiences. As Broadway continues to evolve, these dramas prove that thought-provoking theater is alive and well, sparking discussions long after the final bows.

Family-Friendly Favorites: Bringing Generations Together

Aladdin has once again proven to be a family favorite. With its stunning sets, catchy music, and lively performances, this Disney classic continues to be a hit. The magical tale of a young man finding love and adventure has charmed audiences with its familiar characters and songs, bringing the animated film to life on stage in a spectacular way. The show’s vibrant visuals and heartwarming message about bravery and friendship make it a perfect choice for families visiting Broadway.

Another standout is Frozen, which brings the beloved Disney movie to the theater stage. With its mesmerizing ice effects, powerful performances, and iconic soundtrack, Frozen has become a Broadway sensation. Children are enthralled by the story of Elsa and Anna, while parents appreciate the deeper themes of love, loyalty, and self-discovery. Frozen has become a must-see show for families, offering a visually stunning experience that delivers both entertainment and emotional depth.

Newcomers to Watch: Fresh Faces on the Broadway Scene

Hadestown, a relatively new addition to the Broadway scene, has continued to grow its fanbase. This musical retelling of the Greek myth of Orpheus and Eurydice offers a unique mix of jazz, folk, and blues to narrate a timeless story of love and sacrifice. The inventive staging and soulful music make Hadestown a deeply moving experience, blending ancient themes with contemporary sensibilities. Its success signals that audiences are hungry for bold, innovative storytelling that pushes the boundaries of traditional musical theater.

Another newcomer worth mentioning is Kimberly Akimbo, a heartwarming show that has taken Broadway by storm. The show tells the story of a teenager with a rare medical condition that causes her to age rapidly, and it explores themes of family, resilience, and the passage of time. Audiences have responded positively to its blend of humor and heartache, and the fresh narrative has made it one of the most talked-about new productions on Broadway. The show’s unique premise and moving performances have set it apart as one of the year’s standout debut productions.

The Future of Broadway: A Blend of Tradition and Innovation

As we reflect on this year’s Broadway productions, one thing is clear: the future of theater is brighter than ever. Whether it’s through beloved classics like Wicked and Aladdin or fresh narratives like Hadestown and Kimberly Akimbo, Broadway continues to offer a rich array of experiences for theatergoers of all ages and tastes. Transitioning from classic tales to groundbreaking new performances, Broadway never ceases to amaze.

Looking forward, it’s exciting to think about the innovations that future productions will bring to the stage. As Broadway evolves, blending tradition with modernity, there’s no doubt that theater will continue to inspire and captivate audiences for generations to come. The 2024 season has shown us that whether you’re a fan of musicals, dramas, or family-friendly shows, Broadway has something special waiting for you.

[tamarabeck]

Live and on stage

What was the last live performance you saw? It may have been a Playwrights Horizons production called This Flat Earth in 2018 or a NYCB performance celebrating Jerome Robbins at 100. It may have been Lucas Hnath’s reimagined Ibsen where Burt and I last spent a matinee in the theater. A Doll’s House Part 2 won Laurie Metcalf a well-deserved Tony that 2017 season. (I love her stage work as much…

[newyorktheater]

March 2023 New York Theater Openings

Below is a calendar of theater opening* in March 2023 in New York, including seven shows on Broadway: a new Andrew Lloyd Webber, revivals of Sondheim, Fosse and Jason Robert Brown, a classic Ibsen play reimagined, a beloved best-selling novel brought to the stage (largely peopled by puppets)…and the Jonas Brothers. Beyond Broadway, there is a new reggae musical by Suzan-Lori Parks at the Public,…

[alexkingstonflirt]

Alex Kingston has been talking about her role as Dr Stockmann in the Nottingham Playhouse production of Henrik Ibsen’s An Enemy of the People—a part written for a man but Rebecca Lenkiewicz’s adaptation reimagines Stockmann as a woman.

Kingston explains, “the fascinating thing is that, in rehearsals, sometimes I imagine if one of these characters would be talking to the character of Dr Stockmann as a man whether we’d have a different reaction or a different feeling to those words or that energy than when it’s being directed to a woman.” (x) 

Photography by Tristram Kenton

[insanityclause]

Jamie Lloyd Dominates the West End

And what an exceptional year it has been for Jamie Lloyd, the director’s name seems to be on everyone’s lips as he landed astonishing production after production, reimagining and reinvigorating the classics. The divisive Faustus in 2016 seems a long time ago, gone are the bells and whistles and lurid designs and instead Lloyd’s commitment to the purity of the original text has been an abiding feature of his success in the last 18 months. As the new year began, the West End was in the midst of the Pinter at the Pinter season with Lloyd resuming the reigns for Collections Six and Seven which celebrated and marvelled at Pinter’s playful use of language, most notably in an intense radio play staging of A Slight Ache, followed by a celebrated stage return for Danny Dyer and Martin Freeman in The Dumb Waiter.

Going head-to-head with Atwell and Scott for the year’s very best performances are Tom Hiddleston and James McAvoy who set theatreland alight with their devastatingly raw portrayals of love gone horribly wrong. The Pinter series concluded with Betrayal in March, as fine a production as you’ll see anywhere, with Hiddleston, Zawe Ashton and Charlie Cox playing the unbearably entwined friends and lovers that was filled with pain, self-destruction and deception which Lloyd steered with an unassuming simplicity that lent unrelenting weight to the emotional entanglements. It rightly earned an acclaimed Broadway transfer in the autumn.

Lloyd rapidly announced a new residency at The Playhouse Theatre where, despite the poor sightlines and eye-wateringly expensive ticket prices, Cyrano de Bergerac has earned wide acclaim with a mesmerising performance of unrequited love, jealousy and soldierly bravado by James McAvoy that runs until February. This must-see production has been inclusively realised, turning what is often a very silly three hour caricature into an outstanding and crushing examination of self-image and emotional laceration. 2020 will also deliver two major West End debuts as Lloyd tackles both Chekhov and Ibsen with Emilia Clarke in The Seagull and Jessica Chastain in A Doll’s House, both set to be fascinating but respectful interpretations by a superstar director.

[vietnamstar]

Youth Theatre reimagines the classic Norwegian play 'Hedda Gabler'

Youth Theatre reimagines the classic Norwegian play ‘Hedda Gabler’

A scene from the classic Norwegian play ‘Hedda Gabler,’ as performed by the Youth Theatre. VNA/VNS Photo Minh Thu HÀ NỘI — The Youth Theatre of Việt Nam is set to reproduce Hedda Gabler, one of the outstanding works of great Norwegian writer Henrik Ibsen. Ibsen authored Hedda Gabler in 1890, and was the peak of his writing career. Hedda Gabler, the play’s protagonist, is a complicated lady who…

[aitchque]

Aitch Que

RT @FilmUpdates: 'Candyman' and 'The Marvels' director Nia DaCosta will write & direct 'Hedda Gabler,' a reimagining of Henrik Ibsen’s play. It follows the protagonist as she navigates a house she does not want, a marriage she feels trapped in and an ex-lover who has reappeared in her life. https://t.co/vmec3QLbcl — Rando #21 🤙🏽 Aitch Que ♠️🏴‍☠️ (@AitchQueX) Jul 7, 2022 July 07, 2022 at 01:29PM via Twitter https://twitter.com/AitchQueX

[boneless-mika]

Trollhunters and Peer Gynt - An Analysis I Should’ve Done Long Ago

It’s surely no surprise that I love Peer Gynt given how much I talk about it and it’s also no surprise that Trollhunters is one of my absolute favorite cartoons. I theorize this is because Trollhunters is heavily involved with themes from Peer Gynt and uses a lot of the music created for the play. This post will contain spoilers for both Peer Gynt by Henrik Ibsen and Trollhunters by Guillermo del Toro. 

Trollhunters uses many pieces of music from Peer Gynt, involving both Morning Mood and In the Hall of the Mountain King, possibly more but none I’m certain about, I know Morning Mood and In the Hall of the Mountain King bc they’re my favorite songs of all time but the rest of the songs I’m not as attached to so please let me know if you’ve noticed them. It goes as far as to use In the Hall of the Mountain King as a title (In the Hall of the Troll King) and the show diegetically references Peer Gynt. This is why I think Trollhunters is a reimagining of Peer Gynt. Not a strict retelling, but rather a different story with the same themes.

Jim is clearly supposed to represent Peer Gynt as is literally expressed in the story when Nomura calls him “little Gynt” but I would argue this story isn’t actually about Peer Gynt, but about the people around him. The people who are affected by his actions are who matter even if he’s the main character. The issue with this interpretation is that Peer Gynt is not a good person, he refuses to face the truth and is so insistent that he is himself that he never considers anything else (also at one point trades slaves so like wtf). However, I do think it’s accurate as Trollhunters is essentially “what if Peer Gynt was a decent person?”.

One of the most iconic lines of the play is the troll king’s question about what makes a human different from a troll. The old man of the mountain responds that humans say “To thine own self be true” out where the sun shines and in the mountain the trolls say “Be yourself and to hell with the world.”. The show really clearly shows what it’s trying to do by having Nomura quote this but say something along the lines of “To thine own self be true and who cares what the world thinks”, combining what makes trolls and humans different showing that they actually aren’t. This is the entire theme of the show. Jim is chosen to take a post previously occupied only by trolls and the entire existence of changelings is proof that humans and trolls are not different. After all, they are both human and troll.

Alright, now we get to the fucking absolutely genius stuff. So in the end of Peer Gynt he meets the troll king again who tells him he’s been more troll than human for his entire life. In the end of Trollhunters, Jim turns into a troll.

[culturalnewstoday]

A Doll's House review – Ibsen's classic shrewdly reimagined in colonial India https://ift.tt/2O04BCP

[skemnews]

from Skem News – The Top Source for Skelmersdale News

[tamarabeck]

Nora's home

Nora’s home

Laurie Metcalf, Jayne Houdyshell, Condola Rashad and Chris Cooper in a scene from A Doll’s House, Part 2 (c) Brigitte Lacombe In his dramas, Henrik Ibsen seldom sugarcoats his messages. His plays offer cures for the human condition, but they are served in bitter pills. His Enemy of the People, for instance, (see our reviews of both the recent Broadway production and David…

[soundtracktracklist]

The Lady from the Sea Soundtrack

The Lady from the Sea Soundtrack by Various Artists #soundtrack #ost #drama

Original Motion Picture Soundtrack for the drama film The Lady from the Sea (2020). The music by Various Artists.

Source: The Lady from the Sea Movie Genre: Music from the Reimagined Motion Picture Music by Various Artists Label: Cinalight Format: Digital Release Date: December 22, 2019

The Lady from the Sea is a British drama filmwritten by Henrik Ibsen and Birgit Syran Myaard, directed by Leon…