#ITC bookman

[chetipo]

ITC Bookman è un font  molto adatto per blocchi di testo leggibili. Edward Benguiat nel 1975 ha rivisitato per ITC il carattere Bookman creato nel 1860 da Alexander Phemister per la fonderia scozzare Miller & Richard. Il carattere originale, ora noto come Bookman Old Style, fu creato quale alternativa al Caslon, migliorando quelli che erano ritenuti difetti, ovvero alleggerendo le grazie e accorciando i tratti ascendenti e discendenti. ITC Bookman presenta nuovi pesi e una più ampia altezza x, per ottenere un aspetto più semplice che ben si adatta a lunghi testi e a titolazioni.

[designfullofart]

From the fontsinuse website:

“There were many iterations of Milton Glaser’s cat and Catskills posters which were produced for the New York Board of Tourism. Dates on these posters go all the way back from the late 1970s to the mid-90s.”

Fonts:

ITC American Typewriter, Kitchen, Century Oldstyle, ITC Bookman, and Times New Roman

[fontaboo]

ITC Bookman ITC Bookman was designed by Edward Benguiat and published by ITC. ITC Bookman contains 8 styles and family package options.

[aleclikesmacintosh]

Linotype QuickDraw GX Font collection preview 

[maxfontssamples]

Tranquillo

[the-gayest-tree-you-ever-did-see]

silly string and bold

silly string: do you play an instrument? is there anything you’d like to play?

i play flute and piano! i like flute more as it feels more personal (which is why i gave him a name) but piano’s okay too. i’d really like to play guitar or ukelele bc it feels so much more direct and its easier to create bases with them, but i also have a cheap amazon violin that has two snapped strings in a closet somewhere, so i’d like to fix and restring that someday. 

bold: favorite font?

centaur for more personal things, bookman old style for more professional things, and lemonada for casual things, as well as bradley hand itc if im communicating with someone. im picky

(x)

[textwrapper]

Ed Benguiat (1927-2020)

Ed Benguiat may be best known to the general public for his eponymous typeface, but he designed many typefaces. While working for Photo-Lettering, Inc (known as PLINC), and for ITC (International Typeface Corporation) Benguiat designed Barcelona, Bookman, Caslon No. 224, ITC Century Handtooled, ITC Edwardian Script, Souvenir, Tiffany and other popular faces. He was a teacher and a mentor. He inspired a collection of typefaces by House Industries.

Designer and typographer, David Quay, related this story upon hearing of Benguiat’s passing: Many years ago I designed three titles in a trilogy of novels for Penguin Books. They were novels set in Russia. I had just received the latest U&lc magazine from New York displaying Ed Benguiat’s new typeface ITC Benguiat, it was perfect for the subject. I photostated the alphabet and pasted up the 3 headlines. Penguin gave the ok, then I realized ITC Benguiat was not yet available, U&lc was pre-release publicity! I was stuck, Penguin wanted the artwork very quickly and there was not enough time to hand letter all the long titles or retouch the rather crude photostats! I phoned my friend Tony Di Spigna who worked with Herb Lubalin. He said “I will take care of it.” Four days later by special post, an envelope arrived with 3 photographic prints with the titles perfectly set and ligatured. A note enclosed said, “I am pleased you like the typeface, you are the first to use it, Ed.”

Release announcement for ITC Benguiat in the December 1977 issue of ITC’s U&lc magazine.

[angrytigertastemaker]

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The best fonts for you have collected, and also of all the fonts on your web site for you to use css @font-face cufon and property.

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Please note: If you want to create professional printout, you should consider a commercial font. Free fonts often have not all characters and signs, and have no kerning pairs (Avenue ↔ A venue, Tea ↔ T ea).

Check it for free with Typograph.

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Discover a huge collection of fonts and hand-reviewed graphic assets. All the Fonts you need and many other design elements, are available for a monthly subscription by subscribing to Envato Elements. The subscription costs $16.50 per month and gives you unlimited access to a massive and growing library of 1,500,000+ items that can be downloaded as often as you need (stock photos too)!

[evbgraphics]

Film Typefaces

Being Inspired by Film Letterforms

Pulp Fiction: “The opening scene and titles bring together many of the movie’s characteristics: casual conversations, violence and references to the 1950s to 1970s. Two idlers discuss the business opportunities of a robbery in an all-american diner, give each other a kiss and pull their guns. He shouts that this is a robbery, she shouts: “Any of you fucking pricks move, and I’ll execute every motherfuckin’ last one of you!”. The movie freezes and Dick Dale’s 1963 surf hit “Misirlou” kicks in while the title sequence starts rolling with two titles set in ITC Busorama (1970). Unlike the film scenes, which jump back and forth through time, the title sequences are slow, symmetric and static. While the film logo set in Aachen (1969) becomes smaller and smaller at the slowest possible pace, it is covered by names of actors, producers etc. set in ITC Benguiat (1977) with enlarged and lowered initial caps. Halfway through the titles, someone seems to be looking for new music on the radio, bored with Dick Dale who is replaced with Kool & the Gang’s pounding disco funk: “Jungle Boogie” (1973). During the film new storylines are introduced with simple intertitles: a black screen shows center-aligned all-caps text using ITC Bookman. The end credits follow the classic model: a long row of text scrolls upwards, again using Bookman. Like all typography in Pulp Fiction, the end titles show a penchant for meticulously executed quirkiness. The type is compressed just enough to evoke the right kind of nostalgic amateurism. Things like the (faux) small cap A in “LaMarr” show an attention for typographic detail.”

Juno: https://www.artofthetitle.com/title/juno/

American Horror Story: “The font used in the title card as well as the promotional poster for its title is very similar to Rennie Mackintosh designed by Charles Rennie Mackintosh in 1993.”

Star Trek: “There is a typographic connection between Star Trek and its competing franchise Star Wars: the typeface of the tagline is the exact same ITC Serif Gothic that was used for the tagline on the poster for the first Star Wars movie.”

Star Wars: “The new Star Wars films use a version of News Gothic for the title of each film and for the crawl text itself. This flies in the face of previous films which used Universe for the title to establish a sense of importance and gravity, while using News Gothic for the crawl text.”

(Links to websites via the quotations)

[inerfield]

ITC Bookman italic

[kenntype]

Assignment B

The purpose of this assignment is to identify some ‘good’ and ‘poor’ signs, identify their type, and determine if the signage is successful. 

Step 1: 

Journey and I collaborated and came up with the following examples for ‘poor’ and ‘good’ signs.

Here are some examples of the ‘poor’ signs that we found:

The following are examples of the ‘good’ signs that we found:

Step 2:

I am going to choose the first sign for the ‘poor’ example and the last sign as my ‘good’ example.

The ‘poor’ example features a Slab Serif typeface, as well as a San Serif one.

The ‘good’ example features various San Serif typefaces.

Using What The Font on font.com, I was able to identify the fonts used in these signs.

Poor: facial waxing - Bookman Old Style Pro Bold.                                   services available - Blooming Elegant Sans Bold. 

Good: THINK & FIRST - Futura ND OsF Bold.                                             LOCAL & We’re better together - ITC Avant Garde Std Bold.                         2017 Member - Myriad Pro SemiExtended Black

Step 3:

Poor: I think that the typeface chosen in this sign is fine, it isn’t very dynamic, but it does get the message across and isn’t distracting. I do wish that the message made use of capital letters and punctuation. I think this typeface would appeal to its audience because they would see it on the door of this salon and it would be easy to read quickly. The message is clear and they may go ahead and add that service to their appointment.

Good: I think the typeface choices in this sign work very well with the design. The weight of LOCAL works very well to balance the shape. It seems a little unnecessary to use so many different typefaces. I feel as if the bottom text could all be in the same typeface. I think this typeface appeals to its audience because it is bubbly and clean; it is easy to read and works with the illustrated elements. 

Step 4:

Poor:

When I redid this sign I changed the type to align right so it was against the photo, and aligned it to the bottom of the photo. I think this makes better use of the white space. I also went with all capital letters and a simplistic font to grab people’s attention as they are entering the salon. 

Good:

This one was a bit more fun to work on, since it had some illustrative elements. I went with Arial Black for all the writing. I didn’t feel the need to use three typefaces like the original did. I made slight changes to the bottom text; I capitalized all the words and changed “2017 Member” to “Member Since 2017.” This leaves the sign more open ended and will remain relevant as the years pass. 

[nicocharles-blog1]

Font Experimentation

Here are some of the fonts I looked at and played around with. I compiled them all into one post instead of taking each individual screenshot of the word. I wanted something clean and simple, yet I did experiment with other styles of fonts as you can see. 

The font is an important part of the magazine as you need to be able to read it clearly yet not have it too boring as it will deduct from the whole aesthetic of your magazine. As my magazine was planned and is very minimalist I wanted a clean but bold text. 

The fonts I have above are: Bahnschrift Light, Arial Nova, Bookman Old, Lucida Fax, Sitka Small, Viner Hand ITC, Arial Black, Courier New, Georgia, Rockwell Condensed, Harrington, and Palatino Linotype. 

[jemgum]

USA typografisch. Font: ITC Bookman Swash DemiBold Italic. Foto: @britta #typographytravel #usa #californien #walking #food #ilovefreedom #harmonie #typohype #schriftarten #typotravel #citypography #typography #typo #typografie #typophile #ilovetypo #typedesign #goodtype #typematters #thedailytype #typoart #fontoftheday #typoworld #streetphotography #streetart #strassenfotografie #photooftheday #bestoftheday #pictureoftheday #artefakt (hier: Santa Cruz, California)

[bones0598]

ITC Bookman Medium - Fonts.com ❤ liked on Polyvore

[solomunchild]

ITC Bookman Medium - Fonts.com ❤ liked on Polyvore

[rosettastarlight]

ITC Bookman Demi Bold ❤ liked on Polyvore