#INCLUDING shit that should already be free from the get go like audio and instrument effects

[pyr0peyt]

Soundtrap rlly would be such an S tier music making site if 85% of its instrument catalog wasn't locked behind fucking bullshit subscription paywalls methinks

[bnna5813]

Set Me Free pt. 2: Jimin you killed it.

I was writing a response to someone's post but I figured I'd just make my own because my response was pretty long. I'm not in the music industry. I just listen to a lot of genres so please forgive me if I'm misusing terms. I've seen a lot of discourse about Jimin's song and I wanted to add a few thoughts:

Do I like the song? YES. I love it. I'll be transparent though. After I watched the music video, I wasn't sure how I felt. There was so much to digest. The song is so different from anything we've ever heard from Jimin, so completely beyond anything we expected. The music video was an orgy of mind-blowing choreography, loud ass brass instruments, aggressive autotune, stunning choir vocals, and heavy chest-thumping bass. The beat is just... everyone I've seen react to this song (including myself) made a stank face and started bopping their heads and doing body rolls as soon as the bass dropped. This song is dirrrty.

I implore everyone to please listen to it on Spotify or Apple Music. By now, you should know that Youtube has shit audio quality. Even the exquisite choir sounded muffled on YT. His voice is heavenly on Spotify. His modified voice has so many layers. I know the autotune is a very controversial topic in this song but I think he used it well to transform his voice into something you have never heard from him before. BTS tends to use autotune or voice processors to add complexity and texture. How many of you disliked this song and also disliked On and Black Swan?

I get that it can be too much for some people. Music is subjective and it's okay not to like this song. It's not for everyone. But for people who use the autotune as a drag to say he's using it because he can't sing on key, you should know that the music industry has moved beyond using autotune to correct pitches/tones. We're not in the early 2000s anymore. Some artists still use it to support their vocals but that's not the case in Jimin's song.

In this song, his voice is heavily distorted when the lyrics are coming at you. "I never stop, fuck all your opps" and "Hey fool, just get out of my way / Shut up, fuck off / I'm on my way". Even when he's saying "enemy" in the background, it's heavily autotuned. I also love the effect of the call and response between "oh yeah oh yeah" and his normal voice. The use of autotune is to emphasize aggression and anger. He's basically assaulting you with this vocal distortion because it's very jarring to your ears. Look, Jimin is not interested in making another Lie or Serendipity right now. He's already done that. Jimin wants to continue to grow and experiment as an artist. So even if this resulted in mixed reactions, I applaud him for trying something new.

Another thing I want to add is that this track is the LAST song in his album. I don't even need to hear the album first to know why it's the last song. He said this album is going to be a journey revealing hidden wounds and scars. We know this album is going to be dark. Set Me Free pt. 2 as an ending is him shedding his demons, pushing back against those who inflicted pain, and letting it go. That's why the song is so anthemic and aggressive. It's triumphant and it makes me want to throw a fist up. When we get listen to the album in its entirety, I think many people will agree that this is a powerful ending. If this is how I feel about one song, I really can't wait for next week to hear everything else.

[scentedsublimehologram]

Serial Number For Stage Plot Pro

Serial Number For Stage Plot Programming

Serial Number For Stage Plot Project

Serial Number For Stage Plot Processing

Serial Number For Stage Plot Proposal

Let me offer a recent, real life example of why sending an up to date stage plot and input list when advancing is critically important.

Stage Plot Pro 2.9.8 Serial Number Key Welcome to SerialCore.com your number one source for the latest serials! We are a new surfer friendly serial site without annoying advertisements, updated almost every day to make sure you find the serial number key code. That you are looking for:). Question: Q: Logic Pro 8 Serial number HELP!! My G5 recently died on me. (I think it's the power supply, but that is another story entirely!!). Stage Plot Pro 2.9.8 Serial Number Key. Welcome to SerialCore.com your number one source for the latest serials! We are a new surfer friendly serial site. Stage Plot Pro Serial Number 13 stage plot pro serial number stage plot pro serial number mac stage plot pro 2.9.5 serial number stage plot pro serial number windows serial number stage plot pro 2.6.1 Mac version 2.9.8.2. Windows version 2.9.8.1. Stage Plot Pro: 13-Mar-2018: 2,263 KB/s. All retail software uses a serial number or key of some.

We had a fly date into a festival in San Francisco, with a tight window of arrival. Our window became even tighter when our flight out of LAX was cancelled, and we were bumped to a later flight, now arriving across the bay in Oakland. It was one of those moments on the road where things are out of your control, and travel is either going to work out, or it isn’t, so it’s best to simply relax. With pre-arranged ground transportation botched, the festival hustled and sent us a runner van to get us on site. With traffic from Oakland into San Francisco, we ended up arriving on site 29 minutes prior to stage time. Woof.

There is a certain due process to arriving on site at a festival. Artist check in, meeting up with the festival liaison, getting your bearings, settling into the dressing room, checking in with production, checking in with backline, loading or crossloading gear to stage, building gear, grabbing a bite to eat, potential press, using the bathroom, etc. The picture that I am trying to paint is that there are a lot of things that happen before your set, and when you arrive so close to set time, things you have done in advance become even more important.

Walking onto stage, it was as if an ethereal force had descended and backline, monitors, and mics were all placed exactly where they needed to be. How did it get to be this way? How did they know to put it like this? Allow me to introduce you to the Stage Plot and Input List.

The stage plot is a visual representation of how gear is organized on stage. What do you need to include when creating a stage plot?

Band name – Imagine not putting your name on the plot if you are playing a festival with 100+ other bands. You want people to be able to find and utilize your plot, right?

Serial Number For Stage Plot Programming

Date – I like to title things with the season and year. IE:Summer 2015. This allows the person receiving the plot to know that what they are looking at is current. If it is dated Fall 2012, and it’s Winter 2015, audio begins to question the validity of the plot they are looking at.

Contact information – the production contact for your band. Your name, role, phone number, and email address should suffice. Put it right on the plot. No one wants to dig up an email to find your info.

Names of band members – People don’t always use it, but sometimes it’s nice to have the people you’re working with for the day know your name when you are thousands of miles away from home. First name and instrument does the trick.

Ok, so the above is important in its own way, but this is the part that really matters.

Placement of gear – use labeled shapes to show where a piece of equipment is going to live on stage. Guitar, Bass, Drums, Keys, Horns, Vocals, Doom Reverbinator, Strings, etc. Doesn’t have to be fancy; simply write it in a box, and plunk it down where it’s going to be set.

Placement of monitors – use labeled rectangles (IE: Monitor 1, Monitor 2, etc.), and number the monitor mix. Place the rectangle in front of where the player will need their monitor positioned. On a separate page, you can include notes for the monitor engineer, as far as what a player wants in their mix.

Placement of power – Until future technological developments arrive, we are tethered to the archaic system of “power cords” where we have to “plug in.” Wireless electricity, can you get here already? Need to plug in an amp? Need to plug in a pedal board? Need power for something else? Denote where you need to plug in on your stage plot. Oh, shit! What kind of power do you need? Are you using American or European gear? Bollocks, we haven’t the step down convertors!

Placement of mics – Maybe you are cruising with a non-standard piece of equipment. Telling the engineer how you want a mic placed (on axis, off axis, distance, etc.) helps them work more efficiently and quickly. This means more time for your sound check or line check. Is your singer on wireless? Make it known. Need an extra long XLR? What kind of mic stand do you want? Boom? Straight? Include all of that information either on the stage plot or input list.

To be even more specific, I’ve seen people label their plots with measurements of how things should be laid out. I encourage you to do this. Someone will appreciate it. Additionally, actual photographs of your stage layout are useful and provide a true visual for those setting things up before your arrival. Keep in mind that fine tuning will be required upon arrival. These documents are simply meant to get things close.

Serial Number For Stage Plot Project

The input list describes to an engineer what each channel is being utilized for. In the left hand column you will see ascending numbers. These are the channels that are being used. In the middle column, you will see what is being utilized on that channel. In the right hand column you will see what microphone we have requested, to mic or DI that element. For example, input #1 is the kick drum microphone placed inside of the kick drum. We’ve asked the engineer to use a Shure Beta 91a. Sometimes the house will not have certain mics available, and you will have to be flexible, unless you are traveling with your own mic package. Further, but not included in the example above would be effects that an engineer could apply to certain channels. I’ve seen where people will specify compressors, or gates on certain channels. I tend to let the engineer do their thing, and if something is grossly inaccurate to my ear, I will tastefully let them know.

**Please for the love of God, if you are a local engineer, do not put any vocal delay in the house mix unless explicitly requested. That is the peeve of all pet peeves. I will never understand the thought process that is occurring moments before letting that delay rip-roar through the lead vocal channel. Why would you ever do that? Reverb is commonly requested, but delay… NEVER!!

Full disclosure: I am not a FOH nor a MON engineer.

Serial Number For Stage Plot Processing

There are a slew of resources available online, both free and paid, to put together both. I personally have enjoyed success using Google Draw that is available for free in Google Drive. It is simple, intuitive, and has all the options one could want to effectively create a stage plot. The examples I provided above were created using Google Draw. Photoshop is another option, but it is more complicated, and costs money. I try to use the K.I.S.S. system whenever possible. Keep it simple, stupid.

Serial Number For Stage Plot Proposal

Stage Plot Pro is another option, and can be checked out here. I’ve personally never used it, but if you search stage plot in Google images, someone certainly has.

If all else fails, you can actually DRAW a stage plot. Crude, but it gets the point across and it’s better than nothing. (Photo credit: RockOnColorado.com)

As far as making an input list, any word processing software will do the trick. Simply create a table and wa-lah!

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Sometimes despite sending an updated plot and input list, the engineer is looking at an ancient technical rider that has somehow made its way to them. That is the worst feeling when you arrive and see lines run to the tune of an old plot. Despite your best efforts, unintentional sabotage does occur. I like to keep a stack of correct stage plots and input lists on hand for arrival. Make it a priority to provide management and your booking agent up to date copies of your technical rider to avoid this issue. These documents are only useful if you can get them in the hands of a skilled production staff.

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I highly recommend checking out Mark Workman’s book, One for the Road: How to be a Music Tour Manager. He is the one who turned me onto using Google Draw to create a stage plot, and I would be remiss if I did not give credit where credit is due. It’s a great read if you are fascinated by this subject matter, and I can’t recommend it enough.

[batch83]

Well done, you!

An LSE Journey Essay

Looking deep into ourselves to find our real motivation can be hard especially when everything around us have been going by in a blur. Our true purpose, should we ever find it early, tend to get lost somewhere between making a living, paying the bills, raising kids and running a hundred different errands. Before you know it, you're well into your middle age and wondering where did the last 10 years go. It is in this age that I started to question what my endgame is.  

I was born in the North to Ilocano parents, raised in Metro Manila and educated in both private and government institutions.  I majored in Architecture but majority of my work is in another discipline.  For the past 13+ years in Singapore, I worked, and mostly enjoyed, working in Civil Engineering specifically in Geotech where we do a lot of underground works for tunnels and transport structures.  Such a badass feeling for a female to actually do this in a predominantly male field! I left the Philippines not because there was a pressing need to provide. On the contrary, I have a stable but boring job in the city. I was surprised when I got the call from a foreign headhunter that, at the prospect of new adventures and since there's nothing to lose (they paid for all the expenses anyway), I relented and went along to see where'd I'd end up. Fortunately, fate has been good. 

Being a migrant worker for most of my youth can be quite unsettling.  I have all the time in the world in a new environment full of possibilities, earning a decent disposable income and not saddled with pressing responsibilities. When you're new in a foreign land, the allure of all things shiny are very tempting. It's these times that I went on a spree, a moderate one by standard, but to an Ilocano it's a spree nonetheless.  Year in and out, I accumulated stuff that I liked and like to share with my family. But as my belongings grew and lugging them from one rental house to the next becomes harder, I thought "there must be more to gain in living here than this".  

Enter social media.

I spent numerous hours scrolling, clicking and just wasting time away but it's an upside that I saw an A-LSE sponsored seminar on one of the shared posts. At this point I'm already indoctrinated in the concept of financial management by another OFW (also an admirable Fin-Lit and Social Enterprise advocate) and seeing the A-LSE program page with all the bright faces of the students, my curiosity was piqued. What is this group that makes people come together and learn new stuff to improve themselves? The FOMO (fear of missing out) is strong and I had to join in on the fun. I finally got in a year after putting my name down on the waiting list.

 And so, the grind begins.

 The program started with self-introspection -- who are you, what makes you get up in the morning, what's your mission -- its wading at the rubbish and finding the bits that radiate sunshine. It's the equivalent of doing the Marie-Kondo in your life and removing the clutter.

As a parent, my goal is to give my child the tools and opportunities that will enable him to achieve good things in life. Not great, but good. I can only lead him to the starting line, I will leave it up to him to finish it in ways he sees fit.  Of course, to be able to do that I will need the financial capacity to provide for his primary needs but also to be there emotionally to support and guide him in his decisions. My goal is to show him the dignity in working and the joy of doing good, to impart the values I've learned from my parents, to have fun and appreciate the arts.

As a sibling, my goal to help them finish their tertiary education has been fulfilled. My siblings are now enjoying their chosen professions and has now embarked on new pursuits to ascend to the next level. Next is to help them map out their financial plans for the future -- that's a tactic to make them financially independent and not borrow money from me.

As a daughter, my goal is to see my parents enjoy the latter years of their lives and to help them come into terms that they need to step back and let their children take on the responsibilities on managing their estate.

As a person, my goal to become an instrument of change in however small way I can manage. Running for public office seems the easiest route but as I have no death wish and plan to live a longer-ish life, that's a no-go for me.

My goal is to achieve financial independence in the next decade, to establish my own enterprise, have enough to sustain my health coverage and retirement in the later years and leave a worthy legacy to my family. Lastly, I want to travel every year or every other year to places that are culturally rich and ‘gram worthy.

The 10 sessions have brought immense knowledge and insight about the core competencies of the LSE program. Journals have been written to provide a deeper insight for each session.

For Leadership, I find Tina Liamson's lecture on Migration & Principles of Leadership enlightening. The most fascinating has got to be from Dr. Juan Kanapi's Appreciative Inquiry. This is the first time I've heard of it and it's quite difficult to grasp the idea and can be easily confused with positivity. But at the end, It shows that if practiced AI is not just mind tricks but a powerful tool in realising your full potential.

The best lectures for Financial Literacy are the split sessions of Vince Rapisura and Edwin Salonga. (Edwin's lecture is about Social Entrepreneur but I remembered a lot more on his lecture about Finances, hence…) Who knew studying finance concepts could be this good? And most definitely not boring! I now have a deeper understanding about managing my finances better and learning that my current insurance is shit, which I really need to rectify soon. I can't tell you enough how the things I've learned from these wonder duos are gold. Call me by any other name (read: biased), but Ed's lecture is my most favourite of the lot.

The Social Entrepreneurship sessions have the most gravitas for these lectures carry the main core of the program. They're not all boring, mind you, but can be a bit challenging. The lectures on this series provided many useful tips for future entrepreneurial endeavors and is a big help in formulating our business plan. Other insights for the SE series can be read here and here.

At every journal writing, I try to reflect on what I've learned and think of ways to apply them in my daily life.  Most often I find things and events that need to be tweaked or heavily redesigned in order for it to be aligned with my future goals. Most pressing of these are the consolidation of my assets and liabilities, and making a clear plan on mapping out my finances that will include my son's future education.  The next point is to work on myself and how I carry myself as a leader starting at home. What better place to practice than to apply these learning in the household first? Hopefully, I will be able to improve my inability to forge meaningful connections to people by the time I have to build my own enterprise. I am not aspiring to be Miss Friendship, I'm ok with Miss Effective Boss or even Miss Influencer-For-The-Greater-Good. Tall order, I know, but we're allowed to dream and dreaming is free.

Joining the program made me realise the answer to my question, "So what happens now?" 

During my first few years as a migrant worker, my goal is to save so I can buy gadgets to connect me home. After having a mobile phone, a laptop and the ability to call home any time, ano na? As I enter my 14th year of being a migrant, I've somewhat been able to achieve the things I hoped for. Not the millions of dollars in bank account **fingers crossed**, but a comfortable life. But that restlessness persists. Learning that there are available avenues to pursue these in the Philippines is a big help in making me step into the right direction closer to the things I wanted to become. Programs like these give hope.  With that, I realise that there is more I can do back home than where I am currently at. I have the knowledge; I can share it -- starting with a small group of like-minded people who are willing to help themselves. Acquiring and sharing knowledge is free so I may as well start with that. 

All the sessions have been audio recorded and kept in a cloud that I shared with family members. Many of the things Dr. Kanapi said are the things I so want to say to my father. Sharing it is just a click away, let him hear it straight from the board-certified horse's mouth.  

I also plan to lead the residents in our small sitio towards a better understanding of financial management which can be instrumental in their livelihood. These people have been known in the family for decades. They have worked alongside our grandparents in tilling the land and their children continues to do so. While there have been advancements in their lives, I believe there is more to be done -- better education for their children/grandchildren, opening bank accounts, accessing government programs, using tech etc. I am excited to share with them the different concepts we have learned in the program, and also a good training ground for me to improve my leadership skills.

I highly commend the A-LSE program for striving to make the Filipino Migrant Workers' quest for relevancy and better lives. Much appreciation to A-LSE founding Team and the current secretariat who makes it run smoothly. The past month has been very trying but everyone has been great in providing feedback and extending their hands.  For that, a big Salute! to everyone -- for the team and the speakers who traverse the globe every year. 

As a program alumnus, I will most definitely uphold the values of the LSE in the best way that I possibly can. Sadly, my physical involvement with the LSE will not extend to the volunteer work for the next batch as  I have made plans for the next year that will make it impossible to fulfill my duties on the site . However, I am willing to extend my skill/expertise in whatever way I can as long as it is done remotely. 

Thank you, A-LSE.

Congratulations, Batch 83!

2019 will be remembered as the year I turned another leaf over.