#IN THE YEAR 1815?????

[shitpostingfromthebarricade]

If season 1 of Bridgerton happens in 1813 and season 2 confirms the existence of Napoléon ("[she] believes that Napoléon fights for the Spanish"), then I had BETTER be hearing all about Wellington and Napoléon's defeat at Waterloo when I finally see season 3.

[youremyonlyhope]

Wow, Eloise is so ahead of her time that she's reading Emma at least 6 months before it was even published.

[artistocrazy]

Needed to draw the bastard in a villainous pose.

You’re welcome 💜

[designedandplated]

Walking Dress, 1815.

[ent-is-undecisive]

Ive been at work for half an hour and i'm already down a rabbit hole about the history of mayors

[empirearchives]

Napoleon pardoning this dude:

[wildtornado-o]

If I had a nickel for every time a man named John that was in the military during the early 19th century ended up being my favourite character in the series I would have 2 nickels, which isn't a lot but it's weird that it happened twice.

Do you think they fought each other... <3

(In case it isn't clear those 2 men are John Granby & John Bishop from tmnt 2003)

[noisy-weasel]

The only reason I read a 1000pg book on napoleons entire military career was so I could understand fiction books that were set in that time period (of which there are a lot, especially old fiction since it was literally a 20yr affair) and I'm so glad I did honestly it really puts a lot of stuff into perspective

[doyoulikethissong-poll]

ABBA - Waterloo 1974

"Waterloo" is a song by Swedish pop group ABBA, with music composed by Benny Andersson and Björn Ulvaeus and lyrics written by Stikkan Anderson. It is first single of the group's second studio album of the same name, and their first under the Atlantic label in the US. This was also the first single to be credited to the group performing under the name ABBA. The title and lyrics reference the 1815 Battle of Waterloo, and use it as a metaphor for a romantic relationship.

In 1974, "Waterloo" represented Sweden in the 19th edition of the Eurovision Song Contest held in Brighton, winning the contest and beginning ABBA's path to worldwide fame. The song differed from the standard "dramatic ballad" tradition at the contest by its flavour and rhythm, as well as by its performance. ABBA gave the audience something that had rarely been seen before in Eurovision: flashy costumes (including silver platform boots), a catchy uptempo song and simple choreography. It was the first winning entry in a language other than that of their home country; prior to 1973, all Eurovision singers had been required to sing in their country's native tongue, a restriction that was lifted briefly for the contests between 1973 and 1976 (thus allowing "Waterloo" to be sung in English), then reinstated before ultimately being removed again in 1999. Watch the performance in Swedish here. Sveriges Radio released a promo video for "Waterloo" that was directed by film director Lasse Hallström, whose first notable English-language film success was What's Eating Gilbert Grape in 1993. ABBA recorded the German and French versions of "Waterloo" in March and April 1974; the French version was adapted by Alain Boublil, who would later go on to co-write the 1980 musical Les Misérables.

The song shot to number 1 in the UK and stayed there for two weeks, becoming the first of the band's nine UK number 1's, and the 16th biggest selling single of the year in the UK. It also topped the charts in Belgium, Denmark, Finland, West Germany, Ireland, Norway, and Switzerland, while reaching the Top 3 in Austria, France, the Netherlands, Spain, and Sweden. Unlike other Eurovision-winning tunes, the song's appeal transcended Europe: "Waterloo" also topped the charts in South Africa, and reached the Top 10 in Australia, Canada, New Zealand, Rhodesia, and the US (peaking at number 6, their third-highest-charting US hit after number 1 "Dancing Queen" and number 3 "Take a Chance on Me"). In 2005, at Eurovision fiftieth anniversary competition Congratulations: 50 Years of the Eurovision Song Contest, "Waterloo" was chosen as the best song in the contest's history.

"Waterloo" is featured in the encore of the musical Mamma Mia!. The song does not have a context or a meaning. It is just performed as a musical number in which members of the audience are encouraged to get up off their seats and sing, dance and clap along. The song is performed by the cast over the closing credits of the film Mamma Mia!, but is not featured on the official soundtrack. It is also performed as part of the story in the sequel, Mamma Mia! Here We Go Again, by Hugh Skinner and Lily James.

The Australian film Muriel's Wedding (1994), features "Waterloo" in a pivotal scene in which lead Toni Collette bonds with the character played by Rachel Griffiths. The film's soundtrack, featuring five ABBA tracks, is widely regarded as having helped to fuel the revival of popular interest in ABBA's music in the mid-1990s. "Waterloo" features prominently in the 2015 science-fiction film The Martian. The song plays as the film's lead, played by Matt Damon, works to ready his launch vehicle for a last-chance escape from Mars. In "Mother Simpson", the eighth episode of the seventh season of The Simpsons, Mr. Burns plays "Ride of the Valkyries" from a tank about to storm the Simpson home, but the song is cut-off and "Waterloo" is played, to which Smithers apologizes, advising he "must have accidentally taped over that".

"Waterloo" received a total of 89% yes votes!

(the video is posted by ABBA's own account, not Eurovision's = safe to watch)

[profamer]

This day in history, March 25, 1815 A. D., 208 years ago, Richard Dowell , the famed organist at Dulwich college, died. ... #history #thisdayinhistory #chronology #historical #events

The following excerpt was not changed from its original text to maintain literary integrity; therefore, some expressions may be archaic.MARCH 25. 1815. Richard Dowell, the famed organist at Dulwich college, died. Source: Gutenberg.orgAdapted from: The Everyday Book of History and Chronology by, Joel Munsell

[pensbridgerton]

On the sixth of April, in the year 1812—precisely two days before her sixteenth birthday—Penelope Featherington fell in love.

It was, in a word, thrilling. The world shook. Her heart leaped. The moment was breathtaking. And, she was able to tell herself with some satisfaction, the man in question—one Colin Bridgerton—felt precisely the same way. Oh, not the love part. He certainly didn’t fall in love with her in 1812 (and not in 1813, 1814, 1815, or—oh, blast, not in all the years 1816–1822, either, and certainly not in 1823, when he was out of the country the whole time, anyway). But his earth shook, his heart leaped, and Penelope knew without a shadow of a doubt that his breath was taken away as well.

For a good ten seconds.

Falling off a horse tended to do that to a man.

It happened thus:

She’d been out for a walk in Hyde Park with her mother and two older sisters when she felt a thunderous rumbling under her feet (see above: the bit about the earth shaking). Her mother wasn’t paying much attention to her (her mother rarely did), so Penelope slipped away for a moment to see what was about. The rest of the Featheringtons were in rapt conversation with Viscountess Bridgerton and her daughter Daphne, who had just begun her second season in London, so they were pretending to ignore the rumbling. The Bridgertons were an important family indeed, and conversations with them were not to be ignored.

As Penelope skirted around the edge of a particularly fat-trunked tree, she saw two riders coming her way, galloping along hell-for-leather or whatever expression people liked to use for fools on horseback who care not for their safety and well-being. Penelope felt her heart quicken (it would have been difficult to maintain a sedate pulse as a witness to such excitement, and besides, this allowed her to say that her heart leaped when she fell in love).

Then, in one of those inexplicable quirks of fate, the wind picked up quite suddenly and lifted her bonnet (which, much to her mother’s chagrin, she had not tied properly since the ribbon chafed under her chin) straight into the air and, splat! right onto the face of one of the riders.

Penelope gasped (taking her breath away!), and then the man fell off his horse, landing most inelegantly in a nearby mud puddle. She rushed forward, quite without thinking, squealing something that was meant to inquire after his welfare, but that she suspected came out as nothing more than a strangled shriek. He would, of course, be furious with her, since she’d effectively knocked him off his horse and covered him with mud—two things guaranteed to put any gentleman in the foulest of moods. But when he finally rose to his feet, brushing off whatever mud could be dislodged from his clothing, he didn’t lash out at her. He didn’t give her a stinging set-down, he didn’t yell, he didn’t even glare.

He laughed.

He laughed.

Penelope hadn’t much experience with the laughter of men, and what little she had known had not been kind. But this man’s eyes—a rather intense shade of green—were filled with mirth as he wiped a rather embarrassingly placed spot of mud off his cheek and said, “Well, that wasn’t very well done of me, was it?”

And in that moment, Penelope fell in love.

When she found her voice (which, she was pained to note, was a good three seconds after a person of any intelligence would have replied), she said, “Oh, no, it is I who should apologize! My bonnet came right off my head, and . . .”

She stopped talking when she realized he hadn’t actually apologized, so

there was little point in contradicting him.

“It was no trouble,” he said, giving her a somewhat amused smile. “I— Oh, good day, Daphne! Didn’t know you were in the park.”

Penelope whirled around to find herself facing Daphne Bridgerton, standing next to her mother, who promptly hissed, “What have you done, Penelope Featherington?” and Penelope couldn’t even answer with her

stock, Nothing, because in truth, the accident was completely her fault, and she’d just made a fool of herself in front of what was obviously—judging from the expression on her mother’s face—a very eligible bachelor indeed.

Not that her mother would have thought that she had a chance with him. But Mrs. Featherington held high matrimonial hopes for her older girls. Besides, Penelope wasn’t even “out” in society yet.

But if Mrs. Featherington intended to scold her any further, she was unable to do so, because that would have required that she remove her attention from the all-important Bridgertons, whose ranks, Penelope was quickly figuring out, included the man presently covered in mud.

“I hope your son isn’t injured,” Mrs. Featherington said to Lady Bridgerton.

“Right as rain,” Colin interjected, making an expert sidestep before Lady Bridgerton could maul him with motherly concern.

Introductions were made, but the rest of the conversation was unimportant, mostly because Colin quickly and accurately sized up Mrs. Featherington as a matchmaking mama. Penelope was not at all surprised when he beat a hasty retreat.

But the damage had already been done. Penelope had discovered a reason to dream.

Later that night, as she replayed the encounter for about the thousandth time in her mind, it occurred to her that it would have been nice if she could have said that she’d fallen in love with him as he kissed her hand before a dance, his green eyes twinkling devilishly while his fingers held hers just a little more tightly than was proper. Or maybe it could have happened as he rode boldly across a windswept moor, the (aforementioned) wind no deterrent as he (or rather, his horse) galloped ever closer, his (Colin’s, not the horse’s) only intention to reach her side.

But no, she had to go and fall in love with Colin Bridgerton when he fell off a horse and landed on his bottom in a mud puddle. It was highly irregular, and highly unromantic, but there was a certain poetic justice in that, since nothing was ever going to come of it.

Why waste romance on a love that would never be returned? Better to save the windswept-moor introductions for people who might actually have a future together.

And if there was one thing Penelope knew, even then, at the age of sixteen years minus two days, it was that her future did not feature Colin Bridgerton in the role of husband.

She simply wasn’t the sort of girl who attracted a man like him, and she feared that she never would be.

Romancing Mister Bridgerton - Prologue

[bethanydelleman]

I've been wondering what the British Royal Navy was up to after 1815, since there was relative peace (mostly to help me imagine what happened after Persuasion), then I stumbled across this: there was a Royal Navy squadron that spent about 60 years patrolling Africa and freeing slaves! More than 150,000 of them. It was started in 1808 and Wentworth could have joined.

I could totally see Wentworth and Anne on a ship that battled against slavery! Maybe even William Price from Mansfield Park as well.

[i-hate-accidents]

i hate accidents: the beginning

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary:  the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections:  I. the beginning / II. the between / III. the ball

y/n:  bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings:  classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, positive/supportive families, allusions to alcohol abuse in [I.viii]

word count:  13.9k (of 38.8k)

story context:  everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons.  this story takes place leading up to and into the 1815 season. 

additional notes:  this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2!  she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits.  they have not yet watched queen charlotte.  the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note:  this is the first time the author has written fanfic in 13-15 years.  :)  it is her hope that they have made some progress since her pre/teens.  additionally, this fanfic has been written, on and off, over the course of two years.  the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

reading tip: whilst the author is proud of it, she understands the intro to the first section is long. if you wish to get more straight to y/n and benedict's story, the author suggests jumping to [I.ii]. they won't be offended that you did heh.

𝄆 ⚘ ✸ I.i ✸ ⚘ 𝄇

you do not know how you got here.

well, that is not true; you quite literally walked from the markets and followed the directions that penelope had given you, but you did not think those directions would lead you here.

this is a mistake.  i must have taken a wrong turn, gone up instead of down, made a left when i should’ve taken a right. 

or perhaps this is a dream?  yes!  that has to be it!  a dream!  i must have lulled off and dreamt myself here, for whatever reason.  once i close my eyes and open them again, surely i will be at home, or the markets, or the workshop even.  surely!  

so, you close your eyes shut.

you had been walking about the markets on your non-work day, some weeks ago, browsing the wares you wouldn’t (and couldn’t) buy, eavesdropping on any conversation of intrigue, observing the bustle of the crowd going about their day, mindlessly thinking of the next thing to write, daydreaming—when you had collided with someone.  they had let out a squeak, their materials flying out of their hands, as you had fallen on your back, thankfully not hitting your head.  in your periphery, you had seen how the person had crawled to your side and looked at you with urgency and concern.

“i am so sorry!”  their voice was pretty.  sweet and lovely.  you lifted yourself up a bit to see the person you had collided with.  they were also pretty— beautiful, red-haired, and hooded in blue.  

their eyes widened.

“er, i meant,” they spoke again, but this time with an— irish accent?  their voice was still sweet and lovely but very distinctly irish and distinctly different from their voice mere moments before. “are you hurt?”

“i am all right, thank you.”

“very well,” they said, still in their irish accent, “then i must be going—”  and they shot themself up and turned, you assumed, to run away.

“wait!  you’re a writer, yes?”

as you had hoped, the person in blue froze.  they slowly turned to you again, apprehension and intrigue in their eyes.

“how do you know?”  their voice was mangled between their two accents.

“unless you pluck birds for fun,” you stated as you collected the scattered materials they had dropped in the collision, “these are quills.”

you stood up, approached them, and held out their quills to take, offering a smile.  the stranger took the quills and put them in their bag.  they returned their eyes to you and returned your smile.

“thank you,” they responded in their english accent.

“i know how precious those are, so i am very glad to see they won’t go to waste.  well, they wouldn’t have gone to waste either way; i would’ve taken them if you hadn’t turned around.”

that caused the person in blue to laugh.

“i assume you are a writer?” they inquired.

you don’t know what had overcome you; you don’t know why you had been so trusting of this stranger, especially with something such as your writing, but you had been. you reached for your then most recent, folded up quarto, kept between your bosom and your blouse, and offered it to the stranger to read.  they took it, shifted their eyes from line to line, turned it to read the crossed lines, and then looked up at you, beaming.

“this is brilliant!— oh, forgive me; i did not even ask for your name.”

“y/n,” you extended your hand.  “and you?”

the stranger seemed to stiffen but quickly relaxed themself, taking your hand in theirs and shaking them.  they beamed still, but something of their smile had grown quietly mischievous.

“can you keep a secret?”

when you open your eyes, you huff out a breath in a poor attempt to assuage yourself from the reality of your situation:  you are not dreaming.  here you are—you—at grosvenor square.  

you knew of your friend’s circumstances as she had shared it:  she is a noble lady, a third sister of the featherington family, who has been writing scandal sheets of high society’s romps and happenings since her ‘debut,’ as she had put it (you hadn’t understood how she had used that word and became further confused upon her explanation of it), under a pseudonym called lady whistledown.  penelope has been kind enough to let you read her sheets, and you find it ridiculous what these high society persons do for their lives and utterly brilliant with what wit, snark, and compassion even penelope commentates on that world.  

but you did not ever, ever think that she would bring you to it, let alone into it.  when penelope had said that you were to meet her most beloved friend, you had thought it would be in an obscure alley or a room hidden behind a bookcase in an unassuming shop—not the literal neighborhood in which she, and presumably her friend, lives!  by your posture, by your clothes, by your very existence, it is blatant how much you do not belong here.

i should run.  i am going to run.

and so you turn and start—

“y/n!”

—when you hear the sweet voice of your friend.  you scrunch your eyes closed, inhaling and exhaling through your nose, and turn around and see penelope in a picturesque green dress, lifting up her skirt with gloved hands, scurrying down the pavement of her neighborhood towards you, beaming.  despite the anxiety that rages within you at this very moment, your heart swells upon seeing your friend in such enthusiastic spirits, and you smile despite yourself.

“good day, pen.”

she takes hold of your bare hands in her gloved ones and gives them a squeeze.  perhaps she can discern your nerves because you start to feel yourself calm ever so slightly by her gesture.

“i am so glad you are here,” she says.

“i am—— glad to see you,” you then lower your voice.  you do not know why; it is not as if your lowered voice will help conceal your existence in this place.  “are you certain i am permitted to be here?”

letting go of your hands, penelope swats at the question.

“the bridgertons and i care not about such things.”

“the— bridgertons?” 

“yes!” she turns and gestures to the grand brick house with wisterias.  “it is at their home, after all, in which we will be spending our time together.”

your jaw drops.

“we are staying inside the house?  not simply meeting outside the house?”

this is not a dream.  this is a nightmare.

penelope returns her eyes to yours, and it startles you with what tenderness she gazes at you.

“i understand that you are fearful, y/n.  i had presumed you would not have come if you had known we would be here.  but i would not have led you to bridgerton house if i did not think you would be safe here.  the bridgertons are the most inviting, kindly family of the ton— of high society,” she amends upon seeing your confusion at the word ‘ton.’  their name for their world, it seems.  “eloise has assured me that we shall be in her bedchamber for the entirety of our time together.  and if you wish to leave, for any reason, at any point, i shall accompany you, and we shall leave together.”

with closed eyes you heave a sigh through your nose.  you flutter your eyes open and offer penelope a weak, but sincere, smile.

“very well.”

penelope squeaks in excitement, taking hold of your hand once more, giving it another squeeze of encouragement, and leads you towards this bridgerton house as she so called it.  she raps at the stately door thrice with great eagerness, seeming to knock in perfect tandem with your beating-too-quickly heart.

an elderly man opens the door, about to greet penelope and her guest, when a young femme shoves herself through the opening.

“thank you, giles!” she calls out as if the man is across the road and then looks at you, ferocity in her eyes.  it ought to unnerve you, the whirlwind force of this stranger, but it doesn’t.  you just return her gaze with a large, albeit a bit bemused, smile.

“penelope has shared so much about you,” the stranger states and takes hold of your hand.  “let us get inside!” and yanks you into the house.  she turns, looking straight ahead, and barrels forward, pulling you with her.

as the fiery femme seems to soliloquize excitedly to herself, you look back at penelope who merely wears an amused smile at her friend’s antics as she follows behind.

“oh!” the femme exclaims suddenly.  she halts you both and sharply turns to you, still gripping your hand, grinning.  “my name is eloise.  eloise bridgerton.”

“y/n y/l/n.”

“excellent.  now!  with introductions all sorted—”

and she turns and barrels you both right, rather than heading straight ahead to the grand staircase as you had presumed she would.

“eloise—” eloise’s fervency had provided a reprieve to your anxiety, but the confusion in penelope’s voice puts you back ill at ease, “where are you—”

“it’ll take just a moment, worry not, pen!”

eloise leads you down a hall, noises and voices of all sorts coming from an entrance to a room, growing louder and louder as you approach until they reach the peaks of their volume as eloise halts you both once more, to your mortification, at the entrance of that very room.

“family, penelope, y/n, and i shall be in my bedchamber.  we have much to discuss.  please do not bother us,” eloise proudly announces to the entirety of the room.

silence falls.  all eyes—and there are many eyes—are on you.

oh, my god.

you turn to penelope.  her overall manner is calm and composed, but you can see the disquiet in her eyes.  she peers into you, the apologetic look conveying, i did not know this would happen.

you turn back to the family.  

a lady.  a lady of older age.  two gentlemen with a difference in age.  a boy.  a girl, the youngest amongst them.  

how is it with a house this massive in the middle of the city that the entire family is present in this one room?  well, the room is the size of the two floors of your home combined, if not larger, so in that sense it is sound—but your question still stands.

this has to be the entire family.  surely.  there are so many of them.  this has to be the entire family.  yes?

“no talking, no music playing, no fighting?” inquires a droll voice walking into the room, “has someone—” 

you turn your head to follow the source of the voice and make contact with dumbfounded ocean eyes.   

butterflies flutter in your stomach.

oh.

shit.

“y/n, this is my second eldest brother, benedict bridgerton,” eloise states.  “benedict, this is my friend, y/n y/l/n.  do not bother us once we are in my bedchamber.”

he stares and blinks at you but then assumes a gentlemanly posture and bows his head.

“it is a pleasure to make your acquaintance, miss y/l/n.”

without any forethought you start to extend a hand to benedict until you hear penelope give a slight cough only you, she, eloise, and he can hear.  receiving the hint, you retract your hand and pretend to swat at your skirt.

“err— yes.  likewise.” 

another cough. 

“mis, ter?— brid… ger?—ton,” you articulate with complete and utter uncertainty of how this world’s introductions function.

he cocks his head and furrows his eyebrows at you, something like amusement playing at his features.  he wears a lopsided smile that he is barely attempting to conceal.  his expression should be infuriating.  and it is.  but, it is... charming, too.  and welcomed.

you have never felt more embarrassed or more pleased in your life.

shit.

“before the three of you retreat to eloise’s bedchamber,” declares an authoritative voice, breaking your reverie.  you turn away from ocean eyes and see the lady of the room approaching you.  much to your surprise, she smiles.  to an even greater surprise, her smile seems sincere.  “i must insist that i introduce myself and the rest of the family to our guest.  

“i am viscountess kathani sharma bridgerton, the lady of this house,” she curtsies with perfect elegance.  “it is a delight to welcome you to our home, miss y/l/n.”

“thank you for having me— lady bridgerton.  and you may call me ‘y/n.’  you need not use such, uh, formalities with me.”

“very well; then you may call me ‘kate.’”

you furrow your eyebrows.  she had introduced herself as ‘kathani’ but now asks you to call her ‘kate.’  it makes you think of mama and papa; they shared with you once how they had chosen to go by different names upon emigrating to england.  when you had asked why, they simply replied that it would be easier for others in this country to address them.  

“may i call you ‘kathani’ instead?”

surprise flashes over the dignified demeanor of the viscountess.  she regards you with softness in her eyes.

“yes.  yes, you may.”

resuming her full composure, kathani guides you to the eldest of the gentlemen and introduces him as her husband, viscount anthony bridgerton, the lord of the house.  he offers you a small smile with a bow of his head and greets you ‘good day.’  you try not to wince at his decorous use of ‘miss’ with your first name, but you suppose it is merely in these people’s natures.  

kathani continues and leads you to the lady of older age, introducing her as dowager viscountess violet bridgerton.  she dips into a lovely curtsy and, on her rise, gazes upon you with a gentle smile.  you feel compelled to respond in kind, but it would certainly not be as graceful as hers, and worse, she may interpret your slovenly attempt as a lark.  so, you refrain.  

the viscountess next introduces you to mister colin bridgerton (you summon all your self-restraint to keep your countenance neutral—this is the boy who hurt penelope); then to mister gregory bridgerton (he bows so ceremoniously towards you, you cannot help but be endeared by his resolve); and lastly to miss hyacinth bridgerton.

“why are you dressed like that?” she inquires.

“hyacinth!” the dowager viscountess reprimands.  she must be her mother.  she sounds like a mother.  it reminds you of how your mama reprimanded you and your siblings as little ones; the memory and the exchange make you hold back a laugh.

“what!  what did i say wrong?”

you ought to feel self-conscious, your lower standing brought into further display to everyone in the room, but you detect neither malice nor judgment in the young girl’s voice.  just genuine curiosity.  so, you smile.

“my family and i have different means to clothes, amongst other things.  i wear these when i work or go about my day.  though,” you regard your attire and then— hyacinth?, feeling the glimmer in your eye, “it makes for running around and playing make-believe quite easy.”

“make-believe!�� gregory, do you hear that!  miss!— miss—“ she turns to you with a cocked head.  

“y/n.”

her eyes shine once again.

“miss y/n plays make-believe!  we must play!” hyacinth latches onto your hand and, with remarkable strength for a child who cannot be older than two and ten, pulls and drags you towards the entrance of the room.  “come along, gregory!  wouldn’t want to be the last one there!”

“no fair!  you cheated!” the second youngest shouts back, dropping all previous ceremonies, and scrambles towards the entrance.

“hyacinth!  y/n is not your playmate!  she is here with me and penelope!”

“plans do change, dear sister,” hyacinth retorts.  eloise’s jaw drops, and the rest of the family bursts into laughter.  the entire exchange warms your heart.  in so many ways, they are so proper, so wealthy, and yet they are not all so different from your own family.  they seem to really care for one another.

“when did you get so smug!” eloise shoots back.

“small wonder where she could’ve learned that from,” you hear colin, the traitor, murmur.  turning your head, you see him give amused, pointed looks to eloise and kathani.  the latter grins wickedly, and her husband beams at her with pride. 

“there are only so many hours in a day!” hyacinth complains.  you face her once more, still holding her hand.

“what about this?  i will play with you and your brother for an hour, and then i will be with your sister and penelope for my remaining time here.  i want to honor the wishes of each of my new friends.”

hyacinth considers this with much theatricality to her expression.  she then grins.

“that is an excellent plan,” she remarks, looking to eloise for her thoughts.  you follow her line of sight.  eloise rolls her eyes and sighs, but a smile rests on her lips.

“very well, then.”

feeling peace restored, you smile in return and, in doing so, in your periphery, catch the ocean eyes of the second eldest brother.  benedict.  he is looking at you.  why is that?  you feel your cheeks flush and the tips of your ears heat.  his gaze is somehow gentle and intense and indecipherable all at once, and the flutterings in the pit of your stomach grow, and intensify, and start to overwhelm you—

when you are tugged back to reality with a tug forward.

–

< hyacinth leads y/n through the house to the gardens with gregory by her side.  y/n is both uneasy and in awe of the things she sees.  eventually, they arrive in the gardens.  y/n notices two swings hanging off of a large branch of an old tree and is utterly endeared by the sight; it confirms what she has been thinking:  though the bridgertons are wealthy, they are warm and welcoming.

< just as hyacinth declares that she has found a suitable spot for make-believe, two male voices ask if they may join.  hyacinth, gregory, and y/n turn and see benedict and colin approaching.  colin shares that though y/n seems lovely, it would be unwise of the family to leave the two youngest with a stranger; though y/n agrees with his family’s caution, she refrains from wanting to strangle the person who hurt her friend.

< gregory whines and asks if they can begin before eloise complains.  hyacinth agrees and says that they need to assign characters.  y/n suggests that hyacinth should be a sorceress and gregory should be a knight; these proposals delight the youngest bridgertons.  y/n volunteers herself as the villain and decides to be a banshee; she turns to the elder bridgertons and asks what they wish to be. 

< before they have a chance to respond, hyacinth proposes that benedict should be the princess who has been captured.  benedict indignantly asks why, and hyacinth simply states because he is the most sensitive of the family.  sensing how the sibling argument is about to evolve, y/n intervenes and suggests that, like a sensitive princess, perhaps benedict is merely in tuned with his emotions, even amidst adversity; it is, in its own way, a compliment.  benedict’s eyes become indecipherable upon the comment, but he wears a small sincere smile.  gregory then proposes that colin is y/n’s changeling henchman. 

< make-believe ensues, and it is very sweet and very silly.  eventually, gregory is called in for latin tutoring and thanks y/n for the fun with a deep bow; hyacinth is called in for pianoforte lessons. >

hyacinth launches herself at you with a hug.  pulling back from the embrace, she beams.

“we must continue when you return next!”

before you can even start to reply, she turns and skips off towards the house.  you hear how gregory makes a comment about coming in first, and suddenly the youngest bridgertons are in a race against one another, shouting taunts and insults.  you can’t help but smile.

“they seem to quite like you.”

your smile falls.  you turn and face towards the two elder bridgertons, the traitor being the one to have spoken.

“colin bridgerton,” you begin, “yes?”

he smiles and nods.  you surge forward and shove your finger into his face, his smile now wiped.

“if you ever hurt penelope again, i shall make certain that it is the last time you ever do.  do i make myself clear?”

when he does not respond, you repeat yourself, and he slowly then quickly nods.  satisfied, you turn towards ocean eyes and point your finger at him.

“and you look after him.” 

“what did i do?”   

“be a proper elder brother and serve as an example for your misguided sibling.  understood?”  

“i— yes.  of course.  understood.” 

you smile again.

“wonderful.  i am glad we three are in agreement.  it was good speaking with you, gentlemen.  good day.” 

you turn away and start to walk towards the house.

“i quite like her too,”  and you hear the restored smile in the third bridgerton’s voice.  “what about you, brother?”

you hasten your steps towards the house.  though mere moments before you had felt emboldened and brave, you fear hearing benedict’s response.  you do not why.

–

< eloise, penelope, and y/n extensively discuss literature and writing; upon talking about women writers, y/n shares how she does not fully see herself as just a woman. >

“so, what are you?”

you wince.  you have kept good on your promise and joined eloise and penelope in the former’s bedchamber, but you are swiftly wishing you had been able to stay with hyacinth, gregory, colin even, and benedict.  you had attempted to explain an aspect of yourself to eloise but not to very much fruit, it seems.  you want to hide and escape and run from this place—

“eloise.”

—when penelope comes to your defense.  

“what?  what is it?”

“perhaps you could have phrased your question with more tact and thoughtfulness.”

eloise looks between the two of you, concern flooding her eyes.

“did i— did i not?”

penelope turns to you.

“are you comfortable to answer?”

“i would prefer that i didn’t.”

you hope that your eyes are sufficient enough to convey the immensity of gratitude that you feel towards penelope in this very moment.

“y/n,” begins eloise, “i did not realize—”

“and what are you three gossiping about?”

you jump, penelope squeaks, and eloise growls a noise of exasperation.  turning towards the voice in the doorway, you are visited, once again, by the third and second bridgerton siblings.

“and what makes you think we are gossiping?” demands eloise, “because we are w— people?”

you feel the corners of your mouth tug upward.  at least she is trying.  wanting to keep the attention on benedict and colin rather than yourself, however, and with genuine curiosity, you cock your head at the two gentlemen.

“do you two always come in a pair?”

“not always,” replies benedict.  and he smiles at you, “today is merely a special occasion.”

stupid butterflies.

“speaking of such,” colin proceeds.  “kate has requested that the three of you join the family in the drawing room.”

< the five of them make their way to the drawing room.  kate shares that, on behalf of the family, she would like to invite both y/n and penelope to dinner.  though at first honored to have been invited, upon hearing “dinner,” y/n realizes how late it has become and looks out the window:  the sun is halfway set.  she apologizes and says that she cannot stay because she resumes work the next day.  her latter statement renders some of the people in the room confused, but kathani states how she understands and that y/n is welcomed to join dinner whenever she visits.  

< seeing how confused y/n is, anthony shares that y/n is welcomed to visit their home whenever she is able and whenever she would like, and the rest of the family pipes in with how delighted they would be if she does.  not knowing how she deserved such kindness from people who were mere strangers at the start of the day, y/n thanks the bridgertons and says that she would love to.  penelope chooses to stay for dinner and says that she will see y/n next week.  y/n affirms that she, and the bridgertons, will.

< kathani and benedict offer to escort y/n to the entrance.  y/n walks down the steps and passes the gate but, before she goes, takes one last look at number five until next week and sees benedict still in the doorway.  y/n notices, but reprimands herself for perhaps imagining it, that his smile grows when his eyes lock with hers.  with flutterings in her stomach, y/n offers a wave.  he gives a small wave back.  she turns and goes, smiling all the way home. >

𝄆 ⚘ ✸ I.ii ✸ ⚘ 𝄇

“benedict has been making more appearances as of late,” penelope remarks.

the three of you all look up—you and pen from your writing, eloise from her reading—to see benedict entering through the doors and heading towards the other side of the drawing room.  he looks over at you— at you all and offers a smile before he plops himself down onto a chaise and begins to draw.

“yes, it is strange,” eloise considers to the two of you.  “for so long he had been moping about, locked away in his bedchamber aside from mealtime or the occasional visit to the drawing room.  he’s even picked up his charcoal again.”

“again?” you inquire, averting your gaze from the artist to your friend.  “had he stopped prior?”

“he had entirely put it down after—” eloise sighs.  whatever memory she has recounted, it does not seem to be a pleasant one.  you look to penelope; you sense that she shares a similar sentiment by the sad look in her eyes.  you are curious but you choose not to press.  

“it has been quite some time since he’s last drawn.  but now, whenever i see him, whether in his bedchamber or the billiards room or some other room in the house, he’s drawing.  he frequently arrives to mealtime with charcoal stained fingers—much to the chagrin of mama and anthony.”

you all laugh.  benedict looks up at you three, and from here you can tell he wears a curious expression, no doubt wondering what you are laughing about.  when he exaggeratedly arches an eyebrow, eloise just makes a face at him.  benedict rolls his eyes, smiling, and for the briefest moment, you feel as though he is looking at you.  but you’ve always had an active imagination.  when you blink, he has returned to his drawing, a smile still on his lips.

“i wonder what has changed?” eloise softly says, still looking at benedict.  for all her fire and spirit, you see how deeply she cares for her second eldest brother.

“perhaps he has found a muse,” penelope poses rather than queries.  you shift your gaze from eloise to penelope, and you’re curious about her expression.  she seems... delighted?  benedict finding his passion for art again does sound delightful; you know firsthand how difficult it is to pick yourself up from a slump.  but that’s not what she seems delighted by.  she just looks at you.  with a soft smile.  why?  what does benedict have anything to do with you?

you feel your cheeks and the tips of your ears flood with warmth.  you don’t know why, but penelope’s expression unnerves you, in a pleasant sensational way.

you clear your throat.

“i am happy for him,” you say, returning to your quill and folded quarto, haphazardly writing down whatever words come to your mind.  

ocean.  charcoal.  smile.  flutters.

shit.

it is not until what feels like an uncharacteristically long moment later that you hear penelope resume her writing and eloise resume her reading.  you try not to imagine what they could have silently exchanged with your gaze averted.

𝄆 ⚘ ✸ I.iii ✸ ⚘ 𝄇

you suck in a sharp breath and shoot out of your seat.

“you do not!” you shriek, hastening towards kathani, eloise, and the stack of books they have just settled onto the table.  you had arrived early to the bridgertons’ home, at the invitation of kathani, so early that the rest of the family seems not yet to be awake.  

(which is strange, you find, as it is nearing 8 o’clock.  most mornings, at this time, you are already well into the bustle of work.)  

kathani had prefaced, rather enigmatically, that she and eloise had a surprise they wished to share with you.  you had your suspicions as to what it could be related to, and with each passing moment, you are suspecting, very excitingly!, that you are very correct. 

“indeed, we do,” kathani grins and gestures to the stacks.  

taking no hesitation to the offer, you grab from the top of a stack and open to the title page.

the dramatic works of william shakespeare.  vol. 2:  a midsummer night’s dream / the merry wives of windsor / much ado about nothing.

you shriek again, this time accompanied with hops of excitement, flipping to the final third of the book.

“much ado!  this is the one i’ve read!” 

dorothea, a fruit seller, had offered a copy of it to you (at a lowered price, she had emphasized) when she had learned of your liking to stories.  she grandly stated that she had started to write down the dialogue during low-attendance performances at the theater and then brought her handiwork to be typed and printed at a not-to-be-named press.  but if the pages’ handwritten annotations alluded to anything, you suspected that she had managed to purloin a performer’s copy of the script.  you felt a bit of pity for the poor performer who misplaced it, but you respected, and still respect!, dorothea’s moonlighting. 

you shoot your head up from the book and are greeted by the grins of your two friends.  “which one has romeo and juliet?”

this past autumn you had overheard several candlemakers at the markets animatedly discussing the ‘incandescent’ portrayal of the titular character by an actress from ireland.  a performance, described as ‘incandescent’ by candlemakers!  embodied by a storyteller who has emigrated here!  hearing all those wondrous things made you insatiably curious to one day read the text that made such wondrous things happen.

“i believe,” eloise says, pulling the second from the bottom of a stack, “it is this one.”

you twitch your fingers; you have to refrain yourself from snatching the book from your friend’s hand.  when it is in yours, you open to the title page and feel your eyes, along with your smile, widen.

“it is, it is!  oh, this is extraordinary!”  you flip furiously to your desired page and, once you find it, start to read,  

prologue.  two households—

—when you hear kathani say, “we had thought of starting with that one.”

that makes you rip your eyes away from the words and look up at the two ladies.

“‘starting with’?”

“when eloise, penelope, and i learned of your eagerness to read shakespeare,” elaborates kathani.  her saying that makes you flush; you had not realized with what apparent enthusiasm you had spoken of the poet.  “the three of us had discussed that the four of us could read his plays together.  if you would like, of course.”

your jaw drops.  you cannot help the squeal that emits from your mouth.  hopping once again in your excitement, you throw yourself at your friends and wrap your arms around them both.

“if i would like!  i would be delighted!”

you pull back from your hug with the two ladies and are greeted by gleaming eyes and wide grins.  you feel how your expression matches theirs.  it has only been a little over a month of your friendship with eloise and kathani, and the rest of the bridgertons at number five, but they each have somehow found a way to carve themselves out in your heart.  and if this most recent kindness by eloise and kathani indicates anything, perhaps you have found a way to carve yourself out in each of theirs.

(and you promptly ignore the thought of what that could possibly mean for ocean eyes and charcoal-stained hands, flutterings within you be damned.)

“how shall we allocate the book?” you say aloud out of genuine inquiry and a deep desire to revert your heart, mind elsewhere.  “shall we read passages aloud and then pass it on to the next reader?”

< eloise makes a remark that indicates her confusion at y/n’s question.  kathani, who is more privy to the situation, shares how she has her own copy as do eloise and penelope.  the stack that they’ve brought is an extra set that the bridgerton house has that y/n can use.  this perplexes y/n.  she cannot understand how a household can have multiple copies of a book, let alone copies of a whole anthology of many books.  before y/n can doom-spiral into thinking, penelope arrives at the entrance of the drawing room.  reading of romeo and juliet commences.  

< just as y/n finishes reading the scene in which romeo and juliet meet for the first time at the capulet ball and then kiss, y/n notices in her periphery benedict approaching the four.  kathani remarks how unusually early he is to be awake and ready for the day; y/n notes to herself how there seems to be some sort of mischief in the viscountess’s smile. >

𝄆 ⚘ ✸ I.iv ✸ ⚘ 𝄇

“i shall be y/n’s teacher,” the viscount declares.

“you were adamant on her not fencing, and now you are insistent on being her teacher?”

“it would be hardly appropriate, colin, for two young unmarried men to be in such close proximity to a young unmarried lady, as proximity of teacher and student in fencing would require.”

“are you always this— antiquated?”  you inquire.

that earns a snort from kathani.  anthony, looking betrayed, turns to his wife; she merely shrugs in reply, mirth shining in her eyes.  he turns back to you, eyebrows deeply furrowed and mouth fully frowning.

“and what do you insinuate by that!”

“are you so distrustful of your own brothers, the ones for whom you have served, and still serve, as a model, that you think they would take advantage of me in such a situation—”

you sense how the eldest bridgerton is about to retaliate and arch a severe eyebrow at him in response; you refuse to be interrupted.

“or are you so unbelieving in persons of feminine dispositions that you think i shall be compromised by the mere closeness of a body different from my own sex?”

there is a silence, and though you cannot see them as you stare down the viscount, you can feel how the others exchange delighted glances with one another and hold back their laughter.

“you have two choices, my lord,” you offer.

“neither of them are suitable!  and do not call me ‘my lord’!”

“is that not the proper way to address you?”

“it is, but you—!” he huffs out air through his nostrils, like an indignant dragon in a fairytale; it is a very silly, very amusing sight.  “we have not even begun the lesson and you are already the most exasperating student i’ve ever had!”

you turn to colin and benedict, grinning.

“you two must have been saints then.”

“would you expect any less?” colin grins back.

your wide smile remains intact until your eyes fall on the expression of benedict.  you are entirely uncertain of what emotion he could be possibly feeling until he seems to realize where he is, and how you are looking at him, and breaks out into a brilliant smile with matching brilliant ocean eyes.  you quickly snap your head away from him, ignoring the fluttering of butterflies summoned within you upon the shift in benedict’s expression, and turn to anthony.

“shall we begin, then?”

–

it turns out that you are quite the quick learner when it comes to fencing.  after putting on a fencing vest that had previously belonged to benedict—

“because you are the shortest of the three of us, brother,” remarked colin after the second son inquired why it had to be his former vest that you were to wear.  benedict scrunched his nose and eyebrows in displeasure.  (perhaps you should have taken offense to his opposition, but it was truly of no personal consequence to you and the reaction it created in him was truly adorable.)

“i am not!”

“you are, indeed,” anthony deadpanned.

“prove it!”

and the three eldest sons of the esteemed bridgerton family stood next to one another, comparing their heights.  you turned to kathani, eloise, and penelope.

“are they always like this?”

“idiotic?” eloise deadpanned, sounding remarkably like her eldest brother.

“indeed, they are,” grinned kathani.

—over your blouse, you are immediately put to lessons.  anthony explains the basic concepts of fencing and then demonstrates elementary strikes and parries, occasionally adjusting your stances to the proper forms.  noting how quickly you took to the lessons, he calls for a match between the two of you to observe how you would apply your skills in combat.

“you are retaining information exceptionally well, as well as executing the techniques rather impressively,” states your teacher as you deflect his strike.  you try to hide your gladness in his praise as you smirk and push his blade away with the terzo of yours.

“ah, so my sex is not a detriment to my abilities; that is good to know.”

you hear snickers and snorts from around you.

“i said nothing of the sort!”

“did you think it?”

your opponent frowns further, slightly turning his head away from you to steal a glance at his wife.  he turns back to you.

“i did,” he admits defeatedly.

“it takes a true man of honor to rise up to his folly,” you remark honestly, as you strike anthony’s arm with the tip of your sabre.  loud cheers burst from the onlookers and an aghast but proud look emerges on the countenance of your teacher; you grin, “and a fool to leave his defenses so easily open.”

impressed by your display of sport, and seemingly overcoming his antiquation, at least for the moment, anthony decides that you will match against colin and then benedict.

“how are you to improve if you are to face the same opponent?” claims your teacher with his usual air of annoyance, but you detect his pride in your accomplishment.

it is also decided that the matches will end when one scores a point.

and so, you face colin.  it is easy to keep pace with him, not due to lack of skill on his part but complete and utter determination on yours.  you tried to convince yourself, in the beginning of your match, that the remnants of your anger towards the third bridgerton brother, and how he treated your friend, did not fuel your determination to score the point— but it did and does.  and successfully so, as you strike colin in his left shoulder.  perhaps you do it with too much force as the strike reels him off balance (and perhaps you are delighted that it has done so), but he quickly resumes composure and flashes you a grin.

“i see more and more everyday why you and pen are friends.”

that softens your heart.  you should be dubious of his charming remark, but you aren’t; it is too sincere, as is he, and you begin to see, even if minutely, why penelope cares for him.

“she has good taste in the company she keeps, i’m learning.”

that makes him laugh, as it does the others, and you look over and see how pen’s countenance shines with joy.  that is enough to put your anger towards colin at ease, and turning towards your defeated foe once more, you return his smile and bow your head.  bowing his head in kind, colin leaves, and in his place arrives your next and final opponent; he is smiling like a boy.  

“best for last?” he remarks as he prepares his starting position.  you roll your eyes, ignoring the warmth that starts to fill the center of your chest.

“this shall determine that,” and settled in your starting position, you and benedict begin your duel.

you have observed something of the eldest bridgerton brothers in your matches against them.  anthony struck like fire, bombastic and ferocious.  colin stood his ground like earth, his guards resolute.  and benedict— 

benedict moves like water.  free.  fluid.

as if he is dancing while dueling.

both you and he have reached a stalemate.  you have managed to parry every one of his strikes, and he has managed to deflect every one of yours.  you can feel how those watching are holding their breaths, waiting for someone to land the point.  

you try not to startle when you hear benedict’s voice as you guard against his strike.

“it takes quite an astonishing person to earn the praise of anthony bridgerton.”

“are you so surprised that i am such a person?”

“quite the opposite, y/n,” he catches one of your strikes and grins at you.  “i think you are entirely perfect in that regard.”

you roll your eyes once again but cannot help the blush that you feel spread across your cheeks as you push back his sabre with yours.  

“do you honestly think charm will win you the point?”

“do you find me charming?” you ignore the heat that creeps up your neck and the voice in your head that has already answered his question far too quickly for your liking.  “no, i do not think so lowly of such a formidable foe.”

and he winks at you.

and somehow, without you realizing how you got there, benedict strikes the center of your chest.

“but a little distraction does help.”

his point earns a round of groans and bleats from the crowd.  instead of looking offended, benedict just laughs and approaches you, gloved hand outstretched, a boyish smile once again on his face.  despite your loss, you cannot help but smile too.  you place your gloved hand in his. 

“it was a pleasure to duel with you.”

“yes.  likewise.”

perhaps you imagine it, but you feel his thumb swipe against the side of your hand.  it is featherlight, hardly felt with both your and his hands gloved, but felt nevertheless.  before you can process the sensation any further, he lets go of your hand.  with another smile, he bows his head at you as the crowd of people approach you both, penelope raving about your matches, eloise expressing her wish to fence now, anthony already commenting on what you could do better in your next match.

and without you realizing it, you gently swipe against the side of your gloved hand.

𝄆 ⚘ ✸ I.v ✸ ⚘ 𝄇

"mama?  papa?"

it is a rare occasion when you, mama, papa, and your sibling eat together, and an even rarer occasion to do so for a second meal, but this night was such a night.  the three of them halt their conversation and look over to you.

"how did you know you were in love with one another?"

there is a small silence, but then, without looking at one another, they smile in tandem.

"it was at first sight, really, for me,” your papa says as he offers his hand to mama.  “as trite as that sounds."

mama takes his hand into hers.

"i as well."

"when i looked into your mama’s eyes, i knew that something was different.  that my life had changed."

"for the better, dearest?"

papa laughs heartily.

"no, actually.  it has been misery ever since."

you and your family laugh as mama playfully slaps at papa’s hand.  it warms your soul every time they do this, when they tease one another and are light because of the other.   it makes you believe in love each time.  

mama and papa lace their fingers together again, smiling, still gazing at one another.  as if it is just the two of them in their own world.  mama, turning her smile from papa to you, speaks again.

"the flutterings in my stomach wouldn’t quiet, and they only intensified as we approached closer to one another that day and grew closer to one another with time."

she looks nostalgic until something mischievous quickly overcedes her countenance.

"why do you ask, my dear?  has someone captured your eye?"

"or, better yet, your heart?" papa tags along.

ocean eyes and charcoal-stained hands flash by in your mind.

"no!" you say too hastily.  "no, of course not.  it’s— for one of my writings, is all."

you repeatedly poke at your bit of boiled chicken to avoid any further inquisition from your parents’ gazes.

–

sat by your window, you stare up at the night sky when the voice of your sibling infiltrates your dreaming.

“it’s one of the brothers, isn’t it?”

you whip your head over to them.  they don’t even look at you; they are preparing for bed.

“pardon me?” 

“is it the artist brother?”

“what!”

fluffing their pillow, they smile.

“so i am correct.”

“i didn’t even say anything!”

“that is not true.  you said ‘what.’”

“that reveals nothing!”

pleased with the setting of their bed, they ruin their work by plopping their bottom onto it as they finally face you in what you realize now is a confrontation.

“of course it doesn’t, the word on its own.  your reaction, however?  could not be more transparent of your feelings.”

“i have no feelings!”

“is that why you asked mama and papa about being in love?  because you have no feelings and you need to be told what they are?”

“i!—— i am going to bed!” you lift yourself up from your seat at the window sill, turning away from the peace of the night sky, and crash onto your bed.  you lay on your side, faced towards the wall, refusing to make eye contact with your sibling.  you lift up your sheet with too much force and lay it over your body and head.  “good!  night!”

after some silence, you hear the creak of your sibling’s bed and, a moment later, feel a featherlight touch on your upper arm.  you give it a thought, and perhaps against your better judgment, you lift off your sheet, turn, and are greeted by the gentlest of expressions from your sibling.

“i think it is wonderful, y/n.  whoever it is, they are very blessed to have your affections.”

your heart swells.  you love your sibling.

“how did you know it was the artist brother?”  

“so i am correct!”  they smile with a shrug.  “i deduced based on how much you’ve been writing about paint and charcoal as of late.”

you almost shoot upright from your bed.

“you’ve been reading my writing?”

“well, if they weren’t to be read, why do you leave them spread out on the table?”

“because there is no other place to store them!”

“and how good that is, or else i wouldn’t be able to read your fantastical stories or have been able to discover who your beloved is.”

“you are impossible!”

they kneel next to your bed and place their head on your shoulder.

“i love you too.”

you exhale the last of your frustrations, adjusting yourself a bit so that your sibling can rest their head more comfortably.  without realizing, you stroke their hair, just as you always have.

“i quite like the story about the mushroom family,” they state after some time. “i’m happy that the middle mushroom child befriends the peony and then the hyacinths.  i am happy they are happy.”

you feel your eyes start to drift.

“his name is benedict, by the way.”

you hear your sibling’s need for sleep in their reply.

“that’s a lovely name.”

“he is,” you murmur as the peace of the night falls over you.

𝄆 ⚘ ✸ I.vi ✸ ⚘ 𝄇

“good day!— robert?”

“good day, y/n!” and robert holds the door of bridgerton house open for you to pass.

“pardon the confusion in my greetings—”

“no offense taken on my part!” the late adolescence beams.  you grin back.  with how utterly enthusiastic robert is all the time, one would think it is part of some ruse.  but it is not; he is just that genuinely delighted by life, you’ve observed.

“i am grateful.  i had expected to be greeted by giles, is all.”

robert frowns.  you feel the corners of your mouth tug downward in response, concern starting to swell your heart.

“he is ill at the moment.”

“ill!  with what?”

“i know not.  i had admitted the doctor perhaps not even a quarter of an hour ago.  but worry not too much, y/n!  from what the viscountess has shared with the servants earlier this day, giles shall make a quick recovery.  and lady bridgerton has yet to be wrong in anything!”

relief floods your body.  giles is of elderly age, so it calms you to hear that his ailment seems not to be too severe.  and you can’t help but smile not only by robert’s sunny temperament but also by his rightful faith in kathani.

“that is all good to hear.”

“shall i announce you to the drawing room?”

“oh god no.  i am quite all right, but thank you.”

“understood!  then i must pardon myself; i must retrieve miss bridgerton and miss featherington.”

“‘retrieve’?  are they not in the drawing room?”

“i was informed by dowager lady bridgerton, who was accompanied by miss bridgerton and miss featherington themselves at the time, that they would be in the gardens until your arrival and to retrieve the young misses upon your arrival.”

“i see.  well, i shall be in the drawing room then.  thank you again, robert.”

“it is my pleasure, y/n!” he beams once more and takes off to complete his task.

how odd, you think to yourself.  this day seems rather unusual to the ones you’ve had thus far at bridgerton home.  and it is hardly even noon!  you become lost in your thoughts as you approach the entrance to the drawing room—

when you are greeted by benedict, and benedict alone, lounging with his legs thrown over the arm of a chair, staring sternly at the page he draws on.

“oh,” is all you say.

benedict snaps his focus from his book to you, his countenance transforming from deep concentration to frustration to genuine surprise in a mere moment.  he scrambles up from his seat, book in one hand and charcoal in the other, posture now proper, and he bows his head.  

“miss y/l/n.”

never before have you been alone in a room with a man.  a gentleman.  a gentleman with a handsome face, charcoal-stained hands, and beautiful ocean eyes.

you roll your eyes.

“blimey, it is just me.  there is no need to bow.  and why are you calling me miss y/l/n?”

benedict smiles.

“all right.  y/n.”

shit.

perhaps that was a mistake.

“where has your family gone?” you inquire as you go to sit in the chair parallel to his, ignoring the flutterings within your stomach.  “it is uncommon to enter the drawing room of bridgerton house and not be greeted by talking, or music playing, or fighting.”

smiling, benedict falls back into his seat and resumes his drawing.

“hyacinth is with her reading tutor; gregory is with his fencing instructor; colin is eating some sort of pastry, i am certain, in town; anthony and kate are likely— preoccupied—”

you snort; benedict’s smile grows broader as he smudges charcoal with his thumb, a small furrow in his eyebrows now forming.

“and mother has managed to rope eloise into learning about the flowers of the gardens, and eloise, being eloise, has roped penelope into doing the same.”

“and what of you?”

“and what of me?”

“why have you chosen the drawing room as your whereabouts?”

benedict cocks his head towards his drawing.

“it’s in the name of the room, is it not?”

“ah, a man of wit, i see.”

“i am a man of many attributes, y/n.”

ignore the butterflies.

“such as?”

“what attributes would win your favor?”

“so that you may lie to me and say you possess them?”

“of course not; the list is merely too long and i shan’t bore you with a soliloquy.”

“so, a man of thoughtfulness.”

“oh yes, a myriad of thoughts.”  

“name one.”

“how much i am enjoying our conversation.”

and benedict shifts his ocean eyes from his drawing to you, a smile on his lips.  he is being playful, but you detect no deceit in his expression.  it infuriates you, really.  how charming he is.  how endearing.  how sincere.  

you return his smile.

“as am i, benedict.”

you sit in comfortable silence a moment more until benedict breaks the gaze, returning his oceans eyes and smile back to his drawing.  his smile, however, does not last for very long.

“this sketch, on the contrary—”

and he rips out the paper from his book, crumples it in his hand, and throws it onto the carpet of the floor, giving his deed not another moment’s notice.  he puts his charcoal to a new page in the moment next.

your smile falls.

“do you know how much paper costs?” you demand.

benedict looks back up at you with scrunched eyebrows and a smile having returned to his lips.  he tilts his head.

“why?  should i?”  he inquires.  nonchalantly.  delight in his ocean eyes.

as if you are making a jest.

as if this is amusing.  as if this is nothing.

it reminds you of a recent memory.

eloise had generously given you sheets of paper.  hitting a stride in your writing and wanting to continue, you had asked, after much internal deliberation, if you could have a ripped half of a quarto upon running out of all negative space on your current one.

“have a foolscap.  have a whole lot of them, actually,” she said easily, taking a good chunk of her stack and handing it off to you.

“eloise, are you certain?”

“of course.  it is just paper, after all.”

“right.  yes— of course.  thank you.”

eloise hummed affirmatively in response, returning to her passage, as you stared at the small stack of foolscap in your hand.  that amount of paper would have been eight months’ wage, perhaps even more.  

a gentle touch of a hand on yours brought you out of your clouding thoughts.  you looked over and saw penelope looking at you softly.  understanding her unspoken thoughts, you held her hand and gave it a squeeze.

thank you, you mouthed.

"i must be going,” you say aloud.  “goodbye, mr. bridgerton.”

you stand, turn, and quickly exit the drawing room. 

“y/n.  y/n!”

you hear him scuffling up from his lounge and start to follow you.  you hasten your steps towards the entrance.  

moments before you can open the doors of bridgerton house to the respite of the outside world, you feel benedict take hold of your wrist, stopping you in your steps, and it infuriates you how gently he does it.  how you can pull away from his touch if you want to, how you can just go if you choose to.  but you do not.

it infuriates you how much you want him to hold you.

you turn to face him.

“please— wait,” he breathes.  “what did i do wrong?  what have i done to upset you?”

you look at him incredulously.  then it dawns on you.

“please.  tell me,” benedict practically begs.  with such softness in his voice.

it infuriates you.

“i know money is of no concern to you, or your family, or fair ladies and pretty gentlemen.  but it is for the rest of us.  for the rest of us who have to work to keep the ones we love fed, clothed, warmed, sheltered.  that is a fact with which i have been concerned since the very moment i could think for myself.  and for you—of the male sex, of pale skin, of inherited riches—it is something to discard onto the carpet of one of your family’s many houses.  the paper you threw to the ground would have paid for a month’s worth of warmth for the entirety of my family’s home.  and you ask me what you have done to upset me?”

he says nothing.  he just looks at you, damned ocean eyes and all.  gentle.  attentive.  like he could care; like he does care.

you feel your nostrils flaring, your blood pounding in every vein of your body.  you finally rip your wrist away from his loose hold, already missing his touch.

“i shall take my leave.  please give my regards as well as my apologies to eloise and penelope.  goodbye, benedict.”

you turn away from him, yank the door open by its handle, and step outside, walking composedly at first, then quickly, then sprinting, then running.  to be as far away from number five of grosvenor square as you possibly can be.  to be far away from crumpled up paper, charcoal-stained hands, gentle touches, and ocean eyes.  

you rub your wrists against your eyes.

stupid bloody tears.

stupid fucking heart.

why am i so afflicted by this?  why am i crying?  why do i hurt?

because i love—

no.

you cannot fall for him.  he is someone you cannot have, cannot want, cannot— cannot…

it cannot happen, the two of you.

and most likely of all, you are not someone he wants.  not someone who he would love.  not the way you—

you are a fool for getting this far.  but these feelings, they will pass.  somehow.   you will forget them.  you will forget him.  this is not the fairytales you read, not the fairytales you write.  daydreams, hopes, love for a gentleman— there is a reason you are a writer.

you write the things you can never have, the things that will never happen.

you and benedict will never happen.

this is the prayer you tell yourself that evening before sleep takes you.  you pretend not to be affected by the tears that afflict you as you do so.

𝄆 ⚘ ✸ I.vii ✸ ⚘ 𝄇

< y/n does not go to number five the next week on her non-work day as she had grown accustomed to.  she had tried to write at her table in her home to preoccupy herself, but her teardrops were ruining what she had already written.  she considers going to work to distract herself, but y/n knows her unexpected presence would be a detriment to her fellow workers’ established flow of day.  she decides to go to the markets to try and get fresh air and a change of scenery and to do anything to interrupt her spiral of thoughts and emotions.

< while at the markets, y/n hears her name called and turns to see penelope in her blue cloak.  y/n asks what penelope is doing here, and penelope gently replies that she can ask y/n the same thing.  she shares with y/n how, the week prior, after she received news that y/n had left bridgerton house, she left to find y/n in the markets and at her workplace but to no avail.  

< their conversation continues.  penelope shares how y/n was missed last week; by her, by the family, by benedict.  y/n tries to dismiss her words and how the past few months have been a mistake and that she shouldn’t be there with pen or the bridgertons, that she’s not meant to be in their world.

< with patience and empathy and grace, penelope gently encourages y/n to return to bridgerton house next week, and y/n, though her heart aching and reluctant, agrees because she misses them. >

𝄆 ⚘ ✸ I.viii ✸ ⚘ 𝄇

you sigh deeply.

have courage, y/n.

and you rap your knuckles twice against the stately door of number five.  a moment later, the door opens, and you are greeted by a beloved grin.

“miss y/n!  i have not seen you in weeks!”

you cannot help but smile back.

“good day, giles.”

“oh, where are my manners!” and the elderly doorman bows at you.  you huff out a laugh, feeling how your face contorts with distaste. 

“blimey, please don’t.  i am not a lady, giles.”

“you could’ve fooled me, miss y/n.”

you shoot him a severe look; he merely continues to grin.

“you know of my feelings towards being called ‘miss.’”

“i am getting older; my memory frequently fails me, miss y/n.”

“and yet you’ve recalled how we haven’t seen each other in two weeks.”

“three.”

you grin.

“precisely.”

“well, it was quite the surprise when I fell ill the following week!” then giles frowns.  “and it was an even greater surprise to have not seen you when i had returned the week following that.”

you look at the ground, unable to face the inquisition in his sad, kindly look, but when you bring your head back up, you manage a smile.

“it is no matter.  i am here now.  that is most important, yes?”

the elderly man smiles.

“yes, i suppose you are right, y/n,” and he holds the door open for you to pass.  

“aside from bouts with ailment, how have you been, giles?”

“still standing upright, still opening and closing doors,” he beams without a bit of sarcasm.  “and what of you?  how have you been?”

“i’ve been—— well.  and the family?” you say quickly, wanting to move the conversation away from you and your feelings.

“the same as is to be expected.  though—” 

concern starts to swell in your heart.  what has happened in the fortnight you have not been present?

“mister benedict has been absolutely despondent.”

“oh,” is all you say.  giles’ gentle joviality transforms into solemnity, and it makes your heart ache even further.

“on the rare occasions i do see him now, he is leaving for the gentleman’s club in the bright light of day and coming home at an ungodly hour, drunk as a wheelbarrow, wreaking of what smells like every available spirit in london.  he had stopped dipping rather deep sometime ago, much to my relief, so it was an utter shock to return to my station and to see him back on the cut, and deeply at that,” the elderly man sighs.  “i wonder what has happened for him to be so…” he unexpectedly turns to you, his countenance sanguine, “do you happen to know?”

you swallow as you ignore the sensation pooling in the pit of your stomach.

“no, i— i do not.”

“i see.  well, whatever it might be, it is clear how much it deeply afflicts him,” and giles offers you a small, sad smile.  “you know mister benedict; he has always been the most sensitive of the family.”

i do.  

i do know benedict.

you clear your throat.

“do you happen to know where eloise and penelope are at this moment?”

giles cocks his head at you but is kind enough (you thank the heavens) not to press your change of topic.

“the last i had seen them, they had spoken of viewing the art gallery.  do you know the way?”

“i am unfamiliar.”

he smiles again, and it makes you smile in return.

“then i am most glad to escort you there.”

–

giles opens the doors to the gallery, and ahead, in front of a portrait, you see the turnings of penelope, eloise, and—

“y/n,” he utters.

“benedict,” you breathe.

and he looks just as surprised as you are.  

you look to giles, his eyes wide and mouth agape, and then to eloise and penelope.  upon seeing their expressions, you feel your eyes narrow.

“ah, penelope!” shouts eloise.  everyone else turns to stare at her.  “with y/n’s arrival, i must change out of my, my art gallery viewing dress!  and— and, into my... drawing room!  sitting— dress...”

eloise scrunches her entire face in displeasure, confused by her own poorly concocted excuse.  that does nothing to deter her, however, from clamping onto penelope’s wrist and barreling forward towards the doors of the gallery.

“come along, pen!” she calls out to the friend she is pulling right behind her.  as they pass you, eloise gives you a strange and strained smile bearing all teeth, and penelope offers apologetic eyes and an encouraging smile.

giles looks to you, to benedict, and to the two escaping ladies.  mouth still agape, all he manages is,

“i suppose— i shall see to that— miss bridgerton and miss featherington arrive to miss bridgerton’s bedchamber... safe—ly…?”

he mouths, i’m sorry!, at you before quickly bowing his head at benedict, fleeing the scene with remarkable speed for an elderly man who has recently recovered from illness, and leaving you at the entrance of the art gallery.

closing your eyes, you deeply inhale through your nostrils as you place your hand to the space between your eye and your temple.  on your exhale, you wipe your hand hard against the side of your face and open your eyes, whipping your head to look at the second eldest bridgerton brother.  it seems that he has been staring at you this entire time, stupid (stunning) ocean eyes and all.

“would you like to paint a picture?” you snark.  “you are the artist in the room, and it would certainly last longer.  or perhaps you have run out of paper?”

he does not respond, indecipherable expression unchanging, and it unnerves you how guilty you feel at goading him, at taunting him, and he merely takes it.  you sigh again and cross the gallery to where he stands.  resisting the urge to look at him again, as you feel his gaze still on you, you instead look at the painting ahead of you.

it is a portrait of a gentleman.  with dark chestnut hair and mutton chops.  he wears a blue jacket, a darker blue vest, a cream cravat, green breeches, and brown boots.  a watch on a ribbon hangs from his vest; it looks familiar.  he looks familiar.  a benevolent smile rests on his lips.

you look at the plaque at the bottom of the gilded frame.

edmund bridgerton, the 8th viscount bridgerton.

you look back up at the painting, captured by a particular feature.

“you have his eyes.”

“his are gray; mine are blue.”

you roll your eyes but smile despite yourself.  (you try to ignore the flutterings that bloom upon hearing his voice again.)

“yes, but that’s not what i was referring to.  they peer into you— not with scrutiny, nor judgment, but with kindness, curiosity, compassion.  an eagerness to learn about you.  pools of welcoming.  cool tones that radiate warmth.”

you cough, ripping your eyes away from the portrait to inspect the scuffs of your boots.  you feel embarrassment spread throughout your entire body as heat creeps up your neck.

“the painter is excellent at their craft.  it is as if i know him, your father.”

silence falls in the expansive gallery, the calm and kind eyes of viscount bridgerton looking down upon you and his second eldest.

“i’ve missed you.”

you snap your head up to look at benedict, your eyes making contact with his ocean ones.  welcoming and warm.  honest and... hopeful?

i’ve missed you, too.

“benedict, it has only been a fortnight since we saw each other last,” you respond aloud, your voice coming out so much softer than you had intended.  you offer him a small smile, an olive branch of sorts.  something of relief starts to fill his ocean eyes, but his demeanor does not change.

“i behaved arrogantly, and you did not deserve to be the recipient of such behavior.  no one does, and i am so— i am so sorry, y/n.”

and you know he is.  you resist the urge to touch his cheek, to comfort him with your caress, to selfishly have your skin touch his.  instead, you look on at him.

“i do not ask you to grant me your forgiveness; i know i am unworthy of it.  i just— i just wanted you to know how i felt, and feel still.  and how i shall work on myself to be better, to do better.”

the butterflies in your stomach flutter maddeningly.  you emit an exhale from your nostrils.  the urge to touch him intensifies, and you feel yourself flex your hand to let go of the sensation.  you huff out another breath, and smile brightly, sincerely, at benedict.

“well,” you begin, “with our friendship renewed, care to show me what other paintings you love in this gallery?”

benedict’s ocean eyes beam with relief and joy, a brilliant smile lighting up his face, and it takes all your self-control not to drop all discretion and wrap your arms around him in a crushing embrace.

“i would love nothing more, y/n,” he declares.

you try not to flutter your eyes closed at the words ‘i,’ ‘love,’ and your name in the same breath from benedict’s lips.  at the pleasantness and home you feel in them.  you smile on.

“where shall we begin, then?”

you and benedict walk together as he approaches a miniature in a wooden frame ornately carved with floral motifs.  he admits that he has not the slightest clue which bridgerton ancestor this is, and that makes you snort.  grinning, he points out how adeptly the artist portrayed the translucency and fluidity of the lady’s veil and how particularly impressive it must have been to accomplish such effects in paints during the early 1600s, if the remnant dating of the artist’s signature is correct.  you remark how particularly impressive it is that a painting has endured two hundred years of existence, details still intact, and benedict responds simply that rich people have a way.  that makes you snort again, and that makes benedict grin again.

he then leads you to a portrait of kathani and anthony, the viscountess sat in a chair with the viscount stood behind.  you marvel at the painting—how much it looks like them, how much it captures kathani’s confidence, how much it captures anthony’s conviction, how much it captures their love.  excitement coloring his voice, benedict imparts to you how he was given the opportunity to observe and assist the painter on the days the latter was commissioned to portray the viscountess and the viscount.  he also shares with you how impossibly difficult they were as models, always giggling and kissing and looking away from the painter and talking to one another, being overall sickeningly saccharine.  you chortle and share with him how that does not surprise you in the least bit.  despite his annoyance upon recalling the memory, an incredibly fond smile rests on benedict’s lips.  turning from his lips back to the painting, you remark how in love they are, and he remarks that, indeed, they very much are—and turns his fond smile from the painting to you.

coughing, you walk over and ask about the landscape of an enormous building.  benedict names it as aubrey hall, the ancestral home of the bridgertons.  you recall how you had heard of it early on in your friendship with the bridgertons; you had been unable to see them one week as they were preparing for kathani’s first ball as viscountess at the home.  you also recall how the usually collected and confident kathani was anxious and uncertain during that time.  benedict, beaming with pride, says how, of course, she absolutely excelled and how all of the ton—he rolls his eyes then and you guffaw—enjoyed themselves at the event.  while kathani had done an unsurprisingly resplendent job, the ball was not very entertaining to benedict.  he much more enjoyed the annual bridgerton game of pall mall leading up to the event.  after announcing how kathani had won—much to the contradictory disappointment and delight of her husband—and answering your questions about what sounds, to you, like a very silly, very fun game, benedict suggests that you join them next year.  you laugh, finding it impossible to imagine yourself at a home such as aubrey hall, particularly for the entirety of three days, but your heart swells at the invitation and the sincerity in his voice, and you say aloud how you would love nothing more.

your spontaneous tour eventually comes to an end, and the two of you make your way towards the entrance, still discussing the various art you had seen.  as you and benedict walk out of the gallery, a thought crosses your mind.

“none of your work is on display.”

you notice how benedict stiffens.  you feel your smile tug into a frown.

“ah, yes.  i do not think my work is— up to snuff— with the work on display here.”

“horse shit.”

benedict’s jaw drops, his face aghast and regaled in reaction to what you assume is your choice of language.  you merely shrug.

“you have not even seen my work!”

“i do not need to see your work when i can already see how harsh you are being.”

he scoffs, and it aggravates you.

“fine— i will show you, then, and prove to you my point.”

“fine, then!  show me, and i will prove to you my point!”

–

“you are full of horse shit!”

you and benedict are in his bedchamber, where all his works are hidden away.  he has shown you canvas after canvas, sketch after sketch, charcoal drawing after charcoal drawing, his palette of color ideas— and he still has the audacity to say that his work is not “up to snuff” for the bridgerton gallery.

benedict looks aghast again, perhaps by your language, perhaps by what you are (very rightly, very correctly) insisting.  he shakes the canvas that he holds in his hand in your face.

“look at the proportions, y/n!  they are entirely off!”

you roll your eyes, swatting his arm away, and begin to rummage through his other work.  you pull a sheet and hold it up to benedict’s face.

“look at this sketch, then look at the canvas.  there is a very clear, marked improvement, and with only a—” you look at the dates at the bottom right corners for confirmation, “—a difference of two days!”

“what does ‘improvement’ mean if the improvement is not even good!”

“it is good!  and!  improvement is everything, benedict!  it is progress!”

“what—”

you and benedict jump back from one another by the sudden new voice.  you had not realized how close the two of you were as you were shouting at one another, how close your faces were to one another, how close your lips were to—

a blazing heat creeps up your neck, at the tip of your ears, and across your cheeks as you turn from benedict’s flustered face to the scowl of the eldest bridgerton sibling in the doorway.

“—are the two of you doing?”

“brother!  i— i was merely showing y/n my work.”

you vigorously nod your head.  anthony’s glare remains unaffected.

“alone?  together?  in your bedchamber?”

your heart almost leaps out of your chest, your eyes about to bulge out of their sockets as you look around the room, suddenly aware of where you are.  you are in benedict’s bedchamber.  alone.  together.

“i—” you start, very pathetically.  “i——  we—”

anthony curtly bows his head at you.

“y/n, i would like to have a word with my brother.  in private.  please.”

“of— of course, right— of course!”

you hastily put the sketch on a nearby table and walk towards the door, pass anthony as he steps in, and are about to run down the hall and away from the scene when—

you turn and steal a glance at benedict, mustering up all the apologies you can convey through your eyes.  despite the peril of his current predicament, his ocean eyes soften immediately, and a thousand butterflies erupt in your stomach and flutter around viciously.  he offers you a slight smile, one that is sincere and unregretful.  you offer one back, just as sincere, just as unregretful, before anthony gives you another bow of his head and closes the door.

–

“are you pleased by the results of your consorted trickery?” you state blandly upon seeing the young ladies that you thought were your friends sitting in the drawing room.

eloise looks up from her pamphlet, beaming at you, as penelope wears a wide and proud smile.  well, at least they have answered your question.

“trickery?” eloise feigns.  you roll your eyes; their expressions answer honestly, but their words continue their game.  “i have no idea what you are referring to.  pen and i were merely keen on viewing the art gallery today, and i thought, my blue-deviled of an elder brother ought to stop moping about; what better to get him to leave his bedchamber than by way of his favorite topic?”

“and his other favorite topic,” penelope adds.  eloise chortles, and you feel the tips of your ears heat.

“what is that supposed to mean!”

eloise waves a dismissive hand at you.

“benedict knew nothing of your arrival, as i am sure you deduced by his surprise,” but the second eldest daughter grins wickedly.  “though, from the sheer amount of time you have spent together thus far today, i am also sure the surprise was very welcomed, indeed.”

“by both parties, it seems.”

you promptly ignore the flush you feel on the apples of your cheeks.  your friends are lucifer incarnate split into two.

“well, then you must be delighted to know that your shared plot has led to punitive action against him.”

that surprises them.  (good.  you are relieved to finally have some sort of an upperhand in this conversation.)

“‘punitive action’?  by whom?  for what?”

“by—”

the three of you hear a set of footsteps.  you look to where the sounds are heard and see the two eldest bridgerton siblings enter the drawing room, the elder approaching you with conviction and the younger trailing behind him like a pet that has just been reprimanded.  the sight would make you laugh, if you weren’t the one to have instigated the current conflict between the two brothers.

anthony stands before you, posture perfect and chin held up high.

“y/n, thank you for your patience.  please allow me to apologize most ardently on behalf of my brother for his complete and utter lack of propriety.  it will not happen again as i shall be more vigilant in tracking his every deed.  i do hope this incident of my brother’s disrespect does not taint the beloved friendship between you and our family.” 

and he deeply bows his head at you.

your jaw drops.  benedict shuts his eyes tight and scrunches his face.  penelope bops her gaze amongst the three of you.  and eloise just howls, causing anthony to break the gravitas of his decorum and shoot a glare at her.

“it is no laughing matter, eloise!”

“it is harmless fun, brother!  a pursuit of intellect exchanged between two creatives, who also happened to be by themselves.  i have never heard of a baby being conceived from sharing some art.”

“ELOISE BRIDGERTON!”

you have now entirely hidden your face behind your hands; no one needs to witness the deep crimson that you are certain is spreading very rapidly across your countenance.  an absurd hope also blooms in you that if you cannot see the others, then the others cannot see you.

“what ever is the matter in here?” 

your eyes shoot open upon hearing the much needed voice of reason.  removing your hands from your face, you see kathani enter the drawing room, a confused expression worn on her face.  

“my dearest,” anthony begins, “i have offered my deepest apologies to y/n for benedict’s disgrace.”

“disgrace,” scoffs eloise, crossing her arms.

“disgrace!” reiterates anthony with increased fervor.  kathani’s confusion does not lighten.  she looks to benedict, whose eyes are scrunched closed again (his nose looks adorable this way), and then to you.

“are you all right, y/n?” she inquires gently.

“i—” you had intended to say, am well, but that would be a lie.  you are utterly mortified.  so, instead, you state the truth.

“benedict has been a gentleman.  he has treated me with the utmost respect, and when he has done wrong by me— which!  which has nothing to do with our being in his bedchamber!—  he—” you steady your voice, determined to say this right, as you know and feel it with and in your heart, “he has corrected himself and bettered his words and thoughts and deeds.”

“you hear that, brother?  no harm has been done.”

“eloise, you were not even there!”

“i believe what eloise means, anbe, is that you are being dramatic.”

“dramat— they were in his bedchamber, kathani!  together!  alone!”

kathani rolls her eyes, her attempt at diplomacy entirely gone.

“speak louder, anthony; just a bit more and the entire country shall hear you.”

the viscount pouts grumpily at his beloved, emitting a huff of air through his nostrils.  

“you must trust y/n by her word,” the viscountess states.

“or do you not trust someone of feminine disposition to speak for herself?” eloise inquires.

“pen!” 

you all snap your gazes to the entrance of the drawing room and see colin making his way to your friend in blue, followed by—

“y/n!” shouts gregory and hyacinth as they run towards you.

“y/n, penelope!” remarks violet and approaches you both.  “how delightful it is to see you!  you—” she says, reaching out for your hand, gently taking it in hers, and smiling kindly at you, “—in particular.  it has been a moment, y/n.” 

it melts your heart, really.  the sincerity of affection that flows so easily from violet bridgerton.  you recall the kind eyes and benevolent smile of her late husband.  it is no wonder you so easily fell in love with this family; true, real love is woven into the very fabrics of each of their beings.

you look at them.  hyacinth and gregory cling onto your slides, holding you tight.  kathani and anthony are engrossed in debate, affection in their eyes despite the heat in their words.  colin and penelope speak with and blush around one another as eloise, unknowingly (and, in your opinion, frustratingly, endearingly), butts into their conversation.  and benedict.  who, with the gaze of the entire room no longer on his so-called indiscretion, is looking at you.  softly.  with those damned, wondrous, bewitching ocean eyes.  a smile on his lips that makes the flutterings in your stomach unbearingly, wonderfully unyielding.

you truly, really love this family.  

you love the bridgertons.

“though,” the dowager viscountess starts.  

shaking yourself out of your thoughts, you see how violet looks at the others in the room as half of them now pointedly avoid eye contact with the matriarch and the other half share a similar sentiment to her.

“is everything all right?” she turns to you, peering curiously into your eyes.  “has something happened?”

you cannot help the laugh that bubbles out of you.  violet seems taken aback by your reaction, as are the others in your periphery, but her eyes, as well as theirs, shine on.

“i think,” you say, smiling, “it is just another day with the bridgertons.”

[thefugitivesaint]

James Gillray (1756-1815), 'The Powerful Arm of Providence: An Allegorical Print, Applicable to the Year 1831', 1800 "Satire: Providence dropping her flowers on England, at end of rainbow, with storm raging in sky and 'cosmic' hand reaching out from behind cloud to crush solar system" Source

[z00oo1]

Collin and Penelope Fics

We Can't Be Friends by LovelyMagnolia

Penelope and Colin are two people who have never quite managed to get their timing right, but maybe all they need is one night to fix that. Modern AU

Yellow Dress by CassandraGoth

She wants only to secure a marriage that will allow her the freedom she needs to escape from under her mother's thumb and continue writing. But the unexpected return of a traveling gentleman and a sizeable bounty placed by the Queen to unmask a troublesome author.

A Wallflower's Bloom by Enganda

"Are you mad? I would never dream of courting Penelope Featherington." Brokenhearted from the words she heard from her childhood love, Penelope Featherington had decided to change her ways and prove herself worthy of being loved.

A Pound To A Penelope by FirstLadyJane

After having spent the off-season licking her wounds, Penelope comes back to Mayfair a pragmatic woman determined to take control of her fate. She's on a mission to cement her spinsterhood and accept a standing job offer in Ireland.

The Great Stage of Fools by lottielots11

Penelope is finally engaged to the man she has loved for most of her life, and she could not be happier if it wasn't for the secret which hangs over them. And with Colin's reluctance to even discuss Whistledown, how will they ever overcome their differences in order to marry?

Scattered Flowers by Cortlandia33

After her fallout with Eloise and hearing Colin's declaration to never marry her in front of the entire Ton, Penelope left high society and found a cottage in the country. Now, almost three years later, her choice comes back to haunt her when a certain someone begs for her forgiveness... and her heart.

the last one in your corner by my_middle_name_is_awkward

Penelope cannot agree to marry Colin because she knows Eloise will not approve

Kintsugi by Metamorphases

Watch as Colin Bridgerton goes to increasingly mad lengths to keep Penelope Featherington safe and sound (and away from other suitors).

Dark is the world's night without you my love by angellus08

Penelope meets someone from Colin's past and her old insecurities crop up.

Affection by lixabiz

Colin returns to London for the Season of 1815, hoping to reconnect with his friend Penelope - only to discover that everything has changed between them.

Attachment by lixabiz

(Set post S2. Some elements from the S3 synopsis, but not a prediction fic.)

Butterfly's Reverie by CassandraGoth

What might have changed had Penelope told Colin privately that her cousin Marina Thompson was with child? Not an easy scandal from which to untangle himself without the public protection of Lady Whistledown’s society papers.

Foolish One by LeighAnne_Balsdon

Colin announces his engagement to Marina and Penelope doesn't take it very well. She makes a hasty decision to run away from Mayfair, to save her broken heart. When Colin and Eloise find out that Penelope is missing they decide to look for her themselves. What they find, however, is something no one was expecting.

One of us has got to change by itsjustabee

Colin and Penelope accidentally wear matching outfits to the Bridgerton ball

My Give a Fucks are On Vacation by SuzyH_82

It’s just a pity that for the last three years, she’s also been Colin’s ‘friends with benefits’ friend. I mean, it’s not like Colin could ever want a relationship…technically he already has a very public girlfriend…his fellow presenter Marina, on his travel log TV show. However, after their latest hook-up, Penelope overhears Colin talking to the press and realizes Colin is never going to see her as anything more than a friend and she finally decides to move on with her life.

i chose this cyclone with you (my heart exploding) by Vryalys

Well perchance it is I who do not wish to marry you any longer,” she hissed furiously at him, her eyes prickling as she moved away from him to the farthest end of the coach bench. She pulled at his mother’s ring from her finger, where she was sure it no longer belonged. “I will not marry a man who loathes to even look at me.”

The Disappearance of Penelope Featherington by hippiechick7897

Penelope Featherington leaves the many scandals of her life behind to start anew while Colin desperately searches to find her and bring her back home. When they are reunited, Colin finds a threat he had not anticipated and wonders if he's too late to secure the affections of the woman he's just realized is his love.

Violet's Fifth Daughter by kermitthefrogstanaccount

Penelope faints at her and Colin’s engagement dinner and Violet gives a piece of her mind to Eloise about continuing to love Penelope after everything that’s happened.

Ruin by Sea_Dragonfly

Colin wouldn't remember the details of what his mother told him next. He would remember her hand warm on his knee, her eyes wide with concern, her voice gentle as velvet. All of it in stark contrast to the devastating news she shared. Penelope was ruined.

Dishonest Conquest by lilyeval

Colin is such a gracious helper, he ruins Penelope’s every opportunity with her suitors. So protective of her honor, he even lets himself into her very private bedroom.

Just Having Fun by Spartangal22

When Eloise arrives home from Scotland, the very first place she goes is to see her best friend and brother in their home. And since they’re family, the rules of social etiquette need hardly apply. Why should she bother knocking?

her mother's daughter by secretlydelighted

the story where Lord Debling's son is courting Agatha Bridgerton and Colin is not having it, because why is another vegetarian all up in his business?

Meet Me at Midnight by Sevens11073003

Or eight times Penelope runs into a Bridgerton on the way to Colin’s room + the one time she runs into Colin on the way to bed.

have my back, yeah, every day by my_middle_name_is_awkward

Colin had very little patience for Cressida Cowper before he and Penelope were engaged. Now, he must make it clear that he will not tolerate her comments about his soon-to-be wife.

Unreliable Narrator by WhiskeyTinCup

Eloise has a lifelong habit of overreacting to Penelope's love life and everyone knows it, even if she refuses to acknowledge it.

I Do Not Want To Stand By Your Side by magentaverse

She didn’t need a love declaration. She certainly didn’t need him to sign his life to her. She just needed his love. A few smiles and his willing ear. But Colin Bridgerton did what he did best—he changed the course of her life the moment he muttered, "I do not want to stand by your side, Penelope Featherington."

Best Laid Plans meet MissCarriage by sanoiro

Or The unconventional birthing place of - the fated to be Adventurous - Miss Agatha Bridgerton...

Why do fools fall in love by NomDeJeen

Now that they are married, Colin wants Penelope to *win* the heir race with her sisters.

Benedict offers some unexpected advice.

It goes about how you would expect.

of manmade tales & honest lies by cchampdelevande

just saw someone asking "what if penelope finds out she's pregnant right after the lady whistledown fight with colin" and i genuinely think shonda is not above torturing us like that

Newton vs The Bridgerton Men by Lovelymagnolia

In which, Newton figures out Penelope's pregnant before she does, Colin develops beef with a dog, and a longstanding battle between Newton and all the Bridgerton men is unearthed.

Cracks by Vellinae

It’s a winter of firsts for everyone. It’s Colin and Penelope’s first winter as a married couple. It’s Penelope’s first time putting on ice skates and venturing onto the frozen lake with the entire Bridgerton family. It’s Colin’s first time watching the ice crack, just barely out of reach, and seeing his wife disappear into the murky water below.

At Least It Wasn't A Duel by SugMak

When Penelope sends Colin out of the house so she can focus on his journals, he hears Fife and the Toxic Lord crew talking about Penelope's breasts. He doesn't take it well. He's not particularly looking forward to her finding out about it.

Tintiddle Talks by goddammitfandom

Anthony ruins a wonderful family picnic by bringing up Colin's past indiscretions. He gets answers that somehow make him even angrier.

Tried to Pick My Battles 'Til the Battle Picked Me by headphonesbaby

Colin always seems to find an issue with Pen's boyfriends

I Wish You Knew by threefundamentaltruths

 which Colin and Penelope ran away together to escape the queen's wrath.

Visiting A Farm by ancoraimparo_youknowwho

Eloise is back from Scotland and eager to meet Her bestie. But things start on a very wrong note because who the hell does THAT to their wife??!!! Right??

uh-oh i'm fallin' in love (oh no) by stolemystarl17

Colin didn't stop the proposal at the Queen's Ball, but he can stop the banns.

grieving for the living by itwasglorious

Penelope marries Lord Debling and Colin cannot watch. So Colin leaves and Penelope settles into married life. A year later he returns.

Stand By Me by Musicalmidget

Penelope has been keeping another secret from Colin but upon see his family together at Francesca's wedding, she decides it's time to tell him and her plan for Lady Whistledown. This is a continuation of the scene from the study and will continue until the epilogue.

An Honorary Bridgerton by My_middle_name_is_awkward

The Bridgertons have always loved Penelope Featherington as if she was one of them.

Of course, they are all ecstatic that Colin will be making her an official Bridgerton, instead of just one of honorary status.

Scraped up off the pavement by missparker

After Penelope falls out with Eloise over her popular gossip blog, all the Bridgertons cut contact with her. Penelope moves to Scotland and buys a book shop and gets on with her life.

That is, until she spots Colin Bridgerton at the coffee shop next door.

Catch & Release by TonyStarksAngstyHeart

Everyone develops a tiny crush on Penelope as they wait, betting of course, for Colin to pull his head out of his arse.

Spanning 1803-1821

P-E-To-The-T-T-Y by jerrymander

Colin may be coming to terms with Penelope’s family but that does not mean he has forgiven them for their slights against Penelope.

Plenitude by HaveredSolitude

Colin and Penelope are faced with difficult decisions when complications arise during the birth of their baby. With the help of their family, they navigate through memories and feelings, confronting adversity with the strength of their bond.

Ran out room so here the link to part 2

[grace-williams-xo]

RAMBLING THOUGHTS AFTER FINISHING PART TWO. GONNA ADDRESS MY P1 THOUGHTS FIRST. SPOILER WARNING.

1 & 2: I think Debling could’ve worked in the second half, and I’m kinda sad Cressida didn’t get a happy ending. The Creloise fell of a CLIFF after ep 5 but I think it could still be saved

5: no cishet man has ever loved his wife more than Anthony Bridgerton I’m gonna be ill

6 & 12: kanthony’s absence was felt BAD in the finale, I think their reactions to LW were sorely needed. Also Jonny and Simone have both said they’ll be at every sibling’s wedding and stick around for years but they missed Francesca’s??? Also felt their absence too much then. They’re both booked and busy I think we’ll continue to only get a couple episodes a season from them

8: Francesca did get to thrive happy in pt 2 my baby I love her

9: I think they managed to disconnect the mondrich plot even further like 😭 once again, I don’t mind them their plot just feels very empty

10: Pen and Delacroix CONTINUE to be my fave duo I love them so freaking much and they can never get rid of it

13: Portia’s growth this season continued to be 10/10 I loved her and Penelope’s relationship it really showed what it’s like to be closely related to people you oppose and the process of needing to forgive and understand them for your own peace of mind

14: that was not how I was expecting Colin to find out about Whistledown

15: Marcus felt a little rushed in part two but I think I need to watch the whole season together to fully decide

17: this was indeed the longest 27 days of my life I got Covid day after it dropped lmfao

MY ~NEW~ THOUGHTS:

We finally got character development from Cressida and if they write her out I’ll be inconsolable (as will Jessica Madsen)

I hope they paid Golda Rosheuvel good for her feet exposure. Worth more than titties in this economy

I feel the need to tell everyone that £5000 in 1815 is in the realm of £500,000 today and we cannot brush over the fact Penelope has made herself the equivalent of a literal millionaire

Anthony has two moods ‘I’m obsessed with my wife’ ‘I want to win this game’ like it is comical how drastically different his facial expression is in the game of charades compared to pretty much every other scene

Anthony saying the marriage is perfect and not hard work and Kate being like BOY I will humble you,,,, doing the lord’s work I love her so much

At some points I felt like Francesca was fighting Anthony for ‘Violet’s least favourite child’ award lmao

John saying he’s off to look at the wainscotting was unfairly funny

Cressida in the red dress is even better than I imagined fuck even if she’s not gay then I am

Peneloise back together the universe is healing I love my babies all we need now is creloise lovers and peneloise friendship simultaneously I don’t like it being one or the other sue me

However much Brimsley is getting paid isn’t enough,,,, Hugh Sachs the man that you are

I adored Penelope’s wedding dress so much and as bitter as I am still about no kanthony wedding in s2, it felt kind of right somehow for Polin to be the first wedding we properly see in this show

Most of the costumes and makeup feel like they got worse,,,,, big ‘I hired a 14 year old’ energy. I don’t need historical accuracy but I would like a modicum of care and the costume/hair/makeup dept looking at a single historical reference from before 1850,,,, please

We all got the bi Benedict we’ve been asking for and I appreciate it, and recognise that he needed Tilley to explore that, but I still would’ve preferred if they first main queer experience was not a threesome

If they go straight into benophie in s4 (which idk, I’m so torn bc I feel like F, E and B all could work well next season) then I also feel like bi Benedict was just them throwing a bone for 5 mins but meant nothing

The CONTENTIOUS Michaela Stirling,,,,, I was undecided until I saw it but that was the definition of gay panic from Francesca and it worked so well I am so excited.

As your resident peerage expert, it is much easier for women to inherit titles in Scotland than England so I wonder (not that anyone on this show knows anything) if that was a reason they chose Francesca to be sapphic [general peerage info and female inheritance info if you care]

On the above, if they can canonically end racism with one marriage then they can end homophobia with one marriage as well

We all know Eloise was the easy and obvious choice to be the queer love story but part of me does kind of like them not taking the easy route, and them going something more unexpected, but that doesn’t mean I don’t want Creloise/Sapphic El like they had eight children let’s be honest

Finch’s sneeze and Phillips’s “now Varely! The bugs!” were unfairly funny

Everything Lady Danbury said to Penelope about suspecting her and what not felt very in character and you can fight with the wall idc

Did they tell us the name of Polin’s baby boy???

Hyacinth saying she thinks of Gregory as the family pet,,,,, girl you an icon walking amongst mere mortals

Predictions I got right:

Anthony didn’t kill Colin, but “are you gonna duel your own brother” lmao I was on the right track

I knew Polin would win the Featherington baby race and I love that for them (but why were Prudence and Phillipa pregnant most of the season, barely showing, Kate was showing almost immediately, and then in the epilogue the sisters all had baby’s similar-ish ages???? Give the writers room a calendar please)

I SAID FROM DAY DOT THAT THE FURNITURE THEY BROKE FROM SEX WAS A CHAISE I CANT FIND THE POST BUT I KNEW IT I FUCKING KNEW IT WHERE DO I COLLECT MY PRIZE SOME OF YOUR GUESSES WERE TRULY FUCKING COOKED

Okay that was too long if you made it this far I’ll make you cookie ily