#IDW international 7 spoilers!
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A fine price to pay for peace of mind...
//Drabble idea. A sort of AU for Issue 7 of International in the IDW comic. Spoilers for that!
As odd as it may have seemed to those around him, Walter Peck did in fact have a childhood. It was more or less an uneventful one for him, but there were moments that happened to stick out in is mind as “favorites”. The most vibrant memories happened to be whenever he spent summers in Ireland with a friend of the family, a woman named Una O’Neil. Peck remembered sitting by her old rocking chair, listening to her talk of fairy tales and fae folk, goblins, kelpies, far darrigs, and the mythology of Ireland with awe, imagining himself confronting great beasts, outwitting the faeries, and running through the glens. He eventually gave up these memories as he got older, brushing it off as nothing more than stories that she would tell him in order to get him to unwind after a day of helping her with her chores, or just something that she liked to tell him to relive the memories she had when she was young. And when Una kept bringing it up to him over calls when he was in college, asking him if he would have the time to come over again, just to hear the stories of Cú Chulainn, or of faerie queens and their many tricks, Peck usually told her he was too busy with work. Too old to believe in the tales again. I have my own life to catch up with, Una. I’m sorry. Maybe next summer.
Of course, Walter Peck couldn't have been more wrong about all of it. All the stories, all the folklore, all the tales that seemed more cautionary than the last.
All of them true.
He stood there, shaking in his shoes as he donned the fourth pack, left there by Ms. Griffin, Spengler’s own pack in case of an emergency, approaching two of the three other Ghostbusters without so much as a tremble in his voice. “I think that’s obvious, Mr. Stantz, even to you.” he hissed out, gripping the proton wand until his knuckles turned white. He had no training on using a pack. He barely even knew how to aim a handgun without flinching every time it fired. But he had to do this. He had to fight. He had to make it up to her, for all the times she spent watching over him, for all the times she had bandaged his knee when he fell on the rocks, all this time in perpetual agony that he couldn’t even fathom to understand. All this time he’d been a fool, ignoring her for personal gain, ignoring her warnings as stories, ignoring her pain and ailment because he couldn't have been bothered to listen to her when she talked.
“You! Ghost woman! Call off your...your dogs or I shoot you where you stand!” Strong words for a man who was at least a 3rd of her size, and clearly not knowing what he was doing. He shivered when he saw the faerie woman staring at him, blackened eyes unblinking. The smirk never even left her lips as she looked at him, as if he was nothing more than a yapping dog, one that could be silenced with nothing more than a word. Peck clutched the proton wand, finger moving back to the trigger, waiting to hear the word for blasting her to kingdom come. There was something off about her stare though. It didn’t look like she was willing to compromise over a simple “please.” In fact, the way she looked at him reminded Peck of how some people react to seeing a new watch, a sports car, or a stack of money.
It was then that Peck noticed the uncertain shift in one of the other Ghostbusters steps. Venkman... “...What’s going on...why is she he-” “I was told of your little dilemma concerning one of my past curse victims, your dear Grandmother...And by the looks of your face, she never told you about that little tidbit either...But I’ve come for a compromise...” Peck stared at her, finger still on trigger, but the proton wand was lowered slightly. The news shocked him, but was nothing out of the ordinary. If Una had let that slip, Peck would have been doomed from the start, likely killed by some sort of faerie, or a kelpie, or some demon. She didn't want him to suffer that. “....What sort of compromise...I’ll do anything to keep Una safe. What is it that you want.”
The faerie woman laughed at him, a sound like bells and chimes, but also cruel. Her eyes narrowed at him, and she snapped her fingers. The proton pack disappeared from his back, and chains wrapped around his hands and ankles, connecting to a length of silver at her hands. It was then that Peck began to panic, and he looked to Venkman, face turning pale, blood rushing in his head. “...She wanted payment upfront, Pecker...something to tide her over until we get that book....” Peck wasn’t sure if he should start cursing out the man, or beg her to reconsider what was offered, to give him more time to think through the options. She seemed to sense this, and the chains tightened, burning against his skin. “So...do we have a deal? Seems a rather small price to pay for her peace...your-er, servitude, if you will, until they can return what should be rightfully mine. Unless, of course, you’d rather dear grandmother suffer her sins for another 500 or so years before she rots in the ground...” She had stroked a hand over his cheek at the conditions, her hands smooth and cold, like marble, and it made Peck shudder, a nail scratching his skin. Peck didn’t know what to do; it was a stalemate. Either he refuse, and Una suffer, have him live with the knowledge that he couldn’t save her, or live as a sort of servant, or worse, pet, to the faerie that did this. He didn’t have time to figure his options.
“...Alright. I’ll do it. But you have to fr-” “Yes, yes, she will no longer be in eternal pain and agony. You have my word...And as for the rest of you...you’d best make good on your promise to get me that book...Until we meet again.” And with that, Peck saw his surroundings vanish in a burst of white light, the weight of the chains still pulling him around, dragging him behind the woman, until she stopped at the throne, latching the chains to the arm of the chair, binding them.
“...Why keep me here...why not just believe that they would keep their promise...you don't need me.” Another laugh followed, this one more cruel than the last, and she tilted his head upright. “You truly are a foolish man. What good would it be for me to wait without a trade off. I kept my bargain; your bitch of a grandmother is at peace. And if your friends succeed, you are allowed to leave, as if nothing had happened between us. But-” she hissed, using her nail to cut a slit over the edge of his cheek, enough to make it trickle down blood. “If they happen to fail...I can’t say that they won’t suffer as she had...make yourself comfortable, pet...you have all eternity.”
#drabble#Walter Peck#IDW international 7 spoilers!#And Aibell makes an appearance!#Based off something I saw on Pinterest.#ghostbusters
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NOPE BOOK TAG!
Tag creator (A BookTube Book) - https://www.youtube.com/channel/UCQt_…
1. NOPE Ending: A book ending that made you go NOPE either in denial, rage or simply because the ending was crappy.
This is a tough one. I rarely hate how literature ends. I’ll name a few comics and then move on the literature.
Novels: The Man who fell to Earth by Walter Tevis (Love this novel but hate the ending.) The Dresden Files: Changes The Frankenstein Papers by Fred Saberhagen (He writes Dracula so well but his Frankenstein Monster... Spoilers, he’s a f--king alien with amnesia. That’s the twist. He just THOUGHT he was created by Victor Frankenstein. It’s so... Stupid. The Last vampire by Whitley Strieber. Lilith’s Dream by Whitley Strieber On my Honor
Lolita. WHY is this a classic?!?
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Comics: The Sandman: The Kindly Ones. I know it’s a classic but out of all of the original Sandman this is the one I liked the least, loved the rest. The Dreaming (1990s to early 2000s version). It’s just... awful. Madman & Monster (written by Steve Niles and published by IDW). I hate the ending but like the premise.
Nineteen eighty-four by George Orwell. Great novel, just very depressing.
Manga:
Return to Labyrinth. The author (Jake T. Forbes) just wanted his cake and eat it too. He establishes that Jareth is Sarah’s true love but at the same time decides that they can’t be together “For reasons” and has Toby give a “I learned something today” speech that lasts several pages to justify it. No, if it’s true love, they’re supposed to be together. Don’t try to placate both the shippers and the fans who want them to not be a couple, you won’t appease anyone if you try to appease both.
Wolf’s Rain: It’s just so sad. Why!??
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2. NOPE Protagonist: The main character you dislike and drives you crazy.
Novels: Miriam from The Hunger, The Last Vampire, and Lilith’s Dream by Whitley Strieber.
The Vampire Armand from Anne Rice’s The Vampire Chronicles. He’s too much of a Sadist. I don’t understand the appeal. Lolita. WHY is this a classic?!
Comics:
Echo from The Dreaming (Late 90s / early 2000s version)
Riri Williams, the current writing of the Captain Marvel comics, actually pretty much all of Marvel at the moment... _______________________________________________
3. NOPE Series: A series that turned out to be one huge pile of NOPE after you’ve invested all of that time and energy on it, or a series you gave up on because it wasn’t worth it anymore.
Novels:
The Hunger book series by Whitley Strieber
Anne Rice’s The Vampire Chronicles, most everything after Tale of The Body Thief and Tale of the Body Thief wasn’t that good... The Dresden Files. I don’t know, my interest just kind of waned and also I came across a few unpleasant fans who legitimately believe women and men “talk differently” and “use different language” when speaking and told me a woman can’t write male characters and visa versa. Mary Shelley begs to differ! Comics: The current Sandman Universe comics...
Morbius: The Living Vampire (1990s run)
Manga:
Return to Labyrinth. The author (Jake T. Forbes) just wanted his cake and eat it too. He establishes that Jareth is Sarah’s true love but at the same time decides that they can’t be together “For reasons” and has Toby give a “I learned something today” speech that lasts several pages to justify it. No, if it’s true love, they’re supposed to be together. Don’t try to placate both the shippers and the fans who want them to not be a couple, you won’t appease anyone if you try to appease both.
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4. NOPE Popular pairing: A ship you don’t support.
I don’t really hate many pairings...
Oh, wait. Lolita. Do I really need to explain? Comics: Joker and Harley Quinn (original versions as created for Batman The Animated series.) Cain and Abel and their sister-wives in The Dreaming (late 90s to early 2000s comics). That was just... Oh, my God. Was that just to be edgy!? For God’s sake, Abel’s fraternal twin sister was Cain’s wife and locked in attic!? WTF?!? Lucien and Nuala (also in The Dreaming late 90s and early 2000s version). Essentially “Hey, the people we’re in love with are dead. Why don’t we hook up?” “Okay! You’re good enough. Let’s settle on each other.”
Does Caitlin R. Kiernan have any concept of love, at all? Steve and Bucky. Not because it’s a bad ship or because it’s gay but because the fans who support it are so rabid and if you suggest it’s not canon they immediately assume you’re a homophobe and send you hate.
SwanQueen (Emma Swan and The Evil Queen in Once Upon a Time) similar reasons as above. ____________________________
5. NOPE. Plot twist: A plot twist you didn’t see coming or didn’t like.
The Frankenstein Papers by Fred Saberhagen.
(He writes Dracula so well but his Frankenstein Monster... Spoilers, he’s a f--king alien with amnesia. That’s the twist. He just THOUGHT he was created by Victor Frankenstein. It’s so... Stupid. _______________________________
6. NOPE. Protagonist action/decision: A character decision that made you shake your head NOPE.
Faust and his hornness for FOURTEEN-YEAR-OLD Gretchen and almost everything he did because of that horniness.
7. NOPE. Genre: A genre you will never read.
I don’t think there’s a genre I’d never read. But I’m not a big fan of young adult romances or bodice rippers and torture porn. I’m not into errotica or graphic violence even though I adore Gothic Horror.
8. Nope format:
Umm.... I prefer hardcover to paperback but I don’t avoid any particular format. I do hate when the new Barnes and Nobel classics call things like Edgar Allan Poe and H. P. Lovecraft, Mary Shelley, and Bram Stoker “Gothic fantasy” written across the cover. It perpetuates the idea that horror is lowbrow and it angers me that we refuse to consider good quality horror to be horror anymore.
Anne Rice’s Prince Lestat (when I read it with wet hands and the dust jacket off) the color on the cover started to turn my fingers dark blue. I never want that to happen again.
9. NOPE. Trope: A trope that makes you go NOPE.
Long lost child that the protagonist didn’t know they had because the mother (or in rare cases someone else) thought it would be best the child never know they are related to the protagonist because their life is too dangerous / cursed / ect... I hate when parental rights are stomped on for plot, and especially when “it’s okay because it’s the mother who did it and the mother just wants whats best for the child.”
10. NOPE. Recommendation: A book recommendation that is constantly hyped and pushed at you that you simply refuse to read.
I’ve never refused to read a recommendation but I have later thought “Why did you think I’d like this?!”
Twilight “Because you love vampires.” Oh, and Frankenstein’s Monster: A Novel by Susan Heyboer O’keefe. Just because he looks like the version from the Shelley novel doesn’t mean he acted like it. That as awful.
______________________________
11. NOPE. Cliche/pet peeve: A cliche or writing pet peeve that always makes you roll your eyes.
Wasn’t this already number 9? I thought we covered this with tropes. Many tropes are cliches. Oh, well...
Long lost child that the protagonist didn’t know they had because the mother (or in rare cases someone else) thought it would be best the child never know they are related to the protagonist because their life is too dangerous / cursed / ect... I hate when parental rights are stomped on for plot, and especially when “it’s okay because it’s the mother who did it and the mother just wants whats best for the child.” (Cough) Susan in The Dresden Files. (Cough.)
Oh, and “He’s blue collar so we’re going to use him as the serrogate racist / bigot now even though he wasn’t before.” (Cough) Merv Pumpkinhead in the new version of The Dreaming. (Cough.)
12. NOPE. Love interest:
I thought we established this with the ship conversation?
I don’t feel like re-writing it, just re-read that one. Same answers apply. I guess I can add The Corinthian from Neil Gaiman’s The Sandman. You know if it ever gets a film or TV series adaptation someone somewhere will find him attractive and start making errotic art and fan fiction about him...
13. NOPE. Book: A book that shouldn’t have existed that made you say NOPE.
The Dreaming Late 90s early 2000s version. I don’t really like saying any book shouldn’t exist. But there are some that are really awful sequels or insults to an established lore because of how subpar they are. ___________________________________
14. NOPE. Villain: A scary villain/antagonist you would hate to cross and would make you run in the opposite direction.
The Corinthian from Neil Gaiman’s The Sandman and pretty much any antagonist created by George R. R. Martin.
15. NOPE. Death: A character death that still haunts you.
Morpheus in Neil Gaiman’s The Sandman.
And even Abel’s death even though he comes back later.
___________________________
16. NOPE. Author: An author you had a bad experience reading and have decided to quit.
Anne Rice. She doesn’t even remotely write the way she used to . It feels vapid now. And i have trouble reconciling myself that the angry bird aliens from Brevena and the Replimoids exist in the same universe as Interview with the Vampire.
Also she’s been very cruel and unprofessional in her behavior to those who have criticized her work and “I didn’t know I was sicking people on anyone” shared negative reviews with direct links to pages on her Facebook over the years. it got nasty. She even dug up one of my old reviews for Blood Canticle that I wrote FIFTEEN years ago!
And to a lesser extent, J. K. Rowling. Her views of Americans and especially “Nomaj” (linguistically) just makes me cringe internally. Americans are the more old fashioned with language, not hipster (i.e Elevator vs. Lift, Cellular phone vs. Mobile). Not to mention cloistered religious-style orders (like Catholicism) use the same terms from country to country. This is also true with Wicca. Linguistically the American terms in Fantastic Beasts do NOT make sense.
@sorry-for-the-chocolate @thesaramonster @zal001 @missghostlymoonshadow @kaimaciel @endlessemptynight @deathlyendless @vagaryhexxx @thegreatvampirekiller @unnecessaryhorns @sweatyeddieandaliengoo
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by WickedMusic96
A sort of AU for Ghostbusters International 7. What if the stakes were higher during that meeting in Ireland...
Words: 1233, Chapters: 1/1, Language: English
Fandoms: Ghostbusters (Movies 1984-1989), Ghostbusters (Comics)
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Categories: Other
Characters: Walter Peck, Aibell, Peter Venkman, Ray Stantz, Kylie Griffin
Relationships: Not really much - Relationship, Unless you want to see it as a sort of very twisted Peck/Aibell
Additional Tags: Was based on idea I saw on Pinterest!, And spoilers for IDW International 7, AU Verse
read it on the AO3 at http://ift.tt/2DR6sm4
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