#I'm sure I've seen a few

[freepassbound]

36. What’s the best sexual compliment you’ve ever received?

48. What’s your favourite sex scene from a movie/TV show?

50. Have you ever cum without having your genitals directly stimulated?

36: Probably that she wanted to keep having sex with me? 😅😂 I mean, I must have been doing something right.

But no, really, my anxiety about asking defeated my neediness about wanting to know - and she never volunteered anything specific (that I can recall).

48: I don't know that I have one? Here in the U.S., we certainly don't get sex on TV shows (at least not outside premium cable like HBO & Showtime - channel which I've never had), and I can't think of a memorable one in any movies I've watched - it's almost all innuendo and the before & after but not the sex itself (so the movie can avoid an 'X' rating). Some of those are pretty good, but they're not really sex scenes, I wouldn't say.

50: Nope. I think I came (🤭) close a couple of times back when I was doing anal play with a dildo? But could never get over that edge to an actual climax.

[deafening-radio-silence]

always thinking about super soldier/healing factor body horror. bones healing wrong within minutes, skin forming over glass and shrapnel. when steve rogers stops the helicopter with his bare hands, his sternum splits and his rib cage splays as his bones give up before his muscles do. sometimes it's less destructive just to leave the bullet inside. how can you perform surgery on someone who heals faster than you can cut? chronic pain is a wicked side effect of an accelerated healing factor as your body is constantly mending and moving everything, everything, everything at a rapid pace. sure the viruses don't affect you, but does your body eliminate them before you can spread them to everyone else? you are always hungry, you are always wired; some days you feel too much, other days you can hardly feel anything at all. everyone knows the metabolism is faster but you'll also run out of air long before anyone else... and just how much can you recover from? maybe your body is more resilient, but your mind isn't necessarily. unless it is, and you're no longer you. just how much pain can you actually take? 'cause you can feel it all. the serum speeds up natural processes; it fixes things but it does not prevent them. it doesn't save you. there are many, many things that it is not a mercy to survive.

[stressfulsloth]

I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.

The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?

The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.

Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.

My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.

[batsplat]

Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)

I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes

what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint

but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast

it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening

but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it

there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish

(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)

valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):

in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available

obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are

the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices

if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:

the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try

the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:

so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy

and this from 2017:

not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!

that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness

while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez

so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says

then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know

we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)

okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:

so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:

the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy

one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019

speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick

in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:

and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...

it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong

unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool

anyway

[felassan]

.

[transingthoseformers]

Hi, love Ur stuff and I wanted to try my hand at submitting something:

TF1 Orion (the escape artist) with way more joint mobility than any other bot of his frame type. I'm thinking of the kind you'd expect a contortionist to have and maybe you'd see it in the more lithe frame type.

Anyway, Orion likes to use that flexibility to his advantage... to specifically ruffle D-16 (in a good way) when they frag. You should also know that Orion is one of the more notoriously insatiable miners that so far D-16 & several can keep pace with.

Now, Orion has an insane idea to push his little skill to its limit but also solve the hungry-for-fragging problem: He'll go into a box but folded in such a way that his intake & valve are exposed for free use. The box will be sealed for a specified time period where it can be used & passed around.

If you would kindly suggest:

Where shall this box be placed?

Otherwise, what do you think of this?

-R

Hmmm...

There are many options here

Okay my first thought upon seeing Orion and joint mobility was him doing Funky Tricks™️ with some of his joints (that he Should Not be doing and that he'll end up regretting later because you're Not Supposed to fuck with that shit too much) to fuck with people

Like my first thought was Orion going "Dee! Look at this!" and Dee makes the best shocked/disgusted sound of disbelief as Orion pops his shoulder joint in a way it should not go.

That one might be based on a story😅😅😅

Anyway the sex stuff

So

My first thought was the washracks/showers (if they're in there somewhere), but that's because my thought process

god I'm thinking about Orion being helped out of it after the end of that time period and D-16's all soft with him while Orion's still feeling fuzzy and fucked out🥺

GOD I'M IMAGINING DEE HELPING ORION WIPE HIMSELF DOWN WITH A MICROMESH CLOTH (they aren't especially easy for miners to get their hands on, but just as Orion has his D-16 has his ways) hhgh the intimacy of a wet washcloth to me is something we don't touch enough on imo

[hellaverse-critical-confessions]

So I just watched the new Helluva episode (the Specter Diddlers)

Most of the "fuck" humor just made me roll my eyes at worst, and I could sit through it at best. The focus on Millie was the sole reason I decided to check it out and I loved that she got to be badass and have new lore to her. Her and Blitz had notable chemistry (platonically speaking, though I've seen some people start considering the ship after this). I don't think I could add anything new to the already existing discussion, but I'll just say this:

Ronaldo's existence is... incredibly confusing. What kind of demon is he? How did he get to Earth? Sinner overlords are the ones that can be insanely powerful, see also: Alastor, but even he is confined to Hell. Succubi and some imps (like Barbie) can be registered as working on Earth, but they don't seem to have any special powers outside of seduction in the former's case. Aquatic hellborn demons exist, like Crimson's mafia or Glitz and Glam, but they also don't have powers. Let alone ones this showy. I mean, the one other time we've seen demonic possession was in Truth Seekers (iirc) done by Stolas, who is a Goetia, which this dude also isn't... so what is he and what was he doing up top?

(Though since he was also killed at the end, he had to have been a hellborn, as sinners can only die from angelic weapons...)

[welcometogrouchland]

[ID: a piece of digital art depicting Luz, Willow, Amity and Vee from the owl house at Luz's quinceñera. The piece takes place outside the owl house at night with the characters all dancing. Willow's dress is blue with yellow and pink flowers as decoration. Luz's outfit is based on the good witch azura with a white and purple colour scheme. Amity wears a pink dress shirt and a dark blue skirt with transparent fabric both on the skirt and acting as the sleeves. Vee wears a yellow dress with white trim on the bottom. Light glyphs float in the air, the dancefloor lights the scene from below, and Hooty extends across the background. End ID]

on today's episode of "pieces I put way too much work into realistically!". Since it's unlikely we'll get a quinceñera for Luz at this stage of the show, I wanted to draw a cute scene of it, which slowly turned into posing and lighting practice

(Small disclaimer: I'm not a part of a culture that does quinceñeras! I hope that there's no glaringly inaccurate details here. As far as I know there isn't hard and fast rules for the dresses or dance floor? so hopefully everything here is plausible. Feel free to let me know if there's any egregious errors here. There's some doodles under the cut that are slightly more detailed, so same goes for those)

[ID: black and white digital doodles of owl house characters at Luz's quinceñera. The first doodle shows luz, Gus, Hunter and king, and is labeled "Gus, king & hunter = chambelands". The next shows willow, Vee, and Lilith with Luz and is labeled "Lilith, Willow and Vee = damas". There's a doodle of amity where's she's labeled "escort". There's a small full body doodle of Luz in a suit labeled "she gets a costume change!". The last doodle is Luz and hunter dancing together, labeled "Luz + hunter sibling dance". The background is purple. End ID]

[mariyekos]

Is there any canon material stating when Sparda left/disappeared? Including even something vague, like "he must have left after the twins were 5 and before they turned 8." Or do we just know he left sometime after the boys were born but before the fire?

[arachnidcakery]

I made a Doom, & Puppy synsona/copinglinksona! :3 (tho it's mostly Doom-)

Their allotpun is 'dread ongoing' (or 'ongoing dread'), and they're part dog & part rat!♡ It's rlly into brightly-colored aesthetics/fashion, especially scene, and it also adores cute things! (Plushies, cogs, etc etc.)

I don't have much else for h1m atm since I made h1m probably literally just yesterday, but I'm hoping to make some small posts abt h1m regarding h1s backstory or personality in the future! ♡

[touchstiel]

your touchstiel gifs series is so amazing, I was looking at deancas through the seasons, dean looks at cas' lips a lotttt, I wish we had a gif series like that😭

from day 1 he literally cannot help it. that would be a huge series but i'm sure in a fandom this old at some point it must have been attempted!

[romanticatheartt]

TW: mention of r*pe, sl*t-shaming and de*th treats

At this point I want to ask Gwynriels and Eluciens if they really ship these couples because they like them, like the potential they have, how their story can be healing & inspiring to so many OR you're just here to prove E/riels being in the wrong and insist on how they're not endgame?

Your whole blog is for "what that person said", "what the other did", debunk their theories, arguing the same subject all over again every few days...

Don't you get tired? What happened to enjoy your ship? Making headcanon, making meme, writing fanfics, drawing fanarts?

This has nothing to do with being passionate. You can be passionate but try to enjoy your ship. Not arguing all the fkn time that none of the sides would accept the words of the other... WHAT'S THE POINT?

They're insecure enough to come to G and E tags to argue with you but why you bother to even form an answer? If they're here to start a fight with you, just block them! Don't answer them. Leave them hanging. Why do you care what they think? They're in the tags to feel validated for their opinion but we know they're in a wrong place so put them out of their misery and block them... (I can't stress this enough BLOCK THEM. God knows how many I did in the past year and I wasn't even active)

All the G and E tags are about how E/riels won't happen and how they're are rude and disrespectful...

Just leave them alone, let them be in their own delusion bubble and just wait until sjm confirm what the next book is about. If it's as we predicted based on everything we've seen so far that would be an answer enough to all their disrespects, de*th treats, calling us misogynist, sl*t shaming and telling us they hope we get r*pe just like Gwyn did...

And if it's not, if somehow E/riel happened to be endgame, that's not the end of the world. You can still ship them because there's no rule on how you HAVE to ship what the author wrote. Canon is a decision the author takes but you can disagree and write your own version, make your own headcanon. That's the beauty of shipping two imaginary character!!

But IF you actually ship them, not just to prove that side of the fandom wrong...

I think everyone should ask themselves that "will I still ship Gwynriel/Elucien even if they're not endgame?"

Because right now it looks like a competition...

ps: if E/riel is endgame then karma will get to them another way and if it's not that should be a karma enough for all the foul things they called/said to us.

[bluespring864]

After losing a tough 3-setter in her first match, Barbora Krejčíková wins her second match at the 2024 WTA finals in straight sets

"It's nice to get a win!"

[vimbry]

"likes don't do anything" they do

"there's no algorithm" there is

"well nobody uses the for you tab" I do

"reblog all art and fics you see" there's no thought put into that. if this does work on people, then it's just pity engagement borne out of guilt rather than genuine interest, which is arguably worse than having none, because it's totally hollow.

[tennessoui]

Do you have a preference for top Obi-Wan or top Anakin in obikin? And if so, why? I'm new to the fandom and ship, and it seems that top Anakin is very popular. I've always imagined him bottoming more often for Obi-Wan, although I like to think they switch occasionally

i very much do not have a preference or an opinion on this! i read and write either - the important thing for me is that they're recognizable to my understanding of the characters and i don't see either of them as massively frail, demure, twinky, etc so that's usually the stuff i don't read or interact with (and i've moved away dom/sub stuff currently) though more power to you if that's what you like! to me, their sexual positions in bed do not make up a big part of their characters, so i really can switch between both and enjoy it all.

it's just not the interesting part of a story for me, and honestly (and i know this is controversial or what passes for controversial in a fandom lol) i don't tend to tag my explicit fics with who is topping and who is bottoming if there's penetrative sex involved - especially for longer fics because the story isn't about that in my mind. it's a very small aspect of it and the least important part

i do think i've seen a lot of conflating dom/sub with top/bottom lately and that's a trend that comes and goes like waves and also a trend i very much dislike. i definitely have stronger views on conflating dom/sub and top/bottom than i have on who should top and who should bottom LOL

[thelassoway]

Ted Lasso S02E05 Rainbow || Ted Lasso S03E01 Smells Like Mean Spirit

What does that mean?