#I'm shit at writing

[loserwithsyle]

3.) Sensory deprivation/Overstimulation/Isolation

Used: Isolation

Salvatore sobbed as the man dressed in a white lab coat drew their blood, They didn't understand what was going on, who these people were, where they were at. Nothing.

Just as quickly as the man came into the room, he left. The first person he had seen in days? Weeks? Months? Of being in this sad beige room, chained to the wall furthest from the bed, positioned so he couldn't reach it.

That person didn't come back. Not the next day, day after that, or 3 days into the future. A week passed, Still no one. 2 more days, he was getting hungry. Sure, His species was known for being able to go months without food in certain circumstances, but that was adults. Salvatore was only eleven.

Five more days. Salvatore's fear of this place was only getting worse. When the lights automatically turned off for the night he would've sworn he saw figures wisping around. That wasn't normal.

Eventually, The lights turned off and didn't ever turn back on. How long had it been? He'd long lost count of the days.

No one would ever come again, is what he thought.

[that-sweet-jester]

Hey, uh, you mentioned have a fic? Where can i find it? What is it called? I am very interested but I am stupid 😅

Hi! Sorry but there are no fanfics from me :') Only some snippets or vague ideas of what is the lore behind the sbi villain au I'm drawing.

But I do have others' people fanfics that inspired my drawings, I've put them in my au art descriptions. So if you want, I highly recommend reading those :D

[raylangivins]

i am Locked In.

[sonovela]

Brain Fog

I find that my memory to conjure up words that fit the right meaning of what I want to say, the true honesty that matches my feelings, is the same as the weather outside today- foggy and dense with no clear direction except to trust the process and hope I find what I'm looking for.

[howlsnteeth]

24/05/2020

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[quadrantadvisor]

Thinking about DP x DC Jason Todd being a revenant again. Here's my scenario. Jason gets called that by some ghost. He's like "what the fuck is that supposed to mean?" He's heard the term before but he doesn't know any actual lore. He googles it. He scrolls past the Leonardo DiCaprio bear movie. He opens the wiki. Sees the words "animated corpse" and gets a chill diwn his spine. He starts reading the first section.

He closes Wikipedia.

That night he has a nightmare that his family buried him, again, this time with precautions. He wakes up in his own grave, full of stones, too heavy to move, to scream.

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[obihoebikenobi]

There have been few people to earn the trust of Logan over two-hundred years, but when Logan's comfortable with someone, he lets his guard down. Like, all the way fucking down.

The adamantium makes Logan cold and stiff in the winter, and usually he'd just grit his teeth and take it, but then there's Wade.

Wade, running Logan a hot bath, setting up some music, lighting a candle, sitting on a stool and keeping him company.

Wade, towelling Logan off while his eyes droop shut and the chilly air reminds him of the ache in his bones.

Wade, steering him back to the bedroom, sitting Logan on the bed, allowing him to be loose-limbed and half-asleep.

Logan lets him pull a pair of baggy sweatpants up his legs, a cozy sweatshirt over his head. Wade towels of his hair, and presses a kiss to Logan's forehead. He pulls back the covers and helps Logan slip underneath them when his stiff body resists. For a second Wade leaves Logan's side, but he returns with a microwaved mug of soup and a heated blanket.

Wade lets him eat, crawling in the bed, ready to hold Logan close as soon as the soup is gone.

And Logan fucking lets him. No--Logan fucking wants this. It isn't something he allows, it's something he desires. Only from Wade.

He wants gentle hands, and stupid fucking jokes about pop culture that he doesn't understand, and the soft comfort of Wade's scent on the sheets.

Logan shamelessly wants to be held in Wade's arms, pulled close and held even closer.

[loserwithsyle]

1.) Drugging/sick/poisoned

Used: Drugging

I watched as Jim and Alice —Dressed in their black uniforms decked out with pockets and armed— walked in with a small child thrown over Alice's shoulder. The child was crying, and loudly at that. They were wailing and screaming along with the squirming to try and get out of Alice's arms.

I smiled, "Look what the cat dragged in."

Alice and Jim exchanged looks before Alice put the child down. They had Apple red hair, and heterochromatic eyes. One was green, the other pink. Though the most notable thing about them was the ears. Two cat-like ears were connected to their head, plus a tail coming off of their spine, that's what made it worth something.

Alice spoke, "Actually, I'm pretty sure we dragged the cat in." I sighed at Alice's bad joke, but couldn't help but give a slight smile.

"Oh, Whatever. So, Where's this one off to?" I asked the two, but the child was clearly waiting for a response too. I eyed Jim, he nodded and walked off.

"Oregon, In the United States." She glanced at the child, who clearly had listened but wasn't aware of what any of that meant. Which, was to be expected. They couldn't have been more than nine, and their papers said they'd been added to the program a little over 5 years ago.

"Okay, And the buyer?"

"A woman in her late 30s, married. Looks like she's high up in a few organized crime rings. She wanted a pet." I nodded in response, the child looked panic. Thankfully though —for us at least—, Jim came back.

"Hey," Jim said, kneeling down next to the child. "Are you okay?" He feigned a soft sounding voice, And the child shook their head no. Jim pulled him into a brief hug, and offered him a cup. "Drink up, kitty. You must be thirsty." The child flinched at the petname, but nodded and started drinking the cloudy water.

Me, Alice, and Jim knew that the child would be out cold in minutes, and that the child would likely never have another moment of peace or a longer time to rest

[saduboiss]

I’m okay.

it’s getting bad again

[poorly-drawn-mdzs]

Look what we've become.

[First] Prev <–-> Next

[sweetpupii]

Hi! Do you take requests?

If so, I think a fic bases on this excerpt:

"she can't have her parents walking in again. poor cassandra…finding your daughter with her whole face buried in between a girl's thighs is not the most ideal situation"

of your cailtyn story would be phenomenal 🙏

If you don't, feel free to ignore this! :)

let's start by saying caitlyn knows how to eat pussy and loves doing it :3 babe could have it for breakfast, lunch, dinner and even dessert. she wouldn't call herself an expert per se, but she's quite proud of her talent.

sure, receiving it feels good—but what's better than knowing you're making a girl cum with just your mouth? to cait, absolutely nothing. the moans, the hair-pulling, the thighs clenching against her head ♡ ugh chef's kiss.

( she came untouched a few times from it but you did not hear it from me ok? )

it's usually one the first things she does when you successfully sneak into her room. like a reward for getting through massive place she calls home without anyone noticing.

your back against the bed and legs immediately spread to expose the sight she absolutely adores. god, she could just stare at it forever and it'd still have the same effect in between her own legs. new panties are needed.

she doesn't dive in face-first like an animal the second your clothes are off, even if she does feel like a starved woman. she starts by slowly kissing your thighs and caressing any bit of skin she can, hand sneaking up your abdomen and ribs to massage your breasts a little—don't mind it.

“should I continue?” cocky because she already knows the answer is a breathy ‘yes, please’.

oh and she gets way more cocky once she finally starts working on you, soft and slow stripes and twirls with her tongue. nothing fancy yet; she wants to tease a little more.

the second your hips start bucking into her mouth though? girl, grab onto something because she takes the signs IMMEDIATELY.

legs propped up on her shoulder while her hands hold your hips down to keep control of them. the slurping sounds are almost pornographic with how sloppy she's being. no whine coming from you is gonna make her stop any time soon. she's enjoying it waaaay to much already.

if she's feeling nice she will add a finger or two while sucking ๋࣭⭑ curling them just right inside you, not in-and-out like crazy. her tongue’s already lapping at you pretty fast so no need to overwhelm you…yet.

she wishes you would look down at her for a sec to see that pretty expression better, but she also understands it's her own fault that your head is thrown back against the bed, clenching around her fingers while pulling at her hair. what a curse to be so good at pleasing girls.

she knew speeding up her movements wasn't a smart thing to do so late at night as soon as the loud whine that escaped your lips reached her ears. obviously louder than the previous ones.

the heavy thump on the door when it opened proved her right.

“caitlyn.”

of course it had to be her mother out of all people.

cassandra's eyebrows furrowed as she looked away with a small huff, trying to erase the sight from her mind by blinking and observing every detail on the window. she thought caitlyn was trying to sneak out and get involved with stuff she shouldn't like she had done in the past with serious cases or something, not this!

“It is 3 am; please take your… friend out of here.” a dismissive wave of her hand showed that there wasn't much room for arguing—none really because she's already out the door with a low mumble to herself before her daughter could say anything. tomorrow's talk is gonna be awful, that's for sure.

“just keep quiet some more, then you can go home, alright?” the blue haired girl softly whispered, leaning up and kissing the soft skin on your shoulder to reassure that you're not leaving until you get a few well deserved orgasms, her fingers already going back to rubbing small circles.

she's not gonna let a pretty girl leave her bedroom unsatisfied even if it means getting caught again.

masterlist

[tioraidh-tux]

an ageless, plastic poem

[sunsburns]

Okay I sorta think Logan is capable of knotting. Something people don’t know is his connection with animals, and allowing him to somewhat communicate with creatures. And we all know he has a great sense of smell. Anyway please humor me 😭😭😭 we know he’s half animal half man in the streets and in the sheets.

(Also when he was charging at Deadpool on all fours… yeah he’s in touch with his primal, animal side)

good fucking god. i literally had to search this up. for those of you who don't know, the term "knotting" is based on real wolf (and dog) biology where their... yk... swells up after an orgasm and basically locks them into place inside their partner. this is about to get freakkyy (18+)

logan stays hovering over you when it happens. his hot breath blowing against your skin and you breathe in every exhale. noses brush over each other, and you bring your hands up to caress his face, your thumb pushing at the deep furrow between his brows.

he grumbles, eyes still closed, unwilling to move.

you let him stay, let him slowly collapse against you, the warmth from his body rolling off in waves until he's pressed against you. chest to chest, logan brings his mouth to the crock of your neck.

you feel his hips still twitching, pelvis rolling against yours, coaxing a low, tired moan out of you. you feel so full, his bulge in your stomach, the space where the two of you meet wet and sticky, but he doesn't move.

"logan," you sigh, breathless with his weight on you. "lo..."

"hmm?"

"are you gonna...?"

"what?"

"move?"

"...i can't."

"what?" you shift, trying to sit up, but he doesn't let you. logan wraps his arms around your middle, holding you tight. his touch is gentle, possessive, and protective and he kisses the hot skin of your neck tenderly.

"can we just stay 'ere for a bit? i wanna stay close to you," his words are slurred and muffled the more he buries his face into your skin, the hair of his beard tickling you.

that's when you feel it, his cock, still deep inside you, growing. not the same way it does when he gets hard, but rather swelling, increasing in girth, pressing against your walls, stretching against them.

logan runs his warm hand up and down your sides, hoping to ease you to the feeling when a choked noise slips past your lips. "that's it. just relax, bub."