#I'm probably wrong about this-

[alish-artie]

Side order octoling~

I don’t think it’s agent 8, which is why I took her colors from one of the pictures and not from my agent 8 ! (Plus the fact that when asked if the octoling was agent 8, they didn’t give a precise answer-)

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[hopeinthebox]

bts + reductress headlines pt.14

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[artemismoorea03]

DPxDC Prompt: I Got You Brother

Danny has been in Gotham for a while after things went south with his parents. But that's what happens when one's parents are convinced by the G.I.W. that Phantom killed "Real Danny" and took his place as a way to fill his sick obsession of "being alive" which - they couldn't be further from the truth - but his parents were so convinced by the evidence that they refused to listen. Vlad expected Danny to go with him and when Danny refused it made part of him snap.

Danny fled from his parents, the GIW and Vlad in the dead of the night. No family, no friends, nobody knew where he was and that was how he liked it.

He lived at the cave with the bats but refused their offer to come upstairs. He knew who they were and that they were safe but he also knew that if he took one step onto that elevator they would be his family. They would be his family and he couldn't risk losing another family.

He thought that living in the cave would prevent any of them from getting attached. So quickly his schedule turned into a cycle of patrols. Start patrols, stop in for lunch, patrol until dinner, patrol until breakfast, patrol again until lunch. Repeat day in and day out.

He told the team he didn't need to sleep and told them that he was fully a 'Ghost' from another dimension. As many details as he could keep from them the better.

Or so he thought.

Until after nearly a week of these endless patrol things changed. A fight with a particularly powerful ghost had wiped him out and while he managed to stay on his feet when he tried to continue patrol his vision blurred and his transformation dropped.

And so did Danny.

Danny wasn't even aware somebody was tailing him until a thick rope wrapped around his wrist and stopped his fall. Danny swung, hitting the side of a building with a tired grunt as he looked up.

Orphan.

"New brother! Got you!" Orphan called down to him as Danny tried to get his powers to respond, desperate to do anything to protect Orphan who was sliding closer to the edge.

Spoiler showed up within seconds, grabbing Orphan's ankles just as Orphan went over the edge and Red Robin grabbed Spoiler around her ankles. Frantic shouting echoed as Nightwing grabbed Red Robin around his ribs, the weight threatening to pull them all over before Red Hood grabbed Nightwing.

Danny reached up, trying to grab the rope when another wrapped around his free wrist from next to them. Batman was there and by his side was Robin, also there to help Danny and the others up.

He hadn't wanted a family.

He had run from who he was and the ones he loved.

But he found more people to love him.

It wasn't until Signal showed up - having been alerted to the situation and called to the scene - that Danny let the tears drip down his face.

He was home.

[baddybaddyadardaddy]

Okay, I'm going to make a wild prediction about Adar and Galadriel in Episode 8, so strap in.

An overarching the/major motif of the Rings of Power from the very first episode has been, obviously, the interplay between darkness/light.

"To find the light, we must first touch the darkness." / "Before light, darkness must flee, etc."

Adar and Galadriel together are a manifestation of that duality between light and dark and accordingly, I think there's a compelling case for them to team up against Sauron at the end of Season 2.

Here's my attempt at this argument:

PARALLELS BETWEEN ADAR AND GALADRIEL

The show has established a few strong visual parallels between the two of them.

Mourning ritual. Galadriel mourning for Finrod in S1Ep1 is echoed by Adar's mourning of the Uruks in S2Ep7. They even mirror the single tear.

What's more, Galadriel bears WITNESS to Adar's funeral ritual, enforcing the connection of this moment.

Seed planting. Frankly, my jaw hit the floor when S2Ep2 had Galadriel planting seeds in the memorial garden in Lindon, because the shots/framing were almost IDENTICAL to the seed planting Adar does at the beginning of S1Ep6. The sentiments of both instances are the same "life over death," though the words do differ.

Flip sides of the same coin/mirror to one another. The show has also presented us with many instances where they function as mirrors to one another. If not signficant, why do?

Barn scene. The barn scene in S1Ep6 is a PRIME example, when Adar literally calls Galadriel out for the hypocrisy of her hatred of the orcs.

The dinner scene. Adar once again holds up a mirror to Galadriel, pushing back against her notion that "you yielded to him. I resisted." Then they have the shared acknowledgement that without Sauron, the world seems a "dull grey" (GREY, interestingly, a halfway point between dark and light). Adar's face in response to her admission will live rent-free in my mind forever-- it's like he's been SEEN for the first time in his life.

So while Galadriel sees herself as a warrior of light, and views Adar as a creature of darkness, the show does a pretty superb job of showing that both of these characters have light and dark within them in equal measure.

They were both tempted by Sauron and succumbed.

So there is a clear, thematic link between these two from that standpoint.

ADAR'S JOURNEY TOWARD THE LIGHT

Next, I think it is clear Adar on a path toward light/redemption as an elf, and it tracks in a VERY LITERAL SENSE.

First time we see Adar, he is bathed in an angelic light. As he performs the funeral ritual for Magrot, light streams into the Uruk tent.

The shot at the end of S2 Ep1, when the camera lingers on Adar as Gil-Galad's call to the Eldalie commences. Adar feels the undeniable call to his elven past. That camera shot was NOT A COINCIDENCE, and I'm FOREVER FERAL ABOUT IT.

Cavalry charge at the siege of Eregion. Adar is OBVIOUSLY backlit:

There is a dividing line between light and shadow an Adar is RIGHT on the border of it.

When he steps up to take possession of Nenya, the sky behind him is split between a darker side and a lighter side. (You can argue that it's a CREEPY light, but it's still light. There is almost no all-black coloring on him in that second frame when he actually has the ring. For a character that's been head to toe in black the entire series, this is Significant.)

So where does that leave us for the big Sauron smackdown?

My first wild prediction: In an INSANE reversal, Galadriel will be the one to bring Morgoth's dark crown to the confrontation, while Adar will wield Nenya, a symbol of light.

It's not inconceivable that Gal could have smuggled it out of Adar's camp somehow under her oversized Uruk cloak. And Adar, OBVIOUSLY now possesses Nenya at the end of S2Ep7.

I think the fight between Galadriel and Sauron is ACTUALLY a three-person fight; we just haven't seen Adar in the promos because

1. Obvious plot spoilers and

2. HE WILL BE FIGHTING IN A FAIR FORM BECAUSE NENYA WILL HEAL HIS CORRUPTION.

My second wild prediction: This three-person fight is telegraphed in The Last Temptation. There's a new motif (not musical, so unclear if this is the correct term??) that starts around 1:07. It sounds like an aggressive children's choir. Interspersed, we get some of Gal's themes and Sauron-flavored music. I think this new bit could be either a combined theme for Gal/Adar fighting side by side, OR a new motif for a changed/elven Adar. It's aggressive, which to me tracks with Adar's fighting style that we saw through S2Ep7, and it builds and gets more voices added to it as the song progresses. At one point, it blends perfectly with Gal's theme.

Third wild prediction that I hope I'm wrong about: Adar will likely get fatally stabbed during this fight. I could see him giving Galadriel the ring at a crucial moment, in as a redemptive act, which would forfeit any protection it might have offered him, and I think he'll receive a fatal blow from Sauron, but not before we get a much clearer picture of EXACTLY who Adar is. IF they do it this way, it will be a deeply satisying end to Adar's story arc, IMHO.

Last thoroughly unhinged thing I will leave you with:

Nolwa Mahtar translation (from S1), according to Bear's blog:

Finish the war, the darkness, end this suffering

Impossible to pursue, deep in shadow, follow light

Finish the war, the darkness, end this suffering

Bright warrior against darkness.

Obviously this theme plays a HUGE role in S2. I believe the lyrics are different; we don't know what they say yet.

But I have contended all along that this piece has always applied in some way to BOTH Adar and Galadriel.

Galadriel is the bright warrior standing against Sauron's darkness, yes, that image is obvious.

But Adar, a figure who lived deep in shadow, follows light, ultimately finishing his own war and ending his own suffering.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[hyacinthsdiamonds]

Saying that the gpda should go care about something important, as if they aren't - for the first time in DECADES - taking a definite stand against the sports governing body publicly for all to see, is something.

This goes beyond the jewellery, the underwear, or even the swearing. And their issue about being told not to wear jewellery and bring told what underwear is more about the fact that they were told by the media, rather than by the governing bodies themselves directly in a meeting where the drivers could share their perspectives.

They publicly called out the FIA President for his hypocrisy and for how he has spoken about the drivers both to their face and behind their backs.

Most importantly, they have publicly expressed their feelings about monetary fines, publicly stated that they have no idea what the FIA does with the money they receive from fining drivers, and called them out for it. There is zero transparency from the FIA in an issue we now know has been raised since at least 2021. What is the FIA hiding? Because there is no reason why the drivers should not be allowed to see where that money goes, or at least no legitimate reason.

[poorly-drawn-mdzs]

you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally

This is simultaneously the sweetest and funniest thing someone has sent me, thank you.

[hypewinter]

Danny raises Superman au

So we all know that Superman touched down in Kansas and was adopted by the Kents and bla bla bla. But you know what state also has farms and is only like 600 miles away? Illinois.

So Danny is chilling in the countryside, enjoying his sweet, peaceful early retirement when an alien pod, that's a little a lot off course, suddenly crashes near his house. When he checks it out, there's a baby inside. Welp looks like he's a father now. No way is he risking the government getting their greedy little mits on this precious ray of sunshine.

Clark grows up with a father who teaches him early on how to control his powers and use them for good (They may or may not stop a robbery or two occasionally). He also gets two cool aunts. One is free spirited and always bringing him souvenirs from her travels. The other is very grounded and teaches him many techniques to deal with his conflicting emotions (his father is not happy when he uses said techniques on him).

Danny for his part is happy we his son develops a support system like he did. They can even actively help him beat up the villains! He's overjoyed at the man Clark becomes and even happier when he brings home an ace reporter who knows how shifty the government can be. He might be already saving up for their wedding but who can say?

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[sf3uuf]

I've been thinking about JJBA again...

[babacontainsmultitudes]

Happy pride to Tony Collette and Dr. Man specifically 🌈🫡.

[invinciblerodent]

do you have any idea how obsessed I am with this fucking line right now

like I can't be the only one who thinks this sounds like it could be a callback, right? Like the words "cuddly Astarion" were said at least once before???????

[egophiliac]

I have a question about the jp server pickups, since I really want knight Sebek, but I’m trying to save gems for bloom malleus + the 3rd tsum event that’s gonna show up sooner or later. Iirc, after knight Sebek, the next story update’s pickup had all of the previous story cards (ie cerberus Ortho, general Lilia, and knight Sebek). Is this true, and if it is, did it include a token system like the dorm pickups where you can just do 100 pulls and then buy the specific card you want directly? Because if that is how it works, then I can wait until then and be sure I won’t have to go to 200 for him.

we did indeed get a second chance at those three when 7-7 came out! I'm pretty sure there was not a token system -- though admittedly I don't 100% remember, sorry! 🙇 I took a quick search through some past posts/videos from people who tend to include the gacha and news stuff, but I didn't see any mention of it, so I'm inclined to think there really wasn't one. :( they were all separate pickups with their own pull counts rather than a combined one, if that info helps at all.

speaking as a strict f2p who hoards keys/gems like the lovechild of a dragon and a magpie, given the choice between saving for a story card and a birthday card, I'd go for story -- it does require a lot of patience, but there are way more opportunities to get past birthday cards, both from the anniversary events and the rerun pickups! tsums is a bit harder to say anything on because Eng doesn't follow the same event schedule, but it's a longish event and those pickups let you have a free 10-roll, so I think they're also a bit easier to save up for.

(ALSO speaking of free rolls, starting with the fifth round of birthdays -- the kutsurogi my room ones -- the birthday boy/union jacket/bloom cards have had a separate pickup that you can get two free 10-pulls at by doing missions! I got a bloom Jade from it a couple weeks ago. :D meanwhile general Lilia is the only story card I've ever managed to pull, so...I'm probably kinda biased. whoops.)