#I'm probably saying things that aren't true

[d33pd3sire-blog]

Grace and the Sickle

Emily Prentiss x reader, reader doesn’t know how to communicate her feelings. No use of y/n

Word count: 498

The ending probably feels a little cut off, I didn't know how to finish it/continue. Hope you guys enjoy it anyway.

"I like this. A quiet breakfast with you." Emily looked up. "On mornings like this, I sometimes pretend we're retired and living in our little apartment. Just us two. Oh, and Sergio of course."

You hummed into your tea, smiling up at her. "Sounds.. peaceful. Hopefully one day it'll happen." You say, half of you unable to comprehend how Emily could think such wonderful things about your relationship. Sometimes you find yourself wondering how Emily could love you as much as she does, never having experienced this kind of affection before.

Emily wrapped her hands around yours, noticing a change in your demeanour. 'Hey, you still with me?' She snaps you out of your thoughts.

'Oh, sorry, you were saying?' You blurt, Emily rubs her thumb over one of your knuckles as you come back down to earth.

'Where were you just now?' She gives you this half confused, half worried look. You shake your head and look at the half drunk cup of tea in front of you, kind of hoping she would drop it.

'Nowhere, really. I just..' You shrug your shoulders, contemplating whether you should keep up the front or be truthful. 'Never mind.'

Emily scoots her chair closer to you, moving her hands from yours to your arm and pulls at you slightly. 'You know you can tell me anything, right? I love you, I want to know what you're thinking.'

Part of you is still hesitant, wondering if Emily would still be saying those things if she knew the thoughts that plagued your mind on a regular basis. It wasn't Emilys problem to shoulder, it was yours. She was perfect to you, you didn't want to darken her mind because you couldn't accept her love fully.

Emily nudged your side. 'You know I love you, right?' You nod. 'So you know, i'm here for you. In any way you need?' You nod again.

You finally gather the courage, taking a deep breath you start. 'I just.. I don't get it sometimes.'

Emily scrunches her brows slightly, confused. 'Don't get what, baby?' She continues to rub up and down your arm to comfort you.

'You're so great, you know? You love me so much but I just.. I don't get how. People like me aren't supposed to have people like you. I think fate was being cruel to you.' Immediately Emily raised a hand to your cheek and caressed it, kissing the other side.

'People like you? You mean the kind, loving, beautiful and powerful woman I see before me. Those people?' You try not to, but her words force the corner of your mouth to crack into a smile.

'You're just saying that to make me feel better.' Your smile doesn't fade, Emilys love was hard to fight.

Emily shrugs. 'Maybe, but that doesn't make it any less true.' She smiles at you, showing off her dimples with ease. You could never look at them and think negatively. She truly did love you.

[shamelessexplosions]

I'm about 8 years late with this but one thing in the Civil War dispute I have never seen anyone from either side point out (and I could just be completely wrong on this):

There is no indication Steve actually knew Bucky killed Tony's Parents

Steve knew it was Hydra because, and as far as I am aware ONLY because of Zola's little exposition scene in Winter Soldier where he shows a bunch of newspapers clippings of things Hydra is responsible for, including Howard and Maria Stark's death.

I repeat: things HYDRA is responsible for. So, yes, Cap knew Hydra killed the Starks, and knew Bucky was working for Hydra. That does not mean, because of that little exposition scene, Cap decided, 'oh yes, in the last 70 years Hydra has only had one man doing all their assassinations, so that must mean Bucky killed Howard and Maria.'

The thought it might have been him could have occurred to Steve, but either way, that would be a theory, and not something Steve has any reason to tell Tony.

For further proof, this exchange from Civil War straight after Tony & Steve watched the security footage:

Tony: "Did you know?"

Steve: "I didn't know it was him."

Tony: "Don't give me that shit, Rogers. Did you know?"

Steve: "...Yes."

To me at least, that 'yes' means Steve knew Hydra, as an organisation, killed Stark's parents, and he elected not to tell Tony, which he is shown to have found out in Winter Soldier so we know that. But his initial statement, "I didn't know it was him", we have no evidence wasn't entirely truthful.

(Whether Tony hears that 'yes' as 'yes I knew Bucky killed your parents' or 'yes I knew your parents death wasn't an accident/orchestrated by Hydra' is ...debatable, but either way I can't see any reason to believe Steve meant the latter, especially since he has already said he knew it wasn't Bucky specifically.)

Why didn't Steve tell Tony Hydra killed his parents?

I can think of a few reasons, whatever side of the Civil War divide you are you can probably come up with more:

1. Steve knew Zola was trying to distract Steve and Nat when he showed those newspapers, so was just trying to keep them engaged, and hinting there might be more to the death of an old friend and get Steve emotional would be a great way to do that. Steve might have suspected it was true, but with no actual evidence he didn't want to open Tony's old wounds.

2. The avengers were going after Hydra post-Winter Soldier, and Steve was worried about what Tony might do/how reckless he might be/didn't trust him enough to risk telling him the people they were targeting killed his parents.

3. It was more than 30 years in the past. If Steve didn't know it was Bucky, it would be likely the person who did it (or at least authorised it) was long dead or unfindable (again, 30 years cold case, no evidence except in a bunker in nowhere siberia that Zemo spent a year searching for when he knew exactly what he was trying to find), so there would be no justice to get, so it would be only hurting Tony for no reason.

But the point is there are a lot of reasons Steve wouldn't tell Tony (admittedly a lot aren't very good or wishful thinking, and Steve probably should have said something, but it is a common theme across the MCU that Steve doesn't always have as much faith in Tony as he should (and then sometimes Tony builds Ultron because he got scared and you can understand why Steve might not trust him when emotional), I'm not here to idolise either of them or say either were completely right in this movie, just point out one thing I see a lot of people complain about). A lot of those reasons don't hold if Steve knew that it was Bucky, and we will never know if Steve might have told him if he did, but you can't blame Steve for not telling Tony something he didn't know himself.

[tumbleweedsthesecond]

CLONE HIGH CLOTHING SWAP!!(I'm gonna lore drop abt them but more importantly Anna )

Yayy lore time. So Anna is the clone of Anastasia Romanovna but she says she's the clone of Anastasia Romanov. This is because the other Anastasia Romanov is more well known and I like to include historical references in stuff. From what I know her body was never officially found, she was considered a mystery she was important because of that. Many people think she lived and escaped instead of being killed. Some people also pretended to be her or tried to for money from the aunt as is shown in the Disney movie. specifically Anna Anderson I think which is why I nicknamed her Anna. (If anyone needs to correct me on some of this stuff Ik its been a while since I've done research on the topic I've been researching other stuff.)

When Anna was cloned her foster father believed she was that Anastasia, so up until she was like 11 or so she believed she was Anastasia Romanov, she felt important. She watched the movie and loved the idea of being a princess, of being the one everyone was waiting for. Until one day scudworth told her she was wrong and got the names mixed up. So Anna saw Ivan and cried her eyes out. She didn't want to be the clone of some guys wife. She wants to be more important than that and not live in his shadow. She thinks she's important and seeing her dad disappointed about that really hurt her. So she decided that she was going to just cope. She'd forget everything scudworth said and live that lie. And it felt great for her, she brags about it alot. Though she's gone so far into coping she does almost believe it. because of that she's obsessed with popularity and living up to the real Anastasia Romanov. She wants to be famous, she studies hard and everything. She's even a cheerleader. Because of the coping thing it does make her view other people just as extensions of their clone parents. She thinks everyone thinks the way she does cause she's preppy. Also on why she expects people to be extensions of the clone parents is also due to some self loathing because of who she really is. That doesn't make her any less annoying though but I forgive her❤

Orginally Anna and Ivan were a ship because she couldn't fight her genes or whatever that's been erased actually I decided it'd be more interesting of she was a lesbian. ivan and her are still rivals. She doesn't know she's a lesbian yet tho cause comphet she's also Topher stepsister!! Basically they hate hate each other at first for obvious reasons and Topher even blackmails Anna. Then he does reveal who he's a clone of and she full on ignores him and calls him disgusting for like a week. But eventually they talk and they become a little closer? Anna starts understanding people aren't just their clone parents and she still like trying I guess? Topher also learns to not blackmail her so yay They have some solidarity, a little. They still don't like each other but its more in a sibling way.

Okay now Fyodor. Gonna guess no-one(but like one person) knows who Fyodor Basmanov is. I learned about him through some movies, basically Ivan the terrible had this alleged male lover. He was in the Oprichnina, like a secret police Ivan had made, and he rose in ranks fast. He was known as the favorite of the Tsar many people thought they were a thing(probably). There was rumors he'd wear skirts and dance for Ivan and stuff. Whether or not that's true in the Ivan the terrible movies he's in they actually do address it. In the 1940s two part one he sings this song abt killing people in a dress and a mask that is supposed to resemble Anastasia Romanovna in the beginning of the film. Which is actually why I made them do a clothing swap in the post. In the 1991 version he is sooo pretty and I can't understand everything in the film because no subtitles but I was able to get some context to what was happening. The story from what I know goes Fyodors the favorite and he uses that alot over other people, he sits next to the Tsar during meals and stuff, poisons people for him etc, then he tries to trick this other guy to get rid of him with witchcraft but word got back to Ivan and now they think Fyodor committed treason. So hes like no not me!!come on Ivan listen to me I'll tell everyone about us or something like that I don't know I could only understand some and he's dragged away. Real Fyodor apparently did get accused of treason by Ivan and he was ordered to kill his father. Some say then Fyodor was executed others say he was just sent away I don't know what really happened. Shrugs. Anyway

I made a clone of him just because I can ❤yay❤ he's Ivans ex friend they don't hang out anymore because Ivan thinks he's better than him. Fyodors just a chronically online guy that uses discord too much(gamer). He wears skirts too not for Ivan just cause I like gnc characters. Yay❤. Also Ivan and him weren't a thing though Fyodor probably does have a crush on him for a bit, the most Ivan does for him is buy him discord nitro. Which he doesnt do anymore. Fyodor does still sometimes try be friends with the bleacher creatures mainly cause sometimes he feels like he's nothing without Ivan so. Yeah. He's unsuccessful tho he's annoying af. He's cringe. He thinks it's funny tho

Anyway just realized I made three clones of Ivan the terrible lovers and I don't ship any of them with him(Maria's the third ill post about her another day. Her and Anna get together tho) this guy had like eight wives. I should really just clone all of them and make them a polycule(minus Ivan ofc) this is why I shouldn't study historical figures

[666writingcafe]

Sneaking Away

A Few Weeks Later

AKA: Anna Lets Her Character Bias Show

Content Warning: NSFW for sexy biting

The formal part of RAD's opening ceremony goes smoothly. Everyone's speeches--including mine--were well received, and the ribbon gets cut to the sound of camera flashes. Inside is where the party truly begins. Drinks are flowing, people are mingling, and hips are moving as the DJ plays popular tunes through various speakers. Everyone's having a great time.

Well, everyone except for me.

Lucifer's been distant ever since we've returned from Cocytus. If it were just from me, I'd be handling it better, but even his brothers have received the cold shoulder from him. I know better than to push him to reveal his feelings before he's ready, but at the same time this night was to be an unofficial goodbye before Solomon and I returned to our timeline, and the fact that I haven't heard a single peep out of Lucifer...

I would much rather sit through a three-hour lecture with him yelling at me than the continuous radio silence. It also doesn't help that he seemingly disappears into thin air as soon as the two ribbon pieces hit the ground and that no one else knows where he went.

"Go."

Solomon places a hand on my shoulder and leans in close so that other people can't hear him.

"What are you talking about?" I whisper.

"You've had closure with the others. You deserve to do the same with him. I'll make sure you aren't followed. Now, go, before it's too late."

Ducking out a semi-hidden door at the back of the auditorium, I reflect on Solomon's words. I've been able to have conversations with the other brothers about my true identity. Some had more questions than others, and some held grunges for a few days, but at least they were willing to talk about it.

Unlike the eldest, who seems more content with hiding.

Speaking of which, where could he be?

I'm currently sitting on the rooftop, looking up at the night sky.

Of course. It's probably the most quiet part of this entire building at the moment. Thankfully, I know where its hatch is. Scaling the building like a mountain goat would bring too much attention.

~~~

I know Lucifer senses my presence. If my scent didn't give me away, then the noisy hatch surely did. And yet he does nothing to acknowledge it. I suppose I should take this as a win; he hasn't told me to fuck off, not even when I walk over and stand near him.

We lean against the railing and look out on the landscape in silence. As much as I want to say something, I know that he has to be the one to break it. He's always had difficulty revealing his emotions, especially when he's not under the influence of alcohol or serums. I'd only cause him to put up even more barriers if I confront him about it.

And so I wait.

The clock in a nearby tower chimes eleven times.

"What are we?"

Lucifer's sudden question causes me to jump.

"W-What?"

"In your timeline. I'm aware of the pacts, but is there anything outside of that?"

"I...I don't understand--" Lucifer quickly turns his head to look at me, his eyes nearly glowing.

"What am I to you, MC?" His voice wavers. Is he trying not to cry?

I take a deep breath. Out of all the things he could have fixated on, I didn't think this would have been what he latched on to.

"Do you remember me telling you about the man I left behind to be here?"

"The one that you would have married if circumstances were different?" I nod my head.

"I was talking about you, Lucifer." A brief pause to allow him to process my words. "Does that answer your question?"

"It certainly makes me feel better about doing this."

"Doing what--" In a blink of an eye, Lucifer closes the gap between us, wrapping his arms around me and pressing his lips against mine in a passionate kiss that threatens to take my breath away.

He steps back a moment later and grabs my hand, his face flushed.

"Let's get out of here."

"But what about--"

"We gave our speeches. As far as I'm aware, the rest of this evening is just a party celebrating Diavolo's success, and I don't want to pretend to like people that wanted us gone only a few weeks ago. Besides, my brothers' antics will keep everyone occupied enough that our presence won't be missed, so that'll allow us plenty of time to ourselves."

"You know that Solomon and I were planning on leaving once things wrapped up here, right?"

"Don't worry; we'll come back. I just..." A sigh. "Look, I know I've been distant towards you lately, and I want to make it up to you. Please, MC."

I've always wondered how Simeon came up with some of his characters' dialogue. How much of it was strictly was from his imagination, and how much of it was things he believed certain people would say if they acted out his scenes in real life?

How much of it was him indirectly influencing the future?

"I still remember the day I first met you, almost like it was yesterday." I find myself murmuring. "The way you fixed your eyes on me, that noble yet sincere gaze..."

"The moment I beheld it, I was transfixed." I didn't think Lucifer still had access to my memories, so how is he able to recite the next line? "And that was it. There was no going back. I fell for you completely, body and soul." He brings the top of my hand to his lips, kissing it softly.

And then suddenly we were no longer on the rooftop, but instead inside Lucifer's room.

"I apologize, MC, but I can't hold back any longer."

He quickly picks me up and sets me on his bed, saddling me as his lips feverishly touch mine. Our hands soon begin wandering, taking in as much of each other as we possibly can. His mouth travels down to my neck, where he bites down on it and begins sucking.

It is common for demons to drink each other's blood when they get intimate.

Something I've never been able to do as a human, but here...

My mouth latches onto Lucifer's shoulder, my teeth sharp enough in this form to pierce his skin. His blood's quite rich, almost like a deep dark chocolate.

But the low, drawn-out moan that emanates from him is what causes warmth to spread all over my body.

"I want you," he murmurs. "I need you."

His expression is nearly identical to the one that Diavolo wore when Lucifer was in his former angel form in Cocytus.

Like I'm the most beautiful, magnificent creature he's ever beheld.

"Then take me."

Taglist: @lost-in-time-wanderer, @fuzztacular, @dianedancer18, @sweetbrier2908, @flare-love, @completelyshatteredbrokenmschf, @thunderlightning351, @l3v1chan, @anxious-chick, @5mary5, @expressionless-fr, @tenkobitch, @budbuddnbuddy

[theheroand]

I feel bad blocking my friend on this blog. but she can't see this anymore.

[justalittlebluetiefling]

Something I've seen a couple people saying is that they want to make sure that Laudna understands that she's not the only one who has been through trauma. But like. Laudna is not the only one who needs to learn that lesson. Actually, it's not even that Laudna needs to learn that she's not the only one that's been through trauma at all, because they're all very aware of what they've all been through. This became an inevitable confrontation when Laudna decided to let Delilah back in, though, and after rewatching the scene, I actually think the only people who managed this situation correctly were Imogen* and Ashton.

Orym and Laudna are both more focused on their own pasts with the sword and not thinking about each other. Orym should have talked to the group and come to a decision with them about using the sword and Laudna should have talked to him about it instead of trying to steal it.

*my feelings about this are still up in the air don't read into this too much

[emiliosandozsequence]

tbh i think a lot of you who speak on booktok really have absolutely no idea what you're talking about

[yesterdayiwrote]

For someone who's so thoughtful when he speaks, Lewis really does still give some absolutely terrible quotes when he's talking to journalists...

[sskk-manifesto]

Ep 5!!!

[the-busy-ghost]

Alright uninformed rant time. It kind of bugs me that, when studying the Middle Ages, specifically in western Europe, it doesn’t seem to be a pre-requisite that you have to take some kind of “Basics of Mediaeval Catholic Doctrine in Everyday Practise” class. 

Obviously you can’t cover everything- we don’t necessarily need to understand the ins and outs of obscure theological arguments (just as your average mediaeval churchgoer probably didn’t need to), or the inner workings of the Great Schism(s), nor how apparently simple theological disputes could be influenced by political and social factors, and of course the Official Line From The Vatican has changed over the centuries (which is why I’ve seen even modern Catholics getting mixed up about something that happened eight centuries ago). And naturally there are going to be misconceptions no matter how much you try to clarify things for people, and regional/class/temporal variations on how people’s actual everyday beliefs were influenced by the church’s rules. 

But it would help if historians studying the Middle Ages, especially western Christendom, were all given a broadly similar training in a) what the official doctrine was at various points on certain important issues and b) how this might translate to what the average layman believed. Because it feels like you’re supposed to pick that up as you go along and even where there are books on the subject they’re not always entirely reliable either (for example, people citing books about how things worked specifically in England to apply to the whole of Europe) and you can’t ask a book a question if you’re confused about any particular point. 

I mean I don’t expect to be spoonfed but somehow I don’t think that I’m supposed to accumulate a half-assed religious education from, say, a 15th century nobleman who was probably more interested in translating chivalric romances and rebelling against the Crown than religion; an angry 16th century Protestant; a 12th century nun from some forgotten valley in the Alps; some footnotes spread out over half a dozen modern political histories of Scotland; and an episode of ‘In Our Time’ from 2009. 

But equally if you’re not a specialist in church history or theology, I’m not sure that it’s necessary to probe the murky depths of every minor theological point ever, and once you’ve started where does it end? 

Anyway this entirely uninformed rant brought to you by my encounter with a sixteenth century bishop who was supposedly writing a completely orthodox book to re-evangelise his flock and tempt them away from Protestantism, but who described the baptismal rite in a way that sounds decidedly sketchy, if not heretical. And rather than being able to engage with the text properly and get what I needed from it, I was instead left sitting there like:

And frankly I didn’t have the time to go down the rabbit hole that would inevitably open up if I tried to find out

[soulsxng]

Name: Hope (Elpis)

Age: ???

Species: Spirit/personification of false hope

And so it was Hope that saved humanity from the evil and miseries that were unleashed from the depths of Pandora's box...or so some would believe. So Hope themself wants to believe. In actuality, the story is a bit more complicated than that. After all, Hope emerged from Pandora's box just the same as the others. There's a good reason that other stories suggest Hope is just an extension of suffering.

An extension of Moros, who wants to reclaim them. To make them realize that the "hope" they give is just as vicious as the things that he, himself, could inflict.

But they will never accept that. Not truly.

They tell themself that the hope they spread amongst the people is good. That it's better for them that way, to deny and ignore their destinies until it's finally claimed them. Everyone deserves comfort. Deserves to believe that everything is okay-- that they are okay.

Even if it's only a beautifully woven falsity.

[skydigiblogs]

veeerrry slowly making my way through appmon (just finished ep 6)

i'm enjoying it so far (still) but i also just had a realization that like

part of my hesitancy about watching appmon is that a lot of stills for the fused apps were kind of offputting (3d in 2d animation can be super hit or miss)

like i've seen screenshots of a lot of the higher grade appmon and was like "hm, that's not pleasant to look at"

and now i'm watching it and like "oh, that was definitely designed with movement in mind" because holy shit yeah the stills do not do appmon justice

the use of 3d animation in appmon gives me a feeling that the creators really wanted to include that code overlay effect, but since that's incredibly time-consuming to do in a way that might look good on 2d animated characters, the use of 3d allows them to express that excessively digital vibe (and it looks really good in motion)

as for all the standard grade appmon, i think something similar still holds true in that just looking at their ref book images doesn't do them justice. perorimon is the whole reason i wanted to talk about this (debuted in ep 6) because hooooly shit the ref book image just does not get across how good this goober looks in movement.

in other words, appmon seem designed for animation first and foremost

also while i'm at it i want to say i think it's fun that every appmon really does just have like coax cables in their back for applinks. more digimon shit should like, have weird technological things like that going on.

[im2tired4usernames]

I might just be dumb but I don't really understand making fun of you partners? I don't understand introducing them to your family like "gets my stupid asshole "I don't understand the play fighting I get teasing on some stuff is fun n cute if your both into that???? but?????my wife's smart I'm not gonna call em dumb to be funny and I'd cry if my wife told their friends I was super dumb n annoying? Yeah people are gonna do stupid things and no one's perfect I know I'm gonna do something that's gonna be annoying and stupid same with my wife n friends n family and well really anyone I just don't get when people talk down their partners to they're friends? Like do you want your friends to think low of your partner Do you want your friend to really think they're stupid and smelly and hate them????Do you actually like the person you dating???? Then why are you telling your friends and family what a stupid irresponsible jerk they are and how you can't stand them????????????? Am I missing a joke goin on is this a humor thing or social thing in just out of the loop on???????

[rosesradio]

.

[vaspider]

While I'm writing things that I've been intending to write for a while... one of the things that I think that a lot of people who haven't been involved in like... banking or corporate shenaniganry miss about why our economy is its current flavor of total fuckery is the concept of "fiduciary duty to shareholders."

"Why does every corporation pursue endless growth?" Fiduciary duty to shareholders.

"Why do corporations treat workers the way they do?" Fiduciary duty to shareholders.

"Why do corporations make such bass-ackwards decisions about what's 'good for' the company?" Fiduciary duty to shareholders.

The legal purpose of a corporation with shareholders -- its only true purpose -- is the generation of revenue/returns for shareholders. Period. That's it. Anything else it does is secondary to that. Sustainability of business, treatment of workers, sustainability and quality of product, those things are functionally and legally second to generating revenue for shareholders. Again, period, end of story. There is no other function of a corporation, and all of its extensive legal privileges exist to allow it to do that.

"But Spider," you might say, "that sounds like corporations only exist in current business in order to extract as much money and value as possible from the people actually doing the work and transfer it up to the people who aren't actually doing the work!"

Yes. You are correct. Thank you for coming with me to that realization. You are incredibly smart and also attractive.

You might also say, "but Spider, is this a legal obligation? Could those running a company be held legally responsible for failing their obligations if they prioritize sustainability or quality of product or care of workers above returns for shareholders?"

Yes! They absolutely can! Isn't that terrifying? Also you look great today, you're terribly clever for thinking about these things. The board and officers of a corporation can be held legally responsible to varying degrees for failing to maximize shareholder value.

And that, my friends, is why corporations do things that don't seem to make any fucking sense, and why 'continuous growth' is valued above literally anything else: because it fucking has to be.

If you're thinking that this doesn't sound like a sustainable economic model, you're not alone. People who are much smarter than both of us, and probably nearly as attractive, have written a proposal for how to change corporate law in order to create a more sensible and sustainable economy. This is one of several proposals, and while I don't agree with all of this stuff, I think that reading it will really help people as a springboard to understanding exactly why our economy is as fucked up as it is, and why just saying 'well then don't pursue eternal growth' isn't going to work -- because right now it legally can't. We'd need to change -- and we can change -- the laws around corporate governance.

This concept of 'shareholder primacy' and the fiduciary duty to shareholders is one I had to learn when I was getting my securities licenses, and every time I see people confusedly asking why corporations try to grow grow grow in a way that only makes sense if you're a tumor, I sigh and think, 'yeah, fiduciary duty to shareholders.'

(And this is why Emet and I have refused to seek investors for NK -- we might become beholden to make decisions which maximize investor return, and that would get in the way of being able to fully support our people and our values and say the things we started this company to say.)

Anyway, you should read up on these concepts if you're not familiar. It's pretty eye-opening.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.