#I'm not sure I'm allowed to tag them

[rgco413]

Happy Birthday to me! 💙❤️📚🐍

My sister got me a GOmens birthday cake! I'm so happy it turned out okay!

Thank you to @daneecastle for letting me use the cake design they did from their Reversed Veil of Words comic! (It's really good go read it!)

[r0semultiverse]

Hey, Jake & Jack fans, is this anything?

Both men imprisoned (literal & metaphorical).

Both offered an out from their current predicament by an outside force (arguably in the case of Brain Ghost Dirk).

Both have loose ties to Lord English visually.

Yellow initial glow & Gamzee involvement too.

Sometimes a guy just needs to explode (same pose too).

Both dual wielding weapons.

That same said weapon type (for Jack Noir) having killed Jane Crocker.

It's really looking like Jake is going to do her in.

I would also like to point out that we've had interactions involving these three (Jane, Jake, and Brain Ghost Dirk) before that consisted of similar topics & themes.

Brain Ghost Dirk implying that he's just there as moral support, a manifestation of Jake's powers, and as a coping mechanism. Jane also talking about ruling an empire with him while talking down to him, similar to how she saw and/or still sees him in Beyond Canon's Candy timeline. Jake also being uncertain about doing anything to harm her despite all the bad things she's doing.

Brain Ghost Dirk going away tells us that Jake's more hopeful than he's ever been. This is the moment where he is the most sure of his decisions than he's ever been in his life, whatever those decisions may be in regards to Jane and how to handle this situation.

He is probably going to shoot Jane down, quite literally. I would also argue that after all this time, the lad isn't beating the Lord English allegations. We might as well have a parallel of him killing Jane much like how Jack Noir killed her right before he got possessed by Lil Cal & given some of Lord English's immense power.

Alternatively maybe we'll get to see what the power of hope or hope bullets can do to someone whose done so much wrong & come so far off the deep end in terms of moral wrongdoings. Maybe with every shot that hits her, she'll begin to be swayed to the side of good & start to self-reflect.

I'm still not fully convinced that Gamzee actually cured Tavros' peanut allergy, I mean just look at the panel.

This could absolutely be interpreted as Jake injecting his hope power into the epipen and by proxy injecting both his power & the epipen into his son! If younger Jake is strong enough to defeat Grimbark Jade, then adult Jake might just be strong enough to defeat a peanut allergy is all I'm saying! In fact, now that I'm rambling about it, this seems like the more likely outcome is Jake's hope power swaying or (in the very least) confusing Jane mid-fight. Hope bullets, they would look cool & would be pretty strong!

The power of believing in others & wanting things to change can be a strong tool indeed, Mister English.

If there's one person who still believes in changing Jane's mind (or bringing her back to proper canonicity depending on how you interpret the recent lore), it would be Jake English, the believer.

Okay, maybe this is something! Tally ho!

[hellogoodbyeitsme]

Broke: Damian is bad at being a Robin because he's too violent

Woke: Damian is bad at being a Robin because he's afraid to hurt people

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[onebizarrekai]

Where does Ellie work? I know that her profession is an engineer, but how does she make a living?

the worldbuilding in fatal flaws is slightly sparse when it comes to locations, but I imagine her working in a small electronic repair shop. it sounds cool, but she spends most of her time fixing household appliances. she probably only had her job for a few months before she had her fight with blue about it.

[b4kuch1n]

fuck it sk8 sketches from da sketchbook. get sk8ed idiot

[townofcrosshollow]

Got a new, extremely serious, life changing diagnosis yesterday and when I got home my dad was like "You know what that means? DISABILITY TAX CREDIT!" and y'know what he's right and he should say it

[randomfaeriedragon]

Recently been very obsessed with @weepinglilvessel's Rainworld Eclipse AU, so motivation struck and I drew fanart of Lunar Moon!

Sorry if the images are kind of fuzzy! Decal script by @ikayblythe again, its really pretty :D

Variations w/o the shadows under the cut!

And for my peace of mind, ones with purely the Red Overlay Layer Removed:

Fanarting is fun and this AU is absolutely amazing, please go check the creator out!

[sojourner-between-worlds]

I normally don't vague post about other people (and I'm not really here, even) but someone in the tag suggested that Jack would make a better Team Leader than Yusei and it made me realize something, in part, about why people think that Yusei is boring.

tl;dr: Yusei isn't boring; he was written as the MC in the wrong genre.

See, Shonen protagonists typically have the following personality traits: loud, brash, hot-headed, sometimes abrasive. Yusei is none of those things, and Jack is ALL of them. Which, I'm sure, is what led that person to say that Jack would make the better leader and what leads so many people (who are mostly only fans of Shonen anime) to say that Yusei is boring. He doesn't fit their expectations of what a Shonen protag is supposed to look like, therefore he's boring.

But the thing is, if you popped him into, say, a Slice of Life, he'd be perfectly at home (well...except for the Trademark YGO Hair anyway) and well-loved by the fan base. I can say this with fair certainty because I've at least never seen anyone say that Natsume Takashi (Natsume's Book of Friends) is boring in any way, and honestly the two of them have very similar temperaments. The difference is, obviously, the genre of their respective stories.

Slice of Life allows for its protags to be softer-spoken, more reserved; Shonen often does not.

It's time people stopped saying that Yusei is boring and just admit that they like loud, brash characters as opposed to quiet ones, and that Yusei just doesn't fit what they expect from a Shonen protagonist.

He's not boring; he was just written for the wrong genre.

[seaweedstarshine]

Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —

Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —

Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —

Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —

Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —

Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —

Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.

[maulfucker]

thinking about all my au ideas where no one dies. thinking what if when shmi is "kidnapped" by the tuskens it's actually not for hostile reasons at all, but because she got hit by a stray bullet from a misfire and they took her to try to heal her. but tuskens aren't near-humans, so their medicine doesn't work very well on humans. when anakin finds shmi she is still near death, but it's clear that was not the tuskens' intention. he takes her home, and gains a new perspective about the "savages" he had always disdained.

[icewindandboringhorror]

misc photo diary stuff.. also this unintentionally all matches sort of lol.. warm toned photos?

[batsplat]

deeply compelled by this photo

[cattywampers]

its not like a perceived sensation of rejection or responsibility for loss (or just loss Normal) isnt the underlying factor in almost every single non-dying loop or anything. surely that wouldnt be the case right. Haha

[izzy-b-hands]

I keep forgetting I can't seem to get the current version of xkit to work on my new laptop and going to do stuff that it let me do fjldksafjdlsaj

[shadowglens]

isa has such a complicated relationship with her childhood and trauma. she'll downplay it at most opportunities, or simply lie to avoid a conversation she doesn't want to have. before the events of bg3, only one person outside of her immediate family knows of her past, and esra is isadora's most trusted confidant. no one in the party discovers even an inkling of her past until act 3.

she isn't an orphan, wasn't horribly abused, didn't have something equally as terrible happen to her as a young child, and when most people she meets have had something truly horrible happen to them, it seems small of her to complain. her parents weren't cruel and provided her a fairly well-off upbringing with a governess to boot. still, when she came of age, she didn't hesitate to flee neverwinter and never return.

her human parents, particularly her mother, were mortified when isa was born with her pink toned skin and stubby horns and the inkling of a tail. her mother outright refused to try for more children for the fear of birthing any more tieflings, and grieved the large family she had always wanted for years when isa was young. her father loved her as much as he could in his stilted way, but he also never brought her into the family's merchant business despite her begging.

isa wasn't locked away, per se, but she had known from a very young age that she'd brought shame to her family, that she was unwanted. she was fed, and educated, and given any and all lessons she wanted, but she had few friends and suffered more scalding from her governess than she did affection from her parents. it was a lonely, guilded cage of a childhood.