#I'm not gonna write this

[swag696942069]

Marauders School of Rock AU (I mean the 2003 movie. Not that, godforsaken, show.) Where Sirius is Dewey Finn, James is Ned Schneebly, Regulus is Ned's girlfriend (can't remember her name), Remus is the Principal, Peter is The Battle of the Bands director or another teacher, Harry is Freddy or Zach, Draco is Billy (mainly cause I think its funny) or Zach, Hermione is Summer. I can't think of who anyone else would be, this is just a basic layout ig lol.

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[lazylittledragon]

if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about

[teddybeartoji]

“look at me, hm?”

toji's voice is barely above a whisper, his words softer than ever. with his hands circled around your middle, he stands there behind you, his chest glued against your back like a big bear. his heavy head rests on your shoulder, eyes locked onto yours in a quiet plea. you think you hear a pout in his tone. 

but you don’t give him a reaction, gaze locked onto the vegetables on the cutting board in front of you.

you’re upset with him and toji feels like he's dying.

all of this just because you're jealous.

because the love of his life is jealous. 

toji only spared her a glance, brushing her off and saying that his partner is waiting for him – she’s the one that went on and on, talking about the milk carton in his hands as if toji had never seen it before. but little do you know, every single word that spilled from the stranger, went in one ear and right out the other – toji couldn’t be less interested in anybody other than you. if you were to crack open his head and take a look around, it’d be all you. you and your laugh, you and your eyes, you and your hands, you and your hobbies. you and you and you. even when he was standing there with the milk carton in his hand, the only thing on his mind was how he’s going to watch you chomp down a big bowl of cereal the next morning. 

you just happened to see the moment the woman leaned closer with a charming smile on her lips and her hand on his forearm while saying her goodbye, and that was enough for the ugly thoughts to bully themselves into your head.

even though you trust toji, you know he doesn’t entertain any flirting attempts that might come his way, but sometimes… sometimes you just can’t help but feel that you might not be enough. what if he did think the woman was more beautiful, or maybe he did find the guy, who asked for his help at the gym the other day, hot? what if he found them more interesting than you, what if he feels himself stuck to you against his will? 

you heard your own words swimming around in your head and cringed at yourself, ashamed that you were letting that weird growth of jealousy torment you.

but it had already taken root. 

that evil, ugly little thing in the back of your mind. and you couldn’t shake it.

not on your own at least. 

toji had made his way over to you, taking his place by your side while squinting at the little piece of paper in his hands. but you were quiet, more so than usual, and toji isn’t stupid – he might not be the best with feelings and emotions, but he does know you. 

he could tell just by the way you avoided his gaze, the way you started to shorten your answers. the way you pulled away and into yourself – he watched you disappear into your own head right in front of his eyes and he hated it. 

but not wanting to push any wrong buttons here in public, he swallowed your silence with a heavy heart and guided you to your car with a hand on your lower back. he’s not as afraid as he used to be – he isn’t as scared to step into your space, now knowing that this is just what you need sometimes. a little push, a little nudge, to break free from the vines of envy and jealousy and doubt. he’ll burn them, he’ll cut you free. 

the car ride home was quiet. with your head rested against the window and eyes set on the passing buildings and cars, toji found himself stealing glances at you every chance he got. oh, how he hated the pout on your lips, the very same one you’re wearing now. all he wanted to do was to take you into his arms and kiss you, hold you. to make you laugh. to make you forget every single thing that has ever bothered you.

toji let you simmer for exactly ten minutes, just enough for you to change into your pyjamas and to wash up before deciding on your distraction – the dishes. he snuck up on you as silently as he could; the tips of his fingers itched to feel your skin under them, his ears tired from the silence in the apartment. the sigh that you let out as he pressed himself flush against you, sounded better than anything before. toji had already started to miss you in those twenty minutes you were away from him. 

“please… “

it’s not often you get to hear that word, especially in that tone, so it’s hard for you to ignore the stuttering of your poor, sensitive heart. his nose nudges against your cheek and you put down the knife to lean into him on instinct; with your hands on top of his, your bodies mold together like pieces of a puzzle. 

“you know you’re the only one for me…” 

the words form in the back of his mouth and roll from his tongue like a low purr. they’re coated in something sweet, in something only you get to see and feel. his arms tighten around you and you know he means it. his heart beats against your back, as nervous as it is confident. he’s sure about his statement but a part of him is still scared that you won’t have him. that you’ll leave him. 

“she talked about the milk, that’s all she did, sweetheart.” gently, he sways your bodies side to side, letting the warmth of his body engulf you as he ropes you back to him.

“yeah?”

“yeah.”

“do you believe me?”

it’s something you’ve been practicing in order to get rid of any remaining specks of doubt. it goes both ways; he trusts that you’ll say what’s on your mind and you do the same. 

honesty. 

raw and real.

“yes.”

toji lets out a little puff of air through his nostrils, a wave of relief settling into his body. he knows it’s not over just yet, but it’s a start.

“can i kiss you?”

toji’s mossy green eyes meet yours for the first time in what feels like forever and all he can think about is how much you mean to him. his darling, his baby. he’s not one to be a sap, but hell, when it comes to you, he’s more than willing to drop to his knees and recite love poems for you if that’s what you’d like. anything and everything. 

he watches your eyes flick down to his mouth and then back up again and the little nod you give him is more than enough for him to finally press his lips to yours in a needy, hungry kiss. you melt into each other – skin against skin, tongue against tongue, it just feels right. the spark between you is still there, burning brighter than ever after all the time you’ve spent together. over hills and mountains, through lakes and rivers – nothing is too much or too little for the two of you to conquer together. he’ll be there for you and you’ll be there for him. 

“‘m all yours, sweetheart.”

his hushed words slip right between your lips and slither their way down your throat. inside, they bloom and they flourish. they overtake the rotting weeds that were growing there before and you feel it. you feel it happen. he breathes into you and you become alive again.

"i love you."

[trickstersaint]

i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism

(link opens itch.io - she'll run on html in your browser! please be nice to her!)

[grey-viridian]

Leonardo

I finished this comic about a month ago but couldn't bring myself to post it. It started as a simple illustration and then I just kept adding more and more and at some point I had to stop myself and cut the story short. I'm still not entirely satisfied with the result but... well. I like it. That's enough.

[katsinspats]

Tragic: Guy you based your entire villain backstory on doesn't even remember you

[hansoeii]

Do you think of me?

[love-from-anie]

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[senblades]

The world is perfect; you seem to have missed the memo

[shannondiazs]

wait so apparently some people get mad if someone else writes fanfiction based on headcanons they shared on tumblr??? so now i got to ask

[marskid11]

love is pretty stupid

[whateveriwant]

18+ mdni

I know I’m far from the first person to say this, but I love the idea of Simon and Ghost being like two separate people.

Like on the one hand you have Simon, the caring, devoted family man who holds his duty to his loved ones above all else, and on the other hand you have Ghost, the cold, detached soldier whose only driving forces in life are his need for blood, order, and karmic justice. Or one moment he’s Simon, the wisecracking goofball trading jokes with his comrades over the radio, and the next moment he’s Ghost, the sadistic interrogator hooking up enemy combatants to live car batteries.

And those are just a few in-universe examples we’ve seen of this divide in Simon Riley’s identity. Imagine what it’s like in his day-to-day life; what it must be like as his significant other trying to navigate such a personality schism.

Is it Simon who you’re about to pick up from the airport, the one who’ll eagerly take you into his arms the second you step into the terminal? Or is it him, Ghost, the one who’ll not hug you or kiss you or so much as hold your hand over the center console during the drive home?

Is it Simon who sits across the dinner table from you tonight, the one who, given the right amount of liquor, will regale you with (heavily redacted) stories of his time away? Or is it Ghost, the one who, no matter how well fed, fueled, and fucked he is, remains as tight-lipped as a corpse?

Is it Simon you’ll wake up beside tomorrow, finding him gazing at you like you’re a gift from God? Or is it Ghost who’ll leave behind cold, carefully tucked sheets for you to discover in the morning, wondering if he ever came to bed at all last night?

Is it Simon you feel beginning to stir behind you, who warms you up with soft kisses and sweeter touches before he makes gentle love to you? Or is it Ghost you feel pressing hard and hot against your lower back, who holds you down by the throat as he fucks you through the mattress?

Is it Simon who stumbles into the kitchen when you accidentally nick yourself with a knife, who helps wash and bandage your finger until it’s as good as new? Or is it Ghost who spots the crimson spilling from your hand, who sticks your bloodied finger in his mouth so he can suck it clean?

Is it Simon who’s dying to spend hours with his head between your thighs, much preferring to give over to receive? Or is it Ghost who’s pushing you down to your knees, clutching your head between both hands, and skull-fucking you until you’re dripping with spit and almost passing out from lack of oxygen?

Just the thought of these two distinct, almost opposing personalities coexisting in the same body is super intriguing to me. And how at the drop of a hat, he could switch from one to the other, leaving you guessing who it is you’re really dealing with at any given moment.

[neptunym]

weirdos