#I'm actually so devastated they never reunited

[cherrywhite]

Our Paige? He says (<- cue my weeeping)

[smhalltheurlsaretaken]

As much as I would have loved to see Cody again and see Cody and Obi-wan interact with eachother I'm kind of glad that he didnt apear in the show. Like can you imagine how insufferble the codywan shippers would have been? They would have clogged the tags and when it obiously didnt become canon they would have screamed queerbaiting...as if they didnt queerbait themselves...

[halcyonfawn]

the meaning behind "face the raven" theme in "wild blue yonder" and more

a continuation of this post. i need to talk about this otherwise i'll explode.

some people have also said that this theme is playing in "last christmas" and "hell bent" (thank you for pointing that out, i'm going to die) which makes it all even worse (better). therefore, this post is, more or less, destined to turn into capaldi's era brainrot. but not all of it, i promise.

you've been warned.

first of all, allow me to refresh your memory. let's look into the context of the scenes where we heard this music theme before.

"last christmas"

according to series 8 official soundtrack, this theme is a part of "every christmas is last christmas" and is heard quite clearly two times. they're both important scenes for the doctor and clara.

too late.

a moment full of regrets and nostalgia. the doctor thinking he's lost clara again, wishing he would have come back sooner. clara reminicing her life without the doctor in it.

"so no one matched up to danny, eh?" "there was one other man, but that would never have worked out." "why not?" "he was impossible."

it is (heavily) implied that "one other man" is the doctor. does the doctor himself realise that she's talking about him? open for interpretation. but what this small exchange truly does is showing a game of saying something without actually saying it.

"can you really see no difference in me?" "clara oswald, you will never look any different to me."

yet another way of dancing around words. there's something special and touching about this last line. it is sort of a confession of unconditional love. but the word itself - love - is never spoken out loud.

then again, twelfth might be face blind.

second chances.

now, this scene is a complete opposite of the one mentioned above. it's full of hope, anticipation, happiness. a beginning of a new arc. he is given a second chance and he takes it. the doctor asks clara to run away with him once again. and she says "yes" without hesitation, takes his hand, kisses him on the cheek.

conclusion? these two scenes are focused entirely on the doctor and clara's relationship. it is there to show their strong connection, how much they mean to one another. utter devastation at the thought of their time ending and the absolute joy of reuniting after being separated. a chance at a happy ending. which also makes the music that plays on the background their theme.

"face the raven"

"every christmas is last christmas" is now turned into "face the raven" and is asocciated with clara's death. it also makes the previous name even more heartwrenching since last christmas was literally clara and doctor's last hurrah. we can hear this piece of music appear in two scenes as well.

clara's monologue about facing the raven.

"if danny pink can do it so can i. die right. die like i mean it, face the raven. maybe this is what i wanted. maybe this is it. maybe this is why i kept running. maybe this is why i kept taking all those stupid risks, kept pushing it."

she's accepting her fate and aknowleges her recklesness all the way throught the season 9. it was meant to be. there wasn't enough space for two doctors in the tardis.

"i let you get reckless" "why? why shouldn't i be reckless? you're reckless all the bloody time! why can't i be like you?" "clara, there's nothing special about me. i'm nothing but less breakable than you. i should've taken care of you."

this scene is also about how a human life can be so very short compared to the time lord's and how easily it can end. it's fragile. and it's the doctor's curse: bearing the pain of losing his loved ones.

clara meeting her fate.

as she approaches the raven, ever so brave, the doctor watches her. he hears clara scream, then witness her collapsing onto the ground. it is extremely painful, but this is, i repeat, the doctor's curse: watching his companions leave. there's no use in running away from that pain, it haunts him every step of the way.

"hell bent"

next time, "face the raven" theme can be heard during the memory wipe sequence. there is no name given for the background music in this particular moment, but it's quite obvious it represents loss and... letting go?

the doctor is about to make clara forget their time together (does that ring a bell, anyone?).

it is worth pointing out that the music becomes the loudest at the exact moment the doctor says:

"look how far i went for fear of losing you. this has to stop. one of us has to go."

it is the culmination of their relationship. companions that push each other to extremes. together they might destroy the whole universe in order to keep each other safe. there's no other way but to separate. they've formed such a strong connection than one is ought to forget the other.

even though at first the doctor is determined to wipe clara's memories, he then admits she is right: it is unfair to take away all that wonderful time they had from her. so he gives her a choice. or, more like, an offer to play a russian roulette. it's either you or me. i'm not going to press that button. we will do this together.

to summarise: all of these moments featured a strong connection between clara and the doctor. it also tells us a story about how hard it is to lose someone you care about deeply, especially for the doctor.

how is it all connected to the doctor and donna?

memory wipe

the doctor has to make donna and clara forget about him in order to keep them safe. expect that he doesn't give donna a choice, wiping her memory almost instantly, without saying a proper goodbye to her. obviously, he didn't have enough time to think of a better way to solve the problem since donna wouldn't have lasted long. however, it is still a decision he regrets making.

from "the star beast":

"i'm so glad you're back, donna. it killed me, it killed me, it killed me."

if we take a look at clara's situation, it's a bit different. i've already mentioned it above: at first, the doctor wants to do the same thing to clara that he did to donna. make her forget. expect, this time he is confronted for doing so (even threatened, at some point).

"these have been the best years of my life and they're mine."

i think this line triggers something in the doctor. because this is when he realises that this is not the right thing to do. not exactly. he'd already done it once and he regretted it. so this time, he offers a slightly different solution. someone still has to forget, but they'll press that button together. it's a mutual choice.

now, i know it's not entirely related to the dialogue in "wild blue yonder", but i think it's worth mentioning that donna and clara's stories are somewhat similar. i'm sure it's been said before, but it's still important.

donna's story was incomplete because she wasn't given a choice. now, that she remembers, 14th doctor makes sure their time together is worth-while. a second chance just like in "last christams".

too alike

another similarity between these two stories is that clara and donna are not entirely humans. not anymore.

donna's half timelord. even though her head is still not big enough to fit all the doctor's memories, she still has a part of the doctor in her.

clara's frozen in time, that makes her practically immortal. she risks her life, she reverses the polarity of the neuroblock, she gets her own tardis, she's even reffered to as "clara who" at the end of "hell bent". she has become the doctor in a sense.

but there can only be one doctor. so where's the story heading to at this point, i wonder? but we'll come back to this question later.

"but what really happened?"

before i say anything, it is obvious that the doctor's silence before and after he says "a lot" is him reminicing all that'd happened to him during the 11th, 12th and 13th reincarnations. all of the loss and pain he went through.

but why "face the raven" theme of all things? it could be a general theme of grief/nostalgia/painful memories, nothing else implied.

but please let me be delusional for a bit longer!

just as that scene in "hell bent" brought the doctor back to the moment he made donna forget him, could it be that bringing back his best friend's memories in a whole universe that "he absolutely loves", also reminded him of another important person in his life with similar story? just like "hell bent" mirrored "the journey's end", "wild blue younder" gave us a reference to "hell bent".

this is where we get back to the question about the current story direction.

foreshadowing?

donna's story is not over. and there are a lot of possibilities how it can end.

say, there is a connection to clara's story here, i wonder if that's where the plot's heading. in one of the trailers, the doctor does say "i'm not sure if i can save you this time" to donna. and it worries me. then again, maybe they're just tricking us into thinking something bad will happen (oh the drama).

i'd say it's unlikely donna's going to die because that would be absolutely devastating after just bringing her back. at the very least, the ending wouldn't be completely "happily ever after". perhaps, sacrifices will be made in order to prevent something truly horrible from happening.

why did this face come back?

in "the girl who died" twelfth doctor finally realises why he got his face. it is a call-back to "the fires of pompei" (don't even get me started on its being the episode with 10th and donna).

the message the doctor was giving to himself turned out to be:

"i'm the doctor and i save people!"

but what is 14th trying to tell himself?

i think it's about donna and more.

he's fixing his mistake of erasing her memories and depriving her of the right to remember amazing things that'd happened to her.

it's a reminder to actually tell people how much they mean to him. as we can see, 14th's more open with his feelings and constantly shows signs of affection towards his loved ones, even breaking the "never say i love you" rule.

it's about being honest and open with people because they deserve to hear it from him and he deserves to hear it back. because "things happen and then it's too late".

again, take 12th doctor, for instance. he constantly represses his feelings. but in my humble opinion, the reason why he's changed by season 10 was clara. she pulled him out of the dark place. and even though her death almost threw him back to that state again, he is still a better man by season 10.

but there were things left unsaid. love and care were always there but it was never said out loud. kind of the same thing happened with 13th.

i strongly believe that donna is that person for 14th. they're best friends who love each other deeply. and after the doctor lost her and got a second chance to fix everything, he does, he's being affectione. he's finally open with his feelings.

conslusion: why did you make us read all fo this?

to answer the question in the title: it's all tied with how memories are important and priceless, fixing past mistakes, moving on and learning to treasure every moment with people you care about like it's your last.

it can also be a foreshadowing for something terrible, but i choose to hope for the better.

─── ⋆⋅☆⋅⋆ ──

aaaand that is the end of my doctor who rant. thank you for getting this far, if you did!

my feelings about all of this can be described with this one meme:

[toomuchracket]

late night talking (sweetheart!george x reader smut)

calling it smut is lowkey misleading, but it's definitely extremely very sexy. day 7 of summer75, set in the weird tentative dating era after you and george reunite. enjoy <3

you're in bed when your phone buzzes beside you, cocooned in blankets while watching a third consecutive episode of drag race; when you see the caller ID, you extract your arms as fast as you can, one hand scrambling to mute snatch game while you answer the call with the other, smile surely audible. “hi, george.”

“hi, angel,” comes the reply, the always-devastating combo of gravel voice and pet name awakening the butterflies in your stomach. fuck, you've missed him. “how was work?”

“was okay. busy.”

“you're settling in alright, though, yeah? nobody giving you grief?”

“yeah, everyone’s nice. how was your day?”

“busy, too. really busy, actually,” george sighs. “still found time to miss you, though.”

you smile. “i missed you too, babe.”

“missed you calling me that and all,” he giggles after he speaks, the same stupidly high laugh that's always made your heart feel funny. “sorry for how uncool i'm being, by the way. i know we said we'd be cool about everything, about us, but…”

“s'alright. i get it,” you reply, not unkindly, because you do get it, you understand completely. choosing not to rush back into a relationship seemed like the sensible thing for you and george to do after four years and a few countries apart, but it's proving to be much more difficult in practice; he is your first (and honestly only) love, after all, and you never could resist that voice. or those eyes. or those lips, actually - the first time you kissed him again recently (just a normal smooch, mind you), you almost swooned. like, actually swooned, proper virgin behaviour. “feel like a teenager all over again with you, to be honest.”

“so do i, baby - can i call you that, or-?”

jesus. you hope you don't sound too breathlessly desperate. “of course.”

“thanks, baby,” the grin on george's face is obvious, and yours widens even more as you wriggle further out of your blanket cocoon and roll onto your stomach. “but yeah, i genuinely do feel like i'm seventeen again…”

“good film, that.”

“knew that was coming as soon as i said it,” he sighs down the phone, before joining in with your giggling. “genuinely, though, angel - feel like it's still 2007, because all i can think about is kissing you. m'serious. can't get anything done.”

you kick your legs back and forth, overjoyed to hear him admit he feels the same as you. still, you don't miss the opportunity to take the piss out of him. “jesus, it's the new gucci perfume fiasco all over again.”

“christ, don't remind me of that,” george groans, voice slightly muffled by what you know is him facepalming, dragging his hand down his face slowly; he's a creature of habit, your… well, your george. “thought i’d died and gone to heaven when i got a whiff of it the day we ran into each other in the shop, when we first saw each other again.”

“shut up.”

“m'not kidding, baby. driven me mental since day one, that perfume.”

you rest your head on your folded arms, wistful. “i remember. you walking into the art classroom door because you were that distracted trying to lean over and smell me? how could i forget?”

“yeah, well, it had its benefits too, that day,” george retorts. “if i recall correctly, it motivated me to get all my homework done quickly so i could kiss you, no?”

“that's true,” you allow yourself to briefly get lost in the memory, so strong you swear you can feel the shitty bic pen in your hand now. the flashback progresses to a scene you almost wore out repeating at the time, the workbooks and pencilcases shoved off the bed, and school uniforms following as you and george took advantage of having his house to yourself that monday afternoon. despite not having even discussed doing that with george in the modern version of your relationship yet, the mention of that after-school activity leaves your lips before you realise. “and if i recall correctly, we did a lot more than kiss that night.”

there's silence from the other end of the phone line. a very particular, pregnant type of silence, one that you intuitively know will end with something pivotal to you and george's relationship; despite this make or break moment, you keep quiet, not wanting to make it worse by fumbling an apology or explanation, even though you've got a growing sense of creeping dread that you might've just fucked the whole dynamic up beyond repair already.

and then he speaks, and you can exhale again. “i think about that a lot, you know.”

the atmosphere shifts again - it's still one of anticipation, but of the more… sensual variety, you'd say. heart pounding against your sternum, you wriggle out of the blankets completely, clicking the tv off so you can give george your complete, undivided attention. “yeah?”

“yeah. that night, and my eighteenth, and your eighteenth. prom, and all our holidays, and christening your uni flat,” george hums, giggling after he's done listing. “just any time we fucked, really.”

“you miss it?”

he sighs. “a lot.”

“so do i,” you say softly. “i really miss… no,” you close your mouth, shaking your head. “i can't say it. not yet. s'inappropriate.”

“baby,” there's a hint of forcefulness in george's voice, and it goes straight to your already-slick core. “tell me, please. wanna hear you.”

fuck. you really have missed him.

you sigh. “you're sure you wanna do this?”

“angel, i've never been more sure of anything,” george replies, and you know he means it. “talk to me.”

“alright,” you can't help smiling, both at george and the memory. “was gonna say that i really miss the way you would hold me after we both came, you know? you'd just wrap your whole body around me and kiss my neck, and i'd just feel, y'know, so safe, and happy,” you pause, then grin. “i mean, i miss the actual sex too, of course, but…”

he laughs, and your heart flutters. “i miss that too, the post-shag hugging. you're cute, y'know, baby - thought you were about to say something filthy, honestly.”

you twirl a strand of hair around your finger, flirty. “well, if you want me to be dirty, g, i can. can be whatever you want me to be.”

george groans. “don't fuck me about, angel.”

“m'not!” you decide to be proper serious for a second. “i just want to make you feel good, george. i miss doing that. i miss you,” you bite your lip, releasing it slowly in a poor imitation of the man at the other end of the phone line. “and i want you. i really, really want you.”

another brief silence, then he replies. “how do you want me?”

you smirk. “you tell me. like i said, sweetheart, whatever - and however - you want me to be… i'll do it.”

“well, in that case,” god, his voice. “i want you to come over. right now. how does that sound?”

“perfect,” you aren't lying. “is there anything else you want me to do?”

“be my girlfriend again, but we can discuss that when you get here, yeah?”

you beam, kicking your legs excitedly. finally. “yeah. alright,” you roll out of bed and make a beeline for your lingerie collection. “i'll be over as soon as i get changed, babe.”

“please be quick,” george sighs. “oh, a final thing, baby?”

“yeah?”

the smirk on his face is crystal clear. “bring a vibrator.”

[piratefalls]

another long list, except it's a day early because this is how i give thanks.

list one. list two. list three. list four. list five.

No Sense or Sensibility by inexplicablymine

“When and where was your first kiss.” Oh shit. The thing is… Alex actually has an answer to this one, it’s just a matter of admitting that it happened. ____________________ Kennedy’s. 7pm, Pub Quiz and Ice Cream. Every Monday ‘til death due us part. Alex liked his little routine, until Derryl got it in his head to host The goddamn Newlywed Game instead.

I'm Rememberin' I Promised (to Forget you Now) by Angelwithwingsoffire

It's been six years since Alex Claremont-Diaz graduated law school. And he's made a good life for himself, working with a firm he enjoys and making a difference in the world. Until a part of his past he'd thought he'd gotten over seven years ago walked back into his office asking for his help. To get a divorce. Which Alex has never done before. But he's never been able to say no, and he's willing to put his heart back under the bus for the chance at one more smile.

Rogue's Gallery by OrchidScript

Loathe as Alex was to admit it, Henry Fox was going to be a legend someday. He already was in the bureau depending on who was answering. Tied to art theft, jewel theft, one or two little sweet confidence schemes, and an alleged counterfeit Super Bowl ring, but caught on three counts of art forgery, the blond Brit had run circles around the Art Crimes division for six years. He was quick, smarter than the average bear, and more detail-oriented than a nuclear chemist. He had a penchant for nice suits, silk ties, and gin tonics with lime. He wrote letters to agents in taunting poetry, tucking them under windshield wipers or posting them to the office directly. Once, he managed to drop one directly into the pocket of a plainclothes officer without them seeing his face. _____________________ Henry Fox is a famous art forger, and Alex is the FBI agent who caught him three years ago. When one of Henry's aliases comes up attached to a new case, can the two put aside their cat-and-mouse past to put the copycat away?

Queer little ducks hold a special place in my heart. by anarchyat4am

Henry’s at a local Hispanic Heritage Month event browsing the art stalls when his gaze catches on a kid looking around with both purpose and nervousness. She’s fidgeting with the hem of her t-shirt with one hand while she bites the nails of the other one, eyes alert and searching. Lost, then. And oh, Henry recognises her. She’s a regular at his bookstore, even at only six years old, and is there at least weekly with her dad—Alex, who she’d introduced to Henry as her papi—or various aunties and uncles, most of whom Henry doesn’t think are actually related to her. Keeping one eye on her, he lets his gaze sweep the vicinity but doesn’t see anyone else he even remotely recognises. Shit. He has to do something. “Sirena?” he calls gently. * Henry... is more than a bit useless around hot guys. So when he finds the lost kid of the gorgeous dad who frequents his bookstore, he pulls himself together until they reunite, only to then be devastated by the revelation that the man thinks Henry hates him. And, well... courage always rises, and all that.

just say you won't let go by viciouslyqueer

After dancing around each other for months, Alex and Henry finally get together. The morning after comes with a slight misunderstanding and comforting words.

We were supposed to find this by kiwiana

Still, half an hour after shaking Prince Henry’s hand for the first time, he finds himself back in his hotel room with one shoe and sock hurriedly tugged off and his right foot resting on his left knee. Just to check. Just in case Alex is somehow, by some miracle, about to become the first documented case of Surprise! You Can Totally Have A Different Soulmate, We Fucked Up And Your One Kind Of Sucks. No such luck. The words are the same as they’ve always been, etched into his skin in a careful, calligraphic font. The kind of handwriting someone might have if, for example, they came from the sort of family that valued tradition and etiquette far higher than letting their children write like normal human beings.

Sit. Down. Please Stay. by politics_and_prose

Alex adopts a dog he found abandoned on the side of the road. She's nervous and he wants to make sure he knows how to give her the best life possible. Enter Henry Fox and his beagle David.

muscle memory by stutteringpeach

It's been ten years since Alex was in London to stage a PR friendship with Henry after ruining the royal wedding. It's also been ten years since Alex dropped to his knees in front of Henry in a Kensington Palace kitchen. But now Henry's in the Hamptons for the summer, and who should he bump into? None other than Alex Claremont-Diaz, who happens to be working in New York all summer long.

The Perils of Midsomer Residency by clottedcreamfudge

"I'm sure I don't need to tell you that care should be taken, given the Mountchristens' local influence?" Liam nods. "Sir." Luna then turns to Alex. "Do not piss anyone in that family off." Alex throws his hands in the air. "So many aspersions have been cast on my good character this morning that I could start a fucking farm. An aspersions farm." Luna narrows his eyes. "Correction," he says, "have another coffee and then do not piss anyone in that family off. Don't make me regret fast-tracking you through the ICI Development Programme." * After getting shot in the line of duty back in Texas, June forces Alex into a change of scenery. Because how much can really be going on in the quaint little English county of Midsomer?

something that feels like forever by dearestalez

“You’re crying,” she pointed out. Alex choked on a laugh, wiping his eyes. “I’m just-” he sniffed, holding her so delicately Henry felt herself melt into the touch. “I’m so happy for you, baby.” — alex and henry are so in love it makes me want to rip out my heart and stomp on it but slash pos

behind brick walls by weather_stained

After Henry and Alex move in together, it takes quite a while for them to fully adjust to their newfound freedom. Alex very much enjoys watching Henry grow more comfortable in his own skin after a lifetime of looking over his shoulder.

It's a (Birth)date by Celaestis

5 times Henry is oblivious that they're dating and 1 time he isn't.

Save a Horse, Ride a Princess by affectionatelyrs

“I have to say, this is all quite literal, don’t you think?” Alex wouldn’t know literal right now if it hit him in the head. “Huh?” Henry points at Alex: “Pillow Princess,” and then to himself: “Cowboy. Ready to ride and all that.” Alex nods dumbly. “Right.” - Or, Alex and Henry dress up as the ultimate couples costume for Halloween — themselves — and they both feel some kind of way about it

baby boy by smc_27

It starts as a joke. Alex taking the piss about how much money Henry has. How he could have anything he wanted, from anyone he wanted, if only he just asked.

My Songs Know Secrets You're Sick of Keeping by ma_lark_ey, paythe_piper

"How about this," Alex offered, "If I win AOTY, I announce Henry and I in my acceptance speech. If I don't, we do it your way." OR: Alex is a world famous pop punk star, Henry is still the Prince of England, and the public is onto them.

Au Naturel by cmere

The French doors leading to the office are thrown open, so he has a moment to take in the scene in front of him: Alex, lying on his stomach on the floor, feet kicked up and crossed at the ankle, surrounded by books, papers, and two open laptops. None of that, however, catches Henry's attention as much as Alex's hair, secured in a small, messy knot on top of his head with nothing but a single wooden chopstick. Henry blinks rapidly several times. "Alex," Henry says, somehow hoarse. Alex's head whirls around. There's a single, perfectly curled tendril over the apple of his cheek; his scruff has hit the mystical, magical point where it's more soft beard than prickly shadow; his reading glasses sit atop his adorable nose; and Henry realizes with sudden gravity that he's not entirely in control of his physical responses anymore—something has to give. Alex hasn't really been bothering with some of his usual upkeep, and Henry is kind of extremely into it.

You deserve my love by whateveridk

“I’ll leave as soon as you tell me to." Henry had turned towards him, stealing himself, sticking his chin out, and said “leave.” Alex has been picking up the pieces ever since. Two years later, living with Nora and June in NYC, it still haunts him, but it's fine. Whatever, he is fine. And then... Breaking News: Prince Henry comes out as gay So it's not fine, Alex is not fine.

sex ed in 6 steps by coffeecatsme

“Please tell me you used a condom, Fox,” Alex drawls out, leaning against the wall, and Henry chokes on his next breath.“Excuse me?”“You’re gonna tell me all about this tomorrow, but for the love of God, tell me you used a condom and we won’t have mini Henrys on campus anytime soon.” Or, 5 times Alex thinks Henry's straight and 1 time he finds out the truth. Or, 5 times Alex jokes about Henry's sex life and 1 time he gets to be a part of it.

More Than A Makeover by everwitch

The Fab Five—Alex, June, Nora, Liam and Spencer—descend on a New York based shelter for disenfranchised queer youth to give the place a much needed makeover. As the week progresses, sparks start to fly between Alex, the culinary representative of the queertastic quintet, and Henry, the sweetly charming founder of the shelter. It’s a deeply emotional week full of unexpected realizations, and certainly a week that strengthens Henry’s friendship with Pez in ways that neither of them quite knew they needed. As the week comes to a close and the Queer Eye team say their goodbyes, it remains to be seen what will become of the warm connection between Alex and Henry. Will it last, or was it too much of a perfect miracle to ever grow into something real?

The Royal Wedding by DracoWillHearAboutThis

HIS ROYAL HIGHNESS PRINCE HENRY OF WALES AND MR ALEXANDER CLAREMONT-DIAZ ARE ENGAGED TO BE MARRIED HM Queen Mary is delighted to announce the engagement of Prince Henry to Mr. Alexander Claremont-Diaz. The wedding will take place in the Spring or Summer of 2025, in London. Further details about the wedding date will be announced in due course.  Prince Henry and Mr. Claremont-Diaz became engaged earlier this week during a private holiday in Paris. Prince Henry has informed The Queen and other close members of his family. Prince Henry has sought and received the blessings of Mr. Claremont-Diaz's parents.  The couple will live in Nottingham Cottage at Kensington Palace. 

A Toast to the Night by allmylovesatonce

Henry looks up from his drink and swears his jaw drops. Standing in front of him is one of the most beautiful men he’s ever seen. From his dark brown curls to the way his deep eyes gleam as he stands there, an awkward smile on his face. Henry is nearly sure this man is going to ask for his seat. He probably has some woman with him, scouring for a place to sit. “Uh, hi,” the man says. “Hi.” “Look, this is really awkward,” he says and Henry feels the confirmation in his gut — also maybe disappointment. “My ex-boyfriend just walked in and I really don’t want to talk to him. I was wondering if I could sit here with you so that he won’t talk to me.”

That's What You Get For Waking Up in Vegas by bleedingballroomfloor

The bartender slides Alex the whiskey and shot of water before turning her attention to the person behind him. He turns around at the same time as the person speaks, “Gin and tonic” in all rounded vowels, a distinct English accent shining through, and he swears his heart stops. “Holy shit,” Alex says before he can stop the words from slipping out of his mouth. “Henry?” When Alex is celebrating June and Nora's bachelorette party in Vegas, the last person he expects to see is his ex-boyfriend Henry, who moved back to London nearly a year ago. Waking up next to him the following morning, naked and sated with a marriage certificate poking out of his pocket, he starts to wonder if he's truly over Henry.

hang on 'til the chaos is through by ShyAudacity

David is lounging on his spot at the foot of the bed when Alex comes in. He opts not to turn on the light, not wanting to disturb Henry, but then quickly finds that the light is on in their bathroom. Henry must still be getting cleaned up before bed; Alex can say hello and check on Henry when he steps out. It’s weird that he’s still up. Henry was awake well before Alex was this morning and… come to think of it, Alex can’t remember him ever coming to bed last night. Alex has only made it through the top three buttons on his dress shirt when he hears a terrifying crash come from the bathroom. Clutching his chest, he steps towards their shared bathroom, afraid to see what’s on the other side. “Henry? …H, what was-.” Alex stops short in the doorway, startled to find the love of his life in a miserable heap on the bathroom floor.

Sad Again (Don't Tell My Boyfriend) by lucy_in_the_sky

After proposing to Alex, Henry writes a letter to his father reflecting on all the moments he’ll never get to share with him. AKA Alex comforts a mourning Henry and promises to be there for him, forever and always.

monster mash by matherine

None of Henry’s answers to “Who are you supposed to be?” are particularly funny to anyone but him, especially in his inebriated state, so he’s completely given up on making any sense when the latest person asks him, someone who he assumes is yet another sorority girl in a skimpy costume from the glimpse of a cheerleading skirt he gets while they brush past him to open the fridge. “George Villiers,” he offers. “Deep cut, England,” a decidedly male voice snorts, and Henry can’t help the way his head snaps up, eyes wide.

Take it Down Low / Make Me Get High by Mags (sparklepocalypse)

“Henry,” Alex rasps wonderingly, sounding almost entranced, “I want to eat your ass.” Henry’s train of thought screeches to a halt with such force that for a moment, he thinks he might’ve had a stroke.

how did a middle-class divorcé do it? by Time_Sequence

Not really concerned, Alex watched the typing bubble appear – disappear – appear again, like Henry couldn’t quite find the words to say what it was he was thinking. Most likely, he was trying to find the perfect sarcastic quip in response. What came through made him genuinely pause. HRH Prince Dickhead💩: You complete and utter moron Then, HRH Prince Dickhead💩: Royalty can’t marry divorcees If Alex had been having a good time before, he definitely wasn’t now. - When a joking interview reveals that Alex and Nora drunkenly married ten years ago, suddenly Alex's upcoming wedding to Prince Henry is jeopardised.

discreet packaging by demigodbeautiies

“Please, please, please explain to me,” Zahra says, finally, sounding more than a little bit long-suffering. “Why I had to have the head of the Secret Service sit me down and tell me to give you a talk about avoiding bomb scares with unidentifiable packaging.”

the world watched (and the world smiled) by fangirl6202

"Oh,” Alex says finally, faintly, touching one hand to his lips. Then: “Shit.”  His mind catches up then, realizing that Henry is walking away and he doesn't even think twice. He begins to quite literally chase after him, trying to get to him before he can get away or, God forbid, try to fly back to England and ghost him.   Henry is very pointedly not looking at him, stuttering apology over apology until Alex has to quite literally throw himself in front of him to get him to stop. Alex doesn’t know what to do. But the answer is simple, isn’t it? So fucking simple.   He takes Prince Fucking Charming’s lapels into his hand and kisses him back.  Or; it's New Years, and Henry stays.

Rabbit Hole by TuppingLiberty

Some sort of non-famous au, don't worry, there's not really a plot. Alex has been going down a research rabbit hole for hours and Henry comes to rescue him.

Let Loose Your Glow by athousandrooms

“Seems like my liege was caught in a situation where he’d rather the ground swallow him whole.” Pez nods towards a spot to the side, and Alex follows his gaze. He spots Henry easily – a tall lighthouse of tousled blond hair – talking to a girl who is clearly into him. His expression looks perfectly polite, but he’s subtly leaning away, and he looks tense. So, Alex makes an impulsive decision. Whatever happens, this is going to be fun. *** Or: Alex is so very definitely straight, so pretending to be Henry’s boyfriend to get him out of an awkward situation should just be a fun little pastime - except that he doesn't really want to stop, and he has no idea why. But maybe it's okay to not think too hard and let himself go with the flow, for once.

Things I Cannot Accept by SprigsofViolets

In 2016, Ellen Claremont lost the presidential election. In 2019, Alex Claremont-Diaz is not the first son of the United States, so he’s shocked when his path crosses with Prince Henry for the first time in almost four years.

How well you play...that's up to you by happinessofthepursuit

Treacherous (adjective) guilty of or involving betrayal or deception; (of ground, water, conditions, etc.) hazardous because of presenting hidden or unpredictable dangers. Or, how to describe surgical residency in a single word. A Grey's Anatomy inspired AU.

In Accord by absoluteaudacity

Pursuant to the establishment of an ongoing relationship between The Crown and the Office of the President of the United States, the representatives of the The Queen and Her interests are authorised to establish a contract of marriage between His Royal Highness Prince Henry of Wales and Alexander Claremont-Diaz.

A Heart Even More Your Own by chaa_kiao

“Guess you’ll be writing those poems after all.” He swallows. "I should go." Henry’s mind— every part of him, really— his heart, his body, his fucking soul— is screaming at him to take it all back. To hell with the monarchy, the American presidency, damn it all. This is the man he’s spent his entire life loving and he’s throwing it away for a legacy he doesn’t give a single fuck about. He forces out a rough “I think so,” but he can’t hear it over the ringing in his ears. “I love you.” “Alex—” “I know,” Alex says. “I just had to say it.” _______ Or: Alex and Henry getting back together takes a little bit longer this time.

you are my mountain (you are my sea) by alasse

Five times Alex and Henry have important conversations in houses, and one time they have a very important conversation in a castle.

Down For the Count by LolaLand (Lola_di_Penates)

Alex came to Las Vegas to count cards, not feelings. Henry came to win it all. Is it possible to find something real in Sin City, where nearly everything isn’t as it seems? OR Goodbye reality, hello Vegas (the blackjack/poker AU).

Let Them Eat Cake by rohruh

“I wanna eat you out,” Alex’s voice comes out raspy and intrepid through the phone pressed against Henry’s ear. Henry lets out a soft whine at the admission, his breath up-ticking in synchrony with his hips as he thrusts up into his hand. “I’d like that,” he tells Alex eagerly, cradling the phone in his palm as though he could materialize Alex right there in front of him if he presses it against his ear firmly enough. “I’ve never done it to a guy before,” Alex confesses. “Is it… different from eating out a girl? I bet you’d taste so good, baby. Fuck.”

A Thousand Words by Thunder_Cakes

After that Han/Leia mural both their accounts go silent for a while. For months, actually. They’re both in therapy after Alex tried to post a selfie with June after election night and had a panic attack before he could hit “Share.” Suddenly the thought of sharing the details of his life and loved ones with the world is paralyzing. Wonder why. or: Alex, Henry and what they choose to share of their life

All for a Taste of the Honey by chamel

“So you’re telling me you’re not in favor of this plan,” Henry says eventually. “No, I’m fucking not,” Alex huffs, glaring at him. “It’s stupid and dangerous and unnecessary.” Henry cocks one perfect eyebrow at him. “You have another idea for how to get access to the room where he does his deals? The one that only ever admits Vega, his associates, and the strippers who entertain them?” (Or, an FBI agent!Stripper!Henry fic. Henry goes undercover at a strip club, and Alex has a lot of feelings about that.)

in the mood for... by carzla

Henry knows that he’s the one who said “casual”, and it had been a reminder to himself that that was all it could ever be between him and Alex. So, telling Alex that they should “make love” is probably a mistake in syntax bigger than he could safely afford. But they’re in Paris and Henry is feeling terribly, terribly maudlin.

something good and right and real by HypnosTheory

“This is pretty expensive for a high school trinket.” “Everything is bigger in Texas,” Alex jokes. Henry looks up at Alex, who’s standing with his shoulders relaxed for the first time since October. The relief of his mother’s victory has made him loose-limbed and calm, his smile easy and lovely. Henry looks down at the crown in his hands and back at Alex. He imagines the gold half-buried in Alex’s hair, heavy on the man’s brow, decadent and royal. Henry swallows, face heating, and holds the crown out to Alex. “Put it on.” -- After the election, Henry explores Alex’s childhood room. He finds trinkets of a young Alex that intrigue him, including a crown that gives him some ideas.

In His Wildest Dreams by myheartalive

Once Alex has pulled out, Henry turns over to face him. He strokes the hair softly away from his face and Alex smiles at him. “So… that happened again.” Henry leans forward and kisses him on the forehead. “Indeed.” There’s a sort of thoughtful pause, where Henry can see Alex working to pull together the right words. “I’m not sure I’ve ever seen you that… thirsty?” “Oh, bugger off,” Henry says, but he’s laughing. It’s a fair description. “No, but I mean it. You were like… urgent. It was hot.” “It felt hot. I liked waking up like that. With you up against me, trying to have your way with me.” — Set in and around the Henry bonus chapter, this is a story about Henry and Alex’s hectic schedules, family appearances etc. pulling them apart, and about what starts to happen between them, in the quiet of night: their sleeping bodies turning to each other, finding their sweet spots and opening up. And Alex and Henry learning a lot about each other in the process — Mind the tags, y'all. That particular tag features prominently and it’s a major plot point, so if that’s not your jam, just hit the back button.

until next time!

[faceofpoe]

"Don't make the same mistake twice."

Because I am fully in camp 'Clone Operative dude is someone devastating under that helmet' do not clown us all on this writers and a spiteful at condescending assholes on Reddit hopeful part of me just really wants it to somehow be (saveable) Tech so we can have a reunited-for-one-last-fight-full-Batch-back-together finale-

The narrative argument for somehow-Tech-returned:

(also see: my (much shorter) narrative contemplation for Cody)

I have a sneaking suspicion that our character development focus is going to shift from Crosshair to Hunter for the back half of the season. Crosshair feels a bit... done? He chose Omega over the easy out on Lau, he's owned up to making mistakes, embraced his place among the squad again ("much worse" than Hunter - lol), he's had his faceoff/heart-to-heart/mutual saving each other rapid progression with Howzer - yeah I imagine there are still things we're going to learn about what he went through/possible ramifications therein, but as far as accepting who he is/his place/etc I think we're winding down on his focus.

Bringing our attention to the end of ep 7 and Rex & Hunter's convo about walking away, and his convo at the end of s2 with Echo about an unwinnable fight and so on. He just wants to protect his squad but the walls are closing in, and Omega won't be content just running and hiding.

And this brings me to the end of season 1 and Crosshair's rather lacking motivational speech about why they should join the Empire finally - they're meant for more than wandering aimlessly as fugitives, etc, and he tells Hunter - "Don't make the same mistake twice."

Now in s3e5, in what felt like the galaxy's most unfinished conversation ever, Hunter tells Crosshair he has "regrets" - but what exactly are they?

Fleeing Kamino in Aftermath, presumably not.

But the number of times in season 1 when he's given the opening to revisit the whole "leaving our own behind" thing and just - doesn't? Everyone else starts in on the "wait maybe the whole thing was the chip?' convo in ep 3 and he shuts it down to focus on the crisis at hand. He later says he's mad at himself for leaving Crosshair behind, and Omega says they'll find a way to get him back and he nods but - I don't think the notion is ever revisited?

Rex emphasizes how the chips are impossible to resist.

They *see* what it does to Wrecker.

Howzer refuses to flee Ryloth with them because he won't abandon his squad - knows they're good men, hopes he can convince them that they're not doing the right thing. We get a brief contemplative look at that, and the look back at Crosshair after they flee but.

After Kamino and after Bracca, sure, maybe the risk of even trying to get to him would seem too high - but we never even get a conversation about it, about finding a way to recover Crosshair and get the chip out now that they know how to do it.

He's also the most skeptical one about the Plan 88 message even after a presumably decent chunk of time has passed, after he knows the chip is gone, after Crosshair saved Omega on Kamino.

So - thesis, please - my narrative argument for wintersoldier'ified-Tech isn't about very mean visual teases callbacks, and it's not about undoing Tech's sacrifice or carving out room for a Tech redemption arc (because we wouldn't need it) (seriously this one baffles me, what?) -

It's about Hunter getting the chance to not make the same (actual) mistake twice, writing off one of his squad as a lost cause and leaving them behind.

(I'm also still really hung up on meeting Phee on the line "Better late than dead" but that's a different conversation)

Thank you for coming to my Tech talk.

[thelostgirl21]

Alright, so this is a reply to @my-jokes-are-my-armour brilliant additions to my post, because the original one was getting insanely long, and apparently I had lots of feels about this, but asfoljasdfklsf;asldkfas;flkjasdlkjffslksjdf;s...

That "maybe"...

There are so many possible "layers" to that "maybe"!

And that's definitely one the places where Jaskier and Radovid's respective situations massively differ in that scene, too, IMHO.

Like you've said, Jaskier has a found family that he's spent about 20+ years investing in.

So, obviously, it would make absolutely no sense for him to sacrifice the ties he's already built with Geralt, Yennefer, and Ciri, for a relationship that does have great potential, but is still in its infancy; whereas Radovid has made no such personal commitments in his life.

I don't know if you're familiar with the YouTube channel "Cinema Therapy" (basically, a psychologist and filmmaker analysing various movie relationships, characters psychology, etc. I highly recommend it!), but they've occasionally spoken about the notion of "shelving your agenda".

Essentially, "shelving your agenda" relates to a person's ability to "temporarily delay one's own needs to meet those of another".

And, in this particular situation, the only one of them that can afford to shelve his own agenda for the other is Radovid.

Because, at that moment, Jaskier is facing the possibility of devastating potential losses within his family system that greatly threaten his emotional and psychological well-being.

Radovid can (or at least could, while Vizimir was the one still wearing that crown) afford to be the one providing him with emotional, physical and financial support to give Jaskier his best chance at being reunited with those he loves.

But Jaskier can't really promise or offer Radovid anything in return for the time being.

And sadly, he doesn't know how bad things are for Radovid at court, either.

He doesn't know that Philippa and Dijkstra orchestrated Queen Hedwig's murder, right under King Vizimir's nose, with such confidence in their ability to get away with it that they openly told the Crown Prince of Redania about it!

He doesn't know about Radovid's relationship dynamic with his brother, and the fact that being the King's little brother is no longer enough to keep Radovid safe in that castle.

And I don't think Jaskier fully grasps just how much being in his presence is already offering Radovid something that's rather essential for his own emotional and psychological well-being, too, that he has never been able to find anywhere else.

Jaskier: "You don't understand. [This is not me trying to walk away from a relationship with you.] The war brewing outside is nothing compared to what Geralt will unleash on this Continent to find his daughter. [I'm pretty much planning to go throw myself headfirst into some desperate suicide mission with a stubborn, insanely protective Witcher dad!] I don't know what happens next. [I've no idea what will happen to me. Out there, none of us will be safe!]"

Radovid: [Oh boy! Where do I even start?] "Just let me be there with you." [Trust me, as terrible as you are trying to make it sound, joining you on a suicide mission following an angry overprotective Witcher around is actually my safest, least bad option.] "Prove that I'm more than a mask." [I belong with you and your family out there, not stuck at court playing games!]

Basically, I've a feeling that Jaskier might be operating under the belief that the safest place for the Crown Prince of Redania to be, in times of war with Nilfgaard, is behind the well guarded walls of a castle; not running around the Continent helping him and Geralt go rescue a Princess!

If he returns to Tretogor and stay there, Radovid will have an entire army standing between him and Nilfgaard!

Which, you know, is pretty much the reason that had convinced him that Ciri might be better off in Redania rather than anywhere else...

If he comes with him, well, Radovid is probably one of the last people you'd want anyone loyal to Nilfgaard to get their hands on.

The King's brother - and sole current living heir to the throne (at the time) - is very much someone that Redania's enemies would want to capture so they can use as leverage against the King.

And Jaskier's pretty much planning on being Geralt's ride or die companion on his quest to find Ciri.

So, I'm not sure how comfortable Jaskier is with the possibility of Radovid getting himself captured by enemies or killed trying to help them out there; or, even worse, winding up sacrificing his life to save Jaskier's.

Because Radovid has already proven that he values Jaskier's safety and freedom above his own, when he ditched his whole (now very dead) royal security detail to go see him and Ciri at the cabin.

Radovid is willing to make Jaskier his #1 priority, in a situation where Jaskier needs to make Geralt, Yennefer and Ciri his own #1 priority.

Jaskier is planning to "shelve his agenda" for his family, to the point of being willing to risk sacrificing his life for them…

…while Radovid is talking about "shelving his agenda" for Jaskier, while being willing to risk sacrificing his life for him, and - by extension - Jaskier's family, too.

It's likely a lot for Jaskier to take in.

And, perhaps, knowing that Radovid - at least - would be safe back in his castle, would give Jaskier some peace of mind, and even something for him to fight to come back to, should he somehow succeed in helping Geralt get Ciri back without managing to get himself killed in the process!

So, Jaskier's "maybe" is likely the most sincere answer Jaskier can give him at the moment, since Jaskier genuinely doesn't know what happens next, and he probably doesn't want Radovid to make the decision to take such a huge risk for himself and his family based on the promise of things that he might never be given the chance to offer him.

Had Jaskier known that the greatest threat Radovid was facing could be found within his castle's well guarded walls, his response to Radovid's desire to be there with him might have been different.

Perhaps he might have said something along the lines of "Forget about the money, and if you really want to come with me, come with me now! We'll think of a way to let your brother know you're relatively safe, and haven't been killed or kidnapped while we're on the road!", or something.

And then, hope his own family would understand why he chose to take Radovid with him, and for them hopefully to not be upset that he's just managed to make their whole situation even more complicated than it already was.

[Poor Geralt though…

Geralt: Let me get this straight… Of all the people on the Continent you could have romantically fallen for, you somehow managed to pick the Crown Prince of Redania? And now, the prince - who comes from a bad home that has been mistreating him - has been following you outside his castle, and you're asking if we can adopt and keep him?

Jaskier: *Smiles sheepishly and attempts to look adorable.* Yes?

Geralt: *Mumbling to himself.* Why does Destiny fucking hate me so much? How many princes and princesses am I supposed to be looking after? I'm a Witcher, for fuck's sake! I'm supposed to be killing monsters! Not opening a royal rescue shelter…

Radovid: *Concerned.* Ah, is your Witcher okay?

Jaskier: Just give him a moment to have a mental breakdown, and he'll be fine!]

But Jaskier doesn't know how bad things are for Radovid back at Tretogor.

Actually, even Radovid himself doesn't fully know!

As far as Radovid is concerned, Dijkstra briefly perceived him as a threat - or at least a nuisance - with regards to the complete and absolute influence he has on King Vizimir, and threatened to have him killed if he gets in their way.

So, by leaving, he'd technically be doing him a favor! No more "baby prince brother" royalsitting for Dijkstra and Philippa! They can go back to the way they've always preferred doing things, without having Radovid to deal with!

But Radovid doesn't know his brother has decided to let Philippa take the fall for Thanedd, and that the best solution the sorceress came up with, to deal with the issue, is "Yup! Imma get rid of Vizimir and put that spare on the throne!"

On a scale of 0 to "the spymasters are so confident they can get away with regicide that they feel totally comfortable making the guy they gleefully confessed Queen Hedwig's murder to King", just how fucking screwed are you?

I don't think Radovid had fully realised he'd reached that very last stage yet.

But yeah, Jaskier answering "maybe" made much more sense, to me, than him going "yes please, come with me, where I'll almost certainly manage to get you and/or myself killed in a desperate attempt to keep my family safe!"

And I love how long he hesitates before giving that answer, and the way his thoughts really appear to be racing, even after he says "maybe", because it is an incredibly complex and multi-factorial situation for him to deal with.

Whereas Radovid has essentially two choices:

Return to a loveless, toxic, dangerous place where he's totally disconnected from himself, and isolated from healthy human interactions.

Be out there in the world, risking his life for something - someone - that's worth taking those risks for, thus acting in accordance with who he is, and what matters to him the most.

So, Radovid basically saying "I'm all in! Let's go!", while Jaskier is saying "maybe", to me, might have more to do with how well they are both ready to handle and accept the potential consequences of Radovid choosing to go with Jaskier at that moment; than it has to do with how much they both desire to have the chance to potentially be together, or even Jaskier struggling with forgiving him.

Of course, there's also Jaskier's own personal fears (of abandonment, of falling back into unhealthy codependent patterns, etc.) that may play a role in him hesitating to treat his feelings for Radovid as a full-fledged partnership right away, and being comfortable with the idea of trusting Radovid enough to rely on him for support, too (trust and forgiveness are not quite the same thing).

That "maybe" is filled with so much potential delicious meanings, I'm telling you!

And, given that being told "maybe" didn't deter Radovid from wanting to go to Jaskier, I've a feeling that Radovid knew that Jaskier's "maybe" was also filled with a lot of hope and yearning, and as close to a "yes" as Jaskier could afford to offer him.

After all, he'd already told Radovid that his plans [of breaking things off between them] had changed.

When Radovid said "I don't get it", Jaskier could have answered him with: "it's the right thing to do", or "I may no longer want to see you, that doesn't mean I wish you to get hurt, Radovid", or "I owe you for having ditched - and now lost - your guards when you came to see me. This is me doing what I can do to pay back the favor."

But Jaskier said "plans change", with some of the most cautiously hopeful and vulnerable puppy dog eyes I've ever seen him throw at anyone.

To me, there was a sense of forgiveness and a bit of an apology, even, in Jaskier's expression at that moment…

Because the fact remains that Jaskier didn't offer Radovid his help, the night before, when he told him he was scared; resulting in Jaskier having allowed Radovid to back himself into that corner where people might say and do stupid things.

It would be a bit unfair for Jaskier to be upset with Radovid for not having trusted him with everything he knew when he came to see him and Ciri, when Jaskier himself was so scared to trust Radovid that he didn't call him out for having avoided to directly answer his question, and instead chose to test what he'd do with the information that the forcefield only lasted 'til dawn.

He's accusing Radovid of not fully trusting him and having kept his full intentions from him, when Jaskier himself literally set up a trap for him, because he was too scared to trust him…

And Radovid had the honesty of saying "I'm scared, Jaskier", at the very least. Whereas Jaskier kept his own fears to himself, and chose to play games and test him.

Granted, Radovid could have pretended to be scared to get Jaskier to lower his defenses, and manipulate him. I'm not saying that Jaskier didn't have very valid reasons for choosing to test him, rather than opting for a direct confrontation.

Trust eventually does become essential in a relationship, but it would be unrealistic to expect it to "magically be there" until both sides have experienced how the other responds in a variety of situations - including their ability to make each other still feel safe while they handle conflicts and mistakes.

So, I'm not pointing out Jaskier's own contribution to this whole mess while trying to determine who is to blame, who was wrong, or who hurt the other the most.

Just hoping that, maybe, Jaskier is allowing himself to recognize that they are both very flawed, complex and human individuals that never meant to hurt each other at that moment.

That part of the reasons why he sits down and looks at Radovid with such a sad, defeated expression, is that he's realizing that they were simply dealing and coping with their own respective fears and doubts as best they could back at the cabin, and got both a good, strong bite in the arse as a result!

When Radovid ran away from the cabin earlier, Jaskier made a little move as if instinctively wanting to run after him.

I think that, maybe, in all of the ways Jaskier might have expected their confrontation to go when "catching Radovid in the act" that morning, he might have imagined facing more outrage from Radovid, more fight…

He might have expected for him to start blaming him in return, etc.

Because, had Radovid indeed been a "knife" and wearing a mask with Jaskier, he might have played "meek" and attempted to "reason with" Jaskier in the beginning in a desperate last ditch attempt to hold onto his mask, sure!

But, when he'd realised it didn't work - and Jaskier would not be so easily fooled - the mask would eventually have had to come off!

Radovid could easily have pretended that he had only wanted to test if Jaskier was being sincere with him.

He could have claimed that he'd realised, the night before, that Jaskier had only let him know about when the forcefield would come down, because he'd never truly cared about him, nor trusted him!

And low and behold! He was right!

Radovid could have accused Jaskier of having been dishonest and manipulative with him, of only having ever pretended to care for him, so he could use him because of his wealth and position at court.

He could have mocked Jaskier for having claimed that "he had no desire" to be playing games with him through his song, only to then go on scheming against him, and setting up traps for him at the first opportunity he got!

A skilled "knife", caught in a lie, will not admit to any wrongdoing, and will make it sound like you're the villain, they're the victim, and the problem lies with you, not them.

But Radovid's response was being truthful in his answers, internalize Jaskier's blame, look like he'd just been kicked, utter a pitiful "I'm so sorry," and run away!

Unless you are someone that enjoy dominating other people and bringing them down (something I do not believe Jaskier does), there's no sense of triumph, or even validation to be derived from Radovid's response!

There's no sense of relief from "having escaped being fooled by such a manipulative and dangerous individual" to be found!

Radovid just took all the blame on himself, brokenly apologized for having managed to hurt and disappoint Jaskier, and ran away thinking he'd forever lost him.

Had Jaskier's priority not been to ensure Ciri's safety, I think he might have followed his impulse and gone after Radovid to attempt to get to the bottom of what was actually happening.

And, even should he have suspected that Radovid's behavior was yet another manipulation attempt - that Radovid would be patient enough to hold onto his mask a while longer while faking taking responsibility for his mistakes and hurting Jaskier…

There's absolutely no way Radovid could have predicted that Jaskier was going to come investigate the room he'd huddled himself into a dark corner to cry.

So, I like to think that Jaskier did regret his harsh words, the way he'd jumped to conclusions back at the cabin, and how he'd cut short Radovid's attempt to explain, as soon as he'd mentioned that he'd be out from under Dijkstra's thumb.

I like to think that Jaskier was sorry for the way he'd hurt Radovid, too, and that he realised that he'd let his own fears and issues get the best of him.

Now, it's up to them to decide if they'll allow their respective fears and issues to win; or instead let that deep, beautiful and delicate connection that they've been experiencing together come out on top.

So, since "the plan" was for Radovid to have seen the last of Jaskier…

I tend to interpret Jaskier saying "plans change" as a way of telling Radovid "I don't want this to be the last you see of me. If you'll still have me, when this is over, I'd like to come back to you."

With Radovid's immediate response being "Come with me, then."

Because Radovid does very much still want Jaskier.

Except Jaskier has a family he needs to go help first, before he can be free to go back to Radovid and continue to explore and deepen that relationship.

And OMFG, yes! Found families are a theme that I absolutely adore in virtually any form of media (perhaps because I had to leave my own family of origin behind to go find "my own tribe")…

By the way, do you have that season 3 review link nearby? I'm not sure if I had the chance to read it yet, or if it somehow managed to pass me by… But I'd be interested to have a first or second read at it!

Otherwise, I pretty much found myself just nodding along while reading your comments.

I definitely think that, the first time Radovid meets Jaskier, he's deeply intrigued by him and how he personally connects with his songs, but still a bit in a "playing games" mindframe, because that's just the way his world is, and has always been, and how people communicate.

And now, I'm amazed, because you've just made me realise that, when Jaskier came to see Radovid wanting to share intel with him, it could very much have made it look like he only cared about Radovid's position, wealth, and resources; rather than about Radovid himself!

In many ways, Jaskier is 100% aware that the Crown Prince of Redania "fancies him", and I think that, under normal circumstances, he wouldn't be above taking advantage of that attraction to help protect his family.

To be clear, I don't think Jaskier would ever look to manipulate the emotions of anyone that would be having sincere, non-entitled, and reciprocal feelings for him.

But a royal that would be looking to own, use, or control him? I think he'd be feeling perfectly justified using his own charms to get what he wants from them.

He tells Vespula "you can't play a player", therefore very much perceiving himself as "a player", in a sense.

And, given that nobles often have an inflated ego and sense of self-importance, "playing them" is typically not that hard to do.

But Radovid does not.

He is far from immune to Jaskier's charms, but he does not perceive him as a some type of potential "trophy lover" or conquest. He's genuinely curious about him, and wishes to better get to know and understand him.

In such a context, trust should normally go both ways.

Jaskier tells Philippa and Radovid that, if they get rid of Rience, they will have earned Ciri's, Geralt's, and his own trust (and he talks about winning his own trust while pointedly looking at Radovid)…

But what is Jaskier willing to do to earn Radovid's trust in return?

You've just made me realise that, while I often tend to remind myself that there is lot that the audience knows about Radovid that Jaskier himself doesn't…

Well, there is also a lot that the audience knows about Jaskier that Radovid himself simply doesn't, too.

Sure, Jaskier's initial response towards learning that Radovid was the Crown Prince of Redania was rather flattering and amusing, especially since it brought a certain balance to the way Radovid himself was slightly starstruck by Jaskier.

Rockstar meets royalty, basically… and forgets to let his hand go, much to royalty's delight!

But, once that initial moment has passed, does Jaskier still only sees Radovid as a prince - with all the privileges tied to his position that he could use for his own gain - or a person that's worth knowing, too?

We all assume that Jaskier's motives are honorable, because we know him, but Radovid only knows about Jaskier's songs and what little he's been able to pick up from him during two rather short encounters.

In that context, Jaskier showing up all "So, I hear you've got money! Maybe you could use it to get the two detectives to talk, and help Geralt and I find out who Rience is working for?" could actually be… borderline insulting?

Technically, it wouldn't, if Radovid was into such things as power and influence, wanted to find Ciri for himself rather than to please his brother, and Jaskier's suggestion was helping him get closer to something he really wished to get closer to besides the man standing right before him.

Again, Jaskier doesn't know that; so, there's a bit of an ongoing comedy of errors happening between these two this season.

And he doesn't know that Radovid doesn't actually have that much money "ready to be handed out" like that, either.

That Radovid would have to first sell some of his own belongings to pay for that intel.

Jaskier's basically prancing right into the palace while making a bunch of (albeit flirtatious) assumptions about Radovid - most of them kinda wrong / only half right - and it's really no wonder Radovid himself would be unwilling to "collaborate" with him so easily, admit to what he knows, and instead choose to initially continue to play dumb/drunk!

To be fair, most nobles would likely love to be reminded of their wealth, status and power, and go "Oh yeah, I've got money and I'm so important, uwu!"

They would likely welcome any opportunity to put it on display and use it to further seduce Jaskier! Normally, a prince should have favorably responded to Jaskier's innuendos...

Whereas Radovid's pretty much "Yes, yes, very interesting… Now, enough about me, let's talk about you! Here's your lute, may I humbly ask you to sing about what you prefer singing the most? Please?Maybe your white-haired Witcher? I really want to get to know you…"

And look, the fact that Jaskier got his crush to agree to help him because he was moved by his singing, cares about him, and has made it his personal mission in life to learn to better understand what makes him so special, must be so much more satisfying to Jaskier’s than it being because Radovid likes to display his wealth and feel influential and important!

I mean, look at that face...

He's just so pleased with the unexpected way things turned out...

[yyoshiida]

AAAAAUUGHHHHHHHH brainrot is killing me slowly Haitani brothers with an Older sister who has a twin, like literally a twin, an identical one Older Haitani sibling!reader and (twin's name) who both have the iconic violet eyes that their younger sibling also inherited from their parents Older Haitani sibling!reader and (twin's name) who lost their only living, and present parent- their mother. Because she died a few minutes after Rindou was born Older Haitani sibling!reader and (twin's name) who only got to see Rindou and Ran for a few days before their relatives decided to take them in separately Older Haitani sibling!reader and (twin's name) who were only 5 years old when they and their twin had to watch and accept their younger siblings get taken away Older Haitani sibling!reader and (twin's name) who got taken in by their aunt on their father's side and the Haitani brothers who got taken in by their uncle on their mother's side Older Haitani sibling!reader and (twin's name) who needed to move out of the country to go to Germany to stay with their aunt while Ran and Rindou stayed on Japan Older Haitani sibling!reader and (twin's name) who were old enough to finally be able send souvenirs to both of their younger sibling Older Haitani sibling!reader and (twin's name) who both had to send souvenirs to both of their younger siblings under a relative's name that aren't theirs because both of them found out that their uncle didn't even try nor put any effort onto trying to introduce the twins, their older siblings, to both of them Older Haitani sibling!reader who's twin died because the place where (twin's name) works in collapsed and ended up killing (twin's name) while they were stuck in the rubble Older Haitani ssibling!reader who was devastated because they and (twin's name) promised to visit Rindou and Ran one day Older Haitani sibling!reader who lost all the hope they had and just decided to stay in Germany. Haitani brothers who never knew they had older siblings I got lazy near the end lol sorry Wanna hear my headcannons about the Haitani's parents, relative and other stuff? No? Oh oka- - Their father left their for some slut right when their mother was 3 months pregnant - Their father is half-german half-japanese but their father's parents (both of em) decided to stay in Germany - Their mother had to take care both reader and (twin's name) while she was pregnant (girlboss, don't ask me how she did that tho. Just think that reader and twin were independent and smart okay) - The name reader and twin had to go under was their other aunt's name that the younger Haitani's are familiar with (Yes, reader and twin had the aunt's consent) - Idk for some reason i imagined reader and twin matching on every single hairstyle and outfit just to make people guess who is the other twin - Reader actually went to Japan a few years later but never went near or contacted neither of the brothers - Reader and twin in the final timeline successfully reunited with both of their siblings (If the manga gets a happy ending then i give them a happy ending (Only this once.))

I'm not familiar with how fanfics or Tumblr works.. I think this counts as a drabble?? This wasn't so expecting from me lol but brainrot was getting too loud I had to act Sorry if this is shit, I just to get this out of my head bye Feel free to make a fic out of it but please do tag me .. Do I like sibling angst where it's always reader who gets affected the most? Yes. Yes I do

[icanseethefuture333]

A reading on

Marilyn Monroe

Channeled messages:

"I prefer to be called Norma."

"Being Marilyn was devastating for me."

"I was enriched with the pleasures and joys of the world, but I could only be Marilyn, not Norma."

"I created an identity to escape my sufferings, but only to be faced with more."

"I miss my friends dearly."

"My beloved ___ (she doesn't wish to state who)."

"It's just a dress. She (Kim 💀) did me a favor by ripping that old thing."

"I appreciate others caring for my memory, but they can honor me differently (she's saying don't be weird fr)."

"I have plenty of other dresses that are far more beautiful."

"I actually didn't care for dressing up that much, I preferred to dressed casually and comfortably!"

"At first I was hurt by the movies they made about me, now I just laugh, they are obsessed with me, it's ridiculous."

"Oh, yes... *grins* (I asked is she at peace now that she's passed)."

"I am finally a happy old lady with wrinkles! I'm glad!"

Marilyn's past life lessons

Norma was a master manifestor. She had a powerful subconscious mind and was able to visualize her desires into her reality. Norma wanted change and she got it. Creating a new reality for herself as "Marilyn Monroe", when she previously used to be "Norma Jean". "If I could go back I would have healed first before focusing on pursuing my dream." By manifesting her dream as an actor, this also expanded her consciousness to a higher level. Norma was highly intelligent and spiritual. When she made it to the top, she had regrets regarding her past, her choices, and her loved ones. "I abandoned someone dear to me and I miss them so much, my heart aches for my babies." I think out of everything Norma regrets was her miscarriages or inability to be pregnant full term, she very much so wanted to be a mother but it just never happened. Despite this not being her fault, she feels to a point it was. "I had to mourn the loss of my children and the person I loved the most, I was not well." Her health decreased greatly in her acting career (mentally and physically). "I was being treated worse than a dog. Everyone only liked me to laugh at me, to fantasize about me. At least a dog had a place to go home to, what did I have left? Nothing." Towards the end of her life, she took it upon herself to take many risks and challenges. "I was going to get my freedom whether other people liked it or not. I am in control of my life, no one else." There is some sort of building that's significant or needs to be addressed, but I am unsure of what that place is or what it means 🧐. The events leading up to her death 😳...

I'm just gonna leave this here for interpretation 🙋🏽‍♀️

Marilyn's passing - what is her goal for the afterlife?

Norma does have plans to reincarnate. "I want to be reunited with my children." For her next life, her life lessons will be to learn how to trust others, discover what makes her happy, and to be more disciplined. "I can say I have done things I have shouldn't and I am terribly sorry for. I want to make it up to the people I care about if they will let me." Norma will live a more simpler life and as a way to give her a break from her past life's suffering, the universe could provide her with a happy and healthy family, or she will have to take the steps to get that wish fulfillment, but I do believe it will be possible. She will have to take responsibility for her actions, do something that is a good cause for others, and be empathetic to those surrounding her. I believe in Norma's next life she could work with children, perhaps a teacher? Or participate in a cause that helps with children. If she is unable to have a full term pregnancy, she could resort to adopting kids or being a foster mother. Norma will be more accepting of the challenges that come with this next lifetime and is already aware or prepared for it. "The past is the past and I am ready for my future."

[pipermca]

Feedback Fest 2024

In honour of International Fanworks Day (today! February 15) I am posting some fic recommendations that I've made in the past. (I am super swamped at work and can't write up any new recs, but I previously rec'd these over on my main blog over the past few years. I'm collecting them together again here on my writing blog!)

These ten rec's are in no particular order, and all are in the Transformers fandom (with some crossovers). Ratings and pairings (if relevant) are noted.

(I also had to split this list into two parts because I waxed too poetic about these fics. See my reblog for the next part. 🙂)

Frivolities by @neveralarch (G, Megatron & Starscream). Summary: “My correct form of address is in my ID tag,” snapped Starscream. “Use it or lose your tongue.” My comments: I love this story. I love it so much I’ve recommended it to people who would ordinarily never read Transformers fanfic, simply because I think they’d appreciate what the author is doing. They took canon and fanon, and from it alchemized a story of dysphoria and wanting to be seen and acknowledged in a way the character wants, and wrapped it up in a tidy package that hits like a truck, and have I mentioned I love this story! (makes fists) Read it!

Working Through It by @trinarysuns (M, Skywarp/Thundercracker/Marissa Faireborn). Summary: “TC,” Skywarp says, “I’m, like, ninety percent sure that humans don’t have interface cables.” Thundercracker squawks and almost knocks him over trying to get the script out of his hands. My comments: I can’t say enough about this story. I love it and it pushed so many buttons for me. Not even smutty buttons, just interaction buttons: humans interacting with giant alien robots, old loves reuniting, logitical issues of interspecies getting it on… Tumblr deleted my review of this story, (SIGH) so I reposted my review on DW here. It says a lot more about this fic!

The Soft Rush of Black Static by Monstrosibee (NR, Bluestreak/Prowl). Summary: Prowl doesn’t know a lot of bots on this newly salvaged Cybertron, and he definitely doesn’t know the bot intruding on his construction site. My comments: While this fic is essentially a fix-it fic for a story from the Aligned continuity, it just destroyed me. You can read the basics of what happened between Bluestreak and Prowl on TFWiki (at the end of Chapter 7 of The Covenant of Primus) but it was devastating to actually read how upset Prowl was by what happened. This short little fix-it brought all those emotions back and then healed them. I loved this.

Someone You Might Have Been by @astolat (T, Megatron/Optimus Prime.) Summary: I didn’t love him because he wasn’t you. My comments: I'm rec'ing this because it's just pure "this is exactly what I want to read!" for me. This is a delightful mashup of the Shattered Glass universe and G1, in which the Optimus Primes from each universe get (temporarily) swapped. It’s an amazingly heartwrenching MegOP story.

Crash Site by Slyboots (G, Breakdown/Knock Out). Summary: June Darby does not believe in aliens, or in haunted highways, or in government conspiracies, or in any other small-town folklore. The new mechanics in town are uncanny, all the same. My comments: I am a sucker for Transformers: Prime fics, and one of the (it's canon! suck it Hasbro) ships from the show that I love is Knock Out/Breakdown. But besides that, I just love the vibe of this story. You can feel Knock Out and Breakdown in it, even if June doesn’t really see them, except out of the corner of her eye. And I am SO HERE for the idea that the two of them got some lovely downtime together before the events in TFP.

[dracuno]

"i told you i'd come back, right?" — matthew joy

✧ in the heart of the sea; matthew joy x wife!reader

✧ notes: this. that's literally it🫶 also below the cut id the actual reunion between you two, the first part is kinda weird but it's only bc i wanted to put some context TT u can skip to below the cut if u want ! also not proofread since i wrote this while writing a college essay TT

"It's okay, Peggy." You say as you walked with your friend and her daughter through the crowd of people. "I'm sure it's going to be alright."

"I hope so." She replies, nervously.

You and her have been friends for a long time. Both of yours husbands are childhood friends, so of course this also meant you two being acquainted and forming a friendship. A few months ago, both of then were handpicked to be first and second mate for the voyage of the Essex. A little while back, you both received the news that the ship had been either lost at sea or sank of whatnot, all you both (and what they) knew was that the ship and the crew were nowhere to be found.

Obviously, you two were devastated, but Peggy was pregnant and you needed to find things to calm you down and distract you during this whole thing, so you were helping around at her house and all, spending time with Phoebe Ann, her daughter.

This morning, however, you both were contacted by the Maritime office that survivors of the Essex had made it back to Nantucket in nothing more than a few boats and your husbands were both survivors, so here you both were, at Nantucket Harbour, waiting.

As Phoebe Ann was holding the hands of both his mother and you, you kept hold of hers when you saw Owen approaching his family. Peggy let go of her daughter temporarily as she flung her arms around her husband as they reunited.

"Y/N." Owen greeted and you let go of Phoebe Ann to hug him. "Glad to see you still up and running." You joke, but you were really glad to see him.

"Matthew, is he...?" You didn't know how to finish your question but Owen just smiled at you. "He was right behind me earlier."

When his attention shifted to his daughter and Peggy, you walked away from them and your eyes searched the crowd. There were dozens of people at the harbour, all crowding around to see the survivors of the lost ship Essex, so it was a little difficult to push past them for a bit.

But when blue eyes met yours, you felt everyone blur around you as all noise faded into nothing.

There he stood.

He had nothing in his hands, as the small possessions he brought onboard were lost in the sea, but he would have dropped anything he was holding when he saw you.

He made his way to you and at first, it was silent. You didn't know what first to say and he seemed to be at a loss for words as well. Your eyes scanned his face for a moment and you swallowed before speaking up.

"It's really you?" You ask, your hands cupping his cheek as your fingers ghost over his face, not quite believing your eyes.

He was here.

"It's really me." He smiles as he places his hand over yours and moves his face to kiss your other one.

Matthew was here.

Standing in front of you. His hair was definitely longer (although not quite as long, since you noticed him and Owen were pretty cleaned up best they could before they were here) and he looked a little disheveled, but none of it matterer. His eyes scanned over your face, like he was seeing you again for the very first time. He took in everything about you — your eyes, the way your hair was styled, the dress you wore that was one of your more simpler dresses but he always thought you looked stunning in, and the necklace he gave you that you never once took off when he left.

"I told you I'd come back, right?" He asked softly, to which you chuckled lightly, tears streaming down your face.

"You did." You replied, "And you're not going out there for a little bit for a while, okay?" You joked.

He laughed lightly and then slowly engulfed you in another hug, his one arm wrapping itself around your back as he brought his other to hug your head, patting you softly. He kissed your forehead, "I'm not going anywhere for a little bit."

You hugged him back and you felt you never wanted to let him go. You opened your eyes and they met with Owen's, who wasn't that far away from you two with his own family, and you saw him smiling at you.

"Thank you." You mouthed to him as he stood up and held his daughter's hand for the first time as he nodded his head at you.

tagging: @butlersluvbot bc here u go bae i wrote it😎

[stars-n-spice]

TBB S3 TRAILER

Holy FUCK I was not prepared for this.

As soon as I saw the trailer posted on Instagram, I grabbed my laptop and casted the trailer on the TV and stood in front of the TV like an old asian man; hands behind the back, spine bent, feet planted shoulder width apart.

Cannot believe it's finally here and I've got a lot of thoughts that I'm going to put under the cut because holy shit, this trailer hit me like a brick.

Idk if they will be comprehensive honestly but I'm writing them down as I rewatch the trailer.

In summary though? This season is going to absolutely wreck me and I will never recover from it emotionally and probably financially too if we get a new wave of merch and shit with it too.

Anyways, thoughts and reactions under the cut-

What the fuck are they doing with that transport? They stealing something? Retrieving something? Is it a tank? Hello, where is Echo??? IS THAT FUCKING CROSSHAIR?! IN S1 ARMOR???

PHEE GENOA!! so fucking great to see her again, I'm going to be absolutely devastated if they show us her reaction to Tech's supposed death.

CAPTAIN REX MY LOVE YOU'VE COME HOME!! "I thought the end of the war would mean the end to losing more of our brothers" <- that better be about Tech and not about Cody, so help me god-

OMEGA'S NEW HAIRCUT :( she looks so much older now :((

STOP CROSSHAIR LOOKS SO FUCKING SAD. I feel terrible actually... this is like,, this is a shell of a man,, like,, this is a man who's got like,, nothing. He looks awful and I swear if he doesn't get some peace of mind I'm going to lose my mind.

"Omega's been waiting for us a long time." NO NO NO DON'T FUCKING DO THIS TO ME. I SWEAR TO FUCKING GOD IF YOU DO A TIMESKIP, ANY MEASURE OF TIME THAT OMEGA HAD TO BE WITHOUT HER BROTHERS AND WONDERING WHEN THEY WERE GOING TO COME AND GET HER IT'S GOING TO BREAK ME. I fucking hate timeskips so much, I swear if she's been by herself for more than a year, or even just a year, I'm going to be PISSED. If she doesn't get the chance to be a kid like she deserves I'm going to fucking lose it.

PALPATINE?! "There is nothing of greater importance to secure the purpose of this Empire" <- y'all talking about cloning? About cloning Palpatine because you have to explain why "somehow Palpatine returned"???

HEY WHO THE FUCK IS THIS?!

Holy shit the animation is really good. Like that whole fighting montage?? The fucking scene on the bridge looks like,, fucking live action to me. Idk how to describe it but the animation is fuckng beautiful and I wish Star Wars did more animation because this is gorgeous.

FENNEC SHAND MY LOVE!! MY WIFE RETURNS!!! PLEASE BE IN MORE THAN ONE EPISODE MY QUEEN I LOVE YOU SO MUCH!! and Cad Bane is there too ig-

"They are coming, for all of you." <- who is this. do not come for me but I cannot for the life of me figure out who this is. It's not Cody, I don't see the scar. Someone help me out here-

WOLFFE IS BACK BABY!!! FUCK I CANNOT WAIT TO SEE HIM IN TBB ART STYLE

HUNTER ON PABU! Thinking they probably went back after everything and I want to see how they've adjusted and settled in, please, I am begging.

My baby, my angel, myivida, the light of my life. Fuck it's so good to see and hear you again. If anything happens to you I swear to god-

LMAOO DID HUNTER JUST GET YOINKED BY A SPACE CROC?!?! WAIT THEY'RE ON THE BOAT WITH FENNEC!!!! AAAAAAAAAAAAA

There are two clips that allude to the fact that they get Crosshair out of there before they get Omega and I'm going feral over it. If this means we get them reuniting with Crosshair sooner than later I'm fucking ecstatic. Like because,, that's Crosshair's rifle and they clearly cropped the screen for the sake of the trailer, right? Right??

Hey where is the zillo beast?

ASAJJ VENTRESS??!?! WHAT ARE YOU DOING HERE?! You're telling me,, I get a season,, with Wrecker, Wolffe, Fennec, AND Asajj? Oh be still my beating heart. Anyone hear something meowing?

Also I know in the trailer it seems like she's facing off with TBB but the backgrounds don't really seem to line up so I'm hoping they don't actually face off with each other.

Tech literally only being indirectly mentioned and showing his death scene again but recolored and shit makes me feel all kinds of things.

Fuck. Fuck. Fuck. Fuck.

3 EPISODE PREMIERE?!?!?!?!?!?! fuck me.

Echo wasn't in this trailer enough and where the FUCK was Cody?!?!?!?!

Fuck.

[scarlet--wiccan]

What would your main influences for your own vision of a Scarlet Witch movie?

This. I obviously don't want Marvel Studios to make a Scarlet Witch movie with Olsen, and if the M C U is going to continue as it is now, then I hope that version of Wanda stays dead and we never see her again.

But if you're looking for an original or stand-alone Scarlet Witch plot, particularly if you want an updated version of her and Pietro's origins, I've been kicking around that story pitch for a few years and that's my go-to answer. For brevity's sake, I'll copy it below.

If by "influences" you mean cinematic or creative influences-- I'm not a film expert. I always want magic-centric superhero movies to have a distinct aesthetic, but I'm rarely satisfied by what they actually put out. I would probably look towards folk horror for a lot of the stuff set in and around Wundagore, but I'm a little nervous about marrying that genre with Romani subjects and perspectives. And I know this film is a bit dated in the way it talks about magic and spritituality, but I still love The Craft and I think it's the gold standard when it comes to making witchfact feel immersive and tangible-- and it does it without all the overwrought energy-beam effects we see in so many M C U titles.

Wanda and Pietro's childhood and adolescence would basically follow 616-canon-- raised by Django and Marya; separated from their family during a racist hate crime; and forced to live on the run for years due to their emerging powers and further discrimination.

They return to Mount Wundagore seeking answers about their powers and their birth mother. They are taken in by the Knights of Wundagore, who, as in Midnight Suns, are an ancient order tasked with safeguarding the mountain and its hidden magic. Little do they know, the Knights have been corrupted by the same villain-- be that Modred or the Evolutionary-- who killed their birth mother and experimented on them as babies.

Wanda is given pages from the Darkhold, which she believes are ancient magical texts that will help her master her abilities. In truth, of course, they are priming her to become Chthon's vessel. She performs spells from the Darkhold to bolster the Knight's powers. Pietro has joined the Knights, believing that they will help him protect his sister-- as in canon, Pietro protective to a fault, because he believes that people are always trying to take advantage of Wanda and her abilities. And he's not wrong!

Agatha Harkness infiltrates the Knights of Wundagore, disguised as an elderly healer. She is an ancient witch whose coven once worked alongside the true Knights to keep Chthon bound while studying the mountain's magic. She has known the Maximoff family for generations, and has been seeking out Natalya's children ever since receiving a premonition of the return of the Scarlet Witch.

Agatha doesn't have the power the stop Wanda now that she is under the Darkhold's influence, so she sends a warning to Doctor Strange that Chthon's return is eminent.

Strange gathers a team of heroes to prevent Chthon's return. This leads to a big fight wherein Wanda and Pietro are technically the "bad guys," which ends with Wanda fully succumbing to the Darkhold. She unleashes a devastating attack against the heroes and descends deep within the mountain.

Pietro find himself abandoned on the mountainside. Agatha reveals herself to him and explains the truth, not only about his family but also about the Modred/Evolutionary situation. Pietro joins the heroes, and Agatha urges him to seek out Django, who she has discovered living in a nearby Transian village.

Django's memories are distorted by trauma and a magical curse that was inflicted on him by the Knights to keep him away from Wanda. Upon reuniting Django with his son, Agatha is able to lift the curse, explaining that their family's legacy-- not their blood, but their love for each other and the gifts they have passed down through their generations-- is the true source of their magic.

Chthon emerges from the mountain, using Wanda as a vessel. There's another big fight, and the heroes are able to get Pietro and Django close enough to Wanda for them to exorcize and bind Chthon within a doll that Django had crafted as a gift for his pregnant sister, Natalya. Django tragically passes away after the battle, but the twins are able to properly mourn him and their mothers. Wanda witnesses the spirit of Natalya and awakens to her true power as the Scarlet Witch.

Wanda agrees to study under Agatha, Pietro joins the hero team, and they both both meet Victoria Montessi, who is going to help them track down the Darkhold pages that have now been scattered to the wind. VICKI + WANDA BESTFRIENDS REAL

[danndeemo]

Based on this post

How would Agent 8 and Neo Agent 3 react if they found out about agent 4 fanfictions

okay guys I think it's time y'all are finally let in on whatever the fuck neo 3's and cap's relationship is because it will make things easier

neo and cap met when they were both 14 to 15 at the inkopolis plaza, cap wasn't even agent 3 yet. neo was some emotional support to cap back then, but their friendship wasn't really strong. and after cap becomes agent 3 they start talking even less, and then cap completely disappears from neo's life with the octo expansion mission thing. when reunited at alterna neo immediately assumes him and cap are back on good terms. cap remembers their friendship and is a little confused when neo calls him "sir" and "captain" or "commander" willingly. he thought it was to keep the whole "professional" atmosphere. for some time it's peaceful. cap doesn't know that neo actually has a massive crush on him since the time when he left him to go on the mission to the metro. but when neo finally confesses his feelings cap is like, devastated and shit bc he's dating four (who's not around and neo doesn't know of their relationship). cap doesn't know what to even say after such a statement, so without thinking he just says "I'm dating agent 4" and that's when the switch in neo flips and he's like "that motherfucker..." and the only thing stopping him from straight up murdering four is that he still has some common sense left and realizes how sad it would make his crush feel, so he just tries to prove to cap that he's the better partner now (which IS easier bc 4 is currently in the spire at that moment)

so now their relationship is this one sided crush and a guy who's already taken yeah and each time cap sees neo he's like "god not this guy again" but he's still friends at least bc they're in the same team.

damn got carried away there sorry, back to the question.

8 would be like, very confused. his ass does NOT know the horrors of smut fanfiction. after he reads it, he just randomly references it when talking and 4 has to hold back scolding him before his ass spills anything more. ALSO i feel like marina would write same shit but with pearl or like, draw manga bc i think that's canon and 8 is just used to shit like this

but neo... oh god neo would steal that shit and never give back. when he discovers four's fanfiction where cap is like, more submissive and is on the bottom he... man even I'm afraid of what he'll do. that man is a menace when it comes to his beloved captain

[buffyfan145]

Morfydd gave a new interview at the Canneseries TV Festival about "Rings of Power" and teased season 2!!! :D It's in French but my browser translated it and I'll post behind a cut and a link in the comments to the article, but she actually mentioned how she and Charlie played Galadriel and Halbrand/Sauron's relationship as ambiguous so that it could be interpreted however the audience wanted to see it including romantically!!! LOL :D And it was Charlie's idea. LOL Could be the translation but that seems to be what she said which contradicts the press tour and what Charlie said in interviews. Then she also went into how she's been playing Galadriel being so sad and lonely and how devastated she is about what Halbrand/Sauron did to her, but is happy to know thanks to the LOTR movies and books she loved her whole life that she'll be ok and reunited with Celeborn at some point!!! It's the first time she's mentioned Celeborn in an interview too. She also then went on to say she's excited to see Charlie fully as Sauron in season 2, which seems to confirm like the other spoilers he's still the main form going forward. Again full translation behind the cut but I'm even more excited for s2 and honestly this confirms to me Galadriel really was in love with Halbrand/Sauron and still loves her husband too like I thought all along.

The Canneséries festival awarded the Welsh actress, who carries on her shoulders the prelude to Amazon Prime's Lord of the Rings, the Madame Figaro Rising Star Award. Meeting.

Floated Friday night on the Croisette, an air of Middle-earth. To open its sixth edition, the Canneséries festival presented its revelation prize to Morfydd Clark. In the Amazon Prime blockbuster series The Rings of Power, a prelude to the events described by Tolkien in The Lord of the Rings, the Welsh actress appropriates the character of Galadriel. The future great and wise elf queen of Peter Jackson's trilogy, played by Cate Blanchett. For her first recurring role in a series, the 32-year-old actress rose to the top. But remains in interview of disarming spontaneity and enthusiasm.

Le Figaro - What inspires you about this Madame Figaro Rising Star Award? Morfydd Clark. - I can't believe it. I am deeply grateful. It's a crazy chance to headline a program watched all over the world. At school, I was a calamity in French. Having been unable to unravel this mystery, I have always had the impression that your culture and language were phenomenal. This prize of a French festival so young, so warm touches me more than you imagined.

The Rings of Power ended with the thunderous revelation that Galadriel's Halbrand's alluring traveling companion was none other than the devious and dangerous Sauron in human form. Which unleashed the fans. Did you follow their turbulent debates? I've never been more anxious in my life than in the weeks leading up to the show's launch. Until that moment, The Rings of Power belonged to me in its entirety. Once online, it becomes the property of the fans. I love their imagination. I don't go on the Internet. But my sister scours the forums and selects me the theories that I might like. Some extraordinary ones defy comprehension. Others are aiming for the nail on the head. But I can't tell you more. I did not expect that the relationship between Galadriel, Elrond and Halbrand would be so dissected even if I imagine that the slightest perfume of prohibition - and still I am afraid with this word to say something I should not - can only stir passions. Halbrand's hold on Galadriel was less connoted in the scripts. It was Charlie Vickers who plays Halbrand who had the idea to make it ambiguous. Supposing that these quasi-divine beings can feel human emotions. Were we in a relationship of seduction or power? It's up to the viewer to decide. Extremely kind, Charlie was the best partner to play it. I can't wait to see what he does with his Sauron.

Looking back, how do you view Galadriel's trajectory? In The Lord of the Rings, Galadriel is at peace with her and rules Lothlorien. The series takes this path backwards by imagining the most extreme starting point. It's soothing to know that no matter how sad, her loneliness consumes her soul entirely and obliterates the rest in this first season, to which is added Halbrand's betrayal, she will overcome these trials. For the immortal beings that are the elves, the course of time is different. One can be separated for a lifetime and find oneself like Galadriel and her husband Celeborn, currently missing but present in The Lord of the Rings. That's what I love about fantasy: through magic pierce human experiences.

You've said it over and over again, Tolkien's writings rocked your childhood. I was born in Sweden. It was first the stories of Astrid Lindgreen, creator of Fifi brindacier, who accompanied me. It was my gateway into fantasy. Suffering from attention disorders that made my schooling trying, the fantasy characters, who managed to exist differently, were a great source of comfort. Wandering the Misty Mountains with the Hobbits, who have always had my heart because of their benevolence and vulnerability, was a wonderful escape. Peter Jackson's trilogy came out when I was 12. I was spellbound. During a bad time at school, I even watched The Two Towers every day. My parents were a little worried (laughs). When I realized that I was auditioning for The Rings of Power, I said to myself: "No room for failure, you must succeed". To find myself in the New Zealand landscapes was an enchantment.

What was the tipping point that made you embrace your acting career? I had to leave school at 16. I absolutely did not know how to endure and manage the stress of exams. I auditioned to join the Welsh Youth Theatre Company. I couldn't believe that after so much criticism at school, they finally wanted me. On stage, no one scolded me anymore. I made people laugh. For the first time in my life, I felt like I belonged. I went on to get a place in a conservatory. I was incredibly lucky that my first steps in front of the camera were in 2014 in front of Carol Morley's historical drama The Falling. She protected us, made us feel safe. It is no coincidence that the actresses of this project Maisie Williams (Game Of Thrones) and Florence Pugh (Don't Worry Darling) are nowadays so much in demand. The psychological horror film Saint Maud which was my first experience of a leading role was also a special experience. I discovered that I loved horror, a mind-blowing testing ground with an audience that still appreciates risk-taking, even if it doesn't work.

What can you tell us about season 2 of the Rings of Power that you are filming? Nothing, except that it's exciting! I'm too afraid to accidentally let slip a spoiler. It's amazing to be able to reconnect with your character and your playing partners. It was also necessary to get back in shape: horseback riding, fight sequence and stunts. I kind of let myself go on that (laughs). One of the most surreal moments was the passage of Prince Williams on our sets. It's amazing to think that this public figure is a fan of our work. We even chatted in Welsh!

[thegeminisage]

star trek update time. earlier tonight, my eyes were cursed with star trek generations, a very very bad movie. if you don't know the big spoiler for this movie (the character death), please stop reading here. or keep reading actually i'm not your mom. fuck this movie anyway.

with the tos movies, i tried to keep notes on notepad as i watched so as to better type up a "liveblog" later. i was a bit spotty at remembering to do that this time, but i have enough to put together a reasonable write-up. here's kind of how it went

cried multiple times during this movie. first time was when kirk showed up because i knew it was the last time we were ever gonna see him. got bonus aftershock tears when i saw scotty and chekov - i was under the impression it was JUST kirk. second time, i THINK, was when he showed up again, though i just misted up a little. big boo-hooing when he mentioned spock, naturally. MORE crying when he finally bit it, though it was mostly because i was angry!!! and finally, even though i promised myself i wouldn't cry over data, i did start sobbing when he was reunited with his cat. gave myself a crying headache.

it was difficult watching kirk be on the bridge and want to be captain and he's not captain. and then crisis strikes and oh yeah he is. and really, the captainly thing to do WAS to go down to the lower decks and do whatever the fuck. needs of the many. he saved that guy's life. that would have been a fine death.

it was a little ruined by chekov going "was there somebody in there?" like to me it struck me more as funny than anything

oh, spotting guinan in the tos era made me absolutely thrilled btw. i missed her so much in s7 it was UNREAL.

OH YEAH AND. sulu's daughter. wah. ik aos sulu is gay do we think tos sulu is gay too. either way i;m very happy for him

apparently one of the guys in this is from succession. i'm choosing to blame this whole debacle on him.

switching directly to a fucking holodeck scene KILLED me. i HATE the holodeck. at first i thought they were giving worf a retirement party to send him to ds9 but they were just doing all of that for fun. deanna's outfit was hot though. also, data shoving beverly WAS FUNNY tng writers just hate autistic people

i have mixed feelings about data and the emotions chip. i was surprised they never covered it in tng proper and i think it would have been handled better there...data having the chip WAS the reason soren got away, which makes it plot-important, but it felt like a b-plot to a normal tng episode and this is supposed to be a feature film. instead it was a tng two-parter with a budget and william shatner. it was fun watching data experience emotions (happiness, terror) and struggle to control them, but there ironically wasn't enough time to really get into it, except when picard gave him the tough love speech, which i think was uncalled for. why is he so against suicide when it's data when he was out here telling worf to kill himself over an empty barrel??

titty klingon sisters. i never remember their names or their faces but i ALWAYS recognize those boob windows. at first it was really annoying because it is pretty sexist but honestly i've become very endeared. it's absolutely devastating that this movie killed them too. they were everything to me 💔

hey, sorry, side bar, were they watching geordi bathe through his visor? freaks.

also, geordi in the bondage gear while he was kidnapped. ALSO, wasn't he growing new eyes in the tng s7 finale? whatever happened with that???

stellar cartography looks better than it did in tng but it brought back memories of picard running around on poor beverly. idk what he's so worried about continuing his family line for wesley crusher IS his affair baby

hey, also, the lighting??? the "distant sunlight" atmosphere when the lights are off vs the brightly lit interior of the show? truly, the upgraded lighting was probably my favorite part of the movie. it looked SO fucking good. i really felt like we were on a spaceship.

no, wait, ACTUALLY my favorite part was data getting to say "oh, shit!" that was really good. they got one bad word for this whole movie and used it in the perfect place

no, my favorite part was the spock mention.

did not like kirk referring to picard repeatedly as the captain of the enterprise. kirk's the real captain here, bitch. picard doesn't have what it takes to die for his ship. he doesn't love his ship the way kirk loved his.

i did like the nexus reference to the tmp wife. in the novel she was named lori but she didn't show up in tmp proper much less get a name so i'm ok with them calling her the wrong name, but i just know it's the same woman. less okay with kirk's nexus dream being all about some random woman we've never met. he's in love with the IDEA of a woman to come home to, sure, but it's just lazy writing. we don't have any reason to care about this girl. at least if it had been carol ruth marcus or something we'd have SOME basis to give a shit on. the nexus was the perfect place for spock and bones! i wish they and uhura and sulu had had cameos...

i also liked him warning picard to NEVER retire/accept promotion, bc retiring wound up being so traumatizing for him. this is not really consistent but i'm making it that way in my mind palace.

also, kirk being a horse girl is FAKE. they just made him be into horses bc picard is into horses. gross. he was really good at chopping wood though lol

the scene with the kids evacuating the spaceship...WHY WOULD YOU HAVE CHILDREN ON THIS SHIP. i also worried about the pets the entire time, which is part of why i lost it when data found spot :(

it's sad that a piece of guinan was left behind in the nexus...does that happen to everyone? is a piece of kirk in there too? i really wanted to write a fix-it for this someday but they have given me so little to work with that it's hard to imagine a fixit that isn't just 80% "yeah we're ignoring that" which isn't very satisfying.

the crash was SO long. also, why was data holding troi? she's got 2 different boyfriends who could be doing that for her

since i was going into this knowing kirk died, i expected that he was gonna die because the nexus swallowed him or something. i was expecting something grand. instead it was like, tos scene, an hour and a half of very mid tng content, and then half an hour of rushed and poorly paced kirk and picard scenes. typical tng episode that it didn't get to the point until it was almost over, but jesus. i can't believe they got shatner for their movie and then barely had him in it. like, kirk at the end was a total surprise narratively (obviously everyone watching it knows bc of the opening at LEAST that he'll be back, but imagine if this guy had been some rando - it would have been so unsatisfying and weird).

see, this is the thing. the nexus actually has the potential to be incredibly compelling. the way picard's scenes were shot were very very good, if one could ignore the clothes from 1790 and the horrific portrait of himself looking like he stepped out of les mis and also how creepy his kids were and WHY WASN'T HIS WIFE BEVERLY I HATE HIM. kirk's were rushed and messy (he likes horses? his dog? none of this connects us to the character we knew in tos...), and picard's involved, well, picard. but the CONCEPT absolutely fucks, and i did love the creep factor in spite of it all. this whole movie had huge potential and instead it's a steaming pile of shit. i could have learned to live with a good kirk death but living with a bad one is gonna kill me. at least he had good last words. "oh, my" right before he dies kinda fucks tbh.

my final note is that i think sir patrick stewart got sunburnt filming some of those scenes near the end. there were a few shots where he looked quite pink. give the man some sunscreen. oh yeah also why did some people randomly wear the ds9 uniforms...what on earth

anyway, terrible movie, 0/10 stars, i'm never gonna recover. tng never disappoints in disappointing me.

NEXT TIME: back to ds9, thank god. we're doing "meridan" and "defiant."