#I'd JUST finished scripting the whole thing

[inonibird]

All righty, folks. Bringing back these backgrounds I originally painted back in August 2020(!), only this time it's the version I didn't post with the titles of all six parts of Sahuldeem. Seems like a good way to both look back at where things started...and where they're about to go.

Part Six is a tricky one. I imagine it comes with a lot of expectations, and I might not meet all of those. For instance, it was never my intention to sit down and rewrite the events of the Clone Wars, so it was treated as a montage in my original script (to be fair, I was still imagining a comic adaptation at that point). We already know what happens during the Clone Wars (well, mostly; I do have a few scenes I've either added/expanded upon or retold with a fresh perspective). I, personally, am much more interested in what happens after the crash and before the war, deep in the catacombs of Geonosis.

So, yes: I'm nervously excited to start wrapping up this saga, and I hope there are people out there who are still looking forward to seeing this through with me. I never would have dreamed I'd write something like this, let alone share it, so I'm pleased and immensely grateful that others have also enjoyed it along the way. (reminder that this Master Post exists!)

[wuxian-vs-wangji]

Yeah... I remember seeing the architectural design majors at my uni having this breakdown each semester...

[flanaganfilm]

Good day Mr Flanagan. please what does "the rest is confetti" mean to you and in the context it was used in hill house??

Okay, here we go. Buckle up for a long read.

To answer this, I've got to explain a little bit about what was happening and where I was when I sat down to write episode 10 of The Haunting of Hill House.

Hill House was not a fun shoot. The picture above is from very early in production, when I was still chubby and happy.

It was my first foray into television. I was absolutely terrified that I'd mess it up. So I'd opted to direct all of the episodes myself, figuring that - if nothing else - I'd have no one else to blame if it went south.

It was the most grueling professional experience of my career. The shoot was by no means a smooth one, every day was an uphill battle from a budgetary perspective, and between the three giant production entities involved with the production, I spent a lot of time fighting over the creative and logistical elements of the series.

I began losing weight. I was smoking two packs of cigarettes a day.

By the end of the shoot, I had dropped almost 40 lbs.

I was very depressed. Every day was a battle, and for the first time in my career, I wasn't excited to go to work in the morning. We were fighting for basic resources, fighting for the show we wanted, and even fighting amongst ourselves by the end. It was grueling.

We hadn't written all of the scripts when we started production. I believe we had finished through episode 7, but the rest of the scripts had to be finished while we were already shooting.

We'd mapped everything out in the writers room, and I had great support on the other episodes, but I was writing the finale solo. I'd thought I'd be able to juggle it with everything else. I quickly fell behind.

I finally got to the script about halfway through production. I'd work on it between takes at the monitor, and then get home to our tiny rental house in Atlanta, where Kate was waiting with our baby son. (One of the rare bright spots of this shoot came when Kate found out she was pregnant about halfway through production. We even named our daughter Theodora, in honor of her origins.)

I'd typically fall down from exhaustion when I got home, but I had to push through it and work on the script. My weekends were spent shotlisting and prepping for upcoming episodes. We didn't have enough time to stay ahead of prep, so every available day was used for that... I went three months without a single day off at one point.

I'd sit up late staring at the script. I was in a dark, dark place. Overwhelmed, exhausted, and feeling like I lived in an eternal present. Each day bled into the next and it didn't feel like there was an end in sight. That feeling of unreality was heightened because we kept returning to the same sets, same locations, and even the same scenes throughout the 100 shooting-day production. Stepping back into the exact room we had shot in days or weeks or even months ago made the whole thing feel absolutely surreal. Making movies is always an non-linear experience, but this one felt particularly so... it was like the days of our lives were happening to us all out of order.

I remember feeling something like despair creeping into my daily experience on the show. And I remember dwelling on that when I got into the scene work of episode 10.

As I worked through the draft, I recall that despair coloring a lot of what was on the page. My filter was breaking down. There's a monologue at the beginning of the episode where Steven's wife Leigh (played by my dear friend Samantha Sloyan) spews out a torrent of eviscerating insults about Steve's value as a writer. That is just me vomiting onto myself. She was voicing all of my deepest insecurities about myself at the time, and of what I was doing with this series.

She says "Is anything real before you write it, Steve? The things you write about, they're real. Those people are real, their feelings are real, their pain is real - but not to you, is it. Not until you chew it up, digest it, and shit it out onto a piece of paper and even then, it's a pale imitation at best."

This was the mindset I was in for a lot of the shoot. The writing became a reflection of a lot of that turmoil, and I knew who I was referring to in that monologue - I was talking about my family. I was talking about how much of their lives I'd used as building material for this show. I was talking about the fact that I'd lost two loved ones to suicide, and seen what it had done to my mother in particular. And I knew I was using - possibly even exploiting - those people for this series.

There's a lot of despair in this episode. The Red Room, as we conceived it, was a place that would feed upon those emotions. Grief, sadness, loss... those were the real ghosts of our series, and where our characters find themselves at the start of the finale. They're being slowly digested - eaten alive - by those feelings.

So finally, it came time to write Nell's final scene with her siblings. I knew from the outline we'd constructed in the writers room what this was supposed to accomplish - she was supposed to be their salvation. She was supposed to take all of these feelings that we'd been wrestling with and finally provide catharsis... finally say something that would free everyone.

I remember sitting with a blinking cursor for a long time. The Crain siblings had just turned and seen Nellie standing by the door, and suddenly were able to hear her speak. But what should she say? What would I say? What would I want someone to say to me?

What she ultimately says lays bare a lot of what I was thinking about when it comes to grief. It exists outside of linear time, much as I felt I existed at the time. That sense of eternal present, that sense of a nonlinear eternity of moments and memories - it all came out in her speech to her brothers and sisters.

I remember feeling, looking at my insane present and looking back at my past, how strangely overwhelmed I was by memories. That I wasn't experiencing time in a straight line, and hadn't been for a while - for the better part of a year, I'd felt more like I was standing in a whirlwind of moments. "Our moments fall around us like..." Nell said, and I recall sitting back and trying to find the words.

"Rain," for certain, but there was something too uniform about that. The moments of life as I experienced them weren't that orderly, they weren't that small. They didn't fall the same way. Some sailed by, fast and unremarkable, while others lingered in front of me, twisting and stretching. So it was a good word, but not the right word. I left it on the page though.

"Snow" was my next attempt. Better, in that I imagined the snow blowing in the wind, swirling and dancing and feeling more organic. More chaotic. More like life. But for some reason, the word that stuck with me, the word I felt Nell Crain would connect with was...

"Confetti."

And that was because I was thinking not of Victoria Pedretti at this point, but of Violet McGraw.

Violet played Young Nell, and I wondered what she might have said if she experienced time this way. As an adult, Nell was despairing. Nell was overwhelmed. But as a child... there was an innocence to the word. There was a joy to the word.

I imagined moments falling around her, this little girl with the big smile and the wide eyes. Her moments would be colorful. They would be of different shapes and sizes, some falling fast and some falling slow, flipping and turning and dancing in the air, independent of the others. Sparkling, whirling, doing lazy summersaults as they sauntered down to Earth.

I thought of myself, and of the members of my family. I thought of those we'd lost. I realized what I hoped for them, and for us all, in the end... was to look upon that mosaic of experience, that avalanche of days and minutes and moments... and to smile with some of the joy we had as children.

And this, I thought, was something that gave me hope. This gave me a glimpse of some kind of salvation for them. This was also how I hoped my life might seem if I was a ghost - a cascade of color and light and shape and movement, something I could dance in.

So Nell smiled and said... "or confetti."

It stuck with me. The rest of her monologue gets heavy again, and gets to the real point of the show - the point of the whole series, if I'm honest - and that's forgiveness.

I figured the only thing that would let the Crain children out of the Red Room was to be forgiven. I thought of the losses in my own family, and I thought of what I wished for my mother and for my aunts and uncles and cousins and I tried to pour that into her final words.

"I loved you completely, and you loved me the same," she said, "that's all." And this was the point I wanted the most to make. That at the end of our life, if we can say this about each other, the rest doesn't matter. The rest is that rainstorm, or that blizzard, that fell around this one central truth, and maybe built itself in piles around it, to the point we lost sight of it along the way.

And I thought again of that little girl, and almost as an afterthought, wrote "The rest is confetti."

I liked the way it sounded, but I was insecure about the line. I almost took it out, in fact. I remember asking Kate to read the scene and talking about that last line with her. "Is it too cute?" I wondered. She was on the fence. "Depends on how it's acted," she said, and I figured she was right. We could always take it out if it didn't work. The scene could end with "I loved you completely, and you loved me the same. That's all."

Why not shoot it and see what happened.

I turned in the script, we published it quickly so that we could start breaking it down and prepping it. And the next morning I was back on set. I'd deal with episode 10 when it came down the pipe again, sometime in the coming months. We had a lot of shooting to get through before I had to worry about it.

I recall Netflix asking me to cut a lot of that monologue, and I remember them also having questions about the "confetti" line. I pointed out that it didn't cost us any extra to shoot it all, it was only words, and fought to keep the script intact.

Ultimately, they insisted I make a series of cuts on the page. I begrudgingly agreed, but left Nell's speech alone. I made superficial cuts around it, throughout the draft, and even considered changing the font size to fool them into thinking it had gotten shorter (I ultimately was told I wouldn't fool anyone and not to risk starting a war). But Nellie's final goodbye stayed intact.

It must be said - Victoria Pedretti SLAUGHTERED this scene.

By the time we got around to filming it, things had never been worse for the production. There was almost nothing left for a lot of us. Tensions were sky-high, resources had been exhausted completely, and we were all ready to give up.

Filming in the mold-ridden Red Room was depressing, morose, and led to a lot of arguments and unpleasantness. The room itself just felt gross, always, and we were in there for days at a time. The last thing we had to shoot in there was Nellie's goodbye.

Victoria came to set having to push through pages of monologue, and she did so with captivating bravado. I recall being teary-eyed at the monitor watching her work. And when we finally made it to the last line, I watched her deliver it with... a smile. A sincere, innocent, longing, joyful smile. A smile informed by the sadness, grief, and loss of her own situation, of her own life... but a smile that finds forgiveness and grace after all. Pedretti knew how to say the line, and how that word would work.

And as she said it, I knew it would stay in the show.

Over the years, that sentence has become something of a tagline for The Haunting of Hill House. I'm always a bit mystified and touched when I see people approach me with the line on T-shirts, or even tattooed on their bodies.

I started signing it with autographs back in 2020 after enough fans asked me to. Now it's my go-to when I sign anything related to Hill House.

The line, for me, represents a lot of things.

It's about the insane, chaotic, non-linear experience of making that show. It's about trying to find and hold onto joy, even in the grips of despair.

It's about the way the moments of our lives aren't linear, not really, and how we may be unable to understand them as we exist in their flurry. It's about finding hope, innocence and forgiveness in the final reckoning.

And it's about how, outside of our love for each other, the rest is just... well, it's fleeting. It's colorful. It's overwhelming. It's blinding. It's dancing. And, if we look at it right, it's beautiful. But it's also light. It's tinsel. It flits and dances and falls and fades, it's as light as air.

The rest is the stuff that falls around us, and flits away into nothing.

It's the love that stays.

[eunnieboo]

IYHM ask replies! (2/3)

🌸 @csevet asked:

hi my copy of iyhm just came in and my fiancee and i snuggled up and read the whole thing cover to cover and CRIED!!! i love when lesbians 💕💞💝💗💝💗💘💞💖💗💝

AHHHHH thank you SO much!!! OMGGGGG 🥺 live laugh lesbian..... 💞💗💖💕💖💞💕💖💗

🌸 @chrysalis-the-butterfly asked:

I read If You'll Have Me a few months ago and I loved it! Your art is so pretty and Momo and PG are such cool characters! 🥰 If you're okay with sharing, I'd be interested to hear what inspired you during the creative process? Were there any pieces of media or any other characters which influenced the formation of Momo and PG? Or did you do your own thing?

oh my gosh! thank you!! i really love character interactions and relationship dynamics, so i wanted to depict two girls who seemed like opposites - one cool and laid-back, the other soft and sweet. after a while they started to take on a life of their own, and i thought it'd be wonderful if their story could evoke the feeling of a shoujo romance!

i had a lot of things on my mind when i wrote the script... friendship, intimacy, communication... communication can be so hard! sometimes it's harder with someone you're close to because their opinion is so important to you. and what happens when you've got a character who's non-confrontational and has low self-esteem + someone who prefers actions over words, and would rather burn bridges than admit to feeling vulnerable? how would they get past that? i wanted to write their flaws as believable, and how their life experiences have shaped the way they think about themselves / the way they respond to personal conflict... but also how they learn from each other and grow ❤️ tysm for the question!!

@bisexualgoof asked:

Hi Eunnie! I just finished reading “If You’ll Have Me” and let me tell you, it was spectacular! I saw it in a local bookstore the other day and it was a no brainer to grab. The characters are so fun, the story is beautiful and heartfelt, and honestly every character is attractive… I especially fell in love with the pages of the books without words, especially 312-313, it made me cry. Such beautiful art! I related to PG’s annoyance with her long hair, I felt very seen with her comments. I’ve definitely said “I’d like to forget” so many times myself, right to my butch heart haha. Thank you for sharing this story with the world, and thank you in particularly for your acknowledgment at the end of the book, it made me feel seen. What an amazing love story, hope to see more of this adorable couple in the future!

oh my goodness!! this is so lovely and wonderful and ahhh T_T thank you so very much. it's such a dream, having these girls be out in the world with their personalities and backstories revealed at last! and i'm so happy to hear about the cast and side characters, i love designing people hehe ♥ i'll definitely keep drawing this couple, alongside more sapphic couples that are to come 😍 thank you!!

🌸 @skittles-rainbow-cat asked:

HI HI HI!!! you’ve been one of my fave artists forever and i just got done with iyhm and it’s sooooo amazing im in love with it. also i think strawberry blonde by chloe moriondo fits mono and pg very well :] i hope you’re having a good day and thank you for all your art it heals me in many ways <3333

HIIII omg!!! thank you so much! this song is so cuteeee oh my gosh this line:

Takes my hand in hers when the lights aren’t on Smaller than mine and oh god I am gone

it's so sweet ;_; thank you forever, i hope you're having a wonderful day!! <3 <3 <3

🌸 @lord-of-the-froggies asked:

Howdy Eunnie! I know you're probably swamped with work right now, but I just wanna let you know that I got my copy of your book today!! I'm gonna start reading it right away, it looks and feels amazing. From a fellow Washington artist to another--congratulations on such a huge achievement!

yay hello fellow washingtonian! and fellow artist!! thank you so much for your kind words 🥺 and i'm so glad the book got to you safely! wishing you a happy read~

🌸 Anonymous asked:

I just found your art today and after scrolling through your stuff I went and pre-ordered your book. I'm so excited!!

omggg thank you that means so much!!! ;_; <3

🌸 @ddooyoung asked:

I got my (signed!) copy of the book, and I love it SO MUCH. It's everything I was hoping and more. I love finally getting to know them, especially Momo. Since the first time I saw them, I thought Momo was a lot like me and now I have confirmation 😆 Thank you so much for writing such a wonderful story!!! I'm excited for everything you do 💗

WAHH thank you so much!! yesss i'm so overjoyed to finally share their story after so long! i hope the signature turned out okay, i was very nervous signing books for the first time (shaky hand and everything) 😱 i think next time it would be fun to make a custom stamp and stamp a doodle next to my signature hehe. thank you again!!! 💕

🌸 Anonymous asked:

I somehow missed the news about your having created a whole damn book?? was just flipping through yu & me books's holiday gift guide and did a double take when I saw priscilla and momo!! zoomed in and sure enough, there was your name at the bottom! congrats on ihym and congrats on being featured on rec lists from shops as cool as yu & me 🎉😍

omggg thank you thank you!! 🥰 AHHH yu & me books looks so amazing! i've been to new york just once but if i ever get to go back i have to visit them... i'm always looking for indie bookstores to throw my money at 😤

🌸 Anonymous asked:

1. Will there be an “if you’ll have me” sequel? 2. Is Momo her full name or a Nick name? If it’s a Nick name what is her full name? Thank you i love your work! ❤️😊

ahh there's no sequel planned as of right now! but i'd love to make one if i get the chance... i have some ideas that i think would be fun <3 and momo gardner is her full name! i liked gardner because it made me think of flowers ☺️❤️ thank you so much!!

🌸 @upsidedown-shadow-dreamer asked:

Hello, long time fan here. If You'll Have Me was delivered an hour ago and I've already finished my first read. OMG it's AMAZING. I love the story, the beautiful art, the inner thoughts, the pacing, the page color changes for back story… Just major WOW. I hope you are so proud of this work. I'm already looking forward to reading it again. Thank you!!!

this is sooooo AHHHHH T_T i'm in tears. i can't tell you how happy and thrilled i am to hear this!!! it's so encouraging and uplifting and ahh!! i want to make more stories... and just knowing that this book will be read by the same person more than once, omg! it's truly the highest of praise. thank you from the bottom of my heart <333

🌸 Anonymous asked:

Hello!! I just remembered I could borrow graphic novels as e-books from my local library, found IYHM, devoured the entire thing in one sitting, then went through your tags so I could look at all your other IYHM art, and I was wondering if you'll make more stories about Momo and PG because I can't get enough of them! Absolutely obsessed with these two and I love seeing them so happy together 💖💖💖💖

hello!! oh i'm absolutely over the moon about this! i can definitely see myself making a follow-up book if i'm so lucky 🙏 but i'll keep on drawing more minicomics and illustrations no matter what!! thank you so much for this wonderful message 💕💕💕💕

🌸 Anonymous asked:

hi!! love love love your art!!! do you think we can expect to see another graphic novel about momo and priscilla in the future?

🌸 Anonymous asked:

I’ve read IYHM so many times already and I absolutely loved it!!!! Are you planning on writing another book with Momo and PG? Is is there a way we can buy more of your stories?

thank you both so much!!!! <3 a sequel is actually one of the ideas i pitched for my second book! my editor cautioned against it in case IYHM didn't perform well, so i ended up going in a different direction - but my fingers are crossed for future opportunities 😤 realistically, it will probably depend on sales... but for the record, i'd want to do one regardless of the numbers...

i have one more book coming out, which i'm working on right now! the timeline is a bit up in the air atm but i'll try to keep everyone posted. making a book is so slow but i'm so grateful to you all for waiting 🥺💛

🌸 @randomqueernoun asked:

Do you make webcomics for other apps/websites? If yes where can I find them and what do I search in them to find your comics?

ahh not at the moment! but thank you SO much for the interest! one of my biggest goals right now is to set up a website where i have all my work in one place, and that would definitely be the place where i post future webcomics 👀

also, just as an aside... i want to make webcomics so bad. i think after my next book, i might take a break from traditional publishing to do that. sometimes i can't believe i'm drawing hundreds of pages i can't post... i'm like, how are people supposed to read this if i can't show them? how will they know?! ahh it kills me... but yes... someday!!!

part 3 to come~

[directdogman]

Dogman, how do you write SO WELL!?!? I love all your characters and I need to know what/where you find inspo from...

Ha. Every writer is just someone who apes the creative processes of their inspirations. For video game writing specifically, there's two answers for me.

Toby Fox is always gonna be a huge inspiration for me. I've written plots and characters before and had to abandon ideas after realizing I'd accidentally written part of UT again. Even some of the ideas I used were undeniably inspired by UT in a subconscious way and ofc, I included several explicit references to UT in my last series. Toby's a very clever guy who likely pays very close attention to the art he consumes and tries to figure out how to maximize how much his work connects with his audience. Whatever his process is, it works.

The other answer is a lil funnier: Scott Cawthon, but specifically the legend, not the man. For context: Back in the earlier days of the FNaF fandom, people had a hyper-inflated view of Scott Cawthon's writing skills that largely came from how little of a presence he had back in those days. In the vacuum of Scott actually explaining his own process in detail, people got caught up in his genuinely creative way of hiding exposition in his games using cryptid and (then) unexpected methods, and a narrative formed (one that he's since refuted.)

While he never implied it tmk, fans broadly believed that he constructed these sweeping and complex narratives with tons of cohesive moving parts, with the games essentially acting like the mere tip of his lore iceberg. People even thought he wrote so much that he had whole games worth of lore outlined from the beginning! In the first Dawko interview he gave, he clarified that this wasn't the case and explained roughly what his process was (basically just outlining rough theme ideas + aesthetics for future titles.)

However, that legend made younger-me's mind run wild and any time I wrote a story, it became very difficult for me to not keep writing down ideas while completing the grunt work that followed me finishing my scripts. When I finished DSaF 1, I already had DSaF 2's draft written and by the time 2 was done, I had enough lore for a 3rd game on paper (and a lot more stuff that I didn't use.) By the time three was out, I had pages upon pages of unused concepts/story ideas and more or less just had to decide to call it quits or else I'd be pumping out entries forever!

That's why if you go back to those older games, there's references that directly refer to future plot-points in pretty casual/easy to miss ways. (Like Henry's mention in DSaF 1, Dave being heartless in DSaF 2, Jack being soulless in 1, and even Blackjack being Jack's soul in 2. Most of 3's major plotpoints are implied somewhere in 2 and some of 2's in 1.)

DT is much the same. By the time I finished writing it, I had fairly detailed drafts for arcs for each of the characters, some early material ended up getting completely recontextualized (and even modified in small ways to not conflict with the wider ideas I came up with.)

I get really into writing my stories/characters and I always wonder exactly how things ended up where they are, what characters think about but don't say, etc etc. This is why I have an obscene amount of Crown lore that I have very little to do with rn (since he impacted the whole world so deeply.)

This extra stuff also includes plenty of sequel material ideas, though I didn't think I'd even get a chance to use them since DT performed pretty meagerly before the big release and I was expecting to have to move onto something new. Though it turned out that Scott didn't actually write his games this way (by his own admission), it's the correct answer for what my core writing inspiration for writing game narratives is.

Hope this helps!

[theamazingdigitalraceway]

Just read the latest chapter and I must say I do believe everyone deserves a break, and by that I mean why not just let them relax like if they were all actors. Maybe have Abel be what he wants from the 4th wall ask so there isn't any tension, it's just a fun non-canon event to wind down.

BREATHER

A RACEWAY AU ONESHOT

WARNING: none

~~~

"CUT!! Good job everyone, that's a wrap for today." The Author closed her notes for episode 13 of The Amazing Digital Raceway TV series.

As the set crew turned on the overhead lights to start cleaning, Seth tossed his newly lit cigarette and coughed. "Ugh...how much longer am I going to have to pretend to like these things?"

Pomni unzipped her tracksuit to the waist, took off the top half and tied the sleeves around her waist. The tracksuits were hot under the stage lights, so she was much more comfortable in her black tank top underneath. "You know you don't actually have to smoke those, right? They'll edit it in post."

"I'm a method actor. I can't work with this unless it's actually lit."

"...then don't inhale. Really, this is a you problem."

"meh, meh, meh. Shut up." He grabbed her jester hat and shoved it down over her eyes.

"Reeeeal professional." Caine walked up, still covered in electrical burn makeup. "You staying in character or something?" He handed a bottle of water to Pomni.

"Like I said, method." Seth dug around in his pockets for items to give back to the prop department. As he searched, a phone rang in his pants pocket.

Pomni gaped. "You had a cellphone on you the whole time!? AND IT WAS ON!? You could have ruined the scene!"

Seth took out his modern flip phone, ignoring Pomni, and answered it with a smile. "Hey, baby. Yeah, just finished up." He started walking away, paying no mind to Pomni or Caine. "Have you heard back from the Author about your audition? Yeah, I told her if she needed me to have a love interest, I would prefer it be you."

Pomni rolled her eyes. "I can't believe that's guy's your brother."

Caine raised an eyebrow. "He's not."

"But he looks just like you."

"I know, but we never knew each other before the casting call. Wild coincidence." Caine finished his water. "I was wondering...after we finish up here, would you like to join me for drinks? I know this really nice pub."

Pomni smirked. "Now who's method acting?"

Caine chuckled, blushing under his makeup. "Nah...no acting. Just, I think... I don't know...I've felt some chemistry here. I'd be very interested in getting to know you outside of work."

Pomni smiled sincerely. "I'd like that."

~

Gummigoo grunted as the makeup assistant took out the bright blue contacts that covered his whole eye. "These bloody things are awful." There was some relief with the eye wash, but not as much as he'd like.

"Sorry you have to deal with that." Abel said as he glanced over the script draft for the next episode. "But it looks like you're going to be wearing them for a while. Uh, good news, you're getting a costume change at least. Says here you wear a black tracksuit. Don't know why the Author waited an entire episode for the wardrobe change. Seems like an afterthought. I would've changed the moment I reincarnated."

Gummigoo shrugged. "Maybe the Author is taking details like that slower. I mean, think about it. You've supposedly been stuck in the walls for 15 or so years and you jump into the mainframe head first. Did you expect to know how to do things from the inside right away? Your character has never done that before. He doesn't know how to be 'god'."

"eh....I guess you're right." Abel tucked the script under his arm and saw Ragatha walking by with Jax. "Oh hey, you two alright? That was some intense stunt work today."

"I'm fine, dear. Don't you worry. Jax, however is-" Ragatha was cut off by Jax hurling into the barf bag. "...not doing so good."

Jax groaned, "The world is spinning in the wrong direction."

"And you said you could do your own stunts." Ragatha patted Jax on the back. "I'm taking you to the on-site medic for some help. You need to sit down. See you later Abel, Gummigoo." She waved to her co-stars and escorted Jax away.

"Crikey, I'd hate to be him right now." Gummigoo shook his head.

"Yeah...so, anyway, I also wanted to ask: HOW have you been able to hide your Australian accent the entire time you're me? You sound so different." Abel wondered.

Gummigoo laughed. "Lots of practice and American movies."

~

Kinger was a little sore from today. The crashes were a bit more intense than originally intended. But, without complaint, he made his way to wardrobe to change, where he came across Loo. "Oh, hello, Loo. Did you have fun today?"

Loo pouted, "No...I didn't even have a line this episode. I feel like I've been on the story less and less. My character feels so...useless."

Kinger sat next to her. "We don't know what's coming next. I'm sure the Author will figure something out. She's one of the most passionate directors I've ever worked with, and I've been doing this for a long time."

Loo sniffed and wiped her face. "I think she should just kill off my character and let me go home. I'm not needed here."

"Hey," Kinger said gently, taking her hand. "Yes, you are. Every character is important, even the background ones. They flesh out the story and give the audience different perspectives on character struggles throughout the plot."

"What about Bubble? They left after episode 12, and I haven't seen them-"

"Bubble's on hiatus. They had to be written out for a bit. Nothing to do with how useful they are. Don't compare your performance to the others. The sooner you stop doing that, the better off you'll be in this industry."

"...okay..."

"You're young, beautiful, talented and hard working. You'll go far, I just know it." Kinger gave her hand a reassuring squeeze.

"Thanks." Loo wasn't fully convinced, but she was grateful Kinger was trying.

~

"What do you mean you haven't heard back!?" Gangle screeched angrily into her phone at her agent. "I am a Shakespearean trained actor! I have a repertoire longer than all these other actors combined!! Well, maybe not Kinger, BUT STILL!! How have you come up with nothing!? You have 48 hours to find me a new offer or you're FIRED!!"

Gangle almost threw her phone. She couldn't believe it. Years of training and child acting and this backwater TV show was all she had for work. She could do SO much better than this. She DESERVED better than this.

She dialed a new number with tears in her eyes. "...mom? The agent you got me is useless! I'm still stuck with the TV show! I-...yes, it's popular or whatever, BUT I'M NOT THE MAIN STAR! I auditioned for the lead role and I got side-charactered! It's not fair!!" Gangle whined and cried, pulling the bow out of her hair in frustration.

~

Zooble was about to leave for the day, but was flagged down by the Author. "Hey, what's up?"

"A lot, Zooble." The Author sighed. "I need to touch base with you about your role in the next episode. Have you seen makeup and wardrobe about-"

"Oh, yeah, I have. They got the latex molds done. My new look should be done by time you're ready to film my scenes."

"Excellent. Best news I've heard all week."

"You look like you could use a drink." Zooble half joked.

"I really could, but I can't. I have too many projects that require my attention. My producers for Unseen are breathing down my neck for the next script. Not to mention co-witing for the Time Capsule and Harlequin shows. Sometimes I have time for spinoff scripts. Those are fun." The Author runs her hand through her hair.

"Wow. Maybe you're taking on too many projects at once? Take a break. Have a drink."

"....maybe. Once I get-" The Author's phone rang. "Excuse me." She stepped away and answered. "Hello?"

A smooth male voice came though. "I read the script. The answer's yes."

The Author could dance in place. "That's wonderful! I'll have the other drafts sent your way. Thank you for calling me yourself. Your agent was rather uppity about letting me even offer the role to you."

The man chuckled lightly. "He's a card. No, I like this a lot. You can count me in. In fact, I'd very much like to discuss my role in person. Are you available tonight?"

The Author almost dropped her stuff. "I am now."

[sarascamander]

Reading the cursed child (scorbus, norvelize version in a03). I read the script years ago when I was 11 (funfact it was the first harry potter book I've ever bought). So I'm rereading it again because I have a scorbus brainrot suddenly (11 y/o me shipped Scorpius and Rose so hard but now I grew up let just say my taste had change lmao).

List of thought gonna go longer as I read:

- yo Albus surly personality is basically me when I was 15 it was like looking into a mirror. Hold on there baby I understand you 😭

- I want to write a whole essay on Albus and Harry's relationship. They both are so precious but they just have a hard time with each other.

- Scorpius is the sunshine most sunshine cinnamon role ever. I would kill for him. I would die for him.

- ALL THOSE BULLY BETTER STAY THE FUCK AWAY FROM MY OUTCASTS BABIES.

- “And be my good friend.” what if I die.

- why do people love to torture the cinnamon roll??? I want to hug Scorpio so bad like baby you deserve the moon and the sky and the world. And the fact that he's still trying to be so cheerful and optimistic. THE WORLD DOESN'T DESERVE HIM.

- Albus and Harry's father and son angst is killing me but it is also so delicious I relish in it (it's just so complicated I love it).

- "you’re kind, Scorpius. From the depths of your belly, to the tips of your fingers." Is the sweetest thing I've ever heard anyone said. I love this quote so much I want it tattooed on my forehead.

- Again, Scorpius deserve the fucking world.

- Scorpius and Draco's relationship is SO GOOD, SO PURE, SO SOFT. They love each other so much 😭

- brb I'm going to cry at the fact that Dark AU Ron and Hermione die in such a terrible way a few minutes after they finally confess their feelings (they were scared). 😭😭😭😭😭😭

- Snape is so dramatic. Girl "you're giving up your kingdom for Albus... All it takes is one person." he made it sound like they're in a romance fantasy novel (they are).

- Head empty. Scorpius happiest memory with Albus is strong enough for him to produce a patronus.

- Scorpius is once, again, a cutie pie that deserves everything.

- Delphi is more manipulative than I realized when I first read this lmao.

- GIRL the way Albus said that he and Scorpius ran away to start a new life in the muggle world as an excuse — what do you mean you're eloping at 14??? (Out of chronological order but I just remembered this)

- Delphi when I catch you —

- Never thought I'd be rooting for Draco and Harry duo yet here we are (did I say I love Draco as a dad?? I don't think he's appreciated enough. He's a brilliant dad! THIS is his best redemption arc).

- "What did you say to our son, Harry?" GO OFF QUEEN (Albus is a confirmed mommy boy)

- RON WANT TO MARRY HERMIONE AGAIN. I don't quite ship them in the book/movie but they're just the sweetest in here 😩😩

- I just had the sudden realisation that Scorbus might be the only couple that I ship in hp that is so close to canon (and was canonised by some play if I heard correctly).

- that time where they were in godric hollow and Scorpius was surprised that Albus never knew the full story of his grandparents or visited the place just bc he was being a petty, moody uninterested teenager hit so hard (he is me and I am him). And the shame he felt was real too. I always regret those years in my life where I acted like that and I don't even have a daddy issue like Al did, what's my bloody excuse lmao (I blame fucking hormones) 😩😭

- okay so finished it!! When I was a kid I don't quite like the time travel thingy and find it very confusing but I think it's because it's a screenplay yk, and it was meant to be watched not read. But the novel version did help a lot (and I give the author my hundreds of gratitude, her writing is absolutely beautiful! And she captured the characters perfectly! If you're scared to read The Cursed Child, read her novel version in ao3!!!).

I'm surprised that I actually love the plot more than I thought I would. Yeah it can get a bit unrealistic at times but all in all it's very entertaining and Albus and Scorpius are very well written, very rounded and nuanced characters that carry the book. I'm glad their parents didn't overshadow their personality etc (like them being mini-copies of Harry and Draco). They're their own person and I love that about them!!

They're not Drarry or even Jegulus as I've seen people say, they're in their own league. There are no enemies or hatred or tension between them; Scorpius and Albus genuinely like each other so much from the first they laid their eyes on each other and I adore them for it.

I read a theory that Albus was sent in Slytherin because he subconsciously wanted to be in a house with this kind boy met on the train and it made me want to cry (they were made for each other). (Although I do think Albus have many Slytherin traits, Scorpius I was less sure he screamed Hufflepuff/Ravenclaw to me but admittedly he can be cunning to).

So yeah, I don't think it's that bad as everyone said (and my 11 y/o self). It's fun and I actually cried a lot at the end of it (I have to watch Jily die, do you have any idea what that did to me???) (I don't even ship them but i swear this book set me to default back to canon).

I really want to watch the play, would die for it but it's impossible and I can only dream.xoxo

[anchorandrope]

happy pride to my hands your hands tied up like two ships i don't care what people say when we're together oh i will carry over fire and water for your love the script was written and i could not change a thing i said hey it's alright if it makes you feel alive and every jaw drops when she's in those jeans there will always be the kind that criticize but i know yes i know we'll be alright so i built you a house from a broken home i'm all yours i've got no control no control it's been so long it's been so long maybe we're fireproof used to sing about being free but now he's changed his mind if you like to do the things you know that we shouldn't do then baby i'm perfect the priest thinks it's the devil my mum thinks it's the flu but girl it's only you for your eyes only i'll show you my heart the summertime and butterflies all belong to your creation so many nights i thought it over told myself i kinda like her but there was something missing in her eyes same lips red same eyes blue same white shirt couple more tattoos wherever i go you bring me home in a black dress she's such an actress yeah so you can cut me up and kiss me harder you can be the pill to ease the pain im just like you if you only knew now i'm asking my friends how to say i'm sorry they say lad give it time there's no need to worry i know that you're scared because i'm so open breathe me in breathe me out i don't know if i could ever go without i get so lost inside your eyes would you believe it? so bright sometimes shine i'm not ever going back don't blame me for falling i was just a little boy i couldn't want you anymore kiss in the kitchen like it's a dance floor staring at the ceiling two weeks and i'll be home we were only kids just tryna work it out wonder what they'd think if they could see us now i've been looking back a lot lately me and you is all i ever know and it's been ages different stages come so far from princess park waiting to wrap your legs around me and i know you hate to smoke without me cause you're the only one when it's said and done and i'm too tired to be tough just wanna be loved by you it's a church of brunt romances and i'm too far gone to pray in a strange way we're all in this together been this way forever you're not the only one but i'd follow you to any place if it's hollywood or bishopsgate i'm coming too if i was a bluebird i would fly to you stay green a little while you bring blue lights to dreams do you think i'm cool too? or am i too into you? maple syrup coffee pancakes for two you lay with him as you stay in the daydream you feel a fool you're back at it again i take you with me every time i go away in a hotel usin' someone else's name when we're finished saying nothing can we please get back to lovin'? i don't wanna face the music but i still wanna dance with you but the friends we make the love it takes is worth is worth is worth it all the time my heart might be broken but i won't be broken down you and me until the end wakin' up to start again fabricated fairytales bring a new world to life there were problems in this empty bottle at the bottom but we drained all that you should be startin' at the sky the birds just passin' by love spent my whole life thinking i had to change

[inspo]

[ravenstargames]

✦ Lost in Limbo Devlog #10 | 04.01.24

And just like that, March is over! We are heading into a very busy April, but as nervous as we are about it, we are also pretty excited. This month has been full of newly accomplished goals, new challenges, and wonderful milestones! Let's jump into it, shall we?

<<There’s not much information about the figure that greets you in a mysterious occult shop. The only known thing is that they were the beginning of everything…and also the ending.>>

This month we finished the rework and the sprite of the first character you'll meet in the demo! They're as mysterious as they're charming, which makes them specially dangerous...

Also, we finished March with a boom! We opened a casting call to add some voiced lines and soundbites to the demo. We have received a lot of wonderful auditions, more than we expected! It has been overwhelming (in a good way) and so exciting to finally get to this stage of the demo's production! ; v ; Also, as always, Raquel has outdone herself with the artwork—just look at these two! 💜

Another background finished by our wonderful Airyn! 💜 This is one of my favorite ones (I'm afraid I'll say this about every background Airyn works on, but oh well), so now the only step left is to animate it! There's three backgrounds left (all of them in progress), so we hope this month we can make good progress on them!

Coding-wise, the script is almost fully coded. Almost. Ten pages left. Then, I'll start polishing everything—transitions, animations, sprites, some finishing touches on some screens...But honestly, seeing everything finally come together is quite moving. Being super positive, we'll start looking for beta testers at the end of the month for windows and mac. Sadly, I'm not sure if we'll be able to test mobile at the same time, but we'll see! I'm going to work so hard to achieve it!

We are soon starting the legal process to make Ravenstar Games official. We have been looking for information and professional advice these past months to make sure we do the whole process right, as it's a huge (and scary) leap for all of us. As you may or not remember, we started this as a passion project to be able to work the job of our dreams. Everything we have is either made by ourselves or paid with our personal savings, as only one of us has a steady job. It's terrifying to think we are going to do this, to invest what little we have in something we are passionate about but that could sadly not bear any fruit. Of course, we are staying positive and will work as hard as we have been working to make it happen, but doubts and fears arise every now and then! 💜

Also, our masterpost has been updated! Now it matches our itch.io page. There's more info I'd like to tweak here and there, but the important stuff (the premise, duh) has successfully been updated!

We have also started to think about the Kickstarter, as we are getting very very close to the demo release and we want to take as much advantage as possible of the momentum the release may give us. I don't dare to give a date yet, but we are very, very close ; v ;!!!

What a wonderful month! I'll never get tired of saying that. Everything is going great for us and the success of the casting call has given us the little confidence boost we were lacking. Well, at least when it comes to me—blame it on the OCD! As the director and the one who manages all social medias, I'm always worried of my performance, but the team has been there for me whenever I have doubted my abilities. I can only hope April proves to be as fantastic as March has!

Thank you as always for reading, for supporting us, for being there. It means the world to us. Take care, stay hydrated and healthy, and let's see each other next month! 💜

[yourfathersmustache]

About how long did the first drafts of each page take? What was the deadline for getting pages completed?

I've gotten these types of questions a few times, so sorry if i dont answer everyone individual... i'll highlight these types of questions! First off I wonder what all you think how long it takes, from start to finish, on a comic page? You might hate them and think it takes a day or two, or you marvel at our work and think we spent a month on some (haha) My sketch layouts - I try to finish a page a day. I get the scripts from our narration team (TNT aesop). I do a rough layout of the whole chapter before showing them to see if they have any feedback in mind. After that I tighten up the sketch some more to get final approval. I hand them off to our clean up team to finish, and their deadline is 3/4 days. We are all working on other things as well, so 3 full days might be 2 weeks after a few notes and revisions!

adobe-outdesign asked: how do you handle the interactive/rollover elements for the comic when it comes to the initial sketches? Also, do you have any say in what is/isn't interactive, or is that decided by someone else? When the art comes back, I have to set up the rollover buttons: with the fade and speech bubbles pop up. If characters move/shift, thats something i might do last minute. I'd like to do it alot more, but time is tight and many users are just quickly collecting the prize and moving on. Then we upload and test its working, assign the prize for the comic and there we go. Its a long progress. In a sane world it takes a full week per comic... but with multiple projects and hands on it, theres no real answer! Shout out to @animatedshorts for the nice questions and comment. I worked in animation too and feel ya on deadlines!

[thescarletnargacuga]

PLAY PRETEND

A BUNNYDOLL ONESHOT

WARNING: unhinged Ragatha, SO much digital violence, NPCs die

~~~

"CUT!! No, no, NO!! Do it again! Do it right!" An NPC wearing a ball cap labeled "Director" threw a script down on the ground in frustration.

Jax dragged a hand down his face. "We've done this scene 87 times!!"

"And we'll do it 87 more times if you don't do your job and act right!" The NPC gripped the arms of his chair, fit to break. "Go again! Reset!" The movie set came to life with activity. People rushing to reset props and touch up make up on the actors.

"Jax, please, just do what he says." Ragatha pleaded. She was as tired as he was, plus she was standing in bad heels the whole time. At least he got to stay barefoot. "We won't be able to finish the adventure until the movie's finished." She coughed when an NPC powdered her cheeks.

"I agree. This is getting very dull." Kinger said from his position next to them. "Just go with it and it'll be over soon."

"But why did I get this part? Why can't you be the groom??" Jax tugged at the tight tux collar choking him.

"Because I play the part of an ordained minister better." Kinger said matter-of-factly.

"I'm not exactly thrilled about it either, Jax. I'd much rather kiss Kinger. At least he wouldn't complain the whole time." Ragatha sneered.

Kinger had a smile in his eyes. He looked to the maid of honor and best man. "You two holding up okay?"

"My legs are numb." Gangle whimpered. The dress she was forced to wear was heavy on her spindly body.

"I should have stayed at the circus with Zooble." Pomni muttered. At least she got to wear a suit, so she wasn't too uncomfortable.

"Hey! Could we fix the best man's hair?" The director called out. "He looks like he just crawled out of bed!"

"I'm a GIRL!!" Pomni snarled, only to be ignored. Another NPC rushed to her and adjusted her hair.

Jax sighed and pinched the area where the bridge of his nose would be if he had one. "Shut up, you little cross dresser. Yelling at the moron doesn't do anything. Caine made the director a bit too passionate about his movie."

"Tell me about it." Ragatha crossed her arms. "I read the script, we're not even in the final scene! There's a whole other act that centers around our characters fighting a horde of mutant unicorns"

"Say what?" Jax gaped.

"Yeah, once the wedding scene is over, a horde breaks in and we fight. Pomni dies in your arms, Gangle escapes with Kinger but we break into the church's armory and fight them off."

"There's an armory??" Jax grew increasingly interested.

"Yeah? Did you not read the script?"

"Of course not, I have you to do it for me." He grinned. "Do you know where the armory is now?"

"Yeah, it's under the altar behind Kinger." She arched a brow. "Why?"

"Things are about to get interesting. Hey, D-man, we doing this scene or what?"

"If you're finally ready." The director answered incredulously. "From the top! Quiet on set! Camera! Wedding vows take 88 and...action!"

Jax and Ragatha held hands, believably happy looks on their faces. Kinger opened his book that had nothing on it. "Dearly beloved, we are gathered here today to join two hearts and souls to be one in the eyes of God." Kinger raised his hands up, light poured in through the stained glass window behind him that had Caine as this movie world's proclaimed religion. Pomni subtly rolled her eyes. "Mr. Smith, would you say your vows?"

Jax cleared his throat. "Maggie, you've been by my side bringing love and laughter into my life when I've needed it most. I feel like I've known you forever. Maybe even in another life. You have a heart of gold that I intend to have and hold forever. I love you."

The director looked at the script. Jax was improving some of his lines. At least the scene was still moving along.

Ragatha was blushing for real and completely forgot her lines. Jax was so convincing when he actually tried. She almost missed her cue and winged it the best she could. "Oh, Jack, my love. You have been my rock. When life was too much, you'd bring me back to earth and tell me...it doesn't matter. You've put things into perspective for me when my mind would run away. You've stood steady fast against the world, no matter what it threw at you. Your bravery is inspiring, I will always love you."

The director checked the script again. "What..?"

Gangle and Pomni looked at each other, but stayed in character.

"The rings." Kinger said and Pomni handed them to Jax. He slid the rose gold ring on Ragatha's finger and said, "With this ring, I ask you, are you ready to kick some [%$!#]?"

"Huh?"

Before the director could yell "cut", Jax kicked the altar over and pulled out the first weapon he could reach. A good old boot-zooka. He aimed it at the director and fired. The director dove out of the way in time for the boot to turn his chair to splinters, and the crew scattered screaming in terror.

"Grab the camera!" Jax ordered as he reloaded.

Kinger slid over as fast as he could and hoisted the cinema camera off its stand.

"Whatever you do, don't stop rolling! We're finishing this movie our way!" Jax fired again at the director, who took it to the face and was thrown through a set wall.

"This is insane!" Pomni grabbed a random weapon, it looked like a weird water gun.

Gangle didn't grab anything, she hid behind Kinger.

Ragatha could hear frantic neighing over the calamity. She saw horses with an inhumane amount of paint and prosthetics plastered onto them tied to a far wall. They were apparently the mutant unicorns they were supposed to fight in the next scene. She dug into the weapons and found a huge butcher's knife. She looked at Jax, who had run out of boots and was grabbing a shotgun.

"For once, I agree with you. Let's get these [%$!#]holes." She wielded her knife and ran to the horses.

Jax grinned so much, his face hurt. "[%$!#] em up!" Security came to control the situation and Jax leveled his gun at the first NPC that tried to rush him. The gun exploded and a roll of dollar bills hit the NPC in the chest, downing him. "Buckshot. Heh, I get it." He racked another bundle and fired.

Ragatha cut the ropes tethering the frightened horses. One by one, they ran in random directions. They galloped off in straight lines and didn't stop for anything in their way; not NPCs, sets, walls, or Pomni.

"Everybody run!! They're mad!!" An NPC, who Ragatha recognized as the one who constantly did her makeup by shoving powder in her face, screamed. "Oh, you haven't seen anything yet." Ragatha threw the knife and it lodged itself in the NPC's head. They fell backwards to the ground. "By the way, your makeup skills are TRASH!"

She never realized just how much rage burned beneath the surface. It felt so good to finally let go, at least in the moment. She'd probably hate herself later, but right now, she didn't care. She yanked her knife out of the unresponsive NPC and looked for her next target. An NPC was baring down on Jax as he was fighting off three others. She ran up and started chopping.

Jax turned to see the absolute ruin Ragatha had left the NPC in. She was huffing, her hair was disheveled, and gripping the knife like an axe. "Anyone every tell you you're gorgeous when you're crazy?"

She tucked her hair behind her ear and smiled at him. "Someone has now." She tore at her wedding dress; losing the sleeves and frills. She ripped the skirt so she could move faster. She blushed when Jax wolf whistled at her.

Pomni whimpered as she shakily held her gun up at some advancing security NPCs. She pulled the trigger and hot glitter glue shot out and covered everyone in front of her. They screamed until the glue hardened, turning them into glittery gooey statues.

"Atta girl, Pomni!" Ragatha encouraged.

Pomni did not share Ragatha's enthusiasm. "ARE WE DONE YET!?"

"Do you see a portal? The movie isn't over! Kinger! Get this in frame!" Jax shot another NPC in the leg.

Ragatha chased another NPC past a supply closet. She stopped in her tracks when the word flammable stuck out in her periphery. The door was locked, so she hacked away at the handle like a madwoman. She opened it to find stacks of crates marked for various pyrotechnics and explosives. She gave a grin that would make Jax proud. "Jackpot."

The director was coming to after being booted through the wall. He groaned and climbed out of the hole in time to see Ragatha come out of the fire closet with an oversized roman candle. She fired at some of the few remaining security. Multicolor balls of sparking fire rained down on her enemies.

The director tried to scramble away but the butt end of a shot gun punted him into the supply closet. He crashed into the crates, one dumping half sticks of dynamite into his lap. He looked up in fear to see Jax looming in the doorway. "You know, without that hat. You're no more distinguishable from the rest. You're nothing but an annoying hack rack." He flicked the hat off the director's head with the barrel of his gun.

"Please...please don't hurt me."

"Oh, I'm not gonna do anything. You see, my bride is a bit pent up. You're all hers." Jax stepped back and dropped his weapon.

As if on cue, Ragatha came over and jumped into Jax's arms.

Jax caught and held her like the battle bride she was.

Ragatha aimed the giant roman candle at the director. "And they lived happily ever after!"

"Mother[%$!#]!" Jax held tight as the roman candle kicked back. It sent three colorful fireballs into the pile of explosive crates, blowing them and director sky high. The explosion blew back Ragatha's hair, silhouetting her against the fiery glow.

Jax couldn't help himself. In the literal heat of the moment, he kissed her. He expected to be punched or berated but...she kissed him back. She dropped her weapon and wrapped her arms around his neck. His grip on her tightened, holding her close until the kiss came to an end. They parted only enough to look each other in the eye.

"You don't have to keep pretending, dollface." The usually degrading nickname held a tone of endearment.

"I think we should both stop pretending." She kissed his cheek. "I think this could work if we let it."

"Yeah....maybe it could."

Kinger cut the camera. With the movie complete, the portal back to the circus opened.

~~~

Thank you for reading! If you enjoyed it, please leave a comment or check out my blog for more TADC oneshots!

[wehaveimagineshere]

Request for Admin Ren! Could I request a scenario for Gale to react to his gender neutral crush accidentally saw him half naked because he was changing out of his dirty clothes? Their immediate reaction is to cover their eyes to look at the floor, apologise profusely, and leave! They're still embarrassed even when he finishes changing clothes but promised him that they would be more careful & tell them if there's anything he would like them to do to make it up to him! Please make it implied/suggested!

So I had to watch some romanced Gale scenes and I can't tell you how much I giggled and rewatched his little bop at the very end when you ask "Are you asking me to marry you?" His little wiggle is so funny. I sent it to Frost with tears in my eyes.

Okay so while I was editing, I realized I went off script just a liiiiiiittle bit. And typically I'd go and fix it but it was something that I kept referring to the rest of the prompt so I just kept it, cause otherwise I would've had to completely rewrite a good portion and I'd already been working on this for a while. Hopefully that's okay!

~*~*~

A blessed stream.

A strip of running water you could dunk your aching feet into but, more importantly, a strip of running water you could finally clean your dirty clothes in.

"I can get it started," you'd offered, shouldering off your pack in the middle of the camp. "Pile up your clothes and I'll take them to the stream."

"No, you shouldn't do it alone," comes Karlach, stabbing a pole into the ground to start pitching her tent.

"Then set up their tent," responds Shadowheart, already ruffling through her belongings and making a pile of dirty laundry. "The sooner we all set up, the sooner we can help them."

Dumping out your pack to make room, you start making the rounds. Shadowheart gives you explicit instruction to not mix her clothing with the others, a small pack pushed into your hands. Wyll also has his own separate pack, but with the promise that he'll do his own clothing. Astarion gives a playful little thank you and something about his underwear you tune out.

As you head for Gale, you're situating the different packs in your arms and on your shoulders, not paying attention to what's in front of you as you pause by his belongings. "My pack has room if you need." Wiggling that off your arm, you sling Wyll's pack onto your back. With your arms a bit more free, you finally glance up.

And your eyes snag on what you see.

Bare skin, muscles shifting as Gale tosses his shirt into a pile of clothes. Your eyes linger on his shoulders before dipping down to his waist, and when he notices your stunned presence and turns to face you, your gaze catches on his stomach.

"Give me just a moment, please," you hear him speak. "I'm almost done sorting."

Your lips press together as you watch his muscles dip, the way they ripple when he moves, the way they stretch when he reaches for something.

Oh gods. Stop staring stop staring stop staring--

"Okay. All ready." Tying a pack, he holds it out to you. "I'll make sure to settle quickly so I can help." When you don't move, you can practically hear the smirk when he says, "I believe my face is up here."

Face threatening to melt off your skull, you spin on your heel, palm pressing against your eyes as you turn your back to him. "I'm so sorry, I--"

"Not that I don't like being ogled at."

"That's so rude, I didn't--"

"I assumed my physicality wasn't as it was, what with sequestering myself in a room for a year. I suppose I had nothing to worry about."

If someone were to touch your face, they'd be singed. "I'm so sorry!"

He chuckles. "It's alright."

"It's not! I was staring and that's rude and there's a whole consent thing and--" oh gods you're rambling "--I shouldn't--I'm leaving."

Quick as a rabbit you dart off into the trees, head ducked to hide your molten face, hoping no one else in camp watched your absolute trash fire of a bluster. Reaching the isolated stream, you set all the packs onto the floor, crouch down, hide your face against your knees, and breathe.

In. Out. In. Out. It's not the first time you've seen a shirtless Gale, but that had been with his consent, a moment shared between the two of you. Not in the middle of camp. Sure, it wasn't your fault he'd foregone a shirt, but you didn't have to stare.

Gods. Why couldn't you just be normal? You're an adult, for crying out loud, not some bumbling teenager. The butterflies in your stomach around the wizard was one thing, but you just always became so self conscious--

Scrubbing your face, you inhale deeply and rise back to your full height. Stepping out of your shoes and rolling up your pants, you grab the first pack and get to work, hoping you can work off the embarrassment.

It works. You start feeling your heart calm and thoughts settle, finding a rhythm and ignoring your cold hands and feet.

"How can I help?"

Heart stuttering, your bottom lip gets trapped between your teeth as you turn. "Hi."

Gale smiles. "Hi." He's fully clothed this time, though he does kick off his shoes to join you in the stream after setting down more packs. A finger is held up as you open your mouth. "No apologies. You did nothing wrong."

You frown. "Ogling is wrong, Gale. At least in public." A tilt of the head. "Ish. Public-ish. That doesn't matter." You huff, feeling the creeping embarrassment return. "I feel bad. I feel like I did something I shouldn't have and the only way for me to feel better is to try to make it up to you somehow." Rubbing your forehead, you give a helpless shrug. "What can I do? Aside from, you know, making sure I don't do it again?"

Brown eyes study your face, a smile growing only to turn into a smirk as he steps closer, hands coming to rest on your hips. "I have many different ideas." He leans in, breath tickling your lips, voice dropping. "So many different ideas."

A different kind of heat floods your body as you swallow. Settling your own hands on his chest, you mutter, "Any I should know about?"

His lips catch your own, hungry but controlled. "Shall I show you?"

[ponett]

First New Years Eve anon here! I finished SLARPG after playing it any chance I could get. Literally everything I said held true or got better as the game went on. What a solid game, I felt the love in every moment.

Partway through, I got to wondering what it's like to finish a years-long project. I'm in the process of something like that, and I can't imagine life after The End, so your anniversary reflections post caught my eye. It felt like a future me had written it in a startling amount of ways. (Marketing is so hard ;_;)

A part that really stuck with me is how you described the story growing along with you. There were a few parts toward the beginning that felt distinctly mid-2010s (not in a bad way), but the narrative felt so cohesive that I would've assumed it was planned to the letter. As someone in a similar position, it's comforting to know there was some wiggle room. There's so much more I could say, but maybe not right now.

Wishing you your version of success!

thank you!

making sure the story felt cohesive was definitely tricky since the game was in development for so long. i mean, i knew the broad strokes of the story from the start, including the fact that it would get more serious as it progressed. That Sequence at the end of act ii was planned as a pivotal moment in the game since, like, 2015. but a lot of the back half of the game was only written after the demo was released in 2018, and my creative priorities shifted a lot in that time. so it took some work to make everything line up

i was still tweaking individual lines of dialogue in the script like, days before launch - particularly stuff earlier in the game that i was no longer quite as happy with, just to make sure everything fit together well enough and that things didn't come off as too dated. there are still a few jokes in act i where i'm like "ehh, that isn't as funny as i thought it was in 2016." but what can you do? that's just the linear progression of time for you

actually, if anything, before release i was worried that people would be put off by the darker and more dramatic elements of the game after i'd originally pitched it as being so goofy and lighthearted and cute. i had to fight the urge to insert more jokes into act iv out of a fear that people would get bored if the game stopped being funny, and i worried that people who had already grown attached to the characters through the demo and other preview material would get mad at me if i put melody and friends through the wringer. but thankfully people have responded really well to the more dramatic stuff, and the arc of the game as a whole, like i hoped they would

i'm extremely happy with how slarpg turned out overall, but if i was to write the story today, at age 30, i'm sure a lot of the writing would have turned out different. which is why the new thing i've been kicking around ideas for will probably be more mature and dramatic from the start. but we'll see

[kawaoneechan]

I can't decide 🎵

Okay, let's have a good think about scripting languages that I might use in Project Special K. I wrote about this before, but really I'm just trolling for comments and suggestions.

Option 1 - Lua

Relatively easy to implement, especially with something like Sol on top.

Well known, often used for game scripts.

I have no earthly clue how to handle multiple objects running their own scripts simultaneously, let alone the whole "wait for some other object to signal back" that I described before.

Option 2 - JavaScript

Could be a nice challenge to implement, maybe with something like Duktape?

Well known, but not as often used for game scripts as Lua.

The third point is exactly the same as for Lua.

Option 3 - bespoke Lisp-like

Tricky to implement, but I've done it a bunch of times now to varying degrees.

Not as well known nowadays, I suppose, compared to JS and Lua.

I already know how to allow for cooperative multi-threading and waiting for other objects to finish, as described before. Just gotta implement the whole thing.

Option 4 - Event Flow

The script engine used in Animal Crossing New Horizons, Legend of Zelda Breath of the Wild and Tears of the Kingdom, and probably many other Switch games.

This option is a joke to make the list longer.

Obviously supports waiting for outside things.

Option 5 - Something else

Who knows, maybe one of you reading this has a better idea?

As a reminder of what I kept referring to, there would be several things running simultaneously like villagers, gift balloons, bugs, the hourly weather and chime thing, the player, and the UI. When you talk to a villager, they stop what they're doing and run a script. That script can then cause a dialogue box to appear by spawning in a new game object. The script should then sit and wait until the dialogue box is dismissed, all while the villager sits and waits until the script signals it's done, while the dialogue box and script can trigger animations to play on the villager and player alike... all while all these other objects still process in the background, and may themselves run scripts.

I'd rather not start on implementing something as in-depth as a script system, let alone with a feature such as that, without being certain it's not a very bad idea.

Doesn't need to be the best idea. Just not a very bad one.

[derxwnakapsyla]

Hello there! My name is Derxwna Kapsyla, and you might know me as the mastermind behind projects such as "Yitria Resurrection", "Touhouon Asteria", "Touhou Pupet Play ~ The Adventures of Ayaka", "Chronicles of the Omniverse"- Wait, you don't know that last one? Never mind it then! Today I'm here to talk about something I am extremely passionate about- map design!

It is easily my favorite aspect of game development, and I feel like I'm pretty proficient at it. So, I would like to open up map making commissions to help people out on their own projects! I've got well over 10 years of experience, getting my start back in the ancient days of Binary ROM Hacking with Advance Map being the hottest tool on the block. I like to make sure the maps I make are of the highest standards I can possibly muster, so I have a fairly sharp eye for detail.

I also love communicating ideas with people and helping them reach a desired solution (If I'm able to)! If you're interested in taking a shot on me, I welcome you to message me on here, or DM me on Discord! I look forward to getting a chance to work with you! I promise, I don't bite- I'd much rather use an Ion Cannon. Also I just lost my job recently so I could really use some supplementary income while I try and find a new job...

Things to know about Derxwna:

I've been working with game development as a hobbyist for over 10 years, with an exceptional passion for map design.

I like to make sure that anything I make is the best quality I can possibly produce.

I do have a degree (of sorts) in Game Design, Programming, and Animation.

Spent a good majority of my time playing Wind Waker just trying to compare terrain to Ocarina of Time.

You will not find a person more offended by the tile errors in vanilla Pokemon games, I guarantee it.

What I am offering:

Map design for 2D environment based games.

Map critique and feedback. (This is free!)

Eventing on a small scale.

Redesigning your own maps.

What I am not offering:

A whole game made from scratch (Unless you're paying massive $Revenue).

Complex scripting maneuvers.

Unique tilesets. If you have a unique tileset you want me to use, send it- but I will check if you are allowed to use it.

Trainer battles.

Advice on how to spend your FSA. I answer those questions enough at my previous workplace.

Examples of my work:

-- Touhoumon Asteria -- https://imgur.com/a/hsAjnuk

-- Yitria Resurrection -- https://imgur.com/a/fveRkMc

-- Adventures of Ayaka -- https://imgur.com/a/tYAV8u7

-- Other Map Creations -- https://imgur.com/a/ZzqvrdV

Prices

-- Map Size --

Small map (30x30 or smaller): $10

Medium map (60x60 or smaller): $35

Large Map (100x100 or smaller): $60

Extra Large Map (100x100 or greater): $90

I am willing to take on a multi-map endeavor. Prices will be discounted for bulk purchases. I am also willing to very slightly haggle on the tiers above Small Map, but prices will not go below $10 above the previously listed tier.

-- Eventing --

Depending on event complexity and quantity, additional fees may be incurred.

-- Additional Pricing --

Gen 4 or 5 theme: +$40. I am not comfortable mapping in this style. I can attempt it, but only if you provide a tileset of the exact tiles you want.

When it comes to payments, I am flexible with how I receive them. I understand that people are not comfortable giving an entire lump sum for commissions. If you'd like, we can work out a payment plan of sorts, or you can pay a portion up front and pay the rest upon completion. If I do not or am unable to finish the map, I will refund the amount paid up front. As a note, if you are looking for a rush order, an additional fees may be incurred.

Contact Information

The best ways to reach me if you are looking for a commission, or if you have any additional questions are as follows:

The Eevee Expo Forums

Discord: DerxwnaKapsyla

Tumblr

This is where I would put my Twitter account- if it was unsuspended.

Bluesky: https://bsky.app/profile/derxwnakapsyla.bsky.social

The best times to reach me are between 12 PM and 12 AM PST (GMT-7).

[directdogman]

Greetings Mr. Man

Any updates on the progress of Rodger DLC?

Oh, yeah! Sorry, I usually just share small, informal updates in my discord server and leave the larger ones to my socials. But, i've been working on it diligently! So here's how things have been going as of late:

I finished 4-5 new pose-sets over the last couple of weeks. One of the new pose-sets is a variant of one already in the game and one is a brand new set for an existing character. Two of them are cameos for characters who've been mentioned but not seen yet (one of them in particular I'm quite excited about, as it features Norm's body model with a rotary phone I physically bought for this cameo!)

Including Peter + Roger's new pose-sets + the new variant I mentioned above, the route has 9 new pose-sets, the most of any route afaik. I'm on the fence about making a 10th, which I might do in the new few days (as there's a fun cameo I've got a few different ideas about how I'd show it on screen.)

The backgrounds are basically all done (just finished another yesterday), the ending slides are all done bar one (though one also needs a mild edit to show Gingi's regrown tail since there's a time-jump.)

Right now, I'm going over the whole script once more and trimming a few parts, adjusting dialogue here and there for a final layer of polish. I got the 'evil' half of the route done earlier today and now I'm doing the 'good' half! The early route is playable in-game and when I'm happy with the last layer of proofreading, I'll be making a major push to finish implementing the rest of the route.

All of the art for the route (minus that one ending slide I mentioned) is finished. A few collaborators of mine finished projects recently and are gonna be working on stuff while I push forward with programming the remaining scenes, including a few new tracks on the OST, a new 3d model for the route and some voice acting for Roger (which obviously won't slow me down as I'll be working alongside them!)

Yeah, the next 3 weeks are gonna be pretty hectic for me. I'm about a week or two behind my own schedule but I'm gonna be pushing to at least have a test version ready for around the end of August. Obviously it's very difficult to predict exactly how long the rest of the route'll take, but just know that I'm busy + working! Roger's route should be out before the Mingus plush campaign goes live, if I can keep my current pace up!