#I'LL SHARE THAT LATER

[barghest-land]

i have nothing smart to say about bg3 yet but have this

[dunmeshistash]

Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition

"Delicious in Dungeon" Artwork

Cover illustration draft, vol. 1

Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)

Cover illustration draft, vol. 2

The format was decided for volume 1. So, volume 2 came together quickly. (Kui)

Cover illustration draft, vol. 3

I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)

Cover illustration draft, vol. 4

I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)

Cover illustration draft, vol. 5

I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)

Cover illustration draft, vol. 6

With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)

Cover illustration draft, vol. 7

The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)

Cover illustration draft, vol. 8

I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)

Cover illustration draft, vol. 9

I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)

Cover illustration draft, vol. 10

I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)

Cover illustration draft, vol. 11

I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)

Cover illustration draft, vol. 12

Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)

Cover illustration draft, vol. 13

volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)

Cover illustration draft, vol. 14

I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)

TV anime "Delicious in Dungeon"

About the ending illustration.

I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)

[Kui's commentary is from the english pamphlet]

[parisoonic]

💥Spontaneous chemical reactions; spontaneous laughter

[xxplastic-cubexx]

filler

[querical-equinox]

Bouquets for the boys <3

[cutiesigh]

❤️🖤🩷

Wuthering Waves has taken over all of my free time recently, so here's a sketch of Scar!Ren I originally shared in da 14DWY Discord!!

[whumperofworlds]

Saw someone do this. Thought it would be fun!

End of year important people list (whump community edition!)

Reblog and tag all of your favorite whump creators, friends in the whump community, anyone in the whump community really, and let them know how much you care about them!

[dyketennant]

throwing my hat in the ring for the next good omens showrunner

[juukai]

while ago I watched hunchback with some friends and could not escape how clopin-coded the dca is. so here are his two sides as their two sides. I held off on uploading because I wanted to get these past semi-cleaned up stages but idk if that'll ever happen so I'm throwing them here now.

[heritageposts]

Impossible Exodus: Iraqi Jews in Israel

By Orit Bashkin (2017, Standford University Press)

Between 1949 and 1951, 123,000 Iraqi Jews immigrated to the newly established Israeli state. Lacking the resources to absorb them all, the Israeli government resettled them in maabarot, or transit camps, relegating them to poverty. In the tents and shacks of the camps, their living conditions were squalid and unsanitary. Basic necessities like water were in short supply, when they were available at all. Rather than returning to a homeland as native sons, Iraqi Jews were newcomers in a foreign place. Impossible Exodus tells the story of these Iraqi Jews' first decades in Israel. Faced with ill treatment and discrimination from state officials, Iraqi Jews resisted: they joined Israeli political parties, demonstrated in the streets, and fought for the education of their children, leading a civil rights struggle whose legacy continues to influence contemporary debates in Israel. Orit Bashkin sheds light on their everyday lives and their determination in a new country, uncovering their long, painful transformation from Iraqi to Israeli. In doing so, she shares the resilience and humanity of a community whose story has yet to be told.

[revalition]

spring storm

inspired by this frame from shunran (春嵐) by john/TOOBOE

[idlingmoons]

hi oc enjoyers, i now have ref sheets! in order, from top to bottom: apricot, bloodmoon, daydream, and sungrass

these guys are the ones that i have talked about the most—hopefully planning to drop new ones soon + properly host a qna maybe? in the meantime, feel free to send me asks about them :)

with all my ocs present here, i'll talk a bit about the universe that they're from! i've been calling it what's your worth (wyw), and i've been hoping to at least maybe plan a fic and sort out some details about it.

the base premise of wyw is that y/n has cut off their family and sold off any belongings related to them! after getting a trailer to get away from their family, they somehow keep attracting bots to them.

unfortunately, not every bots gets to stay with y/n, but i like to think that each one is impactful on y/n's journey, along with everyone else's. i like to think that y/n gets to kiss every bot that stays with them, and at least hug every bot that they meet. it's up in the air who stays with y/n for now, but it's sure fun to think about!

[spookygibberish]

Horotmu-Pavam of Solēsne was a Southern Throne born of the union of Unbodied Horotmu of Solēsne and Headless Pavam of Hatab, and was one of the most famous Solēsne Throne, much to the despair of House Solēsne. They are known best for their failure to synchronize, and the resultant death of a House Venvin scion at their hands, or rather teeth. Horotmu-Pavam has become a character of academic interest, a case study on the art of matching Headless and Unbodied, and a dramatic illustration of the consequences should a pair be ill-considered.

[ramblinsims]

Wanted to share some of what I'm currently working on! Still *very* early days for this hood, only have a single sim and servo here working as my testers and this is their home. Still very much a work in progress but the outside is pretty much complete, minus fiddly details haha

[crabsnpersimmons]

hi @flinxypie i'm your Valentine Secret Santa! Secret Valentine? Secret Cupid? all of those!

i read your prompts and you and i both love some good ol' DCA shenanigans, and i was reminded of this wild song! so i hope you'll enjoy this little animatic of the DCA boys just trying their jest!

Happy Valentines, friends! know that you are loved dearly by your loved ones and these silly jesters!

and if you wanna read the frame-by-frame break down, i've compiled it into a google doc this time (because there's too many images for 1 Tumblr post). it's a lot less heavy this time as i went more by fun and energy, but there are still some parallels and things to note, so if you're curious: https://docs.google.com/document/d/18zydwGFFRJyHTvkG7MDqPI8GphUzzFzGsFCt6diFrsk/edit?usp=sharing

[nipuni]

Edwardian outfit complete! 🥰 I'm so happy with this look!!

Skirt and waistcoat: GibsonGirlDress (etsy) / Blouse: Lace Garden / Corset: Lucy's corsetry / Boots: American Duchess / Accesories: Aliexpress