#I’m so excited for the ST animated spinoff in the making!!!
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You mentioned before that you imagine stranger things as an animated series in your head and I was wondering if you picture it in your own art style or someone else's?
Either of these styles:
can you imaging the running up the hill sequence animated??? 😩
#I’ve been on an arcane kick#how soon is too soon to post art for act 2#bc I’m drawing alright#this volume obliterated me#going off topic sorry XD#I’m so excited for the ST animated spinoff in the making!!!#anonymous#askovna
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July 17: 2x26 Assignment: Earth
Finally finished up S2 of TOS yesterday. That was... a rough episode tbh. I’m just gonna say it: back door pilots are bad! They’re bad. If I wanted to watch that other show, I’d watch it.
Wow, they’re just really jumping right in, huh? “Here we are, on a routine mission into the past, using a time travel method that we invented nbd.”
Investigating desperate problems in the year 2020...2016.... no wait 1968.
Ooh, Spock in the transport room today. Does he have a whole extra random station there? That’s so weird; I’ve never seen that before. It’s like hidden in the corner.
Cat!! Cat!!
What a good actor. I’m still bitter that wikipedia has a whole section about the casting for “Isis the cat” that talks entirely about the human who played Isis for 2 minutes and nothing about the talented feline actor. Where did they find her? How did they teach her to act?
She has a lot of thoughts about Kirk.
I wrote down “Scully, you’ve got to see this” in my notes and I’ve already forgotten what it refers to lol. Some moment that I thought would fit well with my favorite x-files meme.
Change history, you say? Spock is intrigued. ...Admittedly, Spock is often intrigued.
“What if it turns out you’re an invading alien from the future?” Honestly...let him invade. You’re not supposed to be here anyway.
I’m pretty insulted by this. The aliens went through all this trouble to help in 1968...where are our alien helpers NOW?
The cat straight up attacked his face.
Kirk is so fond of Spock being fond of the cat.
“It’s a lovely animal. I feel myself strangely drawn to it.”
Kirk is way too confused by Seven--an allegedly human person with super-human abilities that he says come from aliens--and yet, he’s met Charlie X so??? Is this not the same?
Kirk’s got the whole crew checking in on zoom.
(I actually do like this sequence of him getting video calls from different parts of the ship.)
“Weren’t orbiting H-bombs a huge problem in 1968?” Looks at the camera like he’s on The Office. Not the subtlest bit of writing in the “social commentary” genre. I do say this with love, though. I always enjoy when they comment on contemporary problems.
“He has a totally perfect body.” Lol don’t distract these two bisexuals.
[soft meowing]
“The prisoner has escaped.” The way this is shot, it looks like he’s talking about the cat.
Hmm, I do love the decor. Very 60s. This honestly immediately feels like a different show, and a much more dated show; even when the Enterprise time travels, it tends not to time travel to... office space.
Love the little sounds the computer makes.
So is Isis supposed to be one of the fancy aliens? It’s never explained but one must assume she is.
Aw, he’s petting her paw.
So I assumed the cats sounds are real, but just dubbed. They’re not lol. Which I guess isn’t surprising: this cat makes a lot of noises! They were provided by a human voice actress.
Damn.... I want a secret bookshelf that turns around to reveal a super computer with a big screen. “Computer... play Netflix.”
That’s what Seven does in his spare time.
The computer is an AI. “Beta 5 snobbery” lol.
Where are OUR alien overlords to stop US from destroying ourselves before WE can mature into a peaceful society?
This is really masterful exposition lol. Not forced or awkward at all.
ST sure does love the snooty female computer trope.
“Get us the proper costumes.” Yes, get Spock his Requisite Hat.
Omicron IV....that’s one of the names they use in Futurama lol. Such nerds.
Another excellent Spock Hat.
I love Seven’s various IDs. Great style. I wish my driver’s license looked like those.
“Who do you think you are?” He hasn’t decided yet. That’s why he was shifting through his IDs.
Seven is not smart lol. Like, he should have figured out way faster that this lady isn’t one of the Alien Overlords. He asks her the code question, she doesn’t understand it, and he... assumes she’s just really in character? Dude, that’s what the code questions are for!!! To help you identify people! Otherwise you could just straight up ask: are you an alien?
Instead he’s like “oh, you silly alien, you’re playing with me,” and then is forced to trap her, reveal his whole mission, and ultimately ensnare her in his plan.
I want that typewriter. Voice recognition typewriter.
"My incompetence has made you aware of very secret devices." Well at least he knows.
Trained cat!
The alien overlords were killed in a random car accident. That’s ironic.
Oh look, a real rocket!
Brown pants + short sleeved shirt + tie is such a Classic 60s look.
This security guard doesn’t think it’s weird that this random dude has a cat with him? Is this part of Isis’s alien power?
Except for the part where it’s a weapon, it’s pretty cool to see all this build up to, like... launching stuff into space. Exciting.
Isis likes to be on shoulders. Just like Little Guy.
New hat for Spock. His outer wear hat, and now his fancy hat. There is something to be said for this ep, and that is Kirk and Spock in suits.
Amazing how they literally launched rockets with computers that old. Like seeing the big bank of primitive computers is totally wild. We put people on the moon that way! Amazing.
“Meow.” Lol, Isis is stressed so she’s speaking like a cat. That’s a pretty funny joke actually.
Seven is so incompetent. If he’d just let the Enterprise help, Scotty could have fixed that rocket issue in like 3 seconds.
Lol everyone’s just pulling Gary through space. Now on the Enterprise. Now in the office.
Why does this computer have a hug black screen if it only displays images on the small white circle?
"Spock and I in custody. Main characters, doing nothing, knowing nothing, totally useless and irrelevant. I have never felt more helpless." Literally what is even the point of them today? Does Spock even have lines outside of “I like the cat”?
Isis is jealous of Roberta. Is she.. in a relationship with Seven lol?
Uhura is listening to everyone in the world. She probably has a universal translator on, but I do feel like this scene implies she just...understands all the languages.
So now the warhead is armed and heading to somewhere vague... in other words, everyone has collectively made the situation worse.
....Or this was Seven’s plan all along? To scare people into ceasing to be so careful with nuclear weaponry? As someone who knows humans better than this guy, I think this is a dumbass plan.
“That’s why so many people in my generation are kind of crazy and rebels.” Same, sweetheart.
Really this is just a story about bad communication. If Seven had told Kirk his plan upfront, Kirk would have helped him. And if Kirk weren’t so insistent on involving himself in something just because he happens to be somewhere he probably shouldn’t be, we wouldn’t have this issue either. The hubris of everyone.
Overall, just a really forced narrative imo.
Or that’s how it was supposed to be lol. The Irony of time travel. By it’s nature, everything has already worked out.
Kirk and Spock are like “You’re welcome. Peace out.”
Honestly... Isis was the only good part. Such a talented cat actor!! Or trio of cat actors, I guess. Had to do all those stunts and stuff.. .amazing. I also liked the concept of Isis. How she turned into a human later just to troll Roberta. How she’s never really explained--one must assume, an alien? Plus I pretty much never get tired of human + animal teams where the animal makes animal noises and the human just understands and answers in English.
As a stand alone sci fi concept...it was okay. Kinda dated by now. The alien tech was nifty and Roberta could have grown on me. Maybe even Seven, though he left a lot to be desire. That said, the narrative relied a lot on people getting in each other’s way for no reason, which I find very frustrating.
But as a Star Trek episode....no. The main characters were just nuisances on the side lines!! I’m not even sure what Kirk’s mission here was--to try to figure out what Seven was doing? And stop him if necessary? But he never really decided if it was or not, until the point where not trusting him would basically cause a nuclear war? I don’t know, I found it all very frustrating. The melding of the original show and the spinoff was not smooth.
If I were watching this in 1968, I’d feel very cheated. THIS was the season finale? That’s it? I don’t even get a real Star Trek episode and now I have to wait months for anything new?
And what I get after all that waiting is Spock’s Brain?? I’d be tempted to quit. If I had a tumblr in 1969 I’d be writing multi-paragraph rants about how the best show on television has completely nose-dived lol.
But then there’s The Enterprise Incident, which is one of the best episodes... I don’t know, man. It’s a conundrum. I’ve only seen maybe half of season 3 but from what I remember it’s very uneven: some of the best eps (The Enterprise Incident, For the World Is Hollow, Day of the Dove) mixed in with some of the worst (Spock’s Brain, The Paradise Syndrome), plus some that are good concepts but shoddily executed (The Way to Eden). So we’ll see what I think about it when I see it all in one piece, in air date order.
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ST: TNG Watchthrough Episodes 17-20.
Home Soil: So from what I’ve read, this would be Gene Roddenberry’s final episode as showrunner before getting replaced by writer Maurice Hurly. I won’t comment on the behind the scenes drama and such that caused it because it was decades ago and not relevant for a First Watchthrough post, but since this is the last I wanted to make note of it. My thoughts? It was okay. This is very much borrowing from the TOS episode Devil in the Dark (the one with the Horta) with the plot being of an alien presence killing humans... but only because the humans were unknowingly causing it harm. It’s done fine enough, not being any better or worst than when TOS did it, but that’s about it. It does executed it a little differently with the events and the alien is FAR less willing to comply than the Horta was at first and ends with the alien backing down, but refusing contact with humans for three centuries, which DOES make it a nice contrast to how Devil in the Dark ended. It’s not great. It’s not horrible. It’s just okay with the biggest criticism being pulling too much from TOS again. Look, I love TOS and so far TNG hasn’t passed it. I outright have a 30 disc Blu-Ray set coming in the next few days of all the TOS material, including TAS and the films. If I want to revisit TOS, I’ll go watch it or read fanfiction or heck, go watch AOS. TNG has remained painfully average or not good at this point because it’s trying to retain what TOS had, despite it being over 20 years later and even the TOS films had changed how it did things compared to the show. Whatever one feels about Roddenberry, his removal I hope helped push TNG away from TOS and let it carve it’s own identity while still honoring what TOS had stood for, and according to history it did. Not sure if we’ll see the quality go up in these final few S1 episodes, but still. Sorry, felt appropriate to finally get this out here. Going back to the episode, it’s perfectly fine and it delivers it’s message well, and hey it’s not always a bad idea to showcase the same themes as the previous incarnation in a spinoff especially fi a relevant one/gets shown to viewers who hadn’t seen that TOS episode. Not the best, not the worst, and that’s not such a bad way to end up. 3/5.
Coming of Age: Alright Wesley, it took a bit but you’re starting to grow on me. So we have Wesley going through a test to get into the Academy while Picard and the crew are dealing with some rough interrogations and Picard being painted as an incompetent captain by the interrogator. They don’t seem that connected, but infact the latter is a test for Picard to determine if e’s ready for a promotion. I like how they bring up Picard’s actions in past continuity that WOULD present him as at least fallible to major error, ignoring certain conditions that caused it to begin with and how he got them out of the situation. Like I said, this was one of Wesley’s better episodes. While doing well with testing, his worry about the psyche test and not knowing his own fear and therefore worried about what the test will unleash upon him is very relatable. Heck his talk with Worf was a really nice scene, especially with Worf outright stating that only fools fear nothing which in turns add more depth and dimensions to the Klingons. The reveal fo his greatest fear, while I wish he had hesitated a little bit more, made perfect sense and he acted as a true Starfleet Officer. Which since this was before Undiscovered Country, is a VERY positive development. Picard guiding a kid who made a stupid decision was also good and shows why he’s a good captain, and his talk to him as well as encouraging a disappointed Wesley at the end was a nice moment to cap the episode off with. As far as Wesley goes, he may still be presented as too competent and intelligent, but he is more likeable and the testing setting allows him to shine like this without, again, affecting the adult characters. Plus text anxiety is super relatable haha. Now of course due to Status Quo is God, Wesley fails, but he takes it well and proved that he will be ready for it in the future. It was a pretty nice episode all in all. Nothing spectacular, but I enjoyed it, neither plot overpowered the other, had a good theme of one’s integrity as a person/doing your best, good use of past continuity, and it really shows the best in characters like Picard, Wesley, and the crew’s loyalty to the former. 4/5.
Heart of Glory: Back in TOS, the Klingons were depicted as war-loving jerks. They weren’t without some depth and episodes like Day of the Dove did attempt to give them a bit more positive limelight, but it wasn’t enough to overpower the one-dimensional characterization. The films were a bit better, Undiscovered Country especialy, but that one hadn’t been made yet and they still stuck with the ruthless characterization, just changed up the makeup to make them look more alien like. It was weird sicne whenever I ddi watch TNG back when that’s all I knew of Star Trek, Worf never came across like a ruthless warmonger but like an honorable warrior which made him stand-out amongst the cast for me (that and because I freakin’ love Michael Dorn due to his animation voice over work, anyone else remember I.M. Weasel? XD). So now we get an episode where Worf gets to interact with other Klingons. I lift a brow at Worf not knowing about most Klingon customs when he seemed perfectly knowledgeable about i in past episodes. Maybe that wad due tot he shift after getting rid of Roddenberry/ IDK, but these kinds of retcons happens sometimes. This was an interesting one for sure. The Klingons are much better presented here than the entirety of TOS, showing more of their culture/customs and compared to Worf, who was raised by humans and therefore not fully in touch with his people and their ways. This is probably one of, if not the first time he’s interacted with his full culture and naturally he’d want to interact with them and learn more now that he has the chance. There’s the themes of one growing in another culture, how they adapt while still trying to be part of that culture, and finding one’s own path. There is the question on why Worf wans’t just returned tot he Klingons as a child and IDK if they address it down the line, but that type of life and struggle with identity/culture clash due to upbringing IS real and VERY relatable. I’m really glad to see the Klingons fleshed out past their TOS depiction and it’s overall respected by the cast, showing how far things have come since Kirk’s time. It fleshes out Worf’s character a great deal and makes him more likable/relatable and giving him a very realistic struggle, and in the end he stands by his beliefs and even gets the respect and offer to serve with Klingons in the future by Klingon Captain K’Nera. Very much glad that I watched this one~ 4/5.
The Arsenal of Freedom: Oh boy, war machines that killed everything! That theme never gets old! I’m not joking, with how modern warfare and technology are growing and being sold for profit, it feels like it just keeps getting more and more relevant. There’s a lot of tension in this one with Yar, Data, and Riker dealing with the arsenal that is intelligent and they’re unable to be beamed up, the ship getting attacked with Geordi in command and the Chief Engineer (they seem to go through a LOT of those this season, guess they couldn’t handle the strain of acting as miracle workers like Scotty) being an asshole to him, and Crusher injured with Picard trying to keep her alive and not get killed. Seriously, I loved Geordi here for being an effective acting commanding officer during a VERY intense situation AND telling off the Chief Engineer without even so much as raising is voice while encouraging the other officers. Badass and admirable. The away team scenes were also good with everyone being plain awesome~ Crusher having to explain to Picard how to treat her injuries while she’s in obvious pain was really good character stuff and Thank God that they avoided indulging in the obvious shipping fodder. I know they’ve hinted a little at Picard/Crusher... but I’m not really interested in it int he romantic sense at least currently. It comes off as a Captain and CMO trusting the other (not quite the same as say... Kirk and McCoy, but the trust is very much strong here plus Picard and Crusher should be allowed to form their own dynamic) and that’s the kind of interaction I live for~! It feels like everyone got a moment to shine, even Troi checking on Geordi’s mental well-being and letting him express some of his nervousness was really nice. And of course the arsenal having destroyed their own creators... like I said, a theme that just seems to grow more and more in relevance. Like I said above, some themes are necessary to repeat, and this one very much qualifies. But yeah this was great for it’s tensions, the characters being all great especially Geordi, and it’s themes (even fi IDK how intentional it was) being a huge reminder of the dangers of modernized warfare/using warfare for profit. It doesn’t go well. 4.5/5.
Okay, it’s late in the season, but we are FINALLY getting somewhere! The characters have truly grown on me and their characterizations are getting better (i.e. Picard is still a serious captain, but is very much warming up and not as cold as he was early on), the stories are steadily improving, and even with what I said about the first one, I really enjoyed this batch of episodes! Only five remain in the season, and the plan is to knock ‘em all out tomorrow. Might take a day or two off before tarting Season 2, but golly I’m finally feeling excited~!
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Ducktales Reviews: Let’s Get Dangerous!
The Duck Knight Strikes Again as our Darkwing Double Feature concludes! Scrooge, the Kids and Launchpad visit the fair city of St. Canard. While Huey tries to work out how the seemingly world changing project Scrooge is financing for researcher Taurus Bulba .. um.. works, Launchpad and Dewey visit Drake, whose struggling to find any crime to actually fight, but soon finds himself tangled up in the case of a plucky young orphan, her missing grandfather and Bulba’s dark secrets and soon Darkwing and his new family find themselves the only three people standing between the world and it’s untimely end. Let’s Get Dangerous with a full review with recap and spoilers under the cut.
It’s time! I’ve been obviously, being a fan of both darkwing duck, if only finally watching it in full now, and superhero stories in general, and this show having told some REALLY good ones over the past 3 seasons including darkwing’s previous episode “The Duck Knight Returns!”, which I sadly didn’t get to in time before this episode. But this is a worthly replacement to conclude our double feature so it all works out. But yeah a big one hour special that changes the course of the season, brings Goslyn in, and brings in Darkwing’s old rogue’s gallery? Sign me up. And it’s also VERY clear that Disney has plans for a revivial/spinoff for darkwing. Besides this episode setting it up and Frank being very clear he has plenty of ideas for this big duckverse as a whole and is a massive fan of the series, there’s the fact Disney conspciously posted a trailer, 4 preview cilps (Though to their credit none really give the game away entirely and all but one take place in the first act, and the one that didn’t is so they could show off Stephanie Beatriz as Goslyn, which is fair enough). And if that werent’ enough, the killing stroke is that the episode is FREE TO WATCH on Disney Now, and likely on Youtube sometime soon given they usually do that when the make an episode readily avaliable as done with most series premires and, for some weird reason, the season 3 premire of big hero six. But wheras that’s probably just to drum up hype for an aging-ish series, this feels like a delberate move to drum up hype for the episode among both fans of the ducktales reboot and the old darkwing fanbase. The only way they could’ve been more transparent is if they put a giant sign at the end of the episode that says SPINOFF COMING SOON.. MAYBE.. DID YOU LIKE THIS? TWITTER US IF YOU LIKE THIS.. THAT’S THE RIGHT TERM RIGHT?.
That being said I can’t blame them as Darkwing’s a beloved property, superheros are big right now thanks in large part to disney themselves with the MCU, and the fandom reactied with overwhelming praise to “The Duck Knight Returns!”, which is one of season 2′s best episodes even if the cliam that scrooge never went to the movies nor saw one on cable after 1938 is implausable at best and really dumb and I hate it at worst. I mean I get he wouldn’t love rising prises, but I seriously doubt Della wouldn’t have dragged him to one at some point or that someone wouldn’t of tried to get him to invest in theirs long before boorswan. It just dosen’t fit the character and it was dumb.. it’s also unrelated to this episode but I had pent up rage from preparing to review that episode and I might as well get it out of the way now. Point is this episode has a lot riding on it and had all the hype. So did it live up to it? Let’s take a look.
We open in St. Canard, former wretched hive of scum and villiany and soon to be home to the second John Oliver Memorial Sewage Plant. Launchpad’s narrating and nearly getting everyone killed in a car accident as Scrooge argues with Bradford over the project Scrooge is on his way to see.. with the boys in two naturally. And since eveyrone else is missing and I had fun with it last time i’m assuming Webby is with Violet helping Lena with her burdgoening superhero career and trying to ask her out, Beakly is tending to the house , Della and Penny are working out and trying not to admit there’s clear sexual tension and Donald is once again in the Pantry because he never learns. HE NEVER LEARNS.
Anyways we learn their going to visit Tarus Bulba, in this continuity a famous and well loved scientist who I’m sure defintely won’t turn out to still be evil... yeshewillletsmoveon. Huey and Louie are excited about it because of Huey’s well established love of science and Louie smelling the money in a big inavation with Scrooge likely smelling both. As for Launchpad and Dewey their going to check in on Drake, whose living here now: Launchpad because he’s his best budy and possibly future boyfriend and Dewey because he needs more hits for his channel as he’s finally taken Dewey Dew Night to the masses. Bout time. Now he just needs a streaming deal. Make it happen Disney, D+ needs some animated series of it’s own. They also do a naturally terrible job of keeping the fact h’es a superhero a secret. We also breifly see drake doing a superhero dive before also comically tripping up and getting injured off screen. Cue.. Darkwing Colored ducktales logo as we don’t have time for the theme this week! And given this episode is an hour long that’s saying something. Anyways Scrooge and the boys sans dewey head to meet Bulba whose a charming, gregarious man who quickly hugs the boys, puts them on his shoulders and snaps a selfie with the group. And he’s also familiar with the boys: Huey for wining the junior woodchuck science award and Louie for Louie Inc which ended before it’s time.. on public record. He’s a fan of both. And even given later reveals this seems genuine which I did not expect it to end up being anything resembling that. But we’ll get more into Bulba’s character when the time is right for now he shows off his invention: The Ramrod! While it shares the same name as Doctor Waddlemeyer’s device from the original, and as we’ll soon learn he made this one too, instead of a gravity device it instead can make ANYTHING you ask for, with Taruus wisely using Haggis to demonstrate. Huey however can’t help but wonder how it does what it does as surely what it makes has to come from somewhere though Louie tries to shut him up as he dosen’t want him to look a gifthorse in the mouth. I mean Horace gets self concious about it. Meanwhile Launchpad and Dewey meet up with Drake at the reboot version of Darkwing Tower, where he’s set up nicely: Multiple costumes, gadgets, including arrows with his face on them, and the ratcatcher in all it’s glory. Seriously I do love motorcycles even if I’m terrified of riding one. It’s part of why yugioh 5d’s holds a special place in my heart despite card games on motorcylces being patently nuts.. but it’s in the best way possible. As for how Drake got this sweet setup turns out Launchpad introduced him to Fenton who designed all his gadgets and presumibly his HQ as well as his snarky crime detecting and st.canard monitoring computer, W.A.N.D.A. Naturally he also is unaware he’s gizmoduck and freely shit talks gizmoduck again, though apparently Fenton does too. Granted Fenton could just be doing it to awkardly agree but it’s just as likely fenton uses it as an excuse to vent about his superhero alter ego, as we’ve seen that while Fenton loves being Gizmoduck he also resents it at time for keepiing him from doing science and getting glory just for punching people. But I love this dynamic, as Fenton’s just too nice for the old “they both hate each other and want the glory” dynamic to work, so Fenton untetionally pissing DW off as Gizmo but secretly supporting him as Darkwing is great and I can’t wait to see where this goes. Before we get back to the main plot, and there is a LOT of it to get to, I just wanted to point out that Dewey seems an awful lot like drake.. i’m not saying he’s the boys father and Della simply didn’t knoow who it was mama mia style nor did she, in her more selfish form of 11 years ago want to know.. but that’s exactly what i’m saying. THanks to whoever sent me that theory, it got more fire this week. Back on the actual plot turns out Darkwing dosen’t really have any foes to fight as while St. Canard has a reputation as a crime hole, Zan Owlson has taken over as mayor and cleaned it up. I assume in part because Glomgold seems to have no idea where she went and thus hasn’t done some elaborate scheme to show how much better off he is/kill scrooge mcduck. I mean let’s face it it always involves killing scrooge mcduck. His charitable contributions involve killing scrooge mcduck, his team ups with scrooge involve killing scrooge mcduck, his breakfast cereal came with a free knife and a map to scrooge’s house. Though I do defintely want to see Darkwing vs glomgold. I mean he’s not DW”s normal type of supervillian but still, tell me you wouldn’t see that.. and if your serious there’s the door.
Anyways despite having no crime to fight and trying to bluff past it despite WANDA trying her best not to help his case, DW goes out on patrol with his boys anyway.. and procedes to just pose for several hours before trying to stop what turns out to be two guys moving furniture and being force to admit he’s not in a great place. He just wanted to fight crime and inspire people the same way Jim inspiried him.. before he you know went insane, tried to murder Drake and everyone on a film set then seemingly died but is now presumibly still in duckberg’s sewers.. or just as likely hiding in glomgold’s house hider in the house style.
And yes that’s a real movie in which a real gary busey lives in the walls of someone’s house. And funner fact it’s on amazon prime and I was unaware of this or I would’ve watched it sooner and will be as soon as this reivew’s finished. Possibly while this review is going on I dunno. Point is your lives are richer and we might have another possible spinoff/gay love story for Disney. Just saying Disney.
Point is Drake is breaking down, but thankfully he landed in the right alleway as a small figure is breaking into the mcduck industirie’s st.canard branch, i.e. where Bulba is. Also I gotta admit while McDuck industries having a branch in St. Canard wasn’t a huge stretch, it was set up all the way in the pilot meaning Frank had the backdoor to set up an episode here since day one, along with every other major location really. Nicely done.
Darkwing follows her and confronts her, stopping the seeming intruder from stealing the key to the ramrod device and finding out she’s a.. little girl? It’s goslyn everybody!
.... I .. why was this under clap. I mean it’s a very good message with a very nice garfiled head but i jus... what.
Okay that’s better. Thank you Genie and thank you ghost of robin williams.. I miss you man. She escapes, though sans key and security storms in, with Drake looking guilty. After some banter with Scrooge who fails to recognize him which would be funny if it wasn’t utterly nonsencial. And utterly nonseical can be funny it just comes off less as “haha scrooge still dosen’t remeber him” and more ��Wait you seriously don’t remember the guy who was crucial to one of your plans during the moonvasion and who got beat up on your behalf.. I expect better from you. “ Scrooge just dosen’t seem like the type to forget someone helping him in such a big way. He can be stubborn, stingy and selfish, but he’s not that forgetful.
However Bulba enters, says he knows exactly who he is.. and we cut to a press confrence where Bulba is lauding him for stopping a dangerous intruder. Presumibly he vouched for Darkwing since he knew about Goslyn and it was an easy way to cover up her involvment and it’s probably not the first time she’s tried this. He’s awarded the key to the city by Mayor Owlson who, while not wanting more costumed vigilatnes, is happy to reward someone doing the right thing. And I .. love this. I was worried she’d be your standard I don’t like superheroes type mayor, the kind gotham keeps getting with predectable results despite you know, the bat family being vital for gotham not becoming more of a hellscape. Instead Mayor Owlson is grateful, respectful and only reasonably dosent want St Canard overun with heroes it dosen’t need.. yet. She may want to use the proper channels but she’s not going to try and run someone out of town or grumble out of them for trying to help her city. She gets it. Meanwhile Huey’s hat explodes with with notes and what not, to Louie’s annoyance, though my boy’s excuse is utterly hilarious “It’s dewey’s hat”... boy still cannot lie. Louie is of course annoyed at him wanting to know how it works and possibly runining his dreams, but Huey is rightly concerned that he has no idea just how the Ramrod works or what powers it or what prinicpals it runs on. And it makes sense: Besides Huey always wanting to know how things work being his deal at this late point in the series there have been quite a few times, both involving huey and not involving him where something seeming to be too good to be true in fact was and had some dark secret behind it. Counting them off:
The House of the Lucky Gander: A seemingly swanky casino with the best water show ever turned out to be mostly an illusion created by a luck vampire.
The Infernal Internship of Mark Beaks: Beloved tech icon Mark turned out to be the con artist we all know and love as well as the jackass we also know and tolerate.
Beware the BUDDY System: Beaks new driving robot turned out to be stolen bulb tech that Beaks hadn’t bothered to fix properly. I know Huey wasn’t there for that one but still.
Day of the Only Child: Again Huey wasn’t involved but probably heard about it later but since Louie WAS, he should know better. Louie befriends rich kid Doofus Drake only to end up nearly kidnapped because he’s creepy as shit.
Who Is Gizmoduck?!: While Huey wasn’t the target here, he and Fenton are close friends at this point and he was direclty involved. Beaks trying to sponsor Fenton turned out to be a scheme to steal the Gizmoduck Armor.
The Town Where Everyone Was Nice: A seemingly central american town having a friendly festival turns out to be a carnverous plant monster that wanted to eat them.
The Dangerous Chemistry of Gandra Dee!: Fenton’s seemingly nice date turned out to be an industrial spy for .. Mark Beaks. Seriously he seems to love this type of scheme. Mark Beaks alone is reason for Huey not to take Bulba at face value.
A Night On Kilmotor Hill: The kids being able to go into their dreams ends in Magica stalking and nearly taking back Lena.
Quack Pack: A wacky sitcom wish nearly gets everyone eaten by horrifying versions of humans.
The Lost Harp of Mrivana: While the Mirmaids werne’t responsible for the dark secret this time, their society was built on the philosphy of a man who turns into a giant sea monster and nearly lead them all to the same fate.
The Trickining: A lost horde of candy ends up being a trap by a bunch of monsters to steal candy that nearly got them all eaten and hurt Huey’s feelings.
The Forbidden Fountain of the Foreverglades: A two-fer as the resort their at steals youtha nd the fountain of youth they went to find turns out to need to drain it from someone first.
And Louie was present for 9 of these! And the only one around for one of them! That’s what makes this frustrating: Huey and Dewey have grown, but Louie instead of learning from his mistakes, blindly trusts something too good to be true despite the fact he has a running tally of when that’s happened! I get he’s lazy and dosen’t want this to turn out to be too good to betrue, but he’s too smart for him not to see the red flags or see that Huey’s not “ruining this for them” but has been through this enough, mostly with mark beaks or people around him, to see a pattern. It’s frustrating when Louie was given a whole season arc, and didn’t seem to have any of it stick despite you know nearly murdering his family and nearly getting murdered by a zombie. The show is better than that and knows it’s better than that and it’s one of the weaker points of the episode.
Back to the stronger stuff though, it’s time for the moment you’ve been waiting for IT’S DEWEY DEW-NITE WITH DARKWING DUCK! I figured after the preview clips this was the one Frank had been hinting at all season and it’s finally here! Dewey, now fully on team darkwing, interviews the terror that flaps in the night.. and has a picture of him just coming out of the shower for some reason.. okay are Launchpad and Drake already together and no one told us? Whatever the case, Darkwing’s first big interview is interupted by Gosalyn. As for how she found them, she followed a combination of the resedue from his smoke bombs and Dewey’s livestream that’s been going on this whole time. As his attempts to hide Drake’s identnity and really this entire show up to this point has shown subtley is not Dewey’s strong suit.
Gos, after snooping around a bit and even letting out a “Keen Gear!” for old time’s sake, and finding Drake’s lunch box and first darkness poster, reveals she came for help since she figures DW owes her one for last night.. or earlier tonight. The timescale in this special is really hard to figure out and only gets worse. Gosalyn fills in her side of the story and why she broke into two places in the span of 24 hours. Turns out the Ramrod was in part created by Gosalyn’s grandpa, who was working under Bulba on the project. But one day Dr. Waddlemeyer found out the Ramrod was critically unstable and went to warn Bulba.. and never came back. Gosalyn wants to find him, and wants to DW to punch Bulba into telling her where he is. DW.. naturally does not and raises valid concerns: He’s an upstanding citzen whose offered his full support, has done nothing wrong in the public eye, and is nothing but nice to everyone and Gosalyn.. is a kid whose clearly in mourning, broke into two places, and has no evidence to back her up. He wants to help but he simply can’t and Gosalyn prepares to storm off herself. However in a VERY nice moment, Dewey goes to her and offers to help, as obviously missing parents are a big button for him and he appricated the fact he had someone when he needed to look into his own missing parent and wants to be Gosalyn’s webby.. his exact touching words. It’s a nice call back that really ties Dewey into this story well: He has a solid motive besides crimefighting stuff to help here. Granted Gosalyn’s confused as she hasn’t met webby, yet, and Dewey’s puns don’t help, but as Dewey explains his Dewey puns to her and his name, Launchpad talks to Drake and encourages him to help her. Drake is in fact reluctant like Gosalyn thought for his image but also because as mentioned Bulba seems to belive in him And that’s. understandable. Since starting out, he’s had no crime to fight, no villians to vanquish and only one person acknowledge his work and existance and that person is standing right there. Bulba is the first person besides Launchpad to not only enourage his Darkwing Duties, but to honor that and got him cleared of possible tresspassing charges, a key to the city and an interview on the hottest show on the internet. This risks all of it. But Launchpad makes a good point.. that he needs to help those who can’t help themselves and while he dosen’t have to fight bulba, he can at least look into him. A look at his dented lunchbox reminds Drake that his best friend/future husband is right, and that he became darkwing to protect people like he used to be.. to help the helpless.. and Gosalyn is helpless right now.. plenty capable, but someone who clearly can’t do this alone. So the four take off in the ratcatcher.
The four sneak into Bulba’s office and root around, but end up having to hide when Taurus comes in, with DW hiding in his massive filing cabinet that resembles Darkwing’s own from the original series, that was retired since by now computers have made that kind of thing obsolete. Still it’s a nice nod. Turns out Huey is confronting Bulba as he genuinely dosen’t know how it works and Bulba is annoyed at all his questions. Really Terry there’s an easy way to fix that.
But instead Scrooge comes in and while Terry TRIES to use him to brush off Huey.. Scrooge dosen’t bite and has learned to take Huey’s inquires seriously. And it’s something I didn’t notice about the series but love dearly now i’ve realized it with this bit: The Adults almost always take the kids concerns into considration and when they are brushed off it’s more due to personal issues, like scrooge’s pride, than because their kids. And given just how many hundred series have had the adults just brush off the kids issues like nothing, it’s REALLY refreshing that even reckless adults like Launchpad usually listen and that the kids competence isn’t entirely ignored just because of age.
Bulba brushes them off by giving them the map to the ramrod.. speficially extensive notes on it that they have to carry out as a team. He then adresses Darkwing as he somehow knew he was there but again, is more than happy to help him with any investigation.. and it just so happens evidence Gosalyn was at least telling the truth on some level flies out of Bulba’s files as it shows a picture of him happily playing with Gosalyn and Dr. Waddlemeyer.
Darkwing asks if he knows them and surprisingly Bulba is completely upfront about it or at least his version of events: Waddlemeyer was his best friend his close partner until one night he ran in raving about a problem with the ramrod and in trying to fix it, it backfired and then he was gone. Gos takes this well.. and tackles Bulba while calling him a liar and pockets the key toossing it to dewey as the two soon run from a pissed off Bulba. While Launchpad tackles Bulba away from the kids, Gosalyn TRIES to trigger the ramrod only for Darkwing to stop her. “I’m Sorry Kid but this isn’t going to bring your grandfather back” it’s then the entire episode is turned on it’s head. While, unfortunatley, the trailer gave away other dimensions would be involved, it didn’t however set this up “He’s not dead, he’s in another dimension!”
Yeah while it makes perfect sense in hindsight I dind’t see him being ALIVE ever being a thing, so well played frank. Back with the rest of the family, Huey, Louie and Scrooge are diving around a stack of papers and Louie is sitll being a little shit, and not in the fun way in the “well not everything’s a missing mystery blah blah blah”... when you .. you learned tolerance for your brother two episodes ago. Thankfully this ends here..mostly because Huey ends up being right as Louie mentioning the misssing mysterys gives Huey his eurkea moment. Turns out the Ramrod uses one of them, Solego’s Circuit. Solego, based on the chaos god from the disney afternoon crossover something I missed on first watch, was in this universe a mad thinker who belived in the old theory that fiction is just a mirror to another universe and everything is real and found a way to open portals to other worlds. Problem was his methods were unstable, and could destroy the world, and likely the universe, if used repeadtly. Wuh-Oh
Back at the Ramrod, Bulba has launchpad on him, while Darkwing aand Gosalyn discuss things and come to the obvious conclusion: If Dr. Waddlemeyer was caught in a ramrod explosion then he’s likely out there somewhere and Darkwing clearly wants to help. Bulba TRIES playing diplomat again and mentoning that even if he’s out there the trillions of dimensions out in the multiverse mean he may be nigh impossible to find.. and the ramrod’s too unstable for that. This however finally backfires on him as Bulba had previously said it was perfectly stable, and has now fully confirmed gosalyn’s side of the story.. and since it is stable, if he’s not lying that is, then that means they can find Dr. Waddlemeyer and get the full truth. Naturally at this point Bulba finally stops playing nice and knocks both over and triggers the ramrod which is now very clearly unstable from use and prepares to throw both into another dimension, also confirming that what happened to her grandfather was no accident. Thankfully Dewey arrives in the nick of time with a well place smokebomb and bulba gets hit with lightning from the machine giving him a scar and cleaving one of his horns. While Gos is able to escape thanks to launchpad it dosen’t last long and Bulba confronts her.. but soon makes the classic mistake of saying no one can save you now. Cue Darkwing with the classic terror that flaps in the night speech. And unlike the original darkwing’s fights with Bulba, this fight is entirely in darkwing’s favor, as in a thrilling fight Darkwing beats the crap out of them then escapes Bulba’s fist , the only blow the man gets in this time. While Bulba still is a legit threat, he can’t match Drake’s speed or misdirection skills. However when trying to get the key, which Bulba grabbed earlier in the scene, Goslayn falls and Darkwing goes to save her. And while our heroes celebrate for a second with launchpad joining them.. Bulba has escaped AND still has the ramrod key. Uh-Oh
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Bulba is of course activating the ramrod with SCrooge and the boys telling him to stop.. it’s too dangerous... but Bulba decides to get dangerous and pissed at darkwing, unleahses the fearsome four! Cue act break. We’ll be right back. Let’s have an intermission shall we.
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Okay break’s over. St. Canard isn’t doing great as the fearsome four have locked down the city, with Gizmoduck barely holding his own against bushroot and unable to get past, and thus meaning implicitly no one else from duckberg can either and with scrooge and the boys missing, Mayor Owlson calls on darkwing to save them, again giving her more points in my book as she rightly figures the guy dressed up as the hero from the tv show and playing him for reasl is the best person to face four villians from a 90′s tv show suddenly out and about and holding her city hostage.
But Drake is spiraling a bit as these are super villians with super powers. This dosen’t quite work for me as A) He’s a super fan and thus should know their weaknesses and B) What.. what did he expect. Even the vast majority of Batman’s Rogues Gallery is super powered. But it’s a quick speed bump, understandable as Drake probably didn’t grasp the very real reality of fighting super crime. We also get to see all 4 classic DW Badguys int heir glory, and beating up bonkers, who apparently exists in this universe which is more suprising than it should be. HOwever Darkwing, ends up accidently coming up with a plan: capture one of them, get them to let them into bulba’s heavily foretfied lab turned lair, and use the ramrod to send them home and find dr. waddlemeyer. Easy. Well okay not so much as the two argue over Gosalyn coming along but Launchpad’s experince has taught him kids are the best adventuerers at all and they just need to be an adventure family. Gosalyn’s dewey, Darkwing’s launchpad and Launchpad’s the uncle.. not quite the right congifuration but his heart’s in the right place.. even if Gos refuses a family since she still has one.. even if you know she can always add the two of them in. Eh semantics point is WANDA found Quackerjack and Goslyn rightly points out they can handle just one villian. So they head out. Also during the scene Fenton tried to contact them but Darkwing semeingly brushed him off.. we’ll get to that later. As the camera closes in on Scrooge and the boys being seen as missing we find the boys at least as Bulba throws them in jail. Scrooge is still missing, though we’ll find out where he is soon enough. Bulba returns to his office to find Bradford. Unsuprisingly finding the circuit wasn’t an accident and Bulba was working out the circuit for F.O.W.L. this whole time. However Bradford also isn’t remotley happy about how big and bombastic things are getting. After all his modeus operandi is stealthy and quite not you know hyjacking an entire city with an unstable super science device and 4 villians from an old cartoon show. Bulba points out hey he wanted the world, this is the way to do it and when Bradford continues to push back against him Bulba rants: he’s just like scrooge or the waddlemeyers or darkwing no vision. Bradford may not see fowl as supervillians, which no dude you are just because you don’t operate in the open dosen’t make you not supervillians. one of you wears a hood for fucks sake. Supervillians don’t have to wear costumes just ask the kingpin.. or his lookalike bulba who has his newfound minons take out bradford and throws him in with the kids. Yeah maybe.. don’t downtalk the well intentioned madman. This is why you haven’t taken the world yet. But with both his bosses gone Bulba feels they need a big splash and takes Liquidator’s suggestion of killing darkwing duck, and sends everyone’s faviorite dog shaped liquid pitchman to bring him to Bulba. Side note I watched a few episodes to see if the series gets darkwing’s villians down.. what changed. and .. yeah it ended up being irrlevant as while the four do get to show their stuff and liquidator, my faviorite so far and sadly the most underused, relaly gets time to shine, they aren’t really that diffrent. Except for bushroot who weirdly only uses godzilla noises now. Thanks I hate it. Otherwise though it’s pretty accurate to the series and hopefully wtih a reboot we’ll get full on reboot versions of all four.
Meanwhile Team Darkwing stakes out quackerjack, with Darkwing still unsure of what to do, and Launchpad having brought snacks like a good uncle. Yeah while he did immitate scrooge for a second it’s clear he’s taking after donald. Awwwwwww. The two then procede to think over one of quackerjacks episodes and while gos goes to find him, they sing the theme song. Great. They do end up finding him.. and as in the episode it’s inside a giant mech.. that probably wasn’t cgi in the show.. or maybe it was but god it’d be awesomely horendous.. somebody make that. They narrowly escape him.. but run into liquidator instead. Wuh-Oh. Meanwhile, literally as these bits are intercut but it was just easier to do it this way, Bradford is thrown in his cell and the kids are curious why he’s here, with Huey assuming he’s getting money and the kids breaking out with Bradford forced to follow, though caling Heron for an evac. Dewey actually has a plan: Since he knows Darkwing an Gosalyn won’t stop till they get to the ramrod, they simply need to find the ramrod and wait for them to show up and offer a way out, though Bushroot bars the way. Thankfully Dewey knows who he is as Launchpad naturally made him watch a LOT of darkwing duck but hey it came in handy and gives him something to bond with his birth dad over so that’s a bonus.
The three make their way through, with Dewey singing the darkwing theme song.. and naturally being the one to trip the vines. our heroes make it out alive but bradford is pisseeeeedddddddddd. And in his rage accidently says maybe a bit too much after dewey incorrectly assumes he’s never felt this alive in years.
“I’ve never been closer to death thanks to your foolhardy adventuring! If you didn’t meddle with forces you didn’t understand Magica De Spell wouldn’t have broken the bin, the moon never would’ve invaded earth and all of reality wouldn’t be in jeopardy! SOMEONE HAS TO PUT AN END TO THIS!” Yeah this speech .. is damn good hence me quoting it in full and Mark Evan Jackson really sells it. While granted we knew this was what started FOWL trying to elimiate the ducks, that’s how we found out FOWL existed still after all at the end of last season, here it becomes clear that despite Bradford saying it’s just buisness and seemingly being business minded.. this is PERSONAL. He genuinely seems to hate the ducks and their adventuers and the damage they cause and seems to blame them and soley them for everything that goes wrong.
And I was going to say “Well he’s not entirley wrong” as their adventures have had consequences.. but as I looked through the episodes.. I realized I was wrong. Out of 60 episodes so far, the ducks actions have only threanted duckberg or Scrooge’s buisness a handful and most of those are Louie. They are :
Louie misusing little bulb in the great dime chase wrecking parts of the bin
The beanstalk incident from Jaw$, which Scrooge was called out on in the public.
Gizmoducks messy bank robbery prevention in who is gizmoduck, easily outweighed by everything since.
Destroying an underwater research station in the depths of cousin fethry which was in part due to natural wildlife.
Scrooge’s flu and stubborness tanking stocks in “The 87 cent solution” not to mention destroying property. While yes Scrooge was being played by glomgold his own stubborness and the kids refusal to call beakly lead to it playing out longer than it should have.
Ruined an expensive movie production (Which is partly Jim’s fault, but scrooge still didn’t get intolved at any point or have anyone more experinced oversee boreswan or even ever contact jim about a cameo. )
Louie nearly destroying time itself in timephoon.
Della giving the moonlanders the blueprints for the spear
And as you can tell almost all of them aside from louie’s two incdients involve some form of extenuating circumstances. While Chaos has insued it’s never been intentional and always been cleaned up. Even the invasion, as close a call as that was, was solved BY the family and their allies.. and glomgold, but hey sometimes you need an x factor. Most of the duck’s actions have only backfired on themselves of people nowhere near duckberg or scrooge’s intrests and most villians gunning for them would regardless if scrooge was active or not: Glomgold hates scrooge for entirely personal reasons, Magica was locked up for good reason and while she got out due to the family’s rift, she would’ve done what she did with the bin regardless, the beagles just want their land back even if Scrooge rightfully owns it, Beaks maniuplated fenton to get the armor and now goes after him out of jealousy, and Lunaris was already going after earth Della just sped it up and did so in good faith entirely unaware he was a invader. These nuts would be gunning for scrooge anyway, and while some of it’s due to his life as an adventuerer, said life was started before Bradford was born. Scrooge isn’t responsible for guys coming after him any more than batman, or spide-rman. Sure a hero being around gives them reason to keep trying but it also means there’s someone to STOP them. And more importantly, as I always intended to prove, their adventures have done more good than harm: Beisdes the obvious mending and extending of their family, with Donald and Scrooge patching things up and Beakly, Launchpad and especially webby being warmly welcomed in and Della finally finding a way home, not to mention their various allies, over the last 60 episodes our heroes have, and yes another list and a long one so buckle up. In chrnological order:
Brought clean, limitless water to duckberg, if through scrooge’s water company.
Defeated a luck vampire that was kidnapping innocent people (Okay Gladstone’s probably mildly incident but even he didn’t deserve that) and likely left him unable to continue his scheme.
Freed a lost and enslaved Egyptian civlization from a tyrant and brought them quite literally into light.. and gave them burritos.
Defeated Zeus.. not really a huge change for humanity but given what a dick he is I’m counting it.
Through Gyro’s invetion of the gizmotech armor and Fenton’s use of it, gave duckberg a superhero whose since cleaned up crime, keeps the city safe while scrooge isn’t around and is beloved by the city.
Stopped a known super spy.. who works for Bradford but still.
Defeated Magica, saved the entire city, and depowered her all in one day and all together.
Found an entirely new and giant species of plankton and gave their cousin a purpose
Destroyed an evil plant monster that had likely eaten dozens before that.
Helped a man find his family’s treasured lamp
Opened a museum wing to share Scrooge’s various treasures with the world.
Hundreds of years ago stopped a robber baron from bleeding a town dry.
Donald selflessly possibly sacrificing himself in a dangerous rocket to try and get home to warn earth and his family of the coming invasion.
Taught Lena how to love herself, got her to turn against magica, and then with Violet’s help Webby helped her return to life, and find a home where she’s actually loved and wanted and finally happy and free.
Stopped beaks rampage.. granted it was with stolen gizmotech, but he still stole it int he first place.
Gave the Drakes an adopted son who genuinely loves them and sucessfuly gave them finacial freedom from their cruel, sociopathic biological son.
Stopped an army of scrooge’s greatest foes from stealing his company.
Formed a resistance against the moonlander invasion, stopping it eventually with glomgold and the cousins help.
After that stopping Lunaris backup plan to destroy the earth itself along with his own people.
As a result of all of this, despite the invasion, introducing a new population of happy, repentant for their invasion of the world aliens into duckberg who have been loyal and hardworking.
If unknowingly stopping Fowl’s own agent from killing everyone in duckberg.
Saving a lost society of mermaids and helping them start over
Sucessfully saving a charity gala from hyjackers.
Helping Daisy start the career she wants.
Saving BOYD from being hyjacked by dr akita
Saving all of Tokyok from Akita’s plans for boyd.
Finally letting BOYD be his own boy and break free from his past.
Defeating team Ragnarok and saving the earth from the end of days.
Defeating the phantom blot while unlocking Lena’s powers, both saving an innocent child from death and giving duckberg protection from Magica once and for all.
Helping penny adjust to earth giving Duckberg another defender besides Gizmoduck and the clan mcduck.
Stopping ponce de leon from draining the youth from anyone else and restoring all his victims.
So yeah five times the number of bad things they’ve done or money they’ve lost. For all the chaos it causes the ducks have changed so many lives and not just their own for the better. And I think that’s the problem: Bradford only sees thing in the terms of possesion in money, and helping people gets him NONE of that. To him all of this is just more risks to the world and his control of it. To him Scrooge has near complete control of duckberg, thousands of buisnesses, the potetial to grip the world.. and he uses it to seemingly endanger it and better lives instead of his own. I mean he has enriched his own but still. Bradford simply CAN’T see past himself or his own saftey and greed to see any benifit for anyone else. ONly himself and with scrooge gone the world is his, the world is safe, and the world is better. In other words.. he’s who scrooge ALMOST became, minus the effort to get things himself. A bitter old man who cares only about himself and his possesions and wants nothing else. We’ve seen it here and we’ve seen it in the life and times: Without his family scrooge grows cold and alone.. and without anyone to really care about Bradford is what he’d become. He’sd also forced to eat his transmitter after blaming his outburst on his lack of medication. Wah Wah.
Back at Darkwing Tower, after what feels like 80 years, our heroes squabble a bit as Gosalyn wants to run off after another villian to get to her grandpa while Darkwing wants them to get some rest while he takes care of some buisness> Gosalyn balks at this, all but shouts YOUR NOT MY REAL DAD! and then runs off to the overlook of hte tower. While Darkwing takes a call with Fenton at long last, Launchpad goes to comfort the girl. She admits straight up she was a bit hard on the guy she’s just desperate to find him. And it turns out darkwing as over hte last.. few nights? Wait....
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I’m genuinely confused as the time skip at the end of act one indicated a day at most yet i’ts apparently been several and drake’s been loosing sleep over it? And even WITH the lockdown the rest of the duck family hasn’t barged in? I mean yes the four are keeping the gates shut but even with fenton trying, I highly doubt della has the patience to wait while her kids and baiscally dad are in serious danger, and they still have the cloudslayer/sunchaser and while yes bushroots pplans could stretch up it’s as simple as della flying up and then landing somewhere. I don’t think mayor owlson would complain TOO much about property damage and while scrooge would grumble he’d pay for it. Point is the timescale here is confusingingly worded. At most i’d say a day has passed and darkwing hasn’t slept since last night, as that makes more sense than “Whelp I guess our famiy’s been missing for days nothing weird about that. As I said the timescale for this episode is really weird and one of it’s few problems, the other being, now we’ve met them might as well get out of the way, how throwaway darkwing’s foes feel. They all, minus mega volt, get a moment to shine but they all feel like interchangable goons. Like any of them could’ve done any of their scens just swap out the gimmick. I do get this episode has a LOTTTTTT going on at once, so I get any character bits with them probably got shoved out and odds are we’ll get “real world” throughly updated versions next time, it just feels weird to make such a big deal and bring the fearsome foursome in and not either give them a bigger roll or have them stick around for the future, though as I said frank will probably remake them from the ground up for the reboot with new origins and what not, and some might intentional take after them like drake did with tv darkwing, so fair enough, just felt it was a bit of a waste but I understand it given the sheer amount of stuff to fit into a 45 minute special.
Back on the actual plot though Darkwing’s been up all night conversing with Fenton trying to find dr. waddlemeyer. And Fenton sadly has no good news: Not only does the Ramrod have only one shot left in it before it breaks reality, but even if that gives them one shot to find Dr. Waddlemeyer.. there are trilions of universes out there. The odds of finding it before reality goes bye bye are slim to none. But Darkwing refuses to give up as he refuses to let Gosalyn down. It shows that despite his earlier fear.. Drake is a damn good person and wants to make up for not beliving in gosalyn, to help her anyway he can no matter what it takes. Gosalyn realizes she’s been kind of a dick and helps darkwing and herself get some sleep, and in a reversal of the scene from Darkly Dawns the duck, hums little girl blue to him. Awwww.. my heart.. it’s too full!.
Back at the tower, the boys and bradford find the ramrod and bradford grumbles as he finds where scrooge is: trapped in the ORIGINAL ducktales reality, though using the remastered proportions and blue eyes. It’s a good gag especially since Bulba specifically trapped him in this scene.
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Beautiful. Bradford wonders how the hell he’s going to cover this up.. and Huey overhears him, having already been suspcious because while good at running a massive shadowy conspiracy, he didn’t you know, tell heron to keep it down on the transponder as the boys were around and her continuned interputions and his outburst earlier made Huey suspcious. Before Bradford can cover he starts coughing (With Dewey’s pricless injection of “Oh no we killed him!”) and coughs up the transmitter.. with Heron inconvently pointing out he’s fowl high command. He’s the bad guy.. from the kids point of view at least. But Bradford just chucks them into the 87 dimension where they stare blankly at scroog’es rampage. So now it’s all down to team darkwing. Speaking of which their all asleep but Wanda wakes darkwing up and in another ddtd parallel, he leaves to take care of this himself, if without Gosalyn waking up this time. His reason is simple though: The ramrod has fired up and this is their only shot at getting her grandpa back. So Darkwing strolls in.. and once Bulba and the fearsome four marvel at his directness, Bulba sends them to knock his brains out and drag him in. Thankfully Gosalyn and Launchpad wakeup and while Gosalyn is mad for a second, she sees him getting drug in and finally realizes just charging in isn’t going to do it. .and since Launchpad knows DW like the back of his hand, he gets them in by dressing them up as Jumbalya Jake and the Bugmaster. I’ve heard of both though why the hell Frank chose Jumbalya jake over .. ANYONE else, is beyond me. Bugmaster is fairly popular, Jumbalya Jake.. is basically a less intresting fuzzy lumpkins. Regradsleess it works and our heroes make their way inside.
Bulba is preparing to his big hyjack the airways villian speech, contacting the leaders of the world.. and killing darkwing, whose none to happy about it to show their serious with an ultimatium: either let him use the ramrod to change the world for hte better or else. And this seems a good as time as any to talk about Bulba.. whose utterly EXCELLENT in the reboot. And I loved the original but instead of just being a super comptietn villian bulba is instead a well meaning one. While he embraces the supervillian lifestyle and flunkies and flamboyance, he’s also just trying to remake the world, to make it BETTER than it was beofre, to end hunger, no traffic acidents. It dosen’t make him a good person, much like magneto or disney’s own toffee, the ends do not jusify the means and he’s likely going to destroy reality in the process, and it’s clear his own arrogance is at much at play as his desire to do goo dand anyone with valid concerns is just a doubting asshole. He’s a compelling villian and James Monroe englehart REALLY fucking brings it, creating a villian with style, a mission and competence galor. He’s really damn good and easily tops the original which is not easy at all, but props to frank for doing it.
But before he can get started, Gosalyn throws the smoke bombs down all around and does Darkwing’s terror that flaps in the night bit for him, and the distractoin allows DW to escape and kick bulba in the face. A HELL of a fight insues. That’s one of the best things this series does is fight corpegraphy as while battles aren’t in EVERY episode, whent hey do happen their spectacular as Darkwing and Launchpad take on the fearsome four in one hell of a beautiful sequence. Darkwing and Launchpad plan to take the four on while Gosalyn gets to the ramrod. Gosalyn understandably questions how an actor and a launchpad are going to take on four villians with the two piping in that bushroot really isn’t na villian which .. I mean he KINDA is but the symapthetic kind that would probably give it up eventually but fair enough. I still like that nod even if this version is less adorakable traumatized plant and more...
Still Goslyn realises their power! THeir nerds! And with the power of fanboyness, and taking a few hits and refrencing the just us justice ducks episode I haven’t seen yet, their triumphant. Singed but triumphant.
Meanwhile Gos continues to try and find her grampapapapapapapappapappaaaaaaaa while Bulba engages Darkwing and Launchpad. Jokes on him their already engaged to each other! She fails to find him but does find the ducks, who wonder what quackaroonie means and why their heads were round.
As the Ramrod rips a massive hole in time and space that threatens to suck everyone in. While Dewey encourages Gosalyn to keep going Huey tells her to stop... which.. Huey you lost your parent too, end of the world or not you can phrase it better. Otherwise top notch youv’e been the best this episode. And in one of the best scnees of the episode Gosalyn realizes what she has to do and despite Bulba tempting her with another relality she ddosen’t even consider it.. she shoots the ramrod with her crosbow, destroying it, with the final portal taking the fearsome four .. somewhere. I dunno? Cleavland..antis? I’m sure their fine. Bulba is knocked out though, and Gosalyn slowly weeps while her new dad consoles her. It’s a touching scene.
Thattt’s soon interupted with one last bit of unfished buisness as Huey suddenly realizes OH CRAP BRADFORD”S MISSING. They find him heading off in a marked FOWL helicopter, which Bradford points out the stupidity of but with Scrooge now having concrete visual evidence his head investor is running one of the oldest and deadliest spy agencies in the world, and their gunning for him decides to give a big of a gloat and tells Scrooge his adventure fantasy is ending while Scrooge remarks their world got a lot more dangerous. And yeah.. while I doubt Bradford will still brook over the top villiany, he now no longer has to hide his agents from scrooge or dance his operation around him and likely has enough embezlled funds to keep fowl going long enough to take out scrooge. And yeah before we get to the end, thank god as while I love this review it’s been one of the longest writing experiments of my life., let’s talk about the FOWL overarching Plot and the interlocked missing mysteries subplot. The progress up till now has.. not really been great. Understandable but wheras season 2 had way too much plot this season took until thsi episode for the plot to really kick in. It’s been aggrivating and both fowl agents after you only crash twice .. really had nothing to do with them in their missions, with both only really using their resources. However.. as slow as it’s been, I will give credit in two places: 1, htis was likely done to get plots out of the way that were lighter and less tied into things, with only two exceptions in the next 6 episodes judging from the just released synposis for novemeber. And 2) the fowl episodes that WERE there set things up brillinatly. You Only Crash Twice set up heron’s lack of stealth and overt villianly, so her calling bradford a ton and bringing a marked helicopter did’t come out of nowhere, while last week’s episode hinted at the fact that FOWL somehow has acess to their own copy of finch’s diary or an equivleant. While we don’t know all the details. This episode also got the plot into overdrive by fleshing out bradford anymore, adding into his lack of liiking cartoon supervilliany by giving him a well and true hatred for scroooge and co. It’s not just the risk, he truly hates their lifestyle and LOATHES all of them and wants them gone.. and now he’s getting his chance. Overall it hasn’t been a bad plot and I get why it’s mostly in the back, but it still could’ve used some build up. But they worked well with what they had. I will also say the focus on Huey is ramping up with the last batch of episodes, so this really has turned out to be his season afterall. Good. So we wrap our story back at Darkwing Tower as Gosalyn bemoans the fact her grandpa is gone. But Drake, for the first time this episode in his civies, softly encourages her to, much like him at her age, get back up again. She got blown up, buffeted around and lost a lot. but they WILL find him. Afterall Drake has a scientest friend who knwos another scientest, and until then.. she can be his crime fighting partner/implicit daughter. So Gosalyn, after so much rejection of it finally accepts her new family while Launchpad runs in to join them with dewey’s blessing. He’s not leaving the show ind, he’s just going to spend days in duckberg, nights in saint canard and sleep on the drive over, to Drake’s pitch perfect “What the actual shit bud” face. Gosalyn is happy, ,and Wanda has a crime for them to chase and our hapy family , back after way too long, heads off into the night to get dangerous. Wheew.
Final Thoughts: God damn this was a long one. I mean it was an hour long but god damn I had a lot to say. But it was a good one. Minor flaws aside, a second watch showed off the pacing, great jokes, amazing emotoinal core, perfomances and plot progression. Unlike the Duck Knight returns the episode wisely ballances darkwing with the boys and scrooge, and interweaves them beautiful as well as finding a credible way for them to find out about FOWL. The game has changed. I also saved the best for last as Stephanie Beatriz was fucking amazing as Gosalyn. While i’ve always loved her, she’s nice, bi and utterly fantastic on brooklyn nine nine why wouldn’t I?, and was excited I was both suprised by how diffrnet her gos voice is from her regular one, though shouldn’t have been as her rosa voice is also vastly diffrent.. seriously stephanie do more voice work your great at it, and Gos was rebooted well, sanding a bit of her hellion streak off while still feeling like the character and instead of just ignoring her grandpa’s death after one episode, making it inot a major part of her character arc here and likely in the future. It’s damn good stuff. The special really overall gets the spirit fo darkwing while making something, new , fresh and bold out of it and easily holds it’s own among the other specials. Nothing much else to say that hasn’t been said, this special was utterly amazing, go watch it.
Now with that done if you like my weekly ducktales reviews, you can follow me for more, comment to tell me how i’m doing and i’m proud to announce.. follow me on my brand spanking new patreon! 2 dollar patrons get a poll once I have enough to do one of those, a discord once I get any, and 10 dollar backers get to pick a review for me a month! If you have the dough, please check it out and if not tha’ts okay. Until next time get dangerous but in the safest way possible, don’t forget to vote trump out and happy halloween! Play us out Jeff Pescetto!
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Trick or Treat 2018 letter
Dear writer,
Hello and thank you for writing for me. I’m very excited to read whatever you come up with.
Regarding tricks and treats: for tricks, a story in the general tone of the canon would be great; if you want to introduce a more clear-cut trick element, spookiness, ambiguity, menace, some darkness, maybe some violence if the story wants to go there, a dark supernatural element (e.g., what may or may not be a haunting) even if the canon’s realistic, rather than extreme grimdark where everyone dies or gets raped and dismembered.
For treats, a story in the general tone of the canon would be great; if you want to introduce a more clear-cut treat element, humor, silliness, crack, a maybe-supernatural element (e.g., this is definitely not a haunting right?), something mildly hopeful, rather than teeth-rotting fluff.
Requests:
American Gods (TV)
Laura Moon, Mad Sweeney
Fic, trick or treat
I ship it. Yes I do. I also love their snarky road trip in and of itself. They’re both such assholes and so fascinating, even if they mellow toward each other a bit in the last two episodes, and all the gods/magic/resurrection stuff swirling around them begs to be explored further. Plus she’s half his size yet can and does beat him up with literally one finger, and then there the angst of he having killed her and then brought her back.
Please give me either missing scenes from the road trip (with or without Salim, whom I like too) or something post-S1. Laura discovers (how? you decide!) that Sweeney gave her back the coin after their accident -- whatever happens next, some punching may be involved. Wednesday’s big war finally comes, and “don’t you dare die on me, you asshole” is a line either Sweeney or Laura (or both) might say to each other. Or something exploring living death. Magical bargains. Meetings – smooth and harmonious, though let’s be real, with these two it’s probably the opposite – with other Old Gods and assorted supernatural beings from various cultures. What kind of favor did Sweeney do for Ostara that would be worth her bringing someone back to life as repayment? What other powers might Sweeney have (he doesn’t seem on a par with someone like Wednesday and Ostara, nor does he consider himself to be entirely like them)? How long can a dead wife keep going before she’s “soup”? What other superhuman abilities might dead!Laura have? Can the dead do magic? Laura asked “What does Wednesday have to lose?” and the answer is...? (Yes, give me that sweet poetic justice.) Sweeney basically stops calling her “dead wife” (or anything else) toward the end of S1 -- there comes a time when he (has to) call her by her actual name, and that’s a tricky moment for them to navigate. Or, Mad Sweeney is not his actual name, since true names have great magical power; Laura discovers or learns his name, from someone else or from himself; what does she do with that knowledge? Also, my perfect AG spinoff would basically be Sweeney and Laura tooling around America, looking to get her resurrected (whether they succeed in this or not is up to you), stealing ever more ridiculous vehicles, arguing/fighting and having those pesky moments where vulnerability and genuineness creep in – and fucking. So I’d be down for porn, but only for these two characters together, not one of them with a third party. If it helps your inspiration, you can find some of my meta and lots of tag-burbling about these two here.
I have read the book, and while I prefer the show characters, you can use or riff on book material if you want. With reference to one of my DNWs, for this canon, describing Laura’s physical decay is totally fine.
Cabin Pressure
Fic, treat
Carolyn Knapp-Shappey, Arthur Shappey, Martin Crieff, Douglas Richardson
I just want more canon-y stories with their loopy humor and their weird yet loving family dynamics among the crew. Shenanigans in mid-flight or in the tedium which precedes and the tiredness which follows them. Someone smuggles (knowingly or not) an exotic animal on-board, legal, security, medical and/or slapstick chaos ensues. A mechanical, passenger- or smuggled-goods-caused problem arises and is solved during a journey. More games played on board GERTI. While I DNW holiday settings or themes, I can see comic potential in Arthur getting overly enthusiastic about Halloween (remember Arthur at Christmas?). Playing around with a specific destination, like in many episodes, would be a plus. If it helps inspire you, my favorite episodes in terms of tone and content are: Douz, Gdansk, Johannesburg, Limerick, Ottery St. Mary, Uskerty, and Xinzhou.
For this canon, I’d prefer either gen or, if you want to go there, Douglas/Carolyn, which is a ship I always thought had potential – they understand each other very well and trust each other most of the time, but they’re both also snark-masters, tend to look down on anyone not as smart or quick-witted as they (Arthur being the sole -- occasional -- exception), and are really good about keeping their defenses up against other people.
Justified
Boyd Crowder, Rachel Brooks
Fic, trick or treat
For Boyd, a moment in canon or post-canon, during his likely-lifelong incarceration, where we get to see him work one of his schemes. For Rachel, case fic or friendship fic, and you can definitely throw in Raylan and/or Tim and/or Art. Model Marshal Rachel gets stuck doing the early morning prisoner transport or handling walk-ins (bonus points for telling me how she earned this punishment from Art). Banter is always a plus.
And if you wanted to tackle Boyd & Rachel or Boyd/Rachel, well. I would love that. Their few brief interactions in canon always left me wanting more. Boyd trying to pull the wool over Rachel’s eyes and her not having it. Having to work together or Rachel needing to use Boyd as a informant, and possibly how the hostility might shade into flirting and how Rachel might feel about that, given Boyd’s past (even if, as Raylan said, Boyd’s too smart to really believe in white supremacy, there’s still his lifelong criminality). The beginnings of a good working relationship or friendship or affection, and how frustrating and difficult that would be, because they are who they are. Or the later stages of a relationship, when somehow they make it work, however tense it gets at times.
Specifically for trick fic, there be somethin’ spooky in them there hills. Maybe it’s just the usual bunch of hillbillies with more firepower than brains, maybe it’s something genuinely eldritch. Marshals and/or local crime lords walk right into it. A Lovecraftian riff would be great, as would an actually-mundane case of crime happening under cover of supernatural goings-on.
DC New Earth
Thessaly
Fic, trick
I nominated this character under The Sandman’s canon tag, but it got moved to the DC New Earth umbrella tag.
Thessaly is my favorite Sandman character and one of my favorite characters in general. I love that she is not always or even often likeable, but she is always compelling, intriguing, hypercompetent, ruthless, fearless, and sometimes foolhardy. Her solitary ways and commitment to her own long-term survival, without the reader ever figuring out what – other than the desire for more life – drives her, fascinate me, as does her humorlessness coupled with everything that’s fantastic and supernatural about her. I’d love to see her do more chilling magic (invent dark, bloody rituals and tell me about them, by all means), go on adventures in the Waking, Dreaming, or still other realms*, get into a jam (maybe the Moon tries to claim her? Or she obtains a magical artifact and its owner isn’t happy?) and get out of it in her own way. Or Thessaly interacting with other Dreaming denizens (say, snarky Matthew, or the three guardians of the entrance to Morpheus’ palace, or the Second Corinthian with all his identity issues). Or give me glimpses of Thessaly’s past, over the many millennia she’s been around. Or, she must have moved from other worlds or planes of reality, possibly at their final destruction, to our own, just as she moves to Barbie’s dreamworld and survives its destruction; what were those worlds like, or where might Thessaly go once this world is gone? Does she outlast or out-trick the Moon in the process?
One thing I would appreciate you not dwelling on is Thessaly/Morpheus – I don’t mean retcon it out of existence, just don’t dwell on the actual relationship, which I always found somewhat improbable. Exploring Thessaly’s hurt and anger after the end of that relationship is fine. I have also read the Thessaly spin-offs, so you can riff on those if you want (what does she do with all the dead crowding her at the end?), but please note that if you describe Thessaly, I prefer her frumpy, self-composed design in Sandman over the Lara Croft-lite of the spinoffs.
*Fusion suggestion: if you wanted to send Thessaly into the world of Jennifer Haley’s play The Nether, I would be there with bells on. If you are unfamiliar with The Nether, it’s a science-fiction play about literally living on the Internet (easily handwaved into a kind of magic or a living dream) and how that influences people’s sense of self – be forewarned that the play’s not explicit but is pretty damn dark.
Likes:
I love pre-canon, canon, post-canon, canon-divergent, and “missing scene from canon” stories. I love character-driven and plot-driven stories equally, and I love fics which mix humor and angst/serious business when appropriate for the canon.
I love character studies, characters at work and play, stories about group dynamics, family dynamics (including constructed families), professional partnerships, friendships, alliances, rivalries, intimate couples, UST-ridden couples who are not just UST-ridden but connected in other ways too, etc.
I love irony, snark, 5+1 stories, bittersweet endings, hopeful endings, happy endings, canon-fitting crack, worldbuilding, characters who are their own worst enemies as well as those who learn to get over themselves, characters with conflicting values which may or may not be reconciled/resolved in a believable and IC way, characters who treat each other with respect and as equals even if they hate/annoy/can’t stand/love to dislike each other.
I especially love workplace stories (this can mean anything from an office/procedural setting to anything that revolves around the canon world in which the characters live) in which the characters are competent and dedicated to the job, and while they may not be exactly friends and they may well irritate one another, they still manage to rub along to get the job done and maybe even grow to care about one another (much to their surprise and sometimes reluctance/discomfort). Or, if they can’t get along, show me why not and what’s preventing them from finding common ground.
In terms of ship dynamics, I love (where it fits the characters) banter, competitiveness or antagonism shading into attraction (this tension need not be resolved), bickering yet loving couples, faithfulness, characters who are serious about their romantic interests, characters who think they are much better at flirtation than they actually are, characters forced to work together only to prove much more compatible than they initially assumed, fics which mix an exploration of characters’ professional and everyday lives with shipping. A dynamic I cannot resist is shipping a couple who are incompatible in some important way (they are ideological enemies, cop/criminal, spies from opposite sides), and while they love and want each other they’re also not willing to change sides or surrender/compromise their identity for the other’s benefit, and how they might (or not) make their relationship work anyway.
I don’t have any very specific likes for smut, other than smut fitting the characters – show me how their canon dynamics spill over into the bedroom (or other place of congress). I also like sexual scenarios that subvert expectations a little and surprise the characters themselves (e.g., the person who’s usually quiet or more passive taking charge, the more aggressive person goes with it possibly snarking or commenting on it as long as they can). And I like sexual scenarios that contain an element of competition, antagonism, oh-god-this-is-a-bad-idea-but-we’re-going-for-it, not wanting to admit feelings or show vulnerability except oops it happens anyway, whether the characters acknowledge it or not, or just people getting way more into it or being more affected by it than they thought they would. Oral, vaginal, anal, manual (ifyouknowwhatImean) – it’s all good. You can go as veiled or as explicit as you like, but please avoid excessive medical jargon – I don’t find a lot of mention of “penis” and “clit” sexy.
DNWs:
Kinks, MPREG, A/B/O, knotting, D/s, incest, underage, genderswap and genderbent characters, non-con, dub-con, torture and abuse (this and non-con/dub-con can be mentioned if the story needs it, but please don’t dwell on it in loving detail or subject any of my requested characters to it), dwelling on bodily fluids (mentions of gore and come are fine where appropriate), toilet humor, character bashing, soulmates and soul marks, major character death (unless it’s canon), pregnancy and children as the lynchpin of the story (unless strictly canon appropriate), characters agonizing over/analyzing/dwelling on their or others’ sexuality as if it’s the sum total of their existence, secondary characters acting like shipping the main pair is their be all and end all, fluff and schmoop, OCs (except in small roles and/or for worldbuilding purposes – I just don’t want a fic in which OCs are the heroes, while my requested characters are cameos), issuefic, explicit or implicit reference to current events or politics in the US, fic written in the first or second person, holiday or wedding setting or theme, AUs which have nothing to do with canon (cop characters working in a coffee shop, high-school janitor characters in space, etc.)
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My thoughts on THE LAST JEDI
It’s Christmas Eve-eve and I’m working 2nd shift. It’s finally calmed down a bit so this seems a good time to talk about my difficult relationship with STAR WARS: THE LAST JEDI.
I overall dislike the film, both as the 8th episode of the Star Wars Saga/9th film overall in the entire franchise and as a film on its own merit. But there was a lot I liked about the film. A lot I LOVED about the film. Which perhaps makes it more frustrating. Were TLJ as categorically bad as say, HIGHLANDER 2: The one where they’re from the Planet Zeist, I would actually have a much easier time disliking it.
But first, what exactly is my history with Star Wars?
EMPIRE STRIKES BACK was the first film I ever saw in a theater. My older brother took me. I was all of 4. I saw STAR WARS on TV later on and it was not until RETURN OF THE JEDI that I connected the dots that it was the same film. You gotta remember that for my generation, what you call, “Episode IV: A NEW HOPE,” was just STAR WARS to us. I loved ESB. And collected what little merchandise was available in early 80s rural Indiana.
I’ve seen EMPIRE STRIKES BACK more than any other film. I have a son, college-age right now, who grew up with the prequels. We had our various lightsaber battles, and played the video games together and bought the toys. It was great!
I don’t hate the prequels in the en vogue way that GenXers seem to hate them. Jar Jar doesn’t bother me all that much. Nor does Jake Lloyd’s Anakin. I still fire up the DVD from time to time for the Podrace and Darth Maul duels. And Qui-Gon is one of my favorite SW characters.
I really enjoyed ATTACK OF THE CLONES because it feels like Ewan really had fun playing Obi-Wan. And SITH… well… it’s not great. I think the last two minutes of ROGUE ONE makes up a lot for the last two minutes of SITH. It’s the Darth Vader we’ve wanted to see for decades.
And I loved FORCE AWAKENS. I really dig all four new leads. I was bummed that Luke had nothing to do and I felt Han got a really bittersweet ending (as did Harrison Ford finally get the exit he wanted from the franchise). I thought the structural similarities between IV and VII were a feature, not a bug. And I’ve been all for VIII since.
Until. The trailers for VIII began. Something felt… not quite right. And yeah, feel free to insert your, “I feel a great disturbance in the Force) joke here. I couldn’t get excited for anything I was seeing in the trailers.
Even seeing Luke in the cockpit of the Falcon felt like the grapes of Han’s, “Chewie, we’re home” to prunes in my mouth. I assumed Luke would die in this film. And after we lost Carrie Fisher much too soon, it was hard accepting that IX would be without Luke, Han and Leia. I waited for the crowds to thin a bit and saw TLJ on Tuesday after opening weekend. 70mm IMAX at the Indiana State Museum, if knowing that of trivia is fun for you.
Now, then. I’m not a film critic and this is not a film review. I’m just a middle aged Star Wars lover and film nerd.
But before we get into what I disliked about it, let’s start off on a positive note! Firstly, I do understand and respect that Rian Johnson had essentially 4 basic audiences for this film, none of whom view Star Wars the same way. Baby Boomers what saw STAR WARS in college; we GenXers what grew up with the movies; Millennials who grew up with the Preqs; and kids today whose first Star Wars theater experience was THE FORCE AWAKENS. That’s a heavy burden and if anything, I feel like they failed in trying to appease to these 4 quadrants of the fandom.
I loved the opening battle sequence. It’s maybe the best star war in Star Wars. It looks and sounds great. There is great conflict and drama. It has this amazing gut punch with the last bomber. Just superb.
I still really just love the four new leads. Those are all rich characters.
I’ve seen a lot of people grousing about Rose and specifically, the entire casino sub-plot. Rose was great! In a movie where people are all over the place on the emotional spectrum, Rose felt like really the only person whose emotional responses actually made sense in their given contexts. And she delivers the theme of the film at the end, which I did enjoy.
And the space casino heist? Are you kidding me? James Bond in space. Loved it. I felt the animal cruelty and slavery beats a bit too on the nose, but that’s just a taste thing. I think my very first reaction on the twitters was something to the effect of, “a great space casino heist film wrapped in a shitty Star Wars story.” Beneicio Del Toro was certainly memorable. I thought they were teasing a new Han Solo-ish scoundrel but instead, he’s this great foil to Finn. I DJ shows back up again either in IX or in Rian Johnson’s spinoff films.
My only real quibble with the casino scene was that Justin Theroux’s high stakes gambler/slicers should have been Lando, right? You can’t put Billy Dee Williams at a Sabacc table for 30 seconds? Also seeing how the owner of the ship DJ stole sells to the Resistance and the 1st Order, having him still Lando’s ship would have been a nice touch. In the absence of the Rebellion and Han, Lando is not the best version of his self. Anyway, I’m not here to write a different movie.
I also really liked Laura Dern’s Admiral Holdo and I enjoyed how she shut down Poe’s mansplaining. I don’t understand some of the choices made with Holdo, but more on that in a bit. Holdo crashing the Mon Cal cruiser into the 1st Order fleet while at lightspeed was insanely cool. That’s the stuff we only ever imagined in the old Star Wars RPG; never thought I’d see something like that on screen.
Didn’t mind the Yoda cameo. Don’t understand people who say, “bro, that should have been Obi-Wan, bro.” I don’t agree, but whatever. Yoda seemed perfect to me.
I don’t think it’s the best lightsaber fight in Star Wars, but seeing Kylo Ren and Rey fight together was really cool. Was great to see the combat training the actors have done get a few minutes to shine.
BB-8. Big fan. I don’t understand why BB-8 didn’t get a moment to take out BB-9e while in that 1st Order Chicken Walker. Would have been a quick scene and very satisfying. Oh well.
The big ground assault on the rebel base at the end was great. That’s the ground battle I expected from the trailer of ROGUE ONE that didn’t seem to be in the movie. I wonder if there’s a connection?
All of the performances were superb. Carrie Fisher especially.
The film was a series of several, often disconnected moments, that I thought were really good.
Now the bad stuff. I find it insanely annoying and not a little condescending to allege that people who do not like THE LAST JEDI are obsessive fanboys who cannot let go of the past. Or that we don’t understand the goals and themes of the film. I get it. Conceptually, I’m on board. I’m VERY ready for the formula of STAR WARS to be reinvented. I don’t need to see rehashes of Sith vs Jedi, Empire vs Rebellion, Skywalker vs Skywalker. It’s tired. I know. Dudes wanna fly off half-cocked into conflict when they should listen to the counsel of wiser women. I KNOW.
Just… be good at doing those things.
So here’s what I hated:
The film doesn’t actually move the story forward. The movie ends with the same status quo as the beginning:
the 1st Order has the New Republic Resistance on the ropes and is assaulting their base.
Rey doesn’t have a teacher.
The 1st Order is exactly as effective with Snoke cut into pieces as it was when he was alive.
The Resistance is exactly as effective when a demoted Commander leads a mutiny against a Vice Admiral as it was with General Leia in charge.
This film sets on fires many dangling plot points set-up by JJ in VII only to return the story to the same position.
And so on. You get it. It’s the illusion of change.
I hated every scene with Luke Skywalker. Man, just one huge bummer after another. And again, conceptually, I can by that he’s at least a Grey Jedi now and believes both the Sith and Jedi are wrong in the possessive perspectives on the Force. I can buy that he went off to Ach-To to cut himself off from the Force and die. I can buy that he, in a moment of weakness, could not figure out how to save Ben Solo from the Dark Side and was tempted himself to take the quick and easy path. He did, after all, cut Darth Vader’s hand off in the Death Star II Throne room.
But all of those things were executed in a clumsy way that seemed to have little regard for the character. It was a gigantic bummer. Would have also been nice if someone had bothered to tell Luke that his best friend died at the hands of his own son. Maybe that’s what Chewie told him? Or Artoo? But I dunno. It’s not clear and they gave Mark Hamill nothing to work with in those moments.
I absolutely hated his hero moment at the end. Why set up Old Logan Luke who doesn’t want to face down the entire 1st Order with a laser sword in the 1st Act if he does it but not really in the 3rd Act? There’s a wishy-washy desire to have things both ways in this film that drives me nuts.
Also, Luke on Denouement Planet was the clunkiest “misdirect” of the entire film. I’ve only seen the film once and at my first viewing, it was obvious to me that this was not actually Luke.
A) We’ve just seen three different flashbacks of Jedi Master Luke from his New Jedi Academy days after RotJ. And Denouement Luke looks exactly like Jedi Master Luke and not the Wild Man of Borneo from the first two Acts.
B) the movie makes a big deal of showing us that the slightest disturbance to the surface crust of that salt pan will reveal the red dust underneath (which was a rad visual element). And when Kylo Ren sets his foot in Sith Action Pose, we see the red underneath. Whereas Luke is clearly NOT disrupting anything.
C) How dumb is Kylo Ren that even though he just destroyed Anakin Skywalker’s blue lightsaber 10 minutes before landing, Luke is somehow wielding it? I think there’s an argument to be made that Luke intentionally chooses a younger visage of himself (of the last time Ben Solo saw him) and is also using his own legacy against him (Anakin’s lightsaber) to put him off balance. But the film does not convey this.
All combined, these three elements rob all the underlying drama tension from that conflict because it’s obvious he isn’t there.
The dialogue was troublesome for me. I legit sat there, stunned, at the end looking for a Diablo Cody writing credit. Remember how I loved the opening battle? Everything but that bit with Poe and Hux. It was funny the first time. The, “Holding for Hux” part after Hux did his nefarious monologue. But they kept hitting that same beat. Over and over. I would have not batted an eye had Poe called Hux, “homeslice” in that moment. Thus, Diablo Cody.
Also, Snoke’s “spunk.” line. Lolwut? Though I had a chuckle and thought to myself, “… and wriggling” after Andy Serkis said, “raw.”
Why do they keep wasting Gwendoline Christie as Phasma? Have they not seen GAME OF THRONES? Are they unaware of the jewel in their crown?
The editing. This film needs a good once-over to trim about 20 minutes out. Do we need to see Luke milking a Watto-Cow or spearfishing? Did we need to see Luke’s X-Wing parked underwater when it’s just an unnecessary head-fake? As much as I did enjoy the casino bit, it felt over-stuffed.
The wishy-washiness. Oh man. This is the ultimate dealbreaker for me. Look, I don’t mind Rey is the daughter of a couple Trump voters from Jakku with no connection to the Skywalkers. The scene where Kylo Ren tells her, “You don’t even belong here. No one cares about you but me.” is fantastic. I loved it. I love their relationship and I hope to all the cinema gods they stick to their guns and don’t reveal that Ben and Rey are just Jacen and Jaina Solo lite.
Don’t waste our precious film time in VII making a huge mystery deal out of who Rey is and who her parents are in VII just to reveal in VIII that she’s nobody from nowhere one-hundredth of her name. And don’t especially get pissy at me because I’m frustrated that you wasted my time on a non-mysterious mystery. That’s false drama, breh. And a really hacky way to “deconstruct” a story.
If you’re going to really deconstruct what we know about this story and these characters, then do it. “Flip you. Flip you, for real.” Don’t try to have your space cake and eat it too.
Luke is done with this mess and isn’t going to show up and play the hero. Until he does. But not really.
Kylo Ren has good in him, but not really.
Rey has darkness in her, but not really.
Now, this is not the same thing as a character arc. I don’t lump this in with Poe being a brash self-centered pilot at the beginning but a real leader by the end. I’m for that.
I’m talking about if LAST JEDI were broken into numerical values, for every 1 there is a -1 and the story of the movie feels like a sum of 0.
Now, there are a lot of nitpicky things I’ve shared with the people in my life (most of whom are glad I’ve turned my focus to the internet). Like, “what’s the deal with Snoke? Who is he and what does he want?” That’s just subjective, “season-to-taste” stuff that grates on me but I don’t feel objectively bad. “Who is Snoke and what does he want?” was not a focal point of the previous film.
Samey-same with Holdo not sharing her plan. Finn’s plan actually not accomplishing anything. If they knew they were being tracked and had two jumps left and a 6 minute window, why not prepare the transports, jump the old rebel base, unload the transport and jump again in 5 minutes? That kind of thing. You know, things people call, “plot holes” on the internet that are not actually plot holes.
Leia Force Flying through space after the bridge exploded. Just looked dumb. If there was any excuse for Leia to bust out a lightsaber, this was the moment. That would have been choice. Tangential to this: the unceremonious death of Admiral Ackbar.
But those are digressions.
I would probably like this story much more if it were the last half of FORCE AWAKENS rather than a movie all unto itself.
That said, I think this petition to remove TLJ from the canon of SW films is idiotic. This film is going to make a billion dollars by New Years and Disney appears to be giving Rian Johnson his own spinoff franchise. So yeah, this movie isn’t going anywhere.
I also think its real low class to jump on twitter and be a raging dickmunch to Rian Johnson. I’ll never understand why people punish creators for being easily accessible. Or to people who loved the movie. I’m not here to convince you that you shouldn’t love THE LAST JEDI or tell you you’re a dumb-dumb if you did. I simply find it difficult to like for Star Wars movie reasons and movie-movie reasons.
I actually look forward to Johnson’s spinoff film because he seems much more comfortable with new characters. I think he’s a person like Zahn who will add a lot of new hated and loved characters. But unlike Zahn, I don’t think he has a steady hand with legacy characters.
So that’s it. 6 pages on a Word document later (assuming you stuck around). Feel free to hit me back on the twitterbox to tell me how both right and wrong I am!
May the Force be something or other. But probably not.
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