#I’m rewatching young Justice and like literally had to google that I was watching the right show because of how diffrent its from my memory

[imma-bs-it]

Love how my Swiss cheese brain can remember that I’ve watched a tv show before and remember the entirety of random episodes but also forget it so  thoroughly that I also kind of don’t remember anything and might as well be watching it for the first time

[courage-a-word-of-justice]

ACCA 2 | Nanbaka 16 | SGRS 16 | Marginal #4 2 | Classicaloid 15 | Blue Exorcist: Kyoto Saga 2 - 3 | D Gray Man Hallow 1 | ReLIFE 2 - 6

The idea for D Gray Man Hallow from now on: Once all 2016 shows are done (rewatches or not), expect the 2016 ranking.

(ACCA 2)

What in Dante’s Inferno? I’m properly listening to the OP as it was intended in the anime…and it doesn’t quite look like what I expected.

I don’t like tomatoes, so no bread for me.

This is a cute…albeit unconventional way to introduce the series’ core concepts. Also, acorn berets.

Kabocha = pumpkin, while murasaki = purple. That’s made from purple lettuce, so I don’t blame ‘em for calling it that.

Mushroomhead = Rail.

I thought ACCA paid really high if he got cigarettes for free.

Oh no, is Nino going to go against Jean?

Bihinshitsu = equipment room.

2m 22 cm is over 6 foot…wow.

Walnut-topped cake filled with nuts.

The systems managers seem really incompetent…I suspect something’s up.

The guys all deilberately seem to have the same face.

A-hah. As I thought. (Dang you, title spoiler.)

If this ED were to evolve, it would be even better than Yuri on Ice’s OP. (That’s saying something.) Unfortunately, that doesn’t seem to be happening…

Doesn’t seem like there’ll be any title spoilers next time either.

(Nanbaka 16)

I’m less likely to skip Rin! Rin! Hi! Hi! than some of the other Ops when I’m watching. That does make it slightly unwieldy as a rewatching show, though.

“Wow, he’s trash.” – Dat me.

Samon has a brother?

In a world full of filial piety, the worst one can do is to insult someone else’s family.

I’m not very good with “kept secret” stories, which is why I’m trying to do “Next to Me” well enough…at least to my standards, anyway. My standards are very high, you know.

They must’ve done something to the snacks…

(Showa Genroku: Sukeroku Futatabi-hen 3)

The fireworks are so lifelike in this ep!

Daiku Shirabe…I found out about the story from an ANN article, so I should’ve seen its appearance coming…“Tamaya” is something you yell during fireworks displays. Apparently it was the name of a fireworks company somewhere along the line.

The flattening refers to how Yota had to bow for forgiveness, but I think I kinda explained that already.

“Shinuchissei”…Yota seems to slur the end of his sentences.

I actually went “WHAT?!” at Yota not being fazed by the big daddy boss.

Note for later: The baby (I heard his name was Shinnosuke) was born November 23rd.

The jazz soundtrack really sells this show.

...so this is the rant from Daiku Shirabe. It’s fast (compared to even the usual), but it has lots of heart. Plus the showcasing of the tattoo really did its significance justice.

I think the bridge is called Matsubashi (Pine Bridge).

Yota could’ve fabricated the shaking of his hands.…wow. Yota has such yaoi hands. Just what you’d expect from a former BL artist.

I thought Yakumo was more of a cat person. Whose dog is Hanako?

Aw. I felt sorry for Matsuda, even if I have a suspicion he feigned those tears. Well, regardless, now I know Matsuda has grandkids anyway…so win win.

I knew he was either summoning the master Sukeroku II pissed off or Sukeroku himself.

“Tou-chan” was an unexpected nickname I didn’t think Konatsu would use.

Update: I thought about it, and even Shinnosuke’s name takes after the legacy. Remember? Sukeroku used to be called Shin! 

(Marginal #4 2)

One of the things that makes this show stand out is the space-styled episode titles.

Ooh. Pretty cherry blossoms.

Pan shots. Of course.

I know this isn’t the sort of show that gets too much coverage, and I even think it looks a bit ugly at times (not to mention a bit weird) but when you’re not caught up on most of the other big idol shows, this is the best you can do.

I think game boy (orange twin…er, aka R)’s trying too hard with his terms.

Now that Atom is talking about heart, it really does look like he’s a Toshiki Masuda character through and through, although he doesn’t look very angry when he sounds angry. I’ll chalk that up to the art department.

“Don’t think, feel” seems to be attributed to lots of places, so I don’t know the original source. However, since game boy (um, aka R) cites a movie star, it’s apparently Bruce Lee (if my Google-fu serves me right).

L makes stuff sound deeeeep.

WHAAAAAAAAAAAAAAT?! Rui wasn’t surprised by the juice.

Atom is such a Ryuu sometimes...

…okay, enough with the underwear jokes…The twin jokes are a bit weird. Plus the ships can be smelt from a mile away…but that’s not enough to save a show.

“Ore-sama”? I only just realised Atom uses such a term.

Enough about the lucky underwear! *flips table*

Oh, I saw Ayanokouji in the background at one point.

I’m with Rui most times, including the need for deduction.

I’m still questioning the sanity of someone who wrote an entire episode plot about lucky underwear.

Alright, since I feel brain dead after that, I’m going to drop it, meaning ACCA is the show that forges ahead. Well, I’m lucky I was hoping to watch FLCL to fill in the gap once I’m done with my 3 remaining rewatches at this point in time (ReLIFE, D Gray Man, Morose Mononokean). The latter two will have, from ep 7, fresh impressions, so hopefully you can look forward to them.  

(Classicaloid 15)

Selfies: a worldwide phenomenon…I never got into that stuff, but if I were to analyse ‘em, I’d say they tap into the human need to be self centred.

There’s something sad about seeing someone rejected, eve if that someone is a piece of trash like Sousuke…

The game the Classicaloids are playing appears to be a game of Life.

Unfortunately, Kanae’s right…again. Sad life for you, Sousuke.

Motz literally became a flippin’ Akoya, right down to wearing a dress. Plus, the Amazon brigade came back.

Aw, I really felt for the glasses guy, even if briefly.

“Basics of Programming”? Don’t need that for Garage Band, Sousuke.

Hanted house and cosplay café...

…eh? Tchaiko still calls herself a former member of Cla:Kla?

Oh. I never realised until now, but Hamamatsu + festival (matsuri) = Hamamatsuri.

With that song (Sousuke’s song), it’s a sad blooper reel.

(Blue Exorcist: Kyoto Saga ep 2)

I got a wallpaper of Shima trying not to laugh (it was from the official Blue Exorcist anime page, but only for a period around Shima’s b’day). So this ep is where it comes from.

“Bon” means “young master” anyway, so it doesn’t matter.

“…a herbal tea antidote…”

Kyoto is meant to be the imperial capital…at least around the 1700s, it was the imperial capital.

Mamushi means “pit viper”. She’s not one to mess with.

He’s got some reflexes, that Ryuji.

Uwabami is also a type of snake…I forgot which one though.

Wait, Uwabami’s the man?! Uwabami was a woman in Oumagadoki Zoo…

Seriously, are they all getting drunk on juice…? Oh, okay. So that’s what happened.

(ep 3)

Rin’s shirt says “Sankyu” in goroawase and English, LOL.

Even if you love weeds, please don’t smoke ‘em, kids.

I thought Rin was going to pull a Shaft head tilt out of nowhere when he looked back at Konekomaru.

Update: For efficiency, the tag for this one is “Chesarka watches AoEx”. However, I don’t normally refer to it as such. I’d probably refer to it as “Ao Eku” if I wee speaking (due to the season 1 DVD extras), but “Blue Exorcist” is the shortest mode of the name I’d use in typing format.

(D Gray Man Hallow ep 1)

I am familiar with this source material, so do be aware of that. However, I didn’t finish the anime the first time around, so do be aware of that too.

Sometimes the art style for this anime can be a little off. The noses can be a little too pointy and too close to the eyes, so on and so forth.Allen doesn’t even look like he’s blushing with this art style too…that’s a bit of a disappointment.

Even the golems have it in for each other…LOL.

Johnny has apparently been stealing the spotlight for quite some time, but I haven’t noticed it all that much. Probably because I read volumes 21 – 24 in one go…

I think.Cross Marian looks more like Grelle (Black Butler) than ever in colour.

Why does Lenalee have such a short skirt?

When even the masked guy has a sweatdrop, you know there’s trouble.

(ReLIFE ep 2)

Unfortunately for Kariu, I understand there is no “next time”…

I’ve found out even at 18, people don’t judge two people of different gender sitting together eating lunch…of course, cultural standards notwithstanding.

Stud earrings are fine if you play sports, I think.

According to Google-sensei, it’s only about $11, my country’s money. It’s not that much if you work…but knowing Japanese standards (which say you should focus on getting into uni before getting a job), it does seem a bit much for someone who doesn’t work and doesn’t get any allowance. So in a weird way, it does make sense to me.

...but you took Kariu’s hand when she offered you the rubber, Arata?

Hey, that joke was in Erased too.

Kazu-kun = Karamatsu…kinda. LOL.

I always seemed to understand Hishiron, and yet also understand Arata to some extent too. Maybe I’m the perfect in-between for these two. Probably because I tend to break off friendships as soon as the year ends, and yet prior friendships are a core part to my social strategy.

Unfortuately, the downside to “minimalistic” is that it’s obvious when it goes off model.

LINE sticker…LOL. LINE’s very popular in Japan.

(ep 3)

I’ve wondered whether Yayoi Sou is a lady or not. Considering the circumstances, it probably is that Sensei is a female.

Hideyo is the dude on the 1000 note, obviously.

Ah…fitness tests. The bane of youth. No one says “stupid loud” though.

Oh. Tamarai’s there around the time of Asaji’s throw.

Lookit that rabbit on Usa-sensei’s shirt. No one says “crazy athletic” either…you outdated subbers.

Akira (Inukai) is kinda like Yurio, come to think of it, eh?

Didn’t you just say it yourself (about you being old) though, Arata?

Yoake literally had a blank face there, LOL.

There appears to be a Sato GP on the way to Aoba. Huh.

Ah…a show’s a real classic if it makes you laugh every time…

(ep 4)

Where’s the guy who does sad interpretations of OPs and EDs? (This guy.)

I know your feels, Kariu. (see the Tumblr debacle for an instance of this)

There appears to be something about whales near the fishtank.

The cityscapes in this are so nice.

There’s a map of Japan on one wall of Kaizaki’s place.

Go forth, young Kariu! Pick up your fallen balls! (teehee)

CGI balls, LOL.

It’s creepy (but also dramatic) when the lights of the eyes are the last to move.

(ep 5)

Sumire! Her name means “violet” (the flower).

There are some nuances lost in translation, like yappari and the levels of formality…but those are typically lost.

This “lecture” is probably the highest point you can get in the show (so far). It’s times like this you can really see an author’s strengths in storytelling.

The piano really sells the Hishiro/Kaizaki meeting.

What a strange angle that “lean to the left” shot is.

I’ve found out swear words have a lot of leeway when it comes to levels of “oh no”. These swar words include yabai and temee. Due to the context of Wan! and the fact it was Chuuya who kept using them, I went with the nastier variants [in my scanlating days] but sometimes a non-swearing variant is enough. However, kirai (to dislike) is pretty nasty if you use it in Japanese.

Kaizaki’s delivery of these lines really sells their comedic effect. The electronic keyboard makes it sound like night, but also makes it sound 1) like night and 2) creepy, for some reason.

Freeter is almost as bad as NEET, Kaizaki.

There appears to be a 100 man (10 thousand) coin bank behind Yoake, which makes that...1000000 yen. (chorus in back: One million yen?!)

(ep 6)

Apparently someone tried to type the same Japanese words into Google and didn’t get the same results, LOL.

Hishiron uses a Mac, LOL.

“Thanks for having us” probably isn’t the right words for it. Ojamashimasu means “sorry for intruding”, but it sounds heavily formal when translated, so I can see why the subbers did what they did though.

*laughs* MDs (minidiscs)? I know what they are, even though they’re meant to be completely dead by now. Apparently they’re a product of the 90s that never caught on..although I admit I’ve never used an MD in my life, let alone held one. It does kinda look like a floppy disc, though. (chorus in back: You poke through old stuff too much, don’t you?)

Those fadeout cups are so cool! I want one.

Ah, maths. The sad thing about my life is that up until a certain point I was good at maths. Then the hard stuff came up and I started to fail.

I thought it was Third Street Oga was talking about, but it’s 3rd chome, sort of like a suburb.

Knowing An, she may have deliberately put Oga out of the way for her own purposes…if you know what I mean.

CGI car just ruined the suspenseful mood, dangit.

Sometimes I just turn off my volume and turn on some music on Spotify. That way, you can make your own soundtrack.

Why did Arata have such a dumb face in the thought bubble?

Wow, she’s a real fujoshi, that one [An].

“Dude”? I cringe so much at her use of it, despite the fact I use it myself. 

You liar, Onoya. Knowing who subject 1 was means that I know they couldn’t have even thought about that part…

[ladystylestores]

Good sci-fi speaks to the times, and Domain has done that twice in four years

The email hit my inbox in mid-May. The reader kept things succinct.

Subject: Remember Domain?

Body: I’ve been thinking about this a lot lately:

https://arstechnica.com/gaming/2016/12/the-domain-review-the-internet-can-be-worse-than-humanity-ravaging-epidemics/

Two months into a global pandemic obviously sticking around for a bit, I can’t say I had put much thought into a sci-fi B-movie I saw once several years back. But upon mention, I did instantly and vaguely remember Domain. I caught a screener for Ars ahead of a small sci-fi-only film festival in December 2016, and the premise stuck with me more than the plot or any single performance. In this unabashedly indie film (read: high-concept, super specific, and low-budget aesthetic), a viral pandemic called the Saharan Flu keeps racking up a body count. “The World Health Organization says it’s potentially civilization-threatening,” public broadcasts declare within the film’s opening minutes after 5,000 deaths (only!) sweep across Germany, Egypt, and Italy.

Ho-hum, another pandemic film, you say. We have a million of those. In fact, not even writer/director Nathaniel Atcheson had been recently thinking about Domain in light of our current predicament (I called and asked in June). But what happens in-film after its fictional pandemic makes Domain disturbingly prescient four years later. The movie follows seven people from across the United States, but most of the action takes place in similar-looking bunkers because humanity has been forced to quarantine en masse. And in this alternate version of the present day, the government requires these groups to keep tabs on each other by communicating through ever-present video chat—it’s not Zoom, FaceTime, Google Meet, or Skype; it’s the titular Domain.

“It was probably two or three weeks into [the pandemic] before I realized and put the connection together myself,” Atcheson tells Ars. “I literally made a movie about this exact scenario: people are home for a very long time and all they have is this Web interface. The real-world logistics are a bit different—obviously we can go outside, we just aren’t supposed to. So maybe that kept me from making the connection sooner, but I’m sort of embarrassed how long it took for me to think of it. I have the poster on my wall in my living room/dining room, and I was sitting here eating and looking at the poster. ‘Oh my god.'”

Talk about a 2020 logline: “After a deadly virus wipes out most of humanity, the survivors are forced to wait in self-sustaining bunkers with a networked video interface for communication, but one by one, they start mysteriously disappearing.”

Denver trying to send some long-distance love to Phoenix using the Domain video chat.

Maybe Domain isn’t a perfect movie, but it is definitely an interesting movie.

Twitter

A lot of reviews from 2020 for a film from 2016…

Amazon Prime

IMDB

IMDB

Like the anonymous Ars reader above, others who had seen the movie had been making the connection, though. Domain hit DVD and VOD back in 2018, and the film sat on Amazon Prime waiting in plain sight as all of us started having more living room time than we bargained for this spring. Atcheson has since noticed an uptick in user reviews saying as much. And when we revisited our review of the film this spring, phew, does it make you do a double take.

If deadly flu destroys the world and we’re all left together on Skype, it won’t end well…

As the film’s reliance on a social network plot point may indicate, Domain has something to say about the nature of our interactions through digital means. It’s a place that empowers consequence-free action for trolls like Orlando, a place that can feel so isolating that suicide seems viable, and a place where a real mystery can propagate endless fear-mongering theories…

Domain‘s fictitious president oversees a US that is ransacked by viral outbreak and choses to save everyone by only focusing on a select few. And within this new world, bullying and fear could run wild. As with any good sci-fi, there’s probably a lesson somewhere.

Of course, when Atcheson was writing Domain sometime before 2015, he had no intention of predicting or speaking to life in 2020 (or to the very unexpected changes in the fall of 2016 when Domain debuted, for that matter). Without spoiling anything, neither viral pandemics nor the horrors of always-online life actually inspired Atcheson to sit down and write Domain. Instead, a separate subject still on the public’s mind did: the criminal justice system. Domain turns out to be a twist movie, a concept Atcheson has a love/hate relationship with. It can make a film more complex and interesting, but “they’re usually so often just a ‘Gotcha!'” he says. “They don’t always have thematic relevance, so I wanted this one to make you go back and think about everything else you saw.”

Making an indie film he knew would struggle to get footing since it didn’t feature a star, Atcheson ultimately kept Domain at a tight ~90 minutes to maximize his chance for finding an audience and earning festival showings. As such, the twist may not be as fully explored as some viewers would like. But the filmmaker told Ars he actually had a sequel in mind if the opportunity came about, and that story would lean much more into the ideas in Domain‘s final act. And if Atcheson had the opportunity to remake things (or to turn Domain into a series on Netflix or Quibi or whatever), those ideas would be emphasized faster and further.

“The virus stuff is interesting, but pandemics have happened. People have made movies about people waiting in isolation from viruses or viruses ravaging the world. For the original concept, I was inspired by this novel Station Eleven, which is about to be adapted into a TV series,” Atcheson says. “The concept is: everyone loves a good viral thriller. And for me, I wanted to set that apart from the crowd by having this other thematic thrust, which is this one-two punch of the virus and then [what happens in the end, #NoSpoilers]. Today’s Black Lives Matter and justice-reform protests have strangely made the movie more relevant than I could’ve ever expected. I never wanted it to have a happy ending, because that didn’t feel appropriate for the story. I couldn’t see a way for it to resolve into something positive for these characters.”

Given the odd state of cinema in 2020, revisiting small, possibly overlooked titles from recent years has become one of the few, reliable ways to see new (or at least new-to-you) films. And revisiting Domain, which is still available on VOD and Amazon Prime, actually took my mind to a few other recent smaller films. The stylish and claustrophobic High Life, Claire Denis’ space flick with Robert Pattinson, shares a similar high aesthetic and vibe (“I actually watched that at the beginning of quarantine,” Atcheson says. “I was definitely going for a similar thing, at least with the art direction, though obviously I’m not Claire Denis. I thought it was great”).

But Domain makes me think most about another Amazon Prime flick—The Vast of Night. These two films share an approach to storytelling: take a known archetype (pandemics and aliens), apply your vision and voice, and give audiences just enough to think about without offering an explicit message, thus allowing viewers to draw their own conclusions.

When Ars spoke to Vast of Night filmmaker Andrew Patterson last fall, he believed that should be the goal of both good sci-fi and of good films in general. They have captivating central stories and timeless-enough ideas and themes for different generations or time periods to see their reality within. “Good films will be about something else depending on the era they’re watched in. They can kind of meander through time,” Patterson said, citing a Lawrence of Arabia rewatch that brought the film’s LGBTQ undertones to his attention. “So I hope we made a movie that in 40 years is about the definition of a family or in 30 years is about something else.”

It’s only been four years for Domain, but already the film has lived through and resonated within two potentially historic and distinct times in US (if not world) history. Not bad at all for a young filmmaker’s little sci-fi B-movie.

Listing image by Fons PR / Other Worlds Austin

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[becauseimsensational]

Killing Eve rewatch: "I'll Deal With Him Later"

Of course, Eve remains as tangentially relatable as ever during her meeting with Carolyn: from the five seconds of awkward stuttering that seem to last five minutes because secondhand embarrassment is a REAL problem, to the point at which she explodes in her learned polite, British manner, Eve's frustration leaps off the screen and demands attention. I have to wonder how many times she's tried explaining this theory of hers to Niko, or to Bill and Elena, and how many times they'd tell her she was insane and grasping at straws. For once, someone is listening to her, believes her, and isn't calling her crazy. The line, "It's like I've stepped into my brain!" is massively important for both Eve and the audience. It shows Eve's intelligence and tenacity with these cases, but it also gives her a sense of agency and validates the extra secret work she'd put in at MI-5 that's now paying off. (Side note: God bless Phoebe Waller-Bridge for casting Fiona Shaw as Carolyn, because that line about the rat drinking from the can of Coke is so absurdly funny due to her deadpan delivery of it, and I'm not sure any other actress would've been able to do that line justice.) That whole scene is also a massive turning point, because Eve is finally allowed to investigate what she wants to, and she's got no boundaries or dickswab superiors telling her she can't.

I think one of the most endearing things about Villanelle is her sense of humor and the deadpan delivery of some of her answers. The exchange with Konstantin about the bruise on her eye is undeniably funny, but it's interesting that a hardened assassin uses humor to deflect any possible kernel of truth, even with someone she's so familiar with. The assessment scene is wickedly funny, too, in true Villanelle fashion. The line about the photo of the hanged man having "good legs" should not be funny, but somehow it is. Villanelle subverts all expectations, laughing at and making light of things that "ordinary" people should not—but don't we all know someone like that, who laughs at awfully morbid things? Who uses humor as a mask for their true feelings? (I personally use dark humor constantly to cover the trauma I experienced in the past, which may be informing my feelings toward the assessment scene, but I digress.) The appeal of using dark humor in stressful situations is a sense of control that I think most of us crave. It's a control that Villanelle certainly has—until Konstantin makes Jerome ask her about Anna and shows her the sketch of the woman. For me, there are two possibilities here: either she's lying and the woman is Anna, or she's lying and it is actually her mother.

Either would make sense, honestly. It's very easy to lie and bite out the first denial that comes to mind, even if it's just a direct reversal of what the other person said. At this point, the audience doesn't know who Anna is, but we can assume she was someone important to Villanelle, or she wouldn't have had such a hard time getting back to using humor to control the situation. I personally think Villanelle was, for once, being genuine when she said the woman was supposed to be her mother. It could make sense, given the fact that she keeps staring at older women with dark hair. It could be an unfulfilled maternal fantasy, or I could just be talking out of my ass and she was actually joking about it being her mom. Also, we don't know how long Konstantin had that sketch in his possession for, so it's unlikely the woman in the sketch is Eve. On the off-chance it is actually Eve (or Random London Hospital Woman, from Villanelle's pov), maybe Villanelle sketched it because her hair reminded her of Anna's. But who knows? That scene is still kind of ambiguous to me.

After the assessment when she hugs Konstantin, I sensed a bit of a disconnect. The hug looked inorganic, forced, and like it was a spur-of-the-moment thing she remembered that people do sometimes. This is definitely coming from beyond the constraints of just this episode, but I'd be willing to bet she's never hugged anyone without an ulterior motive. Ever. Call me crazy but Villanelle just doesn't seem like a hugger. Someone pointed out to me that Villanelle is very similar to an AI, a comparison I hate (because robots terrify me lol) but one that makes sense. She has no moral compass or ethical code, she's an efficient killing machine and, most interestingly, she mimics other people's behavior to fit in. I truly think she has no idea how to be a "normal" human, which explains the smiling battle with the little girl on the ice cream shop from episode one, the awkward way she hugs Konstantin, and then mimicking the laughter she hears on the radio when she's out with Sebastian.

Oh, Sebastian. Adorable, sweet, sensitive Sebastian. I actually was rooting for him to stay alive, but…well, we see how long that lasted. While the sex scene didn't come as a shock to me at all, the logistics of it were weirdly refreshing. For once, the woman was on top, in total control, and the man was begging for mercy. For once, the man was being used as a sexual object for the woman's gratification. I found myself audibly "aww-ing" for the fifth fucking time because I'm a sap when Sebastian assured Villanelle he'd never hurt her, while her hand was around his throat. Never one for sentimentality, Villanelle's cold, vacant eyes and flat affect tacitly told us all we needed to know: "This was fun, but I don't believe you. And I'm not going to let you get close enough to find out if you're lying."

The subtle recognition in Eve's eyes in the bathroom speaks to the nuance of Sandra Oh's acting. It's clearly just a passing remembrance, because I'm fairly certain the traumatic memory of walking into witness the carnage in that hospital room would outweigh a nurse in a bathroom, but for some reason the encounter stood out to Eve. She's almost constantly fiddling with her luxurious mane, and probably spends most of her time trying to keep it out of her face. And then a random beautiful young woman stares at her for a little too long, then tells her to "Wear it down," which may have been the first time anyone's ever told her that.

THE KILL: It might sound demented, but I think this one is my favorite. Villanelle is a master manipulator and knows exactly what to say to get Carla to smell her perfume. Not to mention all the preparation that went into that kill? Mixing that toxic perfume, having the correct outfit and wig, the "three weeks of catering training" she supposedly did, and the tampon in her pocket as an excuse to get to her target? She really thinks of everything when it comes to her job, and that's a determination I can support! (Well, mostly, I mean she is killing people…) But then there's the utter fascination in her eyes as she watches Madame De Mann die, slowly and excruciatingly. And then, of course, Villanelle makes it laugh-out-loud funny by grabbing the woman's hand and waving goodbye with it, once again using dark humor even though she's had control of the situation the whole time.

Yet again, Sebastian's the sweetest guy who didn't deserve what happened to him. He's not an idiot, of course he didn't believe that Konstantin was her brother. Not to mention he literally walked in on him choking her against the wall? His willingness to protect Villanelle (AKA "Julie") is adorable and noble, but it was his curiosity and desire to support her in her perfume business that got him in the end, poor guy. Also, Konstantin's lazy, half-assed "I'm her brother" never fails to crack me up, along with Villanelle's "Dealt with" when they find Sebastian's body. PWB's writing and Jodie Comer's delivery are the perfect match, I swear.

The final scene of both leading ladies trying to research the other has to be one of my favorites of the series. In a way, it's a little like the moment in You've Got Mail when Tom Hanks realizes the perpetual thorn in his side is the woman he's in love with—but Meg Ryan's still in the dark for the rest of the movie. The instant oh shit look on Villanelle's face is priceless. She's relaxing in bed after a glass of champagne, googling Eve's name to see what comes up, and then…it's her. She probably never thought she'd see Hospital Bathroom Woman again, but there she is! On her screen, and leading a department just for her; the cocky grin she had when Konstantin first told her is nowhere to be found. On Eve's end, she's poring over every photo of every nurse at that hospital; it's late, she should be home in bed, but she can't sleep until she finds a photo of the woman. When she doesn't, it finally connects: "I think I've met her."

Random observations:

-During the assessment, Villanelle speaks of her mother in the present tense: "I'm joking. My mother has really thin, shitty hair." To me, that line indicated that her mother's alive. (Because I've seen this show in its entirety four times already, this will definitely come up again later but for now it's just something to keep in mind)

-Frank's still a dickswab. God I can't wait until I get to watch him get murdered again

-Why national anthems? Of all the genres of music she could have thrown out, why that one? She was born in a post-Soviet Russia, so the anthem's been toned down a bit; also, Konstantin told Jerome that she doesn't speak Russian anymore, indicating a disconnect from her homeland. But the French national anthem? That makes a little more sense for Villanelle to like. It's defiant, it's triumphant, and damn it's violent. But just because you like one country's national anthem doesn't mean you like them all, and most of the rest of them are boring "I love my country" rhetoric that are sorely lacking the mentions of bloodshed that the French have. She's just a constant surprise, I guess lol

-Sebastian's got a dressform in his apartment, which I think is cool because hey, he did actually make his trousers like he said.

-Villanelle eats on screen, which is so refreshing for a female character. And they're not like important meals, it's snacking and eating junk food like real people do. (Yeah, the bar for women acting like humans on screen is that low)

-Who would I be if I didn't mention that infamous champagne cork pop?! The placement of the bottle right between Jodie's legs, and the fact that it explodes right after Villanelle says Eve's name? Iconic. There had to have been some deity that blessed that take because…wow, it was perfect. And totally unexpected and unscripted, as Jodie confirmed on twitter.

-Even in the photo Villanelle finds of her, Eve's got her hand in her hair, messing with it as usual. Maybe it's a manifestation of Eve's insecurities, either about her appearance (for which there is no reason, have you seen Sandra Oh?) or about herself generally.

-If you pause the screen while Villanelle's googling, some of the search results are hilarious!

The first one (from the not at all made up website 'powbangsmash.tv') advertises "Horrific Wrestling Accidents" featuring Polastri Pulverizer, which is just so random, even for a fake google search.

The second is about Niko who, apparently, tutors people in the world's most boring card game AND was the national champion in 1998, because of course Niko's really really good at really really mundane things.

The third mentions the origins of the Polastri family line which: "BEGAN IN THE 1880S WITH ERIC POLASTRI, WHO HAD THREE WIVES EACH NAMED JANE" which is just bizarre

The fourth one, my favorite, is a One Direction Fan Fiction called "A Hallow's Eve in the wrong direction" from the site 'fanfictionsandhomemadetales.org' which, sadly, doesn't actually exist. (Yes I did look that one up)

The last one is about a house fire and how the dad saved the family's puppy, named Eve. Pets with human names will never not be funny to me, and Eve is just so odd-sounding for an animal.