#I’m not aiming to be a discourse blog but I had to get this off my chest
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sinkwater-rat · 4 months ago
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Yeah I don’t like beetlebabes. I think it’s weird that people would ship a 12-14 year old (depending on if you mean cartoon/movie) with a hundreds-of-years-old demon. I think it’s weird if they end up together in bjbj because they knew each other when Lydia was 14. If they fall in love during the course of the movie then maybe that’s okay. That’s not my favorite, but ig it’s fine if you meet someone, don’t see them for 20-30 years, and then come back and fall in love with them over the course of an adventure. They’re both adults. But for the people arguing that he liked her back in 1988, that’s gross IMO.
And for the beetlebabes shipper that said they don’t like the musical because of Creepy Old Guy, because apparently the musical “misses the point of Beetlejuice’s and Lydia’s relationship,” then that’s really funny because I don’t think we watched the same movie! I saw NO indication from either of them that they liked each other.
For the cartoon argument, I’m honestly not sure because I haven’t watched much of it. However, remember that you can be affectionate with someone in a platonic way. Like, how people hug and celebrate with their relatives. People cuddle their friends. The blue curtains are blue.
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thecircularsystem · 4 months ago
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Thank you for messaging us via comments on that post rather than reblogging. The situation of being reblogged and stuff was really stressing me out because it was exposing my page to backlash for a simple fact from the dsm. I’m conceptually familiar with complex dissociative disorders but CDD is also, more prominently known to mean “childhood disruptive disorder” which is something completely different.
-actuallydidosdd
Hey there.
Let me start this off firstly with an apology; I'm sorry, because I feel like my response to you isn't going to be the kindest. I am burnt out, struggling with my words, and while I mean the best of intentions with this, I think this isn't going to come across well. I want you to know that I am not the most pleased with how today played out on your blog. I do like the concept of your blog, and many of the posts on it -- but I think you were faced with the fact that you did not post factual information, and when confronted, you lashed out. I hope you are taking care of yourself, and that you analyze your actions today to see what exactly went wrong.
Secondly: I responded in comments because, frankly, I didn't want to continue spreading the misinformation from your post on my blog by reblogging it. I am a user who struggles with psychosis, due to my disorder, and while I am eager to point out that my alters are not fake, I am severely disappointed to see a supposed "educational" blog doubling down so severely on verifiably false information in order to make a positivity post. I'm grateful that you finally, finally changed the post to be more accurate, but that was after... what, four different posts, all those links, and you telling SAS that they need to be better at talking??? I'm sorry, but you need to understand the words you are saying before you say you're an Educational Blog. You said in a comment that you were just talking about your own lived experiences -- in which case you need to make that more blatantly clear, because you say your information is factually correct, and yet you started off with misinformation, changed the post to have more misinformation, and doubled down and yelled at SAS for correcting you.
Thirdly: It is not syscourse to correct your misinformation. Sysmedsaresexist may post quite a bit of syscourse, but the post in question had nothing to do with syscourse. It was correcting misinformation about a disorder, simply put. Yes, it was a debunk, and getting upset about your misinformation being debunked is... Well, perfectly understandable, considering that, despite all evidence to the contrary, you still believed your misinformation to be correct. Proud of you for not "putting syscourse" on your blog, but please understand there is a difference between System Discourse and A System Telling You You're Wrong. I'm sorry the backlash was a lot to handle. In the future, I might suggest just... blocking SAS if you don't want corrections, or better yet, taking a step back if it's overwhelming. You can turn off tumblr notifications on your phone and just... breathe and come down. You do not have to respond immediately!
Fourth: I'm not sure what you're calling "a simple fact from the DSM." If you're saying the simple fact is that the diagnostic criteria does not include hallucinations or delusions -- well then, I believe SAS clarified how your post did not come across as saying that. If you're saying the simple fact is that delusions and hallucinations are the same -- I do not know anywhere in the DSM that supports that. If you're saying the simple fact is that DID does not cause hallucinations -- Again, I would love to see the evidence, because I don't know anywhere it says that.
Here's a link to the DSM saying that pwCDDs often experience hallucinations, and does clarify that these hallucinations are usually accompanied by a different type of delusion than in cases of schizophrenia or personality disorders. Is this what you were aiming for?
This is another good one. I hope these links work, but they may break -- lmk!
Fifth: You said you're familiar with complex dissociative disorders, but you also said you had to google it in your reply to me on SAS. When you are in an educational space, you need to know the terms being used -- and if you don't know, I don't think the proper course of action is to use a term you don't understand. I think the proper course of action is to ask for clarification.
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^-- This isn't asking for clarification.
You were corrected on initial information, and you lashed out because you didn't like how the correction came (tone policing is always a bit frustrating; I'm sorry you didn't take SAS's reply to be genuine originially and took it in bad faith, but to then say in the response to the other mod that you expect better from "a pro-syscourse-conversation blog" when it was you who misinterpreted? It gets frustrating how often bad faith is assumed in CDD spaces.) Then, you "corrected" the information to be more incorrect; then the user who corrected you originally corrected you again, and you got angry about them doing so. You sent them an inbox ask about how you don't even participate in syscourse, you sent this reply, and... It just speaks to you not knowing the space you're in.
I'm not sure why someone, in this situation, who knows the term complex dissociative disorder, would assume that SAS had meant childhood disruptive disorder. That to me speaks to you not understanding the terminology being used in these spaces -- and while that's okay, you need to be willing to ask for help from those correcting you, or for clarification. Not... google it, then yell at them for your misunderstandings.
Then you came and sent this ask to me...
Sixth:
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This is my icon picture. Just. Tossing this out there. I'm not blatant about it, but I use this icon a lot, particularly after a few close friends reached out to ask if I wanted to join their blog and help them review/edit posts, since I tend to be a bit better with editing grammar and helping people come across with their genuine feelings. This is related. 100%. I'm just not really public about it.
Anyways.
Lastly:
I do genuinely hope you're doing well. You made a simple mistake, and you got around 100 notes on the post because of that. It happens! Mistakes happen, and while it's frustrating, and yes people are going to be upset about it...
It's just a mistake.
A long, long time ago, I created a DID centered blog that was dedicated to educating people on DID, and it was using what I had researched "based on my own experiences." I made a post about "the differences between MPD and DID" because I was uneducated. I was then nearly harassed off the platform, deleted all evidence of that post, and I still hold trauma from that event until this day.
I don't want you to think that's what's happening here.
SAS was genuinely trying to correct you, because what you were saying was genuinely harmful to a lot of systems. I convinced myself for years that I had some other disorder going on due to my hallucinations and delusions, that I was just schizophrenic, because so many people said DID doesn't have hallucinations and delusions. But they do. You've been provided sources that say they do. And I'm glad to see you've corrected your mistake.
Now keep going. Keep researching. And be open to correction. I like that you've made a post saying that you prefer if people correct you via messager, because that helps reduce your fear and mental duress. I really hope people take you up on it. I will take you up on correcting you via replies, if you'd like, because I genuinely hate tumblr messeger, it's so bad.
And hey.
Maybe take a small break. Go, relax, get a yummy drink, play some roblox or minecraft or other videogame of choice. These spaces are high intensity traumatized spaces, and it can be a lot. I know this post is likely going to heighten those emotions.
Just work on riding that wave and feeling it. It'll be okay, genuinely.
Good luck out there <3
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tigerbears · 3 months ago
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THANK YOU SM FOR THE TRANS UTDR VIDEO ESP THE SEAM MENTION BC IM SEAMS NUMBER ONE FIGHTER FOR MISGENDERING THEYRE MY FAVE DR CHARACTER I always feel like that one meme of the knight shielding the princess whenever I correct ppl on their pronouns and get to show off the clip of Mr Fox himself saying it lol, also speaking of tysm for pointing out the issue of him not addressing things— bc man I love the guy but sir Please start actually saying stuff bc this fanbase is too illiterate for you to just smile and wave when it comes to the characters identities,,, esp due to it being such a huge topic of discourse, buuuuut I also don’t blame him for the being overwhelmed part, like I said I agree with like every point you made you were so eloquent through out the whole video thank you sm just aaaaugh punches wall and jumps up and down <3
Completely off topic but I wanna rant abt something for a moment (hence why I’m now sending this w anon and not my blog) but the video reminded me of something that happened to my friend in which she made a post on her UTDR related ask blog which was really simple just a “hey don’t misgender Kris/frisk/chara on my blog” and that was basically it. That was the post. BUT. She had vaguely mentioned the glitchtale and Xtale aus in the tags just bc those came to mind first as big fandom things that misgendered the kids, and SPECIFICALLY she wrote she didn’t know as much abt xtale though and that it was just as I said from the top of her head. And wouldn’t you know! The creator of xtale saw the post and took it to fucking HEART. Like made this whole personal long ass rant in a rb over this simple “hey don’t be transphobic on my own personal blog” post. And then, and I’m not joking, EVERY SINGLE comment, tag, RB, you name it, was ALL harassing her or siding w Xtales creator, the only people defending her were her mutuals, and this was a small blog to boot— this wasn’t some big huge blog going after xtale specifically— it was a small blog making a post aimed at the follower circle just offhandedly mentioning it IN THE TAGS. so this explosion just took a massive toll on her and us. Thus any time I see that au or the creator i just get the most sour feeling like Man I Hate They’re Still So Popular Despite That Shit :(((( so the fact a similar situation happened (at least based on what you described in the vid) just made me remember that was all, just like a feeling of “wow we really haven’t changed at all in like two years have we. :/“
sorry I rambled for so long lol I just got reminded of that situation and wanted an excuse to get it off my chest, again as I said I absolutely loved the video and all the points made and I love the inclusion of swatch as someone who was there for the whole they/them to he/him event :3 and again as I said as a huge seam fan ty for including them bc they’re always overlooked in the NB conversation and I just love any mention of them lol,, my favorite elderly wizard kitty plush <33333
Glad people are enjoying the pronouns essay! I worked really hard with it and I'm glad to see it's at least correcting the narrative.
Though with the X-Tale thing, that's something I'll have to look in to and fact check because I prefer not to spread rumors without evidence. (Not saying it didn't happen; just with the whole "Legends of Localization" misinformation fiasco this fandom has a habit of making s--t up, and thus I want evidence, and while I appropriate your support a little annoyed that it has some X-Tale drama attached that I'm probably to tired to factcheck. Sucks if it's true though; Apologies for any snappiness I just woke up to the success of the pronouns essay and I'm about to go look at all the YT comments.)
I don't like drama and there's a reason the pronouns essay avoided throwing any stones directly at those "guilty."
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MOBIUSTUCK
You know, I’m actually kind of surprised it took all the way until basically the end of the year to get around to like, a Sonic-Based Fanadventure. You would’ve thought that, with the kind of cultural impact that Sonic has had on the internet and gaming and internet-discourse about gaming, there would be more of a Prescence of Sonic-based Fanadventures on MSPFA. But nope, this is the only one of it’s kind (that I can remember reading, at least).
I guess…did I talk about any Fanadventures that was based off of like, other properties playing SBURB? Because it’s one of those again. Except, it’s not really, because it’s not like, how you would think it is. No, instead, all the main Sonic the Hedgehog cast have been transformed into KIDS, to better fit the strict adherence to structure that must have been all the rage back in 2013. Like, why can’t it be Sonic the Hedgehog looking into this new “SBURB” thing that every mobian is talking about?
This is where I should probably clarify that I am no means a “Sonic Fan.” I mean, I like him, I don’t dislike the games (but I’ve never really played any of them to really know if I do or do not like the games), but like…my main interaction with Sonic actually was like, reading the Sonic the Hedgehog comics back as a child, and then in 2020 (or 2021, I can’t remember) finding the Blog “Thanks Ken Penders” and reading that. I’m not invested in claiming an identity as a “Sonic Fan,” is my ultimate point I’m trying to make here, so this SBURBventure really is not aimed at me. Still, it’s pretty good, I guess.
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obviouslygenuinely · 4 years ago
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Babygate Analysis/Conclusions: A Non-Larry Perspective
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(Image Credit: Hollywood Life)
I'm prefacing this post with a few disclaimers:
After some consideration, I chose to write this without factoring in Larry whatsoever. No Larry-related points, proof, or speculation in any way. This is solely analyzing babygate from an unbiased perspective. 
I don't claim to know the entire truth. It is impossible for any of us to know.  What I conclude is based on direct evidence, circumstantial evidence, research, and analysis.
I am willing to discuss opposing views. I’m happy to talk about the topic in a civil, kind, and mature matter. I will dismiss any discourse that is aggressive, immature, and so on.
I did not include every single opinion/conclusion/piece of evidence I found. I condensed my thoughts as much as possible (and this is still a novel-length post). There are so many more points I can think of. However, babygate masterposts cover all of that; I’ll link to some of those at the end.
The conclusion points aren't in a very specific order. I aimed to list related points one after another. Aside from that, it's not in order of "hardest to weakest" evidence.
Please read “Author’s Notes” for additional clarity/input. They interject thoughts/etc. that I feel are necessary to include. 
Lastly, I included links to every source I cited in this post. However, I did not tag the Tumblr users. I’m not sure if they are comfortable with having Babygate questions/comments directed to their blogs. If you are a linked source and want to be tagged, please let me know! 
My Initial Reaction To Babygate
In February of 2020, I received several messages on LateToLarry requesting that I analyze something called “babygate”. I had no idea what babygate meant at the time. 
I learned what it meant, and prior to any research I felt the theory was so absurd. I also felt uncomfortable analyzing it because I believed I’d feel bias as a single mom. The idea of discussing a random child in depth initially bothered me, too. I declined to analyze it last year.
However, I did a LOT of research over time. My opinion has changed significantly. Below, I’ve shared my main conclusions and analysis about babygate. Thank you for reading and I hope you enjoy my post! 
1. No Paternity Test Was Performed Prior To The Pregnancy Announcement
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Louis was/is a prominent celebrity and has a current net worth of $70 million. From legal, financial, and practical standpoints, it makes no sense for him to choose not to get a test. 
It’s unheard of in Hollywood and the entertainment industry. Any sensible team -lawyers, PR reps, managers, advisors, etc. - would not just go along with it. They are employed to protect his career and image. 
The Opposing Views
A. “Briana/Louis didn’t want to risk miscarriage with prenatal testing.”
Non-invasive testing is completely safe for fetuses and pregnant women, so there’s no medical reason for the lack of testing.
B. “Louis chose not to get the test done because he wanted to be a father and was invested in the pregnancy/parenting.”
Time has shown that this is not true. Louis does not have custody; there was a brief custody case in 2016 that led nowhere. He does not have a consistent or prominent role in the child’s life.
Conclusion
There is no logical reason for the lack of paternity testing prior to the announcement unless Louis knew he was not the father and all parties knew this to be true.
2. There Was No Confirmation Of A Paternity Test After The Birth
I’ll keep this section fairly short. A quick Google search returns dozens of conflicting reports. Many of them state that Louis demanded a paternity test shortly after birth. Other reports state that he has never pursued a paternity test. 
Here are a few examples:
“Louis Tomlinson not interested in paternity test” - Business Standard
“EXCLUSIVE: Louis Tomlinson Demanded a DNA Test “As Soon as the Baby Was Born”” - InTouch Weekly
“Louis Tomlinson: No DNA Test Needed ... Positive Freddie's His Son” -TMZ
“Louis Tomlinson & Briana Jungwirth: WhyHe Had DNA Test Done on His Newborn Son” - Hollywood Life
This Twitter thread discusses TMZ reports that - as of 2020 - no DNA test was done.
Conclusion
There is no reliable confirmation that Louis pursued a paternity test. The media cannot come to a general/factual consensus.
Again, there is no reasonable explanation for the lack of paternity testing unless Louis knows he is not the father of the child. 
3. The Conception-To-Birth Timeline Is Inconsistent/Unreliable
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Pregnancy and conception as a whole can be rather confusing; timelines from conception to birth are unique to each person. Having said that, Briana’s timeline is full of glaring inconsistencies that don’t add up. 
I’ll begin with this timeline based on bulletprooflarry’s post and my own research. Dates I’ve added myself include linked sources:
May 5th, 2015 - Louis and Briana were first seen together in public.
May 6th to May 31st, 2015 - Briana and her mom followed baby-related social medial accounts.
May 12th, 2015 - Louis and Briana were pictured together in public.
July 3rd, 2015 - Louis is seen with Briana’s brother in Hollywood.
July 14th, 2015 - The first pregnancy report is published.
August 4th, 2015 - Louis confirms pregnancy on GMA.
January 21st, 2016 - The child is reportedly born.
Based on the dates above, these are the possible dates/milestones for her pregnancy:
Scenario A - If conception occurred on May 5th, Briana was 37 weeks and 2 days pregnant on January 21st, 2016. This is considered an early-term birth and about 26% of births occur at 37 weeks.
Scenario B - If conception occurred on May 12th, Briana was 36 weeks and 2 days pregnant on January 21st. This is considered a late-term or late premature birth and about 10% of births occur at 36 weeks.
These dates matter because Briana’s alleged hospital stay was not consistent with a premature or early-term birth. She was pictured in public - healthy and holding a baby carrier - within one week of giving birth. 
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(Image Credit: Daily Mail)
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(Image Credit: larrysbbrbb28)
If she gave birth based on the dates above, it’s extremely unlikely that she or the baby would be out in public so soon.
Below are screenshots of an additional timeline from an archived Tumblr post. It provides excellent points about more timeline inconsistencies: 
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The main inconsistencies and red flags are bolded in the post. It supports the unreliable conception timeline, and it also mentions my next point - the official pregnancy announcement. 
The post above mentions that the Jungwirth family followed baby-related accounts before Briana could possibly know she was pregnant. Here’s one screenshot from skepticallarrie proving it:
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I’ve also seen several posts that show inconsistencies with the size of Briana’s baby bump. Unfortunately, the most reliable post no longer exists. You can view a web archive of Briana’s pregnancy photos, but most of the image links are broke. 
The only post I have saved is a web archive of a long babygate post. The beginning of the post contains photos showing discrepancies in the size of Briana’s baby bump. 
The Opposing Views
“Pregnancy looks different on everybody, everyone recovers differently, etc.”
Yes, this is true and a valid point! As a woman who has gone through multiple pregnancies and two live births, I truly understand this argument. 
However, the sheer amount of inconsistencies are what make this a red flag. There are too many unreliable and contradicting points to brush this off. It goes beyond the point of “well, each person has a different experience”.
Conclusion
There are a few conclusions/scenarios I believe you can draw from the information above:
Briana was pregnant prior to meeting Louis.
Briana was never pregnant in the first place. 
Both are valid to consider, but I personally believe she was never pregnant. 
(Author’s note: My calculation for dates are based on the date of alleged conception. Most due date calculators, by default, use the date of a woman’s last mentrual period - LMP - to provide estimations.
I also used Date Duration Calendar for my calculations. Accessible due date calculators only allowed me to input dates from 2019/2020. Depending on the tools and dates you use, your mileage may vary.)
4. The Announcement Itself Was Highly Unusual
This point ties into the first and third points. I don’t consider it a major piece of evidence, but it’s noteworthy due to the other points. 
So, there are a few reasons why the Good Morning America announcement stands out. 
A. If Briana got pregnant on May 5th, then she was approximately 10 weeks pregnant when the first pregnancy report was published. This also means she was approximately 13 weeks pregnant at the time of the GMA announcement.
If Briana got pregnant on May 12th, she was approximately nine weeks pregnant at the time of the first report and approximately 12 weeks pregnant at the time of the GMA announcement.
B. The public announcement on Good Morning America raises a lot of questions. I’ve had multiple issues embedding the video; the bolded link takes you to the GMA announcement on YouTube. 
Anyways, these questions/thoughts - disregarding any Larry theories -  come to mind when watching the video: 
This is a segment for promoting/discussing their album/music.
The baby announcement is the sole non-album/music related topic that is mentioned during the segment.
The announcement is not organically worked into the segment as a natural talking point.
Louis’ reactions - such as bringing the microphone to his lips and not talking - is very unlike his standard interview demeanor.
The male interviewer and the band members have noticeable facial expressions and body language that suggest discomfort, stress, or awkwardness. 
A post by skepticalarrie draws similar conclusions. Her post is much more detailed than mine, and I highly recommend reading/viewing it. 
(Author’s Note: I’ve touched upon this on LateToLarry and will make a post here eventually, but body language and facial expressions are valid. They’re valid to the point that they are used in court cases.) 
Conclusion
My conclusions here are twofold. One is that: 
Announcing a pregnancy - especially a celebrity-related pregnancy - this early is extremely uncommon and unlikely.
The announcement itself seems out of place and very forced. 
This particular point, to me, is not extremely strong evidence. I still think it’s worth keeping in mind and is relevant to other points here. So, I’ve included it either way.
5. Briana Posted Stolen Pregnancy/Baby Photos On Social Media
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(EDIT: I wrote this piece before the recent release of Briana’s alleged ultrasound and don’t have time to add it. It’s pretty strong proof and can easily be found in recent babygate posts.)
Babygate posts often point out that Briana and the Jungwirth family used stolen/fake pregnancy and baby photos on social media. It’s a well-known topic that’s often discussed. 
I’m condensing this section to a few examples. I encourage additional research if you’d like to see more. 
A. This Tumblr post shows stolen baby bump photos that Briana’s cousin Ashley posted on Twitter: 
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B. This Tumblr post and Twitter post show a stolen baby photo that Briana posted on Instagram:
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(Author’s Note: Since I was not active in the fandom at the time, I am relying on information from other blogs and social media posts. I vetted my sources pretty well, but any false information is my own mistake.)
Conclusions
The only word that sums this up is “suspicious”. Using stolen photos of a pregnant woman/baby is not necessary if you are legitimately pregnant. That’s really what it boils down to. It lends to the conclusion that Briana was never pregnant. 
6. Photos And Videos Of The Child Are Heavily Altered And Manipulated
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It is indisputable that many photos and videos of the child are heavily manipulated to alter his appearance. This goes beyond filters, lighting, and angles. 
Several detailed posts show the manipulations; here are some examples:
A web archive of all Photoshop evidence from tellmethisisnotlove
An in-depth post from genuineconspiracy that includes detailed photo evidence.
A video post from freefreddiereign that shows Photoshop evidence based on photos the child. 
There is no doubt that his facial features are frequently altered. This is easy to conclude using any free software that detects Photoshop. As a photographer myself, I can easily spot the manipulations.
(Author’s Note: I know that directly discussing the child is controversial. When I first heard of babygate, my initial reaction was discomfort about analyzing a child.
I quickly learned/concluded that his family members are responsible for heavily putting him in the public eye. All content I’ve used for research is based on the family’s posts.
Still, I have personally chosen not post pictures of the child, but the links I am sharing contain photos/videos of him.
Additionally, I used FotoForensics on photos of myself prior to writing this. It was important to me to feel absolutely certain about this point. I’m fine with sharing my own FotoForensics images if anyone is curious.)
The Opposing Views
A. “Freddie looks like Louis in pictures that aren’t Photoshopped.”
Parentage cannot be based on whether or not a child looks like his mother/father. I understand the viewpoint, but it’s simply not evidence. Additionally, thinking the child looks like Louis is a matter of opinion. 
There’s also the fact that appearance means nothing overall. Science backs up this statement very well. Examples and references:
“How can children from the same parents look so different?” by HowStuffWorks
“My Baby Looks Nothing Like Me: A Genetic Explanation” by FamilyEducation
Additionally, here is a personal anecdote. I have two sons close to Freddie’s age. One of them looks exactly like his father and nothing like me. The other looks exactly like me and nothing like his father. Despite how they look, they are both of them are our biological children. 
Conclusion
There is no reasonable explanation for altering the child’s appearance - particularly to make him look more similar to Louis. 
I cannot think of a single argument as to why the Jungwirth family would do this unless they need/want the child to look a specific way. 
7. Johannah Deakin’s Official Obituary Does Not Mention The Child
When looking into babygate, I read the argument that the child is legitimately Louis’ son because he is listed as her grandchild in Internet-based obituaries and announcements. 
I also read the counter-argument that Louis’ mother’s official newspaper/print obituary does not mention the child.  I recall seeing proof, but I did not save it at the time. I did some research and this appears to be true. 
The Doncaster Free Press is a local weekly newspaper in Doncaster, and it published an article about the funeral. The article is NOT an obituary itself, but it does list her obituary details. The publication does not list the child among the surviving family members. 
If a mistake is made regarding these details, it’s typical for newspapers to post a correction addressing a misprint. Upon further research, the Doncaster Free Press did not issue a correction at any time. 
(Author’s Note: I lost my own mother and am personally familiar with how local obituaries are written. Immediate family members - i.e. spouses and adult children - provide information regarding surviving family members.) 
Conclusion
The conclusion here is straightforward. Louis and his family chose not to include the child in his mother’s official obituary. This strongly suggests that he is not legitimately related to Louis. 
My Opinion-Based Conclusions
Update: After some consideration, I am saving my opinion-based conclusions for a separate post. I originally intended to include them here; transparency is important to me.
Unfortunately, the section became rather long and took away from the main post points. So, I’ll be working on a post that’s just my opinion-based conclusions. In the meantime, feel free to message me with any questions. 
Final Thoughts
If you’ve made it this far, thank you for taking the time to read my post! I appreciate the interest expressed for it, and I hope it lives up to expectations. 
Again, I want to reiterate this is:
Not an all-inclusive post; I narrowed down my findings to seven points.
Not a masterpost on babygate.
Purposely omitting any potential Larry-related points to remove bias. 
I’ve reread this quite a few times, and it’s as error-free as possible. If you spot any mistakes/errors, I’m completely open to making corrections. Just kindly let me know. 
This list contains references/research about babygate that I consider the most reliable. It includes Larry and non-Larry related Babygate content.
Tumblr posts tagged with babygate by Tumblr use genuineconspiracy.
A web archive of babygate posts by Tumblr user tellmethisisnotlove (her account was deactivated by staff).
Tumblr posts tagged with babygate by darkrainbowlouis.
Tumblr posts tagged with babygate by skepticalarrie.
Lastly, if there’s interest in an opinion-related post or Larry-related post, I’ll consider writing them. Feel free to let me know as you all did with this post. 
Thanks!
Amy (obviouslygenuinely/latetolarry)
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shihalyfie · 3 years ago
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@sage-striaton replied to your post:
Idk how people can say Frontier has characters that lack depth. Imo it’s a very psychological season. The whole adventure thing is aimed to making them grown in their behaviours and feelings, it’s a big metaphor of their development
I’m sorry for hijacking your response to my post to segue this into another rant of mine, but I want to emphasize that one of my goals with this blog (if I can be said to have any) is that I really, really, really want people to re-examine whether they actually believe in the rhetoric that’s been dominating this fanbase for two decades, or whether there’s more to it. This is especially in regards to the fact that we’re talking a series deliberately written in such a way that it’ll change meaning and nuance as you get older, so it can “grow up” with you in a sense, and yet it seems like -- especially in regards to Adventure through Frontier, due to their position as the oldest series that the majority of the fanbase was elementary or preteen age during -- people are still regurgitating the same rehashed twenty-year-old ideas like they’re undeniable law. It’s one thing if they’re saying it because the series didn’t sit well with them the first time and they don’t want to watch it again, but we’re reaching a recurring problem where it’s sort of “brainwashing” even people who don’t actually believe it but feel compelled to go along with it, or wouldn’t feel that way if it weren’t for peer pressure. Obviously, there are dissenting opinions, and ones that are even very loud about that, but that pressure remains.
The mainstream opinion in the fanbase is that Adventure is untouchable and impervious to any criticism, 02 is its inferior sequel with half-baked characters, Tamers is an auteur work that’s the “deepest” of the original tetralogy due to being dark, and Frontier is devoid of much substance at all. Even those who don’t really believe in this will still be pressured to go alongside it, those who like 02 or Frontier will be pressured to consider it a “guilty pleasure”, and it’s only very recently when certain events revealed that the idea of 02 actually having quite its own fervent and passionate fanbase that likes it on its own merits became properly recognized. (I have actually noticed a huge uptick in 02 fans, especially casual ones, being more shameless in talking about liking it in the last two years; you’re still going to get the obnoxious person “reminding” you how bad it apparently is if you bring it up, but it’s not nearly as prevalent as it used to be.) I’m not talking about whether something is a “good” or “bad” series -- that concept doesn’t really exist to me as much as whether it’s “to one’s tastes” or not, and I think one of the joys of this franchise is that it has things that cater to people with vastly different preferences -- as much as a lot of potential for analysis and intimate thought about these very fascinating series. Even if 02 and Frontier were as shallow or half-baked as they were accused of, I wouldn’t think it’d be shameful to like them for one’s own reasons anyway, but what frustrates me is that I just don’t think that’s true in the first place!!
Not helping is that there’s still a refusal among the fanbase to admit that there were substantial differences in American English dubbing (especially in regards to Adventure and 02), which I don’t mean as a bad thing in the sense that some people prefer to stick only with that dub and consider that version what they want to work with, but in the sense that the treatment of them as “the same thing” has been horribly detrimental when two people, one coming from that dub and one coming from the Japanese version (or a dub more closely based on it), will end up often having an argument doomed to go nowhere because they were never talking about the same thing to begin with. Recently, a friend admitted to me that although they’d switched to the Japanese version a long time ago, they still couldn’t get the image of Daisuke and Takeru having an inherently hostile relationship (they don’t) out of their head due to the influence of that dub, and although they consciously knew better -- at least enough to admit this to me -- it wasn’t helped by the fact that the fanbase itself continues to reinforce this image because of how normalized it is to treat the dub version and the Japanese version as “virtually the same” and for Western fanbase discourse to assume you should be projecting those takes into the Japanese version. If you’re hanging out in English-speaking circles but are working from the Japanese version or a dub directly based off of it, you do actually have to filter out a lot of takes you’re hearing because they won’t actually apply to the version you’re watching, but not a lot of people realize this.
All four of Adventure through Frontier share tons of key staff, especially Seki, known for her focus on wanting the kids in the audience to be able to empathize with and relate to the characters on screen. All four share some of the best character work I’ve seen not only in this franchise, but also in kids’ media in general, and I also stress that a lot of this has a ton of nuance that isn’t always apparent unless you read between the lines. I do understand that a lot of this probably went over our heads as kids, and I won’t say that the choice to execute it this way should be impervious to criticism, but nevertheless, I think it’s important to call attention to the fact it is there, and much of it becomes recognizable once you see it that way; for instance, so much of "it's contradictory character writing!" comes from the fact that the series tries to represent humans in their inconsistent, messy ways, and while it'll feel "messy" from a writing trope perspective, when you think about it as "since this person has this mentality, does it make sense to approach this with this mindset?", suddenly it becomes very consistent. The supposedly “shallow” 02 and Frontier characters will act in ways that match existing psychological profiles meant for actual humans to terrifying degrees, in ways that you might actually recognize even better once you’ve hit adulthood and start intimately understanding things like depression or anxiety in ways you might not have before. Shockingly, “having heart, important themes, and kindness towards the human condition” are completely valid reasons to uplift a creative work in ways distinct from technical writing or cerebrality or how many tropes they subvert or whatever.
On the flip side, people praise Adventure and Tamers for being the naturally “superior” works with better writing, but when it comes to talking about why the writing is supposedly better, a good chunk of the reasons stated don’t actually explain anything substantial, or go back to actually being passive-aggressive dunks on the other series in some form -- it’s because 02 and Frontier’s character writing sucks that badly, or because Adventure had the “best plot” (which may be true if by “best” you mean “easiest to understand”, but that doesn’t mean much to someone who might not be very happy about how its story progression is just a boss rush), or because Tamers is the “deepest” when by “deep” they actually mean “cerebral, dark, and unsubtle about it” without any further meaning (as if Adventure and 02 were idealistic series that never went into anything nuanced and not, say, the fact they went very viciously deep into societal issues between parents and children, psychological horror, and intimate takes on the human condition). I’m personally saying this as someone who does think Adventure and Tamers have a lot to praise in terms of their approaches to realism and the unique aspects each bring to the table, and I feel that people like this are doing them more of a disservice by not bothering to uplift them for any reason that isn’t actually just inherently condescending. I mean, even taking this outside of the original tetralogy for a bit, when I was plugging Appmon earlier, there’s a reason I focused more on its theme and character writing and the use of “dark” writing to convey its sheer range, rather than trying to boil it down to a shallow “it looks cheery but gets really messed up later!”, which is unfortunately an argument I’ve been seeing about it lately.
In the end, when I write my meta, I write it "making a case" for my point of view, and I welcome others to disagree, but if you disagree, I really hope it'll be because you personally disagree, and not because the entire fanbase has been saying otherwise for twenty years and I sound like a radical. I’m not saying that everyone’s consensus takes are completely unfounded, but frankly speaking, this fanbase has some really bad takes, and in the past few years I’ve found it freeing to not only “say what you feel without worrying what others think”, but actually go out of my way to outright try and purge all the preconceived notions and pick only the ones I agree with because I actually agree with them. I encourage you to do it too! And if you do, you might find things about something you like that you didn’t realize before.
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bigskydreaming · 3 years ago
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Okay, not to get into the TW discourse again today, because I am so done with that, but I do have to say one last thing about yesterday’s posts, because the ones I made really didn’t sit well with me in hindsight.
For years I’ve always stressed that I will never even try to defend Scott’s actions with Isaac in 3B, because they were flat out wrong and don’t need to be defended. I should have just stopped there. Every single other point I made in regards to THAT specific argument was irrelevant, because that’s the only thing that matters there. 
The scene was bad. Scott was wrong. It doesn’t need to be defended. 
HOWEVER.
(C’mon, its ME. You HAD to know there was a but coming.)
We are now willfully shifting gears to engage with another aspect of this entirely, the one we should have been focusing on all along:
The thing is I fell for one of the more obvious but effective discourse tactics, the shell game (hide the real argument behind a bunch of smaller arguments JUST tangential enough to the original topic that its easy to claim no derailment is happening - its basically the online equivalent of bigger law firms drowning their opposition in so many minor suits and filings that they eventually just can’t keep up).
Okay, because see.....here’s the problem. ‘The other side’ of this argument keeps trying to make it about that singular scene in 3A, and attacking Scott’s actions in it so obviously people are defensive....but we keep responding by trying to defend Scott’s overall CHARACTER rather than justifying a single scene. And we should be focusing on the scene, not the character. Because their fundamental argument has always been ‘well how can you defend THIS scene?’
And the actual answer to THAT has always been.....uh....we don’t?
There’s not a SINGLE Scott stan I know that likes that scene. It wasn’t something we wanted to see repeated, something we celebrated because Scott was exercising his primal Alpha power and right to rule or whatever the fuck. At no point have I EVER seen a Scott stan try and justify that scene as it being something RIGHT to do. Some people try and create a context for it to make sense of it in terms of why and how Scott could do that at all, but that is still aimed squarely at disavowing that scene as something we REJECT as an example of his characterization. We flat out DO NOT WANT IT.
Now.
Try and tell me the same can be said of Stiles and Derek stans defending THEIR abusive moments. Claim that nobody’s ever argued (extensively) how Stiles was JUSTIFIED in that hospital hallway scene in 5B. Imagine for a moment, what fandom would even look like if huge swaths of people hadn’t gone to fucking town defending Stiles for his actions in Lunatic, saying Scott deserved it and it wasn’t that bad, honestly. Same with Heart Monitor. Say people didn’t laugh and hope for more scenes like that instead of being eww why the fuck are they acting like this is normal BFF behavior. Pretend there weren’t YEARS of arguments justifying Derek’s violence with Scott and his betas by saying oh Scott did bad things too and also he said mean things so he deserved it and Derek was just teaching them how to survive and it was his right as their alpha, they knew what they were getting into, etc, etc, etc. 
No but seriously. Go on. Make those claims.
Y’know. So I can laugh at you for being dumb and saying dumb things.
See, THAT’S the difference here. THAT’S the ACTUAL issue constantly getting shoved behind endless attempts at obfuscation.
Yeah, Scott’s actions in that scene in 3B were bad. We’ve literally never disagreed on that point. Show me a single post from my blog or any of the Scott meta blogs, where one of us ever tried to argue that Isaac DESERVED what Scott did. Said ‘well Isaac did kiss his ex-girlfriend, what did he think was gonna happen?’
And the nerve of some people to habitually - for YEARS - harass Scott fans and hone in on that ONE Scott and Isaac scene like they actually give a single FUCK about abuse or abuse survivors, and like that scene has ever had anything to do with them not liking Scott.....
Because the truth under the right shell is the reason they never let the arguments focus on Derek and Stiles’ most abusive scenes at all....
IS BECAUSE THEY DON’T THINK THERE’S ANYTHING WRONG WITH THEM.
They’ve ALREADY spent years justifying that shit. We’ve seen it. Endlessly.
And like I’m gonna take deep thoughts on abuse from people who claim that taping up your friend and throwing lacrosse balls at him, getting him beaten up, treating him like an actual animal to humiliate him.....that all of that is normal, acceptable behavior between friends? People who have so little conviction on these matters that you just KNOW they would be screaming about how abusive it was if the roles had been switched and it was STILES being physically punished and it was SCOTT filling up a dog bowl and treating Stiles like a dog as payback for something? 
Nope.
This farce has gone on too long, and fuck your bullshit tactics of trying to weaponize issues you know some of us actually truly care about just for the sake of turning people against a fictional TV character. Why are we acting like you actually give a shit about what was actually wrong with that scene in 3B? You don’t! We have a literal decade of proof! Of you being willing to go to any lengths to defend not just Stiles and Derek’s actions....no, but their RIGHT to be physically abusive with the other characters. Saying that the other characters DESERVED this behavior, that they were JUSTIFIED in the HOW of their specific interactions.
You’ve never tried actually defending Stiles and Derek’s worst moments because you don’t think you have to. You're fine with them.
And then you turn around and act like you actually give a shit about what Scott did to Isaac, when you know damn well that none of us have EVER tried to argue that he was RIGHT to do that, or that Isaac somehow deserved it.
Like. LOL. Fuck off.
Anyway, I’m done with this particular discourse for good, there’s literally nothing more to say because its actually always been really simple all along....but like, free soundbite for anyone who does still run into these assholes and have them try and pull this shit per usual. They raise this argument again, just say this:
“Scott shouldn’t have done that, agreed. And we can talk about that.....after we talk about whether or not you think Stiles and Derek were justified in their worst actions in Heart Monitor, Lunatic, Ice Pick, etc. Otherwise we’re just not on the same page here and never will be, so bye.”
The End.
Anyway, I am literally done with this forever and ever, that is henceforth the only thing I have to say on this subject, everyone feel free to do whatever you will with this post, @ me and I’ll just smile and wave at those in the rear view mirror, its been a long road but at least we’ll always have Paris, etc etc etc aaaaaaand scene. 
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magireco · 4 years ago
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Would love to hear more thoughts on how these girls have understandable teenage motivations (A+ tag analysis by the way)
1. Thank you!!!!!!
2. ALRIGHT IVE BEEN WAITING FOR THIS (shuffles my papers). i’ve gone off about homura’s motivations in depth before but i think it was only in dms/groupchats? anyways i’ll go in order with All the girls bc i think about this all the time as a teenager who grew up mentally ill and had their perceptions skewed because of it, and also i don’t think it’s talked about nearly enough for the others, at least on my blog... so, buckle up!!! this is REALLY LONG!!!! 
3. i tried writing like, an individual thing for every member of the quintet all together in this one ask, but i ended up talking a little too much about homura and now i’m going to split up all the different analysis stuff for each character into the reblogs and work on it every so often! you’re free to kinda skim of course because i really did write a whole novel but here we go!! read under the cut. :3 this is literally essay length btw. i did NOT expect it to get this long but if you want to read it all i’d recommend it but i don’t expect most people to
First: Homura Akemi
okay so i’m going to kind of summarize everything but from the perspective of empathizing with her so if you don’t want to reread a whole recap you can skip to the ending few paragraphs
Summary
first of all, in episode 10, homura’s past is explained for the viewer. she was a shy, unsure girl who had been bedridden for a long time. she was clearly unsocialized, not to mention she went to a catholic school and those can be brutal, esp in japan... that’s all we know about her in that episode, but it’s revealed in one of the drama cds that she was bullied as a child(& further at mitakihara middle), her parents never were mentioned ever (i assume them to either be dead or neglectful, considering she lives alone and unchecked), and in magia record, homura says to natsuki that she’s never had friends before, she hasn’t been on vacation before until the beachside bonds event, hasn’t ever celebrated valentine’s day, has never celebrated new years, etc... 
clearly, she’s missed out on a lot not only because of her sickness and hospitalization, but because of her isolation as a child at school. judging by her demeanor and the way she reacts when madoka comes up to her without being asked to, something like that had never happened to her before. it’s clear to me that madoka was many of homura’s “first’s”, her first friend, the first person who reached out to her, the first person to compliment her name honestly(validating her, disproving her dislike of her name), the first person to regard her so kindly rather than judging her based off of her appearance and demeanor (like other students had apparently done, this is also shown when the other students at mitakihara middle make fun of her for being tired after only being able to run one lap). AND, madoka (and mami, but homura knew madoka better at that time) saved her life, even though homura was so willing to die, just in that moment... i’d assume it made homura feel like someone believed in her even when she was at her worst. it’s really clear by the glimmer in her eyes that these are nice people that made her feel happy and welcome... and then walpurgisnacht came. she didn’t know much about magical girls and just believed in madoka and mami to be able to defeat the witch because she saw them as strong and saw the witch as defeatable, despite its size. and then mami died, right in front of her and madoka... 
this kinda seems headcanon-y when i phrase it this way but it’s practically proven in her actions but i really think homura is scared to be abandoned, especially by someone who was as overtly kind and nonjudgemental to her as madoka... it’s in the way she cries her name and says “don’t go” before madoka runs away to fight walpurgisnacht. OH ALSO, i need to address this one thing really quick because people like to assume that homura didn’t care about mami from the beginning and only liked madoka. it’s not that she wasn’t sad when mami died, she was clearly terrified and didn’t want the same to happen to madoka, also mami LITERALLY WASN’T IN HER CLASS OR HER GRADE so i assume she spent most of her time with madoka considering they were in the same grade and class and probably shared most of their periods with each other... but also, once again, mami is older than both of them and homura probably saw her as more of a mentor/teacher that she needed to impress rather than madoka who was more on her level, i guess?
anyways, moving on... homura had to see madoka die (& experience the crushing guilt she felt for “letting madoka go” even though there was nothing she could’ve done) and literally says “i’d rather you had lived than saved someone like me” ... her self worth is below zero. she makes her wish to be strong enough to protect madoka(because she sees madoka, her first friend, who saved her life which she felt had no worth, as so strong and noble) which causes her to go back in time, etc. etc., you know the deal. okay before i move on to talk a little more abt the timelines and the personality change i’m going to address why it’s reasonable that she’d be attached to madoka.
i mentioned before that homura said herself that she had never had a friend before. just like, put yourself into her shoes for a second. this girl has no idea how to make friends; it was never taught to her. it’s literally rational that she’d get attached to her first ever friendship. it’s not “normal” the way she views madoka, but how could it be? this is her first time having a friend, she’s afraid of being abandoned by her, but she’s had to see her die over and over again anyway. she doesn’t want to lose madoka. even if she doesn’t go about it in the right way, there’s no way she would’ve actually known how to Do relationships. no one taught her. i think that needs to be empathized with more...
i kinda feel like i need to summarize all this just bc if i word it right it kinda reminds you & puts into perspective just how terrible and scary all of this was.
anyway Again, i would skip straight to the end of timeline 3 (where a New Flavor of trauma is given to homura) but i need to first address timeline 2 for a second. it was homura’s first time repeating the timeline, she trained with madoka and mami again, she was still hopeful despite what happened, etc. kinda just bonding further with madoka Again... and then it’s at the end of this timeline that she watches madoka turn into a witch, just in front of her very eyes... and realizes the true fate of magical girls. when she resets the timeline again, it’s up to her to start anew and break the truth to the group when she sees them again. when she tries telling the truth, sayaka immediately shoves this aside, claiming homura was just trying to split everyone up. it’s clear that that hurts homura. (also the little shinies in her eyes were wavering which is anime-code for sad) her feelings were immediately disregarded by sayaka and she couldn’t defend herself, but madoka did for her, and mami tried to diffuse the situation. 
after they all find out homura was right when sayaka turns into a witch, mami kills kyoko and ties up homura in her ribbons and aims a gun at her, and this, rightfully, ignited a fear within homura... madoka is forced to kill mami in order to save homura, leaving only the two of them to fight together. then, when walpurgisnacht comes that time, The Promise is made... madoka tells homura to go back in time and save her from becoming a witch (because she doesn’t want to curse the world that way, she still sees beauty in it) and homura agrees, saying she’ll never stop until she saves madoka, and then... homura has to mercy kill madoka before she becomes a witch. she cries loudly and shoots madoka’s soul gem... it’s literally so heartwrenching and (usually) brings the viewer to tears, or puts something into perspective for them...
then we assume the personality change happens in the timeline right after. this personality change causes a lot of discourse because sometimes it’s seen as kind of irrational, but personally, i think even moemura had at least SOME resent for the world around her considering what she’d been through. it’s madoka’s repeated deaths that finally push her over that edge. i could get further into the coolmura arc but that’d take a WHILE, so i’ll just kind of explain something briefly though -- why homura ended up becoming even MORE focused on madoka. and i’m also going to debunk the claim that homura doesn’t care about her other friends as fast as i can before moving on.
also, ONE LAST side tangent, for those that think homura really did do a 360 degree personality turn are wrong. it’s shown explicitly in homulilly’s labyrinth that there’s this... “core” homura, a shadowy purple silhouette with braids. every time the series depicts homura’s internal self, it’s always glasses+braids, symbolizing her “child” self, who she truly is. she never stopped being that person. she doesn’t want to kill. ...but i can get into that in a rebellion analysis later! this is also shown in wraith arc bc the person inside her soul gem has glasses+braids. anyway let’s get to the next part i’m going to rant about
Homura’s Love for Madoka, but Otherwise Apathy
homura has seen many different, yet all similar, versions of her friends. the first claim i’m going to talk about which i saw brought up quite a few times before is in regards to homura and mami. first of all, homura absolutely still cares for mami, and not just in the “i only care about your life if it affects madoka’s” way. one part that always gets me is when mami ties her up in the series timeline after homura frantically warns her that this witch isn’t normal, to which mami IMMEDIATELY brushes this off, without even giving homura a chance. then, when mami’s ribbons fade away, homura looks horrified and just goes “oh no...” and it’s kind of obvious to me that it was in response to mami’s death rather than madoka’s reaction. this is arguably up for debate i guess because i’ve seen different takes on that reaction and it’s ambiguous, i guess? but i’m about to get into something extremely similar and that’s the sayaka situation, where madoka throws sayaka’s soul gem onto a moving car. homura gasps and immediately pauses time and disappears, running in literal open traffic and climbing on top of a moving car to retrieve sayaka’s soul gem. one could argue that this is ALSO only just because homura wants to save madoka (and kyoko) the fear, but don’t you think her expression would be different? if homura truly didn’t care for sayaka’s wellbeing, wouldn’t she be making an expression more similar to like, “oh, this shit again...” instead of the frantic one she was making in the scene? this kind of thing Also happens when kyoko asks homura to leave while kyoko’s about to sacrifice herself in oktavia’s labyrinth, and homura looks up sadly at kyoko and then back down at madoka, and once she knew kyoko was dead, she just quietly said “kyoko...” to herself. she usually refers to them as [last name, first name], but she dropped that during that moment... it otherwise sounds like a bare minimum thing to do, but keep in mind the timeline we’re shown in the series is implied to be like, the 110th timeline, i think? like, this is the last timeline, she’s worn down, but she still does have empathy -- or at least sympathy -- for the others. she still loves them. 
homura promised to be madoka’s protector, she dedicated her life to her, and also she doesn’t have a choice not to dedicate her life to her anymore, even though that’s not fair to her... homura is in a really hopeless situation and madoka is her hope, and madoka is the one that judges her the least out of the quintet (like saying “i’m sure homura is good” to herself) upon first impression. also okay i mentioned this already in my last post (which you saw) but i’m going to bring it up one more time, homura is not mentally 26!!!!!! she is still 14 mentally!! in order to be 26, you have to have experienced 26 years of new life experience. maybe you acquire that through school, maybe you aquire that through friends, whatever it takes. but homura just repeated the same month over and over, and it’s not like her body (canonically) ages ever. she just kind of gets transported back into her body in the hospital again considering she’s back wearing her braids and pajamas... so, yeah. no mental development there. i also mentioned this here but i’m gonna say it again, that just makes it even harder for her to actually age correctly... it stunts her to 14. imagine being 14 for 10-11 years...
In Defense Of My Own Claims
btw before you think i’m just going full-on radical homura apologist, i’m not explaining all of this to be like “homura made ALL THE RIGHT DECISIONS because her trauma gave her an excuse!!” because like, Obviously, she did a lot of bad things, she killed people, did a lot of callous things, a lot of thoughtless things, a lot of things that make her seem emotionless, etc. but i just have trouble blaming her considering how things ended up, and it’s not like she enjoys killing people. she’s not sadistic... she ends up becoming short with all the others not only because of her (extremely) weakened trust in them, but also because the amount of times she repeated the timeline. i’d imagine it makes her feel like the others can’t truly die because she can just go back and see them again. (this is also why wraith arc/post-tv series must’ve been hard for her because she can no longer turn back time, things are permanent now, deaths are forever) she’s become so worn down that she’ll do anything to escape the loops... also considering she has no choice but to continue? although it shouldn’t be, it’s technically her job as a magical girl to defeat all witches and walpurgisnacht counts. it kills magical girls and tears up the whole city and she’s usually the only magical girl left... her choices, when defeated, are either to give up and die or to go back and try again, and she made a promise to her first ever friend to do just the latter... i just don’t understand how this isn’t easier for people to comprehend, that all of this trauma and stress and responsibility on top of an already traumatized 14 year old does not mix well. ever. she had to figure out all of this by herself.
TL;DR:
homura was a previously traumatized, unsocialized 14 year old with (very)low self esteem & self worth whose first friend (and first love, really, let’s be honest) died in front of her in horrific ways and she watched as she (and the other friends she came to make) drifted slowly apart from her in her endless and futile attempt in saving her from what proved to be an inescapable fate. also she’s 14 and also she’s (canonically) mentally ill and a lesbian. not a monster, not evil, not “psycho”. and that’s that!
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thedreadvampy · 4 years ago
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Hey Ruth! I noticed you've talked in the past about asexuality in quite a negative manner. As an ace-person (who has received backlash for it) I was wondering: do you still uphold these opinions?
Hey! I have in the past said I don’t really...like people popping up in my ask box asking me My Opinion On Asexuality, but I do appreciate you asking me as someone I kinda know and with your face turned on, so I’m gonna aim to answer in the macro. Though I mean it depends on what the opinions...are? I have had a lot of opinions over the time I’ve had this blog and I don’t necessarily know what all of them were or which ones have concerned you. I can give you a top-level view of how I see my views, though (however, since I have been largely holding off on answering this kind of ask for Literally A Year Now this is less an answer to your specific question and more an answer to the last year of asks)
(also if I get dogpiled in my inbox for Having Bad Asexuality Opinions which I do every time I talk about asexuality regardless of what I actually say then. my phone is broken I won’t know about it :) so I feel untouchable)
I don’t think I hold a negative opinion of asexuality as an identity (I say I don’t think bc we all have blind spots)? I have a lot of very important people in my life who are asexual, aromantic or aroace and. I mean it feels pretty condescending to say ~uwu it’s valid~ bc like. ace and aro people don’t really need my input to validate their identity. but a) it seems like a pretty accurate way to describe their experience and b) I know a lot of them have had a really huge boost from finding a name and community to fit their experience and have found that really helpful, and I’ve seen that make a huge difference in people’s lives and I’m really happy to watch my friends come to understand themselves and feel comfortable and accepted in a part of themselves they had felt really alienated or stigmatised by. In a broader sense, I think there’s huge value in decentralising romance and sex in our assumptions of What Human Happiness Means and for some people that’s not the most important thing, and for some it’s just not interesting. 
So like. I find it difficult to really express these opinions in any meaningful way because my opinion on asexuals and aromantics is much like my opinion on trans people or idk like people of colour. like very obviously those people exist and very obviously those people don’t deserve to be marginalised or stigmatised but it would feel. weird and performative to just make a post saying like “Asexuality Is Good And Valid, I Am Pro It” bc again like. who needs my permission or cares about my opinion. it’s not a Good Thing To Do it’s just. a thing you are that shouldn’t be treated as a bad thing.
however. and I suspect that this is what you’re referring to. while I love and appreciate ace and aro people, I think building communities and active support for ace and aro people is valuable and needed and, as above, I think Asexuality Is Good And Valid I Am Pro It, I do take some issue with elements of how discussions around asexuality are framed online (pretty much only online, I really haven’t run into the kind of black-and-white thinking in in-person queer spaces) 
and I also. think there are some issues with people extrapolating their experience of their own sexuality onto the world in a way which. I’m just going to say a lot of the time when I talk about The Ace Discourse in a negative way it’s around people assuming that the world is split into a binary between ace and allo people, or assuming that only aspec people experience a nuanced or complex or fluid relationship to their sexuality while pigeonholing allosexuality into a pretty flat image of sex and romance focus. and I have always felt like this does a massive disservice not just to people who don’t identify with aspec labels, but also to the general hope that we could work against the expectation that there’s a Standard Amount To Value Sex/Romance - I think that the assumption that there are aspec people and then Everyone Else Has The Normal Type and Level of Attraction just. reinforces the idea that there’s a “Normal” type and level of attraction. which is ultimately pretty self-defeating and also just. observably untrue. 
and this division of the world into Aspec People and Allo People also has some other weird knockon effects - I don’t think there’s anything intrinsically wrong with identities like gray ace or demi or other aspec labels beyond asexual and aromantic, but I do think that the way those labels are used is often. unhelpful. and they’re defined in such personal, subjective ways that you get weirdnesses sometimes like people Diagnosing Each Other With Demisexual or people saying ‘you can’t talk about this experience you share because it’s an Aspec Experience’ and again. there isn’t a concrete material experience there because the whole experience of romantic and sexual attraction, what that feels like and how sharply divisible it is is very, very personal and subjective. and everyone has different experiences of those and will name those experiences differently.
there’s also. historically a minority of Big Ace Blogs that kind of sneer at allosexuality or who would hijack posts about other issues to derail them to asexuality. but I don’t think they were ever representative of the community as a whole and I certainly think that inasmuch as those blogs remain around they’re a legacy of the Long-Ago (and a lot of them are trolls imo)
but there is. an issue I take that does seem to be more currently live which is the question of allo privilege. I think personally that framing all allosexuals/alloromantics as privileged over all aspec people on the basis of feeling sexual/romantic attraction is provably untrue in a world where people, particularly queer people, are actively oppressed and marginalised for expressing non-normative sexuality. it isn’t that I don’t think asexuality and aromanticism isn’t marginalised and stigmatised, because it visibly is, but it seems pretty reductive to boil it down to a binary yes/no privilege when both sexualisation and desexualisation are so actively tied into other forms of marginalisation (this is what I was trying to express in the argument about Martin a while ago - sex and sexuality are so often disincentivised for fat, queer, disabled and neuroatypical people that it doesn’t...feel like a reclamation that those tend to be the characters that get fanonised as ace where slim, straight, able-bodied and neurotypical characters aren’t. like it’s more complex than a binary privilege equation; sex and romance are incentivised and stigmatised differently at the intersection of oppressions and. for example. in a world where gay conversion therapy and religious oppression of gay and SGA people is so often focused specifically on celibacy and on punishing the act of sexual attraction, I don’t think it’s a reasonable framing to say that a gay allosexual man has privilege over an aroace man on the basis of his attraction) 
so those are like. things I would consider myself to feel actively negative about in online discourse (and again. in online discourse. not in how I relate to asexuality or aromanticism or aspec identities in general but in the framing and approaches people take towards discussing it in a very specific bubble).
but also. um. the main criticism I have of the online discourse culture of asexuality is that there are things I don’t have experience of that I have mentioned, when asked, that I don’t personally understand the meaning of but I don’t need to understand them to appreciate that they’re useful/meaningful to others. things like 
the difference between QPRs, asexual romantic relationships and close friendships
how you know the difference between romantic attraction and friendship
the distinction between sexual attraction and a desire to have sex with someone for another reason
and I hope I’ve generally been clear that this is. honest lack of understanding and not condemnation. I personally have a very muddled sense of attraction and often have difficulty identifying the specifics of any of my own emotional needs so like. it’s a closed book for me at the moment, how you would identify the fine distinctions between types of want when I’m still at step 1: identify That You Want Something Of Some Sort, Eventually, Through Trial And Error. but I think I’ve always been explicit that this isn’t a value judgement it’s just a gap in my own knowledge and yet. every single time I’ve said anything other than enthusiastic “yes I understand this and I love it and it’s good and valid” (and again. I have not gone out of my way to talk about it I have mostly only mentioned it because people keep asking me to talk about it) I have got a massive rush of anger and accusations of aphobia and “just shut up if you don’t know what you’re talking about but also answer my 30 questions to prove you think Correct Things about asexuality” and. I understand that this comes from a place of really unpleasant and aggressive backlash towards the ace community so it’s a sensitivity with a lot of people but like. it doesn’t seem proportional.
also I feel like ever since I hit like 700 followers my Tumblr life has been a constant cycle of people asking me Are You An Ace Inclusionist Are You An Exclus Are You An Aphobe Justify Your Opinion On Asexuality which. eventually yeah I’ve got pretty snippy about the whole thing. but you know. fuck it I’m just gonna lay it out and if you or anyone else is uncomfortable following me based on those opinions then I’m sorry to hear that and I will be sad to see you not want to engage with me any more but I also think that’s absolutely your prerogative. however I will not be taking questions at this time (and not just bc my phone’s broken) - demands for an argument about this Are Going To Be Ignored so if you want to go then go.
so like the big question I reckon is Do You Think Asexuality Is Queer and
yes. no. maybe. I don’t understand the question what does it mean for an identity to be queer? 
there are spaces and conversations where any form of aromanticism or asexuality makes sense as a relevant identity. talking about hegemonic expectations of normative romance. building community. combatting the idea that heterosexual missionary married sex between a man and a woman is the only rewarding or valuable form of relationship or intimacy.
there are spaces where I think heterosexual aros/heteromantic cis aces don’t. have a more meaningful or direct experience of the issues than allo cishets. because while being aro or ace or aspec has a direct impact on those people on a personal and relational level, disclosure is largely a choice, and the world at large sees them as straight. they don’t have the lived experience of being visibly nonconforming that SGA people and aroace people do. they may still be queer but there’s a lot of conversations where they bring a lot of the baggage of being Straight People (because. even if you’re ace or aro you can still be straight in your romantic or sexual attraction and if your relationships are all outwardly straight then you don’t necessarily have an intimate personal understanding of being marginalised from mainstream society by dint of your sexuality). this doesn’t make you Not Queer in the same way that being a bi person who’s only ever been in m/f relationships is still queer, but in both cases a) you don’t magically have a personal experience of societal oppression through the transitive properties of Being Queer and b) it’s really obnoxious to talk as if you’re The Most Oppressed when other people are trying to have a conversation about their lived experience of societal oppression. and they’re within their rights to say ‘we’re talking about the experience of being marginalised for same gender/non-heterosexual attraction and you’re straight, could you butt out?’)
(I very much object to the assumption coming from a lot of exclus that “cishet ace” is a term that can reasonably be applied to non-orientated aroace people though. het is not a default it really extremely doesn’t make sense to treat people who feel no attraction as Straight By Default. when I were a lad I feel like we mostly understood “asexual” to mean that identity - non-orientated aroace - and while I think it’s obvious that a lot of people do find value in using a more split-model because. well. some people are both gay/straight/bi and aro/ace, and it’s good that language reflects that. but I do think it’s left a gap in the language to simply refer to non-attracted people. this isn’t a criticism of anything in particular - there’s a constant balancing act in language between specificity and adaptability and sometimes a gain for one is a loss for the other)
some queer conversations and spaces just. aren’t built with aces in mind. and that isn’t a flaw. some spaces aren’t built with men in mind, but that doesn’t mean men can’t be queer. some conversations are about Black experiences of queerness but that doesn’t mean non-Black people can’t be queer. not all queer spaces will focus on ace needs but that doesn’t mean asexuality isn’t queer, or that queerness is opposed to aceness - sex, sexuality, romance and dating are all really important things to a lot of queer people, especially those whose sexuality and romantic relationships are often stigmatised or violently suppressed in wider society. there should be gay bars, hookup apps, gay and trans friendly sex education, making out at Pride, leather parades and topless dyke marches and porn made by and for queer people, romantic representation in media of young and old gay, bi and trans couples kissing and snuggling and getting married and saying sloppy romantic things. and there should be non-sexual queer spaces, there should be discussions around queerness that don’t suppose that a monogamous romantic relationship is what everyone’s fighting for, sex ed should be ace inclusive, etc. 
I think the whole question of inclusionism vs exclusionism is based on a weird underlying assumption that If An Identity Is Queer All Queer Spaces Should Directly Cater To That. like. aspec identities can be queer and it can be totally reasonable for there to be queer spaces that revolve around being sexual and romantic and there can be conversations it’s not appropriate or productive to centre asexuality and aspec experiences in and we can recognise that not all queer people do prioritise or have any interest in sex or romance. in the same way that there’s value in centring binary trans experiences sometimes and nonbinary experiences at other times but both of those conversations should recognise that neither binary or nonbinary gender identity is a Universal Queer Experience.
anyway that one probably isn’t one of the opinions you were asking about but I have been wanting to find a way to express it for a while so you’re getting it: the Ruth Thedreadvampy Inclusionism Take.
uh. it’s 1:30 on a work night so I have been typing too long. if there was an opinion you were specifically thinking of that I haven’t mentioned, chuck me another ask specifically pointing to what you want me to clarify my thinking on. sometimes I gotta be honest I’ve just been kind of careless in my framing (thinking of the Martin Fucks debacle where I spent ages insisting I didn’t say Martin couldn’t be aroace then read back like two days later and realised that I had said “he’s not aroace” bc I had written the post at 2am without proofreading and had meant to say “unless you think he’s aroace”) so I May Well Not Stand By Some Posts or might Stand By Them With Clarification
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firelxdykatara · 4 years ago
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on the topic of nsfw content in the atla fandom. tumblr actually mentions that if a blog is flagged as nsfw than the user must over 18 if they want to look at it. so the entire discourse is forgetting to mention that if things are tagged properly than it is literally fine to post whatever u want.
it’s so weird because like, there’s very little nsfw content that isn’t text-based on tumblr right now--there hasn’t been since the porn purge, except the porn bots who still abound because tumblr can’t actually do anything right, but that’s neither here nor there--and even if there were, i’m a whole adult, and i almost never just ‘stumble’ onto NSFW/M/E material, either in fics or art, in this fandom unless i specifically go looking for it.
I don’t have safesearch enabled, and I googled every major shipname from atla--zutara, kataang, taang, sukka (this one i had to search ‘sukka avatar’ because apparently sukka is a food dish), mailee, tyzula, zukka--and didn’t find a single piece of nsfw art. not a single one. i probably could have if i spent hours digging through the images, or if i specifically added something nsfw to the search terms, but im sorry, little kids just googling ships and characters from atla aren’t gonna accidentally stumble on porn. Especially since one would hope that if adults live in a house with little kids who they allow to use the internet unsupervised, they’d have safesearch turned on. That’s what it’s there for!
(”But kids could figure out how to turn it off-” yeah, and when I was 13 I lied about my age and wrote a ton of harry potter smut with people who thought i was 17/18. That was on me, not them, and if you had to stretch it then it’d be on my parents for not monitoring what I did online. But I was a hell of a lot more scarred by A Child Called It than writing about teenagers at magic school who snuck off to the Forbidden Forest to have sex. [Don’t ask me why, I have no idea, but the Forbidden Forest was THE PLACE for characters to be having sex on all the sites I was on back then.])
So what’s really going on is a handful of 16 and 17-year-olds (who are more than old enough to moderate their online experiences) and young twenty-somethings who are enabling them (because they’re Literal Babies and Must Be Protected i guess, despite them being nearly adults and capable of using the tools given to them to moderate the content they consume and are exposed to), who are enraged that this content even exists. They are hiding behind ‘what if little kids see it’ like it’s some kind of shield, but the fact is, little kids are not going to just ‘stumble’ onto this content.
Little kids are not going to google ‘atla’ and find porn, even if their parents are irresponsible and don’t have safesearch enabled and aren’t monitoring their young child’s internet usage. (And if these children are so young that they couldn’t handle exposure to explicit material, and also couldn’t be expected to understand how to avoid it, they should not be online unsupervised. Period. It isn’t the job of anyone online to protect them--that job is up to their parents. Take it up with the people who are actually supposed to be raising and protecting these kids. Don’t expect strangers online to do the protecting for you.) Little kids are not going to accidentally find explicit material and be irreparably scarred for life. It just isn’t going to happen.
Little kids are also extremely unlike to be visiting ao3, and if they are, then they are in violation of the tos since ao3 is age-restricted to 13-year-olds and above. Anyone who is 13 and allowed online with no or minimal supervision can handle accidentally seeing or reading about sex, and they are certainly old enough to read and understand what the ratings on fics mean. If they click on an M or E fic and then click through the ‘this material is intended for adults’ warning, and then, shocker of shockers, find adult material behind the warning, then they should either deal with it or blame themselves or clicking on something they knew would contain material they weren’t prepared to handle.
The same goes for anything on twitter that is flagged as sensitive and hidden accordingly. If kids on twitter click past that sensitivity warning and then see a penis, that’s on them! They chose to ignore the warning and click to view the content anyway! They are at that point responsible for what they have just been exposed to, and it isn’t going to do lasting harm unless something is very wrong in their lives, and at that point the fault is with the adults who were supposed to raise and protect them, not the content they saw online.
Anyway, this weird purity crusade in the atla fandom is just... well, weird, lmfao. Like, yeah, it’s a show that’s aimed at children, and most of the children who were old enough to watch and love it when it began (I turned 14 like a month after the show premiered, though I didn’t actually watch it until I was an adult but I knew of it) are adults now! Many of them still love it, and want to engage with the material as adults, or imagine the characters as adults (and I’ve seen someone literally say that if you write nsfw material with the characters aged up you’re ‘picturing actual children’ and like???? no that’s not how it works shut the fuck up) doing adult things. There are many people just barely getting into the show/fandom as adults who feel similarly! There are people who want to explore their own feelings re: teenage sexuality with these characters at their canon ages, too, and that’s just fine! The vast majority of the YA genre wouldn’t exist if not for adults exploring teenage sexuality via teenage characters.
But the point is, the vast majority of this content is clearly marked. Children who are old enough to be on tumblr or ao3 or twitter (all of which have 13 as the bare minimum age allowed for registered users) are also old enough to use the tools at their disposal on all of these sites to avoid content which makes them uncomfortable. If they aren’t old enough for that, then their parents need to be keeping a closer eye on what they do online. But it isn’t up to adults to sanitize their own content just to help minors (the loudest of whom in this discourse right now are very close to being adults themselves, if you’re 17 i really don’t wanna fucking hear how ‘uncomfortable’ nsfw content existing makes you feel, you’re almost an adult, either avoid that content or get the fuck over it) feel ‘safe’ in fandom.
Our responsibility, as adults, begins and ends with tagging content appropriately so that anyone who doesn’t wanna engage (which, by the way, can include other adults; some grown ups don’t like nsfw content either!) can avoid it. And if you find someone on tumblr who isn’t tagging their content? Block them! It’s literally that simple.
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robotslenderman · 4 years ago
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Ewww getting big privileged homophobe vibes from you. Blocking now.
Thank God.
I doubt you'll ever read this, but just in case hate-reading is your thing - I don't know why you bothered with anon. You're obviously not a follower because I talk about how queer I am here ALL THE TIME. I saw many queerphobes on that queer post, and even visited a few of their blogs. (Most of them were TERFs, except one - you, who claimed to be a trans dude. Maybe you are! Maybe you're not a TERF posing as a trans dude and you really are okay with being part of a movement absolutely dominated by TERFs!)
But there was only one that I left a comment on. You'd posted about how queer people are so horrible to call ourselves queer. Like the anthropomorphic personification of class and tact that I am, I trolled you by asking if my queer presence made you uncomfortable.
Clearly, it did. :)
So go ahead. Call me the first mean name that comes to your head, as if it bothered me what a random totally-not-anon thinks I am. I'm totally fine with queerphobes thinking my existence is homophobic, because the only way they'd understand otherwise is if I pretended I wasn't queer. My alleged homophobia is latched on to my identity as a queer person. The only way you would not accuse me of being homophobic is if I stopped calling myself queer.
So you use my very identity as a weapon against me. I am queer, and I am attached to not being a homophobe. You know that queer people do not want to be perceived as something they hate completely by anyone, strangers included, especially on a website where people harass first and listen later (if at all). So you hold us hostage - deny our queerness, and you'll drop your weapon. You'll drop the word "homophobic" and stop pointing it at me.
I'm not gonna cave to this.
Nor am I going to write an outraged essay about how I'm not homophobic. You know perfectly fucking well that not a SINGLE queer person is straight. You know perfectly fucking well that most queer people are same sex attracted or attracted to enbies. You know perfectly fucking well that queer people have accepted that part of us and aren't dealing with internalised homophobia or inflicting it on other people because we ACKNOWLEDGE our queerness and you can see this, otherwise you wouldn't be getting mad about it. In a homophobic society everyone has a degree of it, but by being what we are we have less of it than the great majority.
You know this perfectly well. Don't fucking pretend otherwise, I would have to believe that you are well and truly and sincerely STUPID to think for one second that you think I'm a straight person or a closeted gay person who's lashing out with malicious homophobia. Real homophobia, not "this person is part of a minority I am bigoted against, so I will claim they are inherently homophobic unless they get back in the closet or categorise themself in a way that allows me to fine tune my bigotry appropriately."
Because let's be real. Queer hasn't been used as a slur in decades and was reclaimed before I was even born. "Gay" was the slur of the time when I was growing up, but people like you never had a problem with that. Why? Because gay is clear cut and well defined. The problem people like you have with queers like me - the REAL problem, not the faux outraged you have made up about my label - is that queer means I have declined your insistence to more accurately categorise myself.
I mean, how else would you know specifically how to treat me? I could be bi and you might hate bi people, but if I'm a gay queer you don't want to aim the wrong type of bigotry at me by mistake - not because you care about gay people (you don't, because many gay people are also queer), but because you don't want to make yourself look silly by aiming the wrong type of bigotry at me. I could be queer because I'm an enby, and maybe you're truescum that would despise me for it, but you don't KNOW whether or not I'm an enby and that drives you mad! You don't want to risk alienating people who care about you by shitting on someone they might not agree is an acceptable target, so you target every queer and claim it's about a word when really, many queer people seek refugee under that term to hide from people like you, and you don't like that we can hide from you, so you try to strip our shelter away from us.
(And let's be honest. You probably don't even actually hate us. You're probably just afraid. Afraid of some identity you don't really understand because you've never taken the time to get to know us, or afraid that society will accept you less if we're "competing" for acceptance and so take some of the spotlight... I won't shit on you for fear, anon. We are all afraid of something. But I absolutely have a problem with how you're choosing to knowingly hurt people to cope with it. You called me "homophobe" to hurt me. There was no other way to possibly interpret the context of what you were saying. You meant to do this.)
So take away queer. Take away the shelter of queer. Force every queer person to divulge, upfront, who they are that makes them friends with queer. Force them out of the closet and pretend THAT'S not homophobic.
Send the gay queers back to the L and G of LGBT, let the TERFs flush out the trans people who are queer because they're trans* and shoo them away from LGBTQ spaces. Or maybe you really are trans, but you want to kick out straight trans people, or enbies, or pan people, or bi people, or ace people, or, one of the many populations that make up the true queer community.
* Not all trans people are queer, but many are BECAUSE they're trans. I would say "many are queer because they identify as queer" because that makes it sound like queerness isn't an inherent part of who we are and gives people like you ammo I have no interest in supplying you with. "Aha! So you CHOOSE to be a slur!" I just know you'd completely ignore everything I said to the contrary and say that.
Yes. The true queer community.
We've told you again and again that we're not calling you queer. We've told you again and again, if you're not queer, you're not part of the queer community. You're LGBT+, not queer. I'm not part of the LGBT+ community, I'm part of the queer community.
The queer community is not the true community of people who aren't straight and cis, that's not what I'm saying. We're not any more or less LGBT+ than you. I'm not invalidating the identities of people who aren't straight and/or cis, because they are who they are, and you don't need to be queer to be LGBT+. But we are the true queer community in that we are queer, and people who are LGBT+ but are not queer are not queer. Only queer people are queer.
("But people use queer community as an umbrella term to mean people who aren't queer, but are still LGBT+!" Buddy, if I have to deal with being called LGBT all the time even though it's not true, while having the people who use LGBT obviously mean me too because I'm not straight, then you can live with it too. That's mostly straights doing that, in which case you have no reason to get mad at US, or people who are are making something for a straight audience or a questioning audience, in which case they're making it accessible because not everyone knows the nuance of queer and LGBTALPHABETSOUP discourse. Or even - and I know this thought is incomprehensible to you, as the centre of the universe - it's actually referring to queer people and queer people only, not LGBT+ who aren't queer. Actually, I love that idea! Queer history is now history of queer people, no non-queer LGBT+ allowed :D)
I've never felt LGBT+ even when I thought I was one of the main four letters. But I've always felt queer, even as my understanding of my specific brand of queerness changed. Queer is an umbrella term that is opt in, that covers any and all LGBT+ people who know they are queer too, who know they're one of us, or who simply choose to call themselves queer for whatever fucking reason they want. Some of us are intrinsically queer, some choose to be queer because of the inclusiveness or relative opacity of the term, and you don't know which one a queer person is unless you have earned our trust enough for us to tell you.
And people like you fucking hate that.
So you know what?
I'm totally fine with you calling me a homophobe because the people who actually know more about me than the few sentences I've given you know that that's a joke, and their good opinion matters more to me than yours.
I'm totally fine with you calling me a homophobe because because it means I've won. I've gotten under your skin, just as your bigotry got right under mine. You're furious you can't categorise me. You're pissed off that I could be one of the LGBT+ people you actively dislike and want out of the LGBT+ community, but are finding a hell of a lot harder to flush out of the queer community because we all look the same at first glance and refuse to give you information you feel entitled to. Because it's easy to force people out of the closet in the LGBT+ community, but much fucking harder in a meritocracy like the queer community. To get into the LGBT+ community, you have to tell them which one you are. Queer? No questions asked, cause you already told us all we needed to know! Welcome home!
But let's say this is all a strawman.
That you really are some well meaning person who has nothing against the more obscure queer identities and that you really do just have a problem with the word. That you truly do think that queer people, the great majority of which experience same sex attraction, are... somehow... homophobic just for using the word despite their advocacy against homophobia and total acceptance of that aspect of themselves and others. That our fight for marriage equality and employment and housing protections and human rights is rendered COMPLETELY AND UTTERLY IRRELEVANT because we used a word that Boomers and even some of gen X hurled at each other because a guy was a little bit girly, or a girl refused to grow her hair long, or because men were scared that a man would treat them the way they treated women. (Because queer as an archaic slur, ultimately, comes from misogyny as much as homophobia.)
Let's say you really do mean well and really do know people who were called queers instead of fags, or you really did grow up hearing "that is so queer" to describe things people didn't like, or you really did have "queer" hurled at you by straight people as if there was something wrong with you for not being cis and straight.
(Notice something, there? You probably haven't actually experienced any of that, nor anyone you know. This wank about who I am as a queer person - it's always aimed at us. Never the straights that used it against us. Nobody uses the word queer except queer people any more, I am 99% certain that you don't know ANYBODY who has had it thrown at them AS a slur, so that means that the only people you can target on your crusade are... gender and sexual minorities. Not cis/straight people. Because they're not calling us queers and haven't in decades.
That means you are knowingly targeting minorities over this EXCLUSIVELY, I am completely fucking certain..
... but I'M the homophobe?)
In which case all I can say is: I hope that the well-meaningness that's made you put this hateful thing into my inbox, that's made you say such hateful things to a minority because of their identity (there's a word for treating people differently because they're a minority, especially hostile treatment..), will outshine the hatefulness of what you're saying and lead you to a better way to express your desire to protect people.
If you truly are coming from a misplaced belief that we're somehow deprecating ourselves by being queer, and not a desire to force us out of the closet or to run off any gender or sexual minority, then I apologise for my hostility, acknowledge that learning takes time (and patience that I am unable to give, for I am tired of bad actors pretending they're not and cannot do it), and wish you the best in learning to be inclusive and loving so we can count you one day, at least, as a friend of us queer folk. Maybe one day we'll even welcome you as one of us. I'd love to do that more than I'd like to deal with THIS crap. I can't imagine me going off on you will have helped at all, but from in my experience people who want to protect gender and sexual minorities protect them. They don't target them. That's why I am writing this post under the assumption that you wrote this because you have bad intentions towards me as a queer person, and not out of a well meaning desire to protect anyone you think I've somehow hurt by being me.
In which case? Get fucked.
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thejustmaiden · 5 years ago
Text
The Sesshomaru F*cks Debacle
Hey, fellow Inuyasha fans! How we feeling?? I imagine a lot of us are doing quite fabulously after the recent news we got about the sequel coming out this Fall, "Hanyou No Yashahime." So if it wasn't obvious already, I want to take the time to discuss the topic of- you guessed it- Sesshomaru. Go figure! 
***THIS IS A REPOST OF MY ORIGINAL BLOG THAT DISAPPEARED FROM THE TAGS. PICS/GIFS HAVE BEEN REMOVED TO HOPEFULLY REPAIR THAT.***
Let's be real, as much as probably (and literally lol) all of us have viewed him as "daddy material" at some point or another during our teens, Sesshomaru being physically intimate with another being, much less a human, is difficult to conjure up in our minds. And there's nothing wrong with that, per se, as sex and romance doesn't come so easily to some as it does to others. Then again, that's not to say a romantic relationship is completely impossible or unattainable for him either. 
I, for one, am not a huge fan of the idea of Sesshomaru siring children of his own. Granted, adopting/protecting children and other small companions is kinda his thing (I saw one user even describe him as a 'walking daycare' 🤣), and maybe it'll just take some getting used to, but all in all it's not entirely unfathomable to picture him having biological children. Though I'd be lying if I said I still didn't prefer he just took these two twin half-demon girls in and under his wing instead, like he did Rin. However, seeing as that's unlikely the case since the two girls resemble him in some fashion, the chances of that coming true are slim, which must mean that Sesshomaru did in fact bone some lucky lady. That's not to say I don't acknowledge that there's still a chance these kids aren't truly his but we'll see! 
Which leads me to the real reason behind this blog! I'd like to address in-depth why I and so many other Inuyasha fans consider shipping S*ssrin as wrong and why it makes a lot of us extremely uncomfortable. 
BUT FIRST BEFORE I FORGET, I want to give a little unofficial disclaimer by stating that this blog isn't intended to upset certain fans regarding my stance on the controversial ship. Thus I will not tag it under that ship name, and I suggest others who agree with me to do the same in any of their future posts. 
Because let's not forget that the most important thing is that we're all fans here. We fell in love with this story and hold its beloved characters close to our hearts for a reason. And that still counts even if you're returning to this fandom a decade later. So please, let's try and remember that and be civil towards one another. Putting people down by attacking and insulting others in real life really doesn't make us any better than them. I REPEAT, please do not engage in this post unless you plan to be kind and respectful of others who may have a differing opinion than you. There's never a need to be ugly towards another human being. That goes for all shippers and fans of Sesshomaru in general. Thank you in advance for your understanding and compliance. 😊
Again, none of these comments are aimed at being inflammatory towards those fans who have a different approach to this pairing. If any of you are reading this now, please keep that in mind before deciding to participate in any discourse with me and other antis. 
Okay, let me go ahead and list a few of the main arguments fans of this particular ship use to support them together. Then I'll give my reasons why those aren't enough to justify their relationship turning romantic:
1. Rin will be an adult before they get romantically involved
2. Sesshomaru didn't raise her and therefore isn't her father; he was never like a father to her in the first place
3. Sesshomaru hasn't been grooming her, not then and not now. Besides, it was Rin's choice first.
4. Age difference shouldn't matter when you look at other relationships in the series (InuKag, Koga x Ayame, etc.)
5. It was always going to be canon because the drama CDs exist
 These are the main points I'm seeing around. Now let's dissect them, shall we? These are my direct responses- I'll try to keep them short and concise. Fyi: Jk! I'm lying, that never happens. 😆
1. Rin may be an adult, but from our standpoint that doesn't make much of a difference. It doesn't matter because it's all about how her relationship with Sesshomaru started off and how it continued onwards. From that moment, it was basically established from the get-go that their relationship resembles that of one a young girl shares with an older man who winds up becoming her guardian. She initiated it by trying to bring him food while he was injured, and he reciprocated by deciding to bring her back to life that fateful day. 
Of course we're all happy that he did, because he's a better demon for it and a similar thing could be said about her! Therefore you must understand that fans against this pairing find it very hard to grasp the notion of a budding romance here when we look at their history. For us, it's synonymous to imagining a father eventually falling in love with his daughter or someone else who reminds him of a daughter, and vice versa. But let's just say he's not a father to her like many of you claim and more like, say a modern-day babysitter. Isn't it still bizarre to you that a young girl could fall in love with the man who looked after her and cared for her at that age, maybe even played games with? One day or on multiple occasions he even sees her naked because she had an accident and got hurt so she needed help changing or something. I admit it's more realistic that it was Jaken if anyone who'd be in charge of this, but why does it really matter who was tasked with what? Sesshomaru may have not been around all the time but that doesn't mean he's any less involved or invested in Rin's general care and well-being. So it's that thought alone that keeps many of us from even contemplating a romance forming between them. Whether he hardly interacted with her over the years or not is irrelevant, because it's clear to me that they have both formed a strong enough bond that constitutes calling them family. I highly doubt he ever even planned to keep Rin in his company as long as he did. But it happened, and whether you want to admit it or not, meeting her changed his life. Meaning Rin was never just some girl he traveled with or hardly knew. Despite his feigned indifference and stoic ways at times, I'm pretty sure we can all agree that Rin grew on him and was the first person to really influence him in a way that helped soften and open up that heart of his in a way nobody ever had before. One's significance to any given person isn't solely measured by the quantity of time spent alongside that person but by the quality of how that time was spent with said person. It's safe to say that in the case of Sesshomaru and Rin, they definitely fall under that category. 
2. Fair if you don't view Sesshomaru as Rin's father, but you must acknowledge that he did fill some father figure-like role to her at the very least. Or let's just call him her vassal if you think that's a more accurate description. Also, can I just quickly stress again that it doesn't matter how long she spent by his side or whether she spent more time in the village or not, because he still ended up playing a major part in her childhood as an adult male role model. Regardless of the title you give him, it still stands that although he may not be her official adoptive father, he is LIKE A FATHER. There really is no point in denying that, because their dynamic exudes one of a father-daughter. I guarantee you that any outsider looking in would agree that if not her father then at the very least he embodies a male relative of some kind. Honestly, the details of their relationship dynamic specific to this show (regional/period differences, human vs. demon culture, etc.), don't really matter here. Why? Because one can assume that the general consensus here is that a large percentage of fans perceive their connection as a familial one. Yes, most would unanimously agree that Rin and Sesshomaru, along with Jaken and Ah-Un, are a FAMILY. 
If she had first met him as an adult, then we'd possibly have a very different story here. The point of the matter is that he didn't, so that should be where this discussion ends. Unfortunately, for many, it's not. The bottom line is that a child he knew and cared for should never be someone he begins to view in a romantic light. I don't care how many years have passed (or that to demons years are like days or some less inconsequential length of time), and how much she's matured or how specific marriage customs were back then (if they're no longer appropriate now then why are we still condoning these backward practices?). Rin should NEVER have the desire to be sexually attracted to this father figure she's always looked to and trusted to protect her. Maybe it's vastly different from a demon's perspective (even though still unjustifiable in my opinion), but as a human, Rin's feelings towards Sesshomaru wouldn't and shouldn't suddenly change towards him and in such a drastic manner mind you. Yeah, maybe she used to have an innocent crush on him, but I'd like to think our smart and compassionate little Rin would learn that was simply because she was a child who didn't know any better. Besides, growing up with Kaede and around other humans I'd like to think she fell in love with another human sometime over the course of all those years. It only makes sense, right? Don't you think that's part of why Sesshomaru left her there in the first place? He wished for her to experience what it was like to live a normal human life, falling in love and marriage both being a key part of that. If I were Sesshomaru, I'd be deeply troubled if I started to develop feelings for a little girl I once protected and kept in my company for quite an extended period of time, which was at least a year from what I understand. (Pls correct me if I'm wrong because I gather it may have been longer.) 
3. Apparently in the manga and the Final Act, we see Sesshomaru still visits the village to check on Rin from time to time. He even brings her gifts, such as beautiful and luxurious kimonos. I recently learned from another Tumblr post that kimonos are what older men gift in order to sort of earn their favor with these young ladies, AKA they're wooing them. If that is indeed true, then that would mean he's basically grooming her and has been for however long she's lived there in the village but potentially even longer. To put it nicely, he's courting her. If this was another young lady (maybe not an adult perhaps but still of marrying age) who he DIDN'T assist in raising, then I could possibly get on board with this.
The thing is, it's far from that with them two if you consider everything they've gone through and endured together! Because he not only met her as a young girl but he got to know her first as a young girl, and she became one of his traveling companions all while she was only a young girl!!! Their bond will always be defined by that time when she was just a young girl, and nothing can or should change that he will always see her in that same light. Kinda like how our parents or other family members from older generations tell us that they'll always see us as their babies. So the fact that her time spent with Sesshomaru is constantly compared to her time spent in the village shouldn't apply here. Don't we all know this already? That we can can come across someone in our lifetime and maybe the time with them is short-lived, but that doesn't make it any less significant or those people any less special. Sesshomaru made an impact on her as much as she did on him, that much we know is true. Sure, it was years ago, but that's not something you ever forget. Sometimes when you look at loved ones you haven't seen in a while, there are just certain memories you have of them from over the years that will come rushing back to you without fail and that you will always cherish no matter what. I'd like to believe that when Rin looks at Sesshomaru and he looks at her, that they can both look back fondly on their times traveling together. This explains why I'm really struggling here to picture how anyone could sleep with someone they used to treat as their guardian/father/ward/daughter/what have you. So someday and somehow, this person just stops viewing them that way, is that it? I mean, how does this work exactly? It's not like you can just flip off a switch and forget everything from your past with this person, ya know? Unless you have your memory wiped, what I'm understanding is that S*ssrin shippers approve of the idea of these two characters KNOWING that they are or used to be like practically FAMILY to each other, yet agree that these two characters in question still have the capacity not to mention desire to pursue HAVING SEX with each other anyway. Do I got that all right? Did I miss anything?  
Originally I provided two examples of fan art I found to help put what I'm trying to say here into better perspective, but since they've been removed, just type in "Sesshomaru and Rin" on Google and you'll find plenty of examples of what I'm talking about here- and no, it's not S*ssrin images. I realize Sesshomaru has never been the touchy-feely sorta guy like it's depicted in some of the fan art, but that doesn't necessarily diminish the affection he feels and attachment he has towards Rin. He just has a different way of expressing his love is all, even if he doesn't outwardly show it. The real question here is, can you really look at sweet pictures of an adult comforting a child who's been under his care for a significant amount of time and then suddenly be like, "oh man, I can't wait till they bang!" I'm sorry, to each their own, but you gotta admit why we must find that creepy. 
4. Regarding Inuyasha and Kagome's relationship, we need to remember that he didn't age after all those years stuck to that tree. And besides, demons age differently so this is a pretty unfair comparison. This isn't the best example, but think about how a cat's lifespan works. 10 years in (indoor) cat years is like 56 in human years. So technically in demon years, Inuyasha is physically and emotionally compatible with a human around Kagome's age. Hell, even though he's over a hundred years older, Kagome is still a whole lot more mature than he probably ever will be! 😂 (Psst! We still love you, Inuyasha! 💋)
Now as for Koga and Ayame, this also isn't comparable to Sesshomaru and Rin. Koga met Ayame one night, only not to see her ever again until she was older and of age. After rescuing her on that night when she was only a girl, he gives her a piggyback ride and you can tell he just wants to cheer her up when he mentions her being his wife someday. (And boy, did that work wonders on Ayame!) Then they gaze at this stunning lunar rainbow together, which I think is quite rare judging by looks of it. This is not an attempt to defend this proposal- if we can even really call it that- but all I'm saying is that I don't think even Koga knows what overcame him in that moment. Fast forward to present-day when they cross paths again, and Ayame still remembers his so-called promise, but guess who doesn't right away? Yep, our man Koga! It takes a quite a while for it to come back to him, too. This further proves my point that something beyond Koga and his power possessed him to say all those things to a little Ayame for some reason. Maybe you can call it destiny, or maybe it was some special kind of magic caused by the lunar rainbow, Idk! All I know is that they do end up together in the Final Act and that it wasn't until they met as two consenting wolf-demons that they really grew to know each other and coincidentally- or maybe not so coincidentally- fall in love.
 5. From what I understand, it appears these drama CDs are some kind of satire which doesn't equate to canon. Perhaps Rumiko did not debunk them but she also didn't confirm they're true either. I'm hearing conflicting reports, however, and her involvement in them is questionable. Like her name is supposedly on the cover or something? But then I've also heard that she has spoken out against this ship. From the sounds of it, there is enough evidence- or lack thereof rather- to conclude that fans cannot use this as proof enough for their ship already being or soon-to-be canon. 
Finally, I'd like to end on this note where I'll be addressing ethics in entertainment. When it comes to our choice of entertainment, there's always a level of escapism implied, sometimes so much that we project ourselves onto certain characters. Delving into a fantasy world like that of Inuyasha can really help some people better cope with real life problems, but it's all about striking the right balance, as each individual has different wants and needs. The thing is there's only so much escapism one can allow in a fictional world before basic morals from our own world begin to take precedence. I can always enjoy some good fantasy, but it's not long until I start to reflect on how I personally relate what entertainment I'm currently absorbed in to real life. It's inevitable really. For example, if certain relationships portrayed on screen conflict with strong opinions I've adopted on a sensitive topic, especially those that take children into account, then I feel it's my responsibility to speak out against any media that even remotely promotes it. Yes, even if it's just fiction. Because art imitates life, right? (And yes, sometimes the other way around.) So in other words, our stories should mirror our way of life to some degree. History has seen its fair share of ugly events and traditions we are surely ashamed of but that we've hopefully learned our lessons from. Most societies nowadays seriously frown upon or condemn stuff like pedophilia, child grooming, or anything of the sort. Of course it doesn't help that we see still see these kinds of issues glossed over so much that we've become desensitized to them in many respects.
The thing is we cannot allow this way too common older-man-dotes-on-young-girl trope (or anything resembling it) to continue to be glorified or romanticized. It matters not that feudal Japan was a drastically different time to be alive and that this was the norm back then, or even that this remains a popular ship in Japan. All it comes down to is if whether we would currently tolerate such acts and behaviors were we to witness them in real life. If your answer is 'no', then it should be 'no' in every respect. If you deem it acceptable just because it's fiction, then I'm sorry to say, but you're going to have to answer to a lot of people. No surprise there, that goes for all fandoms. I guarantee you it's not just the people who personally identify as victims who have serious qualms with this ship either, because you don't necessarily need to have bad experiences of your own in order sympathize and see where a lot of these people are coming from. And no, just because I'm unhappy with the possibility of S*ssrin going canon does not mean I'm whining or that I'm attempting to spread negativity about this series before it's even out. Remember, fans have the right to be critical of whatever content it is they're watching/reading, and if they demand something in the storytelling be represented better, then of course they can challenge that. After all, none of us should feel like "canceling" the content we love is our only hope to fixing a story. That's not how it ever should be. Fans are fed up, and can you really blame them? Nah, we can strive to do better in this area, plus it's not like there isn't always room for improvement. So let's please be more vigilant about how the content we consume translates to reality, in addition to being mindful of how it can directly correlate to real life problems for ourselves as well as others around us.  
That's a wrap, y'all!! I hope you enjoyed what I had to offer on this topic, and here's hoping I actually contributed something new to this conversation! I'm aware that that's unlikely the case for us fans who've been living in this tag the past couple days (like me lol), but I'd like to believe I put my own spin on it and it was still worth your while. 😉 
P.S. Overall, I remain optimistic about the new show! So are there any friendly Inuyasha group chats on Tumblr I can join? If so, please do invite me! I need to obsess about this sequel even more than I already am, EEEK!!!
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softkuna · 4 years ago
Text
Sukuna || Interview || Fic - oc
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Part 1
Content   ║  Punk!Sukuna x oc. There is a reader version here.
Beauty wasn’t in the eye of the beholder, no, it is in the mind. Sukuna was enraptured. Addressed again, he shifted his posture, leaning into the arm of the couch as she did with her chair. The two were close in their cohort. An air of comfortable conversation lingered between them, much to his dismay. Her question wasn’t unusual. He’d been asked it in the beginning of his career and one where he had a planned answer.
Count      ║ 2,626 K
Consider ║ Original Character. Swearing. Female Pronouns.
Creator   ║ I swear this will go somewhere, I just enjoy the set up too much. So this is the version with the oc that I have. Her first name is Koyori. I have tagged this so that if you dislike ocs, you can read the other version. But! If you like ocs, hopefully you’ll like her ;v;. I did research on punk fashion, culture, and all which was really interesting. I knew some stuff about it before, but it’s really rich! I hope it’s not too information dense for you guys. Either way, Punk!Sukuna is now my comfort au and writing him is an absolute delight!!
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Sukuna had a lazy grin as he lounged back into a modern cream sofa. His arm stretched across the back of it, ankle crossed over his knee. Eyes staggered from the two cameras set up to the woman talking with some other chick. One held a small stack of papers, the other was grandly gesturing. He breathed out a short-stop breath, wishing they wouldn’t waste his time with bickering. Annoying as it was, it left a thick self-satisfactory lather over his ego.
  “-didn’t you say the band?”
  “Yeah, but this is better.”
  “Sure… but what happens if-“
  Quite frankly, he hated most press and avoided it, so to just have him in the hot seat was a double-edged blade. They didn’t get the whole band, but they did have The King himself. Whatever publicity he thrived off of were live shows, signings, fancams, tangible and real-time events. Interviews were a complete and utter waste of his time. He did a couple in the beginning, but found them pointless, callous even. They all asked the same shit. So, him coming alone was absolutely a note to pin to the fridge, even if it were a passive-aggressive post-it note.
  His head turned to the two going back and forth. It wasn’t until the third minute ticked by that Sukuna felt the flashpoint of his blood plummet, “Yo! We doing this or what? You’re wasting my time here, Eros.”
  Koyori whipped her head to the man with an indignant, “Excuse me?”
  “Eros. Known for being reckless and unreliable? Like your scheduling.” He leaned forward, elbow on knee and chin in palm. The aura of shit-eatery exponentially growing, “You’re not excused, sorry, not sorry Princess.”
  “I think you have the wrong God,” She quipped as she dusted off the front of her outfit. It was a smart look and an intentional one for an interview with a punk rocker. What would strike the best complement than a khaki academic outfit? It consisted of a white high collared button up, sleeves billowing before cinching at her wrists. The blouse was stuffed into high-waisted, cuffed khaki chinos, pleated at the center of each pant leg. Over top, a gray woolen sweater vest. Accessories included various silver rings, a black ribbon to tie under the folded collar, and small silver studs as earrings. Makeup remained that done-up natural with brow, liner, and mascara. Hair had been swept into something similar to a faux 1920’s bob, pulled loosely back. The overall silhouette made the perfect contrast.
  Sukuna wanted to peg her as your average superficial fashion bitch, he really did. Even at the concert, she dressed smartly despite the pathetic look on she wore on face. It wasn’t until afterwards when he saw the burn in her eyes, that he craved for her to prove him wrong.
  Black flats clacked as she approached her own seat, a matching armchair to the couch. Koyori held a certain command once she walked in, instructing him on where to be, which camera to look at, and what the introduction would be. He listened, admiring how her small frame moved to and fro, fixing up last minute edits on a paper, chattering with who he assumed to be a videographer. It was a whole production. One that was hers. The set itself was practically out of a home décor magazine. It was a general space used across the publisher, but she was born to be there. Deserved to be there. Her calculated glee and deliberate positioning of each member made him feel as though he were looking through a mirror.
  The interview process began.
  Koyori sat professionally, legs crossed and leaning on the arm of her chair closest to Sukuna. He was unmoving, that slit to his lip curling upwards as the cameras began. She introduced the blog, the channel, her social media handles. With a smile, she introduced herself, “I’m Yama Koyori, and to join me in this special is lead singer of Two Face, the King of Curses – Sukuna.”
  The camera panned to his lazy wave, “Yo.” He looked to her, she looked to him and for a moment she thought she saw a flicker of interest. Maybe the man was meant for cameras after all.
  “After looking more into the punk scene, there’s a pretty interesting history behind it. Revolution, social discourse, poverty, violence, and unity. As someone in the scene, can you talk a little bit about what you know of the background?”
  Sukuna drank in her voice, smooth and warm like the steady strum of a bass guitar. For a moment, he wondered if she sang. He quirked a brow, “Sounds like you didn’t research enough to summarize it yourself,” Eyes flickered to her features, watching as slight annoyance crinkled onto her nose then smoothed, “Let me learn you, Daisy. Starting back from rock in the 50’s, take that, strip it, build it with shit you find in the backyard…” His wrist rolled as his harmonious voice sang on, lacking even a single stutter as he summarized the movement top to bottom, inside and out, “…So, people would make their own records, sell them in plastic bags, they’d scan and reprint photos to make their own ‘zines. Shit was hard to distribute without tech…”
  Much of his dissertation, Koyori hadn’t even found on her own deep dive into the culture. Sure, the anarchist and nihilistic ideologies were well known to pretty much anyone who would listen, but the deep history and connection between communities was far beyond the surface scratched into.
  “There’s a crowd of sub-genres now. Fuck ‘punk is dead’ what even is that bull shit?” Sukuna scoffed, jerking his chiseled chin to the side, “Only thing that’s dead here is – ironically – peoples drive to change.”
  His interviewer sat in silence for a moment, mind spinning. He spoke in the way a well-educated University professor gave a dissertation to his peers, dripping in confidence from his storm of information. He was articulate despite the fowl language, even including a tie in to modern perception. Excitement curled into the recess of her mind. In a delightful turn of events, expectation and reality didn’t match up.
  Koyori leaned forward slightly folding her hands over the arm of the chair, “That was comprehensive. Thanks!” She chuckled, causing the man before her to freeze and thaw with a nod. She continued, “With all of this mention of D.I.Y. culture in punk, let’s talk about Vivienne Westwood.”
  Sukuna kept his attention to her profile as she spoke to the camera, catching himself in the glow of her enthusiasm, “On Kings Road in England, she kickstarted the fashion movement into gear. Now, many would think that with a style such as this, it would’ve been hand-me-downs, pins, self-stitching, but contrary to this belief, many of the clothes in her store were expensive. Knock offs circulated, and seeing as much of it did have that hand-done finishing touch, many decided to take tailoring to their own hands…” Not that this was a competition, but Koyori found herself trying to prove his ‘research’ comment wrong. Her ability to scour and exhaust her resources of fashion history is the furnace that kept her going and Koyori would make it well known that she was not to be challenged.
  The approaching lurch of a stalemate stuck to the walls of the vocalist’s stomach. Something he didn’t think he’d feel for a while. Small stuff over here may not’ve known all there was about the cultural history, but he could feel the crashing wave of fascination washing over him as she spoke. Sure, some of it he knew. Some of it he naturally garnered from stylistic preference and others he learned for marketing, however there was just a certain target she aimed for with such precision that he bled a newfound admiration.
  Beauty wasn’t in the eye of the beholder, no, it is in the mind. Sukuna was enraptured. Addressed again, he shifted his posture, leaning into the arm of the couch as she did with her chair. The two were close in their cohort. An air of comfortable conversation lingered between them, much to his dismay. Her question wasn’t unusual. He’d been asked it in the beginning of his career and one where he had a planned answer. As practiced, “I ans-“
  “You’ve answered it already, yeah, I know. I saw the interview,” Koyori’s head tilted to the side, pleasant smile hinting at her trick, “but enlighten me for a second about how your natural style transitioned to what it is on stage. We’ll put up some of the photos taken from last night here,” her hand gestured to some empty space, “You basically turned chiaroscuro and made it a performance. It’s obvious in how each member contrasted with themselves and the stage.”
  The chick didn’t even know who he was a week ago, yet somehow watched every interview since the start? An answer tumbled from the tongue readily, “Punk is like a renaissance of music. Like I said before, it tore down the foundations of what was before and built something new out of it.” The words were succinct, but as Koyori’s pretty lashes bat, he was goaded into continuing, “Contrast is important. I like art. I like plays. Just ‘cause it’s punk doesn’t mean I can’t have it look aesthetic? Or is that a word only snobby fashion journalists can use now?”
  “Hm. Change ‘journalist’ to ‘vocalist’ and you’re a word away from meeting the requirement,” It was a sour candy treat traded for his lemon warhead.  
  “Ouch. Miss Blog-Spot here has some sass,” His large frame leaned further into the armrest, cheek resting on that fist.
  “Mister Eight-Track here is some a–“
  The videographer clapped his hands, “We have sponsors, you know. We can at least censor him.”
  It was Sukuna’s time to laugh a loud, hyena-like cackle. A large hand smacked his leather-clad knee. Koyori scrunched her nose again, biting back her tongue from childishly jutting out at him.
  As soon as the videographer clapped his hands again, she recollected herself, shuffled her papers, and continued on, “From what it looks like, you took a mixture of old and new high-trend brands and added a touch to them to keep with theme. Even now, you’re wearing a Real McCoy with cone spikes embedded. Is that custom made? McCoy isn’t cheap.”
  Part of him hated her keen eye, but reveled in her raw talent all the same. “I’m not going to bull shit you and say I dumpster dive for my clothes. I like high quality things. What’s the point in making money if I can’t spend it? What’s a bigger ‘fuck you’ than having your version of a top-brand item being worth more than the original?” With a proud glint in his eye, he rolled the jacket off, sure to make a grand display of strong, bare arms as he did so. The muscle tank he wore was similar to the concert before, white with a pocket, neckline was stretched and worn. It hung over the dense muscle of his shoulders and chest. Sukuna could feel the trail of her eyes on him. His chest puffed from her approval. He threw the jacket over his knee, flipping the leather inside out to show where the studs had been placed, “See this? Did it myself.”
  Manicured fingers touched the inside of the jacket, thumbing the connecting points that the studs were pressed in by and sealed. The work was immaculate. Sukuna leaned back, canines gleaming as he saw her mouth move in a silent ‘wow’. He picked the front of his tank top, snapping it up and allowing it to billow back to his body, “Embroidered this, too.”
  He waited for her comment, her praise. Why? Like he needed some two-bit Vanderbilt bitch’s validation. He chalked it up to being praised by a master of the craft. He hadn’t been prepared for her to take the fabric between her fingers and rub it, concentrated brows cinched like a corset. Well-toned abs flinched in response to her delicacy, but she didn’t notice.
  The embroidery was messy and chaotic, but it was obviously intentionally. The way the needlework was so clean, barely leaving a hole from the pull of the exceptionally soft fabric. It wasn’t floral like in the concert, but abstract stitching created crosses and streaks here and there, using the composition of the fabric as like it were a canvas. Experimentalist. It was like touching the work of Westwood herself.
  God, she hated how perfect it was. It squeezed her heart to know that he was so effortlessly multi-talented. She rubbed the fabric between her fingers once more, attention being stolen by his baritone voice. She could practically hear the treble in it, “Ey Princess, you think it’s okay to just touch me?” His breath caught under the arrogant teasing of his words. Not from the words themselves. Couldn’t care less about that. What choked him up was whatever resplendent emotion flared from them when she peered up to him.
  “Let me check the tag.”
  “What?”
  The blogger leaned back, cheekily snapping the shirt as she did so. “Your shirt, can I check the tag? I want to see what its made out of. Also sorry.”
  Sukuna blinked twice, mouth stupidly hanging open before he leaned forward, “I’ll allow it.”
  He may have tinnitus, but he wasn’t deaf enough yet to miss the mocking ‘I’ll allow it,’ muttered under her breath. He wanted to laugh, but for the second time, the graze of chilled fingertips along his skin shut him up. Along the back of his neck, she fiddled to flip the collar and tug it. Her eyes squinted and a hum escaped her throat. Sometimes she wished she could read upside down. That’s when she sat on the back on the sofa and leaned closer, pulling the shirt to better read the small print. If Sukuna were a cat, he’d lean his head into her. The thought physically bothered him.
  “I knew it. It’s American Pima. Thanks for letting me check.”
  He missed the shiver her touch gave him as she sat back into her chair.
  “While I have more questions for you, this video’s gotten pretty long already, so we’ll have to cut it a bit short here,” She gave a closing statement, motioning for her guest to do the same. With a thanks, the cameras were cut.
  While the editor and videographer chatted together, Koyori leaned heavily into the back of her chair, poised posture slipping into something more comfortable. Long lashes slid closed and a heavy drag of breath lifted her chest. Sukuna’s eyes trailed along her form, contemplating Eros once more.
  She exhaled sharply, “I do appreciate you coming on stage. It’s disgusting how talented you are.” She laughed, cracking an eye open to meet his, “I prepped a lot of questions thinking you’d be short with me. It’s a shame I only got to ask a few.”
  He was surprised himself. It was more than just her talent to make him talk - she may have been the first to see him as an opportunity rather than a commodity. ‘Yami Koyori would be the first and last reporter to see me as a meal’ was the thought he had going into this interview. He had every single intention to shut down her buffet, make it apparent that he was not to be dined on by a single soul. Yet, If his dish were ‘opportunity’, hers would be ‘intrigue’. He wanted to devour it, to know its palette and identify its spices. It was a compulsory urge to order, just to see why he craved it in the first place.
  “Film the next few concerts. Backstage.”
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tags: @lovesakusa​
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janiedean · 5 years ago
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Hi! I'm the Plato anon for before. First of, thank you so much for your offer, but I think I managed on me own. Second, could you elaborate on the "analysing as YA" vs "analysing as an adult" approach? I assumed that "discourse people" on this website generally don't go beyond "antagonist is bad because they are against the hero!" out of ignorance/lack of interest except to score Internet Fame Points, not that it was due a specific mindest. I also don't really read YA (except Tiffany Aching)
TIFFANY ACHING!! T_T ANON LET ME HUG YOU it’s like the only YA I actually liked in my entire life apart from nick hornby’s one book but that wasn’t typical lmao
THAT SAID, well your discourse people point is pretty much part of it but since I’m here and I can rant have the entire thing I was too tired to hash yesterday ;) so, in order:
first thing, we need to establish that ya books and **adult** books generally have different target audiences which is fine and good because obviously if you want to write a thing you’ll do that for An Audience That You Have In Mind; this doesn’t mean that adults can’t read ya or that teenagers can’t read **adult books** because everyone can read what they want (and personally for one I never cared for ya in my entire life not even when I was the target audience), but it simply means that some books are meant to be liked by one category first and eventual others later and they need to be talked about in that specific context first and everything else later - then there might be books that are aimed for kids/young readers or sold like that or that can be read on more than one level which can be appreciated for different things later in time (for example I read huck finn at sixteen and I absolutely loved it but it was a book that here is seen as good reading material also for eight year olds, and at eight I wouldn’t have liked it for the reasons I did at sixteen, and if I read it now I would still like it, while a bunch of the books for kids I read when I was seven is stuff I enjoyed then but forgot now and probably was good for that age but didn’t stick with me);
second thing, that means that when I discuss a young adult book aimed at teenagers I will never hold it to the standards I would hold a book aimed at a general adult audience, especially if it’s the kind of ya like dunno as stated the vampire diaries aimed at teenage girls which is obviously the kind where you have the fantasy world with the hot dark guy who swoons the high schooler protagonist off her feet etc because that stuff is basic teenage girl fantasy 101 and like... I’ll expect a bunch of romance tropes, the usual push and pull, the guy eventually being into her, the protagonist being someone a fourteen year-old can see herself in, probably a few sexual elements thrown here and there and so on, because that’s the shit marketed at fourteen year-olds who want to read that and like... it’s really not that deep. I can’t ask the vampire diaries to be moby dick because it’s not meant to be. or, if I read percy j/ackson - which is another thing I have zero interest in but I know about because I see tweets from the author - I expect to have a bunch of teens coming into their own coming from different backgrounds because the author wants to represent properly a lot of categories so most of his readers can have someone they can see themselves in and like if a thirteen year-old who suspects being lgbt or whatever sees themselves in the gay kid from per/cy jackson guess what that’s what that book is for, so I won’t judge it on like... being a faithful representation of greek myths or how good the style is or whatever, because even if to me it’s not top notch writing or has a plot idc about it has to be for teenagers and pre-teens, not for me, a thirty year old who again didn’t even like pre-teen aimed literature when she was a pre-teen;
third, I can extra clarify it using the damned hp discourse, as in: when I say I’m tired of people not reading anything else or reading everything like hp, it means that they read it when they were growing up/were teens and it was aimed at them which is fine, but then twenty fucking years later when the people in question are way beyond their twenties (guys I’m almost 32 and I remember when the first one came out come on) when talking about any single piece of media in existence (movies, comics, other books) use hp characters/situations as the terms of paragon - like guys I had to read sn/ape comparisons with theon and ky/lo ren on the basis that THEY’RE GREY CHARACTERS as if sn/ape is the only grey character that ever existed, people keep on talking about vold/emort as the only bad guy that ever existed and so on, and like... you can’t talk about, idk, asoiaf or any book aimed at an adult audience like you’d talk about hp, because at this point I wouldn’t be surprised if I read comparisons between sn/ape and ivan karamazov and I think I don’t need to specify how completely nonsensical that would be;
now, with all of this explained, what I mean is: ya in general - which is not a fault per se of the genre since it’s aimed at teens and pre-teens - tends to have... very fixed narrative schemes depending on which teens it’s addressing - like, stuff like tvd or twilight is obviously the romance teenage girl fantasy where you have the girl fighting to be with the dark beautiful supernatural creature in question, per/cy jackson is more like I’ll give you a bunch of relatable characters having cool adventures against bad guys with the occasional redemption so we can see that people are redeemable but you still have right vs wrong, hp is sort of like that in the sense you get relatable-ish protagonist with relatable friends growing up throughout the entire thing and fighting on the good side vs the evil side including the usual death of the mentor plus people who seemed bad actually not being bad™ except that PJ has more povs and better rep from what I gather but that’s not the point so it’s basically the growing up journey for the young protagonist(s) the kid sees themselves in, then there’s stuff like hunger games where you actually have the dystopian worldbuilding just written to be enjoyable by younger people who don’t want to get too depressed (and ngl I haven’t read the books but I’ve seen the first two movies and guys the way everyone ignores the classist commentary in thg to discuss the love triangle is... a staple of the problem tbh) but still try to introduce deeper themes and have more nuanced characters and at the same time are still written to be enjoyed maybe by the more adult side of the target, and at the same time I can’t say that thg is the same as 1984 when it comes to target audience because 1984 doesn’t make the ugly dystopian themes more accessible using the love story/teenage protagonist etc;
at this point the problem is: if you only ever read ya and nothing else in your life (which is what a lot of people here do - guys again when I got here in 2011 if people didn’t discuss hp they discussed john gr/een, the only *adult*-aimed book I see discussed on tumblr is asoiaf... because of got X°DDD) then you end up seeing every other piece of literature expecting what you do out of a young adult and then you expect adult literature out of young adults/ya to approach certain implications the way an adult novel would, which is... frankly ridiculous;
specific examples: I see blogs which are principally about like ya fantasy books ie acotar or shadow/hunters or whatever shitting on grrm because AAAAH HE’S PROBLEMATIC/MISOGYNIST/HE HAS VIOLENCE AND RAPE IN THE BOOKS BLAH BLAH and like... spoilers: if I wrote a fantasy series aimed at fourteen year-olds who want their fantasy romance with the hot dark guy who is maybe a tiny bit problematic but turns their leaf for them I would hold back on blood and violence, if I wrote a fantasy for adults where I want to be realistic about misogyny I will not, and the fact that grrm gets judged on what happens and not how he writes it (and again, saying that a guy who has 1/3rd of his pov characters female except that it’s actually 50/50 because there are no throwaway povs except for mel while guys have a lot more of them and all the female povs have narrative weight [and mel has it before she gets one] and all of them have a different personality and he also has the same trope [brienne and arya] in two people with wildly different personalities and needs which is basically a goddamned miracle is a misogynist because there’s misogyny in his fantasy world is ridiculous imvho) which is.... exactly expecting of asoiaf what you’d expect out of acotar, when grrm and acotar’s writer write for wildly different audiences. now, if I had read acotar at 15 and asoiaf at 15 I’d have had no doubt re asoiaf being more my thing because again the subgenre acotar goes for is not my thing because I never related to that fantasy while brienne is my rep, but in general a 14yo girl who likes the acotar-like stuff will not care for grrm.... which is normal because grrm writes for adults of both genders, not teenage girls (I mean teenage boys also have their own subgenres for which the same rules are valid), and someone who likes percy jackson (aimed at both genders but like... pre-teens early teens) who doesn’t gaf for grrm won’t because it’s not aimed at them unless they like grrm for other reasons ie idk they realize that they relate to jon snow idk but you see my point, so like tldr that’s what I mean with if you only read ya you’ll expect adult writers to handle their themes like ya writers would and like... sorry but if I write stuff for adults I won’t feel the need to specify that the bad guy is B A D with neon lights because an adult should grasp that from the narrative, I don’t need to make sure it’s obvious bc it’s aimed at kids;
reverse: when I see people saying ‘the vampire diaries is problematic because it’s about people who are a hundred years old preying on teenage girls so we need to stop teenage girls from reading that kind of thing because it makes them think it’s okay to go with someone that much older than them’, we’re at the opposite problem in the sense that you’re asking a young adult novel what you would ask of AN ADULT NOVEL when there’s no point in it. like, a teenage girl knows perfectly that damon salvatore doesn’t exist and vampires don’t exist and werewolves don’t exist - the entire point of tvd is that she gets to fawn over the hot supernatural dude who changes for the better thanks to the female protagonist she most likely sees herself in and she gets to have a few nice fantasies about that which is like... normal for people who are developing their sexualities, most people wouldn’t actually want damon salvatore the way he’s exactly in canon irl because they know it’s a fantasy and so it should stay. like, sorry but as someone who watched the show because ian somerhalder is hot in her twenties and tried the first book and gave it up at page 30 because I couldn’t do it, I can 100% assure anyone that the biggest issues with tvd books are that the writing is really fucking bad (for my standards at least), with the tvd show that from S4 the writing spiraled downwards and no one wanted the magical vampire pregnancy witch twins ridiculousness, but none of the content actually was shit that anyone would take seriously like that and I wouldn’t expect tvd to approach that subject realistically. if I read a vampire book aimed at adults who actually wants to write such a relationship as creepy WELL YES OF COURSE I’D EXPECT IT TO BE OBVIOUS ABOUT IT BEING CREEPY, but if it’s aimed at freaking teenagers... it’s a fantasy and not really that deep, take it for what it is and let teenage girls enjoy thinking about smooching damon salvatore (or stefan or whoever) without assuming they need to be protected from Horrible Vampire Fiction™, same as no one goes bitching about unrealistic sex scenes in serialized romance books because people read them because they’re unrealistic and escapism, not because they expect nobel prize worthy exploration of themes from them;
now, ^^^^^^ would not happen if people actually read variedly and studied some decent lit analysis in school - but like, after I had to read I think at some point that of mice and men is ableist... THAT’S the damned point - with ya you can take a lot of the plot at face value, with adult lit you can’t and you have to see motivation beyond the action of the characters and you can’t do that if you only read books aimed at pre-teens/teenagers where obviously that’s... more spelled out than it would be in a book aimed at an adult audience;
that by the way also means wildly missing actual adult themes discussion in ya, because again, I haven’t read thg but from the two movies I’ve seen it’s fucking obvious that the whole thing is an anti us-classism commentary from how the districts are built to how the games are rigged to pretty much everything in the worldbuilding, but all the discourse I see on tumblr is about either the love triangle or katniss being miscast or president snow being a jerk and whatever else, but I never once saw anyone saying ‘heeeeey the people in katniss’ district are an in your face metaphor of poor people in the us of a belonging to certain categories while the first few districts are absolutely the 1% and the entire point of it is that she wants to tell you A CLASSIST SOCIETY IS BAD AND WILL LEAD TO REVOLUTIONS’, which to me was... like, glaring, it was literally what 90% of the entire thing was about and no one ever discusses it in a fandom-wide sense (I mean... I saw a bunch of hg posts back when the movies came out, I never saw this brought out), which... is a problem because it means that the moment people are put in front of a ya product that actually tackles that kind of issue.... they go and worry about the love triangle (which seemed to me the excuse to draw the people in the story) not about the social commentary, and like, maybe a twelve year-old won’t catch on the social commentary, a twenty-year old especially from the us should, and I don’t see that happening;
and sorry but that is because if you only engage with content aimed at a younger audience than your target first you assume that every piece of literature should be consumable/readable/enjoyable by a younger audience (and sorry but no, some of us don’t want to write stuff making sure teenagers like it) and then ask of actual ya media to cater to their *adult* needs and not to the needs of the target audience because wow obviously if you’re 25 you won’t want out of literature what you wanted at fourteen;
and this also is valid for children’s media because again, I’m cutting it short, but adults watching st/even universe and sending people death threats because they don’t agree with their opinion of a cartoon aimed at an audience that’s at moooostttt eight years old is a thing that shouldn’t even fucking exist, and if you think steven/universe is that important at an adult age you need to re-assess your priorities;
tldr: adults should not expect media aimed at kids/teens to cater to their interests and shouldn’t analyze it the way they’d analyze a piece of media aimed at an adult audience and should not presume that every piece of media should have the scope/schemes of medias aimed at kids/teens because some of us don’t want to read that.
now, I’ll leave you with a nice short anecdote which hopefully will further clarify what I mean and add to another point which would be, kids and teens don’t give a fuck about what you, an adult, do: when everyone was in a frenzy about my little pony back in 2013 or so I had to see a ton of posts like ‘AAAAAH MEN/BOYS WHO ARE INTO MLP ARE STEALING THE SHOW FROM YOUNG GIRLS HOW DARE THEY ENJOY IT WE NEED TO KICK THEM OUT’ with added people saying that a ten year old male kid who tried to kill himself bc his friends bullied him bc he liked mlp deserved it and the likes, my only thought was that... when I was 8-10 in elementary school and was actually the target for cartoons and stuff, sailor moon was the rage between all girls my age me included, we’d spend recess playing pretend (and I’d get stuck playing sailor mars bc no one wanted her, sad) and our hugest first world problem in existence was that we needed technically a mamoru and of course no self-respecting boy in elementary school would have admitted under death threats to watching sailor moon because it was a girls’ thing (aaaaah gender roles in the early-mid 90s, how fun) so everyone despaired because ofc no one wanted to play mamoru... and the few times any guy actually showed up like HEEEEY I WANNA DO IT BUT PLEASE DON’T TELL MY FRIENDS I LIKE SAILOR MOON we’d all be like OMG YOU’RE OUR NEW FAVORITE PERSON PLEASE YOUR SECRET IS SAFE because we couldn’t believe we found the magical boy™ who wanted to do it, and if anyone had told us that the kid in question was stealing sailor moon from us we’d have laughed in their face.
like.
kids don’t ask of media what you, an adult do, and it’s unfair of you, an adult, to ask children’s/ya media to cater to your damned interests, which are amply catered to by the tons of adult literature around which also forces you to push on your views and read more challenging things and to not read/watch stuff at face value, which is why I would really appreciate it if the amount of 20yo people on here who I consider adults engaged with more adult media and let themselves be challenged instead of just going back to ya/kids’ things, which are good for teens and kids and can be enjoyed by everyone but should not be the only goddamned genre you measure all other literature against because then you get people saying that lolita is pro-pedo when it’s exactly the goddamned contrary, but if you think that pov character = protagonist = good guy (which is... staple kids/ya stuff for obvious reasons) then you decide that humbert humbert is someone you’re supposed to root for. too bad that you’re not and the author was an actual csa victim so it’s a completely ridiculous reading that wouldn’t happen if you didn’t read lolita the way you read hp.
... okay, I’m done, sorry for how long this was, I hope it cleared things for good xD
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marlahey · 5 years ago
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Hi it’s the person “making assumptions”. Not making assumptions, but when I see someone being praised for using a condescending tone in relation to something that I, as a black woman, care deeply about I take issue. Didn’t say people were right to send hate, but his response was poor and misjudged. Just making my judgment off the behaviour I see as we all do. I do expect better from a white guy with power who demeans the legitimate concerns of those who were asking for more politely. Be kinder.
Hi anon, while I appreciate an important discourse, I am surprised that you’ve come to my blog when I see that the same message you seem to have copied and pasted into multiple asks in the skam tag and have gotten support for your claims. just so there’s no confusion, I’ve copied you entire message to Chris below. I’m also kind of riled up today so this will probably be stupidly long.
_Not true, when people with approx 400 followers post links on social media for protests it usually generates 3 more signatures. Imagine if someone like Maxence, with 500k followers, posted a link to a petition. His silence is privilege, his silence is choosing the side of the oppressor. He stands for no one but the white man if he can’t do the bare minimum. Coming from a black girl who works in charity, and knows first hand the impact that social media can have on protesting. Don’t make excuses.
(2) I’m just real tired of white people excusing themselves with “I was learning” (axel) when the black community don’t have a CHOICE. This is our reality, and you’re either with us or against us. Silence means you’ve chosen the side of the oppressor, to paraphrase Desmond Tutu. Not aiming this just at you, but all Skam fans defending their behaviour. It is bad. Don’t excuse white men for being lazy and ignorant.
(3) Maxence wants to scold people for not going to a protest? His tone is condescending, and shows more of his privilege and ignorance. Oftentimes it’s unsafe for PoC and queer people to go to protests. His safety is guaranteed, he’s a straight white man. The whole point of BLM is to fight for the safety of the black community globally, including France which is racist as fuck (Burka ban?!), so for a white guy to not realise why some people don’t go to protests is just ignorance. Educate him.
(4) it’s not shifting responsibility btw. People are allowed, especially minorities, to ask for white people to do their bit. People with large influence should do better, especially if their career is made on a show that supposedly address social problems through TV (mental health, islamophobia, homophobia etc.) you really can’t sit there and scold people for asking for better. Sometimes the language and approach is poor, but the point is often correct. Please think before you defend them.
no one is excusing maxence, especially when he did exactly what you asked: posted a link to a petition for all of his followers to see. that’s not silence. I’m east-asian and I have a masters degree in media studies and communication. while I agree social media can be a great tool, I would argue that posting on it is more of a ‘bare minimum’ than anything else; without anything actionable (petition signing, donating, self-educating, voting) then it’s just virtual signalling. it’s not concrete. since maxence was literally at a protest tonight, he seems to be on the right track with his support. he’s not against you.
the systemic and historical roots of racism around the world are awful. no one denies that, including in france. canada in particular is no exception. I agree that the pasty men of the world have more work to do. but to deny them the time and opportunity to educate themselves seems counterproductive. I’m not sure what sort of timeline you have that everyone must meet, but it takes a long time to learn new things, and longer to unlearn everything you thought you understood about an issue or yourself. I literally have cerebral palsy and I knew so little about disability studies and activism prior to taking a class on it. am I a bad cripple? I didn’t start coming out as bi till last year and don’t do much activism there yet either. am I lazy and ignorant?
more precisely, how are you or I supposed to dismantle racism or oppression without their help? in my opinion, your tone here is equally if not more condescending towards them, and chris. quite frankly, if I were maxence I would’ve probably said something very similar. I don’t know how it feels to be inundated with strangers telling you what to do, and how to feel, and how much of an asshole you were being because of something as ridiculous as instagram posts. 
I’m a former teacher of junior high and high school. that’s not education. it’s being a dick because the internet protects you from real repercussion. the person axel replied to wasn’t asking, they were demanding and being rude as hell about it. you’re free to dislike his or maxence’s tone as you will, anon. but you are assuming that maxence doesn’t understand why people may not attend protests. he’s not an idiot; all of s5 of skam fr was dedicated to disability awareness and representation. he literally plays a queer, mentally ill character. pretty sure he has basic human decency and knows not everyone can go marching into physical danger. to call him ignorant because he’s not writing an academic essay in his stories about the struggles of every minority group is a bit of a reach and frankly just mean. you also seem to assume he’s not done anything else because...what? he didn’t post about it?
I also have to disagree with the idea that  “sometimes the language and approach is poor, but the point is often correct.” you’re not going to get anyone onside by belittling and insulting them. that’s just a fact. just as you didn’t draw chris onside, you’d never bring maxence if he wasn’t already here, protesting. if you allow all these people on his socials that grace of a poor approach, why do you not give it to maxence in his response? because he’s right. copy/pastes and hashtags are not enough. there is more work to do and everyone’s capable of it. I truly respect your position and I empathize deeply with the enormous struggles that you and your community face daily. you’re free to expect whatever of maxence, but it doesn’t mean you’ll get it. he does not have to document and prove his allyship to anyone. if you’re unhappy with it, then I’d suggest stop following him or blocking his name. venting your anger at other people doesn’t affect him. 
your anger at him in general doesn’t really affect me either, despite this essay. you ordering me to do or feel things doesn’t seem kind. but I’ll never have the same stake in this fight as you do, so it’s not up to me to tell you what to do or how to feel. you came into my inbox expecting a response, so here’s mine. I hope that this renewed rage and energy around the world is the turning point of all of this. I’m sorry you even had to send any of these asks in the first place. 
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delightful-mystery · 4 years ago
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The Taylor Swift problem
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In which I get to speak about both Taylor Swift AND Twilight in the same post.
2020 was the year Twilight came back. Sure, for those of us who never deleted Tumblr (guilty), it never really left – and we got to see the Renaissance creep up and take over the discourse first hand. But for the majority of the population, Twilight was a late 00s phenomenon which returned in full force in 2020 with the publication of Midnight Sun, bringing with it a reappraisal in critical thinking about the original texts which were originally panned universally by everyone but their target audience – teenage girls. 
With the release of lockdown albums folklore and evermore, as well as the re-recording and re-release of her first few studio albums (Fearless is out today you guys!!), Taylor Swift, in a way, conducted her own renaissance – not necessarily in terms of popularity but in critical appeal. 
For the purpose of this essay, I am going to divide her career into three separate and significant eras. First, the teenage girl era. This is everything pre-1989, i.e. before she went mainstream-pop. Then, there’s the pop era, which is 1989 to Lover. And then, the renaissance era, the reappraisal of her music which came with folklore, evermore, and everything else to the present day. I think these three eras follow the way I interacted with her music (she lost me somewhat during the pop era) but also follows a few significant moments of her career – most notably, critical success in the “muso” world, and the rise of streaming.
I’m going to look at the differences between these eras, specifically the ways in which her music was received and judged by music critics and the world around her, and what the reasons for those judgements may have been.
THE POWER OF FANDOM
Similar to Twilight, Taylor Swift’s music was very much aimed at teenage girls. Hell, Swift was a teenage girl when she wrote those songs, having been hired as a songwriter since the age of 15. It doesn’t take much to see how hated teenage girls are, from all walks of life – the pressure to be attractive and adhere to the male gaze is something you can be aware of since the early ages of 9,10,11, and it’s as a teenager you begin to be expected to perform femininity. This leads to insecurity, which makes the age group an easy target, which perpetuates the cycle more. 
We can see this happen with the release of Taylor Swift’s first four albums – albums which broke records, sold millions, and won over the vast majority of the population, except the more serious muso blogs, who largely dismissed her as commercial pop nonsense not worth reviewing. In massive interviews with Ellen Degeneres, she was dismissed as a boy-crazy girl, known in memes the internet over as a serial dater, and slut shamed just as often as she was belittled and patronised. She wasn’t taken seriously as a person, nor as a songwriter.
While her empire seemed to grow throughout the pop era, it was only mainstream success that she found – something superficial which was connected to the sheer numbers she managed to turn, Grammy awards for Album of the Year, but with next to no support from the smaller and more serious critics in the industry.
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I kind of hate this dress ngl.
RENAISSANCE, REAPPRAISAL
But that all changed with the release of folklore and evermore. The star who had (at least) a year off of trying to fill stadiums was able to retreat inwards and create indie folk albums which were universally loved by critics and fans alike. However, it was Pitchfork who surprised me the most (and inspired this blog post). On the release day of folklore, the critical juggernauts decided to have a ‘Taylor Swift Day’, wherein all of the singer’s previous releases were given the Pitchfork treatment, treated like a serious release for the first time in their history. It may be that this is the mark of how far we’ve come as a culture in accepting what used to be classed as embarrassing and juvenile, but to me the gesture smacked as something utterly insincere, a hasty rush to right a wrong which should never have happened in the first place.
It’s not just the songwriting, the times changing, but it’s also the context in which this album was released – lockdown brought a plethora of weird emotions, but one of the biggest stars in the world retreating into her own little fantasy world instead of the lavish romances she was usually acting out was exactly what the world was craving at that time. We’re also, as a culture, less afraid to admit to what we like. This article discusses the death of the guilty pleasure in music, and it’s something which has, in part, led to more and more pop music gaining critical appraisal in recent years, something which was not always around at the beginning of Swift’s career. The slow-but-steady dismantling of internalised misogyny, alongside the rise of feminism in the mainstream has led to more solidarity between women. 
SO WHAT NOW?
But to praise her now, at the point of her career when her songwriting is more “mature” sends a message that Swift’s teenage songwriting still wasn’t worth our time at the point of release. There’s still a long way to go. But Taylor Swift suffered at the hands of the press cycle for so many years so that artists like Carly Rae Jepsen and her brilliant bubblegum pop can be taken seriously and become an indie darling of the industry. And she sings about boys all the time! The re-release of Taylor Swift’s back catalogue is, I believe, a crucial moment for the work of and for teenage girls to begin being taken more seriously in the music industry and in the world as a whole. And it’s a chance for Taylor to get the love and respect she’s always deserved.
Thank you so much for reading! Now let’s all go dance in the rain in our best dresses.
Follow me on Twitter and Instagram @thebechdelbitch for more shenanigans.
from The Taylor Swift problem
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