#I’m normal about her too | Explore Tumblr posts and blogs

ssruis · 7 months ago

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Hello welcome to yet another post that was 1) originally meant to be a short thing but it rapidly got out of hand 2) caters to me specifically 3) is all over the place because I kept finding more things I wanted to talk about

The way rui approaches emotions is so fascinating to me bc like. He approaches everything with a very rational/logical thought process instead of an emotional one and he tends to either ignore his emotions or view them as an obstacle/hinderance.

(From his gleaming stars card story)

If he acknowledges that he’s upset or unhappy he tends to just go “oh well. What can you do.” & then berates himself for not wanting to be unhappy. I feel like a lot of that can be explained by his childhood alienation from his peers.

In RMD his reaction to his classmates refusing to take part in his play once he explained the tree jump stunt & them calling him weird is to blame himself:

Little Nene: Rui, what’s the matter? Did something sad happen?

Little Rui: Nene… No. That’s not it. I pushed my show onto everyone and bothered them.

(From RMD - TL by Arven Oven)

Which is pretty telling. To Rui, the issue is that he asked for too much, that he as a person is something that must be tolerated by his peers.

But ultimately he still has faith that he’ll find his people.

Little Rui: …That’s right. People like you, Nene, who would say that they like my shows, surely exist out there. I want to make my own shows. But as of now - I think it might be a little hard.

(RMD)

And he *did* keep trying to find people who would accept him for a while - Wonder Halloween shows that he continued to try to reach out even after the stuff that happened in RMD, but eventually anyone he got a little close to would end up leaving & reinforcing his idea that he was too different from others to form relationships.

(From Wonder Halloween)

I’ve seen some people say him giving up on forming relationships was due to the events shown in RMD, but I think it was more of a result of him experiencing the same rejection over and over again. The definition of insanity is trying over and over again when the result never changes, and despite what his peers may think, Rui is not insane. I think he gradually lost faith in his parents assurance that he would find people who accepted him - he begins pushing Nene, the only person who hasn’t left him yet, away.

Middle School Rui: I’m working on a solo project… but I haven’t found anyone else like you that’s willing to help.

Middle School Nene: oh, I see…

Middle School Nene: then would you like to join the troupe I’m in…?

Middle School Nene: I mean, uh…

Middle School Rui: hehe. It’s nice of you to invite me, but there’s no need to pity me. I’m doing ok on my own, and it’s for the best anyway.

(From Wonder Halloween)

Why he pushed Nene away is sort of left up to interpretation - To protect her from himself? To leave her before she left like everyone else? - but I think the assumption that her invitation is out of pity show that at least part of his decision to push her away was out of the belief that she, like everyone else, was simply tolerating him. If he assumes everyone hates him/is scared of him right off the bat, he can avoid getting his hopes up and being crushed when he’s inevitably abandoned. It’s not unhealthy or detrimental to forming relationships he’s just recognizing a pattern and using it to predict the behavior of others (blatantly wrong).

Zombie Plushies: We can tell you’re just pretending to be friends! Deep down, you’re probably scared and disgusted by us too!

(…)

Zombie Plushies: We’ll never fit in with them anyway…

Rui: …! (Never fit in with them, huh…)

(…)

Rui: When I look at them… I remember how things used to be.

(WXS world link, TL by Haruka’s penguin)

He rationalized his loneliness with “I’m just incompatible with other people” which

1) ow.

2) if he’s incompatible with other people, there’s no reason to get his hopes up because he’ll never find people he fits in with

3) if nothing is ever going to get better, he should be content with being alone. There’s no reason to be sad over a fact of life. It is what it is.

4) being sad over this is inconvenient, unhelpful, and a distraction from following his dreams (on his own)

5) inflicting himself onto others is a selfish desire and he should just keep to himself. “It’s for the best, anyway.”

6) he’s perfectly fine on his own. He doesn’t need anyone for his shows, and he doesn’t need friends.

By the time the WXS main story takes place, he’s already fully convinced himself that he’s better off alone, and that Actually It’s Super Beneficial For Him & His Shows And He’s Fine Like This.

Middle School Rui: Solitude isn’t as bad as people make it out to be.

Middle School Mizuki: huh?

Middle School Rui: In fact, it has had certain benefits for me. It’s given me plenty of time to see plays and to think over ideas for shows, for example.

(Kamikou festival)

Rui: hehe. Unfortunately, we won’t be doing a show together.

Rui: you see, I like to work alone and with absolute freedom to stage any show I want.

Rui: as long as my shows fill my audience’s hearts with joy, I’m perfectly satisfied.

(WXS main story) (“I’m perfectly satisfied” me when I lie)

I feel like it’s overlooked that the only reason rui joined wxs was to get nene in the group. I’m probably going to talk about his continued pushing of Tsukasa’s limits/suggesting insane stunts and over emphasizing how dangerous they are at a later date - and how that was (imo) an attempt to find the point where Tsukasa would hate and leave him too -

(surely this is too good to be true, Tsukasa/wxs will be like all the others -> wait he’s not calling me a freak and leaving ok I guess I’ll go full throttle on the insane shit surely at some point he’ll get tired of me -> he got injured because of me and he’s still here?? what the fuck???? Well now I care about him & this group so I need to pull back I’m not going to get a second chance)

(Wonder Halloween)

- but I would like to briefly mention that Rui literally suggests risking Tsukasa’s life right off the bat & when Tsukasa is like “?? I don’t want to die???” Rui just goes “alright I’m out of the group I guess bye. have fun nene!”

Rui: Don't worry, the device can be securely attached to the stage in a way that will keep the audience perfectly safe. Please make sure you don't touch it or you'll die.

Tsukasa: what about keeping ME safe?!

(…)

Tsukasa: I’m not going to risk my life on-stage!

Rui: but you said you’d perform any role I gave you to, quote, 12000%, unquote!

Rui: I'm afraid that I have no choice but to step down as a stage director. Nene, good luck working with these people.

(Wxs main story)

Unfortunately humans are a social species & emotions don’t follow (faulty) logic so rui *was* unhappy on his own and he *did* want to have friends. Which I’m sure he continued to call himself selfish/greedy for feeling. Rationalizing all of this was a way he could accept/make peace with being miserable (because it must be this way, because this is how it will always be).

Rui: I was the same a long time ago… I gave up on fitting in with anyone.

(…)

Rui: If they don’t understand me, that just can’t be helped, if they disagree with the way I think, that just can’t be helped… I would think like that.

Rin: Rui-kun…

Rui: - in reality, I really did want to put on a show with someone else. But people didn’t understand the shows I was making. On a subconscious level, I convinced myself it wasn’t going to work out and gave up on the idea.

(WXS world link)

(Wxs Journey to bloom animation)

This added scene from the main story animation adds to this - why he leaves WXS did have to do with Tsukasa yelling at Nene, but the reason he doesn’t come back after Nene forgives Tsukasa is because Tsukasa’s self centered attitude is something that antithetical to a belief that Rui thought he’d given up on a long time ago: great shows *can’t* be made alone, no matter how many times you insist that you don’t need anyone else. As much as he denied it, Rui *did* still want to connect with people and be accepted - not just for the purpose of making shows, but to have a place where he belonged. For the first time in years Rui got his hopes up, started believing in what his parents told him, and Tsukasa proved to him that he never should have done so in the first place. Unlike the other times, though, Rui is the one to walk away first. & then tsukasa/wxs do the whole “true feelings” show etc etc we know how the main story ends.

That being said, I think that Rui still subconsciously believed WXS would grow to hate him and leave because he would finally be Too Much. Wonder Halloween showed him that this wasn’t true (Which is why it’s so important that the zombie plushies in the world link performed potato ghost to connect to the other plushies - it’s the show that was performed when Rui fully realized that wxs was not going to abandon him.) but I feel like that only cemented the fact that wxs would keep performing alongside him, not that they were his friends.

Rui also very clearly did not process or evaluate how his childhood impacted him.

Nene: When you talked about the old days, you seemed happy.

Rui: fufu. I don’t mind it anymore because it was so long ago.

(His RMD card story - TL by Rubilia Heartfilia) (me when I lie part two)

After so long by himself, with shows as the only thing he had, I think that having a connection to people *outside* of shows was completely unfathomable to Rui.

Which is why he’s kind of incapable of realizing why the idea of leaving wxs hurts him so much,

(Curtain call)

why he doesn’t realize why he starts holding back in wonder Halloween or why he holds back on the cheer squad,

(Cheer squad event)

And why he’s surprised that wxs cares for him not just as a director, but as a friend.

(Festival bathed in twilight)

I make fun of him for taking a year to finally be like “yeah tsukasa-kun and I are friends” but I think it’s pretty reasonable taking his trust/abandonment issues into account. Accepting Tsukasa’s offer to join wxs (twice) changed his life drastically - he realizes that he can connect to others outside of shows, that it’s possible for him to form relationships with people outside of wxs. Rui just needed to make the choice to accept the outreached hands - not changing the parts of himself that people previously deemed too weird or strange (not that he was ever going to do that anyways) but changing his attitude of “it’s just impossible for me to be accepted.”

Rui: I had always thought that I could never properly understand everyone around me.

Rui: as I started doing shows at Wonder Stage with everyone, my way of thinking and feelings began to change.

Rui: now, I am able to understand and connect with someone without relying on shows, and I’ve come to value the beauty of laughing alongside others

Rui: that’s why — tsukasa-kun. Thank you for giving me the chance to change.

(…)

Tsukasa: but… it’s not only just thanks to me, y’know?

Rui: eh?

Tsukasa: think about it. No matter how many chances I gave you, if you had refused to change, you would never have done so, right?

(Pandemonium, TL by Tsukasa’s #3 fan)

This is also why he tends to berate himself for having the very normal desire to hold on to wxs. He’s never had something like this before, where he has people who accept and love him as he is. He’s never wanted to keep something as badly as this. He’s asking too much of them, he’s imposing like he did with his classmates in RMD, he should let them leave. It’s the mature thing to do. He spent so long on his own, he should be fine going back to that, isn’t it selfish and greedy to want more?

(Curtain call)

(Talking abt wanting to keep doing shows w wxs and his actions in OHE) Rui: Now that I think about it, I’ve been pretty selfish.

(World link)

Rui: (…When the time comes, even I, too, will have to move forward.)

Rui: (…Moving forward, can I do that?)

Rui: (…Geez, I really lack a backbone. When will the time come when I find myself satisfied with the way things are?)

(…)

Rui: (While working to make my dream come true, together with everyone, I will make their dreams come true. A way to do that - let me think of one.)

Rui: (fufu, how greedy of me.)

(Curtain call - TL by Arven Oven & Tsukasa’s #3 Fan) (fuck you ensekai)

I think that, in future events, he’ll (hopefully) come to realize there are more people who will accept him (& get more trust ranks. Please.). I think it’s an impossible ask for him to be completely fine with wxs going their separate ways some day (and the same goes for everyone else in wxs), but I think when the time comes it will at least be bittersweet and with the knowledge that he can find other places to belong & that his relationships with the rest of wxs is strong enough to withstand not being in the same troupe. Things can’t stay the same forever, but change doesn’t have to be bad. Etc etc.

#mine #project sekai #analysis #rui #hiii (twirls hair) (covered in blood) (visibly dying)#me when I’m so normal about these characters #you don’t want to know how long I spent on this post the answer is too fucking long.#i hate that purple fuck (said with incredible fondness and love)#at some point I’m sure I’ll write about emu & her 400 mental illnesses and analyze nene’s character in depth #and do that analysis on the roof & it’s importance to rui & tsukasa (mainly rui)#but also I need to not spend hours on miku game analysis.#incredibly self serving post in that every in depth analysis on these characters I create is one step closer to feeling comfortable #writing the 3 million fic ideas in my head #and also because I’m not organizing this better you’ll take the word vomit and like it

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fumifooms · 2 months ago

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Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

#Fumi rambles #Chainsaw man #makima #analysis #meta #The goal is moreso me dropping thoughts than being flawless on every aspect of the lore so if and when i get things wrong b merciful….#Maybe her liking of control is why she remembers the ww2 authoritarian fascists. I don’t want to say the word jic for tumblr search #Pity is never a factor When mercy is a sign of a talentless actor #And as you grow its hold on your throat starts to falter And once you go beyond pure humanity's border #You will come back like a dooooog 😭#This’d be a different topic but. I don’t think makima likes denji as much as one of her dogs. If so i’d say it was in the moments where #she brought him to movies but even then….. i think she has more fondness for her dogs bc w denji it was indifference and derision #I love you please humiliate me / strip my dignity and laugh my honey #God. God i’m fine. I’m so okay about csm #Makima has a cryptic but strong sense of morals?? That doesn’t align with ours obvi but #‘Someone like you has no right to wish for a normal life do they?’ What do you meannn what do you meannnnn #What is this contempt for denji. Does she see herself as moral or part of those that are city mice bc they’re undeserving of a calm life???#Maybe famine only feels fed on humans and their blood 🤔 or their fear. man idk idk idk idk but i wanna see more of her quirks #And before someone says ‘but every demon likes to drink blood’ power is especially fixated on it tho cmannnn #Did Angel lie when he said he liked seeing humans die?? Did his haunting thing become worse after meeting Aki?? Did he suppress it #because he feels like he doesn’t belong as a devil??? bc he’s suppressing his memories of the villagers he cared about??#Has he just been trying so hard not to care for so long. Passive bc he thought that’s all he could or should be #AGHHHHH #Spoilers #There’s a lot more i’d have liked to touch on like the popular theory that Makima was *raised* by the government #and i’ve seen a take that the ‘my friend at a farm’ thing is all euphemism from makima about her troublesome human killing job ykyk #but i think the phrasing is too literal and natural for that. The snow and soil talk everything. It’s a perfect allegory but it can be both

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