#I’m genuinely shocked that a tv series could have this big of an impact

[toastby-4s]

Sad day for the dead boy detectives fandom, and being Netflix I can’t say I’m too surprised :/

But the beautiful thing about stories is that exist because they’ve been constructed in the minds of creatives. Yes; that does mean a technical “canon” in this case, but moving forward- the futures of these characters and this world are totally in the hands of the people that care about them. We all would’ve loved to see where the crew were taken next and how the dynamics played out, but now any fics, art, or ideas are all equal in their legitimacy. The future of the story is in your hands!!

not quite the same, but all this to say - if it makes you happy, keep creating!! Don’t let this discourage you.

[duchezss]

Buckle in folks cause I’m about to put more effort into this than an english assignment Presenting Why Jurassic World Camp Cretaceous is actually an amazing show

Now what defines the term amazing you might ask? I’m talking about a show that goes above and beyond in plot, characters, storytelling, and overall experience. Nowadays most adult shows don’t meet my standards much less a kids show so if that gives you an idea how good this show is stop right now and go watch it if you haven’t. Spoilers ahead ofc but as an aspiring film major I will be diving into just about everything I love and this is gonna get long. 

For your convince I will start with a simple bullet point list and then extend on them below, so if you only wanna see the big points and not my thoughts behind them this first parts for you. 

Black mc 

Diverse main cast (4/6 are poc) 

Actual plot lines and a lot of suspense 

Very dark for a kids show 

Complex characters that develop 

Fits in with the main Jurassic World series beautifully 

Body language and facial expressions are top tier 

Have genuine relationships (platonically and/or romantically) between all of the main 6

Phenomenal camera angles and use of special effects 

Great with details 

Amazing VA’s 

Continuity 

So the nose dives begins 

Black mc: To some people this might not matter that much but holy cow this is so important and such a big step. The people complaining are just weird middle aged white people, like do you know how big of an impact a black mc can have on young black children. It’s so important and it makes them feel happy because someone actually looks like them. Clear evidence of this was Into The Spider Verse (which is also an amazing movie oml). Come to think of it the only black mc I think I’ve ever seen in an animated kids show is probably Static Shock (also an amazing show ily). Somehow representation has got swept under the rug in this day and age which is ironic really, but this show does an amazing job with tackling that and I love it. 

Diverse main cast: I can’t think of any recent kids movies/tv shows, live action or animated, that have this much representation. In animation is also very easy for the show runners to make a character poc and then have a white VA, but jwcc is quite the opposite. Honestly the characters look so much like their VA’s that something tells me the animation team based the characters off them and not the other way around. Not only that but their names actually match with their ethnicities. So for reference or just anyone that doesn’t know, Ben and Brooklynn are white, Sammy is hispanic, Darius is black, Kenji is asian, and Yazmina is middle eastern. Sammy’s last name is Gutierrez, Yazmina’s is Fadoula, Kenji’s is Kon and Darius’s Bowman. Gutierrez is a common last name in Mexico and Latin America in general. Fadoula is found throughout upper Africa and the Middle East, Kon is rare name of Japense origin, and Bowman is a common last name among black folks in the US. So not only do they have a poc cast, voiced by poc people, but all the characters have realistic names. Not to mention they are very good on skin tone in the show, personally I think Yaz should’ve been just a bit darker but hey I’ll take it and run. 

Actual plot lines: This seem like stating the obvious but work with me here. Most kids and even adult shows have a very episodic format, there’s nothing wrong with that per say but having a plot and conflict build up and having little things matter is much more satisfying in my opinion. Most kids shows have some conflict but its very PG which is also fine that’s what it’s meant for. But every once in a while you’ll find a show that had plot wise beyond it’s years and those are the golden ones. Easily and rightfully the most famous is Avatar the Last Airbender or ATLA. This show to this day is still one my favorites and truly nothing will ever top it, but in my years of watching kids shows after it jwcc might just be second. We can argue all day about what’s the best and it’s truly a matter of opinion, but to me atla and jwcc just achieve such a level of complexity that 99% of kids and even adult shows don’t reach. 

Very dark: While this might not be exactly the best for kids it’s great for an olderish audience. Honestly it having a much darker element makes the show enjoyable for all ages while still keeping it chill enough so that children may watch. But come to think of it it’s hard not to make a show about dinosaurs dark, the show runners do a wonderful job at keeping it intense and exciting, but still kid friendly, and to me thats incredibly impressive. Not to mention since the show isn’t afraid to go dark they can do more (such as ben’s “death”, the hunters etc) which makes it go from good to great. Reminds me a lot of atla and I know I keep mentioning atla but know that is the biggest compliment ever. atla is easily the best animated/kids show of all time so the fact that a bring it up so much is huge. There have been shows in the past that have tried to replicate what atla (such as voltron..) and it just hasn’t worked. I think this show nails the boundary between too dark and not dark enough. 

Complex characters: Oh yes. If there’s one thing I love more than an ensemble cast it’s a cast that grows and develops as the series progresses. Sure the main 6 might start off as typical character tropes (Darius the super fan, Yaz the loner, Sammy the extrovert, Ben the underdog, Kenji the arrogant, and Brooklynn the influencer.) but they become so much more than that. I’d say at least half of them are completely different people between the 1st episode and the latest one. An easy example being Ben and Kenji. Ben started off as a naive, timid, and terrified person and has become confident, independent, and brave. Kenji started off as arrogant, selfish, and apathetic person and became compassionate, driven, and concerned. All of them have had some sort of change even if it’s not super dramatic and that’s important. It makes the storytelling better because they grow as they go. 

Fits in with JP/JW beautifully: In terms of shows connecting to movies this has gotta be some clone wars level s-tier stuff. Personally I have never watched clone wars but my sister has and she always raves about how well this show connects to the movies, and from what I’ve seen I completely agree. A youtube channel by the name of Silverscreen Edits actually put together the scenes from every time they overlap, mainly in S1 but also the cold open from Fallen Kingdom. I’d advise you to watch it because it’s just incredible. The show runners nail ever detail of these scenes and it truly feels like you’re watching the same scene from a different perspective. The set up is beautiful and I cannot rave enough about how amazing it is, my favorite easily being the dome scene because of all the small details. Not to mention this show actually connect JW and FK because it shows us that the cold open was 6 months later while the rest was 3 years later. Quite honestly I had no idea these two scenes were that far apart from each other, I thought the opening was from a years or two later not 6 months, so this show really connected the dots between these two movies and made them flow together much nicer. And I love all the countless references too old and new JP/JW movies. Overall this show is a great addition to the franchise. 

Body language and facial expressions: You might be thinking to yourself, hmph that is a really odd point to make, let me tell you it’s not and I’ll explain why. When analyzing films I usually tend to stick to live action because one of my favorite parts of films is how characters react to things, and we animation we really don’t get that. Most of the time even if shows get this complex they won’t use both the way jwcc. What impressed me so much was how amazing they are at this, the animation team seriously needs more praise. Jwcc is great at facial expressions which I will say other animated shows know how to do as well, but they are also so amazing at body language which is rare rare when it comes to animation. It’s because it’s so hard and often times it just doesn’t fit, but they do an amazing job with this and it makes the characters feel so life-like. When a character is sad or closed off their shoulders hunch, when they feel scared they stiffen up and cover their ears (which is another detail I love so much, I never realized till this show that hardly anyone ever covers their ears and it makes a lot of sense because these dinos are very loud) and when they feel hopeless their shoulder sag and their head drops, do you see what I mean? You can quite literally tell what these kids are feeling and thinking without them saying anything that is so impressive and it makes the show that much better. It makes it easy to analyze and if it wasn’t clear around I love to do so. 

Genuine relationships between all of main cast: I will not budge at this point at all, gonna say it right now if you disagree argue with the wall. I might have some bias on this but one, if not my favorite, part of any media is an ensemble cast. It’s something I actively seek out, and when I say ensemble cast I don’t mean a trio, I mean a full cast, my favorite being 6 but 4 or 5 will do. So when I found out this show had 6 main characters I was immediately interested. Not only because I love ensemble casts but I also wanted to see how they handled it. Ensemble cast are so rare because they are extremely hard to do and do well. I will even criticize atla on this. At one point they had 6 main characters and they never elaborated on more than a handful of the duos and just focused on the group as whole. But this is typical and easiest to do without giving up individual character development so I get that. But jesus christ jwcc does a phenomenal job with this, and I mean phenomenal. Out of the 15 different duos you can get between 6 characters then have elaborated on 11 of them, and it could easily be more this is just from memory. I might make a post elaborating on this specifically because it’s just amazing. This time they take to flesh out these relationships truly makes them feel like a unit and a family, instead of just a group of people all working towards the same goal. This is easily the most impressive and rewarding of any of the points on this list in my opinion. (coming from #1 squad lover right here)

Camera angles and special effects: This shows downfall for some was that it had strange animation, honestly it never bothered me and since I’ve watched dragon prince and rwby, it’s clear that bad animation never stops me from watching a show. But I think people just won’t give it a chance, because when you do you’ll see it’s actually very good. To me the coolest part of the animation is the dinos. They look incredible and so so similar to the cgi used in JW. That’s hard to do so more claps for the animation team I love y’all. They also have to work around the PG side of this show and do a great job at implying what happens but never actually showing what happens. This is all angles, not to mention they do a great job at showcasing the park and the scenery so that magic from the movies really translates to the show. Finally my favorite scene of the show from an avid slow mo lover has got to me when Ben falls of the monorail (idk why it is cause he’s literally my fav and I was so upset) The scene is just beautiful and the set up before hand makes it that much more heart breaking. The use of slow mo is amazing I literally cannot rave about this scene enough. It builds so much suspense and they used just the right amount, to much and the scene would move to slow, and to little the scene would be to fast. I need more great scenes like this in S4 (idk if I want the angst that comes with it too I’ll get back to you)

Details: To me details, in any show in general, is what makes it go from great to fantastic. An example of this is Harry Potter, something that hooked me into this franchise was how much small details mattered and it’s the same with jwcc. There are so many throw away lines that end up coming back and all us are hitting ourselves for missing it. Such as Ben saying early on he knows where the tracker beam is and when he “dies” and the crew can’t find it it shows how important he was. Those are details I love to see. Or the three dinos, one of which Sammy released, coming back all season. Of course toro as well and he always kept his burns. Not to mention the animation team always kept Ben’s scar in and I think that’s an important detail because he shaped who he is. Keep up the good work animation and writing team because I love what you’re doing with this (also I’m 90% sure the compass is another one of these details I’m calling it rn) 

Amazing VA’s: Honestly VA’s in general do not get enough credit and they really should. But these 6 are pretty amazing let me tell you. If I’m not mistaken Ryan Potter (Kenji’s VA) is the only one with a notable history of voice acting as he played the title character in Big Hero 6. (fun fact I had no idea and when I found this out I quite literally screamed). But the others have also done things as well, most of it being live action though, and voice acting is much different. Honestly I just need to make a post about the various roles they’ve had cause looking into this has been an experience. Anyway all of them do such an incredible job with this ahh. I think the times where you can really tell how different they all are is when they lash out. This happens quite often and honestly it’s expected, I mean they’re 6 teenagers in a stressful environment of course they’ll last out. But all of them have such a different way of doing it, Darius is hopeless, Kenji is nervous, Yaz is emotional, Ben is harsh, Brooklynn is stern, and Sammy is level headed. Usually everyone lashes out the same way so the fact that they’re so different in just one aspect shows you how good they are. Each character is so individual and all of them have different goals and morals which is not only realistic but it makes way for conflict which is always interesting. 

Continuity: Now this could arguable go with details but it’s slightly different so I’m making this a separate point. Continuity to put it simple it basically not have the show be episodic. Honestly that completely what I expected from this show because that how most kids shows are. In this show the plot not only progress each episode but so do the characters and their trauma. Most of the time the plot will progress but anything bad that has happened to the characters will not show and is hardly talked about (COUGH VOLTRON). To me it’s something that has to be addressed because if the characters don’t grow what was the point of it. And they’ve shown that characters grow based on the events that happen and I love that. Another thing about continuity is when show runners stick a pin in something and actually go back to it (COUGH RWBY). Jwcc is amazing at this and make a point to bring back just about everything that gets sidelined in the first place. It’s so impressive and make the show that much more enjoyable. There have been countless times where I get so caught up with the pins that shows just leave there and it makes me so mad, but jwcc is good at for the most part because of course some things will slip through. But they always get back to the important things. 

The conclusion: Overall this show is phenomenal and if my essay hasn’t convinced you I’m not sure what will. The show is amazing at storytelling and plot and the lovable main cast makes it that much better. It is so much better than a good chunk of kids shows and honestly part of me wishes it was rated PG-13 cause I really wanna see that. But they do an amazing job and keep it kid friendly enough while still discussing mature topics. It’s the next atla to me and something that many kids shows now days try to be and fail. It’s impressive and complex and truly one of the best shows I’ve ever watched. Film major mara out, and if you actually read all of this ily mwah. 

[that-banana-headed-bovine]

Season 2 Shenanigans

AHEYYY sO I went on a giant Knight Rider binge the last few days, and I've FINALLY seen all of Season 2!!  Big thank you to @trust-doesnt-oxidize who watched with me and stayed up absurdly late because I wanted to see Garthe before I went to bed AIDBWJFNEM

I just wanted to post a quick reaction to all of the episodes, spoiler warning activated!

Goliath Parts 1 & 2

I LOVE MY DOOFY VILLAIN SON. K.I.T.T. is HILARIOUS, I love his dynamic with Goliath, as is evident by my handle oops- I hate how Season 2 starts with my son almost dying tho, almost had a heart attack tyvm! This is back before I knew anything about the direction of the rest of the series so I was legitimately in shock lmbo- Moustache Michael is a gem tho I love him. I SURE HOPE HE STAYS A DUMB VILLAIN WHO'S JUST REALLY SILLY TO WATCH. SURE HOPE THEY DON'T TAKE HIM TOO SERIOUSLY.

Brother's Keeper - Blind Spot

I- forgot that these episodes existed until I looked at the episode list for this, soooo...

I should really not be lazy and look up an episode summary and try to remember what I thought of these but the problem is that I am in fact going to be lazy because this post is already taking so long

Return to Cadiz

This episode is so,,, frustrating.  Not the plot or the format or anything like that, nono... I mean how they essentially introduced April.  Like, okay, I know that she has been here since the beginning of Season 2, but she hadn’t really said much up until now.  This was where we really got to know who she would be, and, uh... After this episode, I absolutely hated her.  Despised even.  She forces my son to go drive on the same ocean on the same beach where Karr DIED without any testing beforehand AND is chastising Michael in a flirtatious way.  The heCK is this woman?!  WHERE’S MY BONNIE???!!!  I was so mad at her you guys I.  But the thing is, I don’t hate April, not by a long shot.  In some ways, the rest of Season 2 does a better job giving her a character than all of Season 1 did for Bonnie!  I really enjoyed April and wish that both could have stayed.  BUT THIS EPISODE makes her SO HATEABLE and I just ugh.

also I tried to watch this a long time before I got to and after seeing the intro and not knowing the title of K.I.T.T. vs. K.A.R.R. at that point in time, I thought Karr was gonna come back based on all the panoramic shots of the underwater and I am so sad that he didn’t so oops this episode gets my wrath a bit

K.I.T.T. the Cat

0/10 there are no cats.  False advertising.

Seriously tho this episode was a pretty run of the mill episode.  The best part of the episode was Kitt, because it always is, but seriously that guy with the hedges was amazing- I GOT THE GAG BY THE THIRD TIME IT HAPPENED BUT THE FIRST TIME HE GOT STUCK IN THE TREE OH MY GOSH I WAS DY I N G- Also the fact that Kitt messed him up again trying to apologize is so sad yet funny ahosihdfiohasdf

Custom K.I.T.T.

APRIL GET THAT STUPID DECAL OFF HIM OH MY G O S H-

Somehow her 2-d design ideas looked almost worse than the actual thing and I thought the actual thing looked like a that default sticker decal that you get on a Hotwheels car.  I’msorryI’mnottryingtoroastanyartistsIjust I why there’s so much potential with giving Kitt decals :(

Seriously I want to use my drawing software to draw fire on Kitt at some point because it could be done so cool and that ain’t it chief.  I’m probably not going to be too great at it either since I don’t do backgrounds nearly enough and fire would be a background element for the most part but I could at least alter the colors ; m ;  OR LIGHTNING OH MY GOSH AAA LIGHTNING WOULD BE SO COO L ON HIM-  anyway it needed so much more red- and it was so asymmetrical too aHHHH-

I.  I’m fine it’s fine I’m fine it’s fi-

I don’t even know why Kitt needed a decal anyway, the other cars didn’t have to have decals to be considered custom, surely his dash alone could have done it-

ANYWAY

This ep was so WEIRD at times oh my gosh.  What was that series of insults the two ladies spat at each other?  Like the one just complimented her eyeshadow aggressively and the other one accused her of wearing “training bras” or something like whAT EXCU S E ME What is this episode?!  Kitt was so upset about the decal too :[

Soul Survivor

OH MY GOSH IT’S CUTE IT’S SO CUTE YOU GUYS-

I was recalling @knight-rider-fan-2000‘s theory about this episode (plz go check them out btw aaaa), and after watching it I totally agree.  Michael was especially kind in this episode, and he seems to be overall a more supportive mentor for Kitt this season, starting with Soul Survivor and being pretty consistent throughout.  I love their new dynamic so much- There’s definitely still episodes and moments where he’s closer to Season 1 Michael, but Season 2 Michael is a far superior human being in my opinion.

KITT’S SO ADORABLE LIL TINY CPU OH MY G O S H YOU’RE TELLING ME OUR SON IS ACTUALLY T H A T SMALL AAAAA

Michael really is so sweet in this oh my gosh, that whole arc where Kitt is his partner no matter what and that the car isn’t what made Kitt-- AW!!!!  ADORABLE!  Kitt being so unsure that he repeatedly asks Michael how it feels to see the Knight 2000 without him in it or fusses about his limited functionality as Michael patiently reassures him again and again that he’s wanted just the way he is, I just- Feelings.

One thing that hit me as funny though is when Michael finds Kitt’s CPU in the garage and the trash can is just like PULSATING and then he like yells at it like “tAlK tO mE kItT” and Kitt’s jus sitting there as a box of colored lights like “...”

I can just imagine a cut scene where Kitt’s like, “Oh and by the way Michael, if I could have said something I would have done so LONG before you started asking me to.  Believe it or not, I don’t like being in a trash can.”

“You Dingaling.”

Also Michael and his whole “I’m an honest man you can trust me listen I’ll give you a small TV just like this one” and then he proceeded to not do that.  Hmm.

Anyway, yeah, it doesn’t get any cuter than this.  The only thing that would have been better is if Adrianne didn’t exist.  Good thing she’s gone now~!

Ring of Fire

THIS IS SO TRIPPY THIS EPISODE IS SO TRIPPY

I would say that I hate Michael trying to get Kitt to subject himself to testing if he can withstand insane levels of heat.  I would say that if April did not then walk in and karma the crap out of him.  Gosh I loved it.  How he immediately was like whAT NOOO YOU WOULDN’T MAKE SOMEONE DO THAT and Kitt’s just like :/

dang hypocrite, Michael my feelings towards you are so complicated sometimes

anyway

So. Many. Dogs.  I usually love seeing Kitt interact with dogs but this started to get unsettling, I can’t blame him for not loving 6 different dogs all swarming him at once whAT- Have they nothing better to do than to jump on my son.  What the heck language were those banjo players singing in?  Was it a language or was it just gibberish keyboard spam that accidentally made it to the final script AOSHDIAOHSD

This whole swamp setting is really unique to this episode, and part of me really does commend the chance they took by switching up settings.  It’s almost always a small town on desert roads.  The way this all happened though was??? What?

I think the scriptwriters forgot that Return to Cadiz exists because Kitt got so much water damage AHSIDHAOISDH- I know April said the system was damaged but surely it would have minimized this a little bit.  Also did literally anything change by the end of this episode?  We didn’t see the guy get arrested, did we?  And the girl decided to stay living out in the swamp forest thing.  The only thing is that she, like, conquered her fear or something?  Even though she still isn’t acting in that direction?

This episode didn’t actually d o anything did it LOL

alsowhatevenwasthatexplosion

It’s not a bad episode though, just really bizarre.

Knightmares

YOU KNOW WHAT I SAID ABOUT IT NOT GETTING ANY CUTER?

I WAS WRONG.

THIS EPISODE this episode THIS EPISODE.  TOP TWO MATERIAL?  MORE LIKELY THAN YOU THINK.  TDR will always be my fav until the end of time I’m pretty sure because I don’t think another episode will get me to ugly sob like that (aLTHOUGH I AM MEGA HYPE HERE BECAUSE I WATCHED KvK AND IT WAS GOOD ALSO BUT WE’LL GET TO TH A T LATER) but in terms of sheer adorable buddies happiness this is the winner by all accounts.  I really like how they portray Michael Long, and I genuinely think the arc here has an impact on the rest of the season in terms of how Michael treats Kitt.

I love how Michael had told Kitt a long time ago how they were partners, like how he used to have a partner when he was a police officer, and how now when Long is so confused about everything everyone is trying to tell him, Kitt chooses this specific word to help introduce himself, and everything feels a bit more grounded for Long.  I love how Long immediately revolts against the way Devon and April try to tell him he’s wrong about who he is currently, which is, despite good intentions, the opposite of what he needs.  I love how Kitt then swoops in behind him and decides to treat Michael Long like a WHOLE NEW PERSON, one who Kitt tries to get to know.  I love how Long recognizes just how hard Kitt is trying and genuinely opens up to him.  I love how he never reverts to being mean or rude to Kitt after he gets in the car the second time, NOT EVEN ONE sarcastic comment.  How he never calls him a computer again after Kitt asks him not to, how he compliments his new partner left and right, how despite having no clue who Knight is he really wants to be that person for Kitt, because Kitt seems sincere and pretty great.  I adore that bit where Kitt gently, lovingly lists traits good and bad about Knight and how Long can finally connect to this other version of himself.

“One more thing about Michael Knight.”

“What’s that?”

“I was extremely fond of him”

I love how Long starts saying “Good work, Kitt” after they complete parts of their mission and how Knight does not stop this for the rest of the season, even after he regains his memory.  I love so much about this and could frankly talk about it even more than this but this is a brief summary so.  So yeah, we’re moving on ;W;

Silent Knight

It’s funny so.  I didn’t realize that Knight Rider had done any Christmas specials.  I knew about the Halloween specials, but I didn’t realize the Christmas special existed.  And so I was laughing at how funnee I was while I was like “SILENT KNIGHT HOLY KNIGHT ALL IS COME-” and then that’s exactly what the pun was meant to be.  they done bamboozled me.

ANYWAY THIS MIGHT BE THE STRANGEST CHRISTMAS SPECIAL TO EVER EXIST EVER.

They kept mentioning the Christmas banquet thing to make it mildly related to the season but then it wasn’t, it really wasn’t, it all revolved around clowns.  There was.  There was a Santa I guess.  Albeit a bank robber Santa--

And the kid is juuust obnoxious at first, I love how Kitt absolutely hates him immediately for some reason even though Kitt usually doesn’t hate people unless they do something really bad, but it feels so deserved because the kid is a jeeerk.  Maybe it’s because the kid accused him of endangering human life and that Hurt?

Kid: Just let me drive and I’ll throw away this dumb clock thing

Michael: No

Kitt: YES

Michael: W H A T ?!

Kitt: YES

Michael: ugh whatever

I was kind of expecting Kitt to pull some sort of shenanigans while the kid was driving as payback for whatever he absolutely despised him for, but Kitt was actually just really sweet and gave him a bit of freedom until he started endangering himself and then helped him get back into control.  Very wholesome.

AND the end was CUTE though, like the boy who had previously been a jerk going over and patting Kitt and being just sincerely nice to him ;w; wholesome

A Knight in Shining Armor

Gosh I always forget what this episode is about because the title is so loosely related LOL

The dynamic with Michael and the girl of the week was actually really cute and chemistry was not entirely nonexistant, so that’s a nice change from some of these that come out of nowhere.  Her arc was actually pretty sweet, how she resented technology because she wanted to be loved and cared about, how she thought computers were incapable of doing that until she talked to Kitt...

And the cave was prebby.

But why couldn’t she understand that her DAD was in PRISON.

“Why didn’t he ever come to see me?” “Because he was in Jail.” “oh.  But why didn’t he call???”

Diamonds Aren't a Girl's Best Friend

SOMEONE

AHAHA

SOMEONE CALLED MICHAEL

AHAHA

BERNIE CALLED HIM A DINGALING. Speaking of Bernie, all I could think this whole episode was

White-Line Warriors

LONG-LEGGED PUNK-

Seriously idk what this season’s love affair with the baddies picking on Michael but I love it.

Honestly the twist of this episode was really interesting, I still don’t fully get how the baddies’ plan comes together though.  So the song plays on the radio and the police go to investigate the drag racers and the crims are IMMEDIATELY ready?  okay then.

Radio announcer Kitt tho.  That is blessed.

I want Radio Announcer Kitt.  Then again, I just want more Kitt in general so.

Race for Life

INHALE

Y’ALL ARE REAAALLY TRYING TO MAKE ME DETHRONE KNIGHTMARES AS THE CUTEST, AREN’T YOU?

Well ha, joke’s on you episode, you’re getting docked points for only giving Kitt and Becky two interactions.  And for making the donor obnoxious for most of the episode (although that end scene was pretty adorable).  So, okay, second cutest.

THE WAY KITT WAVED I-

HE IS SO CUTE

he is so cute.

Devon was really sweet this episode, not gonna lie.  I’m not sure if I’ve said it on this blog before, but I had strong dislike for Devon after Season 1.  I can explain that later if anyone wants, I’d be perfectly willing to compare the two seasons, but Season 2 Devon is pretty alright.  He doesn’t have much of a presence, but when he does, he’s kind.  I’m assuming he let Becky win at checkers, in which case uh, aW?!  Devon that’s cute.

KITT TRYING TO TEACH THE TEN YEAR OLD CHESS AHSIODHOAISD I LOVE YOU BUDDY

Also, I feel like this is the episode April really became her own character, separate from Cadiz.  She’d kind of just been a slightly perkier Bonnie, but now we get to see her family, her concerns... And April’s a pretty good character.

OH AND THE WHOLE “Kitt is family” ARC IS THE SWEETEST THING ASHDHAOSDohIAD

“Julio, meet Kitt.  He’s part of the family”

“Thank you, Michael.”

MY.  HEART.

Speed Demons

Okay so.  This is another one of those episodes where very little seemed to change by the end of the episode.  The guy who was actually in danger quit motorcycling anyway soooo...  The episode plot itself isn’t what I feel like talking about.

What was WITH that one announcer guy?  Were we meant to like him or not???  First he tries to Kick the Kitt and Kitt’s like :/ whatever

and then he comes back and they start to have like, a deep conversation, and he lovingly pats the hood before walking away.  And we’re like AWWW OKAY THIS GUY IS NOT TO BAD

AND THEN he asks Kitt to talk for someone and Kitt’s like “...” and the guy riots.  Why did Kitt not talk for him and why did the guy go so absolutely bonkers when he didn’t?  Were the cameras rolling and I just didn’t realize?  And then we kind of hate the guy again because he once again absolutely went ballistic at Kitt.  “That’s Showbiz.”

But then the dynamic with that coworker keeps coming up, and yeah, I guess she does seem a bit annoying.  But she also seems like a potential lady of the week and a potential protagonist.  So when she gets splashed with mud or whatever that was and the guys all like :D

What are we meant to be feeling?

Are we meant to feel bad for her or happy for him?

Because I just felt confused.

Goliath Returns 1 & 2

GOSH DARNIT ADRIANNE IS BACK

ALSO I-I-I I TAKE BACK EVERYTHING I SAID ABOUT YOU BEING A DOOFY AND STUPID VILLAIN JUST P L E A S E STOP ; M ;

SERIOUSLY WHEN DID GARTHE TURN FULL PSYCHOPATH-

THE FEELING I GOT REMINDED ME OF WATCHING THE SHERLOCK FINALE.  S H E R L O C K  F I N A L E.

Sigh, I should have known he’d gone off the deep end when he walked into a hot tub with jeans on.

I will forever be mad at some versions coughincludingtheoneIwaswatchingoncough for cutting out the fact that Kitt’s microchip was almost ENTIRELY WIPED/OVERWRITTEN AND PUT INTO GOLIATH.  Because uh, the way the show cut it up for TV, it seems like Kitt’s really in no danger other than being annoyed.  But no, literally everyone almost dies.  Fun times!

Seriously why did this convoluted garbage get a two-parter but Kitt vs. Karr didn’t?

This episode makes me sad.  Not just because Garthe tried, and almost succeeded, to take away everything we love in this show.  Not just because this episode strayed far enough from the typical formula for this to seem like some dystopian nightmare version of Knight Rider. Not just because freaking Adrianne is back.

I mean because I loved Garthe’s character, and this totally changed it.  I like that they went into Garthe’s trauma a bit more with this one, but unlike some villains in the Knight Rider canon (okay let’s not play games, UNLIKE KARR-), what he does is so dastardly, SO insaNE, that there is no way to argue that he might be justified.  No.  No.  Garthe, Adrianne, and Goliath are gone now, and that’s how it had to be.

OH ALSO GO O F F APRIL YES QUEEN I LOVE YOU- I honestly felt so bad for her when she turned around and broke down right after standing up to him, like dang, that hurts.  And Devon was sweet in this episode too ;w;

Okay but were they planning on making another episode of this?  Because that end scene was such an obvious teaser it’s not even funny.

“I hope we don’t run into those very much drowned people out in the streets again, Michael.  And I especially hope that they do not construct another semitrailer with the exact same scale and name as the previous one that was driven into the ocean.”

“Yes, I agree Kitt, this is also an anxiety that I possess despite the fact that they are very much definitely Deceased.  I sure hope that plot convenience does not interfere in the future.”

THANK GOODNESS THAT ADRIANNE IS GONE

wait what?  her actress is in another episode as another character who’s just as awful? wHYYYYYY

A Good Knight's Work

THAT BEAR NEEDS TO DIE. I am so glad Michael ejected the dumb thing at the end, Kitt deserved it. Especially after Michael essentially told him to temporarily kill himself. Michael's a cyberbully now ig. The arc with Kitt and the car salesman was cute. Apparently deactivation is considered programming now? Michael my mans you could have given Kitt any warning at all (I kind of take this back after one of the Season 3 episodes I’ve watched uHHHH this was a lot of warning compared to how Michael rolls in S3 what the heck is wrong with him). Cute episode overall tho I guess. ALSO I JUST NOW REALIZED "A GOOD KNIGHT'S WORK" IS A PUN BECAUSE KITT IS WILTON KNIGHT'S WORK AND I'M MAD AT MYSELF FOR NOT NOTICING IT SOONER-

Mouth of the Snake and that other garbage one that's title makes no sense

David might as well be a plank of wood. A plank of wood that yeets himself ten feet into the air whenever possible, but I digress. Does this count as superpowers? I just love how he offended Kitt 0.1 seconds after meeting him and then Michael proceeded to tell Kitt off for reacting. Love that soooo much. It's also hilarious to me how most of this episode has a similar structure to most Knight Rider episodes and then they randomly start reacreating the Most Dangerous Game--

Let it Be Me

Why isn't this the season finale?! I mean, I'm glad it's not, but why? This is way worse than White Bird like why- I feel like the Stevie episodes are kind of a controversy in this fandom? I loved the first one. This one's just, blegh it's okay. She and Michael still have pretty great chemistry WHEN THEY ARE SPEAKING IN REGULAR SPEECH. I do not like Stevie singing the same song with Michael 100 times. The duet at the end is kind of cute though, sue me I like corny things.

Stevie: I’m so sorry I shouldn’t have been with this one guy but ;m;

Michael: has been with approximately 100 women by now

Also Michael: How could you ;m;

Big Iron

This episode is kinda wild. Why does the guy manage to have a full out breakup with Lucy in less than one minute? Why is Michael a marriage counselor now? Why couldn't Kitt take the oxygen out of the cabin when Michael was definitely going to die if he didn't?  Since when does Turbo Boost use a ton of oxygen anyway?  Why does this man just immediately make up with his wife after finding out that she helped him? And most of all, WHY DIDN'T THAT BARTENDER LADY ACT THE LEAST BIT CONCERNED WHEN THEY ABSOLUTELY TORE UP THE PLACE??? Lmbo she's just like "Stop it guys :/"

It’s so bizarre that this is the season finale ahsdoifhasodf but go off I guess NBC

[ponett]

Welp... it’s over. After nine years, My Little Pony: Friendship is Magic is over. I just got done watching the series finale with Anthony and, just like I knew I would, when the credits rolled, I cried my eyes out

I should probably say something, huh. I’ve been sharing thoughts like this mostly on Twitter lately, but I started using Tumblr to blog about MLP, so I don’t think it would be right to post this anywhere else

I have a complicated relationship with MLP:FiM. It’s a show that got really hit or miss after the second season, and it has a fandom so toxic and so full of edgy libertarians that it scared me off from formally participating in fandoms for the rest of my life. But it’s also probably my favorite TV show of all time. There are other shows that are much better written, that have more to say, that are more consistent, even including several other cartoons from the same decade. But I think I’d be lying to myself if I said it wasn’t my favorite show

No other piece of media has had as massive of an impact on my life as My Little Pony

I grew closer to some of my closest high school friends because of our shared enthusiasm for the show. I started PonyPokey with Jake and Derek and made a bunch of bad videos and got invited to be on a wildly disorganized BronyCon panel with Jenny Nicholson in 2012. (We went on stage immediately after Lauren Faust’s panel. I barely said a word due to stage fright.)

After years of being too afraid to share my art online, I started putting more effort into learning digital art so that I could draw ponies. It started out rough, but with the drive to improve, I quickly got better. I started Fluttershy Replies. For the first time, I had an audience. I had people who cared about my work and supported me. Even as times have changed, many of you have been following me since way back then

Around the time I came out as bi in 2012, I got really into MLP shipping. Writing sappy comics and drawing sappy art became an outlet for my years of pent up feelings, and helped me sort out a lot of stuff. My Little Pony also completely changed the views on femininity that had been beaten into my skull since childhood. Suddenly, it wasn’t this strange, alien thing to be afraid of. MLP, at its heart, is a show about how there’s no wrong way to be a girl. That’s an incredibly powerful message. Rarity wasn’t a vapid snob. Fluttershy wasn’t a background character who got made into the butt of the joke. Pinkie wasn’t a ditz. These were characters written to be empathized with. And writing about my own feelings from the perspective of Fluttershy felt... right. It took me a few years to fully process those feelings, but eventually, I realized the truth. I was a trans woman. And a cartoon about horses was the first step on my path to realizing this

In 2013, one of the roughest years of my life, I decided to download RPG Maker on a whim to give myself a distraction. Naturally, my first instinct was to make a game where Fluttershy and Rainbow Dash kiss. What was initially supposed to be a short, Fantastic Game-esque playground of silly little jokes spiraled out of control and became Super Lesbian Horse RPG, a game that I poured my heart and soul into over the course of a year. And then, a couple years later, my desire to preserve the ideas from my copyright-infringing fangame also spiraled out of control, as all my creative projects do, and became SLHRPG’s successor: Super Lesbian Animal RPG. SLARPG isn’t really a reskinned MLP fangame anymore--it’s more like a new game inspired in part by my old project. The story has been drastically rewritten, the characters changed, the levels and gameplay redesigned. Most of the cast of the new game wasn’t in the original project in any form. There’s much, much, much, much, much more new content than old left in the game. And the original game had already strayed so far from the canon anyway. But I’m also not sure it would exist without MLP

I made a bunch of friends online, including close friends I still have to this day. I met the people like Bee and Thomas who I’m still working with on SLARPG. Most importantly, because we both blogged about MLP and had some mutual friends, I met Anthony, the love of my life. We’ve been together for five years now and supported each other through good times and bad. This is the lamest, corniest, stupidest thing I will ever say in my life, but he’s the Rainbow Dash to my Fluttershy

...

So what about the finale itself? (spoilers, obviously)

I have... mixed feelings on the finale. There were some things that really annoyed me in there. But also, like I said, I cried, so I think it’s safe to say they did good overall

I think the thing that stuck in my craw the most was Discord. Which I guess shouldn’t be surprising. I’ve been saying for years now how I hate Discord, how he spits in the face of everything the show stands for. He’s an obnoxious elderly manchild who constantly causes problems on purpose and torments his so-called friends the second they stop paying attention to him. But they have to put up with him and give him infinite second chances, because he’s a god and Celestia said they had to reform him

The overarching plot of the final season is that Queen Chrysalis, King Sombra, Tirek, and Cozy Glow (a Darla Dimple-esque filly villain from season 8) had teamed up with Grogar, a “new” villain taken from G1. While this goes on in the background, Twilight is making her preparations to become Celestia’s successor, as we’d known would be her destiny since the day she got wings six years ago. The villain team-up stuff was genuinely fun, and a highlight of the season for me. But then, in the three-part finale, it’s revealed that Grogar was actually Discord in disguise, and that he’d been intentionally trying to orchestrate a big attack on Twilight’s coronation so that she and her friends could save the day and get a big confidence boost going into her reign as princess. This is like... one of the most bafflingly stupid plot twist of all time. It’s literally the end of the show, and Discord has learned nothing. He’s “nice” now, but he’s still intentionally causing huge problems and putting everyone’s lives in danger to solve his problems. He freed four different villains they’d already defeated just so Twilight could beat them again, and in the process they literally blew up the goddamn castle in Canterlot and nearly killed everyone. And yet... they still forgive him, because they have to

I did, however, think that the last two-part adventure episode was fun overall. It tied a nice bow on much of the series, bringing back a bunch of old friends (including cameos from the movie cast!) to band together and save the day. Of course, in the end, they beat the bad guys with a big rainbow laser and sealed them in a statue. You know, even though a previous season finale was all about how solving their problems with a friendship laser and sealing the villains away never worked. Also, Cozy Glow might be evil, but she’s still literally a child? And now her petrified body is on display in the center of Canterlot? What the fuck????

I’m complaining a lot, but again. It was fun overall. It was nice to have one last big adventure, and to have the mane six reflect on how they’d grown since Twilight moved to Ponyville

...

And then we got the actual final episode. And boy did this one hit me HARD

I’m so glad that they ended on a quieter episode about the main cast’s friendships, because that’s what the show is actually about. The two-part adventures to save Equestria every season are fun, but that’s not the real show. We all came back every week for Twilight and her friends

There are things I can complain about here, too. Spike being a buff adult dragon with the voice of a child is fucked up. I’m still not used to seeing Twilight be Celestia’s size. But more than anything, I was always worried that we’d get a Harry Potter ending, where all the characters are paired off into arbitrary marriages so they can all have kids. Thankfully, this didn’t really happen. The only one who had a kid was Pinkie, who apparently got married to Cheese Sandwich (Weird Al’s character) at some point. Like, they literally shared two episodes together, with no hint of romance? But then they got married and had a kid off-screen??? What the fuck???? A lot of people also think that Fluttershy ended up with Discord, and I know I’m massively biased against that ship, but... I mean, they teased the FlutterCord shippers, but there wasn’t really any actual textual evidence that they were any closer than they had been previously. Y’all weirdos who ship Fluttershy with an obnoxious elderly man can interpret that as being “canon” if you want, I guess, but it’s not

The other relationship that shocked everyone in the finale was Applejack and Rainbow Dash, who... appear to be a couple? It’s definitely hinted at. I have... very, very mixed feelings about this. I mean, okay, obivously I’m the big FlutterDash fangirl. But I think AppleDash is cute, too! The problem is that, like... they’ve barely interacted in years? Like, they had a lot of episodes together in the first two seasons, but then the writers barely ever had them interact past that point. I can’t even remember when the last time we got an actual episode focusing on them was. And no, the one where Rainbow takes Granny Smith to pony Vegas doesn’t count

Like... yeah, it’s cute. It’s a nice gesture. Lyra and Bon Bon getting married in the background was also cute. But we can do so, so much better in 2019. We have so many explicitly canon lesbian couples in cartoons. Couples that actually kissed, or got married, or showed feelings for each other. Rainbow and AJ barely even fucking talked to each other in the final few seasons. I dunno, it just feels very hollow to me. Even the Equestria Girls crew admitting they were pushing RariJack felt more substantial to me, because at least they were given on-screen chemistry and lots of canon interaction

But in the end, complaints aside, the finale was about Twilight moving back to Canterlot, and worrying that her friendships would fade because of it. Honestly, I think this is what the finale of the show always would’ve been. It was the perfect story to end on. And boy, it hit really close to home

And then the last song happens, reflecting on how things have changed, but how they’re all still friends. And we see all the other friends they made along the way. And the camera zooms out, and the book from the opening of the very first episode closes, bringing the entire nine-year saga full circle

And then I started sobbing really hard in Anthony’s arms

...

I dunno. I just got done nitpicking a lot, but I still think that the last episode was a good and very emotional ending for the show

I’m going to miss this show dearly. I know it will be back in a new form, and that the leaks indicate that it’ll still star slightly different versions of the Mane Six. I’m also used to shows like this getting rebooted. Hasbro cartoons are honestly lucky to last past three seasons. FiM, on the other hand, got over 200 episodes, a theatrical film, a few specials, some shorts, a bunch of comics (which I still need to read), and a spinoff human AU series that was also really great. There’s no shortage of content, and I’m sure I’ll be returning to the series for years to come. I’m also glad that the show managed to go out on a high note

But still. It was a constant presence in my life for nearly nine years. Even as the quality got really hit or miss, even as they took the premise in strange directions, even as the crew of the show grew more and more dominated by men, it was still a show I could rely on to always be there, 26 episodes a year. I’ll miss it. I hope what comes next is just as good, if not even better. I also hope it’s gayer

I was going to end my ask blog, Fluttershy Replies, around the time the show ended. I’m not sure if I’ll do that just yet. I don’t know. I think that might be a bit much for me to process emotionally. Too many doors closing in my life in quick succession. But I do want to do more with it. These characters will be special to me for the rest of my life

I mean shit, I haven’t even drawn StarTrix yet. I’ve still got a lot of work to do with these horses, folks

[aion-rsa]

Boy Meets World’s Slasher Episode Was Scarier Than it Had Any Right To Be

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Blood-curdling screams. Taunting phone calls from a psycho killer. Creepy, ominous music with lyrics like “Here’s a knife. Here’s a gun. There’ll be fun for everyone. Death is on the menu tonight!” Elements of a forgotten ‘90s slasher classic? Nope. Just some highlights from the most memorable episode of ABC’s family sitcom Boy Meets World.

With the launch of Disney+ and ample time to get nostalgic and revisit old movies and TV shows due to the pandemic, many older millennials are diving back into Boy Meets World, which ran for seven seasons from 1993 through 2000 as a staple of ABC’s TGIF lineup. The show centered on Philadelphia teenager Cory Matthews (Ben Savage) navigating life with his best friend Shawn Hunter (Rider Strong), his love interest Topanga Lawrence (Danielle Fishel), and brother Eric (Will Friedle), while perpetually receiving life lessons from longtime teacher and eventual principal Mr. Feeny (William Daniels). 

Boy Meets World had no shortage of standout moments and episodes, like WWE wrestler Vader appearing as the father of a misunderstood school bully, a young Linda Cardellini being the girl who almost destroyed the Cory and Topanga love story for good, and Peter Tork (who briefly played Topanga’s father), Micky Dolenz, and Davy Jones staging an impromptu Monkees reunion. And who could forget when Ben Savage’s famous brother Fred guest starred as a creepy college professor and was shoved through a glass door? 

But perhaps no other Boy Meets World episode made a bigger impact to impressionable young minds than the fifth season highlight “And Then There Was Shawn,” a format-breaking homage to the popular slasher films of the moment, like Scream and I Know What You Did Last Summer (the latter of which hit theaters just four months earlier). Serving as a metaphor for the fear and uncertainty Shawn feels over the recent breakup of Cory and Topanga, the episode is a mini-horror movie that operates in dream logic and features shocking cast deaths, zeitgeisty jokes, and a big ‘90s teen idol cameo. Many young fans were genuinely frightened by the scares conjured up in the episode, while older fans loved the campy, winking references and the change of pace storytelling.

“And Then There Was Shawn” writer Jeff Menell was typically happy to do what was asked of him on the series, but he jumped at the chance to write a horror-influenced episode. “I’m a diehard movie fan. I have been my entire life. But as a writer on set, I just did whatever I was told,” Menell said in a phone interview with Den of Geek. “I never went after anything. But I begged to write this one because I just knew I could do it.”

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The episode finds the high school-aged cast members serving detention with Mr. Feeny after a fight, springing from Cory and Topanga’s recent breakup, disrupts the class. Things quickly take a turn when the kids see a message in blood written on the chalkboard that reads “No One Gets Out Alive!” and hear a discomforting jingle with menacing lyrics playing over the high school’s PA system. Initially, the kids believe that Mr. Feeny is playing a prank on them, but things take a turn for the serious — and scary – when classmate Kenny is murdered in the dark by the masked killer wielding a pencil (prompting a very timely “You Killed Kenny!” reference). None other than Mr. Feeny himself bites the dust shortly thereafter via scissors to the back.

“You know, usually you go off for two weeks and you go write this draft and you bring it back, and then the room rewrites it. That always was the process. I wrote this one like in two days, and I had to pretend that it took longer because if you’ve written the script in two days, they assume it sucks, or that you didn’t really care or make an effort,” Menell says.

When Menell brought the initial draft to the writer’s room, however, there were minimal changes to his script. The episode’s director, Jeff McCracken, was impressed. 

“Jeff (Menell) went out and wrote his episode and when it came in it was perfect. It was an absolutely perfect flow of the script. He just nailed it.”

Emulating classic slasher film elements, McCracken had to approach the filming of “And Then There Was Shawn” differently than a typical episode. 

“It was so much fun,” McCracken says. “Because it had all these special sequences, we really had to shoot it like a film. We rehearsed for two days, then shot it for three, and then we showed it before a live audience. The film style is generally single style or two cameras, but I shot a lot of it with three to four cameras so that we wouldn’t have to do multiple retakes. You couldn’t have done the whole thing in front of a live audience because it would have taken too much time to set everything up and run through a show with an audience sitting there.”

The pencil kill is the most memorable moment from the episode, but McCracken nor Menell can take credit for it. “I remember the one gag that was not in the script, the one gag that Michael Jacobs (creator/executive producer) came up with, which was genius, was the pencil dynamic,” McCracken recalls. After classmate Kenny is shown impaled through the head with a pencil, his body slumps down the wall, leaving a lead pencil mark behind him. Cory quips, “We’ll always remember he was this tall.”

Kenny and Feeny’s deaths are bloodless, but they leave a mighty impression for a network family-friendly series. Both writer and director knew that they’d have to tread lightly if they were going to be faithful to the slasher genre (“I’m surprised they let us have Feeny with (scissors) in his back, to tell you the truth,” Menell says) but they both made a concerted effort to surround the kills with humor. 

“We had to make it funny,” McCracken says.” I mean, you put (scissors) in someone’s back, it can be very disturbing for a young audience. You can’t traumatize them. We did it with some sense of humor and it wasn’t so graphic.”

Part of the humor was derived from the very specific references made in the episode. Like Scream standout character Randy, Shawn makes meta references to the rules of the horror genre, telling his friends that virgins are the only ones who are safe. Eric says, “I’m dead,” Jack says, “I’m dead,” and Shawn says, “I’ll get as sick as you can without dying.” 

This slightly scandalous joke wasn’t anything new for the series, but the violent nature of the episode led to “And Then There Was Shawn” receiving the show’s first TV-PG-V rating. According to Menell, Michael Jacobs had a way of pushing the boundaries with network executives. “He got away with a lot more stuff than most people because he could really browbeat some network executives at times to get what he wanted.”

One major addition to the cast for “And Then There Was Shawn” probably helped Jacobs catch the network in the right mood. Jennifer Love Hewitt, coming off Party of Five and at the height of her scream queen powers, guest stars as new John Adams High student Jennifer Love Fefferman. Hewitt at the time was dating Will Friedle and it’s believed their relationship inspired her cameo. 

“We maybe asked him to ask her, because obviously she was in I Know What You Did Last Summer, so having her there just adds horror film credibility to it,” Menell says. “She was great. She was such a great sport, and it was fun having her on.”

McCracken concurs: “It was such a pleasure. It was one of those things that you don’t know how a major star walking in on your set, how they’re going to be, what their demands are going to be, what their personality is going to be like, what their disposition for the script’s going to be like, and she just came in full guns blazing and just had a blast and that made everything just wonderful. She was game for anything.”

One thing that Hewitt was game for was a big makeout scene with Friedle’s Eric, that may or may not have been improvised. “I don’t think we wrote that in, I think they just wanted to do it and we let it,” Menell laughs.

Amongst all of the horror homage fun, the episode ends with Shawn removing the killer’s mask to find himself starring back, having gone through this whole slasher bit just to get his friends back together. It’s quite the philosophical ending for a show primarily aimed at tweens and teens. 

“When it did get serious with Shawn at the end, it was more poignant than it was scary and it was also a great reveal that it was him,” McCracken says. “It was metaphorical in the sense that that component of Shawn is in us all and it’s always lurking and it’s always out there. And so, be vigilant.”

The Jeffs knew that they had a special episode on their hands with “And Then There Was Shawn,” but who could have guessed the episode would have this sort of longevity 22 years later?

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“We got a few letters from people that were so scared, couldn’t believe we would kill Feeny. And we got some people that were upset,” Menell says. “But we had no idea until years later when the internet came on how popular that episode became. We did some crossovers, some time flashbacks, and some other really cool episodes, but this was a show that was nothing like any other episode we had aired or would air. It was probably the most fun … it’s certainly the most scary.”

The post Boy Meets World’s Slasher Episode Was Scarier Than it Had Any Right To Be appeared first on Den of Geek.

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[spiders-hth-is-an-outlier]

I’m making a genuine effort to be excited about the Sam/Eileen of it all in s15.  I want that to be seen and noted; I am really putting in the work.  The character herself seems, like, fine, she’s cool enough, and the actress is quite charming.  I know she has a big fanbase, and I’m happy that people are happy.  What I can say definitively is that if Sam Winchester were a friend of mine, I would be excited that he’d met someone he liked, and I’d hope this worked out for him.

The thing is, I genuinely don’t watch tv like these people are friends of mine; cool if you do, but I never have and I sincerely just can’t, it isn’t how I’m built.  I watch it as a story, or more often a series of interlinked stories, and on the level of story, I just find myself -- ugh, I would say furious, but I can’t really work up the shock and energy to be *furious.*  It’s appalling, but it’s appalling in the same old way.

I find Sam/Eileen appalling not in the way it’s situated next to Sam/Rowena (which is the sturm und drang I seem to be seeing everywhere else in the fandom), but in the way it’s situated next to Dean/Castiel.  Because, whatever, fight on your own time about how gay they are or aren’t, but obviously outside of Sam, Castiel has functioned in the story as the central emotional connection of Dean’s entire adult life.  Seasons upon seasons have turned on the axis of how close they were or how estranged from each other, on whether or not they could rely on one another.  Dean, as a *character,* was provided with another character to be a mirror and a foil, to make him anxious and give him motivation and to coax him into changing.  Where the two of them land with each other by the end of season 15 *basically is season 15.*  Without Castiel, this season is functionally completely different.  Without Castiel, damn near every season (there are a couple of exceptions) since 4 are functionally completely different.

It’s hard not to view the attempt to give Sam a “love interest” in the form of a character who appeared once on a monster-of-the-week episode, died off-screen, and hasn’t been mentioned since then -- it’s hard not to view it as the narrative equivalent of -- damning with faint praise?  Like someone woke up at the switch and was like, oh yeah, Sam should probably get a girlfriend, that’ll be nice for the fans, who have we got?  And they remember this character who had zero noticeable impact on Sam, or Sam’s character arc, or the narrative of the show.  I mean, she seems nice!  And they smiled at each other a lot in that one episode, they plausibly behaved like people who were potentially interested in each other.  If I pretend like they’re people, they might be people I’d set up on a date together.

But if Eileen had never existed at all, it would not matter.  Nothing about the show up until this exact second would change.  Nothing about Sam would change.  She fundamentally *does not matter,* and it’s impossible not to think that people would come UNGLUED if they tried to pair up Dean with a monster-of-the-week girl who plays no significant role on the show -- which, I mean, they did do at one point, and people did come unglued, and -- like can you imagine a scenario in which they tried to bring Lisa back into the story and were like “but Dean really liked her, so be happy about this!”  Dean DID really like her!  But no one would be *happy* about it, because Lisa doesn’t matter, and people just automatically expect what happens in Dean’s emotional life to *matter,* to be central to the story.

People fundamentally, inside and outside of the writers’ room, do not seem to expect that what happens in Sam’s emotional life will really matter all that much to the story of the show.  That’s not just true about his love life; that’s been true on almost every level post-Kripke, and I find it a bummer -- not because I have beef with Dean (although I ain’t new around here, and I know a good chunk of people will receive this as somehow “anti-Dean”), but because Dean has a *really fucking good* story that’s coming to a head now after many years of set up, and I wish Sam did, too.  But it’s too late for that, just like it’s too late to pair Sam up with a woman who matters in his life, because that needed to start happening *seasons ago,* not at the literal eleventh hour.

I’m not happy about that, and I’m really trying not to let it sour my response to Eileen as a character.  She seems nice.

[ruwithmeguys]

The chances of an eighth season of Arrow is high, but beyond that… I think the chances have dropped for more than 8 but I could be wrong.

Why I think it’s ending after S8 (and why it may not):

Both Stephen and Emily have stated they want to write and direct but haven’t, despite the chances. They may want to work on new things after next year.

Though he’s agreed to an eighth season, Stephen has made several comments the last 12 months indicating his acceptance of the end and how Oliver really only has one true goal left to accomplish.

The show doesn’t just feel like it’s hitting a new milestone: it feels like it’s preparing us for something (unless it’s just a shocking SL and I’m very wrong)

The interest in superhero tv shows is starting to dwindle because of the sheer number of options available. This however, is open to change. Especially after the last avengers movie hits the cinemas. They may turn to shows like Arrow as an alternative.

Unless the show comes up with a brand new focus to pit Oliver against, beyond his own darkness, then… what? What’s the story?

Indications that John may become the GL means he’s available for other shows after Arrow ends.

Where Oliver goes, Felicity goes. The indications that Oliver will eventually step back from the hood keep ramping up.

They are leading the show towards the future: it’s an obvious passing of the baton.

They are limited in terms of comic origin as there’s only so much story they can pilfer from the comics before DC stop them.

They will need an intense, captivating original story to keep Stephen/Emily and the audience on board past S8 and where they go, the audience go.

We know Arrow won’t live past 10 seasons anyway.

Why I want Arrow to end after 8 seasons:

Too many new characters – unless the show axes at least two of the regulars, we’re never truly going to get the depth we deserve in the scenes focused on our mains… HOWEVER. You can also argue that they don’t need more depth because we basically know them inside out. Another reason right there.

Run its course - Arrow is that show. It isn’t even that good to be honest – the script is either amaze-balls or ridiculous and illogical, the action sequences take up too much space at times and continuity is a huge issue – however we love it as if it were made of gold. Despite our complaints, we watch it because it gave us something that most shows don’t. It gave us a love story for the ages that wasn’t supposed to exist and demanded acceptance of it. It dared so it has our respect.

However, Stephen said something recently. He said, all that remains of Oliver’s story is to leave a legacy. He doesn’t have to die for it to happen, but it has to happen. There two ways for this to be possible: have a baby with Felicity and become a legend. He’ll do both, huzzah! But, barring the immediate concerns of this story, there isn’t a whole lot of character building left to accomplish (suck it Barry/Kara) for Oliver. It’s all outside material. His sister is an issue too, but after this season, focus on him for her story won’t be required. I’m here for Oliver, then Felicity. Just them and in that order.

Thea’s story is done folks, save the peripheral. Whatever happens next for her doesn’t have to be on screen, though I will be stunned if she doesn’t come back for the finale of the series. I have no wish to see more of it, unless it’s Roy inclusive. Why? Because so much of her story kind of… IT BLEW, OKAY? I was bored to tears with her after season 4 and only season 2 and 3 interested me for her character and Roy was entwined in that.

Building a legacy doesn’t mean characters just… disappear - and they don’t have to. So regardless of the end, Felicity will be out there. So will Oliver.

Diggle. This is a big one for me. He’s been changing since Oliver and Felicity left 3.23, since he killed Andy. But we haven’t seen the Dig we know and love since 5.23. That’s 32 episodes. For me, if what was broken isn’t fixed by 7.22, then I truly won’t care what occurs for him in the future, beyond simple curiosity. There’s been too much damage. There’s changing into a different person and then there’s being likeable. One episode is all I’m asking. Believe it or not, I’m actually enjoying his progression, but it’s progression that falls away from the man we dearly miss. Since the chances of him becoming the green lantern has risen… I have to say, I’m not surprised at the idea that John could leave his family behind both literally and figuratively. He’s done it before. He’s doing it now, but it has less impact if his ties are loose and not taut. I need them tightening. 13 episodes are left on S7. He needs to take steps. So either Dig becomes the green lantern… or he dies. If either occurs next year, then S8 will most likely be the end anyway. OTA are the main fixture: they know it, they’ve said it. Once one of them leaves, it’s a ticking clock.

The longer the show lasts, the more time they have to screw up.

I can’t stand another crossover where Oliver is verbally battered for existing.

Too many birds give me hives.

Dinah has become the new boring and siren, the cordelia: I can live without both.

Curits is such a poor example of a human being, it makes me rage, which is unhealthy

Rene is finally interesting to me again, even if I don’t trust him because he’s a fickle sod… which means I never will. So, I can’t like his storyline.

I’m so done with watching Felicity be friendless and treated with disrespect by people that she has to refer to as heroes whether they’ve earned the title or not, I feel like writing fiction where she kills them all and Oliver just stands there in approval.

The longer Arrow lasts, the longer Flash lasts and… NO.

The longer Arrow lasts, the longer Supergirl lasts and… NO.

Since they aren’t doing a thorough Constantine Drakon villain – an enemy with the potential to be amazing since he very literally crucifies the green arrow – I really do miss the big villain. I miss Malcolm: he was twisted but he was effective. You were supposed to hate him. I miss Slade: he’s still my favourite villain. Adrian was the best but they took too long introducing him so he falls short of the tension pedestal for me. Despite being sucktastic, Diaz presents a decent conundrum: he’s supposed to be an arsehole that won’t die so he’s a constant threat. We don’t have to like him. So I desperately need Stan to return. I need that creepy/psychotic enemy that throws everyone for a loop. Without it, I’m not sure about the show’s moral integrity goes to that isn’t about revisiting old ghosts since it’s based on good Vs evil etc. I need to wait and see where they go with this: it could become an organisation or an idea (vigilantes for the people: who watches the watchman type thing) instead of a person and I’ve given up hope on a woman villain who doesn’t irk me. I don’t need 1950’s cheese ball KC: it’s not effective.

Felicity. Now… I love what they’ve done with her character, even in S6 for the most part! However, this whole idea that her wearing a mask would undermine the meaning is pathetic. You had a street kid and a lawyer wearing one after less than a few months of training, but sure: Felicity wearing one would destroy the significance. Now, in one part, this elevates her character: she is the character that all others must work off at least once. It makes her too important to loose: Oliver, Barry, LL, Siren, Ray etc. On the other hand, it limits her capacity and keeps her boxed in which is why S7 has been such a relief to may of us. But I would have loved to have seen this woman suit up: at least she’d be convincing. Any chance of us seeing it happen now are slim to none which is a shame because, to me, her potential is limitless. What we would have given to have everyone else react to her kicking ass and taking names in a mask, with a moniker, and a headset/vice that details the logistics of buildings, sends out Trojans etc. She’d be a nightmare.

I think one more full season (20 to 22 episodes) on top of the 13 remaining, is enough to close Oliver’s legacy if done right which… is a stretch to hope for.

With so many superhero movies in play, if gone on long enough, Arrow will no doubt attempt to copy them as they have done in the past to ill effect.

Another year of rude anons/haters making claims, demanding I do as they tell me, being ridiculous and being constantly wrong in my inbox would be a welcome subtraction in my life.

…And why I want it to live forever:

This show was the show that made me aware of social media. It’s also the show that I needed at a dark time in my life: I was jobless, friendless and things were happening with my family that were less than desirable: it was a grand distraction that borderlined obsession. Or passion. Hm.

Despite certain plotlines, illogical character progression, overused devices, and faulty scripts; it truly is a one in a million show. Very different from all other shows.

The actors can ACT… for the most part.

The CGI effects are good.

It’s angsty x 10

The love story is worth the angst

There’s always more story to tell with good characters!

Once Oliver achieves the status he deserves, I want to see him revel in it.

…A 10 episode season 9 that focuses on olicity alone because I want it so bad?

The chance to bring back Tommy somehow

The wonderful people I talk to online daily JUST because of this show

The genuine friends I’ve made JUST because of this show.

The fanfiction that will continue longer if the show does

The posts and metas I don’t want to live without

The asks in my inbox that I enjoy answering and the anons I enjoy engaging with

TUMBLR – (with the smut please)

If the show has a chance of lasting past season 8, then what I want to see is a season that focuses ONLY on Oliver… and I’d have it elsewhere. I’d have the government involved. Felicity too. Dig. Just them three (it won’t happen).

The chance to see Curtis crash and burn

The chance to see Dinah crash and burn

The chance to see Rene crash and burn

The chance to see siren… go away somewhere

Felicity in a mask

An actual 9pm slot that’s used to it’s fullest extent

A crossover that focuses on what could have been on another earth and you KNOW they’d have Felicity be the vigilante, with Oliver as the guy who loves her despite her violent escapades. OR another life where they’re regular people that fall into an elaborate conspiracy or something.

There currently isn’t another show that can fill the void that Arrow will create when it ends.

A crossover where Oliver/Felicity kiss no one but each other… please.

A crossover- nay, an ENTIRE SEASON, where Oliver is praised for alllll his hard work and sacrifice.

An episode that marks Felicity, truly, as irreplaceable, necessary and needed for every other character to shine.

An episode arc that allows Felicity to be the one that defeats the bad guy.

You know… YOU KNOW that at some point they’ll deliberately have DC and marvel intersect.

Unfortunately, the cons currently outweigh the pro’s. And if so, if S8 is the last, then that’s an AMAZING run time for a show that was supposed to be only 5 seasons. And the story had enough meat in it for me to be happy for it……… though when that occurs, I’ll probably need to book time off to recover because oh my god I can’t even imagine.

The idea, if true, is a sad one. But again, if true, it won’t be till 2020. We have some time.

[booksbookandmorebooks]

Homecoming - The Cinematography.

Hello my lovelies I’m back with my first post of the new year! i thought id start it off with something a little different. When looking at how much I upload and how sporadic my posts seem to be lately I started thinking about what else I do with my time (besides reading) and well, honestly my only other hobby is that I tend to binge watch a lot of shows. In the past month I have binged watched Alias Grace, The OA and shamefully quite a few more including the show I’m here to talk about today, homecoming. So, I thought why not incorporate my passion into my blog. So, from here on out this blog will not only be dedicated to books that I love it will also include my reviews on the recent shows I have been watching. I really hope you enjoy this little change up and enjoy my reviews.

So without further ado let’s get started!

This show is about a young woman known as Heidi (Julia Roberts) who we initially see harassed by a department of defence official. Who is extremely interested in the time she spent employed and head of the project formerly known as home coming. A facility described and branded as a a type of institute focused on helping former soldiers transition back to civilian life after their service and help them adjust. While jumping between the present day and a series of flashbacks we see our characters realise that not only have they been lying to the people around them they have also been lying to themselves and now is the time to face up to the truth and the repercussions of some very questionable choices.

Stats:

Title: Homecoming

Genre: Psychological thriller / Drama

Release date: 02.11.2018

No. of episodes / seasons: 1 Season – 10 Episodes

Episode duration: 25-30 minutes.

Main cast: Julia Roberts, Bobby Cannavale, Stephan James.

Rotten tomatoes rating: 98%

 So to start off with this show is not exactly your normal stero-typical show. If anything, the first half of episode one I was unsure if this was something I would actually enjoy. It all seemed a little too out there but I pushed through and once I had finished episode one I was hooked. The main issue I can see people having with it would be the odd shots and the odd pacing. These are one of a few topics I will be discussing and analysing below. While these factors can be a little daunting and seem a little pretentious, when you really look at them, they become so interesting to watch unfold. You can really let your imagination run with this series, it feels more like an art form in some senses than just a show. Instead of it being a throw away show that is trying to appear edgy, it genuinely provides the audience with this feeling of uneasy and eeriness throughout. This series not only stuck with me for the storyline and the shocking twists but also because of the intensity of emotions you feel when watching. When talking about this with a friend I realised that this show is more addictive due to the anticipation of what experimental shot or method we would experience next, more than overall enjoyment of the show.

 In this post I will mainly be talking about the methods ,themes and the many approaches the director and producers have used to create this show and how they in turn, translated to me personally.

One of the most common shots we see for the first half of the show are these downward angle shots, now im not massively into my media studies so there are most probably a fast amount of terminologies I am missing but bare with me. These shots tend to make you feel like you are watching an animal in a maze. You get to see the characters from a bird’s eye view and watch them wind their way around their surroundings. When watching this I couldn’t help but feel the characters, any characters involved in this method were puppets being watching and manipulated, Even the bigger characters who we initially believe to have power and control are being used. Almost like animals in a testing lab. This is confirmed for me when in the episode the camera pans out to reveal the design of the building our series mainly takes place in. It is a big building with huge celling to floor walls of glass. Almost like an observatory, furthering my theory of observation through testing, a theme we know towards the end of the series is very important to the story development.

Another very important feature in this series is the change in aspect ratio and how its used to differentiate the two time periods that the show is set in. (past and present) the use of this method while a little jarring at first (it had me checking the tv and the app when I watched it) is so clever because when jumping between two different time periods it is so easy to confuse the audience and risk the chance of the storylines becoming messy and convoluted but with this it was almost impossible not to follow. We see the present depicted with two black sections of either side of the screen and the past in full screen view. Now as I mentioned, this method while clever isn’t something that you would necessarily deem as clever. You may see it like I did at first, something there that has no real meaning, it is just to further the weird feeling this show creates, that is until episode eight. Contained in one scene that I won’t spoil for you; a particular character has a huge revelation and the director not only shows the severity and shocking nature of this through the use of facial expressions and music but the aspect ratio we have been used to seeing in the present is used to demonstrate the character being bought into the light. We see that in her moment the camera shot widens and the present is left in full screen mode. To symbolise that her character is no longer in the dark and she can finally see the bigger picture. Something that when it happened I had to take a minute to appreciate it. It blew my mind that how such a simple change can really impact the feeling that you have when watching a show like this.

While on the subject of time differences I want to also mention a more common method but one that proved just as effective. In the shots of the past the colours are all desaturated and have this sad melancholy feel to them which really do help show the vast dullness of our main characters present life. Especially when compared to the flashbacks. The bright lights, the white walls and open nature of the building our main character is working in, the fake over the top smiles everyone sports, the over helpfulness of Heidi when compared to the reclusive and reluctant (almost isolated) whisper of a person we now see. Simple yet, very very effective.

Now as I mentioned, after to talking to some friends that have watched this show the biggest problem most people seemed to share was the pacing. I often heard it referred to as an issue and while I can understand it from their point of view I have to very strongly disagree. This was not an issue for me, this show was not meant to be rushed. It was supposed to burn slowly and gradually to help you grow as a viewer alongside the characters. If this show was rushed the audience would most definitely feel robbed. A piece of art like this is not something to be watched flippantly in one sitting and be disregarded upon a pile of throw away trash tv. This is really something.

I feel the shows pacing is intentionally slow because it mirrors the story and the story telling method. The relationships are gradually built through therapy sessions, a method of help that is used to slowly help the victim. All those subtle sighs, glances and twitches that help define a character are lost if not handled with care and time. You’re not only watching these people, you’re growing with them. It’s a way to engage the audience without them knowing it. Hooking and drawing you in. it captivates you and on reflection once I finished this show, I was fascinated by how it managed to do such an amazing job at that.

Not only that, but at this pace you are provided with enough time to form your own opinions and feelings towards these people, their choices and their pasts, instead of being provided with a set narrative. This way your feelings are not dictated to you, you’re not presented with the black and white ideal of good and bad, in fact this show often tends to blur those lines. Making peoples seemingly bad decisions almost justifiable. We are provided with on numerous occasions scenarios that show not only the redeeming qualities of a person but their flaws and we are able to form our own views on them in our own time. Something that wouldn’t be possible without a slow burner.

I really could continue analysing this show because there are just so many amazing factors. From music to the close-up face shots or the intensity of the volume that changes so frequently but I will stop, I have to at some point. All my friends are bored of me talking this show up, so I suggest you go and watch it yourself. You can only learn so much from a review after all. But if you are looking for something that will leave you speechless and stay with you for weeks after, I can’t recommend this highly enough, if that’s not enough the amazing talent of Julia Roberts should at least tempt you a little. I really hope you enjoy the show and can start looking for your own explanations and feelings towards this alien methodology! Until next time have a great week!

[voxwrote]

GoT Season 5 Review (from ages ago)

Alright, it's taken me a little while to do but below is my somewhat garbled review of Game of Thrones season 5.

Keep in mind that there are spoilers for both Game of Thrones season 5 and all of the Ice and Fire Series up to the current book (A Dance With Dragons Part 2). It's long and boring but some of you might like it!

So after finishing Season 5 of Game of Thrones I thought I’d share my opinion as someone who watched the show up to season 4 then read all the books. I’ll split this up into plotlines and focus on each one separately and obviously feel free to tell me if you think I’m completely wrong.

Overall I found the season was pretty disappointing, it wasn’t necessarily bad from a critical standpoint but it took a while to hit its stride and while I appreciate that they have to tighten the narrative and drop certain plot lines it felt like some of the stories in this series were totally unnecessary and some scenes seemed to be inserted purely for shock value.

It’s a shame because I was actually very keen to see a show that was different to the books, I thought that it would be interesting to see how they took it in a different direction and would be good to see the characters handled by a different writer but I ended up just feeling a bit let down by it all. Below I’ve pinpointed what I feel are some of the high points of the series (because there were some still truly great moments that kept me watching) and some of the lesser points.

Dorne/Jaime

For me this was the most disappointing story of the series for me. In the books the Dorne plotline follows a kingsguard (Ser Arys Oakheart) who has been assigned to look after Myrcella during her time in Dorne. Over time he has fallen in love with Prince Doran’s daughter Arianne Martell and has broken his vows, he agrees to aid in a plot to smuggle Myrcella back to King’s Landing in a plot to put her into power over her brother. The plot is discovered and ends in tragedy with Arys being killed and Myrcella being maimed.

It’s a strong plotline with great characters but I would have totally understood if they cut the plot. It’s fairly inconsequential and would weigh down the TV series with the introduction of yet more characters.

Jaime’s plot in the books sends him to the Riverlands, sent away by a bitter Cersei who berates him and shuns him for letting Tyrion kill their father. He travels with the mute headsman Ilyn Payne and trains his left handed sword fighting with him at night while confessing all of his incest and past crimes (theorizing that Payne won’t be able to tell anyone on account of not having a tongue).

As Jaime travels through a land that’s still ruined from the terror of the War of the Five Kings he comes to realise that while he’s had the big picture he’s never taken a moment to think how all the fighting affects those who have little to nothing. It’s a humbling experience for Jaime and the pinnacle comes at the point where Cersei sends a letter asking Jaime to be his champion, he simply burns the letter and breaks the chains of the toxic hold Cersei has on him.

In the TV show Jaime’s character seems to have had a back step in character development, I feel during his time with Brienne he really flourished and started to realise that the world was something much different than he expected it to be, his name meant nothing and that was a huge wakeup call and he sees that you have to be more than just your last name. In this series they’ve just put two popular characters together on a comedy road trip and then lazily tacked political intrigue that in the end has no real impact on the story as a whole (at least from what we’ve seen so far). I felt almost cheated during the ending to that plotline as that could have been time focused on other characters, following Jaime’s book plot or including one of the plot lines that’s been cut such as the Ironborn plot.

It was refreshing to see Bronn again as he pretty much disappears from the books after Tyrion’s trial and isn’t mentioned again, Jerome Flynn really brings something to the character on the screen and he’s enjoyable to watch but I feel his character was really the only saving grace in this plotline. Doran was played very well too but he was sadly reduced to an exposition bit part.

TL;DR – Dorne seemed to be a filler arc which while beautifully filmed and well-acted seemed to fall short of the rest of the series in terms of character development and driving the overall plot. Screen time could have been better invested.

The Wall/Jon

This was a very mixed bag; it had some amazing scenes such as the Hardhome battle and some predictable and unnecessary scenes like Sam getting beaten up by his fellow brothers of The Night’s Watch.

I really enjoyed the scene where Jon is elected as the 998th Lord Commander and when he beheads Janos Slynt it really felt like they took the scenes from the book and put their own spin on them but in a positive way. It built tension nicely and overall this season I feel like Jon’s arc has been pretty consistent. Hardhome (a scene which hasn’t happened in the books but was planned to take place before Jon’s demise) was honestly a stunning set piece and I think probably the highlight of series. Tormund’s confrontation with the Lord of Bones was great and a fantastic example of one of the positive departures from the books, the mood of the scene was so tense it got to almost unbearable levels and I think the screenwriters, actors and the director really portrayed the bitterness of the wildlings but also their desperation and need to survive. The wights were portrayed in a good way, I’m really glad the main focus was on makeup rather than CGI and the scene where they try to tear down the gate and the reveal of the wight children was genuinely scary, It was one of those scenes that reminded me of Oberyn’s fight against The Mountain, it managed to make me feel a huge range of emotions in one scene. When Jon began to fight it was pretty thrilling and the cinematography really pushed this angle.

I enjoyed Jon’s fight with the White Walker even though it had a bit of an 80’s action movie feel to it I felt it kept within the scene enough. It was also good to see a little more of The Night’s King again but wasn’t too keen on his look, the CGI felt a little heavy handed to me.

Samwell’s part in the series felt redundant, in the books he travels to Oldtown with Maester Aemon and Gilly and I felt they could have done that this season instead of showing unnecessary scenes such as Sam being beaten up, frankly that scene did nothing except remind us that Ghost was there, Sam stood up to the men who were trying to rape Gilly but in the end he was reduced to being broken and battered. We know Sam has courage; this has been evidenced in previous series.

I will say that I extremely enjoyed Aemon’s funeral even though he dies on the boat to Oldtown in the books, it was very emotional and I thought the actor who played Sam really nailed that speech and though it was sad to see Aemon go, he was one of my favourite characters I felt this was a fitting end and was handled very well but again this could have taken place on the trip to Oldtown as it does in the books.

Jon’s return to the wall was really well handled; the scene where Alliser Thorne pauses just for a moment before letting him and the Wildling refugees in was great. I like the actor who plays Thorne a lot; he brings a bit of a human edge to the character that’s not really present in the books but I feel the screenwriters really went overdrive in making him a top notch knobhead.

As for Jon’s demise, I think it could have been done better. In the books someone enrages the giant and everything turns to chaos, in this chaos Jon gets stabbed. Jon receives a taunting letter from Ramsay and relinquishes his position whilst also asking wildlings and black brothers to fight with him, while stabbing might be a bit extreme I think it provides a bit more of a solid motive than “we don’t like wildlings”.

TL;DR – A very mixed story this season, Hardhome was the high point of this story and probably one of the big high points of the series. Samwell should have departed for Oldtown earlier but I did like that Aemon’s funeral took place on the wall, it added gravity to the scene.

King’s Landing/Cersei

Looking back over the series I think Cersei’s story arc was changed quite heavily but not in a way that affected the plot too much, a lot of the scheme to frame Margaery was simplified and I felt it worked for the TV show, you still got the same impact and the end result was the same, Cersei was the victim of her own heavy handed attempt at playing the game. She’s no stranger to botching attempts at politics but now she does not have Tywin to bail her out of trouble, Lena Headey gives another really accurate and interesting performance of Cersei.

My biggest problem with this story was the Faith Militant. In the TV series they seem to be depicted as people using the faith as an excuse for violence, even if this isn’t the case they aren’t as zealous as this in the book and seem to be genuinely devout and trying to protect those who cannot protect themselves. High Sparrow was on point though and portrayed with fantastic underlying malice by Johnathan Pryce, he really brought out the element of being completely devout while casting doubt into my mind as to whether his intentions were wholly good.

I was disappointed to see Kevan Lannister reduced to such a small part, he’s such an integral part of Cersei’s conscience and is a really interesting character. He came off as cold and arrogant in the show just like Tywin whereas in the books he is supposed to be the antithesis of his brother, a kind hearted man who while still understands the importance of self-image laments that he must keep to it over the love of his brother’s children and his own child (Lancel). Qyburn continues to be a favourite of mine, he’s portrayed so well.

Overall though I thought this was a solid part of the series and while some good characters have been removed and the plot has been simplified I think it still worked well, the screenwriters really emphasised how vulnerable Cersei is without the support of her father and when her name means nothing.

TL;DR – Strong plot and was well acted by all involved, some characters are missing and the plot has been watered down for TV but that’s not necessarily a bad thing. The Faith Militant are a bit too violent for my liking compared to their book counterparts. Very hyped to see Frankenstein’s Mountain fight.

Braavos/Arya

Maisie Williams continues to shine as Arya Stark, really enjoyed her story in this and it was pretty similar throughout the series up until the last few episodes which I felt muddled her story unnecessarily but I can see why they did it.

It was good to see they have brought back Jaqen H’gar, really enjoyed the way he played the character in the earlier seasons and I felt it made things a bit easier for the viewer not having to bring in new characters to get attached to. The books spend a lot more time going into Arya’s training and putting her in various different situations, this isn’t possible in the TV show with only two series left to go.

I didn’t like that Arya got her vengeance with Meryn Trant. It was certainly very gratifying to watch but I feel like it detracted from Arya’s quest to become more than a revenge fuelled orphan, in the books she’s also turned blind but it’s part of her training rather than a punishment. The other thing is that Trant never visits Braavos in the books so we don’t see the much darker side of him, I feel like the screenwriters put too much emphasis on Trant being a terrible person but I think it would have worked better if it was less clear, perhaps making us question how ‘just’ Arya’s quest is. In the books Meryn Trant is a guard who simply takes a bit too much pleasure in following orders, he’s a nasty piece of work but he’s not as terrible as he is in the show.

TL;DR – Great acting, good to see some changes made but the Meryn Trant plot line toward the end detracted from the experience.

Mereen/Daenerys

I feel like Daenerys’ story sort of pushed through the motions, until the end of this season I felt she was actually more of a supporting character which wasn’t necessarily a bad thing. We got to see the romance between Grey Worm and Missandei blossom which doesn’t happen in the book and I really enjoy the chemistry that those two actors seem to have.

I was very disappointed by Ser Barristan Selmy’s death, I felt it was unnecessary and that whole scene didn’t make sense. How did an elite fighting force get decimated by untrained rebels?

In the books Barristan is alive; running the city after Daenerys flew away on Drogon. I understand that his death is to make way for Tyrion Lannister performing a similar role (in the book he hasn’t met Daenerys yet, him and Jorah are currently outside the city walls). Quentyn Martell was also removed from the plot line, I can understand this though as it is pretty much a non-consequential plotline (a young prince from Dorne attempts to wed Daenerys and ends up getting burned by dragons when trying to prove his worth).

It was also a shame to see the Aegon plotline removed, again I can understand it being removed but in a sense I feel that its omission has served as a spoiler for the book. Does its removal mean that Aegon’s claim and conquest are ultimately unimportant? It will be a shame if so, I particularly like Aegon and his mentor Jon Connington.

TL;DR – It’s a shame they’ve removed great characters with great actors, the focus on the secondary players of Mereen was a welcome change this season.

Winterfell/Stannis

Stannis the Mannis, honestly I thought Stephen Dillane did such a good job bringing life to such a supposedly ‘lifeless’ character, It’s a shame his plot has been completely changed (or has it been simply moved forward? Again I fear that the books have been spoiled by the TV show’s need to cut out plot points). The burning of Shireen felt cheap and inserted simply for shock value, especially since we had a touching moment when Stannis said he would never send his daughter away and the normally stone faced Stannis shared a hug with his daughter, then he proceeds to burn her (his one heir no less, so even from a political/tactical standpoint it’s a stupid move).

In the book Stannis burns men who have resorted to cannibalism because of their dwindling supplies, he does this as a sacrifice/punishment/intimidation tactic to discourage others from doing it. It’s been mentioned to me that George R.R. Martin has said the Shireen being burnt is going to happen in the books but seeing as Melisandre, Shireen and her mother are at Castle Black I would assume that this will be done without Stannis’ consent.

Davos is my favourite character in the series and in the books. He’s one of the few characters I can really get invested in and know that he has a consistent moral compass, it was nice to see more of him in the series (he disappears for a while in the books after Stannis sends him to gain the trust of the Northern Lords).

When Melisandre arrives back at The Wall and tells Davos Shireen died the look on his face was harder to watch than any of the gore or acts of violence I’ve seen in the TV series so far, he genuinely looked heartbroken. My eyes got pretty sweaty during that scene.

Replacing Jeyne Poole (a character who is dressed up to look like Arya Stark in order for the Boltons to conduct a sham marriage) with Sansa was a smart move in terms of tying plots together but ultimately this plotline detracted from Sansa’s arc a lot. In the books she is continually developing as a political player in the Vale, putting her in the hands of Ramsay Bolton just took that developing independence and cunning wit and made her the vulnerable girl she was under Joffrey’s torment. I feel that the only thing gained from this plotline was Theon’s redemption.

Worth an honourable mention are Brienne and Podrick who have essentially done nothing this season. I think this removal was a shame because we get to see the two characters wander through the war torn riverlands and interact with some of those affected by the war, it’s a great storyline that shows Brienne letting her guard down to those who are affected most only to have that trust ripped away from her again by bandits.

TL;DR – Stannis seemed to take an inexplicable dive in intelligence and morals simply for shock value, Sansa got set back to square one, Brienne did pretty much nothing (except kill Stannis in a one minute segment) and Davos made this face which haunts me at night:

http://imgur.com/mRGFj3M

Conclusion

I know there are some characters I haven’t mentioned here but I’m only really mentioning the ones I noticed the most or felt most strongly about. I’m still going to watch the show; I’m not deterred by one off season when we’ve already had 4 absolutely fantastic ones. It is worth noting though that David Benioff and D.B. Weiss will not be attending the Game of Thrones panel at this year’s Comic-Con as they have done every previous year, I suppose they have anticipated that there would be some backlash from fans and I appreciate that they don’t really want to spend an hour justifying why they made changes to the book but it would be good to hear their philosophy behind some of the major changes, perhaps this would make it easier for fans to understand why the changes have been made rather than just a general “we cut it because we didn’t have enough time”. The creative decisions behind changing/cutting each plotline would have been both interesting and would have helped me appreciated the changes more I feel.

If you haven’t read the books, you definitely should. They’re extremely well written and I’m glad I read them after I started watching the show as it gave me a deeper understanding of the characters I’d already come to enjoy on screen for example Jon Snow’s chapters are more interesting than his TV arc because a lot of his emotion and the thoughts behind his actions are internalised.

If you read this far, thanks very much for reading the whole thing!

Here’s a picture of Jorah the Explorer’s new rap album.

http://i.imgur.com/6ILUVYQ.jpg

[the-desolated-quill]

Watchmen - Movie blog

(SPOILER WARNING: The following is an in-depth critical analysis. if you haven’t seen this movie yet, you may want to before reading this review)

A movie adaptation of Watchmen had been in development in some form or another since the graphic novel was first published back in 1987. Over the course of its two decade development cycle, being passed from filmmaker to filmmaker who each had their own vision of what a Watchmen movie should be, fans objected to the idea of a movie adaptation, describing Watchmen as ‘unfilmmable.’ Alan Moore himself condemned the effort to adapt his work, saying that Watchmen does things that can only be done in a comic book. But where there’s a will, there’s a way, and in 2009, Watchmen finally came to the big screen, directed by Zack Snyder.

I confess it took me a lot longer to write this review than I intended and that’s largely because I wasn’t sure how best to approach it. Snyder clearly has a lot of love and respect for the source material and tried his best to honour it as best he could. Snyder himself even said that he considers the film to be an advert for the book, hoping to get newcomers interested in the material. So how should I be looking at this film? As an adaptation or as an artistic tribute? More to the point, which of the three versions of the film should I be reviewing? The original theatrical cut, the director’s cut or the ultimate cut? Which best reflects Snyder’s artistic vision?

After much pondering, I decided to go with the director’s cut. The theatrical release was clearly done to make studio execs happy by keeping the runtime under three hours, but it comes at the cost of major plot points and character moments being chucked away. The ultimate cut however comes in at a whopping four hours and is arguably the most accurate to the source material as it also contains the animated Tales Of The Black Freighter scenes. However these scenes break the narrative flow of the film and were clearly not intended to be part of the final product, being inserted only to appease the fans. The director’s cut feels most like Snyder’s vision, clocking in at three and half hours and following the graphic novel fairly closely whilst leaving room for artistic licence.

Now as some of you may know, while I’m not exactly what you would call a fan of Zack Snyder’s work, I do have something of a begrudging respect for him due to his willingness to take creative risks and attempt to tell more complex, thought provoking narratives that don’t necessarily adhere to the blockbuster formula. Films like Watchmen and Batman Vs Superman prove to me that the man clearly has a lot of good ideas and a drive to really make an audience think about what they’re watching and question certain things about the characters. The problem is that he never seems to know how best to convey those ideas on screen. In my review of Batman Vs Superman, I likened him to a fire hose. Extremely powerful, but unless you’ve got someone holding onto the thing with both hands and pointing it in the right direction, it’s just going to go all over the place. I admire Snyder’s dedication and thought process, but I think the fact that his most successful film, Man Of Steel, also happens to be the one he had the least creative influence on speaks volumes. When he’s got someone to work with and bounce ideas off of, he can be a creative force to be reckoned with. Left to his own devices however, and his films tend to go off the rails very quickly.

Watchmen is very much Snyder’s passion project. You can tell a lot of care and effort went into this. The accuracy of the costumes, staging and set designs speak for themselves. However there is an underlying problem with Snyder trying to painstakingly recreate the graphic novel on film. While I don’t agree with the purists who say that Watchmen is ‘unfilmmable’, I do agree with Alan Moore’s statement that there are certain aspects of the graphic novel that can only work in a graphic novel. A key example of this is its structure. Watchmen has the luxury of telling its non-linear narrative over twelve issues in creative and unorthodox ways. A structure that’s incredibly hard to translate into any other medium. A twelve episode TV mini-series might come close, but a movie, even a three hour movie, is going to struggle due to the sheer density of the material and the unconventional structure. Whereas the structure of the graphic novel allowed Alan Moore to dedicate whole chapters to the origin stories of Doctor Manhattan and Rorschach and filling in the gaps of this alternate history, the structure of a movie doesn’t really allow for that. And yet Snyder tries really hard to follow the structure of the book even though it simply doesn’t work on film, which results in the movie coming to a screeching halt as the numerous flashbacks and origin stories disrupt the flow of the narrative, causing it to stop and start constantly at random intervals, like someone kangarooing in a rundown car.

Just as Watchmen the graphic novel played around with the common tropes and framing devices of comics, Watchmen the movie needed to play around with the common tropes and framing devices of comic book movies. To Snyder’s credit, there are moments where he does do that. The most notable being the first five minutes where we see the entire history of the world of Watchmen during the opening credits while ‘The Times They Are A-Changing’ is played in the background. This is legitimately good. It depicts the rise and fall of the superhero in a way only a movie can. I wish Snyder did more stuff like this rather than restricting himself to just recreating panels from the graphic novel.

Which is not to say I think the film is bad. On the contrary, I think it’s pretty damn good. There’s a lot of things to like about this movie. The biggest, shiniest gold star has to go to Jackie Earle Haley as Rorschach. While the movie itself was divisive at the time, Haley’s portrayal of Rorschach was universally praised as he did an excellent job bringing this extreme right wing bigot to life. He has become to Rorschach what Ryan Reynolds is to Deadpool or what Mark Hamill is to the Joker. He is the character (rather tragically. LOL). To the point where it’s actually scary how similar Haley looks to Walter Kovacs from the graphic novel. The resemblance is uncanny.

Another standout performance is Jeffery Dean Morgan as the Comedian. Just as depraved and unsavoury as the comic version, but Morgan is also able to inject some real charm and pathos into the character. You believe that Sally Jupiter would have consensual sex with him despite everything he did to her before. But his best scene I think was his scene with Moloch (played by Matt Frewer) where the Comedian expresses regret for all the terrible things he did. It’s a genuinely emotional and impactful scene and Morgan manages to wring some sympathy out of the audience even though the character doesn’t really deserve it. But that’s what makes Rorschach and the Comedian such great characters. Yes they’re both depraved individuals, but they’re also fully realised and three dimensional. They feel like real people, which is what makes their actions and morals all the more shocking.

Then there’s Doctor Manhattan, who in my opinion stands as a unique technical achievement in film. The number of departments that had to work together to bring him to life is staggering. Visual effects, a body double, lighting, sound, it’s a truly impressive collaborative effort, all tied together by Billy Crudup’s exceptional performance. He arguably had the hardest job out of the whole cast. How do you portray an all powerful, emotionless, quantum entity without him coming across as a robot? Crudup manages this by portraying Manhattan as being less emotionless and more emotionally numb, which makes his rare displays of emotion, such as his shock and anger during the TV interview, stand out all the more. It’s a great depiction that I don’t think is given the credit it so richly deserves.

Which leads into something else about the movie, which will no doubt be extremely controversial, but I’m going to say it anyway. I much prefer the ending in the film to the ending in the book.

Hear me out.

In my review of the final issue of Watchmen, I said I didn’t like the squid because of its utter randomness. The plot of the movie however works so much better both from a narrative and thematic perspective. Ozymandias framing Doctor Manhattan makes a hell of a lot more sense than the squid. For one thing, it doesn’t dump a massive amount of new info on us all at once. It’s merely an extension of previously known facts. We know Ozymandias framed Manhattan for giving people cancer to get him off world. It’s not much of a stretch to imagine the world could also buy that Manhattan would retaliate after being ostracised. We also see Adrian and Manhattan working together to create perpetual energy generators, which turn out to be bombs. It marries up perfectly with the history of Watchmen as well as providing an explanation for why there’s an intrinsic field generator in Adrian’s Antarctic base. It also provides a better explanation for why Manhattan leaves Earth at the end despite gaining a newfound respect for humanity. But what I love most of all is how it links to Watchmen’s central themes. 

Thanks to the existence of Doctor Manhattan, America has become the most powerful nation in the world to the point where its disrupted the global balance of power. This has led to the escalation of the Cold War with Russia as well as other countries like Vietnam being at the mercy of the United States. It also allowed Nixon to stay in office long after his two terms had expired. The reason the squid from the book is so unsatisfying as a conclusion is because you don’t buy that anyone would be willing to help America after the New York attack. In fact it would be more likely that Russia and other countries might take advantage of America’s vulnerability. Manhattan’s global attack however not only gives the whole world motivation to work together, it also puts America in a position where they have no choice but to ask for help because it was they that effectively created this mess in the first place. So seeing President Nixon pleading for a global alliance feels incredibly satisfying because we’re seeing a corrupt individual hoist by his own petard and trying to save his own skin, even if it comes at the cost of his power. America is now like a wounded animal, and while world peace is ultimately achieved, the US is now a shadow of its former self. It fits in so perfectly with the overall story of Watchmen, frankly I’m amazed Alan Moore didn’t come up with this himself.

It’s not perfect however. Since the whole genetic engineering stuff no longer exists, it makes the existence of Adrian’s pet lynx Bubastis rather perplexing. Also the whole tachyons screwing with Doctor Manhattan’s omniscience thing still doesn’t make a pixel of sense. But the biggest flaw is in Adrian Veidt’s characterisation. For one thing, Matthew Goode’s performance isn’t remotely subtle. He practically screams ‘bad guy’ the moment he appears on screen. He has none of the charm or charisma that the source material’s Ozymandias had. But it’s worse than that because Snyder seems to be going out of his way to uncomplicate and de-politicise the story and characters. There’s no mention of Adrian’s liberalism or his disdain for Nixon and right wing politics. The film never explores his obsession with displaying his own power and superiority over right wing superheroes like Rorschach and the Comedian. He’s just the generic bad guy. And I do mean bad guy. Whereas the graphic novel left everything up to the reader to decide who was morally in the right, the film takes a very firm stance on who the audience should be siding with. Don’t believe me? Just look at how Rorschach’s death is presented to us.

It’s very clear while watching the film that Zack Snyder is a big Rorschach fan. He gets the most screen time and there’s a lot of effort dedicated to his portrayal and depiction. And that’s fine. There’s nothing necessarily wrong with that. As I’ve mentioned before in previous blogs, Rorschach is my favourite character too. However it’s important not to lose sight of who the character is and what he’s supposed to represent, otherwise you run the risk of romanticising him, which is exactly what the film ends up doing. Rorschach’s death in the graphic novel wasn’t some heroic sacrifice. It was a realisation that he has no place in the world that Ozymandias has created, as well as revealing the hypocrisy of the character. In the extra material provided in The Abyss Gazes Also, we learn that, as a child, Walter supported President Truman’s use of the atomic bomb in Hiroshima and Nagasaki, and yet, in his adult life, he opposes Adrian’s plan. Why? What’s the difference? Well the people who died in Hiroshima and Nagasaki weren’t American. They were Japanese. The enemy. In Rorschach’s mind, they deserved to die, whereas the people in New York didn’t. It signifies the flawed nature of Rorschach’s black and white view of the world as well as displaying the racist double standards of the character. Without the context of Hiroshima and Nagasaki, Rorschach’s death becomes skewed. This is what ends up happening in the movie. Rorschach removes his mask and makes a bold declaration to Doctor Manhattan, the music swells as he is disintegrated, defiant to the last, and his best friend Nite Owl screams in anguish and despair.

In fact the film takes it one step further by having Nite Owl punch Adrian repeatedly in the face and accuse him of deforming humanity, which completely contradicts the point of Dan Dreiberg as a character. He’s no longer the pathetic centrist who requires a superhero identity to feel any sort of power or validation. He’s now the everyman representing the views of the audience, which just feels utterly wrong.

This links in with arguably the film’s biggest problem of all. The way it portrays superheroes in general. The use of slow motion, cinematography and fight choreography frames the superheroes and vigilantes of Watchmen as being powerful, impressive individuals, when really the exact opposite should be conveyed. The costumes give the characters a feeling of power, but that power is an illusion. Nite Owl is really an impotent failure. Rorschach is an angry bigot lashing out at the world. The Comedian is a depraved old man who has let his morals fall by the way side so he can indulge in his own perverse fantasies. They’re not people to be idealised. They’re to be at pitied at best and reviled at worst. So seeing them jump through windows and beating up several thugs single handed through various forms of martial arts ultimately confuses the message, as does the use of gratuitous gore and violence. Are we supposed to be shocked by these individuals or in awe? 

Costumes too have a similar problem. Nite Owl and Ozymandias’ costumes have been updated so they look more imposing, which kind of defeats the purpose of them. The point is they look silly to us, the outside observers, but they make the characters feel powerful. That juxtaposition is lost in the film. And then there’s the Silk Spectre. In the graphic novel, both Sally and Laurie represent the changing attitudes of women in comics and in society. Both Silk Spectres are sexually objectified, but whereas Sally accepts it as part of the reality of being a woman, Laurie resists it, seeing it as demeaning. The only reason she wore her revealing costume in A Brother To Dragons was because she knew that Dan found it sexually attractive and she wanted to indulge his power fantasy. None of this is touched upon in the film, other than one passing mention of the Silk Spectre porn magazine near the beginning of the film. There’s not even any mention of how impractical her costume is, like the graphic novel does. Yes the film changes her look drastically, but it’s still just as impractical and could have been used to make a point on how women are perceived in comic book films, but it never seems to hinder her in anyway. It’s never even brought up, which is ridiculous. Zack Snyder’s reinterpretation of Silk Spectre is clearly meant to inject some form of girl power into the proceedings, as she’s presented as being just as impressive and kick-ass as the others, when the whole point of her character was to expose the misogyny of the comics industry at the time and how they cater to the male gaze. Now don’t get me wrong, I’m not saying the graphic novel did it perfectly, but it did it a hell of a lot better than this.

Die hard fans have described the film over the years as shallow and ‘style over substance.’ I don’t think that’s entirely fair. It’s clear that Zack Snyder has a huge respect for the graphic novel and wanted to do it justice. Overall the film has a lot of good ideas and is generally well made. However, as much as Snyder seems to love Watchmen, it does seem like he only has a surface level understanding of it, hence why the attention and effort seems to be going into the visuals and the faithfulness to Alan Moore’s attention to detail rather than the Watchmen’s story and themes. While the film at times makes some good points about power, corruption and morality, it doesn’t go nearly as far as the source material does and seems to shy away from really getting into the meat of any particular topic. Part of that I suspect is to do with marketability, not wanting to alienate casual viewers, but I think a lot of it is to do with it simply being in the wrong medium. I personally don’t think you can really do a story as complex and intricate as Watchmen’s justice in a Hollywood film. In my opinion, this really should have been a TV mini-series or something.

So on the whole, while I appreciate Snyder’s attempt at bringing the story of Watchmen to life and can see that he has the best intentions in mind, I don’t think this film holds a candle to the original source material. 

[fallofrainblog]

Outlander Rewatch 4x03

I just watched season 1, episode 7 of Castle Rock (the Queen) which I would say is up there with the finale of Chernobyl as the best TV I’ve watched this year and so I thought I would channel some of the TV-related love into Outlander. Why? I don’t know. I’m still hungover from a Halloween party I went to last night.

- Oh no, Roger’s in this episode. I’ll try not to go on about it too much but I really do not like this man. I didn’t like him in the books and I don’t like him on the show. 

- Having said that, I enjoy Rick Rankin’s acting. Roger feels like a real person.

- I’ll give this show minimal points for carrying over some of the horror of the Rufus Incident into this episode, but I feel like they are very good at forgetting genuinely traumatic incidents, especially when they happen to Claire. This woman has been nearly raped about eleventy billion times, had a heartbreaking stillbirth, been almost burned at the stake, whipped, committed murder, almost BEEN murdered, had Stephen Bonnet stick his disgusting fingers down her throat, and will never see her daughter again, as far as she knows. I am begging for some small acknowledgement that even one of these things would have a huge negative impact on her mental health.

- I’m not even asking for a huge long production, just a little more of what we saw in je suis prest, when she had flashbacks. Maybe the show is afraid that digging into the real negative repercussions of choosing to live in such a dangerous time will detract from the Claire/Jamie love, or maybe they just didn’t have time for some character work, but either way they’re wrong.

- I love what they’re doing with Jocasta. She’s so pissed that they’re leaving and genuinely heartbroken but also so matter-of-fact? MDK gets so much across in really straightforward sentences.

- Also Jocasta’s furniture is so fucking amazing. I want that couch she has so bad.

-Jamie having to leave the lady who probably looks just like his mother is 😭. There’s a part of him that really doesn’t want to leave, which is interesting.

- I love Young Ian so much guys. “BUT UNCCCAA JAMMIIEE! IMA BIG LAD! YE CANNAE TELL MAE WHAT TAE DOOO!” 

- I like scenes where Jocasta and Claire have scenes together because it’s one Irish woman speaking in an English accent acting with another Irish woman using a Scots accent. I wonder what they sounded like in between takes.

- Ooooo Jocasta’s a slippery one. She plants seeds of doubt, not about whether Jamie loves Claire, but about whether she’s making his life harder by being with him. It’s a kind-of legitimate point in that the two of them can’t seem to stay out of trouble when they’re together, and Caitriona plays defiance and doubt and insecurity so well.  

- Clarence is here guys! CLARENCE IS HERE!

- Annnnd we’re in Boston! 

- Look, Roger and Brianna start out pretty cute. Sophie’s accent is much better and they seem really young and twitterpated, to borrow from Bambi. It’s not Claire/Jamie love but the first time I watched this it was nice to see a more realistic-looking romance. At first.

- The minister’s cat game is just Diana showing off her vocabulary lol.

- I have absolutely no idea what kind of timeline we’re on here (how long has Claire been in the past? I feel like it’s one year but I think anything from 6 months to 2 years is feasible) but that shot showing that Brianna/Roger/Claire/Jamie are in the same place, if not the same time, was a nice idea.

- I tried to play a drinking game called “take a shot every time Outlander shows a bald eagle” and my liver fell out halfway through the episode. It’s almost like they’re trying to tell us something about the location the show is set in. Not sure I’ve understood their extremely subtle message yet.

- Claire and Jamie love Ian! (as do I). When he says he’s going with Myers both of their faces say “not our babie boye!”

- Just noticed that Caitriona has dropped her Claire voice down a few tones. I love the little things they do to age their characters a little. Like Sam does the Scottish HHMMPH man noise a lot more in season 4.

- Riding a horse looks so tiring.

- THESE TWO HAVE SUCH GOOD CHEMISTRY. This is literally all I want from this show, the two leads interacting.

- Jamie speaking Gaelic to the horses is 💖

- As adversarial as the conversation with Jocasta was, Claire does think about it, which leads her to initiating a conversation with Jamie about what would really make him happy. I think one of my favourite things about this couple is that they don’t have any of that TV drama that’s caused by not having simple conversations. That’s one of my least favourite tropes and the series avoids that 99% of the time with them.

- I cannot BELIEVE I forgot that Jamie’s speech was in this episode! Gonna transcribe it real quick: 

“I was an outlaw when first we met. And an outlaw when you returned. If it was only me, I would live as one again. And when I was old, I would lie under a tree and let the wolves gnaw at my bones but it’s not just me. It’s you. And Ian. Fergus, Marsali. You understand? I would lay the world at your feet, Claire, but I have nothing to give you.” 

Stellar writing, and Sam knocks it all the way out of the park. I believe him completely. And the combination of the writing and performance really underscores how Jamie still has that young man’s wildness, but he’s old enough to balance that with responsibilities that he’s willingly taken on. It’s really beautiful and I love it. 

- Claire tearing after the mule on her own and getting into trouble is very on-brand.

- I find it really odd that Claire and Bree never set up a system so she could let Bree know she made it. Maybe this is just me exposing myself as a mama’s girl but I would be so worried for her.

- The Brianna/Roger date is cute! Well, up to a point. He has a very nice voice.

- Then it all goes to shit. I will provide a quick and factual summary so I don’t devolve into a ball of frothing rage: Brianna takes her shirt off, and she and Roger kiss. He stops, covers her with her shirt, and proposes. She says no. He is upset. She still wants to have sex, which upsets him further. He says that if all he wanted was to have his way with her he could have had her on her back a dozen times last summer. She slaps him. He explains that while he has had sex with women in the past, he assumed she was a nice catholic girl. He does not consider this hypocritical. In his opinion her hesitance to get engaged means that she does not love him. 

- If I was dating a woman who wanted to have sex when I wasn’t ready, I would simply communicate this to her like a mature adult. rip to Rogers everywhere but I’m different.

- Look, they’re in one more scene but I’m tired of them. That scene was a hot mess.

- Back to the 18th century we go! It seems that our heroine has been unconscious for at least a couple of hours. In real life she would most likely have severe brain damage, but in the world of outlander she is just a bit achy.

- Claire and Jamie are experts at bellowing the other person’s name into the ether.

- The scene with the ghost is so creepy and awesome!!! Outlander is so good when they put their minds to it. 

- Claire just takes that skull and crams it into her purse like that’s a normal thing to do. Keep being you, you wonderful weirdo.

- Jamie just unquestioningly accepts that a ghost brought them back together? I suppose once you’ve bought into time travel nothing shocks you anymore.

- Oh no, the green screen’s back. And someone accidentally layered on the matte filter.

- Cheesy ending but I forgive them!

That wasn’t bad! I would even go as far to say it was good!

Overall rating: a fine wee episode.

[joyofcrime-elinorhigh]

2017 Year in REVIEW: Part 1

 Hello everybody, my name is JoyofCrimeArt and man wasn't 2016 such a dumpster fire? I mean it was obviously the worst year ever in the history of the human race, I mean come on 2016! Why can't you be more like you're younger brother, 2017. I mean he was a great year!

Wait, are you implying that blaming an abstract combination of numbers for all of last years problems...wasn't the most productive way to fix things? I'm shocked.  But who cares about the harsh and often depressing reality of our own society? We have more important things to talk about today. Cartoons! Because while the real world has been imploding in on itself the world of animation has been through many up's and downs this year, and that's what I'll be talking about today. In case you didn't see my 2016 Year in REVIEW: (Which you can check out right here #humbleplug 2016 Year in REVIEW: Part 1) let me explain how this is going to work. I have compiled a list of several different notable events that happened in the world of animation over the course of 2017. I will go over these events is roughly chronological order all while giving my thoughts and opinion of each one. I won't be discussing anime or theatrical films for the most part however, as these are topics that I don't keep track of as much. So this list is mostly about television and internet animation. Also keep in mind that there is no conceivable way of me going over every series or piece of animation news that came out this year, so I had to slim it down to the most notable events. So sorry in advance if I glance over anything. At the end of the review, I will rank all the new series that I talked about this year in order from worst to best, give this year an overall grade, and in a new twist I'll be deciding which animation network "won" the year. The winner doesn't have to have the best shows per say. They just need to have a large impact, or show some kind of improvement compared to previous years.  Also I feel like I should just point out that this entire concept is completely stolen from online anime reviewer Gigguk's yearly anime retrospect series. He's a big influence on me and my reviews and you can check him out here. www.youtube.com/user/gigguk&nb…  Whether you like anime or not, he's worth checking out and he's a LOT funnier than I am.  So with all that said it's time to get into this. It's time for my 2017 year in review! We start the year off in a bit of an unexpected place, Youtube, with the first notable series of the year. Hasbro's "Hanazuki: Full of Treasures."

https://www.youtube.com/watch?v=vjaCeuL2YaA

You have diabetes yet? Just wait.  This is a show that really seems like it went under the radar for a lot of people, probably because of the fact that it was released on Youtube. Hanazuki, (voiced by Jessica DiCicco of Loud House and Adventure Time fame) is a young "Moon Flower" who lives on a small moon out in space. The series follows Hanazuki as she tried to protect her moon from a shadowy blob monster known only as the "Big Bad." She does this by growing "Treasure Trees," magical trees that can only be grown when a Moon Flower feels intense emotion. These trees are the only thing that can ward of the "Big Bad." Hanazuki must learns all about the complexity of emotions if she wants to protect her new home. And the series just get's stranger from there.  Now obviously this show is targeted at kids. Really little kids, like five years old at most. More specifically five year old girls...and I frickin' LOVE IT! C'mon, you should all know this about me by now! I...am not the most masculine person on the planet. And I love myself a good "girl power show"  And this just right up my ally. This show is basically what you get if you take Star Vs, Wander Over Yonder, My Little Pony, andInside Out, shove it into a blender, and cover it in rainbow sprinkles. It's just to adorable for me to not recommend. 

https://www.youtube.com/watch?v=CGBSdYGA9II

 But not only is the show cute, it's also actually pretty good. Like it's nothing super complex or anything, but it is a show that can appeal to both kids and adults. (I swear!) Hanazuki is a really likable character. If you've read my web comic, Elinor High, you know I love myself any hyperactive cute girl. But what makes Hanazuki stand out from other hyperactive cute girls, you may ask? She got sass! Sure, show's nice most of the time, but she's not always the typical sunshine and rainbows protagonist you usually see in these kind of shows. She get's upset, and frustrated, and she can even be kinda snarky when people tick her off. Not only does this help give her some more depth, but it also helps support the shows theme of emotions.  The show has a real Inside Out vibe in terms of how it tackles emotions. The series really plays up the point that ALL emotions are important. Emotions like sadness, anger, and fear are treated as just as vital as happiness, bravery, or love. It's a message that you don't see talked about very much, but I think it's an important one.  Another thing I feel like I need to praise is the shows animation. It's flash, but it's TV quality flash. And they really make up with any faults the animation may have by having simply fantastic coloring. Purples, Blues, and Pinks are the colors of the show and it really pops, giving the show this colorful, sci-fi look. Especially when they go to the dark side of the moon, and the animation goes full black light poster.  However the show is far from perfect. Like I said, it's skewed young, so don't expect any super complex character writing or anything. Also the Hemka's, these little alien rabbit things that Hanazuki befriends, tend to come off as more annoying then lovable. There not Minion or Rabbid bad, but there in the same category. Also this show tries to be a "lore show" and it's kinda hit and miss. Some things, like the origins of the "Big Bad" and the exploration of the Moon Flowers and there powers are genuinely interesting. But other times it seems like the show is trying to take it'self to seriously. Like when we learn about the character Sleepy Unicorn's tragic, war torn backstory. No that's not a joke, that's a thing in this show. And it's not badly or anything, it's just kinda hard to take seriously when it's about a character who's name is Sleepy Unicorn!  Also, I quickly just want to talk about how the episodes we're released. Eventually they switched to just weekly uploads, but at first the episodes were released in nine episode bombs. And these bombs would always fall under the full moon. That's some black magic shit right there! I could go on, but I have a lot more stuff to talk about. This show is not for everyone. It's not going to have a super complex plot or characters, or tackle any heavy themes like some other shows that are out now of days. But if you just like some fun, cutesy fluff like I do, it's definitely worth a watch. Especially since it's free to watch legally on Youtube.  But hey, Do you remember those guys from that show, Regular Show?  Well they turned there park into a bio-dome.    And there still Regular Show....  But there in SPACE!

That's right, Regular Show, one of the defining shows of modern cartoon era, finally came to an end. Just like with the Gravity Falls finale that I talked about last year, I will be going into spoilers, so if you haven't seen the finale yet and want t go in completely blind (which I do recommend) I suggest scrolling past this part and continue reading once you see the words in bold. So (SPOILER WARNING!)  Much like the Gravity Falls ending, the hour long Regular Show finale does have it's fair amount of problems. There is a good amount of padding, there are some plot hole regarding how the whole "universe restarting itself" thing is suppose to work. (Like how Benson, Muscle Man, Skips, and co all get destroyed and yet are brought back even though they stopped the universe from resetting. Also, Anti-Pops, despite the shows best efforts, failed to really come off as that interesting or threatening of a villain, for me at least.  ...But for the most part none of that matters.  Because when you come down to it, plot holes and inconsistency don't matter as long as the emotions resonate, and that's what this special did. It was everything a Regular Show fan could want in a finale. Filled with meta call backs from Mordecai and Rigby being transported back to the first episode (and the final part of the finale having the same title as the first episode) to Pops being sent back to the original student film that inspired Regular Show, it really felt like a celebration of how far the show had come. I don't want to go into HUGE spoilers even though this is the spoiler section, because I want people to watch this for themselves, but a sacrifice is made in this finale and it really sticks. That's something that even the Gravity Falls finale, which is amazing in it's own right mind you, didn't have the guts to do. So I applaud the show for having the balls to go through with the decision.  The episode ends with a montage of the characters as they age, ending with a final scene set twenty five years after the finale. I love endings that do this, and it's one of the most emotion scenes I've seen in a finale ever. The ending is made even more powerful by the music chose used for the scene, David Bowie's "Heroes." The fact that David Bowie had just passed away not that long before the finale aired made the ending seem even more bittersweet.  I'd say that the Regular Show finale lies pretty close to Gravity Falls in terms of endings. I think the Gravity Falls ending has a better first forty five minutes due to having a better villain and just having a grander feel to it, but I honestly do think that Regular Show has it beat in terms the last fifteen minutes, due to just having a (slightly) more emotional pay off, done mostly without words. I think Regular Show chose the perfect time to end, and I'm glad it ended on a high note.  And to celebrate this occasion, Cartoon Network decide to have a Teen Titans Go! Marathon to celebrate Martin Luther King Day...That was nice of them.  (SPOILERS NOW OVER!)  And speaking of a show going off on a high note let's talk about...the complete opposite of that. Hi, Fairly OddParents!

https://www.youtube.com/watch?v=0XgwUp-SO7k

So yeah, let's talk about Fairly Oddparents again. Just when you think it can't sink lower, it does. As halfway through season ten the show had switched from tradition animation to flash. Now remember when I said that Hanazuki was animated in flash, but it's TV quality flash despite being a web series? Well Fairly Oddparents decided to do the opposite of that and have a TV series with late nineties internet quality flash. Seriously, I haven't seen a show with flash animation this bad since like, the mid two thousands at least. I've legit seen web series, like Homestar Runner, that have better flash! It's actually kinda incredible!  And just when you think things can't get worse, it does, as the show get's moved to Nicktoons. The retirement home of Nickelodeon shows. The final episode of season ten of Fairly Oddparents ended up airing later in the summer and, from what I can tell, it had no real big final episode. The show has yet to be renewed for an eleventh season, and since it's on Nicktoon now, I really have doubts that it'll happen. It is very possible that that season finale was Fairly Oddparents final episode.  I know a lot of you reading this are probably ecstatic at the news that the show is finally over. I mean to many, it was a shell of it's former self. But I'm honestly just kinda sad that it went out like this. Fairly Oddparents was Nickelodeons second longest running show, only behind Spongebob. And it was just got shafted. No fan fair, no special last episode. Nothing. I mean if a show as long lasting as Fairly Oddparents can get treated like this, then who's to say that the same won't end up happening to say Spongebob, or the Loud House, once there popularity starts to dwindle.  Like I said in the 2016 year in review, I'm never happy when a show ends because I know every show has it's fans and a lot of people are out of a job, but from a strictly artistic standpoint, it was time for the show to end. And from a business standpoint Nickelodeon didn't have a need for it anymore. Though it is still a bit bittersweet, seeing a show that was a big part of my childhood go.  But it's not all bad though, because as one door closes another one opens, as Butch Hartman created a new show for Nickelodeon, Bunsen is a Beast. Is it any better than modern FOP?

https://www.youtube.com/watch?v=Yccs2D7WvkA

 ....Eh, It's about the same really. The flash is a little better...I think.  Yeah, if you can't tell, I'm not that crazy about this show. The series follows Bunsen, a beast who transfers to an all human school, and Mikey his human best friend and the adventures that they go on. Honestly this show just doesn't seem to offer anything that new or interesting. Bunsen and Mikey are you're stereotypical happy go lucky idiot protagonist that a lot of Nickelodeon shows seem to have and most of the humor seems to be made up of the same "monster/alien has weird biology/culture/abilities" jokes that we've seen a million times before. There don't seem to be any concrete rules on how "Beast" work, it just seems to be whatever the show thinks is funniest in that exact moment. And rarely does the comedy land.  There are a few things about the show that are funny, however. Like the show's villain, Amanda. She's the cliche "character who hates the good guys and the world hates her" character and the cliche "racist villain" character all wrapped up in one package. However, what redeems her at least a little bit is just how over the top and hammy she is. She kinda feels like what would happen if you combined Vicky and Mr. Crocker into one Character. There's also this one really depressed ice cream man voiced by Jerry Trainor. Those two characters can get a laugh out of me. But as for everything else, not so much.  The show has also been moved to Nicktoons. So I don't see it getting a season two. So what now, is Butch Hartman's career over? Well not so fast, because as your second door closes another one opens, and in this case that door is Youtube.  That's right, Butch Hartman started his own Youtube channel! And I'm not just talking like just a small Youtube channel as a side project or anything. I mean like a regularly updating drawing Youtube channel that has done collaboration projects with the likes of Thomas Sanders, MatPat of Game Theroy, and Ande the Black Nerd. And it's...kinda great. Though full disclosure, Butch Hartman is a fifty year old dad, and it REALLY shows. He's is trying so hard to be hip with the "Youtube generation", and I commend his effort, but it never works. Ever. His channel might be the cringest channel on Youtube, but God damn it he's just so earnest that it's hard not to love. Some videos of his aren't that bad, like his "Danny Phantom: Ten Years Later" series. It's fun and interesting, and kinda makes me want to see a Danny Phantom continuation. But then he has videos like his  "Drawing Anime Characters In the Fairly Oddparents Style" series that are just...hard to watch. Like, I own all ten volumes of the Watamote manga and I think I've cringed less reading all of that then watching one those videos. You should check out his channel though. It's...interesting...to say the very least.  Meanwhile however, the animation community needed a new show to become the hot new thing. And then, after thirteen years of wait, the samurai returned.

https://www.youtube.com/watch?v=2Uxbp18y49E

 I already did a full review of Samurai Jack season five, so I'm going to make this brief (Link if you want my in-depth thoughts: Samurai Jack Season Five REVIEW:) Samurai Jack season five has a lot of really good things going for it. The animation is superb, featuring all of the things that made the animation of the first four seasons so amazing, but improved upon with modern animation technicians and the High definition. The series is also dark, while not losing touch with it's roots. The series tackles heavy issues like PTSD, depression, suicide, parental abuse, and does so without coming off as edgy. It feels like a natural progression from what came before, and never goes too dark to the point where it becomes unrecognizable from the Cartoon Network series. There is still that hopeful and optimistic element buried beneath the surface. It shows that you can have a smart and dark adult cartoon without the need for an alcoholic, womanizing, nihilist who hates himself. You can make a dark cartoon about...other things! Amazing, I know.  However, the show does have it's fair share of problems, that become more and more apparent as the season goes on. The pacing feels very rushed at points. The romance, while I think could work if given more time, is tacked on. And while everything else is much darker in tone, Aku seems to have become even less threatening than he was in the Cartoon Network days. The show first half is definitely better than the second half. However, despite it's flaws, I still really enjoyed the final season, and am glad that adult swim brought it back. It was definitely one of the more enjoyable cartoon events to happen in 2017.  Nickelodeon announced a theatrical Loud House movie for February 2020, and unlike the Adventure Time movie I actually think that this movie may come out. It has a date, the Loud House is still popular as of the time of the announcement, (Though only time will tell if it'll still be popular by 2020.) and it's Nickelodeon, who have more experience with making theatrical films. We don't know the plot yet, by my guess is that it'll involve some kinda government conspiracy. The Simpsons, Recess, whenever a slice of life cartoons get's a theatrical movie it tends to involve some kind of government conspiracy. I may not be a big Loud House fan, but I'll still see this in the theater. In general, if a traditionally animated film comes out in theaters I'll see it just to support the medium.  Meanwhile adult swim pulled the biggest animation trolling of the year by airing the season premiere of Rick and Morty on April Fools day unadvertised. Causing the whole animation community to drop everything they were doing to catch it. The ran the episode eight times on loop, preempting the much anticipated Samurai Jack causing a war in the fandoms. Which side where you on? Rick vs Jack. Comedic depression vs serious depression. Wubba lubba dub dub vs EXTRA THICC! Blood would be spilled!

Oh, and Dragon Ball Super was prepted too. And nobody cared.  Understandably, many people were asking why they didn't just run Rick and Morty six times, and lets Samurai Jack air as well. And while no official answer has been given many people including myself theorize that adult swims deal with Toei and Dragon Ball Super may have been the reason. However nothings been confirmed.  Now I bet a lot of you are expecting me to be annoyed at this given how much you know I love Samurai Jack and how much I...don't love Rick and Morty but honestly I didn't mind it too much. Not only did this make it so the last Samurai Jack aired on my birthday, (I couldn't watch it on my birthday, but still.) But also the sheer number of memes and salt this created gave me much more enjoyment than I lost by being disappointed. Well played adult swim.

https://www.youtube.com/watch?v=aiLk619tHgE

 An Invader Zim TV movie was announced and, wait really?! For real...like for real real? Okay, just checking. Invader Zim is getting a TV movie, slated to come out some time next year. Geez, between Zim, Hey Arnold, Samurai Jack and Young Justice it seems like every show that got cancelled without a proper finale is coming back! I am hesitant of a lot of these Nickelodeon TV movies, as personally a lot of them feel like there just there for nostalgia sake, and no other reason. But this is one I can get behind. Invader Zim ended without a proper conclusion and the fan base is so loyal so yeah, it deserves a finale. Though personally I would of preferred another season like Samurai Jack, cause honestly I don't know how there going to fit all the dangling plot lines into just ninety minutes, but hey beggar's can't be choosers.  And speaking of continuations Cartoon Network made one for there hit show, Ben 10. Everybody love's Cartoon Network's continuations right? Right?!

https://www.youtube.com/watch?v=T8Y7pk2qt-I

Well the show got Ben's original voice actor and the shows original creator back, so it must be great right guys? Right? I mean that's all it takes to make a good reboot, right? That's what you all said last year! REMEMBER!  Yes, I'm still bitter.  Now I know that technically this show came out last year in other countries, but as a privileged while male American I refuse to acknowledge that other countries exist. Now I've never watched anything in the Ben 10 franchise, outside of the occasional episode that I would catch here or there. It was not a show I followed all that much. So I can't really review it in comparison of the old show like I can for say the Powerpuff Girls reboot. However, I can try to review it as just a casual watcher, and as a casual watcher the show is...fine. Not great, not awful, but fine.  It's clear from the get go what this show is trying to do. It's the Teen Titans Go-ification of Ben 10. Eleven minute run time, a focus on comedy, a much cartoon-ier art style. Let's not kid ourselves here. However, the show does have something that TTG and PPG2016 lack. It's still a superhero show. And that shocked me when I first saw it. I was sure this was going to be another sitcom with capes, but it's actually a more traditional monster of the week super hero comedy. Kinda like the original Powerpuff Girls show, except nowhere near as funny.  One of the biggest changes that even I can notice is the difference between how Gwen is written. Even never watching the old show, I know they toned down her responsible know it all-iness to make her act much more like a kid. I don't know how Ben 10 fans feel about this but I don't mind it to much, as it does make her feel like a more realistic ten year old, at least for me.  However I can't praise the show to much. The show, as a whole can be just summed up as fine. The comedy is fine. The action is fine. The characters are fine. And as someone who has to experience with Ben 10, fine wasn't enough to really grab me. However if the show is on and nothing else is on, it works as good background noise, I guess. It's perfectly serviceable. Put that quote on the back of the DVD box CN.  Uncle Grandpa ended this year with an unadvertised final episode. Uncle Grandpa was a show that I never super loved, but I did feel like there was a lot of passion that went into it. However, like I said last year, Cartoon Network has a lot of new shows coming out and you got to clear space, and at five seasons it had a good run. And to celebrate this occasion, Cartoon Network decide to have a Teen Titans Go! Marathon to celebrate the Fourth of July.  I'm starting to sense a pattern...  Meanwhile in the world of the internet, Netflix decided to try to prove that not all video game cartoons are terrible with Netflix's Castlevania.

https://www.youtube.com/watch?v=yy_FWdbnvM0

Now like Ben 10, Castlevania is not a franchise I know very well. All I know is that it's about a family legacy of people who are consistently forced to fight vampires. Also people keep telling me it's not Jojo's Bizarre Adventure, but I'm not incline to believe them! Cause I'm pretty sure that it IS Jojo's Bizarre Adventure and that this is all just a very elaborate Jojo's reference. But moving on, how is this show?  I'll start with the pros. The animation is incredible. Like, really incredible! There are some establishing shots that look almost live action there so detailed. Also despite how much the show looks and feels like an anime it is one hundred percent American produced. It's actually made by Frederator Studios in fact. Wait...THAT'S why Fairly Oddparent's flash looks as bad as it does. Frederator took literally ALL of their  budget in order to fund Castlevania. It all makes sense now!  The show also has this kinda interesting post apocalyptic middle ages aesthetic to it that really remind me of Attack on Titan. I also want to praise Netflix for making an American action show for adults. Outside of Samurai Jack, which had already ended by the time this aired, we don't have many of those. I also admire Netflix for being one of the only networks to be keeping action oriented American animation alive...  ...But that's really all the positives I have to say about this show. I'm sorry everybody, I know at this point I might come off as a hipster for not liking so many popular shows, but I just don't like this show. At all. I was ready to LOVE this show, but I just don't.  Now I feel like in order to be a fair critic I need to be upfront with my background a bit. I grew up in a quasi-religious family. What I mean is that we were raised to be religious while never actually going to church. But I'm not someone who get's offended when my faith is made fun of if it's done in a clever or humorous way. I am one who is always open for a discussion, and like hearing other points of views. I just wanted to make that clear from the get go.  I bring this up because this show has a HUGE hate boner towards organized religion! And it's very distracting!  The church in this show is depicted as the most vile, evil, despicable group ever. Now I'm not going to pretend that the church has always been the best throughout history, but it's total overkill. If you're in the church, there's a ninety nine percent chance you're evil. They are the main villains of the first season. But I'm not mad because I'm offended or anything, I'm mad because the corrupt church is such an overused cliche, and they do nothing new or interesting with it. I'm upset because it feel less like I'm watching a show and more like I'm being lectured. It's frustrating because I thought I was going to get a show about fighting vampires and that's not what I got. I don't know Castlevania, maybe this is part of the games. But whether it is or not it doesn't stop from being a major flaw. And it wouldn't be a big deal if the show didn't make it such a big deal out of it. Most of the show is this. They're is a shocking lack of monster or vampire fighting in Netflix's Castlevania. There's some, and when there is some it's really cool. But you have to get past a lot of lecturing to get there.  Also the characters are really unlikable. Trevor Belmont starts the series completely willing to let an entire town of people get destroyed by a hoard of demons. And I know part of the point is that he learns his lesson at the end, but that's a really vile place to start you're main character at. And the development to want to save the town comes kinda out of nowhere, and that's probably due to the shows terrible pacing. The character development feels rushed, while the actual pacing of plot events feel dreadfully slow, making the four episode season feel more like the TV movie designed to set the show up more than a proper season. I've never seen a show that was both too rushed and too slow at the same time before this show.  But with all of that said, I do have some hope for season two. Like I said, the whole first season felt like a pilot movie to a series. And the ending implies that season two is when the shows going to start getting into the real meat of things. And with the church defeated I'm hoping that we can actually focus on fighting Dracula. Y'know, what this show should of been about from the start! But we'll have to wait till next year to know how it plays out.  Also I can kinda look past this but the show is very historically inaccurate when it comes to religion. If they're in Transylvania, then the church should be Eastern Orthodox. And they didn't do much witch burning. Heck, most churches didn't do much witch burning. The grand majority of witches were hanged. Just FYI. But let's move on...

 Luna Loud is a bisexual.  ...

 And Star Vs the Forces of Evil had a TV movie, which is cool! Back in the early to mid 2000's every cartoon had at least one TV movie, but now you barely ever see any. Probably because cartoons now of days have more continuity, and thus don't need movies in order to tell larger plots. But still, it's cool to see them return. As for the movie itself...it was definitely...um...  Okay, I'm going to level with you guys, I'm actually really behind on Star Vs. The last episode I saw was the penultimate episode of season one. I didn't stop because I don't like the show or anything. I like it well enough, and from what I hear the show gets a lot better right around the time I stopped watching. It's just that my family lost cable for a while, and then I fell so far behind that I couldn't catch up with reruns, and then I got preoccupied with other stuff...I'll catch up to it someday! It's on my "To watch" list. (Similar situation happened with the 2012 TMNT show. Missed a week once by mistake, tried catching up but got up to the first two seasons.) So i didn't watch this movie, and I have no idea what most people thought of it. But I still think it's cool that the TV movie was brought back. Seriously, outside this and Regular Show what was the last non pilot cartoon TV movie to came out? And multiple episode aired in a row don't count, it has to be marketed as a movie!  And on that awkwardly segwayed note, we wrap up the first half of 2017 in animation. But threat not, the fun is only just beginning. So come back next week for 2017 Year in REVIEW: Part 2. What are you're thought on any of the shows/events I talked about today? Are there any that I missed? Leave all those thoughts and more in the comments down bellow. I would love to hear them and start a conversation, Even if we don't necessarily agree with each other. Please fav, follow, and comment if you liked the review, and have a nice day. (I do not own any of the images or videos in this review. All credit goes to there original owners.)

https://www.deviantart.com/joyofcrimeart/journal/2017-Year-in-REVIEW-Part-1-721422027 DA Link