#I’ll probably rewatch an episode once a week until it returns to keep track and not lose my mind

[itsalwaysagirl]

I am FINALLY caught up with Doctor Odyssey, and I cannot wait for March 6

Also poly rep on ABC? National television??? Who would’ve thought

[innermoonlight-bhe]

Me, again, on Destiel. Please read.

I’ve been having problems all this month. And while I was self-exploring the reasons of my uneasiness, I tracked it back to 15x18. When I first watched the episode I had lots of unresolved feelings. I felt happy and at the same time really distressed. After waiting for two week for the end of Supernatural I thought those feelings would disappear but they just kept on getting stronger. I began feeling stressed and, this last two weeks, feelings just empty. I had no desire to do anythings, like I was lost. Yesterday I realized why and got me sad and mad at the same time. I don’t want to take a lot of time writing this but there are too many emotions and rational thoughts that don’t let me sleep at night. 

This is why I want to divide this text into two parts:The first one being the queerbating debate on internet. This includes the normalization of heterosexual relationships, audiences, plots and writing, marketing and advertising, and other things that have to do with t.v. industry. In specific, the rare case of CW and its treatment of the whole Supernatural family. In the second part I would like to focus on my personal experience, which I’m sure is same to most people who were left all alone in this Destiel world of disappointment. This last one you can decide to ignore or share with me. The one that i’m most interested is that you read the first part, even though it can seem a little out of context, since I’ll be referring to another tv shows of the CW.

 FIRST PART THEN OF THE DESTIEL OPINION:When I was left so sad after the queerbaiting I began watching a famous soup opera aka telenovela, called Yo soy Betty, la fea. It’s famous worldwide and I felt it like a comfort home after all the Destiel drama. It made me happy because the story plot is only one: the heterosexual couple that falls in love. Of course I’m reducing this too much, but the point is that yesterday, after I finished watching it, I realized that even though the main couple had problems at the end the audience knew they would’ve ended together. It did happen, in the anti-last episode, same as in supernatural and the Cas confession. The two further episodes centered on the happy conclusion on the story. There are clear points to establish:

Point 1:  Supernatural was born as a serious mainly centered on two heterosexual man traveling all along a country hunting monsters while looking for a father. Meanwhile a classic telenovela centers on a love couple who fight against everythings to be together; in this case it’s establish since the beginning and no one will except anything else. 

Point 2: Meanwhile telenovela’s audiences are destined to be woman, wanting to follow the classic love story; Supernatural was being male focused actually did excepted woman but also men watchers. Supernatural had a largest specter of viewers.

Point 3: Telenovelas are not willing to change the story for the audiences desires. They work with practical and classic formulas that rarely will fail. There’s no necessity to receive a feedback to complete. Supernatural and tv series, on the other hand, actually need the feedback from the viewers because on it depends their permanency on the screen. 

Supernatural needed to keep their viewers high so the show could continue. I’m gonna leave the classic telenovela out for a moment. It’s important settling this differences to approximate myself to the basic point of my madness: how unethical is the queerbaiting.The public opinion changes, and The CW having clear this is very know to keep in touch with fans wishes and needs. In the case of Jane the Virgin, a barely combination of the telenovela classic plot but in a tv series way, had a big “change” with one of their main characters: Petra. Her connection with the main character, Jane, was noted and wanted by many of the viewers. But the show’s creator knew that main plot (point 1)was a girl who accidentally gets pregnant and eventually falls in love with the love of her life, Rafael. So the show writers wouldn’t just change this main plot in order to make a couple happen, so instead they gave the public what they wanted by making Petra bisexual and introducing a perfect girl for her, also called Jane, to deliver the wish of fans. This relationship worked purely and on its on. The reactions with Petra bisexuality were low, and they took care of it as if it was something normal and not anything that needed satanizing. No one could be expected to freak, not even Petra’s twins. Even though the first seasons Petra only had male relationships. This is a good thing that The CW did, but they didn’t do this out of the goodness of their heart: they did it for views and for the audience (point 2). Jane the virgin was also planned to have female audiences and to treat serious social issues respecting sexuality and love. This is why it didn’t came as a surprise. 

Then why did Destiel couldn’t happen? Because the CV is homophobic? Probably there’s some of this in it, but the reality it’s they weren’t giving up on the part of the audience that is actually homophobic, or that at least won’t feel comfortable watching a heterosexual character discover himself as bi. The thing of the audiences is important because the “ambiguity” in which Cas’ confession was treated worked perfectly for them: it gave exactly the sufficient enough to keep us happy, meaning while keeping the perfect amount of “friendship”. So anyone can take whatever they want for the story. By this part I understand why they wanted to deal with this confession in an ambiguous way: to please everybody. But why did they wanted to please everybody? It wasn’t out of kindness of their heart, it was for views.The whole queerbaiting debate has being on the tables for a long time but we also ignore the unethical implications on it. It has been used by many contemporary media, to hint at something that the producers are not expecting to happen any time. And even though, they keep on teasing us. This is highly unethical because the reason behind them is the accumulation of money. Supernatural survived because of Destiel. I resisted myself to say this because I had respect for the series until I stopped watching around season 10. The story and plots were doom, repetitive and boring at times. We keep watching for the emotions caused by the supernatural family. Not only Destiel but Sam and all of the characters. The original plot explained in the point 1 was lost and blurred, we were far away from that premise and that was why the finale episode feel just bad. 

The show had chances to grow without losing the origina plot but also confronting change and accept that sometimes, things must pass and you have to move. Destiel was an important support of the show, the views and year after year renovation of the series. Pointing at the queerbaiting has lost its meaning if we forgot why they do it, why they keep on doing this even though it makes us feel bad. This affects the shows work in perspective because it changes the plot and natural progression of the story. For the queerbaiting, they have scenes that are forgotten next episodes like they never happened. I’m a literature student and the first thing they say to us is that a scene, even a word, should be taken so seriously that it actually work on the long road of the story. In Destiel we have beautiful, all heart breaking scenes of Cas and Dean being romantic, closed, just in love. The Dean’s confession were he admitted to the priest he wanted to experience new things, the Castiel’s love confession, and others are an example of how this scenes have a space in the show but are still isolated from the original story. They don’t play a part in the bigger image. That’s why we don’t see Dean talk to Sam about Cas, this is why they are so many Destiel plots left unsolved. I have a small memory of an old lady assuring Dean that he’s in love, even though we haven’t seen in a long time a female in Dean’s life (Dean, who the first four seasons flirted with e v e r y woman he met.  Because producers and writers can let this scenes happen as long as it doesn’t change the main characters. Even, they are willing to let us think that Cas could be bi but Dean isn’t, by not having him say anything after Cas says I love you. And to be honest, we didn’t except much. 

We knew that we were clowning and it’s not like we excepted a love making scene from those two. We raised our expectations after 15x18 and not after. A lot of us were waiting on the finale to bring joy even though we never actually imagined it would go canon. 15x18 lifted expectations very few had and that lots, myself for instance, returned to watch after hearing Destiel was semi-canon. It brought back feelings, I got to rewatch supernatural to enter the atmosphere once again... So it was perfect for the CW. On one hand, the biggest queerbaiting on history gave them back for 15x19 and 15x20 all the fandom they had lost for the previous queerbaiting and tiredness of waiting. And also, they keep the antis and the homophobe watching. It was perfectly staged and nothing else was expecting. Something similar happen with Jane the virgin. With the death of Michael (I rather shipped more Jane with Michael) a lot of fans stopped watching. This was planned since the beginning and they actually gave us a fake death and then the real one. I actually stopped watching one season of Jane the virgin after his death because I was devastated, even though since the beginning everything pointed at Jane ending up with Rafael. Her connection with Michael was lovely and pure love. But after killing him off they wrote the relationship of Jafael so perfectly, not rushed or anything: it developed in a way that her relationship with Michael was intact but finished by death. It was a hard punch but at the end we ended up to accept her relationship with Rafael because of the clear progression between the characters. But, at the end of the series, at the last season they decided it was good idea to bring Michael back from the death and have her chose Rafael, after all of the progress It took for her to forget Michael. The changed her and all of the perspective of love changed for the show. It made thing that soul mates don’t exist, that all the love Jane felt for Michael disappear after having a whole season of her suffering for her lost, after she wrote her first book for him. It would’ve been so much better for the story if Michael stayed death. 

So the things is it’s not only queerbaiting on homosexual couples, but the whole idea that they need to have a huge audiences watching their last seasons. I returned to watch Jane the virgin excepting for Michael. This awful thing they do. Just for views and gain of capital bothers me and its what makes me angry. In the case of Supernatural it’s also a topic of homophobia and the fear that the homophobia of a few will ruin the views of series finales. An as I considere the unethical implications is why I would love to have them apologize to us. It’s like a person promising the stars and stopping you to move on, while they know nothing will happen. They use us as numbers to gain money and attention. The decision that I and a lot of people took to unfollow all of The CW accounts is no radical. It’s a little if we take into account all of the money they made from the unethical queerbaiting. It causes me a lot of anger and actually feel like a I need an apology because I felt used and dirty. This is the fault of the industry and the CW has a fame of doing so.

 PART 2: 

This will be little in comparison. Now I want to get to the sad sentimental part. I felt all empty because four years ago that I stopped watching I also stopped talking to the love of my life. Hearing about Destiel had me going back to moments. I even desired to talk to him again to tell him that I wasn’t all wrong. Destiel wasn’t platonic or an illusion. it has clearly staged to makes us think it could happen. It’s not the story of an angel who falls for a human, that gives everything up for him, that loves him. After his confession is the story of unrequited love. Dean never says it back and it’s a feeling that a lot of people have suffered. To love someone and not having them saying them back, of the relationship that never ends but at the end it’s one of the most important. This one I talked about I never dated, I never kissed, but he’s the man i’ve loved the most in my life. Having Castiel saying I love you and never receiving anything back, giving his life and no one saving him, it’s just heartbreaking for all of us who have constantly giving everything without expecting anything in return. At the same time it’s the story of a a couple that never happens but that should have. The same reflexion as always: if it were heterosexual it would’ve happen long time ago. But it also happens in real life, that if time alined, if things were in other way relationships would’ve happen with people in our lives.I had a lot of more feelings for Destiel, but that would be for another time. Right now I just realized why made me, personally, feed angry and sad. I realized I was a Cas to someone else. I realized I was used by a network. The queerbaiting actually has psychology repercussion on us, and it’s something they fail to understand. Accepting that I was affected by a tv show took me a hard time. I didn’t know how to explain to others why this had me absence for week, I thought I was ridiculous and week. I felt bad but know I realized I’m not wrong. It’s not my fault but it’s years of messing with out feelings on purpose. Some day i’ll write an essay on this. I have to much to say but I end it with this:

The media manipulates our emotions and doesn’t take any responsibility whatsoever. 

Don’t trust the media.

(Sorry for the bad english, I’m mexican. But at least Destiel is canon in my language). 

[twdmusicboxmystery]

TWD 10x14: Look at the Flowers - First Thoughts

How did everyone like the episode? I have to say, me and my fellow theorists were really worried this would be a supremely boring episode for TD. The spoilers were just so lack luster. Nothing like last week when we found out about Rick’s boots, you know? So we just hoped we would see some good symbolism. The kind of stuff the spoilers wouldn’t ever touch on.

I’m happy to say that there really is tons of good symbolism in this episode. It does feel a bit like a filler episode, because nothing huge happens. There are basically two story lines going on here. Eugene’s group heading out to meet Stephanie, and in that respect it’s a bridge to that story line because we only see them traveling but they don’t truly “get there” before the end of the episode. And the rest is a huge turning point in Carol’s arc. Which is great, but something like that is always going to be a little less interesting to us TDers. But, thankfully, I saw plenty of things that made me super excited for what’s to come.

***As always, spoilers abound below for 10x14. Don’t read until you’ve watched! You’ve been warned!***

Eugene, Yumiko and Zeke:

I’ll give you the best one first. Out of a clear blue sky, Eugene starts taking about CHOCOLATE BUNNIES for Easter. Not only has the rabbit symbolism been around since S4, but Eugene actually mentions Easter. And what does Easter celebrate? Resurrection. The Stephanie expedition is SO gonna lead to Beth. Plus, they were next to a set of train tracks during this convo, and Eugene even points that out, so I think that’s important.

When Zeke’s group reached the city, there was tons of pink and purple galore. And that’s because of the Princess character, but those colors are important. There’s the pink theory, of course. But there is also lots of purple and fuchsia. Purple is actually a big color when it comes to the Christian holidays of Advent and Lent. I’ll get into more of that tomorrow.

Furthermore, a lot of the walkers the Princess has dressed up and chained up look exactly like the Rich Bitch walker from Still.

Also, with the police walker? They find a car with a walker cuffed to the steering wheel and the cop walker cuffed to the front buffer. The car’s airbags are deployed. Not only is there an imprisonment theme going on there, but it reminds me of Carol getting hit by the Grady car. And also of the sighting of Emily being seen driving one of the cop cars around. It’s almost like the Princess set this up like a humorous scene. A car hitting a cop. And they draw attention to it by having Zeke laugh at it. That just screams Grady to me.

Along the way, Eugene’s group saw walkers in cages with a bird. Mostly, I think it was a foreshadow of imprisonment. And specifically, an imprisoned bird.

Let’s talk Zeke for a minute. They are SO setting up his death fake out. While I still can’t say exactly when it will come, I do suspect that he won’t make it back from this trip in a conventional way. I think Yumiko and Eugene will “lose” him and think he’s dead and return to tell Carol that he’s “gone.” And then, because she finally decided to get it together and start again, she’ll have tons of guilt and grief. 

I just felt like everything about Zeke’s stuff here was heavily foreshadowing that. They camped under a bridge. There was a flower graffitied on the pillar of it. Reminded me of the one by Carol and Tara in s8. His horse died of a walker bite. (And you know, this is a minute detail, but I’m wondering if it won’t be a matter of someone simply using radiation to heal his cancer, but rather, like the other fake outs, there will be a walker bite and they’ll be treating him specifically for that and sort of heal his cancer by accident.)

When his horse dies,  Zeke kills it and is very emotional and wants Yumiko to promise that if he falls while in the city, she’ll leave him behind. She says no, but just feels like a really obvious foreshadow.

I also had a thought about Eugene. My fellow theorists and I have often discussed the scene from 5x05 when Eugene sits on the fire truck and reads the book, “The Shape of Things to Come” and then Maggie talks to him about Sampson. It’s just such a blatant biblical reference and we’ve always struggled to understand its significance for Eugene. 

So, it occurs to me that Eugene used to have short hair and now it’s super long. Like all the way down his back. He used to be weak and afraid but he’s kind of become a badass in his own right. At least, as far as killing walkers goes. His speech about being the fool brought Sampson to mind because Sampson is often seen as Delilah’s fool. I’m just wondering if Eugene has become Sampson and Stephanie will be his Delilah.

Beta:

So Beta’s back and probably wants revenge for Alpha’s death. Dude is definitely not going gentle into that good night.

The place Beta went to definitely smacked of the golf club, and there were tons of important symbols in there. (Booze, crosses, a guitar, etc.) I’ll get to more of them tomorrow.

The song lyrics have some interesting themes.The first one is Emily’s Turtle and Monkey song. The last one is too, I believe. The one in the middle is different. I have a lot to say about the song lyrics. I’ll get into that tomorrow. 

And it occurred to me that we once again have a representation of Alpha and Beta being an evil twin version of Beth and Daryl. Beta breaking the guitar could represent Beth getting shot, and he’s lost Alpha in much the way Daryl lost Beth. Then, at the end, he wears some of Alpha’s face, which is a sick, twisted version of Daryl keeping Beth’s knife. Carrying a part of her with him. Then he marches off to war, just as Daryl would participate in AOW and the Whisper Wr.

Carol:

Let’s talk Carol first. While I know the shippers are running wild, I don’t even particularly feel like addressing that. They’ll always come up with something totally ludicrous. And remember, they believed this was the episode where Daryl and Carol would hook up or declare their undying love. Or…something. Once again, that didn’t even come close to happening.

But I’ll point out some things here that will show how exactly the opposite is happening. While this is a major, turning point in Carol’s arc, she’s also a proxy for Beth here, and I’m pretty sure she returned to Alexandria to patch things up with Zeke.

Okay, Carol does mental battle with herself in the form of Alpha, right? And it’s actually really interesting if you listen to what’s being said. Everyone Carol has ever lost is mentioned, including Lizzy, Mica, Sophia, and even Ed. Alpha razzes her about being a defective parent and says Ed was right about her. It’s pretty brutal, but obviously Carol doing battle with her own soul.

Then she gets trapped under the boat and the debris from the shed. Alpha encourages her to just accept her death and let it bite her. (Insight about that in a minute.) Carol, of course, breaks free and kills the walker, saving herself. She says, “it’s never too late.”

So, I think this is very much an epiphany moment for Carol and she’s probably going back to start over, patch things up with Zeke and try to be human again. She doesn’t say that or anything, but it says a lot that she was trying hard to leave the group (a la S5-s7) but after this breakthrough, so goes back to Alexandria of her own accord.

Honestly guys, this gives me a little bit of hope for Carol. I’ve been thinking lately that she’s on a Shane-esque downward spiral that she’s really not ever going to recover from. Up until now, she’s been so all-consumed with killing Alpha, that she really couldn’t focus on anything. But now, some part of her recognizes that it’s not too late and probably wants the happiness she once had with Zeke. It’s a big enough part of her that she actually went back to Alexandria. That’s good. That’s a big change for her.

Do I think she’s going to get the happiness just yet? Mmmm….no.

I’ll talk about this more below, but I’m pretty sure Zeke’s death fake out will come before he returns from his trip with Eugene. So just when Carol gets it together and wants to patch things up with him, she’ll find out he’s “died.” Yeah, everyone’s life sucks. But it will just be a death fake out. Still, this mentality from Carol is a step in the right direction.

The insight I mentioned above? The” look at the flowers” line comes from Alpha when she’s encouraging Carol to let the walker bite her. She says, “you should just look at the flowers.” And she’s encouraging her to accept her death. I’d never thought of it quite that way before, but that phrase doesn’t just mean death. It means to accept death and not fight to live. If you think of how it was used before with Lizzie and Mica, that was true too. But Carol fights to live and kills the walker and goes back to Alexandria to start again. That’s why it’s such a big deal for her. She chooses to move forward instead of running away again. And only when she does that does Ghost Alpha disappear. Just thought that was interesting.

Okay, so how is Carol a proxy for Beth. Watching the episode the first time, I was a little mystified by the ending. It almost felt like a time jump. We see Carol say, “it’s never too late,” and Daryl and Negan decide she won’t be returning to the boundary, so they head home. 

Then we see her approaching the gate of Alexandria and Daryl is already there. It was just kind of…abrupt. We didn’t see them journey home. So not a huge jump. A few hours or the next day, but still. We don’t really know if the Hilltoppers went to Alexandria or not (I’m gonna assume they did, until we find out otherwise). We don’t know if Negan is there too (again, I’ll assume he is because he was with Daryl). And we still don’t know what’s up with Aaron, Alden, baby Adam, Luke, or Lydia. It’s like they jumped way ahead in the story for some reason.

Then I rewatched it, and a particular line jumped out at me that sort of brought the entire thing together. Let’s backtrack for a minute. So, when Carol gets trapped under the boat? I pictured it differently after reading the spoiler. I assumed it would flip over and land over her and she’d be trapped in the natural dome of space beneath it, created by an upside down boat. But it’s not just the boat that falls. The entire shed collapses and there’s heavy debris resting on her chest and pinning her painfully to the ground. I had the thought that visually it looked a lot like the trapped walker Morgan killed after the credits in Coda.

But what made me really consider it was Negan and Daryl’s convo. Negan says “not to spin a broken record, but I don’t think she’s coming back.” Obviously the record thing stood out to me (and Beta also plays a record so there’s a music/record theme going on). But not until watching it the second time did the entire line of dialogue hit me.

He’s obviously talking about Carol, but the line could be applied to Beth. And should be because of the record reference. “I don’t think she’s coming back.” To which Daryl replies, “I know.” Then he leaves, rather than waiting for or searching for Carol. So, he accepts that she’s not coming back and moves on (kind of like he did with Beth). But after that, at a later time and completely independent of him, Carol shows up at Alexandria. ¯\_(ツ)_/¯

Meanwhile Eugene and Zeke are headed toward Grady. Um, I mean, some random hospital. ;D

Okay, I’ll stop there for today. I’ll be back tomorrow with details. What did you think of the episode?

[gaarfielf]

my list of lupin movies ive watched for the sake of keeping track and making sure i dont rewatch some

Castle of Cagliostro (10)

favourite Lupin movie of all time. Fantastic art, cast, plot, everything.

Blood Seal: Eternal Mermaid (8.5)

Really good animation and really interesting plot. Another ‘Lupin has to babysit’ movie but it was treated in such a way that set it apart from other ones. He gives her a lot of good advice and overall I really enjoyed this one even if it’s kind of underrated.

Burning Memory - Tokyo Crisis (8.5)

Surprisingly good like I wasn’t expecting a 90′s Lupin movie to come for me like this but the animation is really solid and the movie itself was really funny. I also liked that Maria and Zenigata weren’t a thing like that cleared my pores.

The Bloodspray of Ishikawa Goemon (8)

The animation is fucking stellar but there were odd gaps in the movie that were really inactive. I liked the two subplots going on though like they were both interesting.

Bye Bye Lady Liberty (8)

The classic convoluted subplots worked well here tbh and the Goemon romance stuff was gunshot noise gunshot noise cash register noise. The animation had this weird glow to it but it was (almost) the 90s lol

Hemingway Papers (8)

They really got me with Goemon and Jigen going against each other and Lupin being in a relationship with someone aside from Fujiko (a relationship that was genuinely romantic) was actually pretty well done. That whole bit at the end with the karaoke machine? Amazing

Return the Treasure (7)

Another one that was really close to being perfect. The only loose ends was that the “treasure” wasn’t really explained very well (but i mean, the lead up to it was very good) and i could’ve done with more scenes with the whole gang (it seemed like there was a lot of times where it was lupin jigen and fujiko or lupin goemon and fujiko, but not enough of all of them together)

From Siberia With Love (7) 

The usual amount of humour and action from a Lupin III film and the art is pretty standard. Goemon got a few nice quotes in and Fujiko talked to a woman. Could’ve done without Rasputin but thats just me.

Elusiveness of the Fog (7)

Lupin offering Goemon to the princess was kinda funny and I actually really liked OG Mamo (not the short freak) being revitilized bc his episode in the original series was really entertaining. The history of where they were was a little wonky but I’ll give it to them this time.

Pilot Film (7)

That shit was wild i liked how jigen was introduced as the gunman and then beat the shit out of 3 police officers with his bare hands. also goemon i guess dedicates his life to killing lupin so thats fun, like he’s on zenigata’s side i guess. could’ve done with fujiko making an expression at any given time but yknow what? it was funny and it was only 12 minutes long

Another Page (7)

Surprisingly not that bad. To summarize the film as a whole I’d say: it could have been worse. The plot made sense which is more than i can say about most lupin movies and they stuck to two subplots that were both interesting and meshed pretty good by the end. And the two lady characters that got introduced didn’t betray anybody AND didn’t die.

Farewell to Nostradamus (6.5)

The animation was pretty good and I liked the whole ‘we gotta protect this kid’ thing but I always mix up this one and Bye Bye Liberty Crisis like this movie is it’s less interesting twin. Both of them have kids they need to protect but Bye Bye Liberty Crisis was just better. I feel like this one had a really good ending but aside from that the movie wasn’t that memorable for me.

Fuma Conspiracy (6.5)

i liked Goemon being in a relationship bc it was really sweet, i just wish there wouldve been a better balance of romance to plot. Also terrible voice actors but that just affected my enjoyment not really the plot or anything relevant.

Sweet Lost Night (6)

I like time shenanigans and my only two critiques are the inconsistent art quality and they seemed really hesitant to embrace time skipping. Like “he’s limited to twice before he becomes brain dead” was a little bit of a small window. If anything they missed out on a good opportunity for a classic lupin montage of him time skipping way too often. Maybe if they changed it to “you skip time every 12 hours, to every 6 hours, to every 3 hours, etc” until he stops existing?? like that seems more in line with a lupin plot not to mention a little more suspenseful.

Dead or Alive (6)

The new art style is kind of neat and didn’t really affect the personality of the characters like I thought it would. The plot itself was complicated and hard to follow but I mean, it wasn’t awful. Nothing I really hated and nothing I loved.

Jigen Daisuke’s Gravestone (6)

Handsome Jigen was cool but tcm i’m begging you to drink your Respect Women Juice. Also Goemon wasn’t in this one what the fuck was up with that. Lupin looked like a crispy toenail in the new art style but again the animation is gucci so I can’t really complain on that front.

Napoleon's Dictionary (6)

Reminded me a lot of Mamo except with more respect in women. Just kidding Fujiko was kind of a crapshoot in the end and the ending was more or less just. cut off?? like they crashed into the ocean after lupin ruined zenigatas marriage and the credits started rolling. it was weird bc it had a lot going but i guess they ran out of time for a proper ending?

Mystery of Mamo (6)

Respect Women Juice needed and also why was Goemon purple. The pros to this movie was the overall aesthetic being really attractive BUT the plot was sketchy and didn’t make a lot of sense. The only remarkable scene I remember is Jigen shooting the can by Lupin’s feet like I wish that emotion would’ve carried through the film and not ended there.

Red vs Green (5)

Really good animation, no fucking idea what happened in this film.

Walther P-38: Island of Assassins (5)

They missed an opportunity to be a little more psychological and the lady of the week dying was meh but I will say the plot stayed on course like they didnt try to do too much at once like they tend to do. I wish they would’ve delved more into lupin’s past with the doctor because that seemed kind of random but the more lethal, edgy plot was handled decently. I’ll probably forget this one in a week tbh.

Dragon of Doom (5)

I like learning more about Goemon but his girlfriend was really distracting and uneccessary. Like, if you want to introduce Goemon’s childhood friend sure its whatever but she only showed up to either threaten lupin or flirt with Goemon. And it was very obvious she was going to betray him so all her build up was pointless. I will say though, the plot was pretty cool which was surprising.

Voyage to Danger (4)

tcm I’m begging you to let Jigen talk to a woman and not have it be like ‘this is Jigens girlfriend now’. Sometimes women be talking and they aren’t thirsting for a man triple their age. It just be like that sometimes. Thats literally all I remember about this film.

First Contact (4)

I remember being excited for this like ‘oh wow their first ever meeting’ and i s2g this film was boring. And also a giant plothole. With no real redeeming qualities. I don’t even remember the animation being that good.

Columbus Files (4)

This film was at least funny bad but my hand to god I’d never watch it again. This is the first time I’ve ever watched a movie and had to watch the dub bc the sub was boring me to death. It was just... so bad... Especially when you’ve seen Wings of Death like this ain’t the Fujiko I know please leave.

Seven Days Rhapsody (3)

The comedy in this one was so weirdly incorporated and featured another really good ‘here’s Jigen’s dead girlfriend’ that i just could not care less about and then finished off with this what like 13 year old girl asking to be Lupin’s girlfriend? fuck outta here. The ONLY good part was Goemon slapping Lupin across the face.

Alcatraz Connection (2.5)

Really, really boring. The content wasn’t necessarily bad but they had 4 subplots going on that were equally uninteresting and some scenes went on for so so so long. It deadass took me 5 hours to watch this movie bc i kept pausing to do literally anything else. The art was unpleasant and by the time they got the treasure i didn’t really care anymore. Not to mention the plot was way too complicated and tin-foil hat for my liking.

Missed by a Dollar (2.5)

Made very little sense and in general was really annoying. Between Goemon being a born again Christian and the plot briefly derailing so Lupin could establish an oil company it was like can we pick something to focus on? By the end of the movie I was like wait when did they get the broach? What does the broach do again? And then he gives it to someone random and its like??

Gold of Babylon (2)

This one if the definition of being cursed and Pink Jacket deserved so much better than this nonsense. Like Lupin III isn’t known for its coherence, sure, but this movie had absolutely no structure. Upon finishing the film I was trying to remember anything that just happened and my brain refused. It kept the good cartoonish animation but god at what cost.

Angel Tactics (2)

TCM PLEASE DRINK YOUR RESPECT WOMEN JUICE. The art was just. Stunningly bad. Bad to the degree where about a minute thirty in I already regretted starting it. Not to mention the classic “we don’t actually wanna draw this part so we’re gonna jam cgi in here”. Also the most awkward use of “hey heres 3 women hey heres 3 men lets shove them together”.

Harimao’s Treasure (2)

nazis and transphobia which was extremely unfortunate considering the opening was actually one of the stronger ones I’ve seen from Lupin but immediately after the villain was introduced the quality of the film dropped about 90% and i wanted to die for the entire last half of the film. if they had changed the villain it would’ve solved 90 of their problems.

Twilight Gemini (2)

this was one of the only films in the entire lupin series where i was rooting for lupin to fucking perish. not only was goemon only in this film for 26 seconds, jigen was there for about 30 seconds and im not entirely sure if fujiko was there at all. not to be that guy but when they make lupin to be the most intolerable piece of shit in the world for this movie, don’t give him all the screen time. having to stare at this asshole for an hour and a half was exhausting.

Princess of the Breeze (2)

How a movie where Jigen has to carry a baby around in one of those funny baby-carriers turned out this fucking goddawful I have no explanation for. This movie was like an AU where all these other characters no one cares about happen to exist in the same universe as lupin. and when lupin does show up, i want him dead. Just horrifically boring and lazy art mixed with bad cgi. The only upside is that it isn’t Return of the Magician.

Return of the Magician (1)

I’m giving it a 1 on the principle that this wasn’t even a movie. It was a little less than an hour long and my god i’ve never seen a film so full of pad-time that if i can be so bold, there was more pad time than plot. What little plot they had made absolutely no sense and the art used cgi in the most bizarre and ugly ways. i’m pretty sure the credits played twice at the end. if there was a world record for lowest budget in a film, Return of the Magician would win hands down.