#I write for myself and I do whatever I want

[orangeblossomsintheair]

HONEY YOU’RE FAMILIAR | MV33

summary : For a second, he thinks about turning around. Walking out. Pretending he never saw you, because what’s the point? It’s not like he can just waltz up to you and say, “Hey, sorry I ghosted you for no reason other than I’m emotionally constipated. Want to get a drink?”

wc : 5k

an : writing this to distract myself from my other wips? ..i would never.. 😦 also i wrote this at 12 am so let this not be a place of judgement :))

Max sometimes forgets how small Monaco is.

It’s easy to do when most of his memories of the place are a blur of fast cars and glittering parties. He spends most of his time racing through the streets during the Grand Prix or holed up in a hotel room overlooking the harbor.

When you’re constantly traveling the world, hopping between paddocks and podiums, the compactness of Monaco barely registers. It’s a speck on the map, a gilded bubble he never really bothers to think about until it’s right in his face.

But sometimes, like tonight, he’s reminded.

Monaco isn’t a city, not really.

It’s a playground. A handful of streets strung together like a necklace, choked with Lamborghinis, Rolls-Royces, and yachts so big they could be small countries. It’s a place where everyone knows everyone.

Or, at the very least, they know of everyone.

The millionaires gossip about the billionaires. The bartenders know who tips in cash and who never tips at all. Even the stray cats probably have dirt on the local royals.

It’s not just small in size. It’s tight.

Wealth wraps around this place like a noose, strangling it into exclusivity.

There are no dark corners to disappear into, no sprawling suburbs to lose yourself in.

Just a few restaurants, a few clubs, and a few streets where the same people circle each other like they’re on a carousel. If you’re here long enough, you’ll eventually run into everyone you’ve ever met.

Even the ones you’ve been trying to avoid.

Max doesn’t think about that when he walks into the bar.

He’s not in the mood for deep reflection or existential dread. He’s here because Daniel said he needed a drink, and when Daniel Ricciardo says you need a drink, you listen.

That’s how Max ends up at some overpriced lounge that smells like vodka and ambition, standing under soft, warm lighting that’s trying too hard to make the place feel classy instead of claustrophobic.

He’s nursing a beer, half-listening to Daniel tell some convoluted story about a failed date and a stolen Vespa, when he hears it.

A voice.

Your voice.

It’s the kind of thing that cuts through the noise without him even realizing why. It’s not loud or particularly distinct; it’s not like you’re screaming or making a scene. But it’s you. The way you talk, your cadence, the rise and fall of your words. It’s all so achingly familiar that it grabs him by the throat and yanks.

Max freezes. His drink doesn’t make it to his lips.

The years fall away in a blink, and suddenly, it’s like no time has passed.

He’s twenty-two again, still figuring out how to smile for cameras, while you’re draped over the back of his couch, talking absolute nonsense about whether or not the cars in Cars have insurance or not.

He doesn’t even realize he’s turned to look until he spots you.

You’re standing at the bar, laughing as you say something to the bartender. It’s loud, and Max can’t hear you properly, but he can feel you.

The way you lean casually on the counter, the tilt of your head, the way you wave your hand to punctuate whatever you’re saying. It’s so painfully, annoyingly you.

And God, you look good.

For a second, all he can do is stare. You haven’t seen him yet, thank God, because Max Verstappen does not know what the hell to do with himself right now.

You look different.

Not in a drastic way, just… grown.

Your edges are sharper, your presence more refined, like a photo that’s come into focus after years of being a little blurry. But the core of you is still the same. It’s in the way you throw your head back when you laugh, like the world isn’t slowly crumbling under the weight of climate change, billionaires, and whatever Kardashian family drama is brewing this week.

And suddenly, Max is thrown back years.

To a time when you were his person. The one he called when things went sideways, or when he won, or when he was just bored and needed someone to hear him rant about understeer.

You were his best friend.

No. The friend. The one. The only one who ever really got him. And then…Well, then he was an asshole.

He tries to tell himself that you two drifted apart.

People do that, right? It’s life. Except that’s a lie, and Max knows it. You didn’t drift; you held on like a freaking tow hook. You tried—texted him, called him, showed up to races, tried to remind him there was a world outside of 300 km/h and tire degradation.

Max doesn’t know what to do with this. With you. He’s not used to seeing ghosts in real life, and you might as well be one now.

Max debates his next move. He could just… not. Pretend he didn’t notice you. Slip out quietly, finish his drink somewhere else, and avoid whatever emotional grenade this is about to be. That would be the smart thing. The logical thing.

But Max has never been great at logic.

For a second, he thinks about turning around. Walking out. Pretending he never saw you, because what’s the point? It’s not like he can just waltz up to you and say, “Hey, sorry I ghosted you for no reason other than I’m emotionally constipated. Want to get a drink?”

But then you glance over your shoulder.

And your eyes lock.

He doesn’t have time to decide whether to stay or bolt

You see him.

And Max realizes he’s fucked.

For a split second, he thinks you might look away, maybe pretend you didn’t see him either.

He’s not sure if he’s hoping for that or dreading it. But then your face lights up, and the look you give him isn’t what he expects.

It’s warm. Familiar. Like you’re genuinely happy to see him.

His chest tightens. Max isn’t sure what he thought he’d see. Resentment, awkwardness, indifference, maybe.

But this? This disarms him completely.

You wave, and before he knows it, his feet are moving.

“Maxy,” you say as he approaches, your voice carrying that teasing lilt that could only ever be you. It knocks the breath out of him, so familiar and effortless it almost hurts. “Long time no see.”

Max freezes for the briefest of moments, the nickname hitting him like a slap and a hug all at once. Maxy. No one’s called him that in years. Not his family. Not his team. Not anyone.

No one except you.

“Yeah, uh, long time,” he manages, scratching the back of his neck in a gesture so awkwardly familiar it almost makes you laugh. He looks like he’s 17 again, shy and unsure.

Before either of you can say more, Daniel sidles up next to him, a beer in hand and an amused eyebrow raised as he glances between the two of you. “Know her?” Daniel asks, his voice dripping with curiosity.

“He does,” you reply smoothly before Max can fumble an answer. Your smirk is playful, but there’s no bite to it, just that same easy warmth Max hasn’t felt in what feels like forever. “I used to keep this one in line. Back when he was all awkward interviews and tragic haircuts.”

Daniel barks out a laugh, glancing at Max’s meticulously styled hair. “Tragic haircuts? Wait, this-” he gestures wildly at Max’s head, like it’s some architectural masterpiece “-is the improved version?”

You’re already laughing, and it’s the kind of laugh Max hasn’t heard in years.

He groans, dragging a hand over his face, though the corners of his mouth are betraying him with a faint smile. “Don’t encourage her,” he mutters to Daniel, but his tone is far too soft to have any weight.

It’s stupid how easy this feels. How natural. Max isn’t used to easy anymore.

Daniel, bless him, is soaking it all in.

“So?” he says, giving Max a teasing nudge. “Aren’t you going to introduce me, or do I have to guess?”

“I was getting there,” Max grumbles, shooting him a half-hearted glare before looking at you. For a moment, he falters. He doesn’t know what to call you. Acquaintance feels too cold. Stranger would be a lie. And friend? That feels like stepping too far into a past he’s not sure he’s ready to face.

“An old friend,” you offer, saving him effortlessly, like you always did. “And you must be the famous Daniel Ricciardo.”

Daniel grins, full of boyish charm. “Guilty as charged,” he says, tipping his beer in a mock toast. “And let me just say, I already like you. Great taste in insults.”

“Flattery will get you nowhere, Ricciardo,” you say, though your smirk says otherwise.

The three of you fall into an almost absurdly natural rhythm, as though you’ve all been doing this for years. Daniel’s effortless charisma bounces off your sharp wit, and Max finds himself smiling more in five minutes than he has in weeks.

Maybe months.

It’s like the weight on his shoulders has lifted, just for a moment, and he can breathe again.

You’re mid-story when he realizes he hasn’t felt this light in ages.

“So there I was,” you’re saying to Daniel, gesturing dramatically, “dragging Max out of his hotel room because he was refusing to face the world after a bad race.”

“I wasn’t refusing to face the world,” Max interjects, but there’s no real heat in his voice.

You give him a look that could level a building. “You were lying on the floor eating Haribo like it was your last meal,” you say, deadpan. “It was tragic. Genuinely tragic.”

Daniel’s cackling now, nearly spilling his beer. “Please tell me there are photos of this.”

“Sadly, no,” you reply with mock disappointment. “But the image is burned into my brain forever. It was that bad.”

Max groans, shaking his head, though the grin tugging at his lips is impossible to hide. “Why did I ever let you into my life?”

“Because no one else could handle you,” you fire back, and it’s so quick, so natural, it makes his chest ache.

Daniel takes a step back, still laughing. “You two are too much,” he says, pointing at the two of you like you’ve just performed a comedy sketch. “I’ll leave you to it. Don’t get too emotional without me, okay? I’m going to find another beer. Or maybe a Vespa to steal. Who knows?”

You watch him disappear into the crowd, still grinning. For a moment, the two of you are left standing there, and the noise of the party seems to fade just slightly.

“Daniel’s fun,” you say, breaking the silence.

“He is,” Max agrees.

When the music starts bumping up again, the two of you are faced with a whole other problem entirely.

“So, you’ve been busy!” you yell, leaning across the sticky bar top, your voice barely cutting through the bass thumping around you.

“What?” Max shouts back, leaning closer.

“I SAID, YOU’VE BEEN BUSY!”

“I CAN’T HEAR YOU!”

“I KNOW! THAT’S WHY I’M SHOUTING!”

“WHAT?”

You throw your hands up in exasperation, but he just smirks, clearly enjoying this.

So you double down.

“DO YOU WANT ANOTHER DRINK?” you bellow, miming holding a glass.

“WHY ARE YOU YELLING ABOUT DRINKS?” he shouts back, baffled.

“BECAUSE IT’S TOO LOUD IN HERE!”

“WHAT?”

This back-and-forth nonsense goes on for an impressively ridiculous three minutes, the two of you getting progressively louder, until Max finally groans, shaking his head like he’s reached his limit.

He steps closer, leans in like he’s about to shout something else, then just presses a warm, steady hand to the small of your back. “Come on,” he says, not even bothering to raise his voice this time.

“What?” you yell, still committed to the bit.

He doesn’t answer. Instead, he starts gently steering you toward the stairs, and you stumble a little, caught off guard by the unexpected physical contact.

“Where are we going?” you shout, craning your neck to look at him as you climb.

“UPSTAIRS!”

“WHY?”

“BECAUSE I VALUE MY HEARING!” he fires back, glaring at you over his shoulder.

“OH, NOW YOU CARE ABOUT YOUR HEARING?” you tease, but he ignores you, his hand still firm and insistent on your back as he guides you upstairs.

The VIP section is quieter, tucked away from the pulsating bass and the sweaty chaos of the main club floor. Max had slipped a word to a bouncer—who nodded in a way that made you roll your eyes—and now you’re here, sinking into the plush leather of a semi-circular booth with a ridiculous view of the dance floor below.

The relative silence hits you like a warm blanket. You blink, adjusting to the sudden absence of aggressive EDM, and turn to Max, who looks much too smug for your liking.

“Smuggled into VIP like I’m some sort of black-market item,” you tease. “Careful, Verstappen. This is how egos start.”

“You’re welcome,” he says dryly.

“For what?” you shoot back. “The privilege of not getting tinnitus at 27?”

“Yes,” he replies smoothly, sliding into a nearby booth like he owns the place. “You’re lucky to know me.”

“Oh, absolutely,” you deadpan. “My life has improved immeasurably since you dragged me up here. I’ll write a thank-you card.”

“Make sure it’s handwritten,” he quips, signaling a waiter for drinks. “And don’t skimp on the stationery.”

“You’re ridiculous,” you say, rolling your eyes but you’re smiling, and he knows it.

He chuckles, leaning forward slightly. “Hey, if you’re going to criticize, at least admit this is better than shouting at each other over terrible music.”

You glance around the room, all dark wood and dim lighting, where a few scattered people are having hushed conversations or staring down at the dance floor with an air of superiority. “Alright,” you admit, “it’s not terrible. But the crowd up here…”

You nod toward a guy at the next table wearing sunglasses, inside, and sipping champagne like it’s water. “Is this your scene now? Bottle service bros and indoor eyewear enthusiasts?”

Max glances at the guy, smirking. “Not my scene. But I figured you deserved something better than sticky floors and overpriced tequila shots.”

You laugh. “Wow. I feel so special. Nothing says friendship like a quiet room and a drink I can’t pronounce.”

“Admit it,” he says, leaning back again. “You love it.”

“I love judging it,” you correct, grinning. “Big difference.”

Max watches you for a moment, shaking his head with an almost fond expression. “You haven’t changed at all.”

“And you’ve changed too much,” you shoot back, gesturing at his ridiculously put-together outfit. “Look at you, Verstappen. Fancy haircut, custom clothes, actual social skills. Who are you?”

“First of all, the haircut is functional,” he retorts, mock offended. “Aerodynamics.”

“Oh, of course. Wouldn’t want your hair slowing you down at 300 kph,” you say, pretending to be serious.

“It’s a real thing!” he insists, laughing now. “If you knew anything about racing-”

“If I knew anything about racing?” you interrupt, your voice rising in mock outrage. “Excuse me, I was there when you had to Google how to talk to the media without sounding like a robot. You think I don’t know the intricacies of racing, Maxy?”

“Don’t call me Maxy,” he groans, dragging a hand down his face.

“Oh, I’m definitely calling you Maxy,” you say, delighted. “I might even get a custom T-shirt. ‘Maxy’s Biggest Fan.’ I’ll wear it to a race.”

He narrows his eyes at you. “If you do that, I’ll steal your phone and delete every embarrassing photo you’ve ever taken of me.”

“Bold of you to assume I don’t have backups,” you say smugly, sipping your drink.

“Unbelievable,” he mutters, shaking his head, but there’s a grin tugging at the corners of his mouth.

For a moment, the two of you fall into an easy silence, the noise of the club below fading into the background. You glance at Max, noting the relaxed set of his shoulders, the way he’s fiddling with the label on his beer bottle—a habit he’s had for as long as you can remember.

“So,” you say, breaking the quiet, “what’s the most ridiculous thing you’ve bought since you became all… you know.”

“All what?” he asks, raising an eyebrow.

“You know,” you say, waving a hand vaguely. “World Champion. Multi-millionaire. Guy who smuggles old friends into VIP sections.”

He chuckles. “Ridiculous? I don’t know… probably the private jet.”

You stare at him, deadpan. “The private jet is the least ridiculous thing about you, Verstappen. Try again.”

“Fine,” he says, thinking for a moment. “I bought a sauna for my house. Didn’t use it for six months.”

You burst out laughing. “A sauna? For what? Post-race existential crises?”

He groans, rubbing his temples. “It was a bad idea, okay? I thought it would be relaxing.”

“Did it come with, like, a tiny man who throws water on the rocks for you?” you ask, grinning.

“No, but now I kind of want one,” he admits, laughing.

“God, you’re the worst,” you say, shaking your head, but your tone is full of affection.

“And you’re jealous,” he fires back.

“Of your unused sauna?” you say, raising an eyebrow. “Yeah, I’m absolutely consumed with envy.”

The two of you dissolve into laughter and the conversation continues.

Next thing you know it’s 3 am and you and Max are stumbling out of the club, too giggly for both of your sakes.

Daniel had hopped on to another place hours ago so it’s just you and him.

The cool night air hits you like a slap, but instead of sobering up, it just makes you giggle harder.

Max freezes mid-stumble, his head lolling back like he’s auditioning for Les Mis on the world’s worst stage. “Why’s the air so aggressive?” he slurs. “Feels like it’s… pushing me. Rude.”

“Why’s the ground so spinny?” you counter, stumbling sideways into him.

“'Cause you’re bad at walking,” he accuses, latching onto your arm like a barnacle while swaying dramatically.

“You’re bad at walking,” you fire back, immediately tripping over a shadow and nearly eating pavement.

“You can’t even walk straight!” Max protests, laughing as he catches you before you faceplant.

His arm slides around your waist, steadying you in the most unsteady way possible.

“You’re the one spinning,” you argue, slurring every other word. “Maaaybe you should ju- just stay still for once in your life.”

“Oh, because you’re the expert,” he fires back, wheezing as you nearly trip again. “Where- where are you even staying at?”

You squint at him, trying to focus. “Uh… good question.”

Max stops dead in his tracks, turning to look at you with a mix of disbelief and amusement. “What do you mean good question? How do you not know?”

“I don’t rememb- ber,” you admit, cackling as if it’s the funniest thing in the world.

Max groans, dragging a hand down his face. “You’ve got to be kidding me. You’re just- what? Homeless now?”

“Homeless for the night,” you correct, wagging a finger at him like that somehow makes it better.

Max laughs so hard he has to pause, doubling over slightly. “How- how do you forget where you’re staying?”

“’S not my fault!” you defend yourself, leaning heavily against him. “The hotel has, like… a name! A boring one! And too many floors!”

Max groans so loudly it echoes off the buildings. “Oh my God. You’re homeless now. You’re a wandering drunk with no home.”

“I'm trying a new lifestyle,” you say, grinning. “Like… nomadic, y’know? Spiritual.”

“Yeah, okay, Buddha, let’s find you a real place to sleep before you start befriending rats,” he mutters, dragging you down the street.

“I like rats,” you say cheerfully. “They’re just misunderstood.”

“You’re misunderstood,” Max shoots back. “Come on. You’re crashing at my hotel. I can’t leave you out here to, like, adopt a possum or something.”

“I don’t wanna!” you whine, digging your heels into the ground.

“Tough!” Max barks, throwing his arm around your shoulders to keep you moving. “You’ll thank me in the morning when you’re not spooning a garbage can.”

You groan dramatically, slumping into him. “Maxxyyy, I’m tired. Can’t I just sleep on a bench or something?”

“Nooo. No benches. Benches are gross. You’ll get, like… pigeons on you.”

“Pigeons are my friends,” you declare solemnly, as if this is a hill you’re prepared to die on.

Max shakes his head, clearly trying to stay serious but failing miserably. “Okay, Dr. Dolittle, you’re not sleeping outside.”

You groan again, dragging your feet even as he starts pulling you along.

“Stop whining,” he slurs, swaying as he tries to walk in a straight line. “It’ll be like- like a sleepover! Like when we were five.”

“Sleepovers at five were better,” you mutter. “Less… you.”

“Excuse me?” Max stops, glaring at you like you’ve mortally offended him. “I’m the best sleepover buddy. I let you steal my Haribo once.”

“You hid the Haribo under your pillow!” you counter, poking him in the chest.

“’Cause you’re a thief!” he says, grinning as he pulls you toward the street corner.

“Am not,” you huff, pouting.

“Are too,” he replies, but his tone is teasing as he hails a cab.

When the cab pulls up, it feels like the world is tilted just enough that the ground might collapse under your feet at any moment. You both tumble into the backseat in a fit of giggles, your laughter echoing off the darkened streets.

It’s the kind of laughter that’s born of a little bit too much alcohol and a whole lot of absurdity. You could’ve sworn you heard a streetlight flicker in disbelief at the sound of your shared joy.

Max flops dramatically against you as if the very act of sitting upright requires more effort than it’s worth.

His head lands squarely on your shoulder, and for a split second, you’re both tangled in the shared warmth of a really questionable decision.

He looks up at you, eyes half-lidded, and grins like a kid who just got away with stealing candy.

“You smell like tequila and poor decisions,” he mutters with a lazy drawl, his words slow but somehow still cutting through the haze of the night.

You’re already shaking your head before you even speak, the words spilling out one over the other. “You smell like someone who wore Axe in high school.”

Max’s eyes widen in mock outrage. “I did not!” He shoots up from your shoulder like you just insulted his very existence, but the motion sends him veering dangerously toward the cab door.

He catches himself at the last second, gripping the seat like it’s a lifeline.

By the time the cab pulls up to Max’s hotel, you're both deep into a discussion about whether Axe body spray could be classified as a biohazard in certain quantities.

It’s a ridiculous debate, fueled by far too much tequila and a complete disregard for logic, but it’s the most fun either of you have had in ages.

Max is practically in tears from laughing, his snort-laugh echoing off the walls of the cab as he tries to argue that Axe is, in fact, a perfectly fine product, just poorly misunderstood by society.

The cab screeches to a halt, and Max stumbles out first, holding the door open for you with the kind of exaggerated flair you’d expect from someone who probably practices his dramatic entrances in front of a mirror.

As he pays the driver, his wallet slips from his hands not once, but twice, and he’s already apologizing profusely, his face flushed from the alcohol and his own clumsiness.

Finally, he gets the wallet sorted, tucks it back in his pocket, and reaches down to drag you out of the cab like you’re a piece of luggage.

You’re both barely standing, teetering back and forth on your feet as if gravity itself is conspiring to make the night even more ridiculous.

“Welcome to my humble abode,” Max says, throwing his arm out grandly to gesture toward the hotel lobby like he’s unveiling the Louvre.

The marble floors, polished to a shine, the sleek, understated furniture… none of it compares to the visual assault that is the ugly carpet underfoot.

“Your palace has really ugly carpet,” you mutter, laughing as you trip over the offending fabric, your feet not quite able to keep up with your brain’s idea of where they should go.

Max snorts, his hand steadying you as you almost face-plant into a particularly gaudy potted plant. “You’re banned from the palace,” he retorts, giving you a playful shove.

You recover, and together, you stagger toward the elevator, which, for some reason, feels like an obstacle course in itself.

The elevator doors open with a dramatic ding, and Max promptly starts jabbing the wrong floor button in a series of random, very confident moves.

Each one is a miss, but he keeps at it, as if this were somehow part of the plan.

You lean against the wall, your body shaking with laughter as you struggle to breathe through the giggles.

“This is why they don’t let you operate machinery,” you manage to gasp, watching him fumble with the buttons in disbelief.

Max grumbles under his breath but finally, miraculously, hits the correct floor button. He turns to you with an exaggerated wink. “See? I told you. Genius.”

You raise an eyebrow, patting him on the head condescendingly. “Sure you are, buddy. A true mastermind.”

The elevator ride is a blur of jokes and half-baked insults as you both fight to keep your composure.

Max leans against the wall with a smug look, clearly reveling in his victory over the elevator button.

When the doors finally open, you both stumble out, holding on to each other uselessly.

At the door to his room, Max proceeds to fumble with his key card in a way that can only be described as tragically incompetent.

The key card slips from his fingers twice, and each time, he lets out a string of expletives in a garble of Dutch and English.

“Jesus. You okay there, Einstein?” you tease, leaning casually against the wall and watching him drop the card once more. You can’t help but laugh.

“Shut up,” he mutters, his voice already tinged with frustration. “Technology’s hard.”

Finally, after what feels like an eternity, the door swings open, and Max stumbles inside with the grace of a rhino on roller skates.

He turns to face you with a theatrical sigh. “There. I did it. Happy now?”

You’re already halfway to the bed, your shoes flying off in opposite directions, one ending up by the dresser and the other getting lodged under a chair.

With a dramatic thud, you collapse onto the bed, your body sinking into the soft, luxurious comfort like it was the only thing holding you together.

“This bed is softer than my hopes and dreams,” you mumble, your voice muffled by the comforter as you stretch out like a starfish.

Max, predictably, flops down beside you with the subtlety of a sack of bricks, his arms and legs sprawling out in every direction.

“Move over,” he grumbles, his face smooshed into the pillow.

“Nope,” you reply, barely lifting a finger to indicate where his side is. “Your side’s over there,” you say, pointing vaguely toward the edge of the bed, but it’s clear from the way your eyes are barely staying open that you’re not in any shape to play the “bedroom politics” game.

“Too bad,” Max grunts, grabbing your pillow from beneath your head and smushing it over his face. “This is a dictatorship, and I’m the dictator.”

“Goodnight, Haribo hoarder,” you slur, your words trailing off into nothing as sleep drags you under.

The last thing you hear before you fully fade into unconsciousness is Max’s muffled laugh, and you can’t help but smile.

For a brief moment, it feels like nothing’s changed at all.

—-

Max’s eyes snap open, and for a second, everything is blurry.

He blinks a few times, the weight of his eyelids making it feel like he’s wading through molasses.

A dull ache sits in the back of his skull, a reminder of the questionable choices he made the night before.

He groans, dry, scratchy, the kind of noise that only belongs to mornings where you regret both your life decisions and your snack choices.

He’s still in his room. So far, so good.

Nothing seems out of the ordinary... except for that persistent feeling in the air that something is off.

Max stretches, or at least tries to. His arms flail in an uncoordinated spasm, which results in a series of awkward grunts and a pop from his back that sounds like a joint trying to jump ship.

For a second, he considers staying perfectly still, hoping his body will remember how to function like a normal human.

But then—

There’s something warm beside him. Something... alive.

Max freezes, eyes snapping wide open. His breath catches in his throat as he tries to process what’s happening. The warmth next to him isn’t the soft comfort of a pillow.

It’s... a person.

A person in his bed.

What the actual hell?

His brain goes into overdrive, trying to make sense of the situation. His mind races through a thousand thoughts in a second, each one more ridiculous than the last.

Did he... did he end up getting a stranger drunk last night? Did someone break into his room to cuddle with him?

Max’s eyes dart to his left, and it hits him like a freight train.

The person is you.

You, sprawled across the bed, fast asleep, your hair tousled and your face peaceful, completely unaware of his mounting panic.

For a moment, Max just stares, brain failing to catch up.

How did this happen? His head starts swimming. His mouth goes dry. His first thought is that he’s dreaming..except, no.

This is far too real. He’s not that lucky.

“I need to call Daniel..”

[witherby]

hello! great work so far :-) im getting into batfam myself and been loving the platonic/familial works you do w littlest wayne! was wondering if you'd ever do an teen y/n or just an older one? I'd love to see you tackle the idea of a robin y/n or jaybe just some angsty kid stuff,,,,,, hope you had a good new years!

-- :33Anon

I love angst with my whole heart and soul, and I'm happy to write it with a slightly older Reader. Hope you don't mind I've commandeered your prompt to showcase the ability you guys voted on.

This one's a long read so I'm splitting it up. This part is roughly 2400+ words.

The Littlest Wayne: Uncertain Home

(Part 1/2)

Masterlist is Here!

Uncle J'onn is looking at you curiously.

He's been doing that a lot, lately. When Daddy brings you to the Watchtower to be babysat so he can go save the world, one of his co-workers that they can afford to spare gets put in charge of keeping an eye on you. Usually it's Uncle Hal, but this time it's J'onn and he's in his natural form, which you don't mind. Green is your favorite color, and his whole body is green! He's nice and calm, and tells you lots of stories and plays any game you want, even if it's hard for him not to cheat and read your mind. He says it's instinct. You don't hold it against him because you still have fun.

Lately, though, when he talks to you, he tilts his head a bit. He usually does that when he can't understand something.

You wipe your face, checking for cookie crumbs. All clean. You search your shirt for any weird marks or stains. All clean. You scrunch your nose and puff out your cheeks, pouting.

"What's wrong, uncle J'onny?" You ask him. Daddy says the way to get honest answers from someone is just to be forthcoming (Dicky told you what forthcoming meant when you asked him later), so you are. "Did I do something wrong?"

That seems to snap his train of thought. J'onn shakes his head and goes back to sorting out the jigsaw puzzle pieces for you. You're good enough at this to do 100-piece puzzles, now, and when you get really stuck you don't even cry anymore!

"Nothing is wrong, Flittermouse," he says, watching you start putting the edges together first like Dami taught you. "You are simply...changing. Differences are not inherently wrong."

"What's inherably mean?"

"Inherently. It means instinctively, or something that is "set in stone." A rule that does not change. I am stating that change is not something that is always wrong. It's not a firm rule."

You pout and try to process all of that in your brain. It was a partial answer. Daddy says that means people might want to hide something from you.

"What's changing?" You ask him. "I got older a week ago. Is that what you mean? I'm four, now. Grandpappy says I'm getting so big and growed up. He says to not do that so fast. I dunno how, though. He's silly."

J'onn hums. His eyes look away from you as he considers what to say. You put one whole edge together before he speaks again.

"You know that I am not a human, correct?"

"Yeah, I know," you say. "I don't care. I love you. And auntie Diana. And uncle Clark. And uncle Barry. And —"

"Thank you," J'onn gently interrupts. "Do you also know that, sometimes, humans are born not entirely human? That sometimes they get special abilities?"

"Yeah, I know that," you repeat.

"I suspect that —" he cuts himself off, hesitates, then starts again. "Little one. You are showing signs of being one of those humans with special abilities."

"I am?" You ask. You perk up. "Can I fly?!"

You immediately abandon the puzzle and climb onto your chair, about to jump off of it to try and fly around, but J'onn catches you by the back of your shirt before you can hit the ground.

"You cannot."

"Aww...then I don't wanna be a megahuman," you complain, stomping your foot.

"Metahuman."

"Whatever."

"I am sorry," J'onn says, "I did not mean to upset you. I do think you are developing powers, however."

"Not fly powers?" You frown.

"No, not flight powers."

"Boring," you say, blowing raspberries. J'onn cracks a smile at your antics and you giggle. "Help me do the puzzle, please!"

"Alright," he relents, sorting more pieces for you. You're both quiet for a while, and you get the whole frame done before he speaks again.

"Little one. Do you know your father's rule about metahumans?"

"Yeah," you say, grinning, because you're a great listener. You pitch your voice down and make it scratchy. It's adorable in your four-year-old tone. "No metas in Gotham. I am Nighttime. Raaahhh."

J'onn huffs in amusement. "Right. He usually means what he says, does he not?"

"Yeah," you agree, "daddy is a bad liar. He lied and said he didn't eated the last cookie once, but he did eated it. Alfie was mad, 'cause it was for Dami, but Dami didn't care. He likes brownies more than cookies. I like brownies, too."

"I figured," J'onn says. He's not looking at you again. This time he's frowning.

"Do you want brownies?" You ask, figuring that was the issue. "I don't have any. I can ask for some when Daddy comes back. I'm good at sharing, 'cause I'm a good noodle, like Jay says."

"No, but thank you for offering to share. Jason is right, you are a good noodle."

You preen. "I know!"

J'onn drops the subject again and helps you complete the puzzle. You squint at every piece in concentration and politely ask him if he can dim the lights so you can work better. He complies, and after another hour and a half, you have a completed image on the table.

"Yay! We did it!"

The sounds of chatter and footsteps appear down the hall moments later, and you spring to your feet in delight.

"Hello!!!" You shout.

A chorus of "hello!" greets you in return from multiple heroes, and the rest of the Justice League files into the room one by one. They don't look too roughed up, so the mission wasn't very dangerous. That's good. You stand by the door and offer them hugs. Everyone complies, to your endless delight.

"Daddy!" You cheer when you see him, running and hugging Batman's legs. He scoops you into his arms and you grin and point at the table. "Uncle J'onny and I dided a whole puzzle! I didn't give up!"

"Good job, Mouse," Bruce says, reaching out to adjust the light. "You did it in the dark?"

"Yeah," you grin, kicking your feet. "Did you punch bad guys?"

"I did."

"Did you win?"

"Yes."

"Can we have ice cream?"

"Maybe after dinner." He carries you down the hall and towards his temporary quarters, the place he'll stay after a particularly tough mission when he can't make it home right away, and deposits you gently on the bed. "I have to debrief with everyone, and then we can pack up and go home."

"Okay, daddy," you say, already digging through the nightstand for a toy to play with. "I stay right here!"

"Good job," he says again, kissing the top of your head, and leaves you alone with a small wave.

--

The next time you need to be at the Watchtower, it's with Uncle Clark and Auntie Diana. The mission wasn't a super dangerous one, so they both got to stay behind and entertain you.

Today, you're a cashier at your world-famous grocery store. You have the best ingredients all over the world.

"Welcome to the groshy store, what do you want stranger?" You demand, getting into character. Clark looks mildly offended.

"Whoa, hello. That's a lot of 'tude for a paying customer," he says.

"You didn't buy nothing yet! Whataya want!"

"Uh. Some carrots please."

"All out."

Clark narrows his eyes at you. "Can you check in the back?"

You turn around. You turn back.

"All out. Whataya want!"

"You barely looked!" He insists.

"FRESH OUTTA CARROTS, BUB. WHATAYA WANT."

"Oh my goodness, now there's yelling. I think I need to speak to a manager."

"Okay!" You shuffle across the room and grab Diana's hand, leading her back to Clark. "This is the manager. Auntie, tell him all the carrots are gone. He can't have any."

Diana covers her mouth to stifle her laughter. "You heard them, stranger. There are no carrots here."

"Well, aside from the blatant nepotism, auntie, I think you're hiding the carrots from me," Clark huffs, crossing his arms. "I need them for my soup. Guess I'll go to the grocery store across town. I hear they're nicer."

"No," you gasp, "wait. Okay maybe I have one secret carrot. I go get it."

You leave their giggling forms and run over to the toy box that was set up for you on the watch tower, thrusting your hands inside to dig around. You squint your eyes, but all the bright colors are hard to distinguish properly. In the dark spaces, deeper into the box, is where you cast your focus. Instinctively, you follow the trail and close your hand around a plastic carrot. You lift your hand triumphantly.

"Okay, got it!" You cry, only to startle when you find both Clark and Diana kneeling beside your toy chest. Diana picks you up around the waist and takes several steps back, and Clark's eyes turn that funny shade of blue they do when he's using x-ray vision. "Umm, I gotted the carrot already. It's in my hand."

"Are you injured?" Diana asks you, expression deadly serious. You frown and shake your head. "You're certain? I could sense something in that box with you."

"No, I'm fine," you promise. Clark stands up and his eyes go back to normal. He shrugs, brows furrowed.

"There's nothing in there but toys."

"Yeah," you nod, "toys and dark spots."

Both heroes look at you. You squirm in Diana's hold shyly.

"Um, want to pay for the carrot?" You ask, holding it up. "It's only ten dollars. Orrr one lollipop." You whisper conspiratorially. "I can be bribed."

Diana and Clark exchange glances. Clark gingerly takes the carrot from you and puts it back in the toy box.

"Sold. Let's go to the kitchen and pick out which flavor you want."

You grin, forgetting about the game, and Diana puts you on the ground so you can follow excitedly after them. With a couple "pretty please's" and your lethal puppy dog eyes, you even manage to get two lollipops. You ask to be hoisted onto the counter so you can swing your feet as you enjoy the candy, and both heroes perch on either side of you.

It's quiet for a while. It feels like that weird, anticipatory quiet you felt with Uncle J'onny, but you don't know what for, so you wait for one of them to speak. You finish off one whole sucker and open the second one when it happens.

"Mouse?" Clark eventually asks, "can you explain what you meant about your toys? That there are dark spots in there?"

"Yeah," you say, "shadows. Dark spots. Light not touching."

"And you can...feel shadows?"

You hum, thinking it over. "Um...yes. Kind of."

Clark and Diana look at each other again. They're frowning. You frown.

"Can you tell us what you mean by that?" She asks.

"Um. I wanted the carrot, for uncle Clark," you say, "so he can buy it at my groshy store. And the dark spots showed me where it was, and I grabbed it."

"Did they also help you complete the jigsaw puzzle, when you were with J'onn?" Diana asks. "It was quite dark when we got back." You nod.

"Yeah. Easier to do in the dark. It's not cheating!" You blurt. "I didn't cheated!"

"Okay, ya' didn't cheat," Clark agrees, gently patting your back. There's a slight drawl in his words which usually shows up when he's stressed out. "We're just curious, is all, darlin'. Seems you've got a... A special talent, we can call it."

"It's a power. They're a metahuman, Kal," Diana says simply, "and you know Bruce's rule."

The rule? Which one? Always brushing your teeth before bedtime? Or maybe no sweets until you finish your dinner? Hmm, but you haven't had dinner yet. That doesn't make sense.

"No metas in Gotham. I'm very aware, Diana."

"Then you see the problem."

Oh. Now you think you know why uncle J'onny was upset that day.

"Now wait a minute," Clark says. He looks genuinely angry, which confuses you. Did they not like that you could ask the dark for help? They had superpowers, too. You figured they would be happy. "They're his kid."

You are. You're Daddy's little Flittermouse, scampering around and bringing joy. That's what everyone tells you. They love you.

"You've seen how hard he works to keep us out of Gotham," Diana says. "We can be trusted to babysit, but we can't enter the city? What does that tell you?"

"That's different. He's territorial, we all know that. He's not a monster, Diana. He would never hurt them —"

"I'm not saying he is. I'm not saying he would. But I am saying that he doesn't bend his own rules. He does not make exceptions."

Oh.

You sit almost numbly on the counter and watch Clark and Diana start to argue over your place in Gotham. Over your place at home.

You think about Daddy's rule about no metas in Gotham. You think about your new ability to interact with shadows.

Oh.

The lollipop tastes like ash on your tongue and the tips of your fingers feel like tv static. When you blink, your eyes sting as they well up with tears. You've been so good about not throwing fits, about not being a crybaby, about being as strong as your super cool daddy and brothers and grandpa.

But you can't call them that anymore, can you? They don't want metas in Gotham, and that's what you are, now. You can't live with your family anymore.

Large, fat tears roll down your cheeks and your bottom lip wobbles. You whimper and both Diana and Clark whip their heads around to look at you in shock.

"No, oh no, don't cry," Diana coos, "you don't need to worry. Your father isn't —"

You bat her hands away when she reaches for you and jump off the counter, running underneath Clark's cape. They don't catch on to what you're doing in time.

Clark practically rips it off and fans it on the floor, floating above it with wide eyes. Diana kneels next to the fabric and frantically pats it, searching for you.

But there's nothing. You've fled into the shadow Clark's body cast and allowed the darkness to swallow you.

[ofbatsandballads]

please take this. I made myself cry writing it and I have nothing to say except that putting ya’aburnee and darling by halsey on my jason playlist was a brutal choice. also look up flower language if you want additional feelings.

There’s so many things you want for Jason Todd.

You want him to get a good night’s sleep for once. You let him close his pretty seafoam eyes and lay his head in the crook of your neck as you scratch gently at his scalp. It always calms him down, grounds him in the here and now. Your arms around him, your fingers carding through his hair, the rise and fall of your chest that’s synced with his–it all reminds him that he’s safe, that he’s home. You want that feeling to follow him into his dreams, to let him find true rest. So when his body goes tense and his breathing gets labored, you hold him closer and hum gently into his ear until whatever haunts him in his sleep is chased away by the comfort you bring.

You want to make sure he’s protected. You wish you could deflect every hit, blade, and bullet away from his body. You wish he would see his body as something worth protecting. He would stop if you asked, would settle into a normal life as best as he could. You would never ask because to do so would be to deny the part of him you love most: his heart that beats to help others. So you protect him in the ways that you can. You stitch cuts and treat burns, you mend his jackets and help clean his guns. More than anything, you guard his peace of mind like it’s the most valuable thing in the world. You’re never cruel to him, never scream vicious words or toss him out into the cold night. You call Bruce and thank him for the first edition Jane Austen novels that arrived on your doorstep on August 16th when Jason just…can’t. You let him grip your hand brutally tight under the table when you go to the manor for Thanksgiving for the first time. And when it gets really bad? When he feels the burning of green waters that breathed life into him that he didn’t want, when hideous laughter echoes in a place it’s never been? You do something no one has ever done for him. You wait. You stay. You stay by his side until he can breathe again, until dawn breaks and he can see the light again. And always, always you, haloed in it like an angel he doesn’t think he deserves. He does.

You want him to have a good cup of hot chocolate. He told you about it once when he came home after a long winter patrol. Half delirious from exhaustion, he reminisced about how Bruce would make them both a cup of hot chocolate after particularly rough or successful patrols in December. How this specific hot chocolate had no equal—even Alfred couldn’t replicate the richness and warmth. You noticed the fondness in his voice, the longing so intense that it still makes your heart ache for him. So you do some light stalking and hunt down Tim Drake, demand that he give you the information you want or else you’ll disclose how he really lost his spleen to Bruce (why he was dense enough to tell Jason, you’ll never know). And that is how Bruce Wayne, billionaire philanthropist single father and the Batman, receives an email with the subject line “URGENT: Recipe Request” that reads as follows:

To whom it may concern,

I have been made aware that you have a remarkably compelling hot chocolate recipe that is hitherto unparalleled by cafes, franchises, and butlers alike. I am emailing you to inquire about my being sent this recipe post-haste. This is less a request than a demand. I will do my best to ensure that you, at some point in time not specified (it will take great effort on my part), are able to witness the consumption of the hot chocolate by the individual that will be receiving the product of the recipe.

Best regards,

Someone who loves your son.

Bruce sends the recipe the second he receives the email. He has to sneak his phone under the conference table at the Wayne Enterprises board meeting to do it, but he still manages to reply in two minutes and forty-seven seconds. And you make good on your promise. You don’t think you’ve ever seen Jason shine as brightly as he does that Christmas, lit up by the lights on the twelve foot tree as he sips his hot chocolate from the same red mug that’s been sitting in the kitchen cabinet since he last drank from it. The matching black mug is clasped in the hands of the hot chocolate connoisseur himself, who smiles softly like the magic of the season has returned to his life for the first time in ages.

You want him to heal. It’s a big ask; you know that. But you’ve never been one for giving up hope, and if anyone can manage to achieve the impossible, it’s Jason. So you tell him it’s a great idea when he jokes about getting a therapist. You wait for him in the car the first time he goes and you let him open up to you in his own time when he comes out of the appointment body tight as a bowstring and eyes bloodshot. You watch quietly and celebrate the little victories you see him win. He can call his father first now; he doesn’t do it often, but he can. He can talk to his younger brother without hating his hands and the blood that’s been spilled on them, without going out on patrol and intentionally letting all the worst hits make contact. He can go out to lunch with his older brother and his youngest, can laugh with them over that ridiculous thing Bruce did at a gala once to make them all laugh. He can bear his birthday a little bit better now, can accept the cake you bake and actually make a wish when he blows out the candles. But you’ll never know about the moment that you start to get what you want. Jason goes to visit his own grave on the anniversary of his death and finds a bouquet of red carnations, baby’s breath, and honeysuckle with a note in your handwriting that reads “Someone told me once that you were magic, that that was the best thing about you. I think it’s far more important that you were loved. I don’t know what you could’ve been. I don’t wonder about it like those that loved you did because all I know is who you became. He’s wonderful. He’s still magic. I think you’d be proud of him. I’ll do my best to take care of him for you.” He sits there for an hour in tears. Then he takes one bud of each flower and the note, goes home and presses them into the pages of his favorite book. He holds you in his arms in bed that night and feels, for the first time in a long time, a sense of peace down to his very bones.

You want—above all else—Jason Todd to feel loved. You want him to feel so cherished and wanted that he cannot possibly look at himself without realizing that he is something precious, something beloved. So you tell him that you love him and you accept his warm embrace as his way of saying it back. You make him chocolate chip cookies and sneak one into the pocket of his tactical pants when he goes on patrol (they’re soft, they don’t get crunched when he’s thrown from a roof). You read his favorite books to understand what he’s saying when he goes off on tangents about class and social hierarchy and how they governed life in the 19th century. You trace his scars and kiss away his tears when he can’t believe that he could be transformed from a being marred by brutality into a man revered with gentleness. You will love him until the day you both die. You will love him in death, until whatever atoms made up you and him come together again. You will love him until everything that ever is or ever was ceases to be in a supernova of light. And maybe, just maybe, you’ll love him in whatever is born after.

[adieutristana]

hi, i do! i’ve just yet to receive any requests for vi by herself, but i’d be happy to write this :) thank you for the request!

summary; quiet mornings with vi and her girlfriend.

characters included; vi

tags/warnings; fluff, casual dom vi, butch wife material or whatever they say, domesticity, maaaaybe a bit suggestive?

men and minors dni.

you’re awoken to the smell of breakfast cooking.

the spot next to you is empty, an indent on the mattress from where vi once laid. the light shines through open blinds and you reflexively bring an arm up to cover your eyes. groaning, you turn away from the window to look at the bedside clock: 8:41 am.

you wished vi was still with you, it would’ve been nice to wake up in her arms like usual… oh, well. breakfast is nice too.

you swing your legs over the side of the bed and try to rub the sleep from your eyes, slowly making your way to the kitchen. you’re greeted by the sight of vi’s back turned to you, white sports bra and black sweats. she’s clearly too absorbed to have noticed you, intently working on whatever she’s making.

you approach her slowly, a bit cautiously as to not startle her while she’s over a hot stove, but slowly snake your arms around her waist, pressing your cheek into her shoulder. vi lets out a little ‘hmm’ in acknowledgment, but doesn’t turn around.

“up already, babe?”

she remarks, right hand busy with a frying pan.

“yeah. couldn’t sleep without you there.”

“sorry, sorry. wanted to do something nice for you.”

you hum in acknowledgment, pressing further into vi’s back and grazing one hand over toned abs.

“what are you making?”

“surprise.”

she remarks. vi knows just how much you hate surprises, not knowing things. although you know you could very easily look over vi’s shoulder and see for yourself, that could ruin half of the fun. you simply hold vi from behind her, relishing in the warmth that her body offered you. it was always so peaceful, getting to hold her, to be close to her like this. this morning, it seemed as if time stood still.

vi could be moving throughout the kitchen, you’d seen her do it several times while cooking, but she was also considerate. you knew that she’d never want to ruin your fun. dating vi meant that if she had to give little things up, she would. wether that meant her not moving an inch when you slept for hours on her lap, or staying still while cooking because your arms were around her, vi was sweet.

sweet in a way that not many people got to see.

and yet, you found yourself excited at the prospect of eating breakfast she had prepared because her cooking was always so damn good. not many people would think it, but with vi leading a group of ragtag teens and tweens- as well as being an older sister, she’d learned to cook quite young. she frequently cooked for herself, used whatever scraping the kitchen to throw together something edible.

she hadn’t put too much effort into making her meals nice since the incident on the bridge, until she met you. now she feels as if she has a point to prove. or maybe it’s just that she loves you.

“almost done, cupcake. you just sit down and be patient, okay?”

she says, voice laced with affection. you nod slowly, pouting the slightest bit behind her as you let go of her. but you sit down at her dining table, elbows propped as you observe her. it’s almost effortless the way that she moves. it’s admirable.

vi walks over to you, holding out a plate of simple blueberry pancakes. she knew you had a taste for sweet things. she sits down opposite you after you take the plate, a soft smile playing at her lips.

“are you gonna eat anything?”

you ask before you even pick up your fork. you don’t want to be selfish, not with vi especially.

“i already ate. woke up early today, fixed myself something, and figured you’d be up later.”

she says, pointing to your fork. cueing you to start eating. you do, picking up a knife as well to cut the stack into slices. after covering it in sweet syrup, you take a bite and immediately close your eyes in contentment. this is good.

“you didn’t have to do this, you know…”

“of course i did. i’m your girlfriend, remember?”

you sigh, continuing to eat. swallowing the last of what’s in your mouth before you speak to her again.

“but i’ve never done something like this before.”

you sigh, looking off to the side. you hear a low chuckle from your girlfriend.

“trust me, hun, you do plenty for me in other departments.”

this elicits a slight flush rising to your face, deciding to just focus on eating the rest of your pancakes. as you finish the last of the sliced bits, you look up to see vi wearing that same soft smile she wears whenever she’s genuinely admiring you. it’s adorable, one of your favorite looks your girlfriend gives you. one you’ve become accustomed to.

vi stands up to take your plate from you, but not before you tug on one of the straps of her sports bra to bring you to her level. moving your lips slowly against her own, free hand resting on the small of your back. she gives a light giggle as she presses back into you, toned arms slowly wrapping around your neck.

“i’ll do the laundry today, since you cooked.”

you say, face still mere millimeters from vi’s. she smiles softly before shaking her head.

“nope. you’re relaxing today.”

“but-”

“no.”

“you cooked for-”

vi shakes her head again, brushing your jawline with her lips.

“i cooked because i want you to take it easy, and i like doing things for you. now, you’re gonna take your pretty self to the couch, or bed, and relax. and i’ll do the work today. alright?”

you groan in slight annoyance, but sigh. you know there’s no winning when vi gets in these moods. she only wants to see you taken care of, and she’ll be damned if that isn’t what happens.

count on vi to always put the needs of others before her own. she’d gotten better at taking care of herself during your relationship, but the way she put your wants and needs before her own never wavered. if anything, it got stronger with time.

“alright. but i’ll still do things tomorrow.”

“you can do whatever you want tomorrow.”

she hums, sitting down on the chair you were previously using. her arms are still draped around your neck, pulling you to sit on her lap. the second you make contact with her thighs, her lips are on yours again.

it’s breathless, a bit more rushed than the delicate kiss you had shared a few moments prior. but it’s perfect, it’s vi. the way her scarred lips move against yours is always so skillful yet so sweet.

“i love you, okay? i just want you to unwind sometimes.”

you nod slowly, pressing your forehead to your girlfriend’s and closing your eyes.

“i love you too, babe. just feel a bit… bad, not doing anything in return.”

“i don’t want anything in return,” she whispers. “this-” she points between the two of you, “is more than enough.”

[sandyca5tle]

Was having a semi-serious conversation with some friends, and accidentally found myself quoting RWBY in a way that actually helped the discussion at hand, which got me thinking, there's a good few lines in RWBY that are just generally good things for life, so i decided to write a post about it 'cause fuck it. Some'll have commentary some are self explanitary enough. "I'm not any one thing, I'm somewhat of a lot of things" - this was the one that actually sparked this, was talking about identity with a friend, and found this quote very applicable - you don't always have to neatly fit in a box, you can be somewhat several things at once, if that's what fits for you. "Well that embaressment, that desire to go back and tell yourself not to be so stupid, that just proves you're not the same person you used to be. And you're not done growing yet" "You don't have to look cool all the time"

"Of course you are [a real girl]. You think just because you've got nuts and bots instead of squishy guts makes you any less real than me?" - This is less a general life lesson, but more of a 'just because someone is different to you, doesn't make them/their experiences any less real'. And obviously there's the trans angle on this, not being a 'real girl' is an anxiety many trans girls have struggled with, or is something people throw at us to put us down. But just 'cause we're built a little different than cis girls, doesn't make us any less girls "Pyrrha thought that, if there was even the smallest chance of helping someone, that it was a chance worth taking" "I'd be lying if I said that it didn't hurt, that I didn't think about them everyday since I lost them. That I didn't wish I had spent more time with them. If it had been me instead, I know they would have kept fighting too, no matter how dangerous it was, so that's what I choose to do. To keep moving forwards." - Mostly putting this here 'cause it's always nice to have a talk like this regarding grief/loss, and yeah, i just think this is nice and fairly honestly reflection of how a lotta people feel when they lose someone, coupled with the adivce to keep moving forwards. "I'm not asking you to stop. Just please, get some rest, not just for you, but for the people you care about," - I like this one 'cause a) self care is important bitches! Burning yourself out isn't gonna help whatever you're trying to do and b) hurting yourself like that is also gonna hurt those who care for you, 'cause no one wants to see those they care for suffer. So remember to take a break from time to time. "You think you're being selfless, but you're not. Yeah that chameleon friend of yours got me pretty good, but I'd do it all again if it meant protecting you... and I promise Yang would say the same. You can make your own choices sure, but you don't get to make ours. When your friends fight for you, it's because we want to, so stop pushing us out. That hurts more than anything the bad guys could ever do to us," - Obviously the parts about fighting can be taken a little more metaphorically for everyday life, but I like this quote 'cause yeah, the people who are there for you *want* to be there for you, so deciding that you're a burden on them and hiding away/pushing them away is gonna hurt them because they *want to be there for you* - don't decide something for other people. "My losses, my failures, those, more than anything, are what have shaped me into who I am; showed me how I need to grow. If there's something I'm missing it's not because I've lost it, it's 'cause I haven't found it yet" - I just think this is a beautiful line. We've all wished at moments to undo the mistakes we've made, however those mistakes made us the people we are now. And yeah, I love the idea that something you're missing is not because you lost it, it's because you haven't found it yet. "One small kindness, in one small moment, lead to such a marvelous transformation, just like one act of dishonesty caused an unfortunate change" - Reminder that even small actions can mean a lot to others "What happens if I chose me?" "Then maybe, that girl is enough,"

But yeah, all of this to say I love RWBY, it has so many amazing and emotional moments and yeah, if you haven't given it a watch I would highly reccommend (and if you've heard bad things, i'd maybe give it a watch yourself first, a lotta people like to hate on the show in bad faith). But yeah, love RWBY and love all the wonderful moments and messages within it

[callme-holly]

𝐫𝐚𝐧𝐝𝐨𝐦𝐥𝐲 𝐚𝐬𝐤𝐢𝐧𝐠 𝐭𝐡𝐞 𝐠𝐚𝐧𝐠 𝐟𝐨𝐫 𝐚 𝐡𝐮𝐠

𝐚/𝐧: am i writing this for myself bc i've been kinda low? yes. yes i am.

Darry Curtis:

Darry is a little caught off guard at first, but the second he sees the pleading look in your eyes, he drops what he’s doing and pulls you close. His arms are strong and secure around you, not letting you go until you move away. He’s incredibly grounding and comforting, making you feel entirely safe.

“I’ve got you, darlin’... You can have as many hugs as you need, alright?” He mumbles into your hair, pulling you tighter as you bury your face into his chest, nodding mutely. His hand runs up and down your back, his fingers tracing slow patterns against your skin, grounding you just the way you need.

Sodapop Curtis:

Soda won't even let you finish your request before he’s pulling you close, his expression soft and his words light. He’ll do whatever it takes to keep you happy, and if a simple hug is all you need, he’s happy to deliver. He’ll squeeze you tightly, swaying you side to side.

“You don’t have to ask for a hug, you know?” Soda glances down at you, his arms still laced around your waist. He brushes your hair back, and you shrug. “I know…” You mumble, tucking yourself close once more. “Just needed one.”

Ponyboy Curtis:

Pony looks a little surprised but is very quick to comply, opening his arms for you and wrapping you up tightly. His hugs are gentle and soothing, and they always linger for a few moments longer than usual, just so that he can ensure you’re okay.

“You okay?” he asks, not pulling away from you. Your shrug tells him everything he needs to know, and he sighs softly, his hold tightening just a little. “If you need anything, I’m here, okay?” 

Johnny Cade:

Johnny’s hugs are very soft and tentative, not wanting to crowd you unless you want to be held tightly. His presence is incredibly comforting, and sometimes his quiet nature is just what you need. He’ll stay with you, just holding you for as long as you need.

“Come here…” he sighs, his arms always stretched out for you, and you don’t hesitate before stepping towards him, letting him hold onto you. He doesn’t say anything; he just holds onto you tightly, giving you just the right amount of comfort you need.

Dallas Winston:

Dally’s first instinct when he hears your question is to poke fun at you, but the moment he sees the serious look in your eyes, he softens slightly and pulls you into his lap, his arms winding around your waist. He won't say anything when you tuck yourself into him, simply holding onto you tightly, as if shielding you from the world. “You’re lucky I like you, you know that?” Dallas’ tone is light, but there’s no malice behind his words as his fingers idly card through your hair. “I got you, doll. Ain’t nothin’ gonna hurt you.”

Steve Randle:

When you ask, Steve makes a big show of opening his arms wide, acting as if he’s waiting for this moment forever. He doesn’t press as to why you’ve asked for one or about the randomness of the request; he just lets you cling onto him for as long as you need. “Who would’ve thought you’d want a hug from little old me, huh?” he chuckles, rocking you back and forth as you hold onto him “Hush…” you whisper, peering up at him, unable to resist the smile that tugs at your lips.

Two-Bit Mathews:

Two is surprisingly serious about your request, keeping his teasing at a minimum. He can see how much you need it and instantly wraps you up in a hug, sitting on the couch with you and peppering your face with gentle kisses.  “Don’t be getting all sentimental on me…” he chuckles, pulling back as he presses a quick kiss to the corner of your lips. You can only shake your head as you hide your face once more, sighing as he pulls you close.

[earlgreytea68]

And the thing is, I don't even care if you demonstrate you understand the material. Like, it doesn't make my life better if you can write an essay on x, y, or z. I want you to learn because I want you to learn. Writing an essay is often part of the learning, because part of learning can be communicating, but really, truly, learning is the point. And not learning how to prompt a robot to do the thinking for you, and not even learning so you know how to do whatever career capitalism decides you have to do, just learning because what have we been doing in our species's long quest that has ruined so very much if we also give up ever using these brains we've evolved?

We do things backward in so many ways, but one of the ways is cabining "school" into this limited portion of the very beginning of your life and so many people I talk to are just trying to get it over with so "real life" can begin, as if learning things is a huge waste of time we make everyone go through before the real stuff happens. I wish learning was not seen as a means to an end but as the end itself. I wish we took all these robots we made and used them to free all of us up to just sit around and learn about stuff. I think it would be so cool if we thought of ourselves as beings who learn rather than just...Idk, beings who buy stuff? Idk how we think of ourselves now lol. Anyway. Idk. Learn things. It's cool, in and of itself.

(This, btw, isn't about education itself. Schools have issues, I'm not trying to solve them or address them here. I'm just saying learning is cool. And also, I think learning many things you wouldn't ordinarily do just for yourself is cool. Like, being forced to read and think about things you wouldn't do yourself is a good thing sometimes. Being forced to get outside of your comfort zone of subject areas is a good thing. If we weren't always so stressed about our grading ourselves, I sometimes feel like this would be more evident to us and we'd do it more often, instead of being conditioned to avoid things we can't get an A+ in. I include myself in this.)

[demonic0angel]

Jazz has been cursed to be borrower size. Jason’s been doing his best to care for her til the curse can be reversed, getting her a size appropriate doll house with plumbing and a full wardrobe.

(Omg I love the borrower verse)

Jazz sighed. She sat on a chair in the doll kitchen that Jason made for her and said sullenly, “I feel like a doll.” She poked at the food on her table, all downsized to fit her.

Jason did not say anything, but his face must’ve reflected it because she glared at him and said, “Don’t look so happy.”

“Sorry, Princess,” he said, smoothing his face over instantly. He handed her half of a cherry tomato and she glowered, before cutting it up and putting it on her little miniature burger. She was too distracted to notice him, but Jason was inwardly screaming and crying and throwing up.

She was so ridiculously cute, surely this should’ve been illegal by now?!

She ate her burger and washed her hands in the dollhouse’s kitchen sink, which Jason had personally installed and then she said with a sigh, “I guess you want me to change my clothes again?”

Jason beamed. “Can you? You don’t have to if you don’t want to.”

She just sighed again and shook her head. “No, I suppose this is payment for taking care of me.” She went into a side room and came out a few moments later with her outfit changed into a pencil skirt and a dress shirt with a garter belt and little boots. She wore a French beret and her hair was clipped up with a tiny pearl.

Jason, on the outside, nodded seriously at her and said, “You look good.” Jason, on the inside, was thanking God and every deity up there for this blessing. There was something incredibly pleasing and wonderful about having the ability to keep Jazz in his pocket all day and have her depend on him.

He reached for her and she stepped into his hands carefully. He stood up from where he was crouched over the dollhouse and then he carried her to his desk. He set her down gingerly and she walked around until she was in front of his reports, looking over them with a critical eye. Jason sat in his own seat and looked at the rest, allowing her to take her time and read the large words.

After a while, they worked together in silence as Jazz would occasionally pick up a large pen (to her, at least), and start writing carefully while Jason organized his things and made plans for the week.

By the next hour, Jazz seemed exhausted.

“When is this curse going to end?” She asked grumpily. She kicked the pen and it rolled once, which only seemed to infuriate her even more.

Jason grinned and used a finger to brush against her cheek. “It won’t take long. Just a few more days, and I can handle everything, alright?” She grabbed onto his finger and climbed on like a perching bird, and he paused before obliging and bringing her close to his chest, where she hopped onto his shoulder.

“I want a cupcake for dinner. An entire one. I don’t want to bake tiny cupcakes, I want a regular sized one all to myself.”

Jason grinned even wider and said, “As you wish.”

Whatever Jazz wanted, he would give to the best of his ability.

[caterkinnie]

Hi Caterkinnie! Your work is really amazing, thank you so much for all your work in the fandom! I think anyone who sees your headcanons days are brightened! May I request Rook, Jamil, Ruggie and Azul or Vil (up to you) with a friend they have been deeply in love with for a long time, who's just broken up from a long-term bad relationship. I'd find it really interesting to see the angst the boys struggled with while their friend was in such a bad relationship--a relationship that would somehow never end no matter how awful or neglectful their partner was (up to your imagination how their partner was)--and how they handled not letting their deepening love/crush show (if that's how they'd handle it. I honestly have no idea as to how Rook especially would handle this situation). And of course, now that there's been an unprecedented breakup, what now? I hope that wasn't too specific. I just thought it'd be interesting because I just broke up from a long-term relationship @__@ (5 years for me... In my case, I was dating a selfish man child. According to my friends, it was heartbreaking to watch because no matter what they said/did or what he said/did it would never end, so they just had to watch the rollercoaster play out while white knuckled). I haven't seen headcanons on this type of situation yet and how the boys would respond, so I'd love to see your headcanons. Not to mention, your writing is so top knotch, and I feel like you really get the complexity of so many of these characters, that I was pumped to ask when I saw your requests are open. If it's too specific or you're not feeling it, I get it! I hope you keep rocking on with this blog and whatever else you're up to! Thank you for the hardwork!

Supporting you through a bad break up...

❥ ⌗ characters: Rook hunt, Jamil Viper, Ruggie Bucchi, Azul Ashengrotto.

❥ ⌗ Summary: After a long long time with the person who you thought was the love of your life, ended the relationship suddenly with the pretext he was no longer in love. You decided to confide your feelings with your closest friend; a friend who happened to be deeply in love with you.

❥ ⌗ tags: tw for toxic relationship, though details aren't given, there are mentions of arguments and toxic behaviour. didn't proofread enough. sorry if ooc.

❥ ⌗ a/n: sorry anon!!!!!!! I've had this drafted since you requested this... and only now i finished it!!! i couldn't bring myself to delete it as I loved the idea so much. Hope if you see this that you're doing so much better now!!!!

Rook made it very clear from the beginning he had feelings for you, but would not attempt to show them.

He also could see the signs of what seemed to be an unhappy relationship that sooner or later was going to come to an end; signs you probably didn't notice.

He's a very caring man, ever since the moment he met you he always tried to help you in any way, and this was no exception; but he also knew, as much as it hurt him, you needed time to realize that the person you loved didn't treat you in the way you deserved to be treated. It hurt him so deeply to see the way he talked to you, but Rook wasn't a hero who would yell at your boyfriend to stop. He had to be subtle — trying to calm the waters when he was around, defending you in his own way. His heart ached, sometimes with jealousy, sometimes with rage — sometimes both, but he refused to let you know about any of these emotions. He was there for you, whether you needed help or advice.

He helped you because he loved you, he constantly told you how important you were to him and there was nothing he wished more than to take you away and treat you like a queen. But alas, his love was not only unrequited, you were in love with someone else.

Oh, how glad he'd be if only one day you woke up and chose him! The selfish part of him wanted to rush, but he knew he had to be patient... Someday it'd happen, or at the very least... you'd be with someone else who makes you happy, and that's something he would like as well.

But when you come to him to tell him everything that happened...

He's going to comfort you and walk you through the feelings the breakup left… In those cases, he's not as mischievous as he typically is. His voice is soft and soothing, as he tries to get your mind off things, as well as being of support when you need it the most…

He can't bring himself to court you while doing so, although deep down, he wishes someday you'll see his efforts, even if he's not exactly expecting you to fall for him…

However, your now ex-boyfriend will avoid you like the plague, and runs away when Rook is nearby, and you wonder if he had something to do with that….

Jamil warned you about your partner a few times, he didn't want to get TOO involved to avoid making you upset, but every time the subject was brought up…. he felt a deep heaviness in his heart that he hated.

The least thing he wanted was for you to notice his feelings. But maybe he was too insistent on the idea that it was best if you broke up…

But those were genuinely good feelings. He saw how bad you were being treated and constantly found himself thinking… “I could do better, so much better…” Yet he hated himself for it. What could he do, if you never saw anything in him?

He feels all of these things, yet it's like… he only wants you to Not Be with your boyfriend. Jamil believes you'd never love him back as well.

If you came to him for advice, he'd give it to you— but his voice was always restrained… and soon enough, he just tried his best to act as if his feelings weren't there, as if he was just a friend who gave advice and was exhausted by you not following it.

But then… it finally happened, but as happy as he felt, seeing how much it affected you.. it didn't feel like victory (even if it was!)

He wouldn't constantly seek you out. But if you need to vent he's always there. He's not good with comforting words… but his honesty can be soothing and grounding. As well as he might sometimes just try to aid you in general, after all… acts of service (unfortunately) are second nature for him.

Whether it's for food… studying… anything. You don't even have to ask… But he's not expecting you to like him back. And not in a cute “he'll wait for you!” kind of way… he thinks you'd never reciprocate his feelings. And he's not sad about that! Jamil just accepted that as a reality. Whether that changes or not is up to you…

Ruggie's pretty straightforward… Not with his feelings, but with his opinion on your boyfriend.

He takes every chance he gets to say something about him and as much as he tries to play it off as a joke, his voice is bitter… He hates him so much!

Ruggie wants to believe he only hates him because you're someone he could dare to call a friend! He denies any other underlying reason for his distaste for your boyfriend that isn't that he's unfair with you... But obviously, he's a bit prideful, a tiiny bit. He couldn't help but try to impress you every time he could. He wished that you'd see how you deserved to be treated… And maaaaybe how much better he is. And he tries for so long, it's kind of obvious if you know him well. If you're observant enough you might have caught on to his feelings.

However, that all changed when you went to him looking for the comfort of a friend, after your relationship ended…

Like Jamil, Ruggie wanted to feel happy, he wanted to celebrate! Finally you weren't tied to that man-child! You could finally focus on yourself and maaaybe on him….. But when he saw how heartbroken you looked, he couldn't bring himself to act on those emotions. You were hurt, and he hated seeing you like that. Though he's pretty awkward at it… He'll try his best to comfort you, but his words feel stiff and you can tell this is not his area of expertise…

He does so much better when it comes to acts of service. He'll try his best to distract you, make you laugh… which is something he'd love to hear again. He won't dare to mention his feelings however. It'd take a long time before he even considers that he could have a chance.

Unlike everyone before, Azul'd rather stay quiet.

He already hated the idea of having feelings for you, and just wanted to forget you existed to make the tightness in his heart disappear. He wasn't one to believe in love, let alone the fact that you were already committed to a relationship…

Yet because of that same reason he wasn't able to leave.

He had a special way of aiding you out of uncomfortable situations and stupid arguments, almost appearing randomly and requesting attention from one of you. The way he dissipated the tense air by just intruding (literally) was almost comical.

Azul's not sure of what to do, as he always regrets helping you, he says you're hopeless and it's up to you to change the situation… as if he doesn't care at all unless you're going to make a deal with him, but then he ALWAYS comes back, lends a listening ear, maybe greets you with some tea and a few snacks… Oh he pays for them, don't worry. It's a gift.

Then he goes back to feeling guilty for helping you, and frustrated for liking you.

….He's a complex guy.

One of those times, you came to talk to him at his office (which the twins knew you had special priority over his other tasks. Even if he never asked.) and told him what happened, you had an argument and it escalated, leading to the breakup… In which he seemed calm as always listening to you… asking you to sit on the couch as he paid attention to your woes.

He was at a loss for words.

Yes, he did believe this was for the best… but this ACTUALLY happening made him realize he never planned what to do beforehand. He repeated the typical routine, something sweet to drink… something soothing to eat… He's a good listener, and he will easily ignore his crush on you to help you better.

His feelings were always second place for him, and Azul seems like the kind of guy who low-key wishes you don't love him back, as he wouldn't know what to do if you did... (even as flattered as he'd feel, he still struggles with trusting people.)

However… if you're too uncomfortable with tour ex… He might ask the twins to aid you if you wish to not see him again! For free of course. You shoule accept his kindness… as he typically doesn't offer such services for free.

Reblogs are appreciated!!!

[tododeku-or-bust]

I find it a bit funny that people are trying to write off you and other people bothered by siwolism's antiblackness as "fandom blogs" when that's clearly not what any of y'all are, but also... idk, deciding black ppl can't showcase their interests or shows they enjoy lest they be taken less seriously politically also feels preeeetty antiblack to me. Saw someone try to say the ppl who "made" siwolism delete are "fandom hitlers" and just...yikes! I myself am non-black so ofc I'm no fucking expert here but 🤷🏽

It's funny because they want to be annoyed at us when "all we do is talk about antiblackness", but if we DON'T do that and instead talk about our interests, then "we're not really serious". Sounds like the real issue here is that you just don't want to hear Black people speak.

I am 1) a human with a life 2) that finds things interesting and 3) can still point out antiblackness when it happens 🤷🏾‍♀️

"fandom Hitlers" though is crazy. These people have really been watering down the very real WHITE SUPREMACIST harms of Nazism to make stupid racist points that Hitler would probably support them having 😅

They'll all be okay. All that's going to happen is she'll remake after like a week, everyone around her will coddle her from the Meanie Bitchy Blacks Who Were So Mean She Did Nothing Wrong, and she'll just fall in line with the rest of them who want to feel victimized for their own actions while still talking about whatever shit interests them (because they're allowed to have interests AND discuss real issues. Crazy how that works).

[thydungeongal]

Anyway, none of this is to say that if you're not constantly thinking about this or flagellating yourself while engaging with the game you're somehow a bad human being, but like the stuff in fiction didn't just emerge out of The Void but came to as a result of someone's decision to dedicate it into the writing. Some people just enjoy thinking about this stuff in our free time, like I certainly do, and speaking for myself interrogating media like this rarely affects my ability to enjoy or engage with said media.

I'm emphatically not making a moral argument here about the act of playing D&D or engaging with these tropes. That stuff is there, we can do whatever with them. But thinking about this stuff is in and of itself fun and worthwhile to me. :)

Also like "I want to see at least two constructive and fruitful ideas" isn't great. Like, you're basically telling people not to engage with texts critically unless they also provide ready-to-go fixes for the problems in the text. I'm presenting my thoughts here: whether or not you agree with them is up to you. If you agree with them, what you do with the burden of that knowledge is up to you. But I'm quite bored of this type of reading where because I am making observations about D&D I must be questioning the moral character of D&D players. I myself am a D&D player.

Anyway ultimately justifications based on "well that's how it is in the setting" about stuff in any media will ring hollow if the criticism is approaching it not from the point of view of interrogating it through in-setting logic but from the point of view of an actual human being making a conscious decision to make it like that.

Like yeah we can sit and jerk off all day about how killing cultists is justified through in-game logic because they're literally trying to make Hell real, but when viewed with even a modicum of media criticism you can maybe start to wonder why cultists are such a common villain in medieval fantasy gaming.

Similarly, yeah, sure, in-universe orcs may have been created by an evil god and that's why they're predisposed to evil, but given the already racialized portrayal of orcs in the source material they come from plus the game further adding the reading that they're actually tribal savages, it suddenly puts into context some of the Fucked Up stuff that the author of the game said later in his life.

Anyway, none of this is to say that if you're not constantly thinking about this or flagellating yourself while engaging with the game you're somehow a bad human being, but like the stuff in fiction didn't just emerge out of The Void but came to as a result of someone's decision to dedicate it into the writing. Some people just enjoy thinking about this stuff in our free time, like I certainly do, and speaking for myself interrogating media like this rarely affects my ability to enjoy or engage with said media.

[vonbabbitt]

Throwing this in, though I know you have a post saying you're taking a break: I quite like Tetro. The story is exciting, and incredible. You've done an amazing job piecing everything together, and it has lead to me pretty seriously looking into following the footsteps of this project with a story also told in this audio format, since you demonstrated so clearly not only how this was possible, but how this could be done so well for a Killing Game specifically. The latest events, the latest death, as made me incredibly sad, and I feel a lot of emotional turmoil over losing both victims. But despite that, I have enjoyed the loving, losing, and worrying for the future. That's amazing. All of it is amazing. I have my theories and conclusions about who may be guilty and who isn't, but based on the posts I read, I mainly wanted to express an amount of thankfulness that the series exists at all. It's even lead to me writing fanpieces for some character interactions, and I imagine I have a few more in me from all that's gone on. Not only that, but the hard topics of this series have meant a lot to me. Yanagi and Tsuno have especially felt really close to home. The stories they talk about and the things they deal with matter in my own life. And the series as a whole has made me cry over stuff that mattered to me much more than any other media has done in the last year or so, maybe longer, in even broader strokes. All the characters don't just feel like people one could meet, but people I have met. People I have known. And some of those conversations feel just like ones I've had in my own life. You've done something incredible, and the writing has connected to me deeply. And though I can only speak for me, I doubt I'm alone in this. Thank you for this project, and thank you for sharing it so broadly, freely, and completely. Thanks for writing it, and writing daringly, maturely, and earnestly. At least, such are the ways I would describe it.

I hope I can cross paths with you sometime in the future over a creative endeavor. But in the meanwhile, I'll be tuned in to whatever you do for this, and for whatever comes next. As these things are called asks, if you do decide to respond: Who on Tetro is your favorite? Is it the same from when you were initially writing it? And what lead you to choose an audio drama as the medium in question? Thanks, and see ya at the trial.

thank you very very much, im extremely glad that youve been able to connect with my writing on that level and i hope that others have as well! i really enjoyed the writing process for tetro so its always really cool for me when others can enjoy my story as well

also, my favourite is hama! that changed a lot during production, but ive settled on hama as my goat forever i think. sorry to all the other favs i abandoned along the way

i chose the audio drama format because ive always really liked being able to picture things. when i was a kid, i used to fall asleep to audio books every night, and i really liked being able to picture the characters and stories as they were happening. i would always be so disappointed when id go to watch a movie adaptation of a book i liked only to see that everything looked different from in my head lmao.

i also think audio is a really fun format for this type of story! it was a fun challenge to get my points across without having visuals to back my writing. i didnt have very much faith in my ability to do this at first. tetro was originally planned to have a narrator because i didnt think id be able to tell a story without one. when i realized my writing could stand on its own, i took out the narrator and just let myself carry it as best i could. i think it made for some really fun opportunities where the impact of a scene just wouldnt have been nearly as strong if there had been visuals or narration.

i think [Ice Fairy] is a highlight of tetro in terms of audio storytelling - same with [Good Child]. having only audio forces you as the viewer to take a moment to figure out what's happening, which in turn gives you an "oh shit" realization moment that really helps the impact of a scene like [Ice Fairy] or [Good Child]. there are still some more really cool examples of tetro utilizing its format left to come - i hope you enjoy them when they do!

[krystella-shifts]

Ignoring symptoms/outer world and detaching while entering the void state

So I got this question & post idea in my DM and it's a great suggestion cuz I personally used to struggle with that and seen others struggle w/ it too.

So y'all are focusing too much on the 3d AND the thought that you are focusing on the 3d and that you shouldn't focus on the 3d. How to detach from it?

1. First of all stop focusing so much on the thought/belief that you ARE focusing on the 3d and to enter the void you HAVE to NOT feel it AT ALL cuz if you while inducing think like "ok I feel this symptoms but I'm also hearing this and why do I still feel my pillow" LIKE DON'T. Just relaxxxx we're not telling you'll to relax for nothing! Cuz I realised form my experience that if I stress that my family is being loud or if I'm feeling symptoms and that i shouldn't move AT ALL (as if I'm in some statue statue game olympics 🗿🥴) it brings my focus back on the physical world. But when I am relaxed i just don't give a fuck. Think about the time you were SO tired after a long day of being outside and you just wanted to go home and sleep, when you finally got to go in bed did you have any care in the world what's going on in the 3d? Ask yourself

2. You have two rooms if you don't wanna be in room A you just go in room B. Be in 4d to not be in 3d. Like as simple as that. Think, affirm, daydream whatever the fuck you do like literally have a party in your mind i don't care as long as you're not aware of the 3d anymore! You know what works best for you. You do not have to follow a damn method EXACTLY step-by-step. Make it your own. For me I can't only affirm and be only in the 4d cuz it's daily life for me to affirm so what I do is affirm while imagining or just imagine. And many time when I wasn't even trying to induce but was just imagining scenarios to sleep i wasn't aware of the outside world at all. Sometimes while thinking myself to sleep i felt whatever I was seeing behind my eyelids literally form and become more vivid as if I was actually in front of it (it was fun ngl 🤡) so yeah basically do what works for you. I can't tell you what works for you, no one can. Only you. (I wEnT cRaZy OvEr YoU)

3. For some people it can be fear. Fear of suddenly having everything they want (unlike what the damn bitch society have told everyone) so just accepting if you have this fear and telling yourself it doesn't have to be hard, painful the way society told us, everything is meant to be easy and just flow for us. Or your body/mind might be scared of "leaving" your body here or find it unusual but regardless telling yourself and body "you're safe, I am safe" is a great way. Writing down your fear and tearing it can also help.

Understand actually having it/ being in the wish fulfilled state

So you said you're in the void in the 4d but asking for help, even tho I obviously don't mind helping at all, you wouldn't be asking for help if you were actually in the wish fulfilled. F the terms you ARE actually in the void. I'm not just saying it as an aff or whatever. You actually are in the void 25/8. The void is within you. The void IS you. It is YOUR God state. Wdym you have it in the 4d and not in 3d??YOU JUST HAVE IT. You don't TRY to get into an awake or asleep state you just are in it when you are. Void is just like a mix of both being aware but asleep. You're not entering some completely different realm you are going within. When you force yourself to sleep you're just becoming more and more awake. But when you just let it happen it not only happens, it's effortless. Why treat Void state any different? It's not some magical thing getting you your desires YOU ARE. you can manifest anything in awake state too and you are the one manifesting in the void so don't put it on a pedestal please.

Nothing is holding you back from inducing the void state. If you believe nothing is, nothing is. Nothing can. Nope not even the 3d, not even the doubts. The law is always working. Stand in your power.

- Krystella

Wow this is something I needed to hear myself in my journey (i'mma pat myself on the back) thank you for the person who suggested this idea and let me attach the ss :D I'm grateful to be able to help! Feel free to ask. Thank you for reading !

Happy living our dream life 🥂💋🩷

✿˖˚ ༘𐙚

[tavolgisvist]

When George complaints about Paul who tells him what to play:

YORKE: When you’re working on a new Beatles album, how many songs would you personally come up with, and then how many would you get to use in the end? JOHN: Probably at least seven or eight each and there’s only fourteen tracks on an album, so you can imagine what it’s like. So you have to choose the ones you like best or the ones that are easiest to get across to the others. That’s the trouble.

(John Lennon, 1969, interview with Ritchie Yorke)

That was just saying: ‘This is my song, we’ll do it this way. That’s your song, you do it that way.’ It’s pretty hard trying to fit three guys’ music onto one album – that’s why we did a double.

(John Lennon, 1969, Anthology)

The other example that really pissed George off was when we were making ‘Hey Jude’. To me it had to have a sparse opening and it was going to build. So I started off ‘Hey Jude’ (sings) and George went ‘durnurnawnaww’ (makes guitar noise), and then ‘Don’t make it bad’, and he’d go ‘Derdlederlederdle’ and he was answering every line through the whole song and I just said, ‘No, man, I really don’t want that, it’s my song.’ The rule was whoever’s song it was to say how we did the arrangement for them.

(Paul McCartney, 1986, interview with Chris Salewicz for Q Magazine)

…But Paul and John and myself have got just so many songs, I think this is a good way, you know, if we do our own albums. That way we don't have to compromise. I mean, we lose whatever we get from each other -- we sacrifice that in order to do a total sort of thing, you know. Because in a way, Paul wants to do his songs his way. He doesn't want to do his songs my way. And I don't wanna do my songs their way, really. And uhh, I'm sure that after we've all completed an album or even two albums each, then that novelty will have worn off."

(George Harrison, May 1st 1970, interview with Howard Smith at WABC-FM radio)

When we go and do his song he’s in charge. I mean, I can give him everything I’ve got, but he’s written the song and he has a programme for it. If I do something that changes it and he likes it, then we’ll do that. But he is Mr McCartney when we do his song. And I’m Mr Ringo when we do mine. We’re just musician buddies. In the Beatles and in all sorts of studio creations, it’s like, if I write the song, it goes like this. And it’s always been the writer’s direction. John would direct his, Paul directed his, George directed his, and I directed ‘Octopus’s Garden’ and ‘Don’t Pass Me By’.

(Ringo Starr, summer 1997, interview for Club Sandwich)

+ this

[summertimesadnessirl]

It doesn't matter.

If you have done everything you can to try to get the life you want and nothing works, it doesn't matter why you got that way. All that matters is don't keep trying to get love and letting people use your desire for it against you.

I'm pretty sure it's not actually real. And it's just something they made up to sell soap.

So that's the model I work with.

As long as I refuse to allow myself to believe anyone loves me, everything works out well. When I break that, people hurt me.

People will guilt you into saying it's because you don't pick the right people but no matter what criteria you use it's always the same. And no matter what treatments you apply to yourself, it's always the same. And no matter how many new styles of communication you learn to talk to other people, it's always the same.

For me the only thing that kind of worked was doing sex work and being super fake and having several hundred shallow fake relationships that had a lot of sex and weren't boring and miserable, because whenever I've tried to not date and just hang out and do other things like working or something either people bother me all the time and are really mean and annoying or they are always "conveniently" introducing me to people they want to fix me up with. Men and women and like? Those people are always basically on the same emotional level as the people I have already dated and seem really shy and kind of uninterested in me. When I talk them out of their shell, they seem still shy, like they basically admire me for not seeming shy to them and like how I dress but don't have anything in common with me and we wouldn't have anything to talk about, or they have kind of a mental picture of a type of super assertive girl who will be into their lack of experience and want to like... put spices on them and let them sit on the counter top for a full moon cycle and then write out a recipe for them that they can use to attract someone who will love them now that they aren't virgins or something, and they don't want to admit that to me up front, which is very mean to do, to want someone to like... be your character development without asking and then not let them prepare to be left with nothing from that interaction in exchange for being a cute story you talk about with your future spouse or whatever.

Most people don't seem to want a relationship with a particular person or a particular type of relationship or even like have considered their own potential deal breakers. Not "I didn't realize this thing I thought everyone did wasn't a thing everyone did" or "i was wrong about my needs in certain areas" or whatever. They genuinely have no idea like what they do for fun that is a group activity, and they make you spend like an hour trying to figure out what they want every time they want something and most of the time when you give it to them they're unhappy.

It's like people want me to be in a relationship just so I'll be in a relationship and other people want to be in a relationship with me just to be in a relationship and even people with lots of money who can leave and who spend all their time complaining about their relationship don't want to leave their relationship. And when I'm like "I don't want to be in a relationship right now because I'm broke or whatever and I wouldn't be able to leave a relationship easily." People are like *shocked pika* why wouldn't you go enter into a relationship with someone who wants to date you based on you having a normal level of kind conversation that you would have with a person on the street and being able to give them sex? Why would you not want to break up with the person you are dating and date a random old man who did your boss a favor once because he gave you a ride in his truck? Why would you not just let other people make major life decisions for you? Why are you not jumping at every chance we give you when it doesn't look or feel right?

It feels like the goal of the whole thing is having someone else to blame for your problems. I don't wanna do that to someone. I hate when stuff isn't my fault and I have to suffer for it anyway. That's why I cut my own hair and pierce my own ears and stuff. So if it gets messed up, it's just an accident and it's because I have never done that before and I just need to figure out how to fix it and I can take all the time I need instead of trying to like... figure out the magic buttons to push to get someone who broke something to be willing to admit they messed up and will try to fix it and like... having to wonder if I can trust them if they're a specially trained and certified expert and they aren't better at doing something than a person who went on the internet and read a tutorial and kind of guessed.

Idk. It's like if you told me most people in the world don't like sex or dating or anything and they aren't in love either and there's like some kind of mystic force that attacks people who don't live with a partner by such and such a time and have a kid by such and such a time and no one told me? I'd totally be like

"That explains everything."

Was I raised without love or was I born unlovable?

[pistol-grippump]

SHOOTING!HOBBY] ->

The part of shooting I love so much is the control. Having a lethal weapon in my hands so freely gives me an embarrassingly aggressive god complex. I feel as though as that's an understandable thing to feel though. I try so hard to not sound like an utter edgelord when writing about these things but then I remind myself that cringe is probably the least of anyone's problems.

Don't get me wrong, it's not like homicidal urges so to say when I go shooting, if anything, it's all completely suicide based. Perchance this is a bit of a contradictory entry but giving that a god complex is essentially thinking youre untouchable and superior to other people, somehow it's a god complex against myself. I don't entirely understand how that works but it's a sort of, 'ill show you!' type of feeling towards all the times I couldn't bring myself to just off myself.

Which of course, will forever be a cycle until I really do it. Not to sound dramatic, but the emotional attachment I have towards firearms is so endearing to me. I had a friend once who joked about me feeling "maternal" towards my .22 cal but I can't really say he was wrong?

There is such an intense comfort and emotion I feel with guns and I'm not quite sure how to explain it.

I digress.

I love feeling empowered, I love feeling like someone could be scared of me or something. I don't exactly know how to explain it but I have hope that you know what I'm talking about. I can't see myself genuinely committing any sort of fatal acts before I kill myself though, that would be the only thing. Its just a sort of fantasy I have.

I remember when I was about twelve, this band named SKYND made a song about Columbine that my much older friend showed me, in the video they depict Dylan grabbing this girl's hair and caressing her face with the barrel; in hindsight it seems like a satisfying situation, to me at least. The sort of power imbalance.

Though that part of the music video was fictionalized, I think that takes up a lot more of my thoughts then it should. When I was fifteen, I had one of those twitter gore phases, where I found a picture of this girl who was nude and penetrated with a 10/22, though her head was cut off. I saved that picture and used to have this weird obsession with it, at some point wanting to get something like that tattooed on me - I came to my senses that that girl had a life at some point and scrapped the idea of course. But I couldn't help but think about what the situation was and what lead to that picture becoming a reality.

Sometimes I get lust mixed into these things but I've come to realize that it isn't really a lust thing at all, I wouldn't want someone to be afraid of me during intimacy or anything. I kind of just want people in general to be scared of me - to avoid me or whatever.

It goes hand in hand with my urge to be the center of attention while still remaining to be left completely alone to my own devices.

Unfortunately I've always felt like everything I feel contradicts itself and it's definitely factual that most things I think or feel are completely inconsistent and don't make sense. Writing it out helps me take a step back and reflect on this but I'm kinda just worried about sounding like your typical self absorbed teenager.