#I would really prefer if people DO NOT use my original characters / personal art for public socials or platforms

[ursidanger]

im sorry i am extremely autistic

bgrizz has never left my head since the first time i saw you post about him on here & deviantart, he's just so aesthetically pleasing to look at, and ive really grown to love the way you've portrayed this version of him, it's so awesome, he exudes Energy i love it

can you share any lore behind him and his existence? and also... do you mind if people use your art (with credit!) on discord & random socials for fun? thank you for blessing this part of the internet with such an awesome artstyle. you are LOVED!!!

Love to you as well! And thank you.

I am glad you enjoy my AU design so much as to keep it in mind for that many years. If you’d like, I invite you to DM me about this! I would be more than happy to share whatever lore I still have with someone so genuinely interested.

But I am not comfortable with bringing my fandom works back onto this blog (I‘ve had pretty unfortunate experiences within fandom spaces online and irl that have left me keeping my safe distance)

Using my fanart or miscellaneous artwork on discord / socials would be perfectly fine with me! Credit is appreciated.

Just don’t claim my art or characters as your own/refuse to credit and we won’t have any issue.

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[lesbianralzarek]

tumblr in reddit terms

blogs: personal subreddits where the theme/topic is 99% of the time just “me and whatever the hell i feel like at the moment”. for reference, the most common other theme rn is “wizard roleplay that never breaks character”

reblogs: crossposts. these are crucial to maintaining tumblr’s ecosystem. due to blogs generally having fewer followers than subreddits have subscribers, this is the way that posts get seen and passed around. the vast majority of posts on a person’s blog tend to be reblogs, so if the people you follow dont reblog a whole lot, your dashboard is gonna be a ghost town. post limit (combined total of reblogs and original posts per day) is 250, so feel free to go hog wild

tags: this one is complicated. theyre a combination of flairs and Comments But Low-key. you can use them for organization and to avoid seeing content you dont want to (go to your blog, settings, account settings, content you see, and then add tags you want tumblr to warn you about before seeing it). if op tags the post #reddit (in the tags, not the body of the post), itll show up in the #reddit tag when anyone searches that tag. tags are also used for comments that dont really add anything to the post. you know how a jpeg gets kinda gross when its been through a million screenshots and has ifunny watermarks and shit? thats what adding “lmao same” as a comment does to a post. comments stay on reblogs, while tags show up in 4 places: op’s notifications, the notifs of whoever you reblogged it from, when someone clicks on the “notes” button of a post and actively looks for the tags left on it, and when people view your specific reblog of the post (like a follower would on their dashboard)

likes: upvotes but weaker. almost everyone turns off all the algorithms (settings, account settings, dashboard preferences, toggle off the first 3 options. also, make sure your dashboard is on "following" and not "for you". this is highly recommended), so leaving a like doesnt boost the post in any way. they still matter to some people. you can also use them to bookmark a post and go back to your likes later

enthusiastic and/or hyperbolic tags: reddit gold. you wanna let op know you like their art? leave something like ”#printing this out and stapling it to my forehead #op you wanna get married?” in the tags

pornbots: both reddit and tumblr have an issue with them. we block and report them on sight. they usually have hot women as their icons, no posts or reblogs, and a description like “22, brazil, nurse <3″. try to not look like that if you dont wanna get blocked by everyone you follow

blocking: you have this as well, but it seems like a bigger deal on reddit. the reason we are not twitter is because we block bitches who annoy us and move on with our day. do not feed the trolls

things we dont have:

karma: clout-chasing is The Most embarrassing thing you can possibly do on this site. we are all in this circus together and the clown who gets the most laughs is still a clown. popular users will literally deactivate sometimes because clout is a burden. no one here makes money

[olderthannetfic]

Sending this to you specifically because I feel like you're the only normal brained person about this series.

I read Captive Prince a couple of years ago and liked it fine, as someone who doesn't have a strong preference for or against m/m and therefore isn't well-versed enough in its clichés to notice whether it reads like something full of cliché fanfic tropes. I really liked the use of language, some of the historical/political stuff, some of the ways that the characters are made complicated or unreliable.

The problem is, I've since coincidentally read most of the books that were Pacat's inspiration and. Well. Like 80-90% of the stuff in there has direct parallels in one of those. I'm not sure if there are more than three original thoughts in there.

I am not joking, if you read 1. The Lymond Chronicles and House of Niccolò by Dorothy Dunnett; 2. The Nightrunner series by Lynn Flewelling and 3. The Vampire Chronicles by Anne Rice, you will find that some of the scenes were ripped off beat for beat, many jokes were taken and just lazily reworded, a lot of the character beats and arcs are at best a mashup of 2 or maximum 3 things from those books with the serial numbers filed off really poorly. There's a scene where some characters discover a suicide victim whose structure and descriptions are completely ripped off from another series, except Pacat fails to see what made the original scene so impactful. A lot of the pretty use of language is also directly copied from those, including some really really specific descriptors. It's so blatant!

And I don't see how people are okay with this! I know people who are fans of several of these works and they're totally cool with it! And honestly if it were some rando's unpublished original project I'd be cool with it too, but as a published beloved worldwide phenomenon with rabid fans? C'mon.

And another thing is, all of the other series mentioned above are balls to the wall insane. She just... she just made it bland. She took off most of the edge and reshuffled the elements into a fairly straightforward MLM love story with some light kink thrown in. It's not a BAD series, but I feel like I'm disappointed that someone read all my favourite books and THAT was their takeaway?

--

I started reading, got to the name of the series and burst out laughing.

And, wow, you brought up something totally new that I hadn't thought about! I'm impressed. Genuinely. Usually, I rant about all the reasons I hate the series while debunking the standard anti talking points.

--

I've read the Vampire Chronicles, but that was in the 90s and I read Captive Prince in like 2016 or after. I had zero recollection of common points. I haven't read The Lymond Chronicles despite years of hurt/comfort fans bugging me to do so, and I think I got like a chapter into the Nightrunner series before getting distracted...

The reason I found Captive Prince annoying and derivative is that it also reads exactly like the original m/m that was available when it was first being written, most notably the work of P.L. Nunn who was extremely famous for horny fan art but who also wrote some original m/m fantasy novels. The scene where they finally bone reminds me heavily of the one from... uh... what's the P.L. Nunn one where the prince creeps on that archer dude and he gets raped because of course and then the prince has to be ~patient~ and it's peak boring 2000s rape recovery tropes?

The rape backstory is not only lifted from Fushigi Yuugi (the author's fandom at the time) but is shared with basically 100% of original m/m from that era. It's sometimes the uncle, sometimes the stepfather. One single time that I can think of, it was the foster brother, but mostly it's that "funny uncle" type. Unless it's gang rape from a bad Gundam Wing fic. That was also everywhere.

Once somebody told me the author had previously shipped Tamahome/Nakago, I realized that they'd taken what would be a kind of unusual anime ship and made it a thousand times more boring by dumbing down the scary, tall general with the tragic backstory into an uke-appropriate waif.

So I guess what I'm saying is that there may be some inspiration you aren't familiar with, but it's the same story as what you said above: this is the blander remix.

--

As for why people are okay with this... honestly, most of the people who really adore the series whom I've talked to point to how it encapsulates the exact tropes and tone they loved in anime fic circa 2000.

As a fellow weeb, I loathed the tone of said anime fic circa 2000 and could not wait for tastes to change, so Captive Prince is a hideous blast from an unlamented past for me.

I think most people who love the series aren't familiar with its inspirations. Those that are may have consumed them quite a while ago and don't realize quite how direct the parallels are. Or, for the inspirations that aren't overtly canon m/m, the lure of it being Exactly Right may overshadow other things.

(They also mostly haven't read 90s fantasy doorstops that actually contain political intrigue, tactics and strategy. Captive Prince is a piss poor entry into this genre and should be recced for m/m, not this other stuff people constantly think is in there. None of these characters can reason their way out of a paper bag.)

More than any of that, there's a lot of love left over from when the series was a serialized original story on Livejournal in an era when we had vanishingly few original m/m works, especially long ones in a fantasy alternate world.

I think that is what gets it a pass when a new m/m novel presented as "m/m romance" or posted on one of the webnovel sites would be mocked for unoriginality. Many Captive Prince fans aren't (or weren't when they read it) all that familiar with the smorgasbord of original m/m available today. Many are unfamiliar with anime fanfic circa 2000, so this feels adjacent to the fic they've read but a little fresher... instead of like the week-old sardine tin I found it to be.

[nottoxicfr]

This is, tentatively, Rize.

She is the combination of Nagoryuki (Guilty Gear) and Rachel Alucard (Blazblue). Relating to the concept of a data-Backyard, she has the role of a program meant to ensure the integrity of the physical world through Intervention. However, overuse of Intervention causes cracks in reality, therefore its use is controlled strictly.

This relates to the thematic idea of her character as “the Observer Who Averts Her Eyes." Nago's long meditation after the events of the Crusades combined with Rachel's nature as an Onlooker, cursed not to intervene in events, resulted in Rize's fitfully slumbering nature. Rather than Observe the events of the world, she wishes to sleep until the world has no need of her and is cursed by nightmares of terrible memories and future possibilities. Her story is about finding meaning in Observing individuals, rather than viewing the world as a single disastrous story.

(I'll talk more about her personality and her design below the cut)

I had a really hard time creating her! Honestly, I really didn't want to anything mess up. I feel happy with this art, but I want to draw her more and really get a grip on who she is. She looks really elegant, but I think there's more to her than that!

I mentioned before that fighting game characters are adjective filled, with Nago and Rachel being no exceptions! Rize is more focused on Rachel's style than I originally intended, but I hope parts of Nago still shine through. His older appearance is why I designed her around the age of 20, rather than sticking with Rachel's younger look. I'm not super comfortable with the type of character that is very old, but still looks young!

She's a gothic, lolita-inspired vampire, but I had more of Nagoryuki's "noble" personality in mind when I drew her. I imagine that she would offer advice to the people she meets, but sometimes the advice might be, "Don't wake me up from a nap." She can be a bit thorny, which draws on Rachel's "rose with thorns" tsundere motif to reshape the kindness both vampires possess.

There are parts of her that seem very childish in my mind, like the idea that she can sleep until the world ends or her grumpy reactions to others, but her deeper personality indicates that she's incredibly guilty about the events she witnessed and simply at a loss in what else she can do. It seems most of her childishness comes from a lack of sleep more than anything else. Her eyes are Nago's Blood-Rage mode, which implies she's also pretty hungry.

Originally, she was going to be named Arisu (Alice), with Bloodedge (Baiken x Ragna) being a Cheshire leading her to the source of the plot's problems. If this was a real game, I think that would still be the case as a relationship. However, with a different name, the allusion isn't nearly as prevalent...

Instead, Rize comes from Riza, from E-riza-besu, an homage to Elizabeth Bathory. It's supposed to be from romanji so it calls to mind the idea that it might be a translation she preferred. That’s not how you convert Eliz-a-beth into romanji, but I thought it was an acceptable break from reality for style. That’s the running idea for ArcSys, generally.

Rachel has servants named Nago- which was ironic- and Gii, who frequently take her wrath. Rize's servants are Tama (Ms. Umbrella in the art) and Chester (Mr Plushy next to her). Chester is a stuffed creature in the form of a Jester, meant to put her in a better mood after a nightmare. Tama, as mentioned in another post, is a joke about how you can take the first syllable of Excalibur, Ex, and say it as Eggs (Tamago). It's a really stupid joke, but it indicates that Tama is actually the sword of myth simply transformed and given sentience via old age. I don't think she takes her short temper out on either of them, but if she does then it's probably Chester. Lots of people punch pillows to feel better, so I don't think Chester minds as long as someone fixes him should he be damaged. She also has another servant, but they aren't created yet.

Gameplay wise, she'd be difficult to balance. Every small movement would inch her closer to a true Blood-Rage, which would significantly drain her health. To get around this, the player would have to use Rachel's Wind Drive to maneuver either Rize or her opponent into her range. To offset the difficulty of that, she has quite a lot of power. It might actually end up making her a grappler-type of character. Rize is the kind of character who changes the color palette of an anime when she shows up. Super strong, y'know?

Anyway, this is probably my favorite of the "ArcSys Singularity designs" that I made. I also tried out Slayer and Rachel as a combination, but it wasn't quite as fun. I feel very excited with Rize! I wanna draw her more.

[shizukateal]

In honor of Across The Spiderverse going digital, here's the Beyond the Spiderverse Prediction Bingo!!!!

Explanations below the readmore:

Spider Ham's Chekov Hammer: simple enough to guess, I'm just really waiting for that to pay off, preferably over Miguel's head.

Spider Noir and Hobie get along: just some good ole' fanservice.

Miles G. is actually a dork (he's just better at hiding it. mildly): Wow, great introduction Miles G.! Very suspenseful and intimidating!! Let's see how long you can carry that demeanor without breaking.

Margo / Miles (Miles G.?) / Gwen Love Triangle (Pavitr is annoying about it): Pass the popcorn everyone. How resentful will be Miles when he meets Gwen again? Is getting the spider-band together enough for him or is it just the first step into making amends? Maybe he feels more grateful towards Margo (and Hobie) and will give Gwen (and Peter B.) the cold shoulder for a while. Will Miles G. also enter the ring? Maybe this one really cute comic by @bubblypinkfreak will become true.

Jess Drew Subplot (baby is born?): REAL interested in finding out why Jess would ever follow an asshole like Miguel. Also she deserves more plot relevance. And fanart. Aaaaaand I kinda want to see her husband too.

The Spot Collapses in on himself: Gonna be honest with you, people, I have no idea how they'll fight him, this just seems like the cleanest solution.

Miguel's actually just as much of an anomaly as Miles: My own personal theory, not really based on anything concrete beyond some flags I get from Miguel and some stuff I'll explain later. Basically, I think Miguel's projecting on Miles, and that's part of why his beef towards him is so intense. The only explanation I can think of is that he destroyed his original dimension, not just the one with his daughter in it, and the serum we see him take is what keeps him "stable" and "belonging" to Nueva York. Or you know, maybe just the watch, but the serum is more sus to me.

Gwen Stacy Fall Subversion: Either Gwen completes her character arc by saving Miles from falling to his death or she saves herself, thus breaking her karmic cycle of getting fridged.

Meows Morales cameo?? Pretty Please???: C'mooooon he became instantly popular and he's adorable!!!!! <3 <3 <3 bonus points if multiple miles help out to fight against Miguel's squad later.

We spend some time on Hobie's dimension: No idea how the plot would get there, but the concept art of Hobie's dimension is fire and I want to learn more about him <3 <3 <3 tell us why you almost gave up the mask, darling, and did you kill a cop in your dimension? <3 why would you feel bad about it? <3 <3 <3 <3

Gwiles Morales (he hates that name): Apparently this is how some of the staff called him. Poor guy.

The Spider-Band fights Earth 42's Sinister Six: For those who don't know, they control Earth 42, as confirmed by the art book. Nothing better to sweeten Miles G. to our heroes' side than taking care of them. Bonus points if one of them is explicitly a fascist and Hobie and Noir punch him together.

Miguel Bites Someone: bonus points if it's hot as fuck. Sorry but it's true.

Lyla's the real bad guy (beyonder): I'm gonna let moviebob do the heavylifting here. Could tie to that personal theory I explained above.

Peter B. vs Miguel fight redemption: ok this one I'm biased for because I personally find Peter B. more morally culpable than Gwen in their whole drama with Miles seeing as he's the adult with a kid. But also yeah, good chance for him to redeem himself in Miles eyes (or not! maybe Miles wants more from him that just standing up to a bully) and take Miguel down a peg. Bonus points if he looses a leg, because apparently that's something that happens in Spidergirl's comic.

Prowler!Hobie somehow: Not saying our Hobie will turn into the prowler, just that the connection will be addressed somehow. Idk man, it just feels like positioning Hobie as another mentor for Miles is very deliberate.

Miles feels guilty about Earth 42: Juicy source of drama between him and Miles G. as well as a free character arc about how responsibility is more than just cause and effect.

Miguel tries to redeem himself by dying but Miles won't allow him to: Miguel O'hara has several problems, and I speculate they all come from his self-obsession. Everything about the spider society is about him erecting structures dedicated to his pain to turn himself into the martyr holding reality together. So if he's finally proven wrong, it seems pretty in character to me that his idea of making amends would be to do the same thing one last time for "the right cause", being the diva he is and how he thinks you can sacrifice one person to save everyone else and all. I don't think Miles will allow that, though. Bonus if the scene parallels the one in into the spiderverse when Miles returns Peter B. home.

That one @cheezthatboiii comic / Mileswitch: because what's the point of having a twin if you can't fool people about it?

Gonzalo/Gonza Morales: The correct alternative to Gwiles if anyone during production has braincells or is latine.

Margo Subplot (family issues): confirmed in the artbook that she ended up having more plot relevance than originally planned, and even if that wasn't the case she deserves it. And more fanart.

The Spot is defeated with kindness: Ok. Before I said that I don't know how the Spot could be defeated with violence, but maybe that's not needed? He is clearly a foil to Miles after all, and I think it would do him (Miles) a lot of good to practice some radical empathy, even on someone who kinda doesn't "deserve" it. This isn't so much about him being ""redeemable"" (fandom has ruined that whole concept) so much as how much empathy the narrative is willing to grant him.

Jeff meets Gonza before Miles reveals to him that he's Spiderman. He's confused by having 2 sons: this just feels to me like the most probably sequence of events given the franchise's usual use of bathos and subversion of expectations.

Spider Support Network Finale: No more spider society authority "correcting" the multiverse, every spider-person gets a watch so their friends can come over and lend a hand and prevent as many deaths as possible.

Aaron 42 gets severely injured/dies: I don't want this to happen, it just seems like a way of trimming some fat in the cast and getting some more drama from Gonza.

[chubs-deuce]

@drawmanda ik I already dmed you about this but my inbox ate your ask up so I'm responding to it this way now! <3

first of all thank you so much!! sdkjhsdkfh

And well, technically I also draw almost everything by hand too :o

I understand the frustration of being slow, but "fast" digital drawing actually has very little to do with not drawing things by hand (a trap most people infatuated with this terrible AI ""art"" trend unfortunately keep falling into) so much as optimizing your workflow!

admittedly a lot of this is also a matter of both personal preference and practice - but you can hardly practice and have preferences on what you can't know should be a focus right?

Under the cut is a list of the things I do that speed up my own digital art workflow (this one got hella long, sorry):

1) I sketch very loosely and often often skip the lineart entirely.

Something that's imo really important for actually almost all artists to practice is reducing sketches to their essentials!

A good working sketch should be rough and block in the shapes and placement of the features you have in your mind - the details don't come in until later, so they actually have very little business being put in at this stage!

It's meant to be a guideline and foundation for the upcoming detail work after all, not a finished, tidy drawing in and of itself.

Use quick, airy brush strokes to roughly pencil in some vague shapes and don't be afraid of indecipherable scribbles or flyaway lines! All that isn't needed won't be visible later anyways (either bc you turned off the sketch layer or erase the offending bit of sketch away)

Naturally, cleaned sketches are a thing people post plenty of online too (me included), but I promise you most artists that do proper lineart and/or render out insanely polished pieces have a very rough and probably barely legible sketch underneath those pieces lmao

And guess what! Most of my own "lineart" is nothing but cleaned sketches! :'D

I erase the construction lines like the circles for the heads and redraw a few bits and bops, re-trace some lines for legibility and/or to make them more visible and voila! Sometimes this is faster than lineart and keeps the original flow and energy that's in the sketches, other times this takes me just as long as lineart would lmao (highly depends on the amount of details and how lost you get in those).

Note how I didn't even "finish" a lot of the lines in the rough versions and many pieces of the og sketch were kept unaltered? I also tend to focus more on detailing out the faces than the rest - this is one part pure laziness and one part knowing that the faces will draw the eye's focus the most lmao

But see, sometimes I don't even bother with all of that noise! I just color the sketch as is:

This is a bit of a "trust the process" thing sometimes because a sketch can look utterly incomprehensible until you block out some colors and/or silhouettes to give your eyes context!

All in all most sketches take me between 10 minutes and half an hour, if it's a more complex pose or set of poses of interacting characters it can take closer to 2 hours, but in that case I also tend to use multiple layers for various iterations of rough sketching and to separate the characters on their own layers so it's a bit easier to keep track of the limb placements etc - it's best to keep a flexible mind when it comes to your approach to sketches.

Not every drawing will need the same level of care put into its sketches, don't be afraid of being rough with it and trying out different things if your usual way of doing things doesn't feel right!

2) Understanding the tools at my disposal!

Imo something every learning digital artist needs to get in the habit of is experimenting around with the tools at their disposal :D

It can seem incredibly daunting, especially when a program is absolutely packed with functions, but the more you work with different things and figure out what you like using and find ways to use them in your workflow, the easier it gets and the quicker you become! You'll be surprised what knowing your way around well can do to your work speed :D

Dick around with different presets, settings, colors, layer blend modes, filters etc

One of the first things I did when I first downloaded CSP was to just pick up every tool in the list one by one and doodle a few strokes across the empty canvas - no real goal or direction in mind, just getting a feel for it and then did a few drawings using different sets.

Imo even if you end up never using certain tools, it's still handy to know how they work!

3) HOTKEYS!!!!

I use my pc's keyboard hotkeys for. Every. Fucking. Thing. Mind you I'll be mostly talking in the terms and list hotkeys specifically for Clip Studio Paint since that's the program I use for my art, so if you use something else please do your own research on what the corresponding hotkeys are for your program if the ones I tell don't work!!! I promise you most of them have very similar functions just on different key combinations and will also usually let you edit them in the settings :D (this comes from someone who's at least tried out most of the available ones - Such as Medibang, FireAlpaca, Gimp, Krita, Rebelle 5, Paint Tool SAI (this one used to be my main before CSP) and I even tried photoshop and procreate on someone else's devices in the past)

The reason I use hotkeys is so I don't have to drag my curser around and click things by hand unnecessarily, the hotkeys save me a ton of time in the drawing process!

some examples of hotkeys I use for basically every drawing:

the classic undo (ctrl+Z) and redo (ctrl+alt+Z, other programs often use ctrl+Y for this tho); on touch-input compatible screen tablets you can often tap with two fingers to undo and 3 fingers to redo

zooming (this has multiple methods, you can use the ctrl+"+" and ctrl+"-" combo to zoom in and out, you can use the scrollwheel on a mouse or you use what my personal preference is: hold ctrl+space and drag the stylus to zoom in and out; if you have a touch-input compatible screen tablet you can also use two fingers to zoom in and out like you would on phone!)

rotating the canvas (technically has more than one way as well but I'm ngl I can't remember the way that isn't what I use anymore lmao, hold shift+space and drag the stylus - pro tip, you can reset the rotation with the Pos1 button, in the navigation window if you have it docked or in CSP's case also at the bottom of the screen!)

mirror canvas (in the viewport only! permanent rotation requires a transform!) using the M button (this is handy for checking proportions and when you just can't get your hand to do a curved line that goes against the natural range of rotation of your dominant hand's wrist)

drag viewport (i.e. move along the canvas by holding space button, then clicking and dragging)

merging layers (ctrl+E)

selecting multiple layers (click on layer, then hold ctrl and click on any other layers you want selected individually; if you want to quickly select a long and uninterrupted list you can also click on the first layer, then hold shift when you click on the last, this will select all layers in between too)

grouping selected layers (ctrl+G)

deselect all (ctrl+D)

transform selection (ctrl+T)

bring up hue/saturation/luminosity sliders for currently selected layer for quick color adjustments (ctrl+U)

switching between tools (I memorized which keys correspond to which tool categories in CSP and then use the "," and "." keys to move between presets within the category; I also have my CSP set up to have multiple presets in my tool bar that I can cycle between using the same tool button)

changing brush size (hold AltGr and drag cursor to increase or decrease brush size)

switching between drawing colors This is an especially big one for me!!! Did you know that using the little transparent color underneath or near your front and back colors turns your currently selected tool into an eraser? It keeps all of the texturing and blending settings too! I often use larger round brushes to block out an area and using this I can just use the same brush as an eraser to taper the strokes or refine corners without losing the texture using the C-key :D When I'm coloring switching between front and back colors helps a ton too, and for that I use the X-key! Here an example of how that looks executed in practice:

Notice how I never have to stop moving my cursor away from the drawing unless I'm picking new colors? :D I also use this a lot for my shading process! I will often use two tones on a layer with its blending mode set to add or multiply in order to shade and quickly switch between them for easy blocking and blending! Tumblr doesn't allow more than one vid per post so here's a youtube link to a little demo to show what I mean!

4) I aim for vibes > visual accuracy, especially in backgrounds!

(though this applies to how I approach character illustrations too)

A background doesn't have to be mega detailed or coherent to get across what you need it to!

I often use blurred photographs and video game screenshots as backdrops for my art, other times I roughly block in some squares and silhouettes to give the viewer some implied context of where they're at

Detailed backgrounds, unfortunately, will almost always cost you tons of time to do, so the speed with those unfortunately really does come from extended practice more than any shortcuts I can offer :')

for at least big room layouts like this tho I can recommend building the scene in sims 4 or something similar first and roughly tracing the screenshot for proportional guidance, something I've done in this one^ for example!

5) STENCIL BRUSHES <3

BOY THESE THINGS CAN BE DAMN USEFUL!

None of the things in this image below were hand-drawn by me!

These are just some of the ones CSP comes with by default! I downloaded quite a few handy custom ones over time too lol

I really implore you to not get too overly reliant on them however, they can be a huge help for when it doesn't need to be super accurate, but unless you're really good at making them match your style they can stick out a little sorely, so use them sparingly and only where you can easily make them blend in with the rest of your piece!

Also I've seen your lovely art in the tags I frequent a few times now and while the insane amount of detail you lovingly pour into it makes it a really cool and recognizable style that genuinely wows me anytime I see it, I can also see how time consuming it'd be to create it!

I do however think it's a gorgeous style that is worth every minute you put into it, so please don't be discouraged by any slowness! :3

I do of course still hope that any of my tips helped even just a little bit!!!

Keep up the amazing work and take care <3<3<3

[missninapea]

My pet peeves of being an average Hazbin Hotel fan:

•The hatedom: The hate and negativity towards the show and Viv honestly gets under my skin. Like it's totally fine if you simply dislike it and let people enjoy things that are not your cup of tea, but if you seriously HATE this show and the creators other work with a BURNING passion, I suggest that you don't interact with my blog or maybe even block the tags and stuff. Like, if you despise Viv, just ignore her stuff and move on with your day.

•Redesigns: Redesigning/reimagining characters can be a great thing for putting your own twist in them. Also for character design practice, expressing creativity, and for having fun. However, it can also be used out of pure hate, saying they "FIXED" them, or saying that their art is "BETTER" than Viv's which bothers me a little. Saying "OMG THIS LOOKS SOOOO MUCH BETTER THAN THE ORIGINAL" "I REALLY PREFER THIS DESIGN THAN VIV'S. SHE LITERALLY CAN'T DO CHARACTER DESIGN FOR SHIT!" "LOOKS SO MUCH BETTER OMGGG!"🙄Like, you can still critique the designs of the characters while being respectful and constructive, that's fine. I have a few critiques myself actually.

•Vivziepop: Vivzie is one of my favorite artists. Her art really inspired me so much ngl. But I'm very aware that she's flawed and not perfect. I hate when people dig up all of her controversies just to make her a villain and make her look bad. I really don't. She also responded to criticisms from antis on Twitter. In my opinion, I don't think she should've replied to them. It could be draining and also unhealthy for her mental health. I'm honestly worried for her. Maybe she should hire a social media manager or something idk. I very much care about her well-being. And some even don't support her because of her controversies.

I know you can like a show, but not the creator. I like Viv. I only support her dreams and achievements for making awesome cartoons, but maybe not her as a person. I hope she can improve and do better so she wouldn't receive any more hate.

•Guilt: Every time I see so much bashing and negativity towards Hazbin or Helluva, I would end up dwelling on it, feeling extremely guilty, ashamed, embarrassed for being a little fan. It can be very draining for me and a risk for my mental health if I constantly dwell and soak up their negative opinions. And I hate that feeling. It makes me question why I shouldn't enjoy the things I love. And it hurts.

So yeah..I don't normally post things like this, but I just needed to get that out of my system. Don't worry, I'm okay.❤️😊

[silky-silks]

Okay can I talk?

eric belonging to @night-light-artz

Patches @eve-pie

Okay for the image above I was doing a “mock” warrior cat book. I miss the old covers but anyway

I kinda feel my art is…boring. I mean it just feels that way. Sometimes I feel I rush myself to get things done, and to be honest I hate having to rush myself. I look back at my recent post and they just fall FLAT. Flat as in the colors are just boring as heck. Lineart? I don’t really like. Not only that but everything feels so unpolished

My anatomy/details

I hate the fact I miss crucial details of my chat starts or even other people characters. I mean, HAVE YOU SEEN HOW I DONT EVEN ADD SILKY’s ANTLERS 99% of the time? That bothers me. And I see other people add them and I’m just “well damn I’m so lazy I can’t even add antlers on my own fucking character”.

Not to mention the poses. Everything feels so stiff with me. So dang stiff that you may as well call my art wood and use it as a support beam. I hate how I don’t use references for my art. Maybe If I used them more and actually took my time stuff wouldn't look like your average horrific Netflix Original cartoon of some movie.

Backgrounds/minor objects.

Do not get me started. I hate all of them. They look so low effort. I mean, I know I can do better with them! But it seems like I worry about the main characters so much. In fact, I feel the background just falls flat or blends in too much with the characters that it looks. Messy. If I draw a cup, i'll skip over details and it will look awful! Which isnt good, as it shows im lacking severly.

Time

And for time I rush. I feel like I have to literally push things out by day’s end and well…it affects my art. Lately o just been so focus on the hour and time it just makes the art suffer. Even if no one else sees it I do. I love my painted style, but it takes quite some time. And forgive me but I hate just doing sketches to and posting it. I prefer my art to be colored in and all the way. Now im not saying i dont like it when other people sketch. That would be a dick-head move of me.

Some days I fear if I don’t post or read inboxes everyone is going to think I purely abandoned them. I try to focus on my page. but just giving them a sketch at the end well...it makes me feel as if I just dissapointed them. I think to myself and say "I could have done better than that. Why did you even do that in the first place {Name}. "

I have like so much on my agenda and plans and then i realize I can’t do it all in one day. Hell sometimes I just make one day spefically on one subject.

If that day was animation day; I focus on an animatic.

If a certain day is art day and I want to set up my commission page (which is so messy I deleted it) then that’s the settled day. But I feel like I’m going so slow. It's like I am running out of time, and time is just passing by as I look at my clock.

And I'm not blaming anyone it's just my stupid head that makes me feel this way. I know no one is trying to rush me. But head is like "Oh but what if- and why not-". It bothers me. It clouds my vision and i don't realize in reality...no one is saying the things my brain is saying. Sometimes I feel like I'm bothering people when i draw their charcaters so much and tag them. I fear they just say 'Aw great it's this one person again."Sometimes I feel I need to be MORE original. And some days i feel i just need to give up entirely. Some days I think posting everyday will aggervate folks. Sometimes I envy the attention of others, and when I see what they gain or what following I have i look back at myself and say "Well maybe if you did this better than MAYBE you people will be interested in ya". And damn do i slam my head in a wall. Everyone just seems so happy, and yet here I am fretting over if this fucking dog I drew looks remotely interesting. And I just feel it...blends in. Like what is there so special about my art?

MY BLOG

And for this blog, I don't know if I truly have an identity for myself. There's Silky, there is Minty and Syrup, there is Simon and there is Shrimpy. But who do they belong to? What roles do they even serve in this blog? I want them to be my identity. I don't want them being just some sort of character leech. They lack story, they lack purpose, they are thrown in tropes and gag. But what do they relate to? Nothing. Nothing at all. And yeah yeah I know im thinking to DEEP into this. But it's been on my mind so much. And hell call me crazy for talking about them if they are real, but they mean a lot to me. A LOT.

So I tried to make my art interesting here like, i tried referencing images space. I tried adding more anatomy to Snowy since I am tired of doing the usual standing up pose. I even wanted to make the background feel more detailed. I feel a bit better, but I still fear everything is too...eh...bland. Maybe it is just me.

Sorry for the ungodly word of text. I know I shouldn't vent here.

[eryanlainfa]

important thought i just had. how do you imagine hugo’s gender nonconformity like how does he identify with any label in particular or is he just Like that. and more importantly do you think he’s already figured it out by the time he meets the gang or do you think the egg breaks later. BC SEE i’ve always imagined up until the trials shes never had the time to think about herself at ALL, like she obviously knows shes kinda *flicks wrist* yk but otherwise she’s never really actually come to any real conclusions about herself. so i think as soon as they move in with varian and once they’ve finally settled and they have SO much free time and so many things going on in their head, they’re trying new hobbies and finding all sorts of things to tinker with and most importantly they finally have the opportunity to care about their appearance and suddenly the gender crisis hits them like a fucking FREIGHT TRAIN

all this is to say because. I was thinking about that again today and then i remembered aiden and it was like my third eye opened bc i realized the sheer potential in that scenario with airigo. like i feel like aiden would’ve seen that shit coming a MILE AWAY and i think that’d be so cute and also so fucking funny and. I need to hear your thoughts ok

[Hi. Future Ery talking. I started rambling and I have no clue if what I said is actually coherent or even answers your question at all- But the idea was there! Also I personally headcanon everything and anything, I love switching labels of one character and making a whole new au for it. But covering EVERYTHING would be too long so I answered regarding Aiden's main timeline only- but if you want me to talk about transfem Hugo in particular I'd love to!!]

Sobbing and crying this is so cute and funny your brain is wonderful mwah mwah. I think all you said could 100% work and I can see a version where it would make sense for Hugo to not had the time to discover themself properly. And Aiden just clocking her right away is so funny 😭

Saddly it wouldn't work in Aiden's original timeline simply because, in this case, Hugo wouldn't be Hugo if he hadn't transition already.

I've never really openly delved into my headcanons for the whole gang, because I like people being able to interpret my art however they want (and also because I can change my mind whenever and no one would know-). But in Aiden's universe, Hugo isn't amab.

But to go back on how I imagine Hugo's gender noncomformity!

Firstly, in universe, I'm not sure neither Hugo nor Aiden really identify with a gender label. They don't really have a word for it so they're just how they are. But I personally label him as bigender transmasc. And I do still label them as gay. Cuz. Queer homosexuals representation. Yay.

Secondly- Hugo actually transitioned before figuring out his gender. Being an orphan is already harsh, being poor is terrible and he figured being female generally made things more difficult. So she didn't want to be one. When he got recruited by Don for the first time he was already dead set on not wanting to be a girl and didn't have a name anymore so Donella is the one who named him Hugo. I think Don was "supportive" as in she really didn't care, and if helping Hugo transition meant he would be more useful then that worked for her just fine. So Hugo got to transition but it wasn't really because he didn't feel like he wasn't a girl, she just didn't think it would be advantageous for him to be one.

Sorry I got sidetracked- cough- Back on topic.

One thing I wanted regarding Hugo's relationship to gender is the fact that he is comfortable being fem BECAUSE he got to transition.

For work they would play whichever role worked best no matter the gender. At first, looking like a guy needed more work, which bothered him because it was his goal, so for a while he had a clear preference for appearing masculine. But years later, after having transitioned to a comfortable point, she figured she really didn't mind being either gender. And it made playing different roles even more fun and easy for them. Not necessarily in a fluid way, he's just everything at once most of the time.

So he already got herself figured out quite well when 7k starts. Actually, Hugo being openly queer is another reason why she caught Aiden's interest so fast. And I wanted them to mirror each others in a way, with Hugo being comfortable because he transitioned and Aiden being more comfy doing the absolute bare minimum-. Also I had this one joke that sometimes Nuru and Hugo would have girls nights during the journey. So I needed she/her Hugo for all of this to work lol. But I do believe Hugo still gets to affirm and discover himself even more after he settles, it's just mostly about other things.

BUT YOU KNOW WHO'S EGG GOT TO CRACK DURING THE TRIALS IN MY MIND-??? Varian. He's agender. My whole gang is trans and the joke was that Varian is the token cis guy of the group (because I thought it was funny). But he isn't. He just doesn't know because he's always too busy thinking of literally anything else and he never really registered that was an option. He still uses he/him tho. Because I enjoy gender fuckery.

In summary :

○ Bigender ○ agender ○ genderfluid ○

Also, since I decided to finally talk about my headcanons, I think too many people assumed Aiden is the one pregnant -in that one comic-. They aren't.

[yamcha-thelonewolf]

🫂Toriyama forgets, Yamcha doesn't!

This time I want us to relax a little bit. My last analysis, The Heart's Savior, was very challenging both for me who wrote it and for you who read it, so now it is only fair to lighten the load.

In a poll, I asked you whether you would prefer to know more about Yamcha's life as a fighter or as an ordinary earthling, and if you remember, the second choice won. So here I am analyzing a little trivia that has nothing to do with battles. Well... Sort of! Martial arts still has something to do with it, but it only serves as a background. In fact, I will tell you about an extremely strong friendship, not because the bond is actually intense but because it goes against the narrative choices of Toriyama and Toei Animation. Believe me, guys, this analysis could maintain the connection with a character we hear little about now. Lastly, just because I know it's a kind of topic that many people like, I'm going to talk somewhat about one of Yamcha's many looks.

Let's be clear, this is just my theory, it's quite silly, but at least it might make you smile a little... Well, I hope so!

Before we begin, it seems only fair to warn that the following is likely to be coincidental. Dragon Ball has never dwelled on details, at least not the ones I care about, so it is highly likely that this topic is meaningless. But... What if it doesn't? Assuming Yamcha has a life of his own in this show, talking about it might be worthwhile... Because it would once again show what a beautiful person he is in everyday life.

So... Let's get started!

Don't worry, I told you. I am not going to talk about Yamcha as a fighter, but as I had anticipated it is necessary to understand how incredible he is as a normal earthling.

We are at the end of the Fortuneteller Baba Arc. Goku has finally found out where the last dragon ball is and so sets off with Upa to resurrect his father Bora. Meanwhile, Yamcha and the others await their friend's return at Baba's palace. It is during this wait that Yamcha reflects at length on his own life and he finally decides to ask Muten to make him his pupil.

A new orange Gi is definitely needed!

Freeze! It is not the Turtle School uniform that I want to talk about. Let's go back for a moment... A few hours before the 22nd Tournament begins.

Alright! We've got it!

We are on the plane bound for Papaya Island. Bruce Lee Yamcha has completed his training under Muten, and with this proud pretty face he lets us know that we are going to see some good things. He also seems more mature. He is in his 20s. Guys, many things could be said about this drawing, but in this case I will simply dwell on his outfit. This is the first time we have seen Yamcha in such an elegant look. We were used to seeing him in martial artist outfits or otherwise with looks more suited to his wild nature, so this is a very nice surprise. For a change, he looks great. I mean, you can dress and style him any way you like: Yamcha has the incredible power to be charming in any way. Yes, even with that bowl hair from DBZ...

Jeez, I love him. Let's go back to our outfit now.

Some will remember it for sure, but for those who do not know I want to let you show that this dress has its own origin.

One more step back now.

We are in the 21st Tournament Arc. Yamcha is in town with Bulma and he's training on his own. Muten's only pupils are Goku and Krillin. Many people do not pay attention to it, but if these two boys managed to get into the Turtle School it is because of a character who unfortunately met a brutal end in the show: Lunch.

The deal is clear: If Goku and Krillin can find a nice girl to stay at the Kame House, then Muten can train them. It is the only way to access. So we can safely say that if Goku has become so strong, it is also thanks to Lunch. Fortunately, she is found in her quiet form, but soon her secret would come out...

...Whatever! Goku and Krillin can finally train under Muten. Well, there really would be so much to say about Lunch. She is a character who deserves a lot. She should not have disappeared at all after the great contribution she made to Goku and Krillin. Not only that. She even defeated some Red Ribbon soldiers, she helped Yamcha defeat some criminals because he had a broken leg, in a filler she saves Goku from an attempted "kidnapping," and among many other things she allowed to find front row seats during tournaments! Seriously, she would deserve a separate post.

If we look at Lunch as a function of the protagonist, it is undeniable that she was the mother Goku never had. At least in her good personality.

The same of course applies to Krillin. Let's think it through. She cooked for them, cuddled them before bed, and who knows how many other mother hen things she did. Goku definitely lacked such a figure, so this is also why I consider Lunch an important character in his growth. If Bulma is more like an older sister, Lunch is definitely his mommy. Have you noticed that? Every person Goku meets represents a family member. It's extremely cute.

Be that as it may, as proof that Lunch is a real mom to the two pupils, she decides to give them a nice gift at the end of their training.

Tadaaan! Okay, I admit that Goku and Krillin are really funny dressed like this. They look like two little gangsters, something like Joe Pesci and Robert De Niro as kids, but that's okay. Lunch sewed these outfits for them, and that's what matters. It was done with love.

Seeing her satisfied like a loving mommy getting excited for her kids going to school for the first time always moved me. Although in this case the destination is the tournament, the meaning is the same: Lunch gave importance to their big day by honoring it with this outfit as awkward as adorable.

Well, friends. Now that the puzzle is almost complete, we can go back to our boy! As I said at the beginning, Yamcha begs Muten to make him his third pupil. Once inside the school, it doesn't take long to realize that for all of his three years of training he has been dealing with Lunch as well.

It should be mentioned, however, that the two had actually met for the first time during the Red Ribbon Arc, when everyone leaves to help Goku.

This is the first real moment when they meet. Lunch is in her "evil" form, but a little later Yamcha will also make the acquaintance of her good side.

This meant that during these three years he also cohabited with Lunch, who must surely have cooked for him as well. I think it's a really interesting detail. Unfortunately, we don't know what has happened during these three years, but I would like to point out that this is the first time Yamcha has dealt so closely with a girl other than Bulma. Imagining that he is still very shy with girls, I have no doubt that he has been embarrassed many times in being so near to her. Stop!, I'm not saying he had feelings for her, but she is still a pretty girl, most of the time very naive as well as sensual, so I wouldn't be surprised if Lunch made Yamcha blush without even meaning to. By the way, it would be interesting to analyze Bulma's feelings in this situation, since she has visited Yamcha several times. I don't think she was ever jealous of Lunch, but she may have punched her boyfriend in the head a few times anyway just because.

...They were so cute...

Okay, now the topic is clear, isn't it? The bond between Yamcha and Lunch is one of the least explored things in Dragon Ball. There is no point in talking about it because it leads nowhere, but believe me, for an earthlings fan it is worth discussing.

First, let's start by saying that this is a different relationship from that she had with the other two pupils. If with Goku and Krillin Lunch was able to act like a caring mother, the same cannot be said for Yamcha. Yamcha is not a child like them. He is almost the same age as Lunch, so the relationship must be absolutely equal: they are two friends. Nothing more, nothing less. This does not mean that Lunch took less care of Yamcha. Surely she must have avoided giving him a good-night kiss and things like that, that is.

As for her second personality, it becomes more complicated. We will never know whether "Bad" Lunch felt attracted to Yamcha. We know she loves wild guys and Yamcha certainly is, but I don't think she was that disloyal to her friend Bulma. In short: I am convinced that there was never any sexual attraction between Lunch and Yamcha. They have always been two great friends, proving that friendship between boys and girls can exist.

So... Maternal or not, one thing is certain: when the big day comes again, Lunch gives her gift to Yamcha too.

I don't know how many of you have thought about this. I'm sure I'm not the first one who has thought about it, but geez... It's a detail that has always excited me for no real reason. Perhaps because it is one of those details that indirectly deepens the relationships between Dragon Ball characters, which are unfortunately poorly told.

I mean, try to think of the scene!

Yamcha at that time was not really the type of guy to wear stuff like that. He has lived for many years in the desert, where it is not necessary to wear fancy clothes because the only priority is to survive. Yet in the desert, we don't know how, he also learned good manners, especially with girls. I'm sure he did everything possible not to disappoint Lunch's expectations. Yamcha has always been like that. In order to please others he has often sacrificed himself, so I think something like that happened in this case as well. Let's try to put ourselves in his shoes. He may be gentle and all, he surely must have thanked Lunch for this, but how much he must have cringed wearing this?

It is a bit like putting a bow tie on a wild wolf...

This is precisely how I imagine him: deeply embarrassed and on the verge of sinking underground. "Boy, I feel so ridiculous!"

Don't worry, silly, it actually fits you much better than you think. I don't believe anyone found him as funny as Goku and Krillin were the first time they wore that thing. Anyway, I assume that this is why we don't see himwith that Al Capone hat. "Hell, I can accept the dress... but spare me that thing!!"

Here you can see Yamcha now comfortable in his elegant look and Lunch by his side totally unaware that she was the one who sewed it for him. By the way, I think it's superficial to say this but... It's really nice that she handmade this dress for Yamcha. I mean, his body is much bigger than Goku and Krillin's. She must have struggled a lot! It's a proof to how much she loved Yamcha, too.

Come on, look at her! Here Lunch is as worried as everyone about Yamcha's condition after Tenshinhan broke his leg. The way she addresses him does indeed have something maternal about it, but it mainly shows that she has become attached to him over those three years.

She is so precious...

...even when she is about to kill Yamcha and Bulma in one shot.

Gosh, I love her! It is so nice that everyone has learned to accept Lunch as she is. Yamcha is like that. He always accepted his friends, no matter how they are, he is always there for them and always took care of them. I am convinced that he loved Lunch as he loves everyone else.

So... the topic could end here, but it is not like me to conclude so trivially. I like to go beyond the impossible, in fact even this time I want to extend the whole situation.

The real point of the topic is another.

Unfortunately, Lunch's fate is the most horrible of all. In truth, I don't know which is worse between being forgotten and being ridiculed throughout the show. Let's just say that neither Lunch nor Yamcha were lucky. They also have that in common, besides the fact that both are very close to Tien. I would call it the trio of outcasts. However, if we at least know what happens to Yamcha during DBZ, we know nothing about Lunch. The last time we see her is in a bar, completely drunk because Tien is dead. Another appearance, which is really brief, is during the Buu Saga, when she gives her energy to Goku. I consider these two scenes to be frighteningly sad because in both cases we see her alone and that hurts me a lot. It is as if she has lost contact with her friends. After all, she could not even return to the Kame House because it was now inhabited by Krillin, Android 18 and their daughter. There was no place for her anymore. This hurt even more, because we really don't know what happened to her. Finally, she appears without ever saying anything in the OVA Dragon Ball: Yo! Son Goku and His Friends Return!!

This is quite consoling, but it is not enough. Her presence is highly unnecessary. I think she was thrown into the rabble just to actually pay homage to those who were Goku's friends, but what's the point if she doesn't even say a word? She certainly deserved more since she had been forgotten for almost two decades.

Whatever... Thank goodness Yamcha exists!

He is seriously the hero we do not deserve.

Well yes, Yamcha may be the one who partly solves this great riddle:

...What ever happened to Lunch all this time?

The truth is that there are no answers. Everyone can imagine what they want. One can think that she stayed with Tien (although DBS has ruled out this possibility for the umpteenth time), one can think that she opened a food truck or that she came to visit Muten sometimes. I personally believe that she has not completely lost contact with her friends. At least, not with Yamcha. I mean, we've seen how Yamcha is not the type to quit. When it comes to loving someone, Yamcha is always in the front row. This makes me believe that he has not stopped seeing Lunch. He is too loyal to forget a person who has done so much for him. Plus, if we add that Yamcha was left alone at one point in the story, it makes even more sense that he spends his time with an equally "lonely" friend. I imagine Yamcha as a very nostalgic guy. It would be unthinkable for him to exclude such an important memory as Lunch from his life.

At least, that's how it is for me. Until now I didn't know it for sure, but a few days ago I had an epiphany. That's when I realized that maybe Lunch is still there, we just don't see her.

Dragon Ball Z: The Tree of Might, 1990.

Did you notice anything?

Oh god yes, it's that damn gangster outfit again. I mean, the dress sewn by Lunch. Although it is difficult to identify the timeline of this film, it is still clear that we are in a context far away from OG Dragon Ball. At first I anticipated that all this might just be a coincidence, but personally I like to believe that there is much more behind it. Assuming that indeed it is the dress made by Lunch, we need to consider one thing: it can never be that one she gave him for the 22nd Tournament. It would be really old, plus I don't think it would be able to hold up Yamcha's new body. He's now in his 30s, he has not only grown taller but also added a lot of muscle mass. It is practically impossible for him to have been able to wear it. So... Maybe Yamcha asked Lunch to renew that old dress? Think about it, it makes sense to me. Yamcha is also very cheap. Being a former thief, he knows the value of money well and knows that it is easier to lose it than to find it. He is really funny, but also very cute.

The money accumulated through baseball certainly does not change his stingy nature, that's why it is not strange to think that he turned to Lunch. Of course, also as a matter of affection. I think Yamcha is a guy who is very attached to things, especially if there are a lot of good memories behind them.

I mean, something could have happened like, "Hi Lunchie, how are you? Long time no see, it took me so long to find you! Let me guess, you're hiding from the cops, right?" and then... "Anyway, I wanted to ask you a favor. Going through my closet, I found that fancy dress you had sewn for me for the Tournament. Do you remember? Here it is. I tried to wear it but I only gained a hole in my pants. I'll let you guess where. So... Could you fix it for your bestie?"... So she would say: "Are you kidding, Yamcha? There's no way I'm going to fix that! I'll definitely sew you a new one!"

If so, we could assume that they are still in contact! It would really comfort me to know that Lunch is still part of the gang, even if we don't see her. Yamcha in this case could seriously be the link, simply because he is brought up to be.

That would be great.

I want to believe it.

After all...

...Toriyama may forget his characters, but Yamcha will never forget his friends.

Thank you!!

[yandere-sins]

Heyo! Can you please answer Q6, Q4, Q2, & Q16. Also have a peaceful and lovely day/night<3

[Writer asks here]

Thanks so much for asking ♥ I am surprised so many of you were curious!!

»»———————— ♡ ————————««   

#2 Do you listen to music when you write? What does your current writing playlist look like?

I actually do! And very specific ones, I have a few selected youtube videos which are either lo-fi hip hop or writing/studying music and just run on repeat. I'll link some of my favorites to give you an idea!

1 | 2 | 3

Most important is no lyric (especially not if I can understand it, but I usually also don't like the songs that are have people humming or singing to the songs and will skip these), upbeat but I keep the volume low so it really is just a background music (but that means like classical music doesn't really hit the itch), and preferable with ambiance sounds like rain or waves or so.

Sometimes music can be almost too much, so I use mynoise.net for either the Irish Waves or the white noise, depending on what suits me that day. It's my personal recommendation for anyone wanting background noises.

Lastly, yes, I am very jealous of artists who can do their art while watching movies or the like. But I can't even have someone talk to me while I write so that is just the biggest no-go lol

#6 When (and not if) you ultimately finish your WIP and publish, do you picture yourself giving readings and signings and interviews, or would you prefer to stay out of the public eye? 

Hm, complicated. I am not a super private person and I love talking with people (I am an introvert but my family and my job raised my tolerance lol) so I'd probably do well if I wanted to do events. But, if I ever get to finish my book, I'd go for self-publishing so the chances that I'd ever have a signing or reading is just super low because pulling it off on my own just seems... harder. Not impossible but harder. I don't think the genres I want to go into could be picked up by traditional publishing, so it would be a lot of work, and I don't know if I have enough dedication to see it through. Passion, yes, time and resources, no.

However, I think if I did have a book, I might start tableing at my conventions! I see a lot of authors there and that might lean towards my target audience more!

I think I'd still like to sign books though, maybe have a special sale and then sign them and send them to people or something. That would be cool. It was nice to write a special note to everyone who got my Yantober book, so I know I'd really like to do that!

#16 CHALLENGE: Tell us about your current project in three sentences or less. 

Oooh, hmmmm, let's see. It's something all of you guys chose in a poll a while ago, so how do I tease it without revealing too much hmmmm...

It's an isekai story and inspired by an existing manga (manhwa?). The concept is similar but I haven't read the original, I am just turning the core idea around and making it properly yandere (although the idea has been done in different versions a lot). The main character/reader misjudges the effects it'll have to just level up one certain stat and it comes back to bite them in the form of a typical noble getting overly obsessed.

Hope that keeps everyone guessing lol! :D

[neorouxls]

Intro

Hey, I'm NEO! My pronouns are they/she and I'm autistic. Welcome to my UTDR Blog! I draw and animate.

> Asks open

> Commissions open

Etsy - Ko-Fi - Venmo - PayPal - CashApp

DISCLAIMERS:

> I've taken a backseat from interacting with the Undertale/Deltarune fandom. It's miserable.

> I don't do drama or discourse.

> I interpret Flowey as being an adult in-game and will always depict him and Hyperdeath Asriel (confirmed adult by Toby) as adults. You are free to have your own interpretation, but I have had overwhelmingly negative experiences with people of differing opinions. I am touchy about this subject, as Flowey is a very personal character to me as an autistic adult, and I've faced endless harassment over it - Please don't argue with me about it. I would prefer you just don't interact with me if you see Flowey as a kid/teen. Thanks.

> h!Flowey was originally designed by RT_2756 on Twitter.

> I don't draw Undertale Yellow anymore.

> Don't repost/dub/use my art without proper credit! Otherwise is totally fine and really appreciated.

> Don't repost my stuff on Reddit. Ever.

[floralcrematorium]

OKAY WOW THERE WAS A VERY BIG POSITIVE RESPONSE TO THE TELEPHONE GAME, HI

FOLLOW THE TELEPHONE GAME BLOG! @hws-telephone

I thought about making a discord, but to be entirely honest, I really don't want to manage that. In hindsight it might be good for discussions and feedback's sake, but my moderator days are behind me (I used to be a discord and in-game mod for a Minecraft server and I think I would rather eat my hand than do that again.) We will. See.

PLEASE READ MY FOLLOWING THOUGHTS ABOUT THE EVENT! I would love to hear feedback, but I think this kind of event may have to be a trial and error sort of situation. I've never hosted an event before and this is one that will move semi-fast. I will also need to be holding decent communication with people!

• Skill level does not matter. Anyone is allowed to participate regardless of their skill level or materials of choice, so long as those who work traditionally are able to get clear/well lit photos of their submission

• I will need to hold an experimental round capped at 5-7 participants. I do not know how long I should give people to complete their part. Life gets in the way and I know not everyone is fast (I am very much not fast). However, considering there will be a large number of participants, we gotta get moving! I think as of right now, everyone would have 3-5 days to complete their parts, and if they need an extension they get 2 days. If we need more time, that's possible! THE FIRST SIX PEOPLE TO FILL OUT THE GOOGLE FORMS (linked further in the post) WILL BE CONTACTED TO PARTICIPATE IN THE EXPERIMENTAL ROUND.

• Once we get into it, there could be a short-format and long-format group? Short format being people only get 1-3 days to work while long-format gets a week? The different groups differ based on complexity? Unsure. Need community feedback on this. OR we could just have two separate groups co-running so people don't have to wait forever to play.

• GOOGLE FORMS SUBMISSION HERE FOR PARTICIPANTS

• Once I have The Participants, their usernames will be ordered randomly and that'll be the order the drawing is passed around.

• If this is an event with multiple rounds... Maybe each round has a different theme? I know I have different groups of people following me (off the top of my head, FrUK, FACE fam, and Nordic centric blogs in particular). I think the first round will just be using my design for Nyo!Austria because I'm interested to see if we use a character whose clothing isn't able to be referenced by a quick google search, how that will be affected by the telephone. Unsure.

• I will start the experimental round and the very first Big Round. Other people can volunteer to be the starting artist in the future!

• No posting your submission until the end of the round!!! This is very important. The point of a telephone is you only know what the person right before you did!

• When it comes to someone's turn, I will be reaching out via Tumblr DM (or through another contact method if that is preferred). I'm considering asking someone to co-host this event with me for organization's sake, but I don't. Really have someone to do that. So!

If there's anything else we need to talk about, throw it in the replies!!! This is really going to be a trial and error kinda event until we get it down! Ideally, this would be a fun year round project/event!

BELOW THE CUT IS JUST ME TAGGING EVERYONE WHO REPLIED TO/REBLOGGED THE ORIGINAL POST

Hi, you replied to/reblogged the interest check so you get Priority News that there is a telephone game sideblog to follow @hws-telephone and that if you're still interested there is a submissions post pinned to the blog.

THE FIRST SIX RESPONSES WILL BE CONTACTED FOR THE EXPERIMENTAL ROUND.

@doodlin-moons @hws-lceland @ironic-orange @vikingosten @soulsembers @yaqamole @dappy-dappernette @losnordiquitos @tema-makes-art-sometimes @dandelion-coffee-bear @spiritmoon23 @genpaele @astrophilic-soul @batataaurdoodh @the-heaminator @krazys-ass-emporium @sixcatsinajacket @hoasens @wackylittlegal @starsilversword @untitled-kitsune @2p-nyotalia

[thatonebirdwrites]

Answering Questions for Fun

20 Questions More

This is a deeper and more detailed version of the 20 questions for AO3 fanfic writers.

I yanked the questions from someone in the supercorp fandom. I forget who. I never get tagged since I'm not really well known writer yet (I'm still a tumblr newbie!), so I'm doing this just for funsies and because I like answering questions.

I will be answering this for the supercorp and korrasami fandoms. My works are here (though I do one-shots on tumblr sometimes).

1) How do you keep getting ideas for your ship / fandom?

By existing, reading, listening, writing, watching things, staring at the sky and watching the clouds drift by. Seriously, my ADHD's superpower is generating ideas. So I have way too many of them, and I have a note in my Scrivener projects with all the ideas. If anyone needs more ideas, I'll spin out so many. lol

2) Which authors inspire you in your fandom, and why are they so freakishly good?

So for the Korrasami fandom, that would be @korrasamibottles for their fantastic oneshots, Progman for one of the best post-series fics I've ever read (seriously, the Asami Sato of RRU is awesome), Shigan for some amazing korrasami oneshots, FuzziFox for an adorable and action-y AU where Asami goes south with Korra, lovedeathcats for the best Indiana Jones AU ever, RainbowRosie for a great AU where bending has vanished, paxbanana's Place in the World is an interesting AU take on Korrasami. @asamiontop's Modern world AU is a must read (she also has some great supercorp one-shots). For supercorp? @jazzfordshire has exquisitely written fics, everything @fazedlight writes is gold, @snowydragonscave's oneshots are adorable, @mycatismyeditor has some great AU's that really dig into the characters, @ekingston has some of the best written AU's I've ever read, @karalovesallthegirls has the most hilarious fics ever (Mime fic), robie's AUs are some of the best slow burn I've read, TheUnforgivingMinute wrote a fantastic spookysupercorp, @coffeeshib floored me with their gorgeous prose, @rustingcat not only does amazing art but the fics are such a great slow burn, @chaotic-super's back to Krypton was absolutely goldmine of fun and digging into the lore of Krypton. I could go on. Let's just say I LOVE Y'all's fics. The above are the people who had the most impact on me personally. Where I learned the art of fanfic writing. Since I'm a science fiction writer, I tend toward creative writing techniques that don't always jive well in the fandom realm, so learning from others helps me refine my writing to use the least amount of words for the biggest impact possible. It's also great practice for my original fiction honestly.

3) Aside from the characters of your main ship, who are the characters you love to write?

I really love writing Sam Arias. Nia is also super fun to write, and writing Brainy and Lena arguing about science is always fun too. Alex is a littler harder for me to write (her snark is hard for me to capture), but she's a blast once I get in the right headspace for it. For Korrasami, I really love writing Jinora and Bolin. Asami considers both of them basically siblings at this point, and Korra does too actually. heh.

4) Are there pairings or tropes you know for sure you'd never write about? Which ones?

I will NEVER EVER writing Makorra - that is a clusterfuck I will never touch. Hell, it's why I didn't rewrite book 1 of TLOK for my Shared Moments series because I really didn't want to touch it at all. lol I just skipped to the six months after and started there. I'll NEVER write Lames or any relationship that features Mon-el. Nope. Not touching it. I prefer to write sapphic pairings for the main protagonists. Sure, side characters can have het pairings (like Brainy and Nia), but I won't write a fic with them as the focus. Other folks can do that.

5) What is your writing process and why is it cursed?

Step 1: Wake up, wash up, and get tea. Step 2. Cuddle the cat to prepare myself. Step 3: Put on my compression gloves and stretch my arms. Step 4: Put on the correct playlist (absolutely essential step otherwise it'll throw off the entire scene and then I have to start over.) Step 5: Try to avoid Tumblr. (Doesn't always work, this place is cursed I swear. lol) Step 6. Open Scrivener project (who am I kidding, these primary projects are always open on m computer). Write while my brain is cooperating. (30 to 40 minutes before I got to rest for 45 minutes then I can start writing again. Chronic illness sucks like that.) Step 7: realize I need to research something and lose two hours to that. Step 8: AO3 emailed me! Who commented this time! Oh noes, now I've fallen down the looking at the Internets.

The other thing I do is carry my journal everywhere to document everything and end up with some weird random poetry, drawings, and dialogue from people I overhear. Oh, and on bad brain days, I'll draw cursed images.

I also use Scrivener and go all haywire on all its features to a ridiculous extent. Like, I try to stuff ALL my outlines, research, scenes, into that Scrivener so it's all in one place, that way I don't forget anything. It makes for large projects. ha.

6) What is your favorite part of your writing process?

Incorporating my research into the story in subtle ways to fill out the world and immerse the reader more fully. It's fun to put some of this research in the end-notes for my fics on AO3. (The power AO3 gave us writers with those end-notes!!)

7) What’s the weirdest thing you’ve had to research for a fic?

Maturation of bird species and the DNA overlap with human beings to see if I can craft an alien species that is at least 90% DNA similar to humans but is more birdlike.

I looked up the absorption of chemicals through skin. (This is why I use duckduck go for anonymity for this sort of stuff. LOL)

8) Is there a particular writing rule you struggle with (grammar, spelling, tense, reality in general)?

Reality in general - ha. Seriously though, the chronic illness makes it really hard to concentrate and have energy for writing or really anything. The second thing I struggle with is I have an annoying habit of adapting my tenses to what I'd last read. So if the story I read was past-tense, I'll jump into my writing using past tense (which most of my stories is that tense, but there's two that aren't so that's when it gets annoying).

9) What was your hardest scene to write so far and why?

The hardest scene was the end of Book 3 for Shared Moments for the Korrasami series. Both Asami and Korra (due to the bond they forged by accident at Harmonic Convergence) are captured by Zaheer, so that was a brutally painful set of scenes. Full of pain, fighting, poisoning, and a struggle to survive. I wept through it honestly. Whew. Yikes. For Supercorp, the hardest scene was when Nia assists Lena with her dreams and memories of her birth mother. Those were so sad and I totally teared up writing them. It was also hard to sort out the best way to reveal details without giving too much away either. Since Nia's powers are a little all over the place too.

10) Have your characters ever done something you didn’t expect, changing your plot completely?

All the time! For the TLOK: Shared Moments series, Asami keeps surprising me, so I often have to sit down and remap her timeline, and it always enriches the entire series. For Supercorp, Nia keeps doing things that surprise me. She's like this chaotic good agent that adds in humor and twists that enrich the tale in subtle ways I think. There's many other surprising moments the characters do. That's half the fun! Seeing where the characters end up and if I need to adjust my plans. :D

11) If you could converse with any of the characters, who would it be and why?

That's a tie between Asami Sato and Lena Luthor honestly. But then I sort of think of them as basically the same person (Lena may be more neutral in temperament while Asami is chaotic good. Also, Asami isn't afraid to fly planes and crash them for Korra. Lena would prefer no flying. lol). I just wanna talk science with them. Oh and ask them about how in-love they are with Korra and Kara respectively. (Lena will try to deny it, but Asami will gush and admit it because she's a little more in touch with her feelings). I just love these two so much. :D

12) What are some of the tropes or themes that you find yourself returning to in your writing?

Healing journeys. I really enjoy writing healing from trauma, because I feel like it's so relevant for our times, and the characters never really get that in their series (well, Supergirl characters don't, and they really need it!).

The theme of chosen family is another theme I come to again and again. Partly due to how my life is -- my bio family is not healthy for me (outright abusive), so my chosen family is my real family. So I like to dig into those dynamics a lot.

I also tend to write the survivor narrative a lot. It's a more interesting narrative structure, but it's also less used so that can startle readers. Sometimes in good ways? A good example of a survivor narrative structure is TLOK actually.

Another good example of the survivor narrative is Sam Arias' journey in Season 3 of Supergirl. Maybe I'll write an essay someday on it.

13) What's your most important resource as a writer?

There's isn't any one most important resource. I'd say fellow writers and artists is a great resource, lore books is another, random research books (yes, I have a guide to weapons for writers, guide for poisons for writers, guide to x or y for writers, because I'm a nerd like that), the Internet, and lots of listening to others.

14) Can you share some of your strategies for editing and revising your work?

For editing/revising, I start with SPAG: spelling, punctuation, and grammar. Once I do a few run-throughs of that, then I look at the dialogue -- Is the dialogue true to the character's personality and quirks? Can I make the dialogue more succinct?

After that, I look at descriptions: Is the description immersive? Do I utilize the five senses in a concise way? Can I pare down the description while still keeping the immersive quality? Is there any description that doesn't add to the scene or character's growth and can that be moved to a different scene or saved for later?

Finally, I do a fresh read-through and check how it impacts my emotions. Do I laugh at the funny parts? Do I tear up at the sad/angst parts? Does it feel too dry or not emotive enough? What words could be used instead to better invoke emotions?

15) Which is worse: making the summary, picking the tags, or the anxiety when you post your fic?

Ugh, summaries are the worst. Sometimes it's easier to just pick an excerpt of a scene and slap that as the summary. Tags are even worse. I never know what to use for tags, especially since people seem to be kind of random with AO3 tags. I mean, I feel like some writers just will write a statement as a tag and it's amusing but also confusing.

16) How do you define success for your fanfic - hits? Kudos? Comments? Bookmarks? Or just if you like it?

I don't really measure success.

If I get comments from folks that say they're enjoying it? That's a source of joy for me but it's not about success. Because I'm writing mostly for my enjoyment, but to hear that others enjoy it too? Damn, that's like the best news ever. It really helps me feel better about myself and my writing. Like I'm valued and not forgotten. That I actually have an impact. So yeah, go leave comments if you like stuff, please. Us writers love it.

17) Do you have a playlist for your favorite character / ship?

YES. I Always make a playlist for each project I do. I craft it based on their personality, their character arcs, the mood of the piece, and I focus on a variety of genres. I think about the lyrics of songs and try to match it all together. I might spend way more time on playlists than I need, but since I have them playing as I write, I need them to fit the mood and atmosphere to increase inspiration.

18) If fan art was going to be made from your work, which fic would you pick and which fan artist would you like to create it?

Um. Huh. This is a hard question. I try to draw my own, but I can't do color (y'all that do color, are freaking WIZARDS). I think Confession fic and the scene where Lena resurrects Kara, and if and when I have money again, I'd ask @rustingcat if commissions are open for them.

For Korrasami, I'd choose Book 3 or 3.5 but I'm not sure on the artist.

19) How many WIPs do you currently have?

UM. If I count just fanfics, probably fifteen. I'm actively working on six. (Three in each fandom. Two are usually shorter, and one is the longer fic) If we include original fiction and fanfiction? Uhhhhh. Hahahah, that's like twenty-five or so. I'm only working on one original fiction piece set on my SF world of Elivera.

20) What's your advice to new fanfic writers?

Pace yourself and take some time to edit and revise before posting. Also, take some time to review the transcripts and how the characters talk. That can give some fun insight into the characters and ways to expand on them in interesting ways.

Ask questions a lot! There's so many nice folks in the fandom, and folks are so kind about answering questions. I know because I still ask questions and talk to folks about this, and more seasoned writers have been so lovely.

Write what you want. Don't write for your readers (unless someone requests and pays you for a fic, then I guess write for them. lol) but otherwise, write what you want. This is supposed to be fun. If you're getting stressed out, take a break otherwise you will get burned out. To avoid burn out, take time to rest. Read a bit, do fun hobbies, do some practice writing, and then dive back into your fic.

Yes, it's important to try to finish things, but don't feel pressured. Remember, having fun is crucial! It's okay to take your time. Readers will stick with you if they like your tale.

Happy Writing!

P.S. I'm going to quote Brenda Ueland who wrote one of the best books on writing (If You Want to Write):

“Don't always be appraising yourself, wondering if you are better or worse than other writers. "I will not Reason and Compare," said Blake; "my business is to Create." Besides, since you are like no other being ever created since the beginning of Time, you are incomparable. ” - Brenda Ueland

And:

“I want to assure you with all earnestness, that no writing is a waste of time, – no creative work where the feelings, the imagination, the intelligence must work. With every sentence you write, you have learned something. It has done you good. It has stretched your understanding.” - Brenda Ueland

[velvet-vox]

What makes you think Doll wasn't a fully realized character in the pilot when the concept art clearly shows she has the Solver?

That's technically not exactly proof or anything, but it relates to that one reblog I saw you do. Doll clearly was suppose to have the Solver even at that point and could possibly fight the DDs. Which was kinda the point of the whole thing. She still might not have been fully realized but when it comes to how you were using it, I think that point is invalid.

(also, I'm not the anon that asked the original question. Figured you could tell that from the different writing styles but wanted to make sure you knew that)

I assume that this is the post you're talking about, the one with my reblog:

About that concept art of Doll with the Solver, knives, and evil smile, I always assumed that it was drawn and released after the pilot aired, as I wasn't aware of the fact that it dated all the way back to the first few drafts of the story.

If it really is that old, please, show me the date of its public release, so that I can get a better idea of the thought process behind her character's realisation.

Anyway, if post-pilot and pilot Doll were always intended to be Solver users, then I have two possible explanations as to why episode 1 Doll didn't protect the colony from J and V, both of them based around one of these theories: Doll's parents died during the pilot, or Doll's parents died before the pilot.

- In the case of the former, it's likely that Doll wasn't as courageous or as skilled with the Solver when the Disassemblers came in; with this timeline of events, V killed Doll's parents in front of her, then, the russian escaped to that giant storage room where the battle takes place, and as N and Uzi drag away V, Doll's left to metabolise her trauma and slowly begins her villain arc, the Solver activates as a result of high mental distress, and she starts to practice her powers, which would then lead to the events of the show.

This explanation is, admittedly, the least plausible, as many people have already pointed out all the issues with the "Doll's parents died during the pilot" theory, leaving the second one to be the most likely.

- For the ladder, I believe that Doll was in a state of panic and shock when J and V barged in, we saw this happen on numerous occasions (when she starts to backpedal from Uzi after failing to use her Solver powers against her, how she starts to hyperventilate when her death scene plays out): Doll, to me, looks like someone who prefers to be in control of whichever situation they are in (she's so me fr :) and whenever she can't plan ahead her next couple of steps, she's left stunned and doesn't know what to do next until she recomposes herself; she was probably asking herself if it was worth it to reveal her powers now knowing how much attention that would bring to her.

With all of that said and done, I still don't believe that the Doll that we saw in the pilot was already fully realised as the final version of Doll that we see in the show; there are a small handful of things that don't line up together:

Pilot Doll and her correspondents fanarts (the aforementioned smiling evil one with the bloody knives and the one with Lizzie and Thad in it) portray Doll as a somewhat happy and outgoing individual, one who enjoys bullying Uzi, while in stark contrast, canon Doll barely smiles or emotes, and if this line from Lizzy in ep 3 is anything to go by "Dude, no one is going to notice she is missing, just do your thing and I'll let in V", Doll was apparently against killing off Uzi.

It is my personal theory that, since Khan was originally intended to be the main antagonist of the show, and was most likely going to be a complex, layered douche rather than a straight up villain, the series was going to be far more comedic and less story focused than it ended up being.

Therefore, I believe that Doll, in this old version of the story, was conceived as a far more evil opponent meant to serve as a threat, kind of like our current Cyn; there's a lot of proof that demonstrates that the Absolute Solver was always a planned event, and although I am unable to tell how much concept Solvy deviates from their final implementation, I'm fairly certain that Liam Vickers originally intended Doll to be another, more reoccurring Pure Evil villain, and as the various rewrites went along he started to give her more and more sympathetic traits, while still maintaining some of her original Pure Evil roots in the story.

This would explain a lot of the various problems that I, someone who spends an ungodly amount of time thinking about Doll, often find when analysing her.

Also, no, I don't think my point isn't invalid, as it was extremely vague; in that reblog I've literally stated "Pilot Doll wasn't a fully realised character yet, I'm sure Liam Vickers would have changed the scene if the development of her character was completed by that point".

"Changed" in this context can mean literally anything, like changing the facial expressions she's making in one frame, it doesn't necessarily mean a rewrite, and since you yourself have pointed out that she might not have been fully realised by the time of the pilot, I don't think that the concept art showing her using the Absolute Solver means much when I didn't even specify how the scene would have played out alternatively.