#I won't write this but I had to share the idea

[ilikeyoshi]

"#yes yes yes!!!! #and ngl it makes me want to read or engage with it more too!"

i hope it's ok to point out these tags bc this is SUCH a huge mood i think deserves a little more explanation!!!! (at least from my perspective as both a creator (writer) and fan (of artists))

i used to have a ton of anxiety when creating and especially sharing my works, and my impulse was always to talk down on it, because a) i* (*my anxiety) believed it to be bad, and b) because i had this idea in my head that if i lowered people's expectations, they wouldn't be as disappointed when reading it.

i want to tell you what i've learned in my years of both being a writer and being a fan of artists, and it's that this is a terrible, terrible anxiety fallacy (like so many ideas/misconceptions borne of anxiety are) that ONLY hurts you, your work, and your potential readers(/fans/etc). it SOUNDS like a good idea when you have really bad anxiety, i know, i used to DEPEND upon this idea just to have the courage to SHARE my writing—and i want to emphasize that it's OKAY if you've done this before, it's an easy, easy trap to fall into, but i also want you to try and stop doing it because there are a lot of reasons you would feel better and do better for doing so.

you are what you practice! if you only ever focus on or speak about the flaws in your art, you WILL feel negatively about your art. my very first therapist explained it in a way that still really resonates with me: you have created a well-beaten, highly trafficked "road" in your brain. it is very easy to take this road because even though it's longer to your destination, it winds and bends, it's walked on so much it's flat and easy to traverse. when you try to build a NEW path—in this case, a path where you focus on what you like about your art—you're starting with no path at all. it's all undergrowth and vines and thorns and it hurts and it's tiring and you feel like this will NEVER be easier or feel better than the old path. but you have to keep taking the new one. you have to beat down the undergrowth until it recedes, cut down the low-hanging branches until you can walk with your back straight, and if you keep at it, if you keep at this thing that feels so pointless and stupid and hard, eventually, the path will be clear, and easy to walk, and you'll make great time getting to your destination because it cuts straight through; no winding or bending. and the old path? it will overgrow, and it will become hard and stupid to take. you have to beat the new path because once it's beaten, it'll be the far superior path in every way, including ways the old path was never superior even when it WAS the one you were always taking.

further—as these tags point out, and as i agree with wholeheartedly—by disparaging your art, you DO lower people's expectations. people don't want to be sad, frustrated, disappointed when they look at art—at least, not unless the art itself is trying to tell a story about that. you get what i mean, i hope—they don't want to go INTO something they already HAVE negative reviews on—your reviews! you, the creator, have already told this person the story/art/whatever is going to be bad, and i know, i KNOW it's not your intention, you're hoping someone will see through what you can't and tell you no, no, this is good, i liked this! and some people do! but you make it a lot harder for them TO do that when you tell them right at the beginning, "this is going to be bad, i don't like it," because what you're unintentionally telling them is, "and you probably won't like it either." the first way i learned this was in people always saying in their fanfic summaries, before you even open the fic, "the summary is bad, i'm bad at writing summaries, the story is better trust me bro." because what this does—again, so unintentionally, i KNOW what you're trying to do because i've been you—is you're telling the reader, "here's my pitch, here's the hook to my entire story, it's the worst part, it's bad, but the rest will be better," and what they KNOW is they've already put the time in reading the summary, and it's hard to commit MORE time to something when you've already told them it's bad, even if you promise the rest is better. it's like biting into a fruit and you hate the taste of the skin; it's harder to try the rest of the fruit when, so far, it's been bad (or you've been made to believe it's bad).

so what's the solution? how do you begin beating that new path? well, it depends on you. everyone's a little different in how they navigate stuff like this. but what worked for me, and what might be a good place to start (and by all means adapt as you figure out what works and what doesn't), is start by just NOT saying anything negative. no, "i don't like this," or "the summary's bad, sorry," or anything. write your artist's comment, author's note, whatever as normal, and REMOVE anything that depicts your art/writing/etc in a bad light. just don't give people any opinion whatsoever on what experiencing your creation is going to be like. this, for me, was easier than jumping straight to, "i'm pretty proud of this," or "i enjoyed working on this," because it wasn't withholding AND replacing, it was JUST withholding. going back to the roads and paths metaphor, i think of this part as the "taking a breather before i get to work on this monumental task of beating this new path" stage.

then, overtime, i started "stretching" my positive comments about my works. if i liked, say, TWO LINES out of a whole piece of writing, i'd say, "i'm really proud of this work!" because i AM proud of ANYTHING AT ALL, NO MATTER HOW SMALL, within the work. it's not a LIE, to anyone including yourself, but it is, perhaps, an EXAGGERATION. that's OKAY. we're trying to teach our brain to look on the bright side, to take the new path, and i've found that treating it a little bit like a dog—giving it a treat for ANY TINY BIT OF PROGRESS, was a good way to encourage myself to start making MORE progress. ESPECIALLY because the tags i reposted above are RIGHT: LOTS of people are MORE interested in a work when their very first impression (YOUR impression!!!) is positive. 'the artist/writer/etc is proud of this? oh, i'm so glad they had a good time creating, let's take a look!" it probably sounds too easy if you're still taking that anxiety-beaten road, i know, but try to think of how you've felt when someone disparages their creations versus uplifts them. were you put off by the negativity? were you sad that your friend worked so hard on something and didn't even like it? conversely, doesn't it make you a little excited when an artist says they really feel good about something they made, especially in a world where so many artists ARE feeling inadequate? i hope you see what i mean.

it's not an overnight thing, of course, this took me YEARS. this took a miracle that doesn't happen to most people: i wrote something i felt SO TERRIFIED people wouldn't like, even though i was secretly very proud of it (but too scared to dare suggest i was proud of it), so i indicated all kinds of things like "i hope you like it, i dunno if it's any good, it's just a little thing i'm chipping away at in my spare time" (it was not, it was a full-blown passion project) and, against the odds, a LOT OF PEOPLE told me they really really really liked it. a couple of friends who were decently popular in the fandom it was for liked and shared it and i got A LOT of encouragement. i basically got to beat my new path with a HORDE of helpers, and it was more like THEY beat the path for me and i chased along like, "what is happening, oh my god, what are you doing???"

i got really lucky. that doesn't always, or even usually happen. in most other areas of my life, i've had to beat the path myself. and it takes a long time if you're doing it on your own. but you should anyway, because it's so fucking worth it dude. yeah, it was awesome to get so much help with my writing confidence specifically, but it's been just as worth it every time i've had to do it alone too. and i have good news! there ARE ways to tell people you're on this journey of making yourself a new path. here are some suggestions:

"i'm new/rusty at this, so please let me know what you think!" - informs potential readers/viewers/etc you are learning and gives them an opportunity to HELP you learn. this is a positive interaction! this allows people to find a GOOD experience EVEN if they didn't enjoy the story much, because they can help, and people DO, MOSTLY, like to help.

"i want to improve at [dialogue]" or "i'd appreciate advice on [lighting]." - similar to the first example, but does 2 things: gives viewers specific instructions that can be really helpful for those that aren't sure how/what to critique (surprisingly common thing; the more specific you are about what you want advice on, the more likely you are to GET advice), AND allows you to, neutrally and non-disparagingly, ask for help in areas you don't feel confident about.

"leave a comment if you liked it!" or "let me know what you liked best!" - listen. i don't think 'fishing for compliments' is bad as long as you're not being manipulative about it. these examples are very clear in what they're asking for, which is compliments, positive reviews, etc. and that's okay!!! first of all, lots of people LOVE praising works they like, i promise, and asking them to DOES make them feel like they have "permission" to (i know that sounds silly but i also know if you have anxiety about creating, you have anxiety about commenting, i see you, i was you). secondly, i have gotten the MOST encouraging, confidence-boosting comments this way, especially with the latter example. there is NOTHING more immediately anxiety-curing than a comment that says "i liked [scene/dialogue/character/etc] specifically." it's AMAZING. (also, if you're looking for advice on commenting, this is a GREAT thing to do. imo, this and "speculating/interpreting the work" are the two coolest comments i get they make me feel AWESOME.)

remind yourself, as many times as you have to, CONSTANTLY if you have to: likes/kudos mean someone enjoyed your work enough to press a button. views mean someone liked your work enough to click through for more. these are POSITIVE interactions, they are not "less positive" than comments or reblogs/reshares. i know those last two things are more obviously gratifying, and depending on if you NEED your work to spread (for exposure/commision prospects/etc), very good, awesome ways to support you, and i don't mean to say you shouldn't WANT comments and reblogs/reshares. but for me, it's helped me a lot to recognize that any bit of effort whatsoever means someone LIKED my work. it's also helped me to think of all the times i've shared a link to an artwork in a discord or something, and know that there is an entire, untangible metric i can't and will never see that, sure, i can choose to believe doesn't exist or isn't very high, but i can ALSO choose to believe it happens quite a lot, and the latter makes me FEEL better about my work and makes me want to create MORE, so i think that's the more productive mindset personally. it doesn't matter what the truth is, you know? we'll never know it and it doesn't harm us to never know it. but it DOES harm us to assume no one quietly, unseen by us, likes our work, and it DOES ENCOURAGE US to assume lots of people do.

here's the thing: anxiety disorders fuck you up by making you believe extremely negative, scary, depressing things. the disorder gets worse the more you allow it to make you believe these things, and the only way out, as stupid and hard and at times impossible as it feels, is to say, "no, i don't like that interpretation, i'm going to replace it with a positive one." anxiety is making paths all throughout your brain, and you have to just, make paths too. anxiety needs YOU to make paths, but YOU don't need anxiety to make paths. your paths WILL be better, safer, easier and happier. you just—and i know that is the biggest "just" ever—have to make them.

but i believe in you. i don't need to know you or your circumstances to believe in you. i believe in the sheer amount of control you have over how you face the world. and it's so much more than anxiety would lead you to believe.

i looooove seeing artists & writers proud of their work!!!!! i looooove captions & authors notes that say things like “i’m quite happy with this” “i love how this turned out” “i had so much fun making this”!!!!!! i loooooove when the act of creation is joyful & we take pride in what we make!!!!!!!!!!

[hnslchw]

not what we wanted - LN4 x Reader

Summary: You haven’t felt this kind of ache in years. As memories of your relationship with Lando resurface, the lines between love and loss blur, leaving you grasping at the emotions you thought you’d buried. With every lyric you write, you’re pulled deeper into the bittersweet realization of what was—and what will never be.

Based on "the apartment we won't share by NIKI"

Themes/Warnings: angst (ofc), commitment issues??, no comfort, singer!reader, daddy and mommy issues (lando prolly doesn't have daddy issues but let's pretend pls) (Please let me know if I missed anything)

Word count: 1.1k

Author's note: Hello!! im so proud of this one i really hope everyone likes it. Please let me know what you think! Also if you want to suggest new drivers, characters, or new genres Ill try to make one for them, even though i only write once every two months HAHAH please feel free to ask <3 Anyways hope you enjoy!

The candle flickered on the desk as you stared at the half-filled notebook in front of you. The melody played faintly in the background, guiding the flow of your pen. Words scratched their way onto the paper, raw and unfiltered, each line peeling back the layers of a love that once felt indestructible. A love that belonged to you and Lando.

Two years ago, you had walked away from the man who, for a time, had been your entire world. The memories came rushing in as you tried to put them into lyrics, their weight settling in your chest.

The apartment we won't share.

I wonder what sad wife lives there.

Have the windows deciphered her stares?

Do the bricks in the walls know to hide the affairs?

You remembered the day you went apartment viewing with Lando. It was a sunlit afternoon, and the air buzzed with excitement as the two of you dreamed about building a life together.

“This one’s perfect,” Lando had said, his voice echoing in the spacious open floor plan.

You weren’t alone at the viewing. A couple—a woman with tired eyes and her distracted husband—wandered the space, too. The wife’s stares lingered on the window, and the unspoken tension between them was palpable.

When you and Lando got home that evening, he joked, “I swear, if we ever get like that, just put me out of my misery.”

You laughed, nudging his side. “Deal. Though you’re too busy to turn into a grumpy husband anyway.”

The irony cut deeper now. You hadn’t seen it then, but that couple was a reflection of what you and Lando were becoming—two people holding on to a love they couldn’t maintain.

The dog we won’t have is now one I would not choose.

A flash of warmth filled your chest as you thought about the day you met Charles’ dachshund, Leo.

“Now this is a dog,” Lando had said, crouching down to let Leo excitedly sniff his hand. “When we get one, it’s gotta be just like him—small, but full of personality.”

You laughed, shaking your head. “You mean stubborn and impossible to train?”

“Exactly,” Lando replied, grinning as Leo flopped onto his back for belly rubs.

The idea of a dog—a small, tangible piece of the future you were trying to build—felt so easy back then. But now, even the thought of it was bittersweet.

The daughter we won’t raise still waits for you.

You wiped at your eyes, forcing yourself to stay present. The memory of late-night talks with Lando replayed like a broken record.

“I want a little girl someday,” he’d confessed once, his voice soft with vulnerability. “She’d be a daddy’s girl. Spoiled rotten.”

You had smiled, nodding along. You wanted to want the same thing, but deep down, you weren’t sure if you ever saw yourself as a mother. You had never told him that, though. Maybe you should have.

The girl I won’t be is the one that’s yours.

I hope you shortly find what you long for.

The breakup came rushing back, a scene you had replayed a thousand times in your head. It was late at night, and the exhaustion of trying to keep the relationship alive had worn you both thin.

“I can’t do this anymore,” you had said, your voice barely above a whisper.

Lando’s jaw clenched, but he didn’t argue. “I know.”

You wanted to be angry, to yell at him for not fighting harder. But deep down, you both knew the truth—you had drifted too far apart. You cupped his cheek, a sad smile on your lips. “I hope you find what you’re looking for, Lando.”

The filthy joke that won’t

Burrow in the corner of your

Smirking lips, I mourn it to this day.

A laugh escaped your lips as you thought about the gala. You could still see the way Lando leaned in, whispering a dirty joke in your ear that was so wildly inappropriate for the setting.

Your cheeks had burned, but you couldn’t bring yourself to scold him. Not when he looked at you with that stupid grin, his dimples on full display. You had never loved anyone more in that moment.

The story we won’t tell

Is my greatest fantasy.

The passion I won’t feel again

Isn’t lost on me.

You paused, letting the pen hover over the page. The weight of regret settled heavily on your shoulders. You had loved him deeply, even as the relationship unraveled. And now, the thought of never feeling that kind of love again terrified you.

The son you never wanted

Is the wound your father left.

And the mother I won’t be is

Probably for the best.

Your mind drifted back to one of your many late-night talks. Lando had opened up about his childhood, his compilcated relationship with his father. “I don’t think I’d know how to be a dad to a son,” he had admitted.

You hadn’t realized it then, but that fear had mirrored your own doubts about being a mother. Maybe that was why you had hesitated to dream too big about a family with him.

Your demons I won’t meet

Now someone else’s word to keep.

I’m sure she’s beautiful and sweet.

The song was nearly done when your phone buzzed on the desk. You picked it up, and the screen illuminated with a headline: Lando Norris and Fiancée Announce Engagement.

Your breath hitched, but you couldn’t look away. The woman in the photo was stunning, her smile radiant as she stood beside him. He looked happy—happier than you had seen him in years.

You closed the notebook, staring at the final line you had written:

Not what I wanted, but what we need.

The song was finished, but the story wasn’t just about you and Lando anymore. It was about letting go, about making peace with the love you had lost. You set the notebook aside, exhaling deeply.

Some endings weren’t tragic. They were just necessary.

[kittycat10112004]

Guys I had the best zosan fic idea EVER an I needed to share before I forget. Though maybe it won't leave lol.

Anyways, yall know La siene? Well heres my idea.

Sanji learns the love language of wano while he's there, and is shocked to find out that doing little could mean so much, also the poetic way of saying i love you (the moon is beautiful isn't it?) and that Zoro had cared that much and he never knew, so he wants to make it up to him, by combining his love language with Zoros, he thinks of songs that has to do with the moon and love, then it hits him, La siene would be perfect. (Just switch the her parts to him lol) but he doesn't want the others to know what he's singing and to whom, so he's gonna sing in French, but he's gonna need some help from Robin. (cause Zoro doesn't know French) so events on wano happen and luffy wants another celebration on the ship, (cause why not?) and Sanji comes up with a plan, (and tells Robin too of course) Robin will leave a French book out so Zoro spots it and asks about it, then Robin will tell him about it and translate for him, then later on while the crew is celebrating and singing hed wait for his turn, and sing La siene to Zoro while making sure the others don't notice, and hold onto hope that Zoro accepts his confession. So, thats the plan. Now to put it in place. Robin leaves the book out and as expected Zoro notices and asks, to which Robin translates, (and teaches him how to confess in French too for good measure.) The day goes by and night falls which means the party is happening, time goes by a bit more, Zoro on the railing and watching nearby (at least far enough where the crew doesn't notice him, and checks the lavender rose in his harumaki, then returns to watching the crew) and Sanjis turn comes up, (Zoro expects that he will sing loud and clumsily to the lady's, like an idiot, what he doesn't know is he's about to be very wrong) Sanji steps to the metaphorical stage, starting to sing,

(Idk if its the French ver or not lol) Zoro thinks he's singing to the lady's (like the romantic fool he is) until Sanji looks at him, (I dont know, dont know, so dont ask me why, that's just how we love La Siene and I) (just listen to the song and imagine sanji singing it. and yes I know its a duet, id like to think that he'd sing it by himself to Zoro ok?) Shock is one hell of an understatement to Zoro, but now he sees why Robin was teaching him French earlier (as well as how to confess in French) it was Sanjis plan, of a Love confession to him. That idiot. (Zoros eyes are now completely on Sanji as he sings the rest of the song) and as much as Zoro hates to admit it, that was one hell of a love confession. Sanjis song finishes and the next go up is ussop, so Sanji leaves em be, choosing to walk over to Zoro, being a bit embarrassed, (despite how well it went) "so, what do you say?" (Zoro pulls out the lavender rose) "id say, je t'iame aussi." (I love you too) now its Sanjis turn to be shocked, Robin must have taught him behind his back, still, its such a confession that is still so sweet to him, he didn't have to follow through what Robin said and yet he did, even more so the meaning of the rose, (lavender rose means Enchantment, or "love at first sight") he took the rose and smelled it (he always loved the smell of roses) and, without missing a beat, pulled Zoro in close, and kissed him short, soft, and sweet (Robin watched out of the corner of her eye smiling before turning back to the show) Sanji looks at the strawhats then back at Zoro, "lets go a bit further away hm?" "mh" they go farther away till its a bit quieter, music barely heard in the background. And they stay in eachothers company, enjoying the quiet peaceful night under the moons glow.

(And thats the end, hope yall fellow zosan fans like this idea as much as I did. It was so fun to write.)

[disgruntledkittenface]

Hi Maggie! I have a question (or few lol) on your personal opinion/experience, if you're willing to share. I have been reading fic for...a very long time lol but I have never read any abo. Based on some self-reflection I think it's that I just don't know how it works so I think I won't understand the fic or will miss important nuances. But I just read the description of your accidental courting fic and it sounds super cute! And I'm reminded of all the times I've read a fic description and was interested, then realized it was abo so I didn't read it (which feels so embarrassing to say!). I know my apprehension is likely keeping me from experiencing something I might really enjoy. And so my question is, what about abo fics do you think you cannot find in other fics? Or put another way, what do you like about abo fics in general? Also how did you get into writing them?

hiii anon! First, thank you for saying that the accidental courting au sounds cute! (I think it is, but I wrote it lol) And it's fun to get an opportunity to talk about this trope, which I'm going to refer to as omegaverse, I'm glad you asked <3

I'm going to link a primer that @allwaswell16 wrote because it covers the basics really well and includes links for further reading. That said, the trope can get very subjective and there are still things I don't understand fully. Like it gets a little hazy when I think about scenting glands, and I hope @crinkle-eyed-boo won't mind me saying so, but neither of can actually visually a nest. So I get your apprehension, but I don't think you need to know all the details to enjoy the trope.

The thing about omegaverse is that sometimes it can feel like a way to make a gay couple straight. When I get that vibe from a fic, I just close the tab. But I was talking about this with @lululawrence years ago, and she was explaining that there are writers who use omegaverse to explore dynamics similar to men/women because that lets them do it at a little bit of a distance. And I understand that – as a writer, sometimes I want to explore something with a female character because I identify as female, and sometimes I don't. Sometimes I want that distance.

I think what appeals to me about omegaverse is that it's kind of primal. Sometimes I'm in the mood for instincts to just take over! It's kind of like a soulmate au in that way, almost like an external force guiding two characters if that makes sense.

I hope this isn't obnoxious but since we're talking, I decided to just go through each omegaverse fic I've written (only 6!)

For a long time, I didn't plan on writing omegaverse. But then I saw a few prompts for a fest that were clearly submitted by the same person, and it was just so sweet because they all ended with "please." The one I picked said "A soft Narry where Harry is alpha and Niall is omega, please." so I got to anything I wanted with it. I thought about doing something with Niall modeling Omega watches because I thought that was hilarious, but there was something at the back of my head telling me this Harry would be ace. So I decided to explore that a bit and I centered it around touch deprivation because sometimes I feel a little touch deprived. a little tenderness

Then for some reason, I got really into the idea of an alpha building a nest for their omega. And I had this little snippet of a scene in my head with one partner saying "you've been so sad lately" and the other one not wanting to admit why, but they already know. So those two ideas kind of morphed, and then I wrote a couple of other scenes that just like INTRIGUED me so I could get them out of my head. with love on the line

I saw a prompt about accidental courting, and then decided to actually try writing it after a friend encouraged me. I struggled to get going because originally I wanted Harry not to realize he even had a crush on Louis, and the characters simply would not cooperate. So he could only be oblivious about the courting rituals, not the crush. I want to say this is the most, like, stereotypical omegaverse that I've written? But it still starts with alpha Harry baking. baby, you're the end of june

I do not remember why, but at some point I got really interested in how girl direction omegaverse would work. I went looking on tumblr and online, and found a couple of references. So originally I wanted to explore the mechanics. But it became really, really personal while I was writing! I did not mean for that to happen! But I love how this one turned out. enough to make a girl blush

THEN I was like... but what about two female alphas? I don't know if the scents in this one quite work, they did in my head. But after this one, I felt like I kind of got f/f omegaverse out of my head because I had figured it out. when we're finished saying nothing

Although then I decided to do a cute followup on a side pairing from enough to make a girl blush for a fest. count me in

WAIT OKAY I'M SEEING A PATTERN. TWO PATTERNS.

CARETAKING – I think that I like seeing one partner taking care of the other in omegaverse (although I probably like that in all tropes)

And honestly, I just like trying new things.

So for me, I do like the unique aspect of the instincts and primal nature in omegaverse, but it's also just kind of a fun playground because you can do so many things.

I hope this wasn't too long! And listen, I know people who love omegaverse and people who won't read or write it, so there's no wrong way to fandom <3

[softerwider]

Response: I need help. I have to think deeply and I do not know anybody who will help me. It is uncomfortable to think, and especially so when one must make oneself vulnerable to do so. But here it is: I'm trying to be vulnerable and explain myself clearly; writing my thoughts. I'm reposting this here because it gave me hope. It gave me pause. It spoke to me deeply. It is kinky--but it really carried a level of introspection about the nexus of kink and shame and power and disgust and pain and pleasure and arousal. Paperfeedee laid a finger on how these all share in a close connection to one another. Her post describes perfectly the insane network of social signifying practices and intuitions that I have, and that I always imagine other people have. Not everybody as I am. I mean to say that this post of hers was, is, and shall continue to be enlightening. I have been a part of the feedist kink scene since some time in the early 2000's. Scary to think of myself wandering all over the internet like that. But anyway, even so, all this never once thought that I have internalized fat phobia. And, just like is described in Paperfeedee's post, there are elements of my kink that I am now realizing that I might have to disentangle from that fearful place. I caught a glimpse of what that might be like. There's a complex story about why my kink is closely tied to fat phobia, and maybe I'll get to speak it someday, but I have always wanted to gain weight. I've always considered myself a feeder switch, but I've had some v e r y intense sex dreams about being fed and fattened--none have been about feeding others. And yet, for as much as I enjoy overeating, indulging in fattening foods, and the idea becoming fatter and fatter, I've never been able to do so. I've blamed my bad (very efficient) metabolism; I've blamed my inability to buy enormous quantities of fast food on the regular; I've blamed my partner for being unwilling to be my feeder. I never looked to myself. Each of these things (enjoy overeating; love fattening food; want to be fat) is also tied in significant ways to formative, stressful, and traumatic times in my life. I won't get into them now. Suffice it to say that each thing, for as desirable as it is, is also overloaded with shame, discomfort, and is incredibly connected to my libido. Here is the nitty-gritty. I do not want to demonize anybody, least of all myself, for having the particular flavor of fetish that they do. I think that shame, discomfort, and arbitrary over-significance play crucial roles in the way that I experience sexual pleasure. Fear and helplessness is singed onto the texture of my jouissance. But what I think is most salient about Paperfeedee's post here is that it makes the case for the way that identification in phobia is sustained by the fascination it makes of the object of its fear. Identification is a process whereby a relationship between more than one thing and itself is defined, sustained, and elaborated. So, when I see someone in the store buying groceries and I notice how fat they are, that they have a lot of junk food, and my mind goes racing as it is wont to do about what an unrepentant glutton this person must be (etc.), I have participated in the process of identification. Phobia is a kind of identification that places the thing that is desirable at as far a distance from the self as possible. This distant relationship is a relationship nonetheless. The "Subconscious Hint" that Paperfeedee mentions here indicates precisely the way that this distance is a relationship, and one of the most intimate kind. My most intense sex dreams (or maybe just all my sex dreams) are about getting fat. Yet I'm afraid of what people will think if I get fat; frustrated that I can't do it; worried for the consequences; don't have the right body for it; etc. SO I think that I have been afraid of getting fat. I have neglected to examine the ways that my interest in feedism and fat fetishism have sustained these fears. I have never looked at the way that these fears could sustain the fetish.

I think that I have gleaned something about how the 'subconscious hint' leads to the inversion of the phobic dynamic in my personal case. I PROMISE that I will be thinking about this post for a very long time to come. I'm sorry if you are already tired of hearing me go on and on about this shit, because I am going to be on this for...ever? But to come back to the main point of this thread: I need help. I would like to use what I've learned here in order to examine the way that I sabotage my weight gain. I may try to gain weight, I may just allow myself to identify with the fear-object in a way that is emancipatory and also erases the fear from the relation. I can let someone else be afraid of my fat ass! I can hear that shitty fat-phobic comment that someone makes about how much I am eating and feel butterflies or go find a room and jerk off about it. I have become that which I rejected. I have embraced the part of myself that I shunned. I do not want to use my fetish as an excuse to sustain fat phobia. The point is that I will need help in thinking about this. (And also maybe tell me I'm looking fatter.) Thank you, and have a good night.

back when I was still thin and had yet to discover the whole "really into making myself unrecognizably fat" fetish, I still had like, a preoccupation with fat people that usually alternated between being super judgemental and being terrified that I'd get fat, which was like, definitely some kind of subconscious hint at like, man, I'm going to find out something crazy in a couple of years, but anyway

I distinctly remember grocery shopping with one of my friends in college, and seeing a woman who was pretty fat buying like, little debbie cakes and whatnot and just like, could not stop talking about it to my friend, could not let go of it, could not stop harping on "how does a person let themselves get that fat? how can you be that fat and not be trying to lose weight? how are you not embarrassed to be that fat and be seen buying those?" Even my friend had to ask like, what is your damage with this random woman?

anyway, obviously that wasn't cool of me and I've clearly gone on my own ✨️journey✨️ with confronting internalized fatphobia since then, but like knowing now that I have fully become that woman in the grocery store is like, part self actualization, probably part karmic retribution, and all like, getting to live a peak horny fantasy for me now, and I'm so here for it

(especially since my favorite grocery store is right next door to this really big, really nice gym, so it's just me and all the Lululemon wearin ass pilates baddies at the grocery store together)

[thequietkid-moonie]

Can you make some headcanons about Yandere Teru and Akane(Tbhk) sharing a darling?

Sharing a darling

[ YANDERE HEADCANONS ] [ Teru & Akane ]

[ Toilet Bound Hanako-kun / Jibaku Shounen Hanako-kun ]

Interestiiiing ~ I like your idea and I will made it as violent as posible! I dont regret it, I liked writing it that way! it may have some angst, just a little silly warning

Teru and Akane doesn't really get along at all, they both are close to each other just because the threat the other represents, non really like the other for what having and actually sharing their beloved darling is only the last resource

The one who would fall in love first is the one who is closest to you, the other one end up falling in love after getting to meet you accidentally thanks to the other for what non would be happy. Both, Teru and Akane, love deeply and with burning passion, for both you are like a ray of hope, someone who must be protected but at the same time both are incredibly possesive and thinks they are doing the best for you, and the best is definetly not with the other

Teru realice Akane's feeling almost imediatly and he grows not only angry but also paranoid, he already fears for your safety due all his experiences in his job but a supernatural loving his darling is even offensive! Teru is so close to actually finish Akane's life for even just looking at you but he is holding back himself to don't get troubles that could get in his and yours way (but the closer you two grow the more dificult it is for him to hold back)

Akane simply doesn’t like that you even interact with Teru but still it would take him a while to notice Teru's feelings for you, it take a slip on his act for him to wonder whats going on with him to realice that he is interested on you, and, unlike Teru, he imediatly jumps into the confrontation

It end up being thanks to Akane that the topic is settle on the table, making clear his love and that he won't give up on you, let alone for someone like Teru Minamoto, making him answer with a passive agressive attitude and imediatly declaring a war between both, non of them are planing to give up on you nor lose against the other so they will be stuck in their fight

The fight both have is far from being fair and pacific, both are trying to monopolize your time and attention even from other students because both are desperate for being the winner, Akane is following you around like a puppy, always trying to chat with you about anything you want and staying as physicaly close as posible, he can even become overwhelming since he is so close to just hold you close to ask you to don't leave him alone, while Teru is more discreet and yet demanding, he uses his position not only on the student council but also with his imagine as the prince of the school to be able to make you only look at him, purpousely making indirect moves on you so the rumor about the posibility of you two being togheter spreds across the school in an attempt to leave clear that you are his

As time pass and both manage to get closer to you both start to play even more dirty, whenever any of them had even the smallest moment alone with you they make sure to tarnish the image you have of the other, Teru shameless tell you Akane's secret of being half supernatural while Akane tell you the real attitude of Teru, calling him sadistic and merciless, both try to make you see the other like a monster while they are the safest option, how they are the one capable of keeping you safe!

Both are so focus on destroying every chance the other has with you that they will not notice how you are the only real victim of their fight, it is until they notice the fear or even the anger on your expression when they will finally stop to look back at what they have done, not only insolated you from the rest of the students but also while trying to ruin the other reputation they have pushed you to the point where you don't feel comfortable or even safe at the side of any of them, after all they have done nothing but tell the worst things of the other

At the end, accepting to share you and make it up for you together is the only option left for them, they agreed to share you just to protect your own mental health, both will apologize together and try to explain that both have being blinded by their own selfishness, Teru and Akane swears on their life that they will not fight again and will make it up for you but the reality is that when you finally trust them again and start to calm down they would be fighting behind you back once more, after all both are way too possesive to share you, let alone with the person they hate and blame for how you felt

[leventart-den]

I won't write this but imagine ZoSan angst with a happy ending (or without, whatever your heart desires) where Sanji and Zoro are stuck on some island (possibly after a storm and battle) and Zoro is seriously injured, almost dying and Sanji takes care of him all this time.

Then Luffy and the others finally find them, Zoro is on the mend and everything seems to be fine. But then it turns out that Sanji was seriously ill all this time (perhaps he received some kind of strange poison in a battle with the enemy). And so he slowly dies but doesn't tell anyone about it because he doesn't want to be a burden and doesn't want Zoro to feel guilty in any way.

When his condition deteriorates, he decides that in the next big battle he will simply “miss the blow.” But Zoro somehow prevents this and so Sanji is wounded and after the battle asks to talk to Chopper alone. He explains the situation to him and asks not to tell Zoro the whole truth. Sanji has feelings for Zoro but knows that they are not mutual. All the straw hats are, of course, shocked and upset, although they hope that there is still time and they can find something to help Sanji.

Sanji's condition is worsening every day and, oddly enough, Zoro turns out to be the one who now spends most of the time with him. It's strange, but Sanji is happy. Meanwhile, the more Zoro is with Sanji, the more he gets to know him from a new side and develops feelings for the shitty cook. This becomes difficult and painful when Sanji's condition worsens so much that he can no longer cook and is on bed rest.

Sanji will cry when he can no longer see Zoro and Marimo will kiss him "good night" on chapped lips for the first time, thereby wordlessly saying "I love you too."

Zoro falls in love with him but Sanji is dying so there is no future for them.

Or is there?..

[cuubism]

hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic

other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?

[buckets-and-trees]

UM, HOW FUN WAS GETTING TO LIVE THROUGH THE DOCUMENTATION OF YOUR REACTIONS TO THIS CHAPTER?!

Thank you for taking me on that journey with you! 🥹

When I had this idea, it was all about Steve and reader. When I started writing it, I realized there would have to be other characters in their orbit constantly, and that's been kind of a fun challenge. I rarely care about shaping the ensemble - at least not with this much of a focus - but it's so many layers of story elements! Campaign team/barely any time to ever be alone, let alone alone time with each other. Campaign team in relation to the reader getting to know people - and some of them know about the arrangement, but most don't, and how that plays into things. Plus how they act toward each other around other people. I'm glad they're parts of the story that are standing out rather than just feeling like we're getting through them to get to a plot point.

And the kisses! Can you believe that wasn't even my original intent with including that scene? 🤣 It was getting Steve to do a TikTok/build up his feeling like the campaign is so showy + reader having another regular moment with Bucky and Sam, and then when I was in the middle of it, I was like, 'oh, wait... this is perfect...' Especially a dramatic kiss and then something more real. 🥹

And the debate prep scene was one that I've really been waiting to get to because it - again - was doing so much for me in terms of the plot development for them. Reader going after Steve instead of Bucky or Sam, Steve being pushed, Steve somewhat losing it, Steve saying some really poignant pieces, and Reader recognizing his frustrations and soothing that a little bit, but also calling him on stepping up and not falling into blaming others because he has to harness that ability (and logistically his right by his role) to captain this ship.

...

And then Josh Connor.

Okay, first, I didn't remember that I named that reporter Andy so I dom't think it's in relation to Andy Barber... (truthfully, I was thinking about a possible Andy x Reader in relation to this campaign, so... I think I was just picking a normal name)

And then Josh.

👀

I won't answer ALL your questions there because... I think you don't TRULY want to be spoiled, plus so much of it will be answered at the beginning of the next part. But I will say that of course Pepper knew.

And because I managed a diabolical mention that went under the radar...

I wanted to leave the tiniest breadcrumbs so that when we got here, it would likely be a 99% shock, but something I knew we were moving toward the whole time. MWAHAHAHAHA!

DON'T REVOKE OUR MARRIAGE LICENSE! I think the way things will unfold will be acceptable. No one will need to sharpen any knives, but there might be some wringing of hands because it's not nothing obviously.

Love you endlessly, and appreciate all your sharing here! 🩵

Red, White & True: DC, Tampa, Athens [5/?]

Characters/Pairings: Steve Rogers x curvy Millennial Female!Reader, Peter Parker, Sam Wilson, Bucky Barnes Word Count: 6.1k Summary: Late September means things are only accelerating as election day grows closer. Steve is picking up momentum in the polls, and things heat up on multiple fronts before you hit a bump that may shake up the progress between you and your husband.

Content/Warnings: marriage of political convenience, slow burn

Notes: You get another West Wing cameo in this chapter (but totally unnecessary to have ever watched the show). This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

Previous Chapter | Series ↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

[SEPTEMBER 26 - WASHINGTON, DC]

The late September sun streams through the floor-to-ceiling windows of the campaign's official DC headquarters, casting long shadows across the bustling office space. You're leaning against a desk, watching with amusement as Peter Parker, the youth outreach coordinator who's also become the campaign's unofficial creative director of the TikTok segment of the social media team, attempts to explain the concept for the video to Steve.

"Okay, Cap," Peter says, his enthusiasm palpable as he holds up his phone. "We're going to do a quick transition video. It's super easy, I promise!"

Steve stands in the middle of the room, looking slightly uncomfortable but determined. He's dressed casually in jeans and a plain white t-shirt, a stark contrast to his usual campaign attire. The goal is to remind the voters that Steve is relatable to the everyday American at the end of the day.

Steve nods, a mixture of bemusement and determination on his face. "Alright, Peter. Walk me through it."

Peter's face lights up. "Okay, so you're going to start in your casual clothes, then you'll spin around. As you spin, we'll cut and you'll change into your suit. When you finish the spin, you'll be in full Captain America mode, then we’ll have you spin and change one more time, and we’ll end the video with you in your presidential get up."

"And this will... resonate with young voters?" Steve asks, raising an eyebrow.

You can't help but chuckle. "It's about showing your versatility, Steve. From everyday guy to national hero to the next president in the blink of an eye."

Steve shoots you a playful glare. "Easy for you to say. You're not the one spinning like a top."

Peter positions Steve in front of the camera. "Okay, Cap. Just spin naturally, and we'll take care of the angles and editing.”

As Steve prepares for his first take, Bucky saunters into the room, a smirk playing on his lips. He sidles up next to you, crossing his arms as he watches his best friend awkwardly position himself in front of the camera.

"I'm sure Steve must be loving this," Bucky murmurs, his voice low enough that only you can hear.

You nod, suppressing a chuckle. "It's written all over his face."

Indeed, Steve's expression is a fascinating mix of determination and mild discomfort, his brow is furrowed in concentration.

The rapport that’s been developing with Bucky over the last few weeks has also been nice. It’s its own brand of friendship, and it’s not rock solid yet, but it’s growing.

"Alright, Cap," Peter calls out, phone at the ready. "On three. One... two... three!"

Steve begins to spin, his movements a bit stiff in the first take.

Peter's enthusiastic voice cuts through the air. "That was great, Cap! Let's try again,” he encourages, not leaving a beat for Steve to feel awkward or like he’s done it wrong. You can tell his approach will make all the difference with Steve.

As Steve prepares for another take, you can't help but admire his willingness to step out of his comfort zone. It's one of the things that's made him such an effective candidate - his ability to adapt and connect with people across generations.

"Okay, this time, try to relax a bit more," Peter suggests. "Just have fun with it!"

Steve spares a glance at you and Bucky, then takes a deep breath, shaking out his arms. "Right. Fun. I can do fun."

Bucky snorts beside you. "This ought to be good."

As Peter counts down again, Steve starts his spin. This time, his movements are smoother, more natural.

"Perfect!" Peter exclaims. "That's the one. Now, let's get you into your tac suit for the next part."

Steve nods, heading towards the makeshift changing area set up in the corner of the room. As he disappears behind the partition, Bucky leans in closer to you.

"You know, I never thought I'd see the day when Steve would be doing social media stunts," he says, his voice a mix of amusement and pride. "He's come a long way from the kid who could barely talk to girls in Brooklyn."

You smile, picturing a young Steve Rogers, all skinny limbs and earnest determination. "I bet he was endearing," you say.

Bucky chuckles. "Oh, he was. A real charmer. Couldn't string two words together around a pretty dame, but he had a heart of gold." He pauses, his expression growing more serious. "It's good to see him like this, you know? Engaged with the world, trying new things and connecting with people again. For a while after the Blip, I worried he’d ride off into the sunset forever before the sunset was even really here. We’re out of the century we were supposed to live in, but we’re still here, y’know? Didn’t think it would be this, but it’s not all bad. Pepper wasn’t wrong in choosing him for who he is inside.”

You nod, understanding. “When I met with her about the campaign, she’d sent me the policy materials, the plans, the opposition research detailing his strengths and weaknesses as a candidate, and I was on board to take any position she offered me on the campaign team. I never imagined working on a presidential run, but her vision, her approach? I knew I wanted to be part of it.”

Bucky arches an eyebrow. “I thought… wait…” he’s mulling over what you said. “So, when you came in, you didn’t know she wanted you to marry Steve?”

You laugh and shake your head, “Oh, no! Because that would have been crazy! Who would agree to that?”

Bucky's eyes widen slightly at your revelation. "But you just... agreed on the spot when she proposed it?"

You pause, considering how to respond. The truth is, it had been a whirlwind decision, one that you sometimes still can't believe you made. "Not exactly on the spot," you say carefully. "But...pretty quickly, yeah. It was a lot to take in, but something about it just felt right, you know?"

Bucky nods slowly, a thoughtful expression on his face. "I get it. Steve has that effect on people. Makes you want to follow him into any fight, even if it's not your own."

Before you can respond, Sam walks in, eyebrows raised at the scene before him. "How’re things going here? I hear we’re starting a dance troupe?"

Bucky chuckles. "Social media campaign. Apparently, the kids these days like watching people spin around and change clothes."

Sam shakes his head, a grin on his face. “Glad I’m not going to miss it.”

“I’m suggesting you go in as back up dancer.”

“Don’t threaten me with a good time, Barnes! You know I’d do it!”

You laugh at the easy banter between Steve’s two best friends, but then the man himself emerges from behind the partition, now clad in his tactical suit. The sight of him in the red, white, and blue outfit isn’t new, but as it’s the first time you’ve ever seen him dressed as Captain America in person, it unexpectedly takes your breath away a little.

Steve takes his position again, looking more at ease now in his familiar uniform. "How's this, Peter?" Steve calls out, adjusting the shield on his arm.

Peter gives him a thumbs up and starts the countdown. This time, Steve's spin is confident and fluid, ending with a slight smirk that's pure Captain America.

"Nailed it!" Peter cheers. "Okay, one more outfit change and we're done."

“Hang on!” Sam calls out. His eyes light up as he looks between you and Steve, a grin spreading across his face. "We've got a golden opportunity here."

You raise an eyebrow, curiosity piqued. "What do you mean?"

Sam rubs his hands together. "Picture this: Captain America, in full uniform, getting a kiss from his lovely wife. It's the perfect Instagram moment!"

Steve's eyes widen slightly, a faint blush creeping up his neck. "Sam, I don't think-"

"No, no, hear me out," Sam interrupts, warming to his theme. "We've been pushing the whole 'relatable Steve' angle, right? Well, what's more relatable than a guy getting a kiss from his wife? Plus, it ties in the Cap persona.”

Peter's face lights up at the suggestion. "Oh man, that's genius! The engagement would be off the charts!"

Steve looks slightly uncomfortable, shifting his weight from one foot to the other, and you don’t know how to feel about it either. "I don't know, guys. Isn't that a bit... much?"

Bucky chimes in, a smirk playing on his lips. "Come on, give the people what they want."

“Et tu, Brute?” you direct this to Bucky, not at all surprised at the enthusiasm from Sam and Peter, but genuinely shocked he’s jumping on board as well.

Sam turns to you, his expression a mix of excitement and mischief. "What do you say? Want to break the internet with a kiss from Captain America?"

You hesitate, feeling a mix of emotions. On one hand, the idea of kissing Steve - even for a staged photo - sends a flutter through your stomach. On the other, you're acutely aware of the artificiality of the situation and the potential implications for the campaign.

You glance at Steve. His expression is unreadable, but you can see a hint of uncertainty in his eyes.

Sam, sensing your hesitation, softens his approach. "Look, I know it might seem a bit much, but think about it. We've been working so hard to show Steve as both the hero and the everyday man. This could be a perfect blend of both."

Peter nods enthusiastically. "I think a good candid shot would be a great way to humanize the campaign. Show that even Captain America has a soft side."

You look back at Steve, and he gives a small nod. You see a mix of emotions in his eyes - uncertainty, but also a hint of something else. Trust, perhaps. "If you're okay with it, I am."

"I’m good," you agree, your heart rate picking up slightly.

Sam claps his hands together. "Great! Peter, get ready with that camera."

As Peter positions himself, you step closer to Steve. He reaches out, gently placing his hands on your waist. The tactical suit feels cool under your fingertips as you place a hand on his chest. You can feel the slight tension in his muscles.

"Ready?" Steve murmurs, his voice low enough that only you can hear.

You nod, managing a small smile. "Let’s do this," you reply once more because this is its own ‘public appearance’, and so the customary exchange only seems fitting.

Steve’s hands move from your waist around to your back, and he takes a deep breath, looking into your eyes.

You stop breathing for a moment, suspended there in his arms.

“Kiss her, punk!” Bucky shouts, and the electric moment is broken, but you both laugh, and then Steve dips you dramatically and kisses you soundly as you clutch his shoulders. The three men cheer enthusiastically and cat call you when the kiss goes on just another moment or two.

As Steve stands you back up, you both burst into laughter, the tension of the moment dissolving into genuine mirth and camaraderie. His arm is still around your waist, steadying you as you regain your balance. The warmth of his body radiates through the tactical suit, and you find yourself leaning into him slightly, your soft, round body pressing into his hard muscles.

"So, Peter," Steve calls out, his voice still tinged with amusement, "did we nail that shot, or do you need us to try again?" There's a playful glint in his eye as he says this, and you can't help but grin up at him.

Peter, looking slightly flustered but undeniably excited, nods enthusiastically. "Oh yeah, Cap! That was perfect! The internet is going to go crazy over this!"

You start to step away, ready to return to your spot by the desk, but Steve surprises you by gently pulling you back, his arm wrapping around your waist once more. The room seems to fall away as he gazes into your eyes, a softness in his expression that you've rarely seen before. Time slows as he leans in, his free hand coming up to cup your cheek.

His touch is feather-light, his calloused thumb brushing across your cheekbone with a tenderness that makes your breath catch. The scent of him envelops you - a mixture of leather from the suit, a hint of aftershave, and something uniquely Steve.

Your heart races as Steve leans in, his breath warm against your lips. For a moment, you forget about the cameras, the campaign, everything except the man in front of you.

Steve's lips brush yours, soft and tentative at first. It's different from the performative kiss moments ago - this feels real, intimate. You respond instinctively, your hands sliding up his chest to rest on his shoulders. The kiss deepens, and you feel a warmth spreading through your body.

Suddenly, you're jolted back to reality by the sound of a throat clearing loudly.

You and Steve break apart, both slightly breathless. The room crashes back into focus, and you're acutely aware of the others watching. Sam has a knowing smirk on his face. Peter looks like he might explode from excitement.

"Well," Sam says, breaking the silence. "I think we've got more than enough material for social media now."

You step back from Steve, feeling the heat creep up your neck. Steve clears his throat, looking slightly flustered himself.

"Right," he says, his voice a bit rough. "I should, uh, go change for the final spin shot."

As Steve disappears behind the partition again, you catch Bucky's eye. He gives you a subtle nod, his expression unreadable. You're not sure what to make of it, but there's no time to dwell on it as Peter starts setting up for the final shot.

You return to your spot by the desk and try compose yourself. Your lips still tingle from the kiss, and you can't shake the memory of Steve's touch.

Bucky sidles up next to you, his voice low as Sam and Peter talk next to you. "That was quite a show," he murmurs, a hint of amusement in his tone.

You glance at him, unsure how to respond. "It's all part of the job, right?" you say, aiming for nonchalance but not quite hitting the mark.

Bucky gives you a long look, then nods slowly. "Right. The job."

Before you can say anything else, Steve emerges from behind the partition, now dressed in one of his presidential suits - a sharp navy number that accentuates his broad shoulders. You can't help but admire how he carries himself. He exudes a quiet confidence, as ever, a perfect blend of the everyday man and the leader of the free world.

"Alright, Cap," Peter calls out, "let's nail this final spin!"

Steve takes his position, and as he begins to turn, you find yourself holding your breath. The transformation is mesmerizing - from casual Rogers to Captain America to Presidential Candidate, but all of them undeniably Steve.

[SEPTEMBER 27 - TAMPA, FLORIDA]

The campaign has rented out an entire floor of a hotel for debate prep, transforming the spacious suites into makeshift war rooms as Tampa provides some key and convenient access to key southern cities by plane. Maps, charts, and policy briefings cover every available surface, and the air hums with the energy of a team on a mission.

Jake Sullivan, Steve's chief strategist, has pulled out all the stops for this crucial phase of debate preparation. He's brought in Amy Gardner, a seasoned political operative known for her sharp wit and take-no-prisoners approach. Her presence adds an extra edge to the already intense atmosphere. You watch as Amy commands the room, even though she sits rather casually in an armchair ten feet from Steve, who stands behind a makeshift podium.

Her presence adds an extra edge to the already intense atmosphere. You watch as Amy paces the room, firing off rapid-fire questions at Steve, who stands behind a makeshift podium.

"What's your plan for addressing climate change?" Jake asks, his voice stern.

Steve responds confidently, "We need to transition to clean energy sources while also supporting workers in traditional energy sectors. My plan includes..."

Amy cuts him off, her tone brusque. "Too long. You've got 60 seconds max. Hit the key points and move on."

Steve nods, taking a deep breath. "Right. Clean energy transition. Support for affected workers. Immediate action on emissions reduction."

“Too succinct,” she says.

Steve frowns, clearly trying to find the right balance. Squaring his shoulders, he goes again. "Our climate plan has three key components: First, an aggressive transition to clean energy sources like wind and solar. Second, robust support and retraining for workers in affected industries. And third, immediate action to reduce emissions across all sectors. This isn't just about saving the planet - it's about creating jobs and securing America's energy independence for generations to come."

Amy nods approvingly. "Better. Now, pivot to how this contrasts with your opponent's stance."

Steve's brow furrows in concentration. "Unlike my Republican opponent, who continues to deny the reality of climate change, my plan acknowledges the crisis we face while also prioritizing American workers and innovation. We can't afford to stick our heads in the sand any longer."

"Decent," Amy says, her tone softening slightly.

“Only decent?”

“You didn’t address the Democrats’ policy. Your battle is to convince enough voters in America to break with over two hundred years of choosing between red or blue.”

You can see Steve is fighting back a sigh of frustration.

"Mr. Rogers, your opponent claims your lack of formal political experience makes you unqualified for the presidency. How do you respond?"

Steve takes a moment, his brow furrowed in concentration. "My experience may not be traditional, but it's been forged in the crucible of protecting this nation and its values. I've led teams through impossible situations, made tough decisions with global consequences, and always put the American people first. That's the kind of leadership experience that truly matters."

Amy nods, but doesn't let up. "Good, but tighten it up. You need to hit harder on your unique qualifications. How do you respond to critics who say your experience is outdated?"

"I'd say that my unique perspective allows me to see both where we've been and where we need to go," Steve begins, his voice steady. "I've seen this country at its best and its worst. I understand the challenges we face because I've lived through similar ones before. But I also understand the incredible potential of our future because I've seen how far we've come."

You can’t help but feel inspired by that answer, but Amy's eyes narrow, her expression sharpening. "Not bad, but you're still playing it too safe. Your opponents will come at you hard. Let's ramp this up."

She stands and begins pacing in front of Steve like a shark. "Mr. Rogers, your critics say you're nothing more than a science experiment gone right. How can you claim to represent the average American when you're literally superhuman?"

Steve's jaw tightens, a flicker of frustration crossing his face. "I may have enhanced abilities, but my values and my heart are as human as anyone's. I grew up in Brooklyn during the Great Depression. I know what it's like to struggle, to feel powerless. The serum didn't change that part of me."

Your heart swells, but again Any interjects again.

"Weak," she says, her voice cutting. "You're not connecting. Try again."

Your mouth drops open slightly. That was powerful. You know it was.

Steve takes a deep breath, his knuckles whitening as he grips the podium. “I’m not a monkey on a unicycle.”

“Well, what a great start. No one wants a monkey in the White House,” she deadpans.

“I don’t need this. We did just fine in the first debate without you,” Steve nearly growls.

“Oh, I didn’t know we were aiming for just fine, I thought you wanted to win.”

Steve's eyes flash with a mixture of anger and frustration. The tension in the room is palpable, like a rubber band stretched to its breaking point. You can see the muscles in his jaw working as he grinds his teeth, trying to maintain his composure.

"I'm not here to play games or put on a show," Steve says, his voice low and controlled, but with an undercurrent of steel. "I'm here because I believe in this country and what it can be. I've fought for it, bled for it, and yes, even died for it. So don't tell me I'm not connecting."

Amy opens her mouth to retort, but Steve cuts her off.

"I've seen this nation at its best and its worst," Steve goes again, his voice growing louder, more impassioned as he speaks. "I've watched it rise from the ashes of the Great Depression, triumph over fascism, and push the boundaries of human achievement. But I've also seen it torn apart by fear, prejudice, and greed."

His eyes blaze with an intensity that seems to electrify the air around him. The room falls silent, everyone transfixed by the raw emotion in his words.

"I may have been enhanced by science, but my heart, my values - they come from growing up as a scrawny kid in Brooklyn who couldn't stand by and watch bullies win. They come from the men and women I fought alongside, who gave their lives for the ideals this country stands for."

Steve's fist comes down on the podium with a resounding thud, causing several people to jump.

"I'm running for president not because I think I'm better than anyone else, but because I believe in the promise of America - a promise that's been broken too many times for too many people. I've seen what this country can do when we come together, when we fight for what's right. And I'm here to tell you, we can do it again."

Steve's voice rings out, filled with passion and conviction. The room is dead silent, everyone hanging on his every word.

"So no, I'm not a traditional politician. I don't have decades of experience playing political games or making backroom deals. What I have is a lifetime of standing up for what's right, of putting others before myself, of believing that we can always be better. I'm running because I believe in the power of ordinary people to do extraordinary things when given the chance."

He pauses, his chest heaving slightly as he looks around the room. The silence is deafening, everyone ensnared by the raw power of his words.

"That's what this campaign is about," he says, his voice softening but losing none of its intensity. "It's about reminding every American that they have the power to shape this nation's future. That their voice matters, their dreams matter, this country over politicians and political agendas. It’s not a show to me.”

Steve strides away from the podium and walks out, and no one stops him. No one even moves until the weighted door to the suite swings closed again. Jake and Elsa begin conferring. Amy seems unconcerned. You’re sitting with Bucky and Sam, who exchange a look, and Bucky moves to stand, but you’re quicker.

“Let me go after him,” you find yourself saying, surprised at how fast you were to seize this situation, almost like a natural instinct.

You hurry out of the room, scanning the hallway for any sign of Steve. You catch a glimpse of his broad shoulders disappearing around a corner and quicken your pace to catch up.

"Steve!" you call out, your voice echoing slightly in the empty corridor.

He stops, his back still to you, shoulders tense. As you approach, he turns slowly to face you. The fire in his eyes has dimmed, replaced by a weariness that tugs at your heart.

"Hey," you say softly, closing the distance between you. "That was... intense back there."

Steve runs a hand through his hair, letting out a long breath. "I shouldn't have lost my temper like that. It's just..." He trails off, shaking his head.

You reach out, placing a hand on his arm. "It's okay. Amy was pushing hard. Maybe too hard."

He looks down at your hand, then up to your face. “I’m fine.”

“I think you’ve told everyone you’re fine every day of your life, Steve Rogers, and no one needs to exist like that.”

Steve cocks his chin slightly. “But the President of the United States should have it together, shouldn’t they? People want a leader they can trust.”

You smile, but it’s not a happy smile, and his expression matches yours.

“Can I ask…?” you venture cautiously.

He nods. “Wife privileges. You can ask whatever you want. Wife duties, probably, to ask me questions I don’t want to hear.”

Wife. A flutter flares in your stomach, but you force yourself to concentrate on the moment, furiously tamping down your reaction.

He resumes walking down the hallway, but more slowly this time, and you fall into step with him as you pursue your curiosity. “A monkey on a unicycle is an oddly specific and highly uncommon comparison to bring up. Is that some reference from your time?”

Steve huffs and his eyes fill with a mix of nostalgia and resentment as he begins to speak. His voice is heavy with emotion as he remembers his past. “I used to sketch a lot when I was young. We didn't have much during the depression, but my ma always managed to scrimp and save enough to buy me a notebook for Christmas or my birthday. It stuck with me up through joining the Army.”

His expression turns somber as he continues, "And after the serum changed my body but I was put on tour to encourage people to buy bonds, it just felt...underwhelming. Discouraging. I knew I could be doing more, making a real difference. But I did what I could - I knew raising money still helped.”

You reach the end of the hallway and stand next to each other, looking out the window.

“When they sent us out to Europe to entertain the troops, it only got worse. The last day I performed, for the 107th regiment, I was heckled and booed off stage."

Steve's hands clench into fists at his sides, "I drew a silly picture of a monkey riding a unicycle; it felt like that's all I was worth to them - just another pawn in their production."

You want to reach for his hand, but it doesn’t seem like the moment. So you simply continue to listen.

“That ended up being the last day I performed a show. I found out part of the company had been captured, stuck behind enemy lines. I disobeyed direct orders, found the men, saved Bucky. After that, everything finally changed, and we got to go to work, doing good, fighting Nazis and Hydra.”

A slight smile tugs at Steve's lips as he finishes his story, "I never wanted to feel like that monkey again. But the closer we get to election day, the more this feels like just a production.”

You stay silent for a moment, mulling over the pieces of his past and the feelings he’s just shared. This isn’t an easy conversation, and it’s not the conversation you thought you would have coming out here, but you’re grateful the two of you are having it together.

You aren’t by any means a seasoned politician either, but you had seen and had to at some points play at politics in your own work. “It’s all a show, there’s no denying that. But you’re not the monkey unless you sit back and let that be the reality.”

“How do you figure that?”

You take a deep breath, gathering your thoughts before responding. "Steve, you knew from the beginning that this campaign would be a production. You agreed to it - all of it. Including," you gesture between the two of you, your voice softening, "this arrangement. Marrying a woman you'd never even met before."

Steve's eyes meet yours, a flicker of recognition passing through them. You continue, your voice gentle but firm.

"You didn't do all this just to be a figurehead or a puppet. You did it because you want to be president. You want to be the one steering the strategy, calling the shots, making real change." You pause, making sure he's really listening. "This campaign isn't just about winning an election. It's preparation for the presidency itself."

You turn to face him fully, your eyes never leaving his. "This campaign, as frustrating and exhausting as it can be, is its own kind of preparation for the presidency. Think about it - you're dealing with conflicting advice, responding to the platforms from the candidates and how they overlap and differ from your own, connecting directly with the people across the country, making tough calls on what is and is not a priority.”

Steve listens intently, his brow furrowed in concentration as he considers your words. You can see the wheels turning in his mind, processing this perspective.

"You're right," he says finally, his voice quiet but firm. "I did agree to all of this." He runs a hand through his hair, a habit you've noticed he has when he's deep in thought. "I just want it to mean something. To be more than just sound bites and photo ops."

You nod, understanding his frustration. "It does mean something, Steve. Every interaction you have, every speech you give, every policy you propose - it all matters. You're not just going through the motions. You're shaping the conversation, influencing people's thoughts and beliefs about what this country can be."

Steve's eyes meet yours, a mix of gratitude and something deeper there.

"She’s right, Rogers,” a voice behind you makes you both jump and turn.

“This isn't just about winning,” Amy emphasizes. “It's about learning how to navigate the complexities of leading a nation, finding your presence as the leader of the free world, as commander in chief, winning the trust of the American people.

“The debates, the press conferences, the tough decisions you'll have to make as president - they won't always be fair or comfortable. That’s why I pushed you. You won’t answer every debate question like that, but I needed to know you could go there. That’s the kind of president America wants, but they don’t know it until they see it. If you can shake them to their bones, you’ll change hearts and minds.”

Steve smiles at her half in kindness, half in disbelief. “You say all of that pretty casually.”

Amy shrugs and returns the smile. “Because it’s true. I’m done beating you up now that I know you can go the rounds. If you want me to leave, I will, but I’m game to stay if you’re game for slightly less intense verbal sparring.”

“Oh, I can do this all day.”

[SEPTEMBER 28 - ATHENS, GEORGIA]

The campaign plane hums with activity in the minutes before take off. This cabin is filled with members of the press corps, their laptops open and fingers poised over keyboards, eager for any morsel of information they can turn into their next headlines.

Steve looks almost relaxed. His tie is loosened and sleeves are rolled up to his elbows. The energy from the successful event you just wrapped up at the University of Georgia still lingers in the air. This was the fourth event of its kind - a town hall format called College Q&A limited to students and granting them access to dialogue with Steve. You can't help but feel a sense of pride as you recall how he connected with the students, his earnest answers and quick wit seeming to win over even the most skeptical audience members.

It’s become routine that Steve always takes questions from the press corps when he boards the plane before heading to the campaign team cabin, and he’s truly at ease with them in this interaction.

“We’ll take one more,” the campaign spokesperson announces to let both Steve and the reporters know it’s almost time for take off.

“Andy,” Steve calls on one of the familiar faces - the reporter from The Washington Post.

“Yes, Captain, do you have any response to Jeff Connor’s comments about your relationship with Mrs. Rogers?”

Steve's whole demeanor immediately turns serious, his jaw clenching. "I haven't heard Connor's specific comments, so I can't respond directly. My relationship with my wife is personal, and it's not up for debate or speculation."

He pauses, his eyes scanning the cabin before continuing. "What I will say is that she has been an incredible partner, both personally and for this campaign. Her intelligence, compassion, and dedication inspire me every day to be a better person and a better leader."

Steve's gaze softens a fraction as he glances in your direction. "I'm grateful she agreed to take this journey with me."

The press corps erupts with follow-up questions, but Jake holds up a hand. "That's all for now, folks, you know they won’t take off until we’re all seated and we don’t want to miss our take-off window. Thank you."

You, Steve, and the rest of your staff head into the first campaign cabin, and as soon as the door is shut, the atmosphere shifts. The professional masks slip away, replaced by a mix of concern, curiosity, and irritation. Jake immediately pulls out his phone, you assume to get the quote in question.

Elsa, your communications director, is already pulling out her laptop as she settles into a seat across from Steve. "That was the perfect response back there. Quick and heartfelt. It'll play well, especially given the context of Connor's comments."

Your personal aide Sophia is already handing you a tablet to read the quote. "Here, ma’am. It came out during the Q&A, and everyone got wind of it as we were boarding the plane."

You take the tablet, your eyes quickly scanning the headline: "Jeff Connor Speaks Out: 'I Hope They're Happy Together'" The article features a quote from Connor: "I wish them both the best. Marriage isn't easy, especially in the public eye. I just hope they've found happiness together."

You pass it over to Steve and then chew on your lip, pulling out your own phone.

It only takes him a moment to read as well. "Thanks,” Steve's brow furrows as he loosens his tie further and passes the tablet back to Sophia. “This seems fine, unless I’m missing something. But who is this guy, and why would we care what he thinks of our marriage more than anyone else?"

A beat of silence falls over the cabin. You can feel the weight of several pairs of eyes on you, a mixture of surprise and shock in their gazes.

“Okay, I’m clearly the only one who doesn’t know,” Steve concedes, a shade of irritation bleeding through his tone, “Anyone care to enlighten me?”

You take a steadying breath, then look up at Steve and say, “Jeff Connor is my former husband.”

next part: coming 11/29

I'll just say that I've been waiting for this chapter in the story almost from the beginning. 😌

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[klemen-tine]

No Prince Charming

(Batfam x Mom!Reader)

Anonymous asked:

Hello, I really like your work.

I saw that you have an open request, so I want to share an idea that has been sitting in my head for a long time.

Reader married Bruce for convenience. (In my head, the reader is a woman, but I'll leave it to your taste) The wedding takes place shortly before the appearance of the first Robin. Bruce and reader have a cold relationship. Reader comes from the wealthy population of Gotham. Therefore, reader is well educated and intelligent. So after a while, when Dick already appears, reader understands what her husband does at night. But reading doesn't say anything about it or hint at it. The reader doesn't want to get involved in any of this, it scares her. And although the reader is planning a divorce, she takes care of all the members of her new family. And although she is neglected in the family, the reader becomes a parental figure for children. But the children won't admit it. When Damian appears, the reader doesn't say a word to Bruce. But Damian treats reader very badly. And that becomes the trigger. The reader slips Bruce the divorce papers.(not to mention that they are getting divorced, since Bruce is likely to protest) and when Bruce signs them, he leaves the estate, leaving the divorce papers and the wedding ring on the bed when no one notices. And only then does the family realize what they have done with their neglect of reader. Their yandere trait is waking up in them and now they need to somehow find their reader.

Sorry if it's too much.

And I apologize for the English, I am writing with a translator

❤

Warning: Non-consensual drugging, not descriptive sex. It's just mentioned, no details. Hinted at Dick's trauma with his sidekick.

It was a marriage of convenience. That's all it was. Bruce Wayne knew Y/N L/N since childhood, and while they weren’t close, Y/N was the only one who never treated him any differently after his parents were murdered. Maybe it's because her own father was murdered, and she understood that sometimes the greatest support was to act like nothing changed. 

Fast forward to young adults, Bruce Wayne was now Brucie in public, and Y/N was the unstoppable woman leading her own company by the reins. Bruce had come to her with an offer, one that had her brows raised and painted lips smirking. For Bruce Wayne, this will help solidify his position as someone who was not Batman, and for Y/N it would finally silence the hecklers that gnawed at her heels and bit into her shoulders. 

A frigid marriage, filled with cold greetings, Brucie still entertaining women, Y/N still controlling her company with painted lips, and rumors surrounding them. Despite the coldness, Y/N knew a lie when she saw one. She knows a front when she comes face to face with one, and it is why when she saw Batman in the hallways of Wayne manor, staring at her in shock and apprehension, she rolled her eyes and continued to sip her wine as she made her way back to her office. 

“Please don’t stain the carpet. Alfred just shampooed them.” They never brought it up again. Bruce was no Prince Charming, despite the front he put on for strangers. There were no whispered promises, no flowers, no gifts, nothing but ‘hellos’ and ‘goodbyes.’ 

Then, along came Richard ‘Dick’ Grayson. A child who had blinked up at her with large blue eyes, and Y/N could feel her heart crumble. She had welcomed him with open arms and smiles. She had welcomed all of the Robins in. Her manicured nails getting shorter each time, so she doesn’t have to fear hurting one of them, and her smiles became softer. Y/N had never tried to replace any of their mother’s, but that didn’t mean she didn’t feel like one. 

But it was Bruce they had a closer bond with. Which is why they started following his behavior towards her. Clipped words and rolling of eyes were common, as were the cold shoulders and tense silences. 

“You’re not my mom! So stop asking how school was!” Y/N stared at Jason in shock and curiosity about where that outburst had come from. Alfred was the only one to say anything. A stern, “Master Jason,” and a look that had even Bruce cowering had the young boy apologizing. Y/N ignored the way her heart slowly broke, as the quirky child full of smiles, sass, and who loved classics, turned his back on her. 

As if she wasn’t the one to introduce those books to him. 

Y/N doesn’t blame them for their cold behavior towards her. She doesn’t blame Dick’s disregard, Jason’s hurtful words, Tim’s cynical looks, Steph’s taunts, and Damian’s heated actions.  

Y/N had cried at Jason’s funeral, she helped Bruce fight for custody for Tim, she had consoled Dick after some of his own traumatic experiences, and she sat there and listened as Damian compared her and Talia. Talia, of all people. She had met the woman once, and Y/N had nodded at her. Y/N never judged Bruce for sleeping with the woman. Hell, Y/N would have too.  Y/N can recall the day Damian came to their manor, and the short look Dick had given her when she and the child made eye contact. 

Y/N doesn’t know if it was a look of concern or mockery, but she knows he did look. 

She was there for Richard when his trauma with his sidekick happened. He may have never told her, but Y/N is a woman. A woman who has known people that have suffered the same way Dick has. That are still suffering like he is. 

“I’m sorry Richard.” 

“What do you even know?! You know nothing! Absolutely nothing so just butt out!” Dick glared at her with blue eyes that had put the arctic water to shame. Y/N stood there and took it all. She stood proudly with her shoulders back and chin up. 

In public, she was a stoic mother keeping the children in check while Bruce goofed off. She was the woman who failed her children, because she chose to continue running her business. Her very, very, very successful business. A business that had taken her and her mother from the bottom of High Society, to the top 10%. A series of great investments, smart marketing, and pretty words have lined her pockets with money that she could easily retire on. 

Yet, all that money couldn’t save her mother. The woman died of a heart attack, and there was nothing, absolutely nothing Y/N could do besides bury her mother. 

“Bruce please.” 

“I am busy.” 

“I know but Bruce, this is my–” 

“Ask Alfred.” He had turned his back and Y/N was stuck staring at the retreating man with a new feeling of heartbreak. The tabloids ate up that she was alone at her mother’s funeral. A private event that no one was allowed into besides close family and friends. 

When she came back, eyes downcast and shoulders slumped, Damian had picked the time to make his disdain known again, “–and my mother would have never let herself go like that. You look horrid, unbefitting of a Wayne. A disgrace.” 

Blank E/C eyes stared into raging green and she sighed, “Thanks, Damian.” She spared him no glance after that, and she walked towards her bedroom to take a hot shower. It was there, under the hot spray of water that she finally cried. She cried for the last part of family she had, and the years she lost from marrying a man who didn’t even like her enough to attend a godforsaken fucking funeral. She cried for the children she couldn’t even call her own. 

She cried for the life she missed by marrying Bruce fucking Wayne. 

“Honey, are you happy?” 

“Of course Mama.” 

“You never could lie to me sweetie.” Her mother kissed her forehead and looked into E/C eyes with nothing but love, “You’ve worked so hard, sweetie.” That acknowledgement alone had her almost in tears, “But please start working for yourself now.” 

Taking a deep breath, Y/N hopped out of the shower and called her lawyer. Divorce papers were in her hands within 24 hours, and her bags packed in 3. 

She stood next to Bruce, ignoring the scowl on his face as she ‘disrupted’ his work. Y/N kept her face neutral, because if she smiled it would give it all away, and handed him the page he needed to sign. 

For a billionaire and for a vigilante, he sure didn’t read the damn paper. Which is fine. Great even, because now, after being here for over a decade, Y/N is free. She laughed in her room, laughing so hard that it almost tore her throat. Leaving a copy of it on Bruce’s bed once he was gone, she grabbed her suitcase and accidentally ran into Alfred on her way out the door. 

The old man took a look at her clothes, her bags, and her expression before sighing, “Shall I drive you for the last time, Lady Y/N?” Y/N smiled, bitterly at the thought of leaving Alfred, her only solace in this cold mansion. 

“To the airport, please.” The ride was silent, and Y/N didn’t look back as they left the gates of the mansion. It wasn’t until they were halfway there that Y/N spoke up, “My lawyer will call in a few days, just to hash out the details.” 

“Is that so?” 

“There’s nothing I want. No assets, no money, nothing will be taken, I just want a divorce.” She just wants the law to recognize that she is not a Wayne. That she will never be a Wayne. 

“Lady Y/N, perhaps a check for compensation for the emotional strain would be nice?” Y/N laughed, bitterly and sad, “I don’t want his money. I want nothing to do with him anymore.” 

“And the kids?” 

“They don’t need me. They never did. I doubt they will even notice.” Gotham International Airport wasn’t crowded, and that may be because it was 1pm on a Tuesday. Alfred helped her with her bags, and the old man stared at the woman before him. He remembers meeting her for the first time, a confident young woman who had a way with words and was unfairly intelligent. Matching wits and able to speak confidently in a room of people who thought little of her. 

It's good to see some of that coming back. 

Y/N hugged Alfred, “Thank you, Alfred. For everything.” The older man sighed and watched as the woman took her bags and walked away. Not once did she look back and Alfred decided to stay until her form disappeared in the building. He sighed heavily and when got back in the car, he dialed a number he knew by heart. It only took three rings before the voice of the man he raised answered, “Alfred, is everything okay?” 

“Master Bruce, I fear you may have lost something precious, and I do hope you, and the young masters, have a plan to make this up to them.” He hung up afterwards as he merged into traffic, and he hoped his message finally hit something within his son’s dense skull. 

When he returned back to the manor, he began the preparation for making dinner. All was silent throughout the manor, until the door opened and the rush of the footsteps began marching towards him. 

“Master Richard, I urge you to not run.” 

“Bruce told me there was an emergency and to hurry to the manor?” Alfred sighed, “While it is an emergency, it is not one you can fix on your own.” No, this was something for Bruce to fix seeing tha all the problems stemmed from him. 

Dick raised a brow, “What kind of emergency is it?” Alfred pursed her lips, “Miss Y/N Wayne is now Miss Y/N L/N once more.” He turned to look the man he has considered his grandson in the eyes, and he could see the revelation sink in. 

“Y/N divorced Bruce?” Alfred nodded, “The papers have been signed.” 

“Bruce would never sign those papers.” Alfred raised a brow, “They are signed and waiting for him to read.” Dick slowly walked out of the kitchen, “Is she still here?” Alfred turned back to the food and Dick began speed walking towards Y/N’s room. As a child it never occurred to him why they would they never slept together, but as he got older he understood. 

He knocked on her doors, calling her name like he used to as a kid. 

Dick had always understood that Bruce’s and Y/N’s relationship was not one of a couple in love. He also understood that Y/N’s treatment in the manor by the residents of the manor was unfair. Whenever he could, he would correct Damian’s harsh words, but even he himself couldn’t fully bring himself to be all that kind to her. 

He tried. He desperately tried, because he saw all that she did for them behind the scenes. He saw the mistreatment and judging looks others would give her as her ‘husband’ was out fooling around. 

Dick saw the blank look she had given Damian after her mother’s funeral. The one none of them had gone too. 

“What do you mean you didn’t go?” His voice panicked as he talked to Tim, “I didn’t go. I was under the assumption someone else would go.” 

Y/N could have been Gotham’s biggest bitch, but not even then would she have deserved that. What made it worse was that Y/N was not a bitch. She wasn’t cruel, or unkind. She was as much of a philanthropist as Bruce was. Always aiding those whose needed it and desperately trying to make Gotham a better place. 

Dick opened her doors and was greeted with an empty room. Gone were the picture frames, and the closet was empty along with the bathroom. Her prized jewlery, the things she took care of almost obsessively, all of it was gone. 

He could remember beng 9 and sitting next to her as she cleaned one of her sapphire earrings. Thin fingers with long nail held the earring next to him, a scrutinizing look on her face before she would break out into a grin, “As I thought, nothing could ever compare to our Dickie’s sapphire eyes.”

“Holy shit.” 

“What’s going on- why is Y/N’s room empty?” Tim looked throughout the room, and Dick could see the wonder across his younger brother’s face. Right, between all of them, Tim and Y/N had the least amount of time spent together. 

Dick stared at his brother as the image of Y/N smiling at a string of pearls entered his mind. She had explained to him when he asked that pearls, while feminine, also symbolized new beginnings. She had gotten it when Tim’s custody was signed over to the Waynes. 

“She’s gone.” Tim met Dick’s eyes, “Like… taking a vacation gone?” Dick gave a humorless chuckle, “She divorced Bruce, Tim. Y/N is gone.” This must have been what Alfred saw when he broke the news to Dick. The confusion and then realization coming to light in those blue eyes. 

“Bruce would never sign those papers.” Dick had said the same thing, and yet here she was. Gone. As if to emphasize his point, Dick made an exaggerated expression and motioned to the empty room. 

Tim looked around and he could feel a headache forming, “Bruce is gonna be pissed.” Dick groaned, “Fuck Bruce for a second, the only stable-mentally healthy-adult figure that isn’t Alfred is gone, Tim.” The boy didn’t look all that bothered, “Well, if she’s happier then I don’t mind.” 

Of course he doesn’t mind. Why? Because this little stalker most likely knows where she’s going. Tim did a good job hiding it, but Dick was raised by Bruce. He is trained to spot the mciroexpressions of people, and even if they are his own siblings. 

Tim is panicking. The very thought of Y/N leaving had not once occurred to them, and for Tim who loves planning, this was not once ever in the plans. 

Not once. Y/N had been a staple within the manor, and to imagine her not being here was rough. Evenw hen she left for business trips, it was fine because they all knew she was coming back. SHe would come back with souvenirs, handing each of them something that reminhded her of them, before running upstairs to get out of the family’s judgemental line of sight. 

“Fucking hell.” 

++++

Bruce entered the condo with ease. His steps light as he walked through the dark room, noting the all the furniture. There was no Y/N in the living room or kitchen, but when he looked out the balcony door, he could see her back. She was leaning against the edge of the infinity pool, without doubt a hot tub of some sorts because it was too cold to be swimming in a regular pool. 

She didn’t even turn around to look at him, her attention focused on the view of the snowy mountains and raging seas in front of her. Bruce could see the wine bottle left on the side of the pool and the glass that looked like it was finished only a short while ago. When she did turn around, E/C reflected the stars and dimly lit light around the pool, making them shine and sparkle like they were the galaxy.

Bruce isn’t blind. He knows Y/N is an attractive woman who had many people lusting after her even when they were married. Talia even made a note of it, “You should see if she wants to join next time.” He should have known that his clipped response was a sign. 

It was all there, and yet he did everything within his power to ensure that he would not fall in love with her. Falling in love has always been out of the question, and when Y/N came into his life, Bruce made it his mission to do just that. The woman before him had never complained, and she never seemed to fault him for it, but he could tell there was resentment. If he couldn’t have allowed himself to fall in love with her, he could have at least offered her friendship. One that made life more bearable for the both of them, and set a good example for the kids. 

“What are you doing, Bruce?” She didn’t seem shocked that he was here, let alone in her vacation condo. Bruce took off his shirt and pants, stripping down to his boxers before joining her in the hot tub. He had grabbed two glasses of wine before doing so, handing her one and taking a sip from the other. 

 “Is it wrong of me to want to join my wife on her vacation?” 

“Ex-wife. The documents are signed, and besides this is a girl trip.” Bruce re-read those documents and kicked his foot for not fucking reading them when he first signed them. He should have known she was up to something. 

“Y/N, come back to the manor.” He stared into E/C eyes as she took another sip of the wine. Bruce had come with a speech prepared, ready to convince her to come back with him, but it was all lost as he stared and observed the woman in front of him drink delicately from the glass. Y/N L/N has always been a woman of class, even when she was near the bottom of high society. It wasn’t her good looks that landed her in the top 10, possibly even top 5%, and like every classy woman, she was only allowed to regret a few things. Their marriage is one, but leaving is not even an option on the list of things she wants to regret but can’t. 

He knows this. She knows this. 

And yet, Bruce could only focus on how beautiful she looks, and how beautiful she would look sprawled on the silk bed sheets. Y/N has aged like fine wine, looking even more beautifully and worth more and more with each passing year. Aging gracefully and beautifully as the years passed and still catching the attention of others. 

It's a shame his younger self was more into whiskey than wine. 

He wonders how different their relationship would be if he had gotten to know her before and during the early years of their marriage. Without a doubt it would be easier to talk to her. Easier to convince her to come back to a manor that now misses her.

“And why should I?” It’d be easier to answer her with a compelling reason, one that would have her actually debating on whether or not to come back. Bruce reached over and brushed a strand of hair out of her face, and he’s shocked that she even let him do that. She didn’t flinch, nor did she lean into his touch. Y/N stood still as he moved the H/C lock behind her ears. 

“The manor misses you.” He’s never heard her laugh the way she did in that moment. Throwing her head back and exposing unblemished skin to the night air as she laughed, and continued to laugh. Her shoulders shaking from the force and slightly distilling the wine. 

Once she was done, her cheeks were red from the laughter and she was gasping for breath, “Yeah, okay. So Alfred misses me, I’ll make sure to give him a call then.” She turned her back to Bruce and began walking towards the edge of the pool. 

“The boys, girls, and I do too.” Chateau Petra was on his lips and the feeling of cold wine hitting his face and upper chest had him closing his eyes for a second. When he opened them, Y/N’s wine glass was empty and on her face was a hard expression. Cold E/C eyes glaring into his as she pulled herself out of the pool, and grabbed the rest of the wine bottle. 

“Sleep on the couch. You’re going home tomorrow.” Her steps quiet as she stalked into her home and she headed for the bathroom. Bruce sighed, and stared at the night sky with a new look in his eyes, ‘Desperate times call for desperate measures.’ He would like to believe that he is above this. He wants to believe that this was the worst case scenario happening and therefore this needs to happen. 

Has to. The very thought of Y/N being away caused an itch to form under his skin and a burning fire in his chest. A fire he never knew blazed in him until it went out. Now, more aware and protective of it, Bruce found himself craving the warmth in ways that had his mouth foaming and muscles tensing. He looked down at the water and saw the red wine diluting and sprawling throughout the pool water, looking like blood for only a second. 

A smile curled on his lips and he pulled himself out of the pool water, drying himself off before making his way into the shower with his ‘ex-wife.’ They may have never been lovers, but they were two adults living under the same roof. 

So, of course they have had sex. 

Hate sex is the best and worst sex. It is the best because Bruce can go as hard as he wants to and Y/N will love it. It is the worse because hate sex is all Y/N will see this as. Y/N will only see it has hate sex and not for the love Bruce feels for her. She won’t feel it in the way he caresses her skin or in the way he leaves his bite marks on her thighs. All Y/N will see this as, is hate sex. 

Which is fine. If hate sex is what Y/N needs to see this as to work then Bruce will take it. He has time. He has plenty of time to show her how much he cares and loves her. Those divorce papers will be long gone, every single one of those copies non-existent. He loves her. He loves her in the way a cactus loves the sun, or how the stars love the moon. 

Bruce was so enamored by her, that he couldn’t help but to fall deeper. Her soft hands, that have never broken a bone but have broken many hearts, cradling scarred shoulders and sharp cheeks. She didn’t flinch when his own rough hands gripped her’s, bruising and secure, and she didn’t flinch when intense blue eyes met hers. In fact, she smiled, like this was all a joke he was the butt of it. 

It pissed him off that even she could have secrets and inside jokes that he doesn’t know about. As she laid there, her eyes now closed and body relaxed, Bruce pulled out a syringe filled with something that will keep her asleep. Only for a few days. Barbara is already working on getting rid of the divorce papers and the kids were preparing for her return. 

Bruce kissed her forehead, smiling down at his Sleeping Beauty. If need be, the manor will be her castle and the kids her vines covered in thorns. Bruce, in all his daunting and terrifying glory shall be the dragon, keeping her locked within her castle because nowhere was safer than the castle. Only she could keep him calm, and only she could make him feel human. 

Batman was never Prince Charming.

_________________________________________________________

Not my best work in my opinion... but I still like tbh.

@problematicreblogger

@kurai-hono-blog

@rosecentury

[mondaymelon]

₊⊹ "𝐰-𝐰𝐡𝐨 𝐭𝐚𝐮𝐠𝐡𝐭 𝐲𝐨𝐮 𝐭𝐡𝐚𝐭!? " | childe, kaeya, heizou, lyney x gn!reader

ㅤ⤷ art cr

— it's time for revenge : teasing the teasing boys back.

󠀠󠀠ㅤ⤷ DARLINNGGG, GUESS WHOS BACK FROM JAILLLLL ... gn reader, but use of adj "pretty", est. relationship childe + heizou , alcohol 󠀠󠀠and suggestive mentions in kaeya's, fluff

— ...aka , flirting back makes them malfunction. ♥

"Darling, you're so pretty today~!"

There he is — that sly little shit you call so fondly by name. Childe snakes his arms firmly around your torso, snuggling into you from behind.

It doesn't take a genius to guess he's grinning like an idiot.

(Your idiot.)

"Hm? I don't think I heard you right, say it one more time?" Glancing back at him with a cheeky smile, you hear the rumble of his laughter.

The harbinger presses a sneaky, little sideways kiss against the base of your neck, tufts of his hair tickling your jaw. "You're seriously too kissable today. Totally unfair."

He's so stupidly in love that you can't help but tease him, just a little. Changing positions, you turn around to cup the man's face. "Well, if I'm that kissable today, I guess I'll just have to keep that look going, won't I? Shall we test how fair it really is?"

There's a beat of silence. You count six seconds before he even begins to utter a choked little: "...H-huh...?"

He's so red-faced you almost feel bad. His skin is growing warmer to the touch, and he shifts his eyes, suddenly becoming a whole lot less bold than usual. Trembling slightly, he brings up a hand to hide behind, his now-meek voice reaching you.

"H-hey, who taught you that...?"

"Ah? Speak up, I can't hear you~"

"...You- You know exactly what you're doing to my heart, don't you?" He looks at you accusingly, guiding one of your hands to his chest, burying it in the fabric of his clothes. "Archons, it's beating so fast-"

"This can't be healthy, so hurry up and cure me."

"Cure?"

"..1000 kisses should fix me right up."

"To meet you once more, isn't this fate?"

Eyes that contain galaxies — and you, raise to meet yours. Kaeya smiles in a smile that's all mirth, raising a glass to let it briefly shine in the light. He stands as you enter Angel's Share, pulling back a stool at the counter.

...He wasn't a stalker, was he? This hadn't been the first time you'd met, nor the second, nor third — you'd seen this archon-forsaken man a total of seven times. Each time, the two of you had shared a drink, which always started with "ah, just one today" to you, face flushed, leaning onto the counter and spilling whatever was on your mind that day in its entirety to the man who sat beside you, listening with the occasional chuckle.

Well, it wasn't as if you found the idea of "fate" and "Kaeya" unappealing.

"I suppose that wouldn't be unbelievable." You shrug as you take your seat. "Since I've been fortunate enough to encounter you again, drinks are on me."

"My, how generous." Kaeya gestures toward his empty glass shamelessly, resting his chin on his hand leisurely. "I think I'll take you up on that offer."

You beckon Charles closer, briefly whispering something in the man's ear. The bartender nods, walking off.

"How interesting, Charles seems to be mixing two drinks. A classic choice of wine, and your favorite..." A foxy grin stretches across the man's lips. "To think you've memorized my order. Should I write you off as someone staring at me nonstop or merely attentive?"

That smooth talker, with that insufferably charming smile — surely it was time for a little revenge?

"I'd prefer the former, but think what you want."

"Oh? I'm that handsome?" (Is it the dim lighting that makes Kaeya's face seem a little more red than usual? )

"You are."

You state it blatantly, as it is. As if Kaeya weren't expecting such a blunt answer, he suddenly clams up, coughing into his fist in a terribly not nonchalant manner. "You... don't tell me, have you already been drinking? What's with you today?"

"What, is speaking the truth suddenly such a surprise?"

"...You said all drinks were on you, yeah?"

Changing the topic? "Mhm, whatever you want."

It's hard to miss the way Kaeya's gaze burns.

"Then, round two at my place?"

"You're way too distracting, how am I supposed to get any work done when all I want to do is kiss you?"

And there it is, Heizou's twenty-second kiss of the day, this time pressed lightly on the bridge of your nose. Here you were, expecting the cool-headed man to be able to hold himself back during detective work.

You'd expected far too much.

"Heizou, you're the one who agreed to me accompanying you. No use in complaining now."

"Ah, that's where you're mistaken, love! Complaints are perfect excuses for kisses, you know." The twenty-third, on your left cheek, and the twenty-fourth, on the other.

"Heizou."

He tilts his head upwards, staring at you cheekily. "Hm?"

"Revenge." You cup his face. His pink cheeks are squishy, and you resist the urge to pinch them.

"...Pardo-"

You kiss him on the lips.

Heizou makes a noise of surprise, slightly jumping under your touch. He quivers for a moment, then goes stock still.

Seems like you've stumped the detective.

One kiss is all it took.

As you pull away, you're able to witness the absolute mess you've created. The Shikanoin Heizou's at an utter loss for words, his lips parted but words long gone. His cheeks, the tips of his ears, the back of his neck; he's so red-faced you can't help but laugh.

"My, that's all it took to render you speechless?"

There's a twinkle in his spring-green eyes as he gazes at you, shaking his head slyly. "Nope-! Not rendered speechless just yet- although..."

"...One hundred more kisses might do the trick?"

"A pretty flower for the prettiest of them all, mon chéri~"

A rainbow rose drawn from a sleeve, a pair of sly amethyst eyes, a cattish smile, and a smooth voice: Lyney greets you — or more so catches and stops you on the road. Something of a highway robbery, except this "thief" is more skilled in capturing hearts than valuables.

His hand snags onto your forearm, making no move to let go. "You player, don't tell me you say this to any pretty face that passes by?"

At the raise of your brow, Lyney feigns hurt. "You wound me, to assume such a thing... just how little trust you have for me?"

"Admittedly not a lot, Sir..." You scan him up and down with a scrutinizing gaze; You were sure you had seen the guy somewhere before. "...Magician?"

"Lyney."

"...Lyney, considering you've stopped me on the side of the road, it'd be daring to even call us acquaintances, no?"

"Acquaintances..." Lyney ponders the thought like it's enjoyable. "I can work with that~ Since we've been acquainted, won't you take the rose already?"

Partly due to his insistence, and partly due to pity, you accept the flower from his hold, not failing to notice the way his eyes twinkle. "Say," he begins, moving his hands back to his sides. "Do you happen to know what roses mean in the language of the flowers?"

You blink at him, rather unamused. "Sorry to disappoint, but I can't speak to plants."

Lyney, unexpectedly, grows silent. You see his cheeks puff outward, attempting to suppress a laugh. "I see," he speaks, breathily, like he is midway between a laugh and a word. "Love, beauty, perfection, wouldn't you say it fits you wonderfully?"

"...You have my thanks?"

Lyney's eyes are the shape of almonds, and when he smiles, the edges of them crinkle. "Not much of a charmer, are you?"

Is that a challenge?

"Then," you drop your voice a pitch lower, straightening your shoulders. "You have my thanks, mon beau." Combo attack: winking and blowing a kiss, you depart the scene as soon as possible for added mystery.

(You had a feeling this wouldn't be the last time you saw him.)

Now standing alone on the side of the street, eyes wide, finger playing with his side-swept bangs, utterly speechless and red-faced, Lyney's heart raced like it was to leap out of his chest.

"...Haha, what sort of magic is this?"

(a/n) this has been in drafts since like,, janurary. SOBBING.

look out for an announcement in a lil bit ^^

tags :

@manager-of-the-pudding-bank, @iamdedinside, @ilyuu, @falors, @swivy123, @scara-is-my-wife, @lupicalbestwolf, @justyoureader,@fiannee, @aether-darling, @ceneid, @avensuersa, @solxima

[frownyalfred]

Why is it so hard to find ppl that actually understand bruce? I am tired of either finding ppl that see him as an abuser or others that only love wfa version of him I am really tired of this like really I can't even join a Fandom without getting my favorite character not getting mischaracterized left and right 😔

I'm going to rant a little bit here, and I apologize in advance. This isn't really directed at you. But I'm kind of tired of this flavor of ask. I get it a lot -- half of these asks are praising me for having a "good" interpretation of canon, and the other half are blasting me for being too "fanon" and bending too much to fandom tropes in my posts and writing. And of course the nonstop WFA hatred in my inbox is tiring.

Be the change you want to see in the world. If you don't like what the fandom is doing to your blorbo, write him your way. But sitting at the edge of the playpen complaining about how someone else is playing with their toys isn't useful. And it's really getting annoying to me, as a content creator.

I'm also tired of the superiority some canon-adherents have over those who write/draw more fanon tropes. So many of you are SO bitter over the idea that fandom is "ruining" Bruce or your other Batfamily blorbo because how DARE they write your blorbo in that way that is so OOC. How DARE they! And yet, you sit on the sidelines and create bitchy tumblr posts about how those fandom participants are stupid, or ill-informed, or simply don't have the higher thinking ability to understand your blorbo like you do.

And yet. You don't write Bruce the way you "enjoy." You don't create content or share posts or promote those canon characteristics you so highly value. Instead, you write posts complaining about the others in this fandom and deride them for being stupid like adhering to canon strictly somehow makes you better than anyone else. You mock their acceptance of fanon tropes as canon as if there is required reading in this fandom, entirely dismissing the idea that the line between DC fanon/canon is confusing as hell on a good day, and ignoring that the natural progression of engaging in fandom is finding out -- sometimes on your own timeline -- what actually happened in canon. Especially when canon is so vast.

And guess what? At the end of the day, we are all on the fandom website(s). You're still reading fanfiction at the end of the day. Canon or fanon or some blend of the in-between, you are still a fan participating in fandom content in some way or another. And we are all equal in that respect.

We are all here to enjoy these characters. Fanfiction is a medium that allows us to further explore canon, yes, But it is also a way to explore the OOC, the what-if's, the out of character but fandom-fave ideas and tropes people want. The fact that OTHER people enjoy those things should never impact your enjoyment of fandom.

If you cannot handle someone else playing with the same toys as you, but playing with them in a way you don't like, you need to go back to preschool. And if someone won't give you your toy back, find another one. Write the story. Create the post. Build your own engagement from the ground up, finding likeminded people if you can. They are definitely on here.

But I get the impression that when people complain about fanon "ruining" fandom, what they're actually saying is "I'm upset that canon content isn't as popular as fanon content." And that, I can't help you with. We can't always change what other people love or want to engage with.

I'm sorry that this rant is blunt, but it's been simmering inside me for a while. I'm really tired of getting and deleting this ask 15 times a day. You will not find much sympathy on this blog for canon purism and the derision of fanon/fandom, and for that I apologize. But it's the truth.

I enjoy consuming content about both "fanon" and canon Bruce. I like the contrast and complexities. But I have seriously had to stop following a ton of blogs in the last year who don't create "canon" content anymore and instead spend their time complaining about other people in the fandom who are just enjoying themselves and creating their own content. It's incredibly disheartening and frustrating.