#I won't reply

[kayleerowena]

are you an artist who wants to get away from big site-builders like squarespace & have a place to put your work that isn't social media? i threw together a super basic portfolio code template you can use to make your own website!

it should be easy enough to customize if you have a basic understanding of what html and css are. features include:

responsive to fit on different screen sizes

fairly compact — less than 300 lines of css, and you never have to look at anything after line 30 if you don't want to

customizable fonts, colors, image sizes, and decorations right at the top of the css

image gallery with a lightbox function (clicking an image to make it bigger)

free to customize to your heart's content!

enjoy! if you end up using it, please let me know; i'd love to see what you do with it!

blog post ✷ live preview & code ✷ tip jar

[demaparbat-hp]

Oh, Zuzu...

[red-mercer]

Clownstrike is NOTHING like Y2K

Y2K was programmers kicking a problem to the next generation who, over a long time and with a ton of effort, more or less fixed it without too many major incidents

What happened today is basically the complete opposite in every single way possible: ONE entity made ONE completely unnecessary fuck-up (back in the 70s and 80s the memory saved from using two digits for the year MEANT SOMETHING) and MANY MAJOR INCIDENTS DID HAPPEN

Also: Y2K was in no way limited to any particular operating system. Hell, Fatal Fury on the NEO-GEO has a Y2K error!

[formerlyashkatom]

please reblog so I can win an argument, unless you all disagree with me in which case I will move to a hermitage to live out my life in quiet contemplation.

[charmtale]

sailor moon episode 200 .. revolutionary girl utena episode 39

[ramblingsfromthytruly]

oh jason grace they could never make me hate you

[wildstar25]

MiqoMarch Day 4 - Family

It's wishful thinking but still Arsay can't help but imagine how much fun it would be to vacation with the whole family...

[orengejoshi]

Hell yeah dude congrats on the mini human!!! If you’re craving chocolate chip cookies, brownies etc but don’t want to worry about a messy kitchen after, there’s a few ways to make single servings in a mug in the microwave and a few of them don’t use egg if you’re worried about things like salmonella and any other health concerns that come with not using a conventional oven. Also, if you REALLY want another layer of protection, heat treating flour can kill a lot of harmful stuff as well for extra peace of mind. Either spread a thin layer on a cooking sheet and bake at ≈150°C (converted from freedom units lol) for 10 minutes, or you can nuke a bowl of it in the microwave for 30 second intervals, stirring occasionally.

I know when my mom was having my sister years ago, she had to be careful about things that were normally okay before and my dad would take a couple extra precautions when cooking for us.

I’ve also seen packets of Betty Crocker mix in stores marketed as “(X) in a mug” (the blueberry muffins are my favorite personally)

They’re marketed as just “Mug Treats” and so far I’ve seen one with Hot Fudge Brownie, one with Soft Chocolate Chip Cookie, and another with Funfetti.

Whew, sorry for the yapping 😅 I just remembered you mentioned craving chocolate and sweets so I thought I’d share with the class in case you wanted baked goods quickly and without all the mess afterwards.

Congrats again on the pregnancy, and don’t let the bastards get you down👏 you’re doing awesome

THANK YOU this is godsent, omg🙏🏻😭💗

I'll share it for everyone who's also pregnant or just hungry for no reason🫡 this is amazing and easy (and I'm a great cook and baker! I love being in the kitchen) I made one a week ago and then I made 5 more (aka my own mom made them with/for me) and I said it was literally the best thing my taste buds have ever witnessed in that moment. it really hit the spot. we also threw some cherries from a jar in that bih and it's🤌🏻 chef kiss

I should have put some empty mugs around him but this still conveys an accurate picture of what my past few weeks looked like

[turbo-tsundere]

Gng you MUST draw Kaito I am BEGGINGGGG gang 🙏🏻🙏🏻🙏🏻

Do I? :D Who knows, maybe I might one day. I certainly do have some Kaitos lurking in my neverending wip-stash already.

(No context, but each image is its own thing. Wish I could share more but they're either too messy or half-done, but showing them would kinda spoil the surprise.)

His hair breaks my brain so much. And I keep forgetting his goatee and then wonder for an hour what's off about his face (I have the same issue with Gonta's eyeglasses tho lol)

[byers-bowlcut]

So after barely 2 hours, my perfectly respectful byler theory/analysis (didn't mention mileven badly even once) was taken down because it was apparently reported MULTIPLE TIMES on reddit.

Another byler helped me contest the report, so the post is back up for NOW..... But I seriously need people to help me fight this bs, because I'm sure it's at risk of being taken down again. Please upvote it if you can <3

LINK TO THE REDDIT POST

[twistcmyk]

if you've sent me an ask i never replied to i'm so sorry! i've been intimidated by my inbox for so long... but NO LONGER

rest assured though i've read every kind word in there & people telling me all the different ways my art has affected them :') also some of you are nasty. stay freaky out there

[hazelnootnut]

i cant wait for sap sif to wish to become a star and be free out of spite just for them to become basically loop 2 and leave isat sif sad

i assume you're talking about the au, but loop probably wouldn't do that. wish craft already gave them a screwed up version of their wish of getting them outta there by putting them in isat siffrin's loop and expecting them to help him get out (spoilers: they have no clue either and are lying through their teeth).

but i think if push comes to shove, loop could potentially make a wish when siffrin disappears on everyone in Act 5. maybe something along the lines of "i wish i could take his (isat siffrin's) place", since they're almost exactly the same.

the Universe would probably answer with the same kindness given as before.

[littleststarfighter]

Feeling sorry for myself

I just want to apologise if I seem standoffish sometimes. Or if I'm super late to reply to anyone. I get too shy and I have anxiety. After my mum passed away it kinda got worse. But I'm trying to get better at not being so awkward and making friends. I don't have many friends offline and it gets very lonely. I often don't get to talk to anyone for days or weeks face to face or on the phone. So coming on here and chatting makes my day. I'm just very slow at it because I get nervous.

Things have been really hard. I'm unemployed again and finding it impossible to find work. The curse of not having a car and living rurally. I've got bills to pay that signing on for welfare doesn't cover. When it comes to my family, only my sister has anything to do with me. I hate where I live because I have neighbours from hell, but I'm stuck here. I'm feeling trapped so it's been hard to get myself out there in the world more. And that includes being online and drawing. I just want to curl up and stop some days. I keep trying though even if I feel like giving up. Because drawing makes me happy and I love the people I meet here. I've met some really kind and awesome people ❤️ So I guess I just wanted to moan because sometimes it helps getting things out instead of pretending things are great. Sometimes they're not.

I wish I was a faster artist. I think that's why I'm not successful or find work in art. No one wants my art and it gets depressing seeing people I shared fandom with become successful and develop careers. Like I'm struggling to get people interested in my prints or Patreon. Honestly I'm thinking of deleting my Pateron as I'm not doing great or offering things people want. I don't do much NSFW and my art isn't cute. I take so long to draw and paint it's ridiculous. And don't draw just the one fandom and like to branch out and that doesn't help. Especially as I've landed in a new one lately. I think there'll be a point I'm going to have to stop drawing as it'll be hard to balance that and stressing about not having full time work. It makes me sad to think that but bills are more important and I have to get out of this hell hole I'm living in. I only have myself to rely on in my life. My family or friends won't help me. I get people asking why I can't do something with my art. But you need to be super popular and know people, as well as being outgoing and great at networking to make that work. And I'm too slow, shy and have a weird style for anyone to hire me. 

Sorry, just feeling sorry for myself today and wanted somewhere to rant that's not my poor sister. It's just been really hard for me recently and I'm trying so much to be positive and get myself sorted out. But sometimes you just want to have a moan. Will go try to finish something as I've had a really bad social anxiety kick recently and I've not been online or drawn anything for over a month. I want to draw so badly too.

Sorry for moaning so much.

[fumifooms]

Do you think Kui retconned Kabru and Rin as a couple? It seems so strange how Kabru treats her if he views her as a sister

Rin & Kabru relationship analysis

Skip to the keep reading cut if you only want my Kabru & Rin thoughts. Tldr of the preamble is that I don't think Kui retconned anything but I don't think Kabru and Rin were ever meant to end up as a couple, but that doesn't mean that there's no way anything deeper or more complex is happening here. Under the keep reading is my pretty full analysis of Rin & Kabru, which I'll still cover in my full Kabru party analysis eventually.

1) People do debate about wether or not Kui changed her approach to a lot of her characters halfway through the story, Kabru, Thistle and Chilchuck to name the biggest ones. I've heard it be an explanation for the shapeshifters even, that it's a meta joke on how characters' old behavior and appearances have now become out of character. I personally believe nothing has been retconned, that all the characters are coherent and, perhaps more importantly, that regardless of later intent the early writing makes the characters more interesting and layered. Not that the idea of there being or needing retcons has no merit at all, for example forest goblins are in-world common knowledge to be found on the second floor, but we also learn later that goblins is a slur against half-foots, and knowing Dunmeshi's philosophy about humanoid monsters it's odd that they never ever come up again if they exist. The anime -and iirc adventurer's bible- kept there being goblins on the second floor of the dungeon, so much like Thistle's early appearance I have to believe it's a part of canon that's not meant to be retconned, ie that's canon and accepted as such, with some degree of intent. We do know that the climax of the manga was going to happen differently with what Kui was planning in the earlier manga days, with demon king dunlord Laios, too. Regardless of all this, for better or worse we hae what we have now and we must take it all into account as the whole picture of the work's story, world and cast- starting to pick and choose what's actually canon from the canon story is just giving up and letting the world burn lol.

2) Kui is fearless when it comes to presenting us with complex layered relationships without feeling the need to explain themselves or offering full closure. Marcille canonically sees Falin as a friend. Laios' succubus was undebatably Marcille. Mickbell sees Kuro as family. Were the touden parents bad parents? Is Maizuru? Is Milsiril? Ambiguity in Dunmeshi's case is a feature and not a bug, and perhaps this short story of Kui's shows why she prefers not to cast moral judgement as a narrator on various acts and characters. There's this very neutral approach to her writing where the cast does its own thing and she just tells us what happens, and as I said closure isn't a given. I've talked about the matter of wether or not Chilchuck's wife accepts him back before, something that bothers and lingers for a lot of readers, but an example that haunts me is Mickbell and Kuro. It's explicitly stated that Mickbell continues to "still being worked hard by Mickbell" after canon, and though we have one hint of how it might get better with Kuro learning common slowly but surely, there's no 1) conclusions as to what their relationship is exactly and 2) discouraging or encouraging framing for it, there's chiding but ultimately wether the relationship is more healthy than it is unhealthy and more salvageable than unsalvageable and worth it isn't answered. What happens will happen, and we just have to come to an answer that satisfies us on our own :') Or hey, how Falin only starts finding herself at the post-canon! It offers a nice end to her arc in canon of having a very malleable unpresent identity, but it starts another of self-exploration growth that is left open-ended. So, it's not because a relationship feels wrong or unfinished that it wasn't well-written or intended.

3) Kui doesn't lie but characters can. Characters can be unaware of things or even wrong, even with their own feelings, like Chilchuck saying he doesn't care about the party etc etc, or more widely Marcille thinking orcs are scum, or people at large in Dunmeshi believing in a modified truth of history, a version of it without the demon. These can be wrong objectively, but furthermore they can be disproved by the text, the way that Dunmeshi shows us orcs can be communicated with and peaceful etc etc and every character's racism ends up narratively or implicitly discouraged and disproven, kobolds included. The story is told by us through the characters and their actions, so it's their flawed perspective and incomplete information we have.

So, okay. Relationships are very complex but Kui doesn't tell lies, there's no info or moments that really have been retconned. The reader is left to make their own interpretation of canon.

... OKAY LAST TANGENT but we have to acknowledge something about canon quick too: This is gonna sounds ironic considering what I said earlier but while all extras are made to be in-character they're not all canon to the storyline, so to speak. There are sort of three types of extra comics context I can think of, there are comics set in pre or post canon, like one about the way Marcille was welcomed into Laios' party, or Falin's answer to Toshiro's proposal, which we have no reason to not believed happened in the canon timeline. Daydream Hours extras are exceptions because they're usually looser than Adventurer's bible extras, for example the comic about Milsiril visiting Kabru has a "what if" phrasing to the blurb. Then there are extras set vaguely in time that if during canon could simply happen off-screen, like Chilchuck's extra about hearing the party members going to the bathroom, a lot of monster tidbits also fit into this, which again I have no reason to assume hasn't happened. But now we get to the last type, the one set at a precise moment in canon that is impossible. My go-to example is the tidbit about werewolves, it's set during the Laios vs Lycion fight with Kabru present, and those chapters in the story had quite tight plotting, it makes no sense to consider that extra within the reality of that moment, it breaks the tone and story continuity and timespan of the scene, it can't be canon to the canon storyline. This is to say that again, although in every extra the lore is correct and characters are in-character, some extras are not "canon" to the story's timeline and can't have happened. And since it happened with one extra, that didn't have anybdisclaimer of being different than any other, it does put other extras' canonity into question a bit too. Ultimately, what we get in the actual manga is above everything else in both relevance and credibility. This is about extra comics, but I don't call into question all the extra info through text we get in character blurbs and about the Dunmeshi world within the Adventurer's Bible at all, especially since it was spexifically made to inform us more about canon. This is all just something to keep in mind, when talking about Dunmeshi canon.

Okay, now. In terms of rin & Kabru's relationship, as for what we see of it...

The quickest summary of how they see each other:

Rin's line reflects how she follows him out of worry, thinking that his ambitious manipulating ways will fail him and get him in trouble eventually, and how that worry is out of care and love. Kabru's line... Is more ambiguous, but we'll get into it.

We don't see Kabru and Rin interact a ton, but we do see her bring her up or think of her unprompted this time, which reveals a bit of how he sees her/feels about her and what his priorities are.

He "wants to help her get away somehow", and this out of what? Duty? Charity? Care? The companionship they once shared? Sympathy, knowing how it feels like to be under inadequate care by elves? Kabru is empathetic and wants good for people, cares about people and community, is rather concerned by the greater good instead of individualistic gain etc etc, so this attention isn't necessarily uncharacteristic on its own.

What makes their bond unique is the history between them.

It's implied they spent a lot of time together growing up, which led to Rin wanting to stick with him. Perhaps as some trauma-fueled-bond hero, but in her own words mostly because she's worried he'll get into trouble if he's left alone. She expicitly loves him romantically, started presumably before canon and presumably hasn't stopped by the end of it either.

We see his priorities here. It's notable that besides Rin being the sort of by default second most important kabru party character, she's also the one he thinks of first, understandably since he knows her best. Like above, he speaks very matter-of-factly and coldly about it though, and he seems surprisingly apathetic. It's not the thought of hostages that drives him to eat those monsters and keep strong, it's the thought of learning the mystery of dungeons and how to prevent Utaya tragedies

This moment below may seem like nothing, but it's also pretty telling of their dynamic:

Rin in the moment negatively assumes he's only frivolously interested in Namari, and although Kabru doesn't shut it down instantly with a "this isn't about personal interest" he does imply clearly with "friends" that his intent isn't to woo her (the fantranslation uses the word lovers instead iirc, so the original japanese word might be more revealing. Considering how Kabru sometimes teases Rin and provokes her jealousy on purpose like with the mermaids, it's not impossible the word was an euphemism). Rin ambiguously disbelieves this and/or disapproves. It does feel like Kabru keeps this sort of persona air when answering her, so it's not entirely hard to understand- it's true he was keeping his real reasons and intent secret: only later on does he give his party the "Laios party" spiel and mention Namari was part of it.

This can also be seen as an example of the chaperone "big sister" effect of her nagging, and of her recurring bad faith towards him. Rin chastises Kabru for behavior and stances that are understandable, like telling him he shouldn't just smile and gloss things over when being belittled, but she does have the habit of being easily jealous and lashing out because of it. But again, if you see it from her stance, your childhood friend always thinks he an handle everything alone and acts like he has the fate of the world resting solely on his shoulders, and he keeps shutting you out and leaving you to guess for his intentions, and being someone under his leadership on top of a friend makes this more alarming and frustrating. Loving him as you do, knowing him for as long as you have, you'd wish Kabru was open with you and that'd create frustration.

Yet despite everything there's trust here. There's familiarity and a degree of comfort, even when Kabru always refuses to fully open up. A promise from Kabru means something to her, it's worth something, she does trust his word and morals even when she knows he can be dishonest. She's used to Kabru, and through thick and thin she wants to be there to support him in his goals and look after him.

But below, his priorities are reaffirmed. He literally pushes her out of his way in that first page, to get to laios who represents his goals, and then figuratively by brushing her off. I think it's very interesting that the look her gives her feels alike to the look he gives Laios shortly before, those sort of empty eyes. They make me think it's his mask-on "business mode" look, and when it's a matter of business things have gotten serious and he will not entertain irrelevant matters. Like Rin's feelings. My first instinct's always been that his look at her meant a resounding "shut up", but it's true it could also easily be a "come on, catch up", especially since he goes on to explain that they mustn't have meant harm in the first place.

It's not only the look that's cold though, because you'll remember, "catching the culprits" was the promise Kabru made to her, the one she trusted that made her agree to their party's plan at all in the first place. Even though the phrasing wasn't precise on that front, by giving up on confronting or punishing Laios' party at all he's breaking his promise, and doing so very dismissively.

It's the distance of it, in how cold he is to her, how distant from him and pushed away by him she feels. It seems to say that yes, the teases he does are meaningless bones he throws at her, the moments they share are below him and below his goals, this is what's important to him and this is how Kabru wants to treat her when push comes to shove. With harsh chiding of his own and then calm explanations, as if while she's heartfelt with him he's indifferent with her.

Although, like how in the end he doesn't want to kill Laios despite it being the safe choice, there's much to say on wether or not he would actually throw her under the bus in the end even if cornered. He always steels himself for the worst, but he's also more talk than bite when it comes to truly being effortlessly ruthless and he prefers to find peaceful and humane solutions. In the end though, the hostage situation more or less tips the scale both ways, even if it'd be easy to say he was simply hiding his concern.

Okay and now to quicken things up this is where I start dividing interpretations as "good faith" as in believing Kabru's explanation that he has a strictly sisterly attachment to her, vs "bad faith" where there is potential for considering romantic interest on his end.

To start with the least questionable:

"We're talking about how cute your smile is, Rin." Good faith: He's complimenting his friend, wants her to not feel insecure, wants her to feel more confident and likeable desirable, because he's nice or because he cares about her. It does make her happy in the end, after all. Knowing it would, he might even have said it just to demonstrate his point to Mickbell with her reaction. Bad faith: You know she likes you, isn't this weird to go out of your way to say? He's not lying exactly, but they were moreso talking about her attitude around smiling, and he could just as easily have deflected or said "Oh, nothing much". Bringing up her appearance or how cute she is could also have made her self-conscious, she's not really the kind that likes public attention- but he knows her the best and it shows, after all. In the end, it doesn't sound like something you'd just tell someone you know pines after you that you want to turn down or discourage from pursuing you.

"When she furrows her brows, I assume she's smiling inside" is also weird to me. Sure she does have this weird situation with emoting going on, but claiming Rin is never angry is factually wrong and always dismissing that anger feels belittling. But this approach to reading Rin and interacting with her would explain why he always teases her, I suppose.

But this is kinda what I mean when I say they are close, in a way, the way he knows how she is with smiling, the way he's comfortable saying things like this to her despite not being someone you just have to interact with occasionally. There IS familiarity there IS intimacy, it's just odd and inconsistently applied.

Kissing her: Good faith: This is an urgent dangerous situation and kissing her is the quickest and most direct way to shut her up, which in his situation he does not have the luxury of time or ressources to think through solutions better. We don't fully know the details of incantation magic's workings, had he slapped his hand over her mouth maybe her lips could have continued moving and chanting so she could have still finished her spell, compared to kissing where it stop both lip movement and sounds from coming out. Plus, kissing her has the added effect of heavily shocking her. In a 'what if' bluray bonus comic Kabru's party faces shapeshifters and he suggests everyone get naked as a quick solution, so it is implied there too that physical intimacy and privacy aren't something he puts above practicality. Bad faith: Gag her. Hell, shove your finger down her throat. 'Master of human anatomy and psychology' here decided he had no other choice than kissing her. In that 'what if' extra I mentioned, Kabru did find another much less practical way to deal with the shapeshifters and went through with that instead, knowing no one would be happy getting naked. Also "It's too bad she looks like a monster", hello what? Neutral: Perhaps he chose, because either way in any case he did choose to, to kiss her precisely because he's mr. master of psychology, because knowing it was Rin he decided kissing was the best approach specifically because it's her, knowing it'd shock her etc etc, regardless of it being tactful or not or if it'd hurt her or even encourage her love for him.

"It's too bad she looks like a monster." Good faith: It's a neutral enough statement that he could mean a couple of different things with it, including wishing he could see her reaction better or speak with her more easily. If we go with the "I wish I wasn't kissing her as a fishman" angle, well, he really hates monsters to a traumatized degree so pseudoincest may be preferrable over monsterfucking. Fair enough. Bad faith: The fantranslation translates it as "it's a shame" instead of "it's too bad", which does lend itself to a less neutral reading, but wether that's reliable and telling or not would depend on the original japanese sentence of course. He could have meant "I wish she looked like anything else but a monster", but "I wish she (at least?) looked like herself when I kissed her" is the most direct interpretation, and then, well. That's pretty damning. To me it sort of feels odd that'd have been the phrasing if that was the case, especially since Kabru especially has noticeable reactions to monsters like shaking, horrified faces and dramatic thoughts. This is his internal thoughts and "Too bad she looks like a monster" feels very casual- the same type of casual that he has when deflecting not being interested in Namari to Rin, aka him being more playful. "I wish she looked like herself when I had to kiss her", like man. Okay. There's a lot of leeway you can give him but it's still odd.

Good faith: ??? I do struggle with this one. A friend of mine has the interpretation that this is an epic own of sorts, that by "always like this" Kabru meant "unable for me to hear you" so he likes not hearing what she says. Reardless, wether his assumption is accurate or not, Kabru is taunting/teasing when he says "look at me, not the mermaids", to what could have very well been just Rin noticing his staring and telling him to focus, and "You'd be cute if you were always like this", and like always he's very casual as he does it, says it like it's nothing, so it could mean nothing deeper. Bad faith: Why do you have to say any of this, what do you think it accomplishes, this counts as flirting in most books. It doesn't make her mood better, it doesn't shut her up, so I can only imagine Kabru simply enjoys doing this, it entertains him for one reason or another. Why do you keep calling her cute why is this a pattern that is forming. Neutral: Presumably, Rin is also unable to hear him since they all wear the earplugs. This would mean that beyond his gesturing, his words aren't meant for her to actually hear.

So.

My honest reaction:

Kabru what is this............. Huh. Kabru. What do you mean

The issue

It's less intimidating when analyzing each piece of interaction one by one to slowly form a wider picture, but it's still quite the puzzle. Because ultimately, what he feels for her aside, he is both pushing her away and encouraging her crush on him. He is both keeping her out and leading her on. He is both trying to keep a distance and throwing her bones to latch onto. And huh. Why though.

He's too socially savvy not to know Rin likes him right? Right? He even teases her about being jealous. He has to. He hassss to. And then obviously he has no intent of reciprocating. Especially since he's a huge flirt with anyone and Rin makes it clear she feels jealous.

Then, it feels kinda cruel...? You don't have to flirt, or taunt her because you know she likes you, and blow her off like that without ever having a serious talk. And like I said, shove your finger in there instead of kissing her. Did he do it because he prefers her being kissed over her puking? Was it out of pity? Throwing her crumbs of attention? Is him wanting her out of the elves' grasp just pity? Is it soooo easy for Kabru to tease her and kiss her despite having no feelings of his own, borderline mocking how deeply she loes him and what it means to her? Is doing all this "for her sake" too, like bringing her along was? Just. Free Rin. Free Rin of this.

In the end, what side of "does Kabru like Rin or not" you fall on pretty much depends on wether you favor a consistent "good faith" reading or a consistent "bad faith" reading, which impression you got while reading. But I hope I was able to show that both sides have reasons to think it and both are coherent interpretations of canon, neither are just being dense or difficult for the sake of it. A Kabru interpretation differs almost person to person. Personally I think the ambiguity itself is telling, which is why I usually land with a weird ambiguous situationship characterisation with them, they're a third secret thing and Kabru's feelings for her are complicated imo. He doesn't love her but he doesn't not love her etc. Dungeon Meshi largely lets the reader come up with their own interpretations of details, Kui herself said interpreting characters however is readers' freedom, and the story also avoids romance in general.

Although, there's debate as to wether he even leads her on at all, and personally I think it's pretty undeniable regardless of his intent, if anything even just going by effect.

All I can safely say is that this is not the behavior of someone smartly turning someone down.

Potential 'why's

BUT you could almost say he's purposefully trying to hurt her by being jokingly flirty and casual about it all, which could be to push her away and discourage her from pursuing him, wether it be for her sake or his own. It is a ship post, but I explore this stance a bit in my previous kabrin post if you're interested and unafraid of shippy brainstorming.

Or, inversely, maybe to him leading her on is a way to spare her feelings. Maybe he feels guilty about her liking him, or maybe he feels like he has to repay her somehow. Where his behavior when teasing her in early canon is rather provoking, most often I'd call his demeanor towards her placating if anything. We do see that Kabru prefers letting people down easy, except when shit is serious in the dungeon I guess, and he tries not to rattle people.

Personally, my favorite niche reading is I think it's his way of avoiding confrontation. He doesn't want to lose her, so he gives her just enough hope to hold onto so she'll keep following him, unknowing that Rin follows him out of a sense of duty of her own rather than romantic hope, because he always underestimates people's like of him like Laios does, assumes that people like him less than they seem because even when they do it's a version of him that's tailored to be likable. So he does this to keep the status quo going and keep her interested without having to reciprocate or commit.

I do think he also takes her for granted a bit. "Whenever she frowns I imagine it's a smile instead" what are you talking about. Like I said earlier, it feels weirdly dismissive and belittling to treat her anger as if it was something else, even assuming it to be joy- and there's merit to calling the anger Rin often shows a misdirected feeling, because yes, it's out of worry and care and love and she has a hard time emoting outside of a harsh-seeming scope etc, but is this what's going on here? His words leave me equally intrigued and concerned.

And like, her caring anger coupled by her nagging and scolding and looking after him unconditionally, I'm sure she does frustrate him sometimes and makes her feel stifled especially with his background at Milsiril's, making the big sister comparison understandable... ... BUT THEN WHY LEAD HER ON.

What he could feel

Okay so first of. "She sort of feels like how it'd be like to have a big sister" and "I see her as a sister, i strictly see her as if we shared family ties and she was the blood of my blood" are different. Kabru being like "Man, I wished she looked like herself when I had to kiss her" does not feel like a brother-sister thing to me, personally.

But hey, going with the opposite angle too- "She's like a sister to me" can be an easy shorthand to say "I care about you but i don't see you romantically or sexually at all" and it can be "you are deeply important to me and our bond would remain no matter the distance or time we are apart" and even "I can't imagine my life without you (no romo)". In many languages like french, the word soulmate instead literally translates as 'sister soul', as in a twin soul etc etc- a husband and a wife too are family. This is to say that both familial love and romantic love can run very deep, with a similar intensity just in a different nature, platonic or romantic. Kabru doesn't necessarily feel very strongly towards Rin even with the sister angle, but what i'm saying is that if it isn't just a catchphrase to let Rin down easy, wether something he would tell Rin or just something he tells himself, then it's not entirely out of the question Kabru would mix up the nature of that affection he feels for her. Maybe being childhood friends, he thinks it makes sense for it to be what he feels for her. I don't think this is necessarily farfetched because we see that Kabru neglects his own needs heavily for the sake of his goals, he doesn't recognizes or acknowledges his needs for social connections or things like sleeping, cooking and keeping his living quarters orderly. I think it's in character for him to dismiss outright that he could be in love with someone, and even for him to suppress it, because he can't let anything be more important to him than preventing more Utaya tragedies. If you subscribe to the idea that Kabru wanted to be Laios' friend at the back of his mind, this is in line with that.

Regardless of the "truth"/intent, I agree Kabru treating 'his sister' Rin the way he did in canon is really mega major weirdo of him though.

He sees her as a sister, or he believes he does. With a romantic angle, it could mean: Denial, repression, having a bond that feels as deep and immutable. Leading her on because: wanting her near but still pushing her away, being interested and scared to admit it, thinking he shouldn't let himself have this, not interested but still wanting the safety net of her.

Again with my own interpretation, I think he loves her the way one loves a safety net. What I and others may mean when we say that we think Kabru doesn't love her but he also doesn't not love her. I think this is why he's both taking her for granted and caring, dismissive and considerate, her "brother figure" but also the guy who will flirt with her without a second thought. A safety net the way one is comforted by a big sister mayhaps, who's disapproving yet always unconditionally there to help. But family and comfort are so closely tied together, it's unsurprising they get entangled sometimes, a lot of behaviors can be seen as both romantic and familial and it's just a matter of the facts and perspective because in the end what they are both is loving- and canonically, Rin loves Kabru romantically and Kabru cares for Rin like a sister.

Conclusion

I've said before that I think you can call them each other's best friend and that that's sad, and I stand by it. I think it's easy to argue that Rin is the one who knows Kabru best currently in his life, and the reverse is true for Kabru knowing Rin best. It's lonely, for both of them I think, Rin's kind of tough love is not working for him and Kabru is not filling Rin's emotional needs.

The reason why Kabru might feel like he has to get Rin out of the elves' grasp is because she has no one else, at least no one else that was deemed important enough to have been referred to or implied at all. And Rin calls him out for his shallow behavior and his unhealthy habits. They're close enough and weirding others around them enough that people like Mickbell notice when they heatedly do their song and dance and argue but hey, this is just another monday, and how Mickbell asumes she cleans his place up for him because that's what intuitively makes the most sense- it's the first thought, the most intuitive. Rin would do anything for Kabru and devotes herself to helping him, after all.

Reminder that this is the guy we're talking about:

I think her concern is worried tbh, he doesn't know what a DUST CLOTH is and he's pretty unhealthy, forgetting to eat and drinking to go to sleep, overworking himself. He'd easily work himself into an early grave. He neglects himself. I've said before in my Kuro x Kabru post that I think Kabru focuses so much on the bigger picture and saving the world that he forgets that he himself is important too, that he's truly special to some people, that he's even some people's hero, not just the world's, and I think to a degree it's good that Kabru has someone there to ground him and scold him when he's being thoughtless or overthinking, to try to show him that he's loved and valued, in her own way which he claims to understand so well like he does her smiles.

Kabru's a character where fan interpretations especially differ, he's hard to read when it comes to the details, so his relationship with Rin is very much a grey zone, especially when trying to precisely pin it down. I think though that it is a mistake to say that Rin isn't special to him in some shape or form.

I talk about human connections as a big theme of Dunmeshi sometimes, as this thing everyone needs but may deny themselves or deny that they do need and want, and Kabru and Rin are part of that theme, to me.

Post-canon, Rin and Kabru continue to see each other, presumably semi-regularly, which is an implication from an extra that we don't get with the other Kabru party members. They stay in touch, because what tied them together was never work but a personal tie.

This ask took long af to write up but it's gonna make my Kabru party analysis easier later yay. Little preview of the chart i made.

I'll remind that Mickbell and Kuro's relationship is also stated to be of a familial nature. Contradictions aren't always mistakes, people are made of them! Just like how ambiguity can be a narrative tool, complexity and dissonance can be a feature and not a bug.

[sssammich]

💚 true love's kiss / magic kiss / healed

i got you anon! sorry this took a while.

💚 true love's kiss / magic kiss / healed for supercorp*

ask meme

THIS ABSOLUTELY RAN AWAY FROM ME IM SO SORRY

---

"your true love is an alien."

well. there's certainly a lot to unpack from that, isn't there?

let's try.

first. this short and frumpy old lady with both hands on her hips is standing in front of her desk, somehow able to bypass security and her assistant, jess, who is mysteriously absent from her desk.

second. aliens aren't real. right? (right?)

third. the concept of true love is laughable. this is the 21st century and subscribing to these silly fairytale notions of true love is a lot of bullshit. let alone the idea that there is someone even out there for lena in that capacity. nevermind that apparently the only possible candidate for such a title is someone who isn't even human.

fourth. what does this even all mean? and why is she allowing her conference call to madrid get completely derailed by this woman who looks like she's more suited for the kitchen of a small hole in the wall italian restaurant and not the middle of a fortune 500 corporate office.

(all this to say that when lena eventually looks back at her life, she'll think that this is probably not even top five of the weirdest things to happen to her. it might just barely squeak into the top ten, though.)

still, she's faced with a strange predicament at this time. like how to get this lady out of her office.

yet instead of shooing this lady out, her mouth opens to say, "what's next, are you gonna tell me that magic is also real?"

the old lady in front of her just shrugs. "true love is magic, dearie. keep up, mm?"

when she opens her mouth again, she's just about to dismiss this lady, but it doesn't even matter because as soon as she blinks, she's alone.

-

something saves her.

no wait, it's someone. someone saves her.

her helicopter is crashing, the pilot is dead and dying beside her, and they're plummeting.

until, of course, they're not.

because someone is carrying her burning helicopter down on a hellipad and yanking the door out to check on them. lena's heart is in her throat and her lungs are somewhere in her stomach and she doesn't know if she's still even alive. but this someone is definitely hovering before she's holding lena securely.

"hi," the woman says, tentative, blue eyes and blonde hair and armsarmsarms and a red cape and--

something inside of lena's heart changes-transforms-evolves.

and then she passes the fuck out.

-

when she wakes, it's to dim lighting in a hospital room, the beeping of her heartrate monitor. distantly, she hears very little outside which means she's in a much more private wing of the hospital.

she sits up a little when a nurse comes in holding a tray.

except it's not a nurse at all. but the same lady from before.

"you."

"hello, dearie."

so many questions jump at the forefront of her mind. understandable and reasonable questions like hey lady what the fuck are you doing here? how did you get in? what do you want from me? are you here to kill me? stuff like that.

except the flashes of earlier appear in her mind and she recalls blonde blue red. she gasps.

the old lady smiles. "very good, dearie. they did say you were smarter than the others."

"what do you want from me?"

"nothing."

"then what are you doing here?" she asks, her voice gaining strength, her hands balling into fists by her side.

"just consider me an invested party."

before she can voice anything, the old lady places her cup of jello and plastic spoon by her thigh.

"take care, dearie. tell her i said hello, mm?"

lena's brows furrow, questions crowding her mind as she attempts to make sense of everything but failing to do so. the last she hears is a snap of fingers and she falls into a dreamless sleep.

-

when lena next wakes, she's back in her office. a week after the failed assassination attempt on her life.

the buzz of her intercom signals jess's voice. "miss luthor, your 2pm appointment is here. would you like me to let her in."

"go ahead."

she stands by her desk and brushes at her skirt just as the door opens to reveal a beautiful and bespectacled woman with her hair pulled in a ponytail.

blonde blue red.

lena's mouth dries and her insides do a somersault. she remembers the helicopter, the hospital, the old lady. the words your true love is an alien pinballing in her head (in her heart in her heart in her heart).

"hi, miss luthor. thanks for meeting with me."

lena looks at the offered hand. strong hands that have held her before. on a burning helicopter.

"of course..." she says, waiting for the woman to fill in the blanks.

"kara. kara danvers."

"well, kara, call me lena."

it takes five eternal seconds for them to let go of each other's clasped hands.

-

lena finds out about kara bit by bit. through interviews, through professional coffee meetings, through informal coffee meetings, through casual walks around downtown and the city parks, through casual lunches and dinners and desserts.

congregating around food so she holds a fork or a burger or an ice cream cone in her hand while she fights the urge to hold kara's hand.

lena learns about who kara is. a reporter by day (who moonlights as a superhero, lena muses, but kara doesn't share that information). an avid pop music lover and movie buff. a regular buff with hard cuts of muscles. arms arms arms arms--

kara is lame. a dork. goofy. foolish. beautiful. quiet. pensive. perceptive. deep. kind. loving. oh, so loving. so very loving.

kara is a hugger. a holder. an engulfer. an overwhelmer. she is the ocean and lena is the lone driftwood that crashes against waves. lena wants to be washed ashore only for the ocean to capture her once more because the ocean can't be denied.

she doesn't want to deny kara.

"lena?"

she blinks back to her present, washing away the cloud of her thoughts. right. they're at dinner. her fork held midair just before her mouth. they are in kara's apartment.

"yes, darling?"

kara smiles at her, though there is concern in her eyes. "where'd you go just now?"

she wants to say she went to the ocean but it's true either way when she offers her best smile to kara who mirrors it easily, breezily.

"i was just thinking that your cooking has gotten better."

kara ducks her head, her smile turning shy. "thanks, lena."

lena doesn't want to deny kara.

-

briefly, distantly, lena thinks that perhaps there's an inevitability to this moment.

this moment being:

kara is standing in front of her with her button down shirt opened to the fifth button where lena sees the S emblem over kara's chest.

"i wanted to tell you. f-for so long, i just--" she stops herself and takes a deep breath. "i'm sorry, lena."

lena is quiet. her vision unable to focus on any one thing. she looks at the blonde of her hair out of its regular ponytail. at the blue of kara's eyes. at the red of the symbol atop her chest.

blonde blue red.

"you're an alien." she announces it for the first time, despite the truth have sat carefully under her tongue for months.

kara swallows, then nods. "lena-"

what did that old lady say? she can't remember right now because her brain is buzzing, her heart is thumping, and the overwhelming urge to melt into kara is all she can think about.

she propels forward, pushing up on the tips of her toes, and kisses kara.

kara's arms are around her, hands holding her, body engulfing her.

soft lips slide against hers, press upon her, permanently transforming the chemistry of her body with the way that kara is now part of her.

when they break apart, she only grins at the dazed expression on kara's face.

"you...you like me too?"

she is beaming because of course she likes kara too, likes her more than like. so she answers by kissing kara again.

-

for their first date, kara takes her to a small italian hole-in-the-wall restaurant.

"this is my favorite italian spot in the city. in the state, actually. maybe even the country!" kara exclaims, excitedly talking and gesticulating but making sure that their hands stay interlaced with one another.

when they get there, they're seated right away, a young woman seating them in the back booth.

"hi, kara. table for 2?"

kara nods and lena watches. "you come here often?" she asks.

"yeah. i hit this place up at least a couple times a month. good thing my metabolism allows me to eat as much pasta as i want. the chef in the back makes it fresh every day."

amidst drinking wine and twirling their forks in their pasta, kara is leaning closer to her, the two of them sitting adjacent to each other, their elbows grazing each other on the corner.

when they finish, kara pays, insists on it, and asks if they can stop by the kitchen to pay compliments to the chef. with hands still intertwined, kara pushes the swinging door forward, and calls for chef nina.

lena watches as kara releases her hold of lena and approaches the short and frumpy old lady who only wipes her hands on a stained white apron before opening her arms up to receive kara's hug.

over kara's shoulder, the old lady winks at lena.

and lena?

well, she just laughs and laughs, kisses kara on the lips, and hugs the old lady.

[orengejoshi]

AUGGHHAAA i just scrolled thru like your entire blog just looking at flug...... i have been in love with him for like. seven years now??? and i just. GGRGRRERURGHRG YOUR FLUG ART IS SO PERFECT I'M SO OBSESSED

7 years??? like me?? omg I hear that rarely nowadays, another fandom dinosaur!!

Thank you, I'm happy I can provide

we spontaneously decided to renovate the apartment bc this entire household has unmedicated ADHD so I can't offer you anything more than this pixel art attempt (I didn't even try ngl there's no elbow grease put into this attempt)

I would just love to make a little side scroller game in this style but unfortunately I have zero to no intelligence when it comes to technology