#I will rant about this more later

[awakefor48hours]

It is so fucked how capitalism has affected the way we view food.

[weirdglassthing]

LOA Shiptober Day 4: How They Met

October content month was ambitious..

This one took me. Shockingly long. Whoops! I’ll probably end up jumping around the prompt list and it might extend into November 😋

I’ll try to do day 31 on the actual date of Halloween though 🫡

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[rachiebeee]

they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would

[jadewritesficshere]

Grey

Steve Harrington x fem!reader

Synopsis: Steve gets a wake up call from yall's daughter

Contents: talks of aging, kids being kids, references to smut but nothing explicit

Steve groans as his consciousness comes to. Something is hitting his face. Someone. Repeatedly.

Steve squints his bleary eyes open as a hand smacks him in the jaw again. A small smile appears on his face even though his jaw stings from the impact. "Morning," Steve's voice is still thick with sleep as he turns to look into brown eyes barely peeking over the edge of the bed.

A quiet voice repeats back ,"Morning," to Steve before arms reach up over the edge of the bed to try and grasp something. Small hands grab the blanket and tug it off of him slightly as the child attempts to climb up. At two and half, Amelia Joy Harrington can barely see above the edge of her parents' bed, let alone get on it.

Steve hoists Amelia up and sits her on his stomach. Steve winces as Amelia scrambles, a stray foot hitting his thigh precariously close to his crotch. Arms are thrown around his neck in a hug as Amelia lays her head against her dad's chest.

Steve feels like his heart could burst out of his chest from the joy he is feeling. A hug from his baby? The best way to wake up in the morning. Who cares if his jaw is still stinging and probably red, his little girl loves him.

Steve sighs in contentment. Steve holds his daughter close until she starts to fidget and wiggle. Amelia sits up and throws her hands in the air. "Happy Birthday!" She whispers excitedly, except she has no concept of how quiet a whisper should actually be and says it in a much too loud voice.

"What?" Steve asks, hand hovering near Amelia's side in case she slips. Amelia's eyebrows furrow as she pouts at him, a look that is an exact copy of you. Her arms slowly lower as she stares at Steve. "Happy Birthday. You old." Amelia pouts at him.

Steve blinks at Amelia in confusion but nods his head. First off, rude, he isn't that old. Steve isn't sure where she gets her unfiltered, blunt commentary (it absolutely isn't him). Second, it absolutely isn't his birthday. Not even close.

"Why uh...why is it my birthday?" Steve asks, unsure if Amelia fully understands the concept. Not sure if he can explain the idea of a birthday to a two (and a half) year old. "Grey." Amelia declares giving Steve whiplash. Before Steve can speak, Amelia points at the comforter," Blue." Steve smiles," Yes, blue."

Amelia points to her shirt," Green." Steve nods. Amelia taps under Steve's eye, lashes brushing against her finger causing him to close it. Steve hopes she doesn't attempt to actually poke his eye.

"Brown." Amelia declares. "Thats right." Steve grins, his girl is so smart. Amelia points to his temple," Grey." "That's ri- what?! No!" Steve's mouth drops open as Amelia giggles. "Uncle Dustbin says grey is old. Birthday makes old. Happy Birthday!"

The creak of the loose floorboard in the hall notifies Steve of your approach. You peek into the doorway of the room, seeing your two favorite people. One looking aghast and the other giggling at her father's reaction.

"What's going on in here?" You ask, leaning against the doorway. "Grey. Birthday." Amelia announces, like it explains everything. And it does in her little mind.

You hum in response, looking at your husband who seems lost for words. Amelia slides off of Steve and off the bed, Steve guiding her so her feet land on the ground absent-mindedly. He would never let her fall or get hurt. Or you.

Amelia half walks half dances in your direction. A prance in her step, she stops in front of you and grabs your hands. "It's daddy's birthday," She says before headbutting your leg. You chuckle and pat her head as she dances out of the room, in her own little world.

"You lying to my kid again?" You ask once Amelia is gone. Steve sputters as he sits up," I did not- our kid- did not lie." "Uh-huh, sure," you say sarcastically. Steve rolls his eyes at you as he gets up out of bed.

Steve stretches as he rocks on his feet, back cracking, before strolling over to you. "Good morning," Steve mumbles, hand landing on your hip. You hum back as he leans in and kisses you. Soft. Slow. Sweet. Leaving you longing for more as he pulls back.

"Love you," Steve says, fingers running along the waistband of your pants. "I love you too," you want to melt into him. Curl up in his arms and stay in this moment. Let the love and adoration fill the air around you.

"Do I look old?" Steve is the first to break the silence. Your brow furrows in confusion," huh?" "Amelia she," Steve huffs out a laugh," said I have grey hair." You chuckle as you bring a hand up, fingers threading through his hair," You have some but its nice." "Its nice huh?" "Makes you look distinguished. Handsome." You bite your lip and look up at him.

Steve knows that look. Knows it well. It's the look you gave him the first time you moved past just making out. The same look you gave him on your first anniversary. The same look you wore on your wedding night. The same look you gave before Amelia was conceived.

Steve can't help the smirk that spreads across his face. If getting old gives him that look, well, he won't complain.

"What about me?" You ask, batting your lashes. "Beautiful," Steve kisses your cheek," Gorgeous," he kisses the corner of your lips. He continues to alternate between kissing all over your face and praising you.

"My love," Steve whispers before kissing you softly on the lips. You sigh into the kiss, one hand tangling in his hair, the other trying to pull him closer.

A loud crash from the living room has you two pulling back from the sweet moment you stole. "What was that?" You call down the hall. "Nothing!" Amelia yells back, making you sigh but smile. Steve can't help but grin too. His life was a little hectic dealing with a rambunctious child, but he wouldn't trade it for the world. And he thinks, if life is like this, he can manage getting old with you. He wouldn't want it any other way.

[anghraine]

I've been trying to think of a less harsh way to put it, but every time I see an ostensible expert say that Mr Bennet and Darcy have the same social position and the only difference between them is that Darcy has more money, it's like ... um, either this person doesn't know what they're talking about or assumes their audience is so unsophisticated and ignorant that they can't handle the slightest degree of nuance.

Yes, it's obvious why this always comes up with P&P specifically, and explaining all the many differences and gradations in socioeconomic hierarchies between then and now is a steep task and not always necessary or useful. But Darcy and Mr Bennet are both untitled hereditary landowners. This means they have the same rank, yes—the technicality Elizabeth uses with Lady Catherine—but it also means that their status, incomes, reach of influence, and general consequence in their world are going to be primarily based on their inherited land, not that all these things except income would be functionally identical in their social world.

Awhile ago, I quoted a fairly concise description of England's class system at the time by the historian Dorothy Marshall, made decades ago, but—unusually—managing to convey some of the RL complexity around social position without belaboring the point too much. One of the most critical points she makes is this:

In spite of the number of people who got their living from manufacture or trade, fundamentally it was a society in which the ownership of land alone conveyed social prestige and full political rights.

The difference between someone like Mr Bennet and someone like Darcy in terms of socioeconomic power and status (often termed "consequence" at the time) is inevitably going to be more about hereditary land ownership than any other factor, including incomes and connections. Their incomes provide important information about the scale and value of the land they own, but wealth alone only tells a portion of the story here.

[rainofthetwilight]

strength

[zootenthusiast]

Some Muppet “hot takes” (by me, ViVi aka Zoot enthusiast)

1. I don’t really like Pepe. His character is fine in small doses but I don’t like how much Disney is pushing his character and I don’t think he works as well as a duo with Gonzo like Rizzo did (dude I miss Rizzo so much😭)

2. I prefer Lips’ regular speaking than the gibberish he speaks now (although the gibberish is funny at times)

3. Even though he’s my absolute favorite character ever I prefer Zoot’s character in earlier muppet media and I don’t like how now he’s basically been reduced to an idiot

[shapelytimber]

not sure if you've answered this before but for the sapphic au... how did leia and luke get made if their parents are both cis ? are they force babies, created by anakin meddling with the force just as sidious did and thereby killing padme? or maybe they just went to star wars sperm bank idk. desperately curious to see if you have an explanation in mind or if they just kind of popped into existence (sorry I just get wrapped up in silly details with everything)

Oh am I glad you asked !

Only hole in my flawless explanation..... There is no way in hell Anakin in topping regularly in this relationship. So gotta assume the moment they tried to switch it up a bit they got magic stap babies.

[bloobydabloob]

When you answered the ask asking about your art style (which is a post I keep looking back on bc what you have to say is very interesting) in one of your screenshots of you talking you mention something about how most if not all of your symbolism is self referent and I was wondering what you meant by that!

Hellloooo. I’m glad you found my ranting interesting. Here is some Dirk art I’m probably never going to finish for your troubles.

What I meant by that when talking about any symbolism in my art is that it doesn’t reference outside sources - e.g. where some art might use something like religious concepts, animals, real life events to represent ideas, I tend to use things more like colors, contrasting objects, composition. That sort of thing. So things that are inherently a part of the work itself rather than connections to the real world. If I ever do use symbolism otherwise, it’s usually comic related even still. Although I have done pieces with religious symbolism before too, haha.

I don’t know how to describe it other than “self referential” because I’m not really sure what else to classify that sort of symbolism as. Just… artistic maybe? Non literal? I couldn’t say. I think it all basically just goes along with the majority of my art nowadays being more figurative than literal. Sorry if this doesn’t explain it very well. It’s also funny to think that anyone is “Looking back” on any of my texts posts though, haha. To me I feel like I am just dumping my words on my poor followers. Surprising. Thank you for reading.

[honeyspotpie]

Am I the only one who wishes the whole "the Doodler is an eldritch god with a mentality of a teenager who views the world AS THEIR FATHER" was expanded more on? Viewing the whole world as "your father" is such an interesting metaphor and I think they could've played with some unique concepts there. When the Doodler took a physical form I wish they made Dood be more curious about the world around them, viewing it as something greater than them (like a greater figure of authority, akin to a parent), basking in both it's positivity and lashing out at it's negativity (mimicking a teenager with a complex relationship with their father). Having Dood's viewpoint on the world and humanity parralel the teens own relationship with their dads. Or even reading Dood's "doodlerification" of humans as subconscious teen rebellion, a childish and naive way to cope with your troubles by releasing wrath upon other people. Getting angry at your "parents". There are so many fun allegories and metaphors that could've been expanded on imo that sadly didn't get a chance in the spotlight :(

[svnflowermoon]

y'all go from being feminists to tearing these women down within seconds oh my god it's 2024 can we please stop viciously tearing one woman down to bring another up i don't care what side you take but saying vile shit about either woman and their music is disgusting, please grow up

[sallymew4]

stageplay shouteru is a whole other beast

fun little extras below cut vvv

look. they are holding hands

[the-way-astray]

What's your favorite cannon thing you truly like about Keefe Sencen

I DARE you 😈

i've been dared . . .

definitely my favorite thing is the fact that in flashback/legacy he was 100% not only supportive of sophie and fitz's relationship despite having a crush on sophie, but also actively tries to keep sophie from doing something that could even be interpreted as implicative. there was a poll a while ago about whether people thought sophie and keefe were (even unintentionally) emotionally cheating on fitz, and i answered a hard no. and the main reason for that was because of keefe. he does so much to try to keep sophitz together during that time, including telling sophie to confide in fitz, telling her to tell him about the matchmaking thing, shutting ro down (or at least doing his best to), and generally speaking, he did not have to do all that. like, yeah, any decent person would be supportive and not actively try to break their two friends in a relationship up, but keefe goes way beyond that and actively tells sophie exactly what to do in order to keep her relationship with fitz intact. every time fitz "catches" him with sophie it's lowkey painful to think about what keefe must be feeling because he spends so much time trying to prevent that exact thing from happening. there's even a line in legacy where sophie admits this herself. one of the only times he uses his empathy not dubiously is at the end of legacy, where sophie "tells" him (i use the term loosely) that she and fitz broke up. and he immediately says "i'm sorry", expressing out loud his sympathy for their relationship's end.

(one thing i've heard people misinterpret a lot in anti keefe things is the "blond hottie" line, which they say is an inappropriate thing to say about someone in a relationship. that was not said by keefe. that was said by ro. she says that when she's trying to convince sophie that bronte can't be her bio dad, to which keefe then says "unless she gets that from her mom". that's all he says. sophie then wonders whether that meant he agreed with the blond hottie assessment, but that doesn't come from anything he actually says.)

it surprises me that i haven't seen keefe lovers talk more about the fact that fitz literally commissioned him to draw him and sophie in a very romantic pose in a very romantic spot and keefe did it. so i'm going to talk about it. once again, this is not just baseline "my crush is in a relationship, oh well, guess i won't interfere" stuff. this is going above and beyond to keep sophie and fitz together. again, keefe has a crush on sophie. i'm not an artist, but obviously art doesn't just pop up out of thin air. he spent some time making that drawing. and all that time is yet another reminder that his crush is in a relationship. he could've told fitz no, made up some excuse as to why he couldn't do it, and that would've been well within his right. but he didn't. so that's a thing worth mentioning. (i'm going to just say i don't like the argument that fitz knew what he was doing when he asked keefe for the drawing, though. i think fitz just thought "sophie likes keefe's drawings! let me get her one of those" which is sweet in and of itself.)

in unlocked, keefe thinks something like "he definitely should not be happy that two people close to him were going through a rough patch. but, if he was being honest, he wasn't really sad" or something to that effect. and i like that. he has a crush on sophie, so of course part of him will be happy she's now single again. it's realistic. i've definitely talked about this before, but jealousy isn't a character flaw to me. it's only the actions that a character does because of their jealousy that defines whether or not it's a bad thing. but the thing with keefe is that he never allows the fact that he likes sophie to outwardly affect sophie and fitz's relationship in any negative way when they're tentatively dating. sophie and fitz fell apart for a lot of reasons, but the reasons were entirely on sophie and fitz, and had nothing to do with keefe himself. in fact, you could argue they only lasted as long as they did because of keefe.

i complained a lot about how much he doesn't shut up about his hair in my rant. but that was mostly at his humor style and the fact that he literally talks about it at the weirdest times (in his registry file . . . ) more so than the fact itself. and truthfully, he doesn't even talk about it that much. but i think it makes a lot of sense that he takes pride in it. it's the physical manifestation of rebellion against his parents who have controlled every other aspect of his life. he's also an artist, and i think it's a pretty neat thing that that extends to the way he styles his hair. also it looks good. i will die on this hill. just don't look at the laura art. jason chan is my king and keefe's hair is very cool and- *gunshot*

there's also a handful of moments where keefe uses his humor appropriately, to ease tension. best example i can think of is the one katie brought up in this post which is the moment in flashback right before the celestial festival (climax). magnate leto gives them all these sparkler things to light if they're in danger, and keefe sets off a couple prematurely "just to make sure they work" *wink wink nudge nudge* and sophie specifically says the "bit of levity" helped tame the "monster" she's been battling the whole book. when he's able to use his humor appropriately, and not at weird times about weird things, he can be a valuable source of comfort. these moments are unfortunately few and far between, but they do exist.

keefe is also good at calming sophie down when she's panicking, when he's not using his empathy to force her to tell him her feelings. i personally like it more when he's comforting her using his words than his emotional breezes, because that speaks more to his personality than it does to his ability to use his emotional breezes to calm her down. another example katie discusses in the post above is when he's talking to her about the bronte-is-her-bio-dad theory. sophie was panicking because she was thinking about the implications of it (prentice, him acting horrible to her, etc.) and keefe brings her back down to earth with his reassurances that this doesn't change anything about her. when she says bronte can't know she knows, he immediately gets her to reconsider in a gentle way, because like. that's the entire point of her search for her bio parents. he does all this using his words (actually i just checked and he does use his emotional breezes a couple of times but his words do have an impact on their own so we're disregarding that), which does prove that he's very good at knowing what to say to keep her calm.

(also the fact that he was even helping her search for her bio parents is another example of him going above and beyond to keep her relationship to fitz intact. he didn't have to do that at all.)

and lastly, i think i mentioned this in my rant and maybe a couple other places, but i think keefe's jealousy when it comes to family is written very realistically. in neverseen, he's jealous of fitz, biana, sophie, and dex when they hug their parents, and there's a line where he specifically says "i hate watching it. them and della" (them referring to fitz and biana). in unlocked, he's again jealous of dex's family and wishes he'd been born into a family like his. and i think that's written really well. it's pretty subtle and not really shoved in your face, too. i'm pretty sure there's a total of three times it gets brought up: the "them and della" line, one line at the end of neverseen where sophie and dex are hugging edaline and kesler, and then the line in unlocked. very blink and you miss it but i like that. it's one of the few things the narrative doesn't dump a truckload of pity on keefe for, and it makes the few times it is brought up even sadder.

oh, and also i think he's handsome. sue me.

[celestialrealms]

I just noticed Mephisto matches with Barbatos (who is matchy with Diavolo) in the anniversary outfits in his SSR memory card

These three were also the only three who had half masks in the masquerade event!!!

Anyway, The Royals with Mephisto chat group when? We got one for Purgatory Hall with Raphael..... it's just fair !!

And one for Mephisto and Diavolo as well, but also one for Mephisto and Barbatos too. because you can't tell me their relationship isn't deeper than the devs portray when Mephisto has lines like this about Barbatos's room:

[crystallizsch]

ughghg hi i hate to be serious or be such a downer but i really need to put this out there because some people are getting too comfortable.

but then again it's partially my fault because i let it happen --

this is more pointed towards strangers, so if you know we're friends/mutuals you're cool 🫶

anyways just want to point out that if we're not close especially, it doesn't give you an excuse to treat me like i'll be fine with everything that you'll say.

i can handle jokes, i love joking unseriously with anyone, and i just love talking with people in general and usually the interactions aren't that deep.

but there's a line between genuine playfulness and thinly-veiled insults/mockery. saying "sorry" or anything like "/j" doesnt change that.

and yeah i'm aware this is especially hard to discern because people's actual tone over the internet can be perceived differently. and sometimes people aren't aware that they're being rude. so that's why i usually give people another chance.

it's just to the point that when it happens over and over again where it stops being coincidental. plus i usually just try to trust my gut whenever i feel uncomfortable with people from the get-go.

idk what else to say but please remember i'm also just another person. and that applies to everyone else here. you're free to say whatever you want but that doesn't mean you're free from any pushback.