#I will not be taking criticism on this post

[cinnamorollcrybaby]

BEG!

Tags: Satoru x fem!Reader, nocurse!au, misogynistic!gojo, college!au, reader puts him in his place, CRACK do not take this fic seriously, enemies to lovers, suggestive, mdni

Synopsis: Satoru is a stupid alpha bro who’s misogynistic and a play boy in a fraternity at your college. He learns that he can’t walk all over you, and that turns him on.

An: Thank you to everyone who commented on that post and encouraged me to write this! I didn’t think you guys would eat it up like you did 😅 I thought this would be a smutty one-off, but I actually wanted to try and make it into something a little more meaningful; hence why it took a bit longer to post. This is only part one :)

The party. |

His house screamed wealth and overconsumption at every corner. Money was obviously frivolously spent with building and furnishing the Gojo fraternity house. It was sleek, modern, but still a devastating bachelor’s pad.

The Gojo fraternity held parties every day of the weekend, including Sunday. Women got in for free, and men had to pay 5 dollars to get in. Not that Satoru needed the money — he was disgustingly wealthy and a trust fund baby. He merely charged guys money that way no one below his standard could just waltz into his frat house.

Of course, he truly believed every other man in the frat house was below him in some way. He had the full package: smart, funny, rich, handsome, a dick that should be registered as a legal weapon.

It was no wonder that women was never an issue for him. He found flirting with them to be like child’s play. It’s just too fucking easy…. pun intended. He and Suguru once had a challenge to see who could pick up the most women in a single night. Satoru ended his night after fucking 9 women in a single night, and one of those events was actually a foursome between him and three girls at once.

Honestly, he could be so much worse. With a witty personality and a mouth that just won’t shut up, he could talk his way into or out of anything.

It’s a Sunday night, which usually isn’t a big turn out for the party at his house since everyone has class the next morning. Plus, all homework is due at 11:59pm on Sundays. But this turn out was just embarrassing, there was merely 10 people all sat in his living room.

Suguru already had a girl in his lap. Everyone was giggling about something. Satoru felt like he had a chip on his shoulder, he wasn’t the center of attention right now, so he had to fix that.

Plus, there was a pretty girl in the room who he wanted to impress.

Sitting down in front of you, Satoru grins and hands you a cup undoubtedly of liquor. “Here you go, sweetness. Have one more.” He encourages, knowing that it’d be easier to chat you up if you’re a little buzzed.

“Oh, thanks.” You smile politely, and you fake taking a drink out of it. You’ve heard the stories about Satoru, and there’s just no way in hell you’re drinking something he gives you.

“What are you all talking about?” Satoru asks with a casual grin, and he takes a sip of his own drink.

“Oh, just how dumb Andrew Tate is.” A nobody responds from within the group.

“What? He’s not dumb…” Satoru nearly pouts as his favorite starboy was being harshly criticized by his friends.

“Oh god, don’t tell me you like him.” You say with disgusted look on your face as you eye Satoru. Now, you’re definitely not drinking whatever he just gave you.

Satoru’s face twists in defense as you so boldly speak up about his interests. It’s clear to you that he’s offended, but he’s trying not to make a big deal out of it.

“Why? What do you think is so bad about him?” He retorts as he cocks an eyebrow, leaning back in his seat to try to appear as confident and collected as possible.

“How about how he treats women like shit?” You ask, raising your own eyebrow. Satoru has another thing coming if he thinks you’re just going to bow down and not argue with him because he’s rich.

“He doesn’t treat women like shit-? Where are you getting your facts from?” Satoru argues, and his jaw tightens a minuscule amount. It’s bad enough that he’s being challenged, but he’s being challenged by a woman.

“His literal interviews, and the video of him literally beating a woman?”

“That video was just a sex act without any context.” He dismisses, rolling his eyes and not dispelling any claims about the interviews.

“Bitch, is that what sex sounds like to you? Because you must not be doing it right if she sounds like that.”The room erupts into laughter, and Satoru’s face only makes it better. His pale skin is becoming a little flushed. His eyebrow is twitching slightly with anger.

He takes a breath before quickly recovering. He hasn’t forgotten his objective tonight is to sleep with you. His signature smile returns to his face, and he leans in slightly. “I don’t know. Why don’t you come teach me how to do it right?”

“As if. I’d rather grind my pussy against a cheese grater than fuck an Andrew Tate fan.” More laughter breaks out amongst the small group of people.

Satoru’s jaw drops as he looks at you with disbelief. You’d rather… grate your cunt than sleep with him? “Oh yeah? So, what kind of guy piques your interest then, princess? You probably like those woke emasculated guys. Suguru might be more up your alley.”

“Hey, what the fuck?” Suguru laughs, chunking an empty beer can at Satoru’s head. The girl in Suguru’s lap continues to mindlessly giggle and play with his hair.

“No, I like men who are calm and capable. Maybe a guy who can lead but also knows when to take the backseat.” You explain, eyes wandering over Satoru’s stature. “I like them funny and kind.”

“See? I’m just what you need, princess. I can do all those things and so much more.”

“Yeah? You’re going to take the backseat sometimes?” You challenge with a knowing smile on your face. You already know what type of guy Satoru is based off of this sole interaction — plus all of the horror stories of how he’s a modern-day Casanova.

“Princess, the only time you’ll need me to take a backseat is when you’re riding that pretty pussy against my face.” His cerulean eyes gleam against the LEDs in the room. He’s fully confident that will win you over.

Your face stays completely flat. You don’t even crack a small pity smile for him. “Oh sorry, was this meant to be the part where you’re funny?”

Satoru looks at you, and you see a small twitch in his eye. He’s never had someone match his wit or his sass before. You were the perfect challenge for him — his perfect match up.

He tips his red solo cup up until his finishes the rest of his drink. Fuck sleeping with you. He wants to make you beg for him to fuck you while he just laughs in disinterest. You’re his mission now.

“You’re cute, princess.” He finally comments before getting comfortable in his chair again. “You don’t have to act like you don’t want me. ‘s okay. No one here will blame you.”

Your arms cross over your chest, and your lips curl into a frown. As much as you want to pretend to be unbothered, your face can help but show the irritation you feel from him. He’s unwavering, thinking that he will just argue and flirt his way to winning you over.

He needs to be humbled real quick, and you’ve got nothing else better to do.

“Oh really? Thank god. I’ve been dying to get on my knees and suck the most mediocre dick of my life.”

“You have the wrong guy, sweetness. I’m anything but mediocre.” He retorts without missing a beat.

By this time, most of everyone has stopped paying attention to you two — used to Satoru’s antics by now. This is just another Sunday night for him — chasing pussy as per usual.

“Yeah? Any guy who constantly boasts about how good they are in bed usually isn’t good at all.” You respond with a small eye roll.

Satoru’s strong arms cross over his chest. He’s wearing a simple white shirt with some black pants. It’s overwhelming plain, but it compliments him so well since his appearance is striking enough as it is. “I never boasted, princess. I simply stated that I wasn’t mediocre.”

You let out a small scoff and shake your head. It was honestly arguing with a brick wall. “Semantics. Either way, I don’t want to fuck you.” You dump your liquor out into a potted plant that’s next to the couch.

Wondering why you even decided to come to this stupid party, you stand up, and Satoru follows suit. “Hey now, darling. Come on. Don’t leave now. The night’s still young.” He tries to smooth things over as he takes puts his hands up in surrender. “I promise I won’t call out the obvious sexual tension between us for the rest of the night.”

“I have more sexual tension with your fake houseplant that I dumped my liquor into.” You deadpan, gathering your things as you decide that a cozy night in would be better than this mess.

Walking outside the house after everyone wishes you goodbye, you let out an audible sigh as you hear the door open and shut once more behind you. You spin on your heel to find Satoru jogging up behind you.

“Did I ruin your mood that much?” He asks with a small smile, shoving his hands into his pockets as he falls in step beside you.

“Well, following me home is certainly not giving you any bonus points.” You retort, tugging your jacket a little bit closer to your body. “Besides, that’s not really my scene.”

Satoru glances over at you as the two of you walk. He finds himself hypnotized in the way your skin glows in the moonlight. He would be lying if he tried to convince himself that you weren’t pretty because you are. Gorgeous — in fact.

“Really?” His voice is a shade softer now that he doesn’t have everyone’s eyes on him. “You seemed like a natural in there.”

You shrug your shoulders, not offering up any more information about yourself to him. He’s just another misguided frat boy with no intentions to change who’s looking to hit.

Satoru hates silence almost as much as he hates not being the center of attention. He hates how you’re not giving in even the slightest for him

“We should go out to dinner together sometime. I think you’d be surprised on how well I can fit in to any scene.” He offers, not quite giving up on hope just yet. He’s determined to get you in his bed, genuinely deluding himself that it would be a favor to you and him.

“No thanks.” Your voice is blunt as you step toward the entrance of a girls’ dormitories. Satoru’s technically not allowed inside at this late of an hour, but he’d be amused to see who would try and stop him. His family is the top donor of the university. He practically owns this place.

He stands there baffled for a moment as you turn down his date invitation. Rejecting his sexual advances is one thing, but you won’t even give him the time of day.

“So, when can I see you?” He asks, eyebrows furrowed and lips curled into a small pout.

“You’ll unfortunately probably see me in class.” You respond, letting the door close behind you and checking to make sure it locked. Breathing a sigh of relief, you trudge your way up the steps to finally get away from that leech of a man.

Satoru stays at the door for a moment, contemplating following you inside — not for any nefarious reason. He just truly believes that you’d like him if you gave him the time of day. One of his many charming qualities is that he can talk anyone into enjoying his presence.

He had already made up his mind. You’re going to like him. You’re going to sleep with him too and like it, and he’s definitely not going to catch feelings for you so he can make you feel as embarrassed as he did tonight.

He’ll just have to set his plan in motion during class.

[thankskenpenders]

Today we got some news regarding a big change for the Ian Flynn's Q&A podcast, the BumbleKast. As outlined in a blog post by Ian, starting in 2025, all Sonic-related questions submitted to the show will first need to be screened by Sega. (I have to assume this is also why Ian announced they'll no longer be doing live Q&As starting next year.)

Frankly, I can't say this is particularly surprising.

While the BumbleKast is ostensibly a podcast about Ian's work as a freelance writer for all sorts of things, and also just a place for him to shoot the shit about stuff he likes, he's still predominantly seen as The Sonic Guy. Sure, he also does a bunch of other freelance work for other series, and original comics like Drogune, and he's also the narrative mastermind for the whole Rivals of Aether franchise these days, but it's his insights into what goes on behind the scenes with Sonic that people really care about. Your average Sonic fan can't just go up to Iizuka or whoever and ask him a question about the current state of the lore, but Ian's inbox is always open.

Because of this, I've thought a lot about the BumbleKast's place in the fandom and The Discourse in recent years. Ian wants to be as open and honest as he can about his work, and I think that's admirable. To me, hearing about creators' struggles and the shit they go through just to get a story out the door tends to make me sympathize with them more. Sometimes a story just doesn't turn out as well as you'd hoped, but you're on a tight deadline and all you can do is move on to the next project. I've even softened a bit on Penders over the years as he's shared more about the absurd situations and odd creative demands made behind the scenes at Archie. Unfortunately, not everyone has that mindset.

Ian's basically always had obsessive haters who were eager to take everything he says out of context to try and stir up shit, but that used to be contained by the niche nature of the Archie comics. Most of the fandom didn't give a shit about what Ian was doing with Sonic and Sally's love life or whatever. Most of the fandom wasn't even reading those comics. But Ian's gone from being a writer for a non-canon spinoff comic, to being the initial lead writer for the first ever canon Sonic comic series, to being the new main writer for the games themselves as part of the official Sonic Lore Team. Way more Sonic fans care about his work now, and when he's so open about his work that makes him an easy scapegoat.

It feels like damn near every week on Twitter Ian's personal trolls have posted yet another BumbleKast clip out of context to rile up the fandom and make it look like he has no idea what he's talking about or like he has some kind of agenda. And, unfortunately, people often fall for this. Of course, it also goes the other way, with people more sympathetic towards Ian taking things he says about Sega and framing them as proof that Sega has no idea what they're doing with the brand. Which, well, let's be real, isn't always the most unreasonable thing to think, given Sonic's rocky history. But I'm surprised it took this long for Sega to start paying more attention to what gets said on the BumbleKast when fans use it so regularly as a source of drama.

I've also often felt that they just need to be WAY more selective about what messages they respond to on the show. Questions Ian can't actually answer due to NDAs, questions that are borderline incomprehensible, "questions" that are really just fan ideas. And the haters, oh, the haters. Ian does not need to put up with angry rants about how he should make SonAmy canon or what the fuck ever. Even if Ian's willing to put up with it, as a listener it can make the show just super unpleasant at times when someone aggressive pops up with an inflammatory question. There have been entire BumbleKast Mini episodes I had to skip because they were just obsessive critics of Ian's paying to grill him on a dozen different things and treat him like an idiot.

But at the same time, I get why the show got to be this way. It's become a part-time job for Ian with multiple new episode a week. Given how piss poor the pay tends to be for freelance writers, I can't really blame him for wanting to keep this secondary stream of income open, and to not have to refund people left and right for rejecting their questions. The man's got bills to pay. (And so does Kyle, for whom managing the BumbleKast seems to have become a full-time job.)

I dunno. The man's got the patience of a fucking saint. I would've quit the franchise if I was in his shoes, with people wishing he would die for shit like minor disagreements over Sonic's characterization or him misremembering an obscure old lore thing. While I do hope that Sega doesn't keep too tight of a leash on him moving forward, and I hope that he's still able to speak his mind about his work, part of me also hopes that having to be much more selective about Sonic questions results in less bullshit like this.

[olderthannetfic]

90s fandoms don't always age well. Especially when the fans can't let go of their outdated 90s-era prejudices.

:/

I'm writing a fic centering around a classic juggernaut het ship, which I'll call "Joray" or J/R for the sake of anonymity. I usually just post my stuff to AO3, but this particular ship has its very own well-established ship-exclusive fandom archive, so I decided to submit my story there in addition to posting it to AO3.

My story was rejected from the archive on the grounds that it wasn't Joray centric enough, because it contained an explicit sex scene between R and a male character I'll call W.

But the whole purpose of that sex scene is to move the J/R romantic arc forward.

In the scene, R uses W to play out a fantasy in which he imagines he's having sex with J. W is someone who reminds R of the romantic idealist he used to be before his life went wrong, so there's something masturbatory about R using W to fulfill this fantasy. R actually steals a pair of J's dirty panties and makes W wear them, so W will smell like J, and picks a sexual position where he doesn't have to look at W's face. W is happy to go along with the roleplay scenario because he actually gets off on the idea of R and J together.

Yes, it's an R/W sex scene, but the whole scene revolves around R's desire for J.

When the encounter is over, W tells R that it's clear R is in love with J. Those words hit harder coming from someone who reminds R so much of his younger, more idealistic self. It's like his own conscience is speaking to him.

At the beginning of the sexual encounter, R thinks all he feels for J is casual lust. By the end of the encounter, R can no longer remain in denial, and is forced to acknowledge that his feelings for J are much stronger than he realized.

My story isn't J/R centric enough?

Did they even read it?

The scene the archive mods are claiming disqualifies my story from being on a Joray archive is the key emotional turning point in my J/R storyline. The entire J/R romance arc that follows is predicated on the emotional awakening that takes place during this sex scene.

The rejection e-mail was super condescending, too.

The mod kept typing the ship portmanteau in ALL CAPS, like I was too stupid to understand that the archive was exclusively for stories centering around JORAY JORAY JORAY.

"This rejection isn't a criticism of your writing quality. It is simply that your story contains content that doesn't belong in a JORAY story."

I think these mods are just straight up homophobic.

They saw that there were two dicks in the bed and decided it wasn't even worth trying understand what was actually happening in the scene, or why it was included in the story.

--

[wrenekingsely]

There's also the part where Professional Writing (TM) is a long and expensive fucking process. You write a draft. You give it to your beta reader, you hire a developmental editor or you don't look at it for six weeks and try to read it really critically. You question what the fuck your were thinking in the first place. You start rewriting. You might rewrite it multiple times. You give it more people to read, put it on a critique website. You pay for more editing. Then some more editing. One last rewrite. Then don't forget the copy editing and proofreading!

Getting writing to that level usually takes months of work and a lot of money. The people that sit down, write some fanfic, post it, and it's professional quality? Do not compare yourself to those people. You wouldn't compare yourself to Lang Lang if you play piano as a hobby. Those fuckers either have a lot of practice under their belt (might actually be published authors that write fanfic on the side) or are some kind of one in a million wunderkind.

And you.

Yes, you.

The person that's currently thinking about rewriting their fanfics. I see you, you little shit! Don't you even think about it! If that's your take away from the post, I swear to god, I will find you, pick you up by your ears and shake you!

At some point "fanfic can be as good as professional writing" became "fanfic should be as good as professional writing" and that's caused major damage to fandom spaces.

[endlessdreamworld]

Under the Veil

An 18+ fic starring Aventurine X Fem!Reader as husband and wife. Minors DNI, sort of a continuation of the general headcanons post I wrote CW: infertility, A pretty harrowing dead dove do no eat flashback involving graphic depictions of sex trafficking, non con and SA for past Aventurine, as well as a brief mention of drugs. Wordcount: 4.5k

You felt grateful for your husband’s embrace now more than ever. It was warmth you desperately needed. It was security you didn’t deserve, not when you feel like you’ve robbed him of something he deserved more than anyone else in the world. Last but not least, it muffled your quiet sobs as you processed the reality you should have been expecting all along. After all, you and Aventurine have been actively trying for kids since the day you got married over three years ago. Something was critically wrong, but you both believed that this was something money could fix. You had already spent so much money crafting the perfect nest for all of the little ones you promised to bring into the world together. You promised him no less than half a dozen kids with eyes as bright and vivid as his and no one else’s. You weren’t one to ever break your promises, not until today.

A fresh wave of tears spilled out of the corners of your eyes and into your husband’s shoulder. You didn’t deserve to be comforted like this – not when you failed him so terribly, but you knew if you tried to pull away he wouldn’t have it. So instead you inhaled deeply, taking in his scent of today’s chosen cologne. You shuddered when you quickly recognized the smell of lavender. If anyone knew the first thing about scented oils it was the calming and anxiety relieving factors of lavender. Between the pacifying fragrance and the feeling of his sweater made from the cashmere of some rare creature, it was a matter of time before the tears finally stopped.

It was unlike Aventurine to wear a simple sweater as part of the ensemble of his outfit of the day given just how much fun he has peacocking around, but between the softness of the cashmere and the session of aromatherapy, his feelings on the matter of your infertility were obvious. He was fully prepared for this outcome and came deliberately equipped to ease you through the heartbreak. Your husband kissed the crown of your head and stroked your back until you found yourself kissing him back on the shoulder and the inside of his neck. After a few more deep breaths, you worked up the nerve to look him in his eyes. It was a relief to see them narrowed softly, exuding as much warmth as the day you both took your wedding vows. You felt lighter to see he loved you as much as ever. “I’m sorry honey,” you whispered into his neck. He gave you a squeeze, and laughed quietly. The soft melodic lilt tickled the tip of your ear.

You weren’t the same after receiving the news of your utterly barren womb. Your smile didn’t reach your eyes and you stayed in bed more and more. Aventurine was dying on the inside seeing you struggle like this, feeling entirely responsible for it. He’s always wanted to be a father, that much was apparent. He made it known countless times well before the talks of marriage. The Sigonian was quite good at dealing with the cards he was given both literal and metaphorical. It’s rare that he misplays so catastrophically.

Aventurine knew it would be no easy task to convince you how little this mattered to him in the bigger scheme of things, how it was you who was his everything. You saw through it all, the bravado, the bluffing, the bullshit. You barely had to try and you found the pathetic shell of a man beneath the fineries and you chose to dive in head first. It was a long and miserable road to get to a point where you were both happy.  The fact that you were even engaging in regular intimacy after everything he’s been through is nothing short of a miracle.

Sex trafficking and slavery go hand in hand, and the life of a ‘pretty slave’ in the hands of society’s upper crust was one of unparalleled shame. He, of course, was mostly transparent about how… well used he was. Your husband never gave you the full details of what happened, favoring to spin the lie of how ‘he forgot’ which he hoped would become the truth like the other half dozen lies he continuously spun. 

He wanted to forget his first time, auctioned off to a man who was no less than thrice as old as he was, lusting over someone who was still more boy than man. He wanted to forget how that predator’s chest hair felt against his back, how the sweat slickened curls made him squirm while they left their slimy trails along his flesh. Aventurine wanted to forget the feeling of the man’s palm on his cheek as he forced the Sigonian’s face into the pillows and lined up their hips. He wanted to forget the pain of the violation. Most of all, he wanted to forget the humiliation of his body’s own betrayal as the high roller stroked him off, the little mewls and groans that slipped through his traitorous lie spinning lips before he made a mess on the bed. He wanted to forget the feeling of blood laced spunk dripping down his thigh that night. It was no small consolation that he at least had long forgotten that face.

 He wanted to forget the taste of sweat and salt leaking from every cock he had to suck. He wanted to forget the shapes of them, the smell of them, the leers, the smacks, the feeling of strangers tugging on his hair. He wanted to forget the ‘parties’ his master rented him out to. He wanted to forget about the streaks of jizz on his lower back, how they wiped themselves off on him leaving hedonistic tallies keeping score of some sick game they played amongst themselves. He wanted to forget the drugs needed to perform when his body would no longer cooperate. He – “Honey, are you okay?” You asked him. He had been staring off into space for a while. Whenever he gets like this, it’s pretty obvious he’s stuck somewhere inside of memories he didn’t want to be shackled to.

Ah, even now you’re worrying about me? He thought, and tilted your chin up to give you a kiss on your cheek right below your eye. “Me? I’m fine of course but what about you?” He cupped your face. “You’ve been out of it for the past week. I’ve been worried sick you know?” Truth be told, he was giving you some space but he was always ready to come running when you were finally ready to share some of the pain you’ve been carrying lately with him.

“I’ve been doing some thinking, and I think we should talk.” Oh those dreaded words he always hated hearing. You’ve almost never said them, only when your relationship was in dire straits and you needed something from him in specific. It’s been ages since he heard them.

“Right, I’m sure we do,” he said and sat down next to you on the couch. He faced towards you and rested his arm along the top of the couch. You reached into your bag and pulled out a few resources, but it’s hard for him to pay attention to what’s in your hands when all he can see are the bags under your eyes.

“I’ve been looking into some options for us,” you presented him with some printed documents regarding surrogacy services. “So you can still be a father and pass on the bloodline.” He grew utterly quiet, but you’re undeterred, “Or maybe you could sign up at a fertility clinic and see if you can be registered as a sperm donor. I know Sigonians aren’t exac-”

“Stop,” he cut you off. Your hands froze and clutched onto your well intentioned but foolish research. His fingers rubbed against the backs of yours, coaxing you into giving up those unnecessary papers. You acquiesced and let him shuffle them back onto the table. “We can go to other doctors, get a second or third opinion or whatever.”

It hurt to hear him hold onto hope like this because the chance of having your own children was slim to none. “But what if it just can’t happen?”

“Then it just won’t happen,” he smiled but you could see the pain in his eyes.

“I don’t want you to give this up, Kakavasha. I know how much your Avgin heritage means to you. I–” tears threatened the edge of your vision, and your husband shushed you. “I promised you I’d –” he put his index and middle finger against your lips, sealing them in a gentle hold.

“Ishla rhim,” he addressed you with the Avgin term of endearment meant only for the most intimate of moments. One would be lucky to hear it more than a couple of times in their life. “Let’s pray together, do you remember how? Or do you need a little reminder?” His voice is  as warm and sweet as his namesake.

“I remember,” you told him while lifting up the wrong hand.

He clicked his tongue playfully and retrieved the correct hand while kissing the other. “It’s our left ones. You’ll always see our commitment to each other when we pray,” he rubbed the pad of his finger along the skin of your wedding band seared into your flesh with the same ink that was used for his commodity.

“Right,” you nod and he kissed your forehead. You began to recite the prayer cautiously, “May the Mother Goddess thrice close her eyes for you…?”

He nodded, “That’s right. Don’t forget the part about keeping your blood eternally pulsing.”

You groaned, “You’d think I’d know the prayer by heart after all this time.”

He laced his fingers with yours pressing your palms flat together. “You do know it, but you’re feeling a bit nervous is all.” He squeezed your fingers together and peppered the backs of your fingers with kisses, one for each knuckle. “Your fingers are shaking. Let me take over.” He recited the prayer line by line, with you following along. Yet still, you didn’t seem to feel better and he could tell. 

The air grew heavier between the two of you, and you finally broke the suffocating silence. “I think we should look into alternatives just in case…” “I’m not interested,” he said, leaving no further room for discussion. “It was only ever going to be you and I.” It was unlike you to be so pushy. You were always so mindful of his needs and careful with his boundaries.

Just as you were about to try to find another angle, he leaned over you, effectively caging you against the back of the couch. “Wife,” he begins, his eyes were colder than you’d seen them before and there was a hint of desperation in the calm black depths of his pupils that made the vivid brights of his iris seem to glow. “I think you’d benefit greatly from being reminded of our wedding vows.” His eyes roamed from your eyes to your lower lip. He grabbed your chin and tilted your face at such an angle where he commanded every last scrap of your attention. “Because you seem to be forgetting the part about ‘in sickness and in health’ and that simply won’t do. How about we renew our vows, right here, right now, hmm?” Aventurine brushed his lips against the corner of your mouth. He nuzzled his face against yours, the caress of his long and full eyelashes finally pulled you from this pit you threw yourself into. You took a better look at him and saw that look again, that one a pet would give you before you closed the door on them before leaving for one task or another. It was that look that screamed ‘please don’t throw me away’ at the top of its lungs. 

How very thoughtless of you, ignoring what was right before your very eyes. You cupped Aventurine’s face with both of your hands and his eyes fluttered shut. Guilt twisted inside of your guts, knotting you in a way that made your stomach flip. It finally dawned on you just how bad of a spot you put his already tortured soul into. “I think I may need a reminder, but not here,” you patted the couch. “There’s not enough pillows.”

“Right,” he sighed in mock defeat, “What was I thinking?” Aventurine scooped you up as he rose to his feet. “Silly me.” Countless times you were the source of his comfort, his little slice of heaven molded into flesh and shaped into his home. Now here you are, in desperate need of comfort and it’s his turn to perform. The stakes have never been higher. He knew if he failed to relieve you of that all-devouring guilt of yours, then a part of you would never be the same and he was having none of it. Aventurine set you down in the middle of your marital bed and you started making quick work of your buttons. “Hey!” he called out to you in a pout, making you freeze. “Hi?” your fingers sheepishly fidgeted with the last remaining button that kept your clothes together.

Your husband approached the edge of the bed and sat down beside you. “That’s not how our wedding night went. This,” his fingers brushed aside your own as he ran the tip of his finger along the flat surface, “was my job. And you stole it from me. Guess we gotta change things up this time.”

Aventurine put his hand on your cheek and you took the opportunity to steal a little more from him. You pawed at his clothes before he had the opportunity to disrobe himself. He hummed in amusement, “Someone is very eager,” he mused, the corners of his lips curled up into that smirk of his that never failed to make you feel like a total mess. It did him well to see you perking up a bit. He playfully pushed you down onto the bed, “Roll over for me. I want to see you on your hands and knees tonight.”

He didn’t have to tell you twice. You rolled over onto your stomach, just in time to see Aventurine finish undressing. He threw himself onto the bed next to you and brushed your hair back, taking a moment to just… soak in the sight of you. Ages ago he’d lay down next to you, too scared to touch you, scared to make you dirty. You always took things slow, always left the floor open for every no he was brave enough to say. That’s why the talk of all of these ‘options’ felt so unnecessary.

“What are you thinking about?”

“You,” he quipped smoothly. It was clear his mind was elsewhere, but he seemed content enough so there was no need to press him on it. He weaved his fingers underneath the hem of your shirt before sliding his hand up the skin on your back. With his free hand, he popped open that last button you so graciously saved for him. Aventurine made quick work of the rest of your clothing and basked in the familiar sight of you. It would always only be you. He trailed his fingers down your back, leaving little paths of gooseflesh in their wake.

“That tickles,” you laughed quietly and rubbed your back against his exploring hand. As you went to roll over and swat his hand away, he held onto your wrist and kept you on your stomach.

“On your knees for me. Please?” He nuzzled the side of your cheek. This isn’t a position you took often, so it was tremendously exciting. You felt invigorated by the simple gesture of getting on all fours. Your husband placed a hand on your hip to savor the feeling of your skin and quickly clicked his tongue in disapproval. “Too cold.” He stepped away. You turned your head to see him fidgeting with the thermostat.

“It’s not that serious. I’m not cold, I’m lonely,” you whined from on the bed. He always doted on you so much, too much even – especially during intimacy. You’d be lying if you said you didn’t understand it. His words from the day you finally bridged that threshold play inside of your mind on loop during times like these. “I’ve been embraced so many times before, but this is the first time I’ve been held.”

He laughed at how petulant you’re being, but he’d be lying if he said he didn’t find it heartwarming. Aventurine returned to your side and placed his hand on your back once more. He slid the tips of his fingers past your hips, past your ass, until they settled around your already damp lips. He traced his fingers along your slit and felt your slick stick to his dexterous digits. Your husband knew your body well and didn’t even need to slip a finger in to know how easily you’d take two more. “Yes, you certainly feel very lonely.” The way he said it made you want to protest his teasing, but honestly? He didn’t want to leave you unsatisfied for any longer.

The bed shifted under his weight as he joined you. You bent your arms, your front half dipping low enough so you could feel your chest settle on those oh so familiar soft silk sheets. Your husband sighed in satisfaction as he settled his hand on your shoulder. The warmth of his hands radiated through the relaxed muscles of your back. Strands of his soft blonde hair tickled the side of your face before you felt his nose rub against the left side of your neck. He placed a tender kiss right on the same spot his commodity tattoo would be and you purred in turn, your hands already clutching at the sheets as you salivated in anticipation. Aventurine gave himself a couple of strokes before he nestled the head of his cock at the entrance of your snatch, the lips swollen and puffy from arousal. He smirked into the skin of your neck.

“Wow, I don’t even have to touch you anymore to turn your guts into tangled ribbons,” he whispered in such a sultry tone before running his tongue along the artery in your neck. Your pulse raced wildly against the damp muscle oh so deliciously. He loved driving you crazy like this, loved the way he could move your heart, loved the noises he was going to pry out of your sweet lips.

He was met with no resistance as he bore his weight down on you. The head of his cock breached your entrance before he carefully sheathed himself into you. A little sigh of delight huffed out of your partially parted mouth. You gave a light wave with your fingers as an invitation. Aventurine placed the palm of his hand over the back of yours, lacing your hands together. He gave you a light squeeze and finished bottoming out before kissing the side of your neck.

It was a bit surprising feeling him stop there, and you thought that maybe he changed his mind. Before you had time to overthink it, he murmured into your ear as a reminder, “We’re supposed to be renewing our vows, love.”

Oh yes, that’s right, you were already so cock drunk that you forgot that part. “Right, it was just the –” you felt the tip of the fingers of his free hand trail land on your sternum. They felt cold against your burning skin.

“Yes?”

“The standard ones, something classic.” It was so unbelievably hard to keep your head in the corporeal realm when Aventurine’s touch was propelling you to heaven.

“Right, I’m listening. I want to hear you recite them because I think you might have forgotten.”

“For bett-” he started to drag his fingers from your sternum to your navel, leaving a pit in your stomach. He felt your weeping cunt seize his shaft in a chokehold. Your voice pitched high, “better andpoorer.”

“For better and for worse,” he nipped your ear and trailed his fingers back up the center of your torso before they settled back between your breasts. You clamped down firmly on his hand in your own, an attempt at avenging your broken focus. “Come on, what was next?”

“For richer, an-” he dragged his fingers from above to further below this time, settling just over your womb. “Richer and for poorer.”

He placed a warm kiss on your temple. “Good girl,” he cooed, tickling your hair. “Next?”

Your tongue swiped at your lower lip and then spit out the next bit as fast as you possibly could before he had the opportunity to scramble your brains anymore than he already had. “Insicknessan-” You should have known better than to try something like this. The moment you committed to spitting out your wedding vows, Aventurine had already taken hold of your swollen clit in between his fingers. You stumbled, unable to hold your hips up for a brief moment. Not that it had any affect on your position with the way he was holding onto you.

“In sickness and in health, and don’t you dare ever forget it,” he threatened.

You shook your head and then laid it out one last time, “But what if this is it? What if we can’t have kids of our own.”

Your husband grew silent, and you’re afraid you broke the moment when all you wanted was to be considerate of what he was sentencing himself to.

“Then it’s very simple, isn’t it?” His thighs rubbed against yours as he rolled his hips. The way his cock grinds against your core makes your eyes roll back into your head. “I’ll be the last Avgin. The bloodline dies with me. I wouldn’t have it any other way.” Aventurine holds you still as he rocks back and forth in a steady motion. He sounded so happy as he said it, and the last of this festering worry was stolen away from you. 

Fuck, he knew just the right thing to say didn’t he? It wasn’t fair. If only you could be half as good as he was but right now, all you could do was confess a sloppy “I love you,” into the mattress accompanied by a thin stream of drool.

He huffed a breathy laugh against your back, “Oh I know you do.” Cocky and self-assured, just the way you like him. Aventurine inhaled and lightly rolled his fingers, swirling your bead in pace with the soft rock of his body against yours. You sighed, you squealed, you sang – just for him. Oh how he loved to hear you, see you, smell you. He focused on those sensations as he tried to believe the lie he just told you. Was it a lie though, if it was one of omission? It’s not like he was lying to you outright. While yes, it was that simple, that this was what he wanted, he’d be lying if he didn’t say how painful the solitude would be.

But none of that was important, not when the scent of your shampoo tickled his senses, nor when he watched the wet spot near your face slowly grow from the steady stream of drool. It was some delightful proof of just how much you were enjoying yourself. He had you right where he wanted you, and although it was out of character for him to leave you hanging on the edge, there was something he needed to do for himself or rather for both of your sakes.

“I’m going to grab something to make things a bit more exciting,” he kissed your forehead before carefully disentangling himself from you. Aventurine had enough kink for a lifetime after all of the subjugation he went through so he didn’t own what he was looking for. A substitute would do. After all, this wouldn’t be the first time nor the last time that he would hide behind his wealth as a shield. He retrieved his favorite necktie, and swirled it proactively. It was some unintentional good planning on his part that he’s spent countless hours on sleight of hand tricks. He needed the practice now more than ever. If anyone would be able to spot his facade slipping, his fingers shaking and unsure, it would be you – his chosen life partner. “Here, let me put this on,” he said as he wrapped the makeshift blindfold around your eyes. A tool, a misdirection, a temporary respite.

Aventurine rolled you onto your back and you were none the wiser to the forlorn and broken expression on his face. He needed to cry, to mourn the family you were supposed to have. The nursery he’d disassemble by himself for your sake. He couldn’t worry you, not when you needed the comfort more, when he knew what it was like to feel small and helpless as your body betrayed what you wanted. It wouldn’t be difficult to pass his tears off as sweat, his shaking voice as swells of his own pleasure. Of course he felt good too. Everyone is more comfortable at home. He saw your fingers twitching in his peripherals, a tell that was far more consistent and obvious than the frenzied fluttering of your insides. Yes, now would be a good time.

Your husband crashed his lips against yours, a calculated act of theft as he stole your cries of ecstasy right out of your throat. Some might call it slimy, some might call it cunning, he called it commitment as he used the tortured screams of your climax to mask his own erratic breathing and whimpers of heartbreak. You fell still beneath him and hummed in satisfaction. Your fingers peeled off the blindfold, and you could finally get a good look of his smiling face. He thanked Gaiathra Triclops for giving him the strength to pull himself together so he could face you with a proper smile instead of that hollow one you’d see right through in a heartbeat. “I didn’t know renewing our vows could be so fun,” you beamed up at him, a smile as calming as the moon. He found himself nuzzling into your hand. “Romantic right?”

You laughed and nodded enthusiastically beneath him. “Wanna get cleaned up?” You gave his cheek a squish.

“Now that sounds like a great idea.” Your life together carried on. This was just another point in time, one he wouldn’t deem as suffering no matter how painful. As a gambler he weighed the risks and rewards of every encounter, every interaction. Every move was calculated, every word was said with purpose. Who knows? Maybe Mama Fenge would bless him with a miracle. After all, as the fortunate boy born on the day of Kakava he was blessed from the moment he was born. All in, he didn’t even need to remind himself as he helped you wash your hair, relishing in the smile on your face, one you gifted him with today and tomorrow and every day to come.

[pseudonymphomania]

The future can never be known beforehand, but in your crystal ball eyes I see myself and what you want me to be.

Yuki’s Fandom Analysis and Thoughts

It was after midnight when I saw the news. I was heading to bed and was struck by this thing that has now caused Obey Me to be a trending topic in gaming today, something it hadn’t done in quite a while. Shock, dismay, hope, despair, relief, commiseration, joy, emptiness. Sleeplessness. I took a nap after the Ferris wheel of emotions from talking with everyone and seemed to process the entire gamut of emotion in those few hours, then I went to work because it was just a normal day.

I cried at work. [secretly]

I smartly decided to take a day off today. Throughout, I kept an eye on all my social medias and saw the range of opinions about where the game should have gone or could go next, some rampant rage, confusion, but mostly just sadness. Posts lamenting, posts agonizing, because this is what fandom is. We are all the emotions that can ever exist and at any given point we as individuals become fixated on a certain genre of them. No matter what we each thought to ourselves about individual elements, we are joined here by this love that we feel for the game because we can only feel a loss this strongly if we also love just as strongly.

I decided to take a breather from social media and opened the apps. It felt so strange. Obey Me wasn’t an mmorpg. There was never any physical people in there aside from the friends we got ap from. The tactile features, the noises, texts and pop ups were the same, so why did it feel so empty?

It’s because the fandom was mourning. I realized that when the fandom is joy, I am joy. When the fandom is sad, I am sad. I and you and others are fandom and fandom is what made the games what they are. Fun.

We are what keeps this world running.

Everything we had as a fandom, as friends, acquaintances, even if you were just a random blurb attached to squishy avatar to me, all this was meaningful beyond the constraints of the game.

But we are hurt. If we are to take Obey Me’s rules to heart where we are the MC of our universe, this was literally world-shaking news. We need to allow ourselves to process these feelings (even me, who didn’t treat the inhabitants as my romantic partner). We need to do it on our own terms and not on someone else’s timeline.

The official statement is vague on purpose, and everyone is preparing themselves for the end, but the future can never be realized beforehand. I don’t care for self-fulfilling prophecies if the only reward at the end is being able to say “I was right”. They gave me a rescue hook and I’m skewering myself on it. I’m passionate about what I love and I’ll let it drive my action; whether critically or lovingly. We took a hit yesterday and I’m still feeling it today, but that’s exactly why I want to support this fandom in anyway I know how in whatever way I know how.

Here is where you’ll find me.

(I remastered my “Hug Day” art for this. I usually repost the original when I’m feeling sad and Diavolo’s stupid silly face actually makes me less sad. Imagining this big awkward dude earnestly trying to make me feel better puts the smile back on my face where it belongs, so let me eat my bittersweets and don’t tell my dentist)

Live discussion on Reddit

[utilitycaster]

I have a post from about four years ago getting notes again, and when you go back to look at an old post on your phone it takes you back to that era of your posting, and there really is something to be said about how the discussions I was having at the time re: Critical Role were like, involved ones about the nature of different character arcs within Campaign 2 and how they integrated into the story. Like I said this in the tags but on some level it's wild to consider I branched out into an entirely new medium to me because I felt sufficiently starved of a longform heroic fantasy work with a variety of character arcs that achieved this in the present; and that the nature of C3 discourse feels like "have you considered that the people who almost broke magic and set off a war are, perhaps, the villains."

[fennec-foxhound]

Fennec doesn't care about victims.

So this is one of if not THE main reason I felt compelled to finally make a blog about all of the terrible things Fennec has done in light of him making the absolute worst callout post imaginable.

When I learned Fennec was making a video exposing Courtney, who at the time he had painted as a dangerous predator that only he seemed to be ready to call out in that friend group, I approached him for help with what I thought was a similar situation.

I cannot reveal names or details at the moment due to evidence still being saved and archived (and not wanting to compromise that), but I asked Fennec for help taking down a different predator; one that had groomed me and had gotten away with it for over a decade now. After cutting off all contact with that predator when I turned 18 and going quiet about the whole ordeal for 7 years, I found out that they were still active online and grooming minors.

What's worse, they were grooming minors through me in a twisted way I would've never thought of. Without my consent or knowledge, this predator created an anthropomorphized character that was supposed to represent me to star in fetish art. They would then groom other minors into drawing fetish art of that character. All of this was proven true with folders upon folders of screenshots. Screenshots Fennec saw.

When I asked Fennec for help making a video to expose this predator, he agreed. I did the work and was able to connect to many other victims. Fennec was brought into a server where they all were and we all got to work documenting and archiving evidence of this predator's crimes.

While Fennec was supportive in DMs with me venting about the situation and explaining what this predator had done, he was mostly inactive in the server with them. He didn't ask many questions and the most he ever contributed to the conversation was criticizing the predator's screen name and wanting to talk about how racist it was (it was both not racist and completely unrelated to anything important we wanted to focus on).

When the argument in Fennec's server took place and I was banned, he went dead quiet in the victims' server. Seeing that he was still there despite blocking me, I told the moderator of that server what had happened. They immediately banned him without a second thought. I'm under the belief that Fennec only stayed in there to see if I would pick a fight with him in front of the other victims.

Nobody from this server was involved in any grievances Fennec had with me (grievances I wanna remind everyone reading this that Fennec NEVER ADDRESSED WITH ME OR BRITT).

He never reached out to any of them. He never tried to make an expose on this predator without anyones' involvement (thank God). The moment he had an issue with me, the pain every single one of those other victims have had to deal with didn't matter to him. He gave them hope only to rip it away over what ended up being a petty smear campaign that they would've never known about. None of them were in the Fen Den or the Olive Grove.

What a scumbag.

[toscanasoups]

is this a safe space. (kind)

wanted to try my hand at redesigning melanie and even writing a little for her since we still barely know anything.... criticism ahead (NOTHING TERRIBLE)

her design just doesnt. make sense to anything. its things mashed together and its cute but the more you think about it you go "....so why is this here exactly?" it reads more of an artists oc than a character that is crucial to a story.

so i decided "heh... how do i make most of this work." it leaned more into the tv head aspect, but i decided on a design that takes inspo from cartoons i saw as a kid! like max and ruby etc. i thought using the kids show idea would make it way more fun to write her post-resurrection. im a sucker for ai/characters that learn about their mortality and boundary break. Monika and Kinito Pet are big inspos. thought her learning about the game and her part in it would lead to some fun exploration into the elevator itself and whats behind it.... and more about folly eventually. not delving into the axosun cult i really think thats a poob centric story for the game.

!!pleasw dont take this as pure criticism. i think the potential for her character is really good!! (although i admit at first i was a bit upset she wasnt staying dead as a driving force, and i have seperate gripes about other designs) i just wanted to do this for fun really fast. im excited to see how the story continues!

[yourtoradorasextendedwarranty]

Would you tell POC that vent their frustrations about white people that they're being hateful?

Yes actually. I would. Unless it was a joke. In which case I wouldn't care. But if I were to take a gander, you'd have issues about white people complaining about literally anyone else. That kind of talking is funny to me and always has been because it means that you actually have a white supremacist view of the world. You are just to jaded and stupid to realize that you do.

Which is to say that you should be justified in criticizing an entire race. Or an entire sex. You fully believe that men are the superior sex and that whites are the superior race. You'll say you don't. But you do. It's just that you believe that it IS the case and needs to be overturned. But in saying that you still admit you view non whites and women as lesser. As I fully expect. Because you're a marxist at the end of the day. Though I doubt you are even smart enough to realize that yourself. I could be wrong though. Maybe you are a marxist willingingly.

I'm guessing you're a man who's never experienced misogyny in your life

So this is kind of a dumb statement. If I am a man, and regardless of if, of course I can't experience misogyny. However if I am a man I can experience Misandry. Which is still discrimination based on sex. Which you are ignorant to it seems. To be treated like a rapist purely for existing. To be treated like a predator purely for existing. To be treated like a pedophile purely for existing. To be treated like a murderer purely for existing. To have all access to mental health and domestic violence cut off. Because of people like you no less.

Why do you always act like women aren't oppressed

Because in most of the Western world they aren't. I could post a list of the richest people on earth or just in the US and among the top of that list, from the 80's until now, there would be a huge number of them. Not just rich, but self sustaining. I've never once in my life said, "there are no areas in the world where women are oppressed". I have never said that once. However, in the western world, oppression is not something you see often. Because truth of the matter? You probably have no idea what real oppression looks like.

People often don't recognize misogyny as oppression because of how normalized it is.

Criticism isn't misogyny. And having complaints against a person voiding discussions of their sex as a relevant factor in the complaint ISN'T misogyny. Misogyny contrary to the FEMINIST definition, was originally "Hate or discrimination against a woman based on her sex". Not the bullshit expanded definition where literally anything and everything under the sun qualifies.

And lastly. I stand by my point that Radfems treating women like infants that can't make decisions for themselves is FAR more sexist than most of the actual sexism I've seen in my own life from others.

I don't think I'll continue to argue with you. Seems like there's no point. Marxist never listen and think their worldview is godlaw.

[ktlurksforsomereason]

A few new thoughts + theories about obxanon and Rudy's departure

I keep seeing the same angry, recycled theories on obxtwitter without a lot of critical thought, which like fine, people are mad, I get it. But I've been really trying to take my emotions out of the situation and just consider how this could realistically have happened, and I have a few theories that I want to put out there.

I think #obxanon is Lilah Pate, OR someone very very close to Lilah or the Pates. Why do I think this? For one, #obxanon mentions Lilah far too much. Like I'm sorry, she's just not that important lol. She's a nepotism baby riding on daddy's coattails, and she was not a major player in any of the bts drama until #obxanon mentioned her specifically in their first (now deleted) post. #Obxanon also seems to know a lot about the personal relationships between cast members, far more than a crew member or a producer might know (specifically in the way they describe Rudy and Madison's history/feelings towards each other). This tells me #obxanon is someone who personally spent time with the cast, especially in the s1 era. Finally, in a previous post, I've talked about how #obxanon is very bias against Rudy and for the Pates. I believe SOME of the facts they present (a lot of it is bullshit and opinions), but I think whoever is behind that account has personal anger towards Rudy and Elaine, especially Elaine. #Obxanon mentioned personal conflict between Elaine, the Pates, and LILAH. Why is that even important? Because Lilah thinks she's important, and Lilah is #obxanon.

2. In saying this, I think #obxanon's first post in August leaking JJ's death was an intentional move by the Pates (and maybe Netflix) to sus out how audiences would feel about JJ dying. I just can't believe that Netflix/HR wouldn't be cracking down on every single person who could know this information if they weren't already allowing it to be leaked. Like the first post? Huge leak of insider info. But ok, JJ death theory was gently leaked during Morocco filming so maybe not a drastic break of HR policy. But the second post after s4 part 2 dropped? And continuing to post answers to fan questions up until very recently? There's just no way. Someone would be getting sued. A crew member would be out of the job. The Pates would be putting a stop to it. Unless it was intentional. Unless it was Lilah. Who wanted to

a. gently prepare audiences for JJ's death,

b. get a feel for how angry people would be, so they could edit/prepare to launch their bullshit PR "he was always gonna die" statement,

c. know whether they should renew the show for 1 or 2 more seasons, depending on how much viewership would be lost,

d. maybe even try to convince/guilt-trip Rudy into changing his mind based off of fan response? And if that last ditch effort didn't work,

e. proactively shift the blame onto Rudy to redirect fan outrage, meaning the writers/showrunners could take slightly less heat.

The show getting renewed for a 5th and final season BEFORE part 2 dropped and all hell broke loose? This tells me that they had a solid idea of how bad it might be and opted out of the original 6 season plan. They probably didn't know it would be THIS bad lol, but clearly the writers have their heads up their own asses and don't know how shit they actually are, so they underestimated big time.

And before people start saying this is a conspiracy and couldn't be PR, I really wouldn't underestimate how involved marketing teams can be, especially for a high budget #1 show on Netflix. The Pates mention all the time how they read and monitor fan feedback. Like, if the obx twitter account can interact with fans the way they do? They can definitely be sneaky about leaking info on tumblr through an anonymous yet extremely, SUSPICIOUSLY informed source.

And finally,

3. I think the reasons for Rudy leaving (and I absolutely believe that he left) are far more complicated than simply "Elaine was jealous." I think the way he handled it was messy and shitty and immature, but I've tried to theorize WHY and I've come up with a few intersecting reasons. I want to preface this with I DON'T ACTUALLY KNOW. But I like trying to understand people's decisions, it makes them more human to me and allows me to move forward with empathy rather than anger. So here's what I think:

a. He and Madison were previously FWB. I can't pretend to know the timeline or why it ended. But it happened sometime in 2019/2020 and Elaine was unaware of this (or at least how strong the feelings involved were) until later on in her and Rudy's relationship. Elaine not knowing about their fwb arrangement is alluded to in multiple Deuxmoi blinds over the years. Just feels too consistent to not have some truth to it. I can see how finding this out could blindside Elaine, make Rudy feel ashamed and uncomfortable, and contribute to growing jealousy and tension throughout years that finally hit a breaking point. I'm not saying jealousy is acceptable, especially because portraying a believable Jiara romance was Rudy and Madison's JOB. Obviously the healthiest decision is either break up or make peace with it. But I think this could at least explain why Jiara upset Elaine so much. She felt lied to. Also if Rudy actually cheated on Teo, that would increase Elaine's insecurity even more (once a cheater always a cheater). AND put pressure on Rudy to prove that he won't cheat on Elaine, making him all compliant and weird n shit towards Madison. The whole thing is just messy.

b. Rudy did not want to do Jiara in the first place. He didn't even sign up for it when he joined the show. Their "chemistry" in s1 was a literal representation of Rudy and Madison's chemistry in real life, likely due to their fwb arrangement. It wasn't JJ and Kiara liking each other. It wasn't planned. (I hate how Kiara asking John B "Did you tell JJ" is literally always used as proof against this, but I always saw that as Kiara not wanting to admit she actually did like John B and wanted to keep shit on the down low until they figured it out. That's totally how it's written. But the obx writers suck and don't elaborate on that ever again, so it gets misinterpreted). Regardless, fans saw their obvious chemistry and SCREAMED for JJ and Kiara to get together. They also screamed for Rudy and Madison to get together, which was probably fun until it was awkward. But Rudy literally NEVER actually liked it as a plotline. In interviews for S1 and S2, he talks about how JJ is not ready for a relationship, maaaaybe endgame could be them hinting at getting together but he just didn't think it made sense with the storyline. And Cleo was getting written in as JJ's actual love interest. And Kiara had already kissed John B AND Pope. It was not the writer's original plan, and Rudy has said that he thinks the show should not be swayed by fan desires. Except the writers are spineless and lack creativity, so instead they chose to listen to the fans and pivot their entire storyline to make Jiara happen. Which Rudy was contractually obligated to then do. Unwillingly. For 4 seasons.

c. Outside of Jiara, Rudy hated the writing on obx. And who can blame him? Everyone hated the writing on obx. The plotline has been getting more and more unrealistic and ridiculous since S1. If there was no bts drama and JJ lived and the show was renewed for 3 more seasons, season 4 would STILL be hot smelly garbage. Rudy has been getting increasingly more and more vocal in interviews about how he hates bad writing, he respects good writing, he wants to participate in art that moves people, means something, makes a difference. He basically calls out the obx writers in that Larry Moss interview for being trash. It is absolutely implied. The fan service of Jiara and the deterioration of the plot and the absolute destruction of his character JJ who he loved dearly and put so much effort into? God, that would piss me off too. Total opposition to his values. We all heard Rudy talk about JJ's storyline in S1 interviews as a nod to trauma survivors and how respectfully he tried to portray that. Only to have the writers not give 2 shits about any of that. I can totally see why he stopped giving a shit too. By s3 interviews, he literally repeats "my job is to do what the writers tell me" over and over. Dude was done long before asking to leave s4.

4. The final tipping point? The hate that Elaine gets. I'm not defending the girl. I think the whole conflict/tension/jealousy thing is wild. Hard to know what's actually true, but I think it's fair to say she doesn't make the healthiest choices (her launching her bikini line while Rudy is getting dragged by the media and fans?....wow.) However, the absolute visceral HATE Elaine has been getting for literal years, unwavering, unfiltered, unending? No one deserves that. Especially not for the petty shit she supposedly did (the girl posted some ignorant shit as a 17 year old on facebook in 2013. Like come on, she's not Kelly Osbourne saying Latinos only clean toilets on literal live TV). You can't make me believe that hate like that for 4 years straight on every possible social media platform wouldn't impact your mental health. You can't tell me it wouldn't make Rudy hate the fans, and hate the show, and hate social media. He would feel guilty, like it was his fault. He would want to protect her. They would both be so powerless to stop it from happening. Like, it literally killed her photography career before it could begin because her social media platforms were just bombarded with hate. And not just hate, but embarrassing, cancel culture accusations. If that was my partner getting treated like that because of my job? I think I'd leave too.

All of this combined = creates a total shitshow that Rudy probably couldn't wait to get away from. He's talented. He's passionate about acting. He likely wants to do other projects while he's still young and fit and eager. OBX contracts stopped the actors from doing any other work that conflicted with obx scheduling (filming and press). That reeeeally limits their other opportunities.

So I really can't blame the guy for leaving. I just think the way he did it was shitty. If he had just told them he wanted to leave before S4 was written and already filming, I think things could have been a lot more amicable. But I guess money complicates everything. Dude probably made a good mil a year with obx, that's hard to leave.

Soooo yea. Just my theories and thoughts. I could be totally off, a lot of it is hypothetical. But I haven't seen a lot of these theories fleshed out as people talk about everything, so thought I would add my 2 cents.

[cantareincminor]

Round 2: Fandom Wrapped (Writer Edition) 2024!

Thanks again to @kattyelf for the template. A blank one can be found at @twiyorbase for anyone who wants to do their own!

Detailed reflections under the cut.

This is a long, introspective post. Forgive me if I sound self-absorbed in all this reflection.

The past year has been a unique one. The last long fic I completed was more than ten years ago in the Aladdin fandom. I dabbled in shorter, more stream-of-consciousness fics after that, but hadn’t written or posted a fic since 2016. Then I got into Spy x Family in 2022, devoured tons of fics, and slowly, nervously considered writing again.

There were many reasons I stopped writing. Being busy with real life responsibilities, naturally. I got married and had kids. I had a highly stressful career. With so little time on my hands, I feared that if I tried to write after such a long hiatus, the result would be stilted and disappointing, and I would have “wasted” my precious free time feeling shittier about myself. I’ve had some version of this mindset my entire life: if I can’t do something well, then I shouldn’t bother.

I have @whateversawesome to thank for encouraging me to try my hand at writing again. After the mole hunt arc was published, an idea struck me quite suddenly—what if Yuri had died or been critically injured in Shellbury? How would Twilight deal with that guilt and how would the identity reveals unfurl in such an extreme scenario? Could Yor ever forgive him? 

For months I shied away from writing it. To do the idea justice, I knew it would have to be a long, complex fic. And I continued to have mixed feelings about my last long fic in the Aladdin fandom—regretting parts of the premise and the ship dynamics and the characterizations and just overall feeling ashamed about my writing. I didn’t want to fail—write myself into a corner and abandon the fic or something like that. Right now, on the other end, I still look back on Orpheus sometimes and wonder how the hell I managed to write it. I reread my favorite passages and wonder how I came up with those exact words.

If it may help any writers, I would be happy to share a copy of my brainstorming doc and outline of Orpheus, where I kept track of unresolved plot points, options to resolve those plot points, notes to self to go back and add foreshadowing, and calling out unexpected events in each chapter that I did not plan ahead for. It is a very long doc. But I wanted to remember everything I was thinking at the time as a gift to my future self, in case I ever attempt a big project like this again and feel paralyzed.

Orpheus allowed me to explore themes and beliefs I suppose have been marinating in my heart for years. For anyone who is still interested, below are some of my thoughts and personal experiences around the main themes.

Forgiveness

Forgiveness and redemption are always what I reach for in my serious fics. I think I fumbled it in my Aladdin fic (or didn’t really get to the redemption part), but I was able to explore it more thoroughly and with more integrity in Orpheus, with an additional decade of life experience. 

I think forgiveness is a difficult and fascinating theme to handle because it is so highly personal and often carries memories of deep hurt for ‘victims’ or shame for ‘perpetrators’. I was grateful when readers sometimes shared their personal beliefs and experiences with it in their comments. In order to treat this theme with respect, I wanted to convey that forgiveness should not come cheaply. That is not to say it’s bad to be merciful and quick to forgive—those are amazing virtues. But the act of forgiveness comes at a cost and can be incredibly painful. The cost does not simply vanish due to good feelings or an act of the will.

Someone can either withhold forgiveness and make the other person pay the cost—in Orpheus, this would have been Yor rejecting or taking revenge on Twilight and leaving him to feel horribly guilty about Yuri’s injury for the rest of his life. Or they can choose to forgive and pay the cost themselves. In my own experience it feels physically painful. It feels like extreme grief. This is what I wanted to portray, the devastation to the spirit, as well as the catharsis that can follow. Because after the cost is paid, what we gain is healing. The ability to move on and no longer feel like we’ve swallowed glass. And the mending of a relationship, if both sides are willing. In the case of Yor and Twilight, it makes their relationship even stronger, like a broken bone healing stronger than before. And it adds weight to the trials they would face together after that moment.

Forgiveness of self / Perfectionism

Of all the conflicts in the fic, “Twilight vs. himself” is the last one to be resolved. Even after the man has been forgiven by the people he loves, he still struggles not to hate himself. To find his life to hold any value outside of being a highly competent spy. I think many people go through some version of this struggle. I certainly did and still do sometimes, with regards to work and career.

I chose Orpheus as the title to illustrate the journey of someone who carries an enormous burden on their shoulders. Trying to save the person they love and having to follow a strict rule of never turning around or they will lose it all. All the while, the temptation to look back is incredibly powerful. Twilight bears the burden of WISE’s expectations as their top spy, the hero who has stopped nuclear missile launches, who will supposedly prevent the next war from breaking out. He also carries the expectations of his newfound family which call him to turn away from the ruthlessness of his mission. To look back at them, and not abandon them for the sake of world peace. And finally he carries the guilt of what happened to Yuri, and the pain of keeping all the secrets resulting from Shellbury.

In Orpheus, Twilight harbors both a very low sense of self-worth as well as a highly inflated sense of self-importance. He sees himself as a discardable tool who has done unforgivable things for his missions, with no right to love and be loved. But at the same time he sees himself as the lynchpin to maintaining the fragile geopolitical peace. Responsible for never screwing up, ever. Responsible for the fact Yuri was shot, even though he tried his best to spare him. He’s an unreliable, self-absorbed narrator, and the other characters around him also parrot his guilt back at him throughout most of the fic. Until the end, where I try to address the illusion of control and how a good portion of his guilt is unrealistic and undeserved. 

Unfortunately for many people who carry this kind of burden, no one tells us that it’s okay to turn around. That we are indeed not responsible for more than our own choices, and we certainly cannot be responsible for circumstances outside of our control. I’ve worked jobs where I’ve been asked to do the impossible. My first job out of college, the expectations were incredibly high. I got no training and was thrown into a project in a foreign language and an unfamiliar industry. I pulled so many late nights that in the second week I fainted on the way to the office. And I was told this was normal. That in order to succeed like everyone else, I would figure out a way to solve each problem thrown at me, no matter how impossible.

And what sucks is when you start succeeding. You pull off miracle after miracle and then people start expecting it of you like it’s normal. The reward for success isn’t a break. It’s more work. Harder work. And you buy into that unrealistic narrative that you should be able to do it or something must be wrong with you, you must be broken and can’t perform like you used to. And when you finally break, you get spit out and discarded like an outdated machine. They find the next, younger miracle worker to buy into the narrative.

Knowledge vs Wisdom

This is an easier one. Funny that Twilight’s agency is called WISE in canon. But what is wisdom? The ability to discern between right and wrong, to utilize knowledge effectively for the greater good, to know how to truly live life and live it well. 

Twilight strikes me as the kind of person who uses knowledge as a weapon, not too dissimilarly to Yuri who literally states “knowledge is power.” Twilight hoards knowledge like building an arsenal, so he can always be prepared for any problem. And this is how nations treat knowledge (intel) in the real world. Constantly trying to gain an information advantage on the enemy. 

But how does one know if one’s strategy to use all that knowledge is right? In Orpheus, the Ostanian state exhibits little wisdom in its pursuit of endless knowledge, experimenting on children and prisoners and animals to gain an edge over its rivals and amass more power for those at the top. At the same time the competition and backstabbing between the various arms of the state are almost childish in their motivations, the epitome of foolishness. Knowledge on its own does not build trust or confidence—but it can build hubris and confusion and distrust. 

One unexpectedly fun part of writing Orpheus was the dynamics between Garden and WISE. While there is distrust at the start, the leaders and members of both sides demonstrate wisdom in how they navigate the partnership and grant trust to each other bit by bit. And this feels very counterintuitive to spies who build careers off of lies and masks, as they find that truthfulness can unlock results so much faster than subterfuge. At least when it comes to dealing with Garden.

On a final note on this topic, I find it interesting that in canon Donovan Desmond claims it is impossible to know what other people are thinking and therefore human beings can never trust each other. And yet the highest form of knowledge (second only to knowing God), in my opinion, is to truly know another person to the depth of their soul. To know a person completely, and to trust and love them regardless. This is what all people yearn for, even people like Twilight who have made a fortress of masks around their true self. And this kind of knowledge is what requires deep wisdom to wield well.

Sigmund Authen’s gift of the Tree of Life plaque and the accompanying wisdom quote was an unexpected event I did not plan in my outline for Chapter 33. So was Barbara’s advice to Yor in Chapter 34, which I will end this long ramble with:

Before the two left, Barbara turned and patted Yor’s arm. “I know what it’s like to be married to a brilliant man, dear. Don’t feel discouraged. They don’t need their brilliance and worldly achievements so much as they need our love. I know it can be exhausting sometimes, but I’ve stuck by my Siggy this long through thick and thin. What he didn’t mention amidst all that blather about wisdom is that even wisdom isn’t the final goal of all of mankind’s striving. Love is. What is a life full of wisdom and philosophy if it doesn’t help you find love and keep it? In my simple little mind, that’s what wisdom is for. Goodnight, dear. Thank you for having us over.”

And that's a wrap for my 2024!

[postcardsfromheapside]

No. I wasn't missing the point of most criticism. Literally, I saw post after post of people saying they wished the characters could be mean to each other. Some posts were more specific, like "I don't like Taash," (and I'm sure you can imagine what THAT'S about) and some were more ambigious but cited DA2 and how everyone was bitchy toward each other.

I honestly don't care where you work and what you do, because hopefully most of us after the age of 30 have experienced an adult job where we have to be reasonable with our coworkers, even if we strongly disagree, or outright dislike them. I had the suspicion that most people who think that there is "no conflict," or "low conflict" or "bad writing" in this game haven't experienced this kind of setting in any capacity. What I'm now hearing is that you might have, but you didn't absorb any of the dialogue, or switch out your party to listen to banter, which is an essential function for picking up information in any DA game.

I walked around Arlathan with Lucanis and Harding, and they have a whole ongoing conversation in which she threatens him with one of her special arrows. And he agrees that if Spite should take him over, she should do something about it. Harding isn't frightened, because Harding isn't a pushover, but she's not taking any shit either. Did you walk around with just the two of them right after recruiting Lucanis? Did you frequently visit the rest of the companions so that you could see just how much Lucanis and Davrin *didn't* get along? Neve mentions what sounded like a knock-down drag out fight.

**Just because this isn't explicitly mentioned to you doesn't make it bad writing - it means you haven't had the time we had with Inquisition to play the game over and over and switch out your party so you can see everyone's interactions with each other. You will actually have to play the game multiple times and switch your party out a fair amount in order to see these interactions. Or wait for people to post them to tumblr. You can complain about how unfair this is, or remember that Inquisition has 10 years on this game, and it's been out for just shy of a month.**

Why in the absolute fuck would Davrin manufacture conflict between himself and someone he could easily conjecture isn't pro-slavery based on the fact that within five minutes he could find out she's from Dock Town, she's a private investigator working with the Shadow Dragons, and LITERALLY WHEN YOU GET ONTO THE DOCK WITH HIM, her first priority as she's running back to Minrathous is to say "if the dragon wrecks havoc, the Venatori will take over." Davrin isn't an idiot, he could pretty well surmise that she's not "pro slavery" with only the barest of interactions and Rook saying "yeah Neve's cool."

Why would Neve yell at you? Why is it bad writing for the writers to give Neve a personality you don't agree with, because you're uncomfortable with how she reacts? Neve's an adult who is used to working on her own and people not showing up for her - she says this MULTIPLE TIMES - it's actually a large arc of bonding with her, as a friend and a lover. She's not going to scream at you, she's so far past the point of being loud about disappointment, she's on the other side, for one, and for another, she does in fact understand that the entire North of Thedas is on fire and blighting Treviso is pretty fucking bad when it has no major defenses. Rook doesn't endlessly apologize. She came back after a short pause and while I didn't have her healing abilities after that, it didn't take long for me to boost my bond with her back up and feel like we were friends again.

This honestly feels like you're having a personal reaction that you need to examine, and it's not something to do with the writing, since the game mechanics and the dialogue don't actually bear out what you're putting down here.

All of the companions who have conflict initially have to figure out how to trust each other and it sometimes takes most of the game for them to do that. If you didn't spend the time listening to their banter as they work their way through it, that's not Bioware's problem. That's you. And...I don't want to have repeated conversations where I go into Emmrich's (my romance) room and "vent"? I didn't do that with Cullen. I didn't do that with Anders. Why would it suddenly be a thing here? But if you listen in to people's conversations, they do express dismay and doubt and fear about the various quests they've been on. Again, it feels like you didn't spend the time eavesdropping or taking people out and listening to banter.

I have no idea what you're talking about with flirting. I flirted with every companion at first even though I knew I was running for Emmrich, and all of them responded according to their personality. I romanced Cullen in Inquisition, and he was pretty quiet initially, until you get to Skyhold, and similarly, most of the companions here retain a certain reticence until the game progresses. But if you're looking for people who get flustered - Lace and Bellara absolutely do! And Emmrich isn't flustered, but he's taken aback a few times before he collects himself and flirts back - though whether you'd actually recognize it for flirting, I'm starting to wonder. The fact that you can't tell with Neve is actually making me tilt my head at the screen, and I say this as a self-confessed disaster who is very very bad at knowing someone is interested. Even I can tell what's going on in DA romances.

This is probably a lost cause, but I urge you to either spend time playing the game again, or watch someone else who really loves DA (and is Veilguard positive) play so that you can watch without being in the thick of it, and hopefully experience more dialogue and different choices.

No, I'm not done yet, I'm house sitting and she left me snacks and soda and not even god could keep me from venting my spleen at this point.

"I wish the companions were meaner to each other in this game, like in DA2."

While I think there's a larger argument to be made discussing the similarities between DA2 and Veilguard, I need everyone to get so close to me right now about a glaring difference:

DA2 involved a ragtag group of assholes with their own agendas coalescing around Hawke's personality or exchange of favors. There was no larger "goal," except maybe Varric's expedition - everything else is encountered as circumstance. You wend your way through your companions' stories while a city winds ever tighter into itself, a spring about to literally explode.

There's zero reason for these people to be nice to each other. They have no point in being around each other except Hawke. They can bitch at each other all they like.

Rook becomes Varric's second in command (I've seen one post say it's about 6 months before the events of the game) with an explicit purpose: find and stop Solas. Harding and Neve are recruited as experts in their respective fields for this particular goal. When it all goes to shit, Neve recruits another expert, Lucanis, to deal with the fallout, and Harding finds Davrin, *also* an expert in his field (monster hunting). When Rook has to make a particularly consequence heavy decision, two more are added to the crew: Emmrich (Fade expert) and Taash (dragon expert). All of these people are extremely competent, and know from the jump that they have one particular goal in mind.

They join ready to work together on Day 1 because if they don't, there's simply no other alternative. It's lights out. Even when they mistrust each other, the direness of the situation is not lost on them. Infighting serves no purpose. That's why the struggle is directed inward: clean up your own house, so we can move as a single unit.

Honestly the fact that what people took away from this game was "I wish my friends were meaner to each other" and not "wow, I wish we all worked together to keep evil dictators from taking over" is fucking mindblowing when I sit back and reread this.

[confused-rat]

It's wild to see lily talking about and posting Courtney's call out discord screen shots because most of the stuff Courtney says isn't far off from shot she said herself.

Lily singles out the kids in her audience to tell them to beat the shit out of their bullies--Courtney tells them to mock their dick size (something lily does alot to her critics).

Courtney talks about sex with a minor--lily flashes her books in front of her audience that she knows has minors; also used to ask for sexual fantasies from her audience and post them with graphic sexual replies.

Courtney makes fun a trans person for being ugly--lily says her critics are hideous, want to fuck her and used ablist slurs against them, and misgenders her trans critics by calling them things and it.

Courtney says he killed animals (that txt chain is confusing to me cuz he also says his boyfriend was at fault for the deaths; also unsure how they killed them, he doesn't really say, or how many) lily, if I remember correctly also bragged she hurt a cat cuz it was funny.

To me, it comes across as pot meeting kettle. Courtney is obviously really fucked up and has done bad shit, but lily is acting as if she's better, or any different is ridiculous. Frankly, I think Lily would do/say even more of the stuff Courtney did if she wasn't so aware of how closely she's watched by her critics. Alot of her change, like not taking sexual asks, is because it got her a lot of heat from critics and even fans.

Also, I can't say I don't find her attitude ironic. Lily has said callouts are lies, especially against a trans person, which I think Courtney is now (correct me if I'm wrong). She said that random screenshots aren't proof, that unless you go to the cops it's just petty drama. But now that it's Courtney, everything is 100% A-ok and real. Which, I'm not saying it's not, but for a woman who constantly reblogs or posts herself about how all callouts are evil, it's rich for her to turn around and start agreeing with one because it's about a person she hates.

(I think Courtney is gender apathetic btw, he doesn’t care which pronouns are used.)

[mythalism]

Do you find yourself in almost a state of mourning/grief with datv? I’m literally in an almost emotional distress over it. All summer I built up insane defensiveness due to all the grifter hate train bullshit brewing for it with a dose of insane excitement since I’ve been a DA girlie since Origins 2009 release date and I just… don’t know how to process my feelings?!?

Due to the pre game discourse I almost feel programmed to fight criticism for it and during a new play through I keep having “holy shit that quest was so dialed in” followed immediately by “what the hell did I just listen to” and yet my brain is still in copium mode.

DA fandom discourse has always been poisoned with garbage takes, ESPECIALLY since Solas got introduced with DAI (I’m sorry, I truly believe his die hard haters have the reading comprehension of a peanut) but the fact that there is still a huge pocket of the fandom that couldn’t even get the point of the solas/mythal dynamic when it was LITERALLY SPOONFED TO US kind of… scares me about the future of narrative design in general.

Absolutely development hell and reboot and lack of time to truly sink into the intended story beats from start to finish played a major role. The skeleton remains of bullshit multiplayer factions are here too. But holy shit. Is it just me or does everything else utterly scream “chronically online” to me.

Sorry I have no idea where I’m going with this. I just needed to yap thoughts that weren’t just in the void. I don’t know how to reconcile getting my dream romance ending I waited 10 years for alongside a narrative that doesn’t even make sense leading to that happy ending.

i wouldn't say im experiencing full on grief but i do know exactly what you mean and i sympathize with your experience a lot. i think it might be because ive been in a corner of fandom that has been very critical of bioware and so i honestly had extremely low expectations of veilguard up until the summer. i thought we would NEVER get the game, and if we did get it, i was sure it would be a fucking trainwreck after 10 years of "[insert x developer here] leaves bioware after 20+ years!". my personal bar was truly on the floor, in the deep roads, in the heart of a titan, in the void etc etc.

it does bother me the way it was marketed because honestly i would call it duplicitous. not in the "false advertising" legal sense of the world but in the way it feels like the devs are (and were) very aware of the flaws in this game and more importantly were very aware of how it would be received by long-time fans. and of course i am aware that developers have little to no say whatsoever in marketing, and its also clear that vg's marketing was an absolute mess of conflicting directions considering that reveal trailer that honestly set the game up to fail (i truly believe the grifting and general, casual reception would not have been so negative if they had used the release-date trailer instead) and the way they immediately had to drop 20 minutes of gameplay to reassure people that they werent releasing dragon age: fortnite LMFAO. but i think that mismatch actually tells us a lot about the similarly contradictory tone and writing in different parts of the game, and the direction that EA seemingly pushed for (as exemplified by their attempts to market it as... whatever that was) and the game bioware was attempting to make (which would have undoubtedly been flawed but probably more in-line with past games).

but, this duplicitous marketing was not just EA, and i do feel that the devs played up the game, and specifically our attachment to past characters and franchise entries, in a way that was a bit unfair when you have the context of their comments post-release about how aware they are of it's shortcomings. and i get it, these people have quite literally no choice. they have to participate in the marketing of this game, it's their job, they need to pay rent and eat etc etc like i get it. but just because they have good reason to play on their fan's attachment to their writing via their tweets and comments in dev q&a's doesn't mean i cant say it left a bad taste in my mouth. i think trick being completely absent from the entire marketing cycle is really interesting in this context, lol. i have no proof of there being a correlation, it was just something i found interesting this summer, and that i find even more interesting now, especially considering their role as lead writer.

it definitely felt like the things they chose to show and the things they chose not to were designed specifically to grip fans and rile us up, and though it worked for their pre-sales, i think it actually hurt them in the end because if they had not gotten expectations up so high by dangling varric and solas and morrigan and the inquisitor in front of us like carrots, we probably would not all have been so disappointed! i sure wouldnt be. remember i thought this game was going to fucking blow not even 8 months ago! for me it was precisely the summer build up that left me so bereft in the end. if i had played the game completely blind id still think it was a flop, but i wouldn't feel absolutely bamboozled and pissed off in the way i and a lot of others seem to feel.

legend @scaryanneee said once that the entire game feels apologetic, in both its writing and design and that has stuck with me ever since she said it. the whole game feels like a big "sorry it wasnt better", and even more so due to the release of the artbook filled with ideas that they knew we'd like better, and even MORE so with the game's lack of denuvo or other anti-piracy software, allowing us to data-mine and see the skeleton left behind at some point. idk a lot about game development but i am under the impression that post-release content that feels like a desperate apology to fans + tweets about how you fought and lost that then get deleted are not the norm????

its truly a mess. but i do not feel hopeless, for some reason. gaming is a mess and i think you are right to fear for the future of narrative design but although there are always people who will bootlick to cope, there are also beloved haters like us who will always complain, and not out of transphobia or a desire to grift, but out of a genuine love for these games and the stories they tell. i wish the reviews had been a bit more discerning and critical, but i hope the message will get through to bioware and EA eventually. i also think that tbh, if this game came out 3 years after bg3 rather than 1, it would look VERY different. i would not even really consider myself a bg3 fan and i have a lot of criticisms of it (lol who's surprised!!!) it is objectively a move in the right direction for the gaming industry for a variety of reasons, and i do believe its many accolades have sent a message to greedy execs everywhere.

[postcardsfromheapside]

I've seen some pretty ridiculous fucking takes, but in the novel I responded to recently, here are two that I 100% need to address:

Taash doesn't need to be told **they're** (I assume that she is a mistake) being rude to their mother for standing up for themselves. Rook has a chance to say "your mom needs time," which is legit, and Taash takes that well. But fuck looking at that whole situation, where Taash bluntly, but pretty reasonably approaches their mother with new information about themselves and their mother is the one having issues, and somehow coming to the conclusion that Taash needs to pipe down. Taash handles themselves pretty well, especially after a lifetime of criticism.

Neve not "expressing" her anger in a manner in which this person is more comfortable with, is not 'Neve's' (or Bioware's) problem. Not only does Neve act like a reasonable adult pretty quickly after Minrathous, but at no point are women required to act in the manner you desire so you think their feelings are once again on the level.

What I find funny about this, is that it's okay for Neve to be shouty, but when Taash stands up for themselves, apparently that's very not okay. I wonder why that is.

These clips came from a response to one of my posts, and overall the person felt Bioware had really dropped the ball on Veilguard when it came to characters and dialogue and therefore writing.

This is what I mean by someone having a personal reaction they need to address with themselves, and it not being Bioware's problem. This is not about Bioware's writing.