#I went for long(er) paragraphs and slightly less pictures again

[kimmiessimmies]

The Hot Wings are performing their first big outdoor Summer concert in their hometown. Teen friends Joel, Kyra, Joshua and Malik are determined to go and they're not the only ones. But life isn't all about the show...

'Out in the Open' goes live starting tomorrow, Friday 13 September from 13:00 / 1 pm (CEST) onwards.

[glowingbadger]

Request for SFW and nsfw modern au Sylvain and Hilda with a (gn or female) s/o? Ty!

((I also got another ask for Sylvain and Ashe, so I'll just add Ashe here and knock them all out at once lol))

Sylvain, Hilda, Ashe x GN Reader

modern AU headcanons

SFW (nsfw below the cut)

Sylvain:

- Sylvain loves all of the wonderful little trappings of being your boyfriend. He was the campus fuckboy for so long, and he knows that his reputation precedes him- so having earned enough of your trust that you'd give him the chance to prove himself means everything to him. As such, he's very dedicated to sweet little gestures each and every day to reaffirm that he's yours. I've mentioned before, but he's likely to send you a "good morning <3" text each morning and send you cute animal pics when you're sad.

- He adores sharing clothes with you- even if your body type doesn't allow you to wear a shirt of his, he'll lend you a scarf, sunglasses, any kind of accessory. Sylvain just loves the visual symbol of your connection, the idea that you could share absolutely everything. And again, it's very "couple-y," which he loves, since he hasn't really done the whole "serious relationship" thing very much before you.

- As I've mentioned in prior modern hcs for him though- it's definitely not uncommon to run into an ex of his while out and about. They'll either be satisfied with throwing dirty glances his way, or they may be amicable enough to say hello and chat a bit. Even then, you're likely to get a laugh and an eye roll and a side comment that, "Oh yeah, you better keep this guy on a short leash or you never know what he'll get up to." Sylvain definitely feels pretty sheepish after these encounters, apologizing that you have to deal with all of this, but acknowledging that it's his own fault. These kinds of incidents are likely why he doesn't like to talk about his past flings or relationships with you unless you really press him.

Hilda:

- Hilda is just so much fun to be with. She always knows how to help you relax- perhaps even a little too much at times. She knows the best spots to lay out a blanket for a nap or a snack on campus, and all kinds of great local places to shop. If you're the type to enjoy some, er, plant life, if you catch my meaning, she's always got a great movie or album to enjoy during a smoke sesh. That said, she's also super-low pressure about what you choose to partake in with her. She figures that relationships are supposed to be fun, so there's no point in sweating the small stuff.

- She loves to take you shopping and dress you up. Hilda has a savvy sense of style that blends classic pieces with modern trends (and she's scary good at knowing which trends will pass and which will stick around longer), so she'll take any chance she can get to pick out a cute ensemble for you.

- It can be hard to nail down her more serious feelings and perspectives on things, including your relationship. In a strange way, being with her is so relaxing and enjoyable that it sometimes feels like she's just goofing off and isn't genuinely committed to you. If you bring this up to her, she's surprisingly level headed about quietly sitting and listening. Then, she leans close to you and rubs her nose against yours and says, "Of course I love you, silly! I wouldn't bother being with you if I didn't."

Ashe:

- Your friends and family absolutely love Ashe when they get to meet him, and they probably started rooting for you two to get together long before he actually got up the courage to ask you out. You'll be study buddies and probably in a couple extra-curriculars for a looong while before the mutual attraction becomes too conspicuous and frankly too awkward to ignore. Once you start dating though, he's super sweet and attentive, always checking in with you after a big test or when you've been out late to make sure you're alright.

- When he messages you, he takes his time considering how he wants to word things, and he's more the type to send you one solid paragraph, rather than several shorter messages. He also likes to send you photos throughout his day when he passes a beautiful or interesting flower, or meets a dog out on a walk or some such thing. Sometimes, if you've been too busy to see each other or one of you is traveling, he'll shyly ask for you to send him a selfie, and when he sees you, he just sits in his bed staring at you with a huge smile on his face, his heart absolutely fluttering with how lucky he feels to have you in his life.

- He'll lend you books with the margins just full of notes, with passages that he thought were interesting highlighted, and little doodled hearts around sections that made him think of you. He could spend hours trading ideas and headcanons with you about your mutual favorites, and he even enjoys when your ideas are different or even contrary to his. He finds having someone to bounce ideas off of like this just helps him appreciate the depth and nuance of a story that much more.

NSFW 18+ v

Sylvain:

- He's always got a condom and/or lube on hand, more or less ready to go at any moment. He's very obvious about how completely into you he is, casually grabbing a hand full of your ass around your dorm/apartment, blatantly eyeing you up and down when you wear something new around him, and so on. He's also not shy with others about your shared intimacy- if you don't tell him not to, he'll brag openly to his friends about how insanely hot you are, how amazing the sex is, in whatever amount of detail they can tolerate.

- Sylvain loves when you come up with something you'd like to try in bed, whether it's a toy of some kind, a kink, an outfit. In fact, skimpy outfits drive him near feral with lust- especially if it was your idea. The mere thought that you went out of your way to find and purchase a sexy little maid costume or something similar to wear just for him is incredibly hot to him, and he can't wait to show his appreciation for the gesture.

Hilda:

- Hilda very much enjoys mid-day sex followed by a nap, or slow, relaxing and intimate sex right before bed for the night. Basically, she likes to be able to curl up with you and drift off once you've both been thoroughly satisfied. She's also very comfortable lounging around in just one of your shirts and panties, even if you have roommates around. It's mostly a matter of feeling cozy and relaxed with you, but she also certainly doesn't mind that it gives you the chance to ogle her body as well.

- She absolutely knows how to dress to compliment her beautiful figure- bras with just enough extra support to make her breasts look wonderfully full and plump, shoes with just enough of a heel to lengthen the line of her legs and her give her hips that pleasant sway as she walks. If Hilda is aiming to get your attention, she will get it. She always appreciates when you notice a new look or piece of clothing she's trying out, but she likes it even more when you can't keep your eyes or hands off of her as a result. Partially-clothed sex is always a popular choice with Hilda, as it shows that she's successfully provoked you into wanting to spoil and pleasure her immediately.

Ashe:

- He definitely wants your first time together to be special. He's just so overwhelmed by how strongly he feels about you, how his heart pounds at your touch, how kissing you feels like flying. It may seem like an old fashioned impulse, but he'll want to wait a little while into the relationship before "going all the way," and when he does initiate sex, it's likely to be at the end of a long and lovely date night. A play, a pleasant walk through a tucked away little garden nearby, and a high-quality but not obnoxiously extravagant dinner, then he takes you back to his room and kisses you slow and deep, then says, "I'd... I'd like to be with you tonight- for real- if, uh, that's okay with you..."

- Ashe is the kind of guy who really savors a range of different sensations. He won't hesitate to go down on you before seeking out his own gratification- hell, the feeling of your nails through his hair as you arch up from his bed is satisfying enough for him for the time being. He checks in with you frequently the first few times you're together, always assuring you that he's here for you, that he adores you, that he only wants to make you happy.

- He's pretty demure about discussing his sex life, blushing madly if his more outgoing friends prod him for details (has he finally "sealed the deal" with you?? How'd he land such a cutie??). He's not likely to sext or ever ask for lewd pictures, but if you send him one that's even slightly suggestive, he'll blush madly and reply with what's practically a rant about how gorgeous you are.

[bladekindeyewear]

Boots reads Homestuck Epilogue part... one..??

Alright, let’s do this.  As I’ve said, the page after this one is all I’ve seen, I’m diving in unspoiled.  Also I gather from some of the non-spoilery chatter I’ve heard from my friends -- one of which warned me this sort of thing was coming a couple weeks ago, and I believed them (but didn’t want to) -- that this first epilogue-upd8 may not be the only epilogue-upd8, which isn’t surprising either given how Andrew works.

Alright, let’s go.  Hope my stomach can take it!

So, Page 1, the mock-AO3 page that’s the only thing I’ve seen before posting this.  The content warning is EXCELLENT, and gives me hope that this will be the usual Hussie-caliber and more humorous than heartwrenching.  :)

It also makes some serious sense that there would be multiple epilogues; from the sound of the summary, this one might focus more on John and then leave ample opportunity to discuss the others.

Let’s click page 2 -- oh, or contents: “Prologue”, this being a chapter list for this is another way to do it.  Clicking Prologue.......

Okay wow, this is novel format for the moment.  Good chance it won’t stay that way.

These first two paragraphs are well-written and ominous, sure -- describing stuff we pretty much already knew was happening, in different words -- but even though the writing isn’t really pretentious, there’s still a good chance Andrew *views* it as pretentious enough to find cutting away to art-style instead hilarious.  Onto the third paragraph...

Music and Calliopes the other Calliope is conducting, yeah... Oh, there’s a garbage disposal reference.  In regards to a black hole.  Like the one I kind of pointed to during Dave’s intro sequence in the Third Scratch theory and stuff in all those big theories.  The ones I was, er, wrong about... ahem.  Moving on.

“Your name is John Egbert, and you have just had a terrible, deeply pretentious nightmare.”

Pfffffffff  :D

I love you Andrew Hussie.  Reading on...

YES I see chat colors. Chat colors!!! I need chat colors.  Reading reading reading let me get down to them let me

Absolutely nothing of note has ever happened here in the entire history of the planet, which you would know, because you created it.

Baahahahahah.  :D

Okay yes I’m at the phone-sterlog.

Uh oh.

I am reading elevated levels of angst compared to usual pesterlogs in this log.  Which is to say, virtually any at all, really.  THAT doesn’t bode well for the outcome/overall tone of this epilogue.  :X  --Not to say it isn’t *appropriate*, given they still haven’t fixed/resewn Paradox Space together, but... yeah, *future feels* are popping up on the radar, that’s what I’m worried about.  I loved the tone of the snapchats and the feeling that everything was going to be fine, especially given how the ending “not being what I expected” shook me a fair bit, but to look forward to when that may end... D:

Yeah, Rose having some serious visions about some unfinished business they need to get around to instead of just fucking around and living their lives makes sense.  :X  --or at least some timeline version of them.  I’m imagining they’re living varied, excellent lives in a whole TON of timelines of promise that commit our imaginings of their potential futures to virtual canon, really, with the main thread that ties off Caliborn’s stage play almost irrelevant in comparison... that was kind of the whole point of the Ending of homestuck earlier, of that final anime flash, the fact that the victory and planet and *lives* they won meant a whole lot more than whatever Lord English’s irrelevant machinations were.

So... returning to the tail end of that main thread and seeing how *serious* it might be....... yeah. Kinda mildly panic-inducing. :XXX

You move the phone away from your ear and assume an expression you haven’t practiced in years. It is the look of a man who actually has something to do.

Okay that was good.

Ah, he’s twenty-three now!

Let’s click the next link. ==>

Fuck let’s not recount Rose’s substance abuse.

Oh, cool. Er, “cool”. Rose is getting some of Rosejaspersprite^2′s awareness of all her alternate-timeline doomed selves and their lives.  No wonder she’s worried about the substance abuse she technically mostly *avoided* in this timeline.

Light explicitly relating to knowledge, good.  That’s a nice aspect tidbit to have reiterated.

ROSE: There’s a different scale I’ve come to understand. Another dichotomy that’s less... emotional, I guess? ROSE: Consider, instead of the word “good,” using the word “essential.” ROSE: And what exists at the opposite polarity from essential is... ROSE: Something that is best not to contemplate.

ooh.  oooooh. holy shit.

okay NO, BOOTS/BKEW.  DON’T GET FUCKING EXCITED.

DON’T get excited.

It only SOUNDS like she’s learned to recontextualize the whole adventure in the rich context of the classpect system, that’s just your wild fanfic-y theoryimagination talking.  Shoosh.  (Even though she IS very, very, *very* clearly referencing the Light/Void dichotomy with the above quote.)  Just... tamp down your hopes, Boots.  Leave it at MILD hope.  Like cool porridge.

Reading on.

Alright, yeah, this universe exists beyond the timespan of the Green Sun’s influence.  Unsurprising, since it was heavily implied.  And she doesn’t have access to her expanded Green Sun powerset while *in* such a universe, which was also heavily implied by alt!Calliope or her denizen or I forget the exact conversation where it said she’d have to make the final journey without Green Sun powers or whatever.  That’s cool.  (Though having it spelled out more explicitly than usual does make it more awkward to have her use her powers for humorous purposes on MXRP in the future.)

OOOH DAVE KARKAT AND JADE ARE IN A PERPLEXING SOCIAL ARRANGEMENT YESSSSS  :D

Best news.  Okay reading on.

ROSE: You will need to travel back into canon and defeat Lord English.

Yeah I guess.

Again, the way the ending sort of put it was that..... our heroes did have to defeat Lord English eventually?  Or set right some prior stuff like doing the stage play?  But that part of the point of this whole story -- the Ultimate Reward -- was that it didn’t really matter, because they had earned nigh-infinite branching timelines of promise in a brand new universe where they could go YEARS AND YEARS living their lives in many of the ways they wished, richly enjoying themselves and starting civilizations that would last billions of years, loving and living and experiencing, only “needing” to go finally check off these other responsibilities in a single timeline of promise at the end of an extended period of vacation they chose with no particular urgency.  Branching years-and-years of essentially heaven as long as they EVENTUALLY fulfilled that particular endpoint, and they knew it.  More or less.

Rose phrases it pretty explicitly, though.  John’s powers are the only thing that can warp people through canon like that without restriction, so he was always to be involved, but... *he* needs to defeat him?  Does that mean alone?

JOHN: yeah, i had a feeling that was going to come up again someday. ROSE: I’m sure we all did. That is, even those of us without visions. JOHN: i was doing my best not to think about it. i guess we can’t put it off any longer then? ROSE: Now is the time. We are rapidly approaching a point of no return. If the decision isn’t made soon, it will be too late. The issue will no longer matter. JOHN: when exactly is the point of no return? ROSE: Today. JOHN: wow. JOHN: ok then.

Ouch.

That’s slightly more abrupt than the picture of branching bliss I just painted.

JOHN: fine? ROSE: Of course everything is fine here. ROSE: We’re outside of canon now. JOHN: yeah, i know. what does that actually MEAN though? JOHN: are you saying this isn’t really happening? ROSE: Of course it’s happening. ROSE: Just because certain events take place outside of canon, it doesn’t mean those events are non-canon. JOHN: oh. ROSE: In other words, there is an important distinction between events which can be considered to occur inside canon, outside canon, and those which are not canon at all. ROSE: The day we went through that door and claimed our reward, we passed a threshold between continua marked by differing degrees of relevance, truth, and essentiality.

Well okay then.  I was wondering why she used the word “canon”.  They literally DID escape the narrative literally as *well* as figuratively with that Juju, then, Neverending Story style.

Also, Light being highly tied to canon and Rose having spent so much time outside of it... yeah, I can understand the headaches more, too.

Alright, reading on, it seems Andrew is using Rose to more explicitly explain how he intends all the non-canon stuff he’s presented to us to “matter”, for those who didn’t quite get or fully believe the implied explanation from context towards the end of the story.

Heh, so the idea is that the urgency comes from “it’s been too fucking long since the story ended, and this epilogue needs to come out when an epilogue would still matter to anyone”.  That’s kind of brilliant.

ROSE: As long as we live outside canon, everything that happens will technically be “real,” but only conditionally. ROSE: There are certain crucial events inside canon which must happen in order to continue to prop up the legitimacy of events here on Earth C. ROSE: And you specifically, John, have a responsibility to make sure those events take place.

Closing threads closing threads CLOSING THREADS :D !!!!!!

FUCK is this epilogue going to be mostly devoted to TYING UP LOOSE ENDS and clarifying stuff??? :D  Like the HUNDREDS OF LOOSE ENDS that were left unanswered because the ending tried to paint it all as sidelined/irrelevant regardless of the fact that they hadn’t been answered/fulfilled, which had previously pretty much traumatized me around Homestuck’s end because I was (1) so used to Andrew expertly tying up almost every loose end eventually and (2) was a theorycrafter with explicit investment in the idea that Classes, Aspects, and most of these loose ends actually DID matter???  :D

Sign me the fuck up!!!  :DDDD

...I know it’s doubtfully going to be anything close to all I hoped for, but still.  Answers, contextualization, and John tying up loose threads.  Like that final frog warped in front of Jade as a child.  That’s good, that’s VERY good.  I’m excited instead of nauseous.  :D

--and yeah, reading on, Rose makes more explicit what I said earlier that the justification Andrew’s painting for this is “we have to wrap up all these loose ends before everyone forgets about Homestuck.”  That is hilarious.

Okay, so the juju is a big plothole. Heheh.  We’ve heard it called that earlier.

...Oh.  Oh huh.

Rose is pretty much explicitly talking about the stage play consisting of a bunch of non-canon ALTERNATE VERSIONS of themselves that mean the original versions of them living happily in the new universe won’t actually die.  Holy shit.  I mean we theorized that for a TIME with some of them but THOSE loose ends (like Roxy still having her mask on) were closed up toward the end...  So instead, having it put THIS way (preserving our ideas of them living full lives post-victory), and not only that but having John DO all this stuff RIGHT NOW to fix things retroactively with some really well-written contextual clarification we’re bound to get to help with the closure... god DAMN.  This is really good.  This is going to make a LOT of people feel a whole lot better about Homestuck.  Like me.  :D

...Pff, some other girl is getting punched by John in the face again.  :D  Don’t worry, Rose isn’t saying that this is the Vriska punch at the beginning of the whole Retcon arc and that this epilogue somehow happened in the middle.  (I hope.)

...Yeah Rose implies heavily that John is gonna die his heroic death if he does this?  Or it’s meant to make us THINK she’s implying that.  Yeah.  And she feels pretty fucking horrible about what she’s asking John to go through regardless, so.  (Yeah, everyone looked pretty genuinely dead but a few at the end of the stage play, but it was pretty uncertain.)  Either way, she’s acting like John isn’t going to “come back”, even if he lives through this.

Stupid feels.

Clicking the next link.  ==>

Hiiii roxy and callie!!! :D

Yes how polite of them.

“Ultimate self”?  Yeah, a sort of synthesizing of all the offshoots of her Heart and Mind, pulling it all together and realizing the full person she is and sum of her whole experience across all timelines, pasts and futures.  Yeesh.  Pretty uncomfortable for someone who ain’t a hypersprite.

...Roxy and Rose aren’t as close?  Is it because of the substance abuse, because of the Light/Void dichotomy literally-or-metaphorically distancing them (with how disparaging Rose just was about anything that isn’t relevant), or something else?

Ah, Kanaya hogged her until she got “sick”, that explains some of it too.

A bell tower? (DOOONNNNGGG)

Fffff interpersonal relationship mildangst.  Fuck

You and all your friends have dispositions affected by your classes and aspects. You think you know what that means in your case. But what about her? You can only speculate. Void is a place where things sink and disappear. Where they linger forever, but cease to exist. You aren’t actually sure if your feelings for Roxy ever really faded, or if they just grew numb with time and distance. Is it the same for her?

Holy fucking shit.  What a big middle finger to everyone who told me aspects didn’t matter to their personalities.  :D

...Though, I think he has it kind of backwards, since he still doesn’t totally understand all this business.  It’s easy for those in canon, introduced to this subject, to think that the classes and aspects affect their dispositions, to an extent where the reality (at least I contend) is that it was their natural dispositions in the first place that the classes and aspects were actually describing.  The power that was latent in their very personalities and tendencies to action all along.

Reading... Ah, yeah, a choice.  Was pretty sure this terminology would be important earlier.  It depends on what SORT of choice this is though... see, so far, Rose hasn’t given John a lot of really EXPLICIT motivation to go through with this, other than some mumbo-jumbo that would supposedly be “bad”.  And it doesn’t even address the black hole in his nightmares.  And here, we have Roxy and others explicitly encouraging him with regard to the fact that he can choose NOT to do this if he wants to.

The main question it brings up (to the future of this epilogue, how it’s going to be considered afterward, etc) is if this is the sort of Choice that John would always say yes to -- in which case it’s more canon than anything else -- or if he will end up being on the fence enough for a Terezi-style Mind-split.  Because this would be the PERFECT out to have him “die” in canon.  See, if he’s on the fence ENOUGH about going, then he creates two timelines that even both potentially have promise within the confines of this universe (since universes hold more than one timeline of promise, according to one of the Calliopes I think)--  One where he lives here, happily ever after with everyone, and another where he completes his Heroic death in canon to fix everything.  It would let Andrew kill John in this epilogue while still letting him live out eternity with everyone else outside “canon”.

He’d get to have his John-death and keep him too!  Seems plausible enough.

Anyway. Reading... it looks like they know more about this decision that Rose has told them, including the consequences Rose might have been dreading.  And likely know that IF John might die doing this, that it won’t be in a way that he regrets.

Oh wow, that whole Meat or Candy sequence is GREAT.  Silly to the core, and yet perfectly emphasizing the debate that... well, I mean, think about what Andrew’s been telling us all along.

He keeps TRYING to tell us that non-canon stuff is fine.  Trying to use that huge ending sequence of Homestuck to try and tell us that the fact that everyone is FREE from this story and its confines, free for everyone to imagine COUNTLESS ways things played out afterward for ALL these lovable characters in carefree futures, is almost MORE important than any of these stupid loose ends.  But some of us were really cut by that ending, the insistence that the actual final battle “didn’t matter” and that this escaped-from-canon existence was the true victory.  But if Andrew just upped and drew a bunch of bonus pages to start explaining more story, THAT would cheapen the escape-from-canon ending he wanted even as it satisfied those of us who wanted ends tied up, who wanted questions answered.  He had to find a very careful, very well done way to give us BOTH.  To write out the real “ending” of “canon” for those of us who needed it, without compromising the ESCAPE from the very necessity of it that was the essential point he WANTED to make with Homestuck’s story from the very beginning.  To carefully keep the endless branches of post-victory possibility and play intact while still, separately and with explicit hedging and qualifications, give us the potential results of one last canon thread to tie up the lingering questions that he so dearly wants us to recognize still “don’t matter” as much in the vast scheme of things.

And he’s doing it.  And it’s WORKING.

Holy SHIT.

I am excited for Homestuck.  I am excited for Homestuck for the first time in years, and my nausea is gone.

I’m not going to start theorizing again; that’s over.  But I’m definitely going to keep reading as the new Epilogue chapters come out, and do so with a spring in my step.

To Be Continued.  :D

[ericlwoods]

Some time ago I exchanged the Sony 20mm f/2.8 that I bought when I purchased my a6000 not that long ago for the Rokinon 35mm f/2.8. My thinking was that the two lenses were redundant since 35mm (50-ish in full frame terms) was my preferred focal length and the Rokinon seemed barely larger than the 20mm (2.43 x 1.30″ (61.8 x 33 mm) vs 2.46 x 0.80″ vs (62.6 x 20.4 mm)) while gaining another full frame lens in my quiver. No brainer, right? Nope. I really like the Rokinon, but it was not a suitable replacement for the 20mm. Why? Glad you asked:

Despite its tiny profile the Rokinon better marries with the full frame Sonys in operation. Where focus speed seems adequate on the A7Rii it is less so on the a6000. No idea why. While not awful on the a6000 it is nowhere near as fast as the 20mm on the a6000. Had no idea how good that lens was until I no longer had it… The framework for an R&B or Country song right there.

0.5″ (12.6mm) does not seem like a huge difference in theory, but in application that turns a very pocketable camera into a somewhat pocketable camera. Also the slightly rounded front edge and metal build of the 20mm meant it went in and out of pocket far easier than the square cornered and plastic Rokinon.

Simple fix. Buy the 20mm again. One problem. Southeastern Camera had two tempting full-blown second-hand cameras (ones I always thought about buying) that barely cost more than the 20mm lens new that would be even smaller. The thinking was that for a little more spend than a lens ($350-ish) I could potentially have a whole camera ($500-ish).

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What to do? A comparison seems appropriate. Already being familiar w/ the 20mm on the a6000 well I focused on comparing the Ricoh GR and Rx100 IV. And I was able to do that in a brief real-world comparison courtesy the kindness of Southeastern Camera.

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Below I will post back to back shots taken with each much like the recent KEH.com legend/bootleg, Leica/FED comparison.

Arbitrary ground rules:

Both will be JPEG out of camera with no edits. I shoot in RAW+JPEG always but chose JPEG to test the in body processing rather than Lightroom and my ability to manipulate RAW files.

Both set to the way I typically use small cameras. Aperture priority, wide open, ISO on Auto topped out at 6400, no flash, AF-S, Average AE, and single shot.

In most photos I used the native focal length, and by default max aperture, when powered on.

Note: Chose not to make an issue of the varying apertures here (f/2.8 constant on the always 18.3mm GR and F/1.8-f/2,8 across the zoom range of the RX100 IV) since I did not see an appreciable impact on bokeh or light gathering when eyeballing the images. My layman’s opinion seat of the pants impression is that larger sensor/smaller aperture seemed mostly offset by the smaller sensor/larger max aperture at the wide end of the RX100 IV.

Photos taken back to back.

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR

RX100 IV

Ricoh GR in Macro mode

RX100 IV zoomed in fully

Ricoh GR – Balu of Viva Mexico

RX100 IV Balu of Viva Mexico

Now on to pluses and minuses of each, final thoughts of each and my decision.

Ricoh GR

Pluses:

Feels fantastic in hand. Light. Quite a bit lighter in hand and pocket than the smaller RX. Truly a one-handed camera. Great ergonomics. Things like the one button effect button on the left that brings up a scrollable menu and other details make it very easy to get up and running. Worthy of the following.

B&W high contrast was very nice. Creating such dramatic images in camera is nice.

They jammed an APS-C sensor in this tiny thing.

Great lens.

Particular to this camera, but it came with a box of goodies including a wide angle adapter, hood, batteries, and charger. None used in this comparison.

Macro mode works surprisingly well.

Ricoh GR in Macro mode

Very quiet.

Minuses:

That APS-C sensor did not blow the smaller sensor away IQ wise as I expected.

There are JPEGs I took (that I now wish I had saved but did not) of a black plastic chair hit by sunlight where the GR rendered strange little blue and red splotches and the RX100 IV maintained all black and white. Don’t know why. Some may prefer it, but I did not like it.

B&W high contrast filter was very nice.

For some one focal length is a drag. But I shoot primes often on interchangeable lens cameras so this was no big deal. Admittedly given my druthers I would rather a fixed 50mm equivalent, or even a 35mm equivalent, rather than this rather wide 18.3mm (28mm equivalent) lens.

Focus, while not awful, could not keep up with the RX100 IV. You can also see in some images above that focus on the intended subject using center focus was missed, like the yellow flower on the cactus.

Note: If I had more time than a day I could have likely offset the focus speed issue by familiarizing myself w/ the zone focus presets I had read about. But quick AF is always preferable to me when available.

No EVF. No tilty screen. Hard to go back once you have had these.

No Wifi. Another feature hard to do without once you are used to having it. Available on the GR II as the only addition of that upgrade, but at a greater cost.

Sony RX100 IV

Pluses:

It has an EVF. I had owned and liked the RX100 II so I was already familiar with the RX100 line.

Has features like 4K, slo-mo, e-shutter that maxes out at 1/32,000 fps, and others.

Like the RX100 it has very good IQ for a 1″ sensor. Amazing detail retained in the shadows and dynamic range. Take a look at the ceiling pictures in the gallery above as an example.

Very small so easily pocketable.

Very quick and accurate focus. Astonishingly so.

Very quiet normally. Completely silent in e-shutter mode.

A rival to and even bests the feature sets of larger and more expensive cameras.

Wifi. Always nice to have.

Minuses:

No fault in general. This particular RX100 IV was in a rough state, but that was necessary to get the price in the same ballpark as the GR.

Common with e-shutters is that it has limited use and should be reserved for static shots.

May also just be this particular copy, but the EVF was a bit wonky. 2 step implementation requiring it first be popped up and then the viewfinder pulled out. Putting your eye up to the camera sometimes (and this is the part that may be isolated to this particular camera) pushed it back in slowing things down as you have to stop and pull it back out again. Not awful, but not great either.

Very small. Ergonomics a bit awkward for my beef mitts. True with the RX100 before, but passable. The addition of more features and the EVF did it no favors where I am concerned. Your mileage may vary. 

Make no mistake. Both of these cameras are great. Both are perfectly capable of producing great images. Could recommend both with a clear conscious.

Decision time. So which did I choose?… Er, admit I never should have traded the 20mm f/2.8 for my a6000 and buy it again.

Why? Came down to two things mainly. Ergonomics and IQ.

Ergonomics:

While only slightly larger than the GR it has many of the features of the RX100 IV like an EVF, Wifi, snappy AF, and tilt screen and is just as easy to use. And with those added features there is now enough body real estate to make proper use of them without feeling awkward. Turns out there is such a thing as a camera being too small.

IQ:

The GR and RX100 IV are great image-wise. But in my experience neither can match the a6000. The GR matches the a6000 in sensor size but, perhaps owing to the MP deficit (18.3 vs 24.3), not IQ. The RX100 IV almost matches the a6000 in MP count (20.1 vs 24.3) but, perhaps owing to the smaller 1″ sensor, not IQ. While I am not a pixel peeper per se I do like to crop an image occasionally. Neither can stand up to as much cropping as the a6000.

There you have it. I am quite smitten with the a6000. If I could only have one digital camera this would be a top contender. I never would have expected that considering that I purchased it as a backup to my full frame alpha mount camera. But as a camera that delivers blazing fast constant focus easily keeping up with 10 fps while extending the reach of my 70-200mm to 300mm, along with my other full frame lenses, it is a no-brainer. So it is a specific solution for my specific situation.

What would I do if was determined to buy a non-interchangeable lens camera and I had to choose between a second-hand GR and RX100 IV? Oof. That is a hard one. Because of the trade-offs mentioned neither camera pulled away from the other over the course of the day spent with both.

Both are in the same ballpark IQ wise so the best I can offer in this comparison is this.

Are ergonomics, feel in hand, and quick access to filters the most important things to you? Ricoh GR.

Are quick AF, photo specs like e-shutter and 1/32,000 top shutter speed, and video specs like slo-mo and 4K, and functional items like a tilt screen and EVF the most important things to you? RX100 IV.

On second thought after looking at the last 2 paragraphs it seems like I would choose the RX if I had to.

That is a purely logical decision. But let’s be real if someone has been bitten by the GR bug they want a GR and nothing I have said matters. And that is perfectly fine. If photography has to make sense we are probably doing it all wrong.

Happy shooting.

-ELW

      Tiny Second Hand Camera Smackdown: Ricoh GR vs. Sony RX100 IV Some time ago I exchanged the Sony 20mm f/2.8 that I bought when I purchased my a6000 not that long ago for the Rokinon 35mm f/2.8.