#I watch a lot of television and I know the real deal when I see it

[wizzard890]

You’ve done it. You’ve made me go watch an Anne Rice novel adaptation and it’s batshit insane in a way that would make her rotate in her grave like a turbine in the Hoover Dam.

It's genuinely and seriously the best thing on television right now. Like, I think that shouldn't get lost in the fantastic messy drama of the narrative itself: the writers' room is simply on another level. The way the show moves through time and theme and doubles that all back into character exploration is enormously confident, and it has all the skill to back it up. I don't have a ton of hope for it to be recognized this season in television awards, since genre shows really need to pop with Respectable Critics for that, but I've noticed a sea change in the critical conversation around it that's long overdue. Astonishing stuff to get on my screen every week.

[sp0o0kylights]

Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him. 

They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down. 

His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror. 

This is his golden ticket. 

The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before. 

He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.

 Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.

No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now? 

He's fucked. 

He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.) 

 Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB. 

If he doesn't film now, he loses it all.

Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it. 

"Just go full Kevin Smith man. Act and direct." He says, with an easy grin. 

Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)

"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters." 

Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss. 

"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!" 

Steve politely hides a laugh with a cough. 

"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.

Steve, the handsome bastard, just winks.  "Looking forward to it." 

Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling. 

Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him. 

Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face? 

The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.

Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth. 

("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that." 

Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!” 

Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!" 

"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness." 

Eddie flipped him off.) 

One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.

No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later. 

Today on WIP’s I have no intention of writing, indie horror movie AU!

[yukidragon]

May we have a story about Jack's clingy side and uses his puppy dog eyes to make MC to cuddle with him longer? (He uses the puppy dog eyes whenever he wants something and it works 100% of the time) Jack kind of reminds me of a giant puppy.

I love this idea! Jack definitely knows how to channel puppy energy to his advantage, and my MC Alice definitely falls for it every time.

In fact, I love this idea so much that it inspired me to turn it into a quick writing prompt. I also remembered that I owe everyone a nice little Jack x reader fic from the poll I made last year, so I wrote this writing exercise in 1st person gender neutral perspective.

So here it is, just a short but sweet first draft story about clingy Jack giving his sunshine some puppy dog eyes and pleading to get a bit more cuddle time. I don't think any real warnings apply, though it does get a little suggestive. Also, I think this might count as GrovelCore?

Anyway, I hope you enjoy my writing, and consider leaving a comment please!💕

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur @kurokrisps

...

It was nice to have moments like this, just the two of us on the couch cuddled up together. The way Jack wrapped me up in his big, strong arms made me feel so safe, so content. Even though I was tucked comfortably in his lap, he practically surrounded me with his warmth. It was the perfect way to spend a day off from work.

The show on TV was entertaining, but it wasn’t enough to draw my attention away from Jack for long. He didn’t seem to be paying attention to it at all. Every time I looked up at him, I never failed to see those beautiful dark brown eyes of his gazing back at me. His mouth was shaped in a gentle curve of a smile, his expression almost dreamy as he admired me with so much love and adoration in his eyes that it sent my heart racing. I had to look away when the butterflies in my chest fluttered so hard they were ready to burst out of me.

Fuck, I was so down bad for this man, I was down atrocious.

A gloved finger brushed against my cheek, slowly tracing the contours of my face until reaching my chin. The sensation sent a delicious shiver down my spine, and my eyes returned to Jack as he gently guided my face back towards him.

“Looks like the show’s over,” Jack said. I blinked, caught off-guard, before my eyes darted to the screen to see the credits scrolling by. His honeyed voice drew me back before I could get distracted from his loving gaze for long. “What do you want to do now, sunshine?”

The first thought that popped into my head made my cheeks burn and brought back those damn butterflies. The second thought reminded me to check the time.

Ah damn it. Curse must-watch binge-worthy television. Why must I always fall for your siren song of “just one more episode”?

“Not run errands, that’s for sure, but it’s getting late,” I said with a heavy sigh, banishing the butterflies and steamy thoughts to whence they came. “Groceries aren’t going to buy themselves, and I’ve got a bunch of other stuff I should get out of the way while I’m out too.” I sighed again, shoulders slumping.

Being a responsible adult dealing with all the responsible adult bullshit sucked sometimes. A lot of the time. Actually probably most of the time considering how many hours in a day got eaten up by a cringy job and entitled customers.

I twisted away from Jack and tried to stand, but his large muscular arms kept me locked up tighter than iron bars. I turned back to him with a questioning look, only to see him pouting at me.

“I know it’s important to be responsible, sunshine, but don’t you think you’ve been pushing yourself too hard lately?” he asked. “We have plenty of food to last a few more days, and you’ve been working overtime for the past five nights in a row. You come home too exhausted to do anything but sleep, then you go right back to work. It’s not good for you.”

“I know,” I said with a helpless shrug. “But what can I do about it? Bills aren’t going to pay themselves either.”

Jack adjusted his hold on me, not enough that I could slip free, but I could feel his hands glide slowly along my back, sending a shiver up my spine. “I know, but it’s just been so long since we’ve had any cuddle time,” he said, his pout making its way into his voice now.

I couldn’t help but chuckle a little at the way his lower lip jutted out just a little further. “You see me every day,” I teased, trying to lighten up the mood. “Besides, we woke up cuddling this morning, didn’t we? You sleep with me every night.”

“You’ve been too tired to cuddle lately,” Jack said, whining a little. “Even this morning, you didn’t really wake up until halfway through breakfast. This is the first chance in days that I’ve had to really have you all to myself.” He dipped his head down, closer to mine, and I couldn’t help but notice the way the TV’s gentle glow made his dark eyes shine. “I missed you, sunshine.”

His big soulful eyes tugged at my heartstrings, and his gentle caress along my back made me want to melt into him. “I missed you too,” I admitted after a moment. We couldn’t exactly talk when other people were around, and work had been too busy for us to even sneak a kiss without the risk of getting caught in the act.

 I was pretty sure Jack wouldn’t mind even if someone else could see him making out with me. In fact, I had a sneaking suspicion that he might even enjoy getting caught. Sometimes this man acted like he had no idea what it meant to feel shame.

Then again, Jack was always painted up like a clown 24/7. If he wasn’t embarrassed by the bright face paint or his silly jokes, then he probably didn’t know the meaning of the word.

Sometimes I wished that I could say the same. The idea of being seen making weird faces while holding onto the air left me feeling a level of cringe that not even the greeting at my job could match. It probably would be a kiss with tongue too knowing Jack.

The thought left me burning, both with mortification and the memory of the way his kisses made me feel.

Maybe it would be worth the embarrassment considering how good of a kisser Jack was.

As if reading my mind, Jack brushed his lips against mine, just a peck, but it was enough to snap my attention entirely to my boyfriend. “Then stay with me,” he said with a hint of desperation to his breathy voice. “Please?” He planted another kiss on my lips, just a little longer but still only a tantalizing taste of what he could offer me. “I need you.”

Jack finished off the last of my resistance by saying my name in that same pleading tone while looking at me with so much love and need in his beautiful dark brown eyes. His desperate voice and puppy dog eyes made me melt like cotton candy in water.

I gave in to him. I couldn’t help it. I was weak to him when he begged me like this, and I needed Jack just as badly as he needed me.

“Jack,” I sighed as I looped my arms around his neck and drew Jack in for another kiss. I could feel him smile against my lips, and he murmured my name again before his tongue slid into my mouth to get a taste of me.

Soon I was pinned against the couch, breathless and panting, with Jack looming above me. His arms were a cage that secured me there and ensured that I wasn’t leaving anytime soon. Not that I wanted to with the way his mouth moved along my neck, hot and wet. I couldn’t help but moan his name as he sucked on my skin, arching up into him.

Even before Jack started tugging at my shirt, I had a feeling that I wasn’t getting any errands done today, but I couldn’t bring myself to care. Every touch, every kiss, and every murmur of my name along with sweet praise made the world around us fade away, until nothing else existed but the two of us and our love.

[drabblesandimagines]

Dove (part five)

Leon Kennedy x female reader - the slowest, slow burn I swear Part one. Part two. Part three. Part four.

You try your best to focus on show on the television – watching them take down a non-load bearing wall with sledgehammers in a somewhat poor technique - but you really wish you had your phone. This would be a perfect time for mindless scrolling through various feeds, rather than thinking of the handsome agent you’d just taken a nap on, apparently. You wonder if anyone’s texted you, tried to call only to be met with an automated voicemail message... unless the DSO have managed to get your phone to power on, teasing a few rings before they’re asked to leave a message.

You have friends to make plans with, of course you do, but the majority are spread country-wide now, have been for years since you finished college, so it’s not going to be strange if you haven’t replied to anyone for over 24 hours… No boyfriend to fret over your whereabouts either, your last relationship too long ago for any hurt feelings to remain.

And it’s definitely for the best that you don’t have any parents who will worry when you don’t check in.

Your mind drifts back to Leon. How long could this thing last? Say when they clear you – you can’t bear to think of the alternative of being accused of a BOW crime, you’d never see the light of day again, your name buried in a file never to be released - how long will it take to work out if your life is or remains in danger, and would he stay with you the entire time? Surely he has his own life to get on with, other responsibilities to the DSO than just a babysitter, probably got a partner at home too, though there was no ring that you saw. Probably wouldn’t wear one as an agent though, gives away too much about a personal life.

Besides, there were so many people in your office, would they really know if one person made it out alive? It’s not like you had seen anything of real value, or knew anything about the assailants, besides that they were murderous creatures… or so you thought. You deal with a lot of cases, is it possible that one of them traced the operation back and sought revenge?

If the painkillers hadn’t been wearing off, aches awakening in various parts of your body, you might’ve started pacing around the room for something else to do. This place could do with a bookshelf, you reason, or maybe people aren’t here long enough to read books? There was a pile of books on your night-stand, all in hopes of being read, which just reminds you that Hunnigan said they were going to send people to search your apartment. What for – a to-do list stuck to the fridge with a magnet with a singular bullet point of ‘betray US Government’?

She said there’d been a data breach too, so did someone let loose those things as a deadly distraction to get what they came for? And surely there was a back-up in a cloud or something. You hadn’t been privy to that side of the operation and if you’d started asking questions at any point, it would’ve looked suspicious.

No, you were just a good little intelligence agent, you clocked in and out on time, dutifully noting down observations, connecting the dots all day long, just wanted to make the world a little safer for everyone, but failed miserably at doing so for the people in your office.

And those things…

Are they what you’ve been working against all this time?

You shudder as you swear you can feel the way the its wet tongue wrapped around your arm, warm saliva against the prickly goosebumps on your skin in a firm grip, its teeth, the lack of eyes, how its body looked almost inside out, muscles and sinew…

You increase the volume on the television, praying the noise cancels out your thoughts and that Leon comes back inside soon.

--

Leon finishes his perimeter check once again in an even 25, satisfied there’s been no unwanted guests since his last round and confirming what he’d seen via the camera feeds. It’s coming up to 1700 now - he’ll need to make some sort of dinner for you to take your meds with, so realistically his 2000 self-imposed deadline for submitting his report to Hunnigan is not happening. He can throw them together pretty quickly– experienced agent that he is – but he knows his limits. Doesn’t exactly want to rush this, especially when he hopes it’s going to clear your name. He takes out his phone and types out a text.

Need to revise my report ETA. Midnight do?

He expects Hunnigan’s caller ID to flash up as soon as she’ll have read his text, but there’s nothing. Huh – must be wrapped up in something else. He repeats his whole garage routine, eyeing up the duffel bag he’d dumped on top of the dryer when he’d came out and sighs.

He's been in safe houses before - wasn't lying about that - just not with such pleasant company, nor anyone who really deserved it so far. His track run has always been Umbrella scientists who have suddenly developed a conscience, pleading for protection and a lenient jail sentence in return for information on the corporation, or other people involved in the production of BOWs. He's certainly not made the likes of them oatmeal in the morning, drizzled a smiley face in honey – what was he thinking, again? - lunch and dinner, washed and dried dishes, helped them changed, tucked them up in bed. Hell, one guy he’d made sleep on the floor cos he was such a jerk. They’d been sent to a studio apartment of all things and Leon had happily set himself up in the bed, dumping his duffel bag of weapons across the bedspread and sat there cleaning them all methodically, checking cartridges and glaring at the man he deemed a worthless piece of shit who was sat on the two-seater sofa, sweating buckets.

He picks up the duffel bag and moves to unlock the door. Once he's submitted the report and Hunnigan's searched your place, then he'll be able to drop a couple of the rules and…

And what, Kennedy? He scolds himself. Wishes he’d crossed paths with you at DSO HQ before on a day he was feeling confident enough to shoot his shot with a drinks and dinner invitation. Hunnigan’s right from this morning – he’s grown sweet on you particularly fast, but that’s something he’s managed to retain from his younger years, too easily a lovesick puppy for any woman who will entertain it, even after everything with Ada. But it’s a little different with you, just the way he recognizes that look in your eyes, the very one of guilt, disbelief and horror that he had when he looked in the mirror after getting out of Raccoon City and every mission since. 

He finally heads back inside, locking the door back up securely again. You don’t look to have moved from your position on the sofa, still looking at the television but the volume’s increased - he’s sure if he were to ask about what was happening you wouldn’t have a clue. It’s only the day after, you’ll still be trying to process everything, all whilst being locked up in a safe house with a near enough stranger and away from all your home comforts.

He places down the duffel bag carefully in its usual position before slowing walking over, making sure his steps are a little heavier than usual, aware that you might be too wrapped up in your own thoughts to have heard him re-enter and he really doesn’t wanna make you jump, very aware of how on edge you’re still going to be.

Once he’s sure he’s in your peripheral vision, he waves – smooth, Kennedy – know he’s got a goofy-looking smile on his face as he drops his arm back to his side. “Er… I’m back.”

“Hi,” you can’t help but smile back at his awkward little half-wave. “Everything okay out there?”

“Yeah – all clear, as expected. You hungry? Thought I could whip up some dinner to go alongside your next dose of painkillers.”

“I think I could manage something.” Your appetite is still shy – managed half a sandwich at lunch and that was sitting a little heavy in your stomach, but you know that Leon’s not going to let you take medication again without some sort of food.

“Okay, lemme see what we’ve got.” He claps his hands together, heading back towards the kitchen. You wince a little as you turn in place to watch him rummage through the cupboards, trying to assemble a meal from what the DSO had packed up. About a moment or two later, he pops his head up above the counter. “How about pasta? I think I can put together a somewhat decent tomato sauce for it.”

“Pasta sounds good.” You get to your feet as he ducks his head back down, continues his rummage in the cupboards before placing various items out as he works it all out in his head. “I know I’m one-handed, but… can I do anything?”

He stands up then with a bag of pasta in hand, ready to protest when he takes another good look at you, standing awkwardly at the edge of the kitchen area, sees the tinge of frustration across your face about everything clear as day, obviously sick of the television for now and he can’t blame you - there’s nothing else to do here but sleep, eat and watch that.

“Yeah, actually,” he sweeps his hair out of his face and places down the pasta on the counter. “I think I can find something.”

20 minutes later, you’re stood at the hob, stirring Leon’s off-the-cuff tomato sauce – a can of chopped tomatoes, some peppers and herbs - to stop it from sticking to the bottom of the pot as the pasta bubbles away in another, all whilst he grates some cheese on the counter behind you. It’s the easiest job by far, you’re having to stir it oh so gently, lacking the other hand to hold the pot handle steady and you know it would probably be fine left alone to simmer, but it’s nice to feel like you’re contributing a little at last.

“How we doing over here?” Leon stands behind you, looks over your shoulder at his culinary creations.

“Okay, I think. It smells good.”

“Ah, trying to flatter the chef.” His watch beeps – a timer he’d set for the pasta. “Excuse me.”

You think he’s going to step forward to turn off the hob so you step back at the same time that he places a hand on your waist, thinking you were about to move off to the side. You bump into his chest – a reminder of how solid it had been when you’d taken that involuntarily nap on him earlier and Leon swallows down a nervous chuckle as your backside nestles for a moment against his crotch.

“Sorry, Dove, I-“

“Oh, sorry-“

The two of you apologise over each other, awkwardly, and you finally step to the side, Leon dropping his hand to swiftly turn the heat off the hob for both of the pots. “I… I think I’m good here – do you want to handle drinks?”

“Yeah, sure.” You duck your head down, swearing your face is now as red as the pasta sauce, and retrieve the glasses from the coffee table from earlier, refilling them with water from the kitchen tap and returning them back one by one, as Leon sets about draining the pasta and then combining the two.

You don’t sit yet and hang back, watching him dish up between two bowls before he slides on towards the end of the counter, followed by the plate of grated cheese. “Wanna do your own cheese too?”

“Yeah - thanks.” You walk forward and grab some of the cheese to sprinkle over the pasta. It feels nice to have some autonomy again, to be contributing in any sort of way and you think maybe, just maybe, you could get used to this awkwardness of the situation, even if it’s just through dinner…

Leon crouches down to open a cupboard and you hear him fiddle with the metal lockbox being unlocked as he retrieves your medication.

..maybe not.

---

Masterlist . Requests welcome . Commissions/Ko-Fi

Comments, follows, likes and reblogs make my day! Part six.

[mulders-too-large-shirt]

s3 episode 23 thoughts

the previous episode was SO good. but, it is true, i was distracted by the dog. it was SUCH!! a perfect episode. EXCEPT for that one thing. so i hope that today, i can face this episode with a clear head, free of judgement based on the fate of little dogs.

well, boy, i did face this episode with a clear mind, and wow. wowza. another AMAZING ep... and i will keep the angst from this episode in my heart forever and bottle it and take a nice long swig when i need my msr feels, which is basically always. wow. an exclamation point doesn't even feel APPROPRIATE, it just needs to hang in the air for a bit. (wiping tears away) wow....

let us go back to yesterday's notes, which shall commence below:

reading the episode description... so this one features murders linked to a device that alters television signals… huh. man, too many people i know don’t even have cable anymore. this simply would not work in the modern era. imagine if hulu or tubi or something made you kill people though lmao that would be silly to imagine.

we open with a guy digging a hole in the woods. always a promising start. seems he’s in an orchard of some sort? and the music is very very creepy. 

okay, so just as you suspect, this dude is burying a dead guy. sometimes your gut instinct is correct and tropes are not meant to be subverted. but the dude who is burying him says “your killing days are OVER” so is this actually a justice arc??? hmm. it is not clear. man, it would be hard to dig a hole like that.

shovel murder man is at home washing the blood off. but then someone else approaches him and he kills THAT GUY TOO WITH THE SHOVEL?? huh? what is going on. 

police at da guy’s house. everyone has the same face as the dude he just killed??? so they tase him. and then the faces go back to their REAL faces. now what is going on here!!!!!!!!!!

as the real faces return, the man realizes he killed someone named sarah!!! and he seems sooo upset by the fact that he killed sarah!!!! poor sarah :(

so does the tv make you see other people’s faces on the bodies of random people….? omg that’s insidious...

we now shift to a different scene, one where mulder is sitting in his car at 2 am. doing what???? waiting for some guy!!! he was waiting TWO HOURS for this guy!!! who is this guy...? it's giving blind date/drug deal.

the man who enters his car gives him a newspaper clipping about the murders we just saw. and mulder came here after getting AN ANONYMOUS EMAIL in the middle of the night??? this is crazy because literally so many people want him dead and this would have been a very easy way to accomplish that goal. wow. seriously, no self-preservation instincts on this guy.

mystery man says he has no obligation to explain what is going on, but if mulder walks away from it, more people will die. so no pressure!! xx

cutscene to a hospital, where mulder is watching our murderer through glass, while scully comes in saying that she is sorry she is late, but “the beltway was a parking lot”. beltway refers to interstate 495! thank you wikipedia i love your services!

murderer is named joseph. and he claims to have been killing the same guy over and over again, and that he wouldn’t die. which seems pretty awful.

OH! and the week before, in the same town, a babysitter attacked the kids she was watching because she thought they were WOLVES??? omg that is horrific??

they’re talking to the physician, dr. stroman, who says perhaps this was provoked by amphetamine abuse. then joseph starts SCREAMING. he sees a guy on the TV- miriskovic- sorry y’all idk my post-soviet history 💔 (update: i googled it, i don't even think that guy was real because all the results are links to wikis on this specific episode... reveals how little i truly know)

anyway, seeing that guy's face on the TV seems to have triggered the screaming situation. does he have trauma from the country he used to live in and seeing references to it makes these things happen…? that would be a wild episode. put me in the writer's room and let me cook.

scully quickly picks up on the fact that this case is Weird, and mulder admits it came from some random guy, which makes her suspicious. but they go to the crime scene, and, like always, he lifts the crime scene tape up over her head, and it’s very charming despite the lack of sensibility in going down this whole rabbit hole.

the minute they get in, they hear screaming and a gunshot! but it’s just some kids watching TV??? eating popcorn in a crime scene??? LMAO WHAT?

mulder kicks them out and scruffs one of the boy’s heads... ohhhh he needs to be a father so bad huh... like i have been saying this since s1 he just has a Need to tease and spoil children. well, we can unpack that another time. there's crime afoot.

so he watches the tv and it starts to go all static-y because a guy outside is fixing the wires. scully finds a TON of tapes and they’re just shelves and shelves of cable TV shows!!!

“there must be hundreds of videos here”, she says, to which he asks “anything good?” <- idk why this made me giggle. it sounded like he was gonna put one in and chill for a bit lmao

scully starts to wonder if seeing the cable news, like joseph had recorded, was what triggered his episode back at the hospital. ooooh! a theory!!! 

cut to mulder watching a tape in the bed of his motel, making an absolute pile of sunflower seeds- this dude is gonna attract mice or something someday omfg- and also he has a cola which is peak american culture. LMAOOOO he has a HUGE pile of tapes on the floor i’m crying... my type A self could NOT deal with him!

he says he watched 36 hours of bernard shaw and bobbi batista and is now also ready to kill someone as scully welcomes him into her room, which also has cola but is much more nicely organized! she found something weird on the tapes from late april, each a night when he committed a murder 

AND WHY DID MULDER GET ALL COZIED UP ON HER COUCH?????? hooooooly fuck i have never seen such a baby girl of a man

OMFG??? all the reports from the murder nights feature that miriskovic guy!!!

so did seeing violence make him violent? mulder says no, and that theory assumes that “americans are just empty vessels, ready to be filled with any idea or image that’s fed to them like a bunch of pavlov dogs, and go out and act on it” oh if only this man could see the news lately……… insert ben affleck smoking a cigarette image here to describe the things we see in our current age. mulder you would not believe.

he’s really bashing her theory, but she’s saying maybe he was high and seeing these things sent him on a spiral- makes sense to me

he is leaving to go get some sleep (after admitting he can’t explain what is going on!!! which always endears me) but scully says she is going to watch the rest of the tapes… a herculean task for our girl

middle of the night and it’s still tape time for scully, but she hears the phone ringing. she hears mulder having a conversation. and he says “no, she doesn’t” which is weird… that is suspicious… what doesn't she...

scully chews her ice which is so funny because me too sometimes. she has chewed all of her ice and must fetch more. and get a cola ofc!!! nothing more american than a cold soda iktr!

but she sees mulder in his car??? lighting up with cig man???? HUH??? and handing over a tape? omfg this is crazy. i assume she is hallucinating though, because no way….

cutscene to a lady named helene watching “the price is nice” (lmaooo) and washing some dishes. but the soap in the dishes starts to look funny- and everything is glitching around her!!! she sees a man outside in a hammock… kissing a woman!!! and oh, she is furious!! she gets her SHOTGUN?? this has escalated very fast. and we hear some shooting!!!

scully is still very visibly disturbed. mulder is reporting the murder, but she seems like a shell of herself. she checks the ash tray in the car, and there is no ash… she notices the car has been moved and he says he got a paper…. why do you ask…. “nothing. it’s nothing” OHHH THIS IS JUICY

so the crime scene has a very bloody hammock. and a dead man, who the wife claims he saw in the hammock with a blonde. but the only other creature at the scene was a dog!!!

OH!!! the hammock man wasn’t even helene's HUSBAND??? this really is LAYERED!! she killed the NEIGHBOR thinking it was her husband, who wasn’t even in town!!!!!! how do you mess this up so badly?

despite the fact that scully is clearly suspicious of mulder, she is sharing the umbrella with him in their usual fashion, and the sense of tension this produces is delicious 

they go to investigate the crime scene and mulder finds some sort of bike and immediately climbs upon it while proclaiming that television does NOT cause violence (LMAOOO HE IS SO WEIRD i need him.) 

they find a bunch more tapes and AGAIN the same guy is messing with the cables outside while they're investigating!!!! mulder is in chase mode!!!! but he cannot chase this dude in the van!!! no man, even a track star such as him, can outrun a van carrying secrets!

scully is trying to fast forward the TV and she looks out to see mulder climbing the pole…. average day for a man like him. he finds a weird cable scrambler in there. she wants to send it to the crime lab, but he says he’ll do the analysis, and she should go interview helene the murderer. OH... she is so suspicious, she just wants to go home…. scully :((( mulder is deeply confused as to why she is being so weird 

so he takes the thingy to the lone gunmen, who say it looks like it’s used for blocking premium cable channels, which i didn’t even know was a thing, you learn so much with this show. but it doesn’t block anything!!! HOWEVER, if you compare a tv with the machine and one without it, the one with the machine is slightly different. hmm...

“you know how television works?” “yeah, you click it on, you have a picture” <- the man who said that line went to oxford btw

it seems that this cable blocker thingy is adding some sort of frequency, but they can’t tell what… hmm.

mulder on the road. scully calls and only asks “where are you” in this very flat and creepy tone and OH i’m scared!!!!

he tries to explain that there is some sort of signal being introduced to the tv- he even says she might be right about the tv inducing violence theory! but she isn’t answering… she hears a clicking, like they're being listened to, and she says he never went to the detective…. let’s wait and talk on a landline, he says.

despite being in his car many miles away, he can tell that there is something very wrong with scully. he says don’t go anywhere, he’ll be right there, and redials after she hangs up. it's very much echoing when she said something similar to him in his crazed gargoyle quest.

but she is so scared, she rips the phone out of the wall and takes it apart!!!! and then the lamp too, and the table. she is checking everything for any sort of bugs!

holy hell, we have never seen her like this before... but i’m actually gagged because she is usually relatively stoic and seeing her paranoid is so different, but it also feels very natural??? she is acting her ass off here as she rips up everything in this motel room. big shoutout to GA, i love your work.

and the static that set in helene's vision earlier is setting in hers now!!! she hears a car pull up and drops to the floor…. she hears a man say “she’s in here” and a pounding on the door. 

OMFG someone tries to open the door and she FIRES 4 SHOTS RIGHT AWAY??? but it’s mulder!!!!

(author's note: i was thinking after i finished the episode, and we know that she is a good shot- remember how she hit just the right angle to knock mulder out but not kill him at the end of s2? so she is either SO out of it that she cannot even aim straight, or there is a tiny tiny tiny part of her that still thinks that mulder isn't worth killing. please mull over which option brings you greater angst)

he’s coming in with his gun and his hair is blowing in the wind and he can’t FIND HER!!!!! it was really very dramatic. hair blowing in the wind has this effect.

cutscene to scully’s mom’s house, and we see a picture of young scully on the table... AWW stop she’s so cuuuute and one of missy as well 😭😭😭

OH! it’s mulder on the phone calling mrs. scully in the middle of the night!!! NOOOO he has to tell her that he doesn’t know where she is :( NOOOO poor mrs. scully has gone through too much. he feels SO bad breaking this news, that he even apologizes for hanging up right away, something he never ever does. he must be in deeeep distress to do such a thing.

and why does he hang up?? because SKINNER IS HERE!!! he’s leading a manhunt for scully, and mulder is saying she shouldn’t be hunted like a convict… but skinner says dude SHE FIRED FOUR ROUNDS AT YOU AND SOME RANDOM GUY last night!!!!

despite this, mulder insists that he can get her to listen to him if they just keep her safe; she’s suffering from some sort of paranoid psychosis. skinner is being quite patient as he tries to explain that the video tapes made her do it. skinner says well... you better find her before these guys do.

GASP!!! he’s putting up the x on his window! and doing that thing where he bounces his basketball because he cannot relax!!! stop i'm emotional!!!!!

the lone gunmen call to say they found something on the tape…. and it induces electrical activity…. MIND CONTROL???

but why wasn’t he effected?

! MULDER LORE REVEAL ! HE’S RED-GREEN COLORBLIND???? THIS IS AN INSANE LORE DROP TO GIVE NEARLY 4 SEASONS IN??????

wait, is this just for plot purposes, or is DD actually colorblind and they decided to roll with it? because now i’m gonna be looking at all the red-ish things we see on screen (like his tie he is grabbing to emphasize his point) and wonder, can he see that? how does this impact his tie selection process....

okay that really threw me off guard. man, i was getting to think we'd never get another lore reveal, which is a shame because i quite like formatting those facts in that way. good to know we could get more at anytime!

he gets a phone call from maryland state police. the lone gunmen ask if she’s okay and he says no, he has to go and ID the body. WHAT!!!! WHAT!!!!!!!!!!!! he is trying to keep composed. holy fuck………..

(heavy breathing as i grab your shoulder and squeeze) hey man. hey. he was trying so hard to be strong.

so he pulls up to the morgue and stops before he gets out of the car, and holds his head above the wheel STOP I’LL CRY???? i’ll cry… what are they putting him through??? losing her again……..

(i mean i have SEEN gifs of scully in seasons past this one, so i know she's gonna pull through, but HE doesn't know that, and must be reliving the worst days of his life AGAIN, and aughhhhh!)

but the mystery guy from the start of the episode that give him the info on the muders pulls up and says get in right now!!!!!! mulder is furious, he says he’s busy. in a shocking display of insensitivity, mystery man says he does not give a fuck. mulder is yelling that this is all his fault. mystery man says “they” are destroying the evidence, and they’ll finish it by tomorrow if he keeps searching for her, but he kicks the door shut and ignores him.

(omg…. he loves her enough to break him out of his bloodhound mode… the dogged ahab-like quest for answers and revenge… i’m getting flashbacks to his conversation with missy in one breath…….. realizing he needs to put the ones he loves before his need for revenge sometimes..... wow)

so he walks into the morgue, and the dude in there says they found a body nude and shot in the forehead.

he closes his eyes to try and brace himself before taking a peek, to prepare to see her lifeless, probably reliving those many hours by her bedside when she was in the hospital, trying to imagine her shot in the forehead, the scully he knows and loves with her dry humor and her teasing smile and caffeine dependency, the her that is so full of life, lifeless…

but it isn’t her. PHEW!

despite this being good news that he has to share- she's not dead! her mother isn’t answering her phone…. so he goes to her house. and i'm thinking, oh my gosh, did she do something rash in her grief?

but mrs. scully answers the door and claims dana isn’t here. he bursts in and says he needs to see her right now. omg, he saw right through her lies.

(also, it always feels weird to refer to her as dana, but moving on)

NO!!!! she has him at gunpoint and says he’s here to kill him!!! poor guy looks so flabbergasted… and her mom is trying to get her to please put down the gun, and he’s trying to explain what is going on!!! he is so singularly locked into her…. 

“he’s lied to me from the beginning. he’s never trusted me” “scully, you are the only one i trust” AUGHHHHH (rips my clothes off of my body in biblical levels of grief) 

“you’re one of the people who abducted me” AUGHHHHHHHHHHHHHHHHHHH (rips off not only my clothing but also my hair as i experience emotions that rival what job from the bible went through)

she’s CRYING, and saying he killed her sister while her mom gets between him and the gun… and she’s saying she knows she’s safe here, that’s why she came here, and to put the gun down. and she falls into her mother’s arms sobbing. 

WHAAAAAAAAT. and he had to watch all that… oh my scully oh my goodness my poor scully…

timeskip a little bit. he shows up to the hospital where scully is with her mother, and mockingly puts his hands up in surrender, because he is so STUPID and he always has to make a joke, and i love him so terribly, so so so terribly, because he loves HER.

she's laying in the bed, and he shuts off the tv and asks how she’s feeling. she says she is ASHAMED- as if being a victim of mind control was a personal failing. scully, i want to yell, you have NO REASON to be ashamed, let me take all the shame from you and carry it elsewhere. she says it was like the world was turned upside down.

and he makes ANOTHER stupid joke about the world being out to get him, and now she knows how he feels-

before leaning in and explaining how joseph, the first murderer on this case, became convinced he was killing the bosnian war criminal who people called “the modern hitler”, which was especially important to him because both of his parents survived the holocaust. hence his line about the killing days being over!!!

and helene was scared her husband would cheat on her. so somehow the TV signal turned their worst fears into a living nightmare. 

OHHHH HER WORST NIGHTMARE IS HIM BETRAYING HER. HIM BEING RESPONSIBLE FOR HER GOING MISSING AND LOSING HER AUTONOMY AND MEMORIES... wails into my shirt. 

(this reminds me of that episode in s2- irresistible- when we learn her biggest fear is that humans are capable of terrible horrific things and grasping to trust despite that knowledge. we’re seeing that again right here. how uncertainty seeps in)

THEY CALL HIM THE CANCER MAN!!! wow very official canon recognition of the name (yeah it’s happened before but it happened again so that is cool) anyway she says she saw him giving cancer man the tapes and reporting.

he says that maybe cancer man was behind this, but then he whispers “why don’t you try and get some rest?” and there is something in me that melts so entirely as he leaves her to sleep.

(perhaps it is the fact that hurt/comfort and whump are my favorite tropes. because is there anything more intimate than letting someone see you at your most vulnerable, and them choosing to love you at it? is there any feeling more cutting than seeing your loved one suffer and knowing you’d stop the world for an instant of their relief? the terrible desperation of both parties, the wordless connection upon recovery, someone being the last thing you see before everything fades to black and then the first person you see when you return... yeah. it’s cathartic. but also it makes me want to yell and cry. pls give me all the hurt/comfort content)

so the doctor found high serotonin levels in her that maybe can be associated with mania, but now they’re back to normal. he asks if someone in her situation would be diagnosed with amphetamine abuse, and she says no. then he quickly calls the hospital where joseph is staying… what is he cooking in there…

he wants to talk to joseph's doctor, dr. stroman, who left behind only a number from the motel…. and he had JUST checked out…. so he’s going through his stuff. and asking about his calls. and he DOES find a cigarette in his room but a lot of people smoke so… try not to jump to conclusions juni… but the cigarettes mean one thing in this show!!! was this innocent-looking doctor behind such a cruel experiment?!

he calls and has the last number the doctor called get checked from the folks at the lab… so he goes to visit the place of residence and creepy music is playing. the dude from the cable company we saw before rolls up!!! he walks right inside the house, so mulder peeks inside. it seems the people in the house set up a trap of some sort, as they are talking about “him” showing up at 7.

he bursts in after hearing gunshots and both of the men in there are dead!!! shot in the head!!!!

who is there... but X???? X says he HAD to kill those men- he just hoped mulder would get them first. and oh, mulder is YELLING AT X!!! he is letting him HAVE IT!!! he says he is a coward, he was too scared to unveil the situation with the mind control TV murders himself….. he says X NEVER risks his own life, but he sure does make him risk mulder and scully’s.

OH! he is holding X at gunpoint. all X is saying is that he failed, and that mulder needs him. so he walks out, confident he won't pull the trigger. and he doesn't. 

WHAT! i need to kind of just let that sit for a second. i need to figure out this X fellow, but i get the sense i never will…. he failed… because he chose to try and save scully…….

cutscene to skinner’s office, where mulder is giving him a report. and scully walks in and says that dr. stroman DIED IN 1978!!! when skinner asks about the killer, mulder jumps in and says he remains unknown… oh, skinner is def gonna pick up on that….

so now we see X in a random back alley. getting into a car…. WITH CANCER MAN?????? X REPORTS TO CANCER MAN??? he asks if he has completed his work, and X reports that he has cleaned out all the personnel, everything is removed, but mulder still has a device. and mulder’s source has been eliminated. but the source’s source remains unknown. oh, he’s def lying through his teeth.

OOOOOOH this episode was SO good.

oh man, my brain is racing in a bunch of different directions. scully breaking down and sobbing into her mother’s arms…. scully convinced that mulder is a traitor, that he did those terrible things to her…. mulder so scared that she was gone, bouncing his basketball, getting a call from the police department that he had to go identify her… choosing her, even in what he thought was death, over following the Truth… the sick and twisted relationship he has with X, and X with Cancer Man, and Cancer Man with the world… it’s making me think of how mulder broke into his house that one time, was going to kill him over what he did to scully, and cancer man had the nerve to say he liked mulder… OOOH my brain is just racing racing racing. 

poor scully… how scared she was, how horrified afterward… 

other things that are on my mind, in no particular order: the bond between scully and her mother; mulder being all babygirl on that couch; mulder hopping on that bicycle and picking up some random doll from the murder victim's house; how haunting scully's voice was when she asked him over the phone where he was; their cola drinking; mrs. scully trusting mulder no matter what; how he tried to cover the grief in his voice when he told the lone gunmen he had to go identify her body; how he kicked the door shut of the mystery man, damning the investigation to pay his respects; how his head hovered above the wheel of the car before he got out to do that; how X uses and uses him to no clear end, and what is HE doing reporting to cig man, and what was that random doctor doing conducted fucked up experiments on random people; and scully's miraculously bad aim; mulder's conviction he could talk sense into her (spoiler: he could not); her shame at being convinced he had been the one who abducted her; how terrifying that must have been; and his stupid jokes when he walked into her hospital room, with the sincerity he tries so hard to outrun and outfox breaking through in his whispered why don't you get some rest?

so needless to say, i see why this one is a fan-favorite. this is certainly one i will be revisiting in the future when i need something strong. i have a million things to think over that will stick with me Forever, and i am in no rush to move on from this. in fact, i took these notes yesterday, but in the process of editing them tonight, i have decided i am not ready for the season finale and will have to save it for tomorrow because i'm still feeling So Many Things. so stay tuned to see how that goes, because whew!

[inchidentally]

https://www.tumblr.com/piastrisms/738775293993549824?source=share

I NEED YOUR ANALYSIS OF THIS VIDEO! PLEASE <3

okay listen this has spun me out into a whOLE thing so let's take another trip down a road I like to call Why is the Non-RPF Real Life Relationship between Oscar and Lando So Endearing and Boyish and Sweet:

so my absolute favorite thing about Lando's face when he's relaxed or in his natural element is how absolutely every. single. emotion. he's feeling is broadcast at equal volume. his vulnerability is a massive part of his charisma. but! he has to have the right habitat! streaming, Youtube, his lifelong friends - those are the right habitat.

F1 is not naturally the right habitat.

when Carlos found Lando on his proverbial driver's doorstep he did not know what to make of him and Lando was barely able to squeak out a few words around anyone new or when a camera was around. but! Carlos trained Lando into how to bounce a dynamic between the two of them just like he'd been doing with his last awkward baby, Max. interestingly Max was much more excitable and eager to please of the two and Lando's intense shyness took a LOT of work to get past. but once Carlos had gotten the drift of Lando's super silly sense of humor it was smooth sailing. and then with Daniel it was even easier because half the time Daniel knew he was expected to carry the conversation. it's interesting because Lando allowed a bit of that old shyness to come back and it definitely disarmed Daniel a bit in a satisfying way. but thanks to those big personalities, Lando found his F1 self and even started to deal back and lead occasionally. of course DTS and a lot of media pilloried him for this because apparently what Carlos and Daniel do naturally is seen as snottish and bratty for him to do. the Youtube/streamer personality where he felt so safe did not at all translate onto other platforms and media.

so it hasn't been smooth sailing for Little Lando Norris to know how to be as a person in F1.

cut to 2023 and with the advent of Oscar we've seen a slow dismantling of Lando's F1 PR personality completely in his content with Oscar over the season. their very first unboxeds Lando was still wearing his guarded PR face and assuming he should lead and carry all the content. it was still sort of around for the Jenga/Garden Games challenges but had started to soften around the Austin filming (including the Finish the Lyrics classics). at some point, Lando truly realized that Oscar would still be fond of him even when Lando was in a terrible, low blood sugar type mood (Tic Tac Toe etc) and oh wow!

their content could really just be Lando being whatever he was feeling that day/that moment and Oscar smiling and finding him funny/cute/fascinating! that was enough! he didn't even know that was allowed! (and maybe it wouldn't have been if Oscar wasn't there to bolster him)

and that's when we started getting unguarded, authentic Lando instead of entertaining Lando. and it's because Oscar was the person next to him representing all of us, trying to tell Lando that we just wanted to see him. we didn't care if he was 'on' or not. he's just an interesting outdoor cat we want to watch go about his life.

which is why we got Lando letting himself sit and stare right back at Oscar like this.

where we can see his expressions do that slow blossoming thing, and right in full view of just Oscar. it's the anti-DTS material because it isn't open to the camera and easy to manipulate. narrative television hates when two people go into quiet, subtle communication because it can't be made into a false dramatic arc. (trust me they'll invent one using chopped up footage and even more chopped up commentary lol they always do but it'll be uphill work)

but when you contrast this with the nonstop, quick back-and-forth Lando has with Carlos and Daniel it's where we pick up on the something that's so unique to Lando with Oscar. it's wrong and making way too big an assumption to say it's a closer friendship bc you can't quantify other people's friendships that way. but it's very, very different to those friendships. and the biggest difference that we on the outside can see is that Lando allows himself to determine exactly How He Will Be. and that might change from one minute to the next! and that doesn't always go down well with most people!

but every time, no matter what, Oscar smiles and laughs and everything Lando does is alright. he gets it. Lando means no harm and he's got a good, warm heart. if he likes you then that won't change just because his mood changes.

like their end of season message. Lando went from doing a great job summarizing his thoughts for the viewers, handed it over to Oscar and just... watched. didn't get bored and stare at the camera or off into space. I actually compiled just how often Lando spends staring openly at Oscar into one long gif lol:

he fully knows he's still on camera but he turns himself into a viewer instead of bouncing around and off of what Oscar is saying. Oscar gave him that, he can give it right back.

and there's no specific Lando-Oscar dynamic like there is Lando-Carlos and Lando-Daniel. hell, Lando's got a dynamic with just about anyone. except! Max F, Martin Garrix (and probably quite a few of his friendships that we're never actually even shown) and Oscar. with those people we see Lando be precisely whatever he's feeling at that moment because they'll either indulge it or enjoy it depending on how good or bad the mood is. if it's Lando, it's all good.

I feel like there's a commonality with those people of being quiet but strong as opposed to the big and bold of most of the F1 drivers on the grid. Max F absolutely has obvious similarities to Oscar (I still love how much he sided with Oscar when he watched the 'most likely to' video). I don't know a lot about Martin but it's literally a DJ's job to be enough apart from the crowd to read it and they set the energy passively through what they spin. Oscar is a fun guy who loves being around the people he cares about but he's never The Guy that it all turns around.

and for their own reasons, they find Lando inherently fascinating and lovable. whereas Lando has to inhabit Carlos', Daniel's, George's, etc etc worlds because they are in themselves The Guy Everyone's Watching just like Lando. Lando has to share. he has to figure it out. but guys like Max F and Oscar do not have the energy or interest in being The Guy. they'd choose privacy over popularity every single time if they were made to. and actually come to think of it, they have actively chosen privacy at the expense of popularity quite a few times.

because let's look at Oscar's face when Lando teasingly brings up Oscar's sprint win:

Oscar gives Lando that genuine, affectionate smile and ducks his head because he wants Lando to know that he appreciates it. in truth, that Sprint win was hailed by wider F1 community as being a massive achievement for a rookie in the Max V era of dominance. they both know that it is. but Oscar didn't posture or show off about it and for that Lando has made sure to bring it up on his behalf time and again. Oscar gave him that, Lando can give it back to him.

which is even sweeter going back to that post race video because Oscar gives Lando that same affectionate, private smile. he's had to throw the video's content over to Lando and Lando gave him that big affectionate smile first because this is how they do these videos. it's always awkward - especially if their results that day weren't great - but they know that together they can do these videos and share a laugh over how absurd it feels sometimes.

and the hint of a private joke between the two of them is there early on and you can just feel Lando relax into it.

and when you skip all the way to their last race media duties and this interview, it truly surprised me how much Lando kept checking in with Oscar - the rookie! -as he was answering. when he found himself giving boring PR answers he threw in a joke that he knew Oscar would crease up over. sure enough it loosened them both up.

and like, that's where the vulnerability and openness comes from now with Lando. he's got a teammate who is basically the same age, who gets him and who actively wants Lando to just be Lando. who clearly threw Lando at first by inadvertently foiling those attempts to establish a dynamic or a bromance. who Lando probably at first thought was just shy and awkward. but Oscar stayed true to who he is and kept that door open for Lando to eventually walk through.

so when it's the two of them, it's everyone else who's on the outside looking in. they're just being themselves. if that doesn't make everyone else feel entertained or happy they honestly don't care - and will probably share a secretive little smile about it.

it's also why they sometimes do that twinning thing and creep everyone out asfgjlaflsgjf

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 大理寺少卿游/White Cat Legend.

White Cat Legend is the 2024 live-action adaptation of a funny historical manhua about a country bumpkin who winds up working with a bunch of mystery-solving officials led by a beautiful boss whose tragic past means no one can know he's also a kitty.

This is one of those cases where television comes in to adapt something that has both unfilmable elements and a very non-cinematic storyline that hasn't even been finished yet, and as such mostly just takes the characters and the basic conceit, then creates an entire vaguely nonsensical 36-episode AU fanfic of it. To call this show tonally inconsistent would be an insult to shows that are only merely tonally inconsistent. It is full-on tonal whiplash, the kind you should go see a doctor about. This shit is all over the place. It has arcs and situations that are genuinely emotionally moving, and then smash cut! to wacky nonsense happening with the B-plot. It does not know if it wants to tell a Serious Story or just have bonkers antics, and it will deal with this indecision by doing both at once.

So if you're in the mood for something fun with charming characters that won't tax your brain parts, let me give you five reasons this could be exactly the junk food you're looking for.

1. Just a family of all boys

If you're looking for a show rife with female characters, go watch Legend of Fei or Story of Yanxi Palace. Over here, it's Boys' Night Out.

The show is set in the Court of Judicial Review, which solves crimes. The boy in charge of all of them is Li Bing, who is secretly also a cat for reasons he doesn't understand. He picks up naive yokel and total sweeheart Chen Shi and brings him back to work with the Court's current occupants: a sad-eyed scribe with catastrophically bad luck, a former soldier who wishes he'd been born recently enough to be into Crossfit, a generic "foreigner" whose superpowers are spending his parents' money and pronouncing things badly, and the 8th-century Chinese equivalent of a mediocre white man.

And I'm going to tell you right now, up front, above the cut, that these boys' character interactions are the #1 reason to watch this show. You watch it because you like to see them bounce off one another like the unsupervised toddlers they are. They all love and care for one another in the best ways they know how, which sometimes aren't very effective, but darn it, they're trying!

What's especially cute is how they're so touchy with one another -- and not in any kind of sexual or creepy way, but in a sincerely affectionate bro way. There's lots of hugging and supportive arms around waists. Sometimes when they get scared, they hold hands. They grip one another when walking across unsteady ground or climbing over walls to break into yet another house. There's never any gay panic or no-homo reassurances. It hits that sweet spot right between brothers and boyfriends, where you can read their interactions as fraternal and/or romantic as you like (see below).

I mean, who needs a plot when you have half a dozen charming boys canonically working, eating, and sleeping side by side? That, my friends, is quality television.

2. Jam-packed with goofball nonsense

White Cat Legend is a show that will make you laugh out loud, and mostly even on purpose.

About 2/3 of this show is silly, and the other 1/3 is trying so hard to be emotionally resonant. But you know what? Screw emotional resonance for the moment -- let's embrace the antics!

There's a lot of silliness happening even at the production level. The show also starts out doing some very cute visual things, like breaking shots into multiple "panels" that give everything a real comic feel. It's especially effective during fight scenes and other visually confusing setups. ...And then about 1/4 of the way in, it forgets about this gimmick and stops almost completely. This is a shame, because I liked it! I liked that VFX tomfoolery that paid homage to the story's webcomic roots! (Also, someone behind the camera clearly got told that the way to make a scene more visually interesting is to slowly pan in during every shot. Once you notice it, you can't unsee it.)

The main villain is ... well, he's a lot. He's just a whole lot. I'd call him Evil Garfield, except Garfield is already kind of Evil Garfield, so this guy's Eviler Garfield. He's not chewing the scenery, but is instead treating it like a cat with a vendetta against some drapes. He's just hilariously over the top at all times. It starts out vaguely entertaining, then gets annoying, then wraps right back around to entertaining again.

Also, his wig is terrible -- and it's not even the worst wig in the show! White Cat Legend has decided that the way you style foreigner NPCs is just to jam unbrushed women's wigs on extras' heads and call it a day. There are indeed a lot of foreigners in the show, and the show has chosen to handle them by assuming everything beyond the borders of 6th-century Chinese territory is a great undifferentiated vaguely Persian-flavored mass. Who's that shady-looking guy? Oh, he's Foreign. What country is he from? A Foreign one. What language does he speak? You know, Foreign.

You are not ready for the score. This is a show that spent its entire musical budget on a handful of middling pop songs, realized it still needed ~40 minutes of music to put in each episode, and decided that it could just pull things at semi-random from whatever the Chinese television equivalent of the YouTube royalty-free sound library is. The result is some laugh-out-loud hilarious soundtracking. Do you know why they usually pay people to do things like score television shows? It's because when you don't, it sounds like this.

True story: During one antics-filled scene, I frowned, listened a second, and asked my wife, "Is that ... 'Deck the Halls'?" It was!

The mysteries are -- and I'm quoting myself here -- the celery that gets the cute boy peanut butter to your mouth. Not only can you, the viewer, not solve them, I don't actually remember what most of the resolutions were. Hell, I barely remember what most of the actual setups were. The individual storylines are mostly unimportant pieces of fluff that kinda sorta tie into the big mystery of the show: Why is that boy a kitty? ...And if you think you're going to be satisfied by the resolution to that one, honestly, you haven't been paying attention to what I've been saying in this post.

Basing this on absolutely nothing but vibes, here is my guess: The original vision for this series was as an ongoing thing, something that might hew a little closer to the comic storyline in later seasons. At some point in the production, the decision got made that there would be no further seasons made. The resulting drama is something that's technically self-contained, sure, but has a lot of little lingering weirdnesses that look like foreshadowing.

As just one example, the way they frame and shoot the empress is bizarre, and she might as well have a big SHE'S GOING TO TURN OUT TO BE EVIL neon sign above her head. ...Except that, no, she's fine! Perfectly fine, mostly normal empress, mostly normal levels of evil, nothing to see here. She is, however, evil as heck in the source material (and that's not a spoiler, she's a little pink thing who's clearly sinister all the way from the get-go), and I have to wonder if the showrunners weren't planning some future heel-turn villain arc for her. Well, we'll never know now, so whatever you choose to believe, the show won't contradict you on it!

Your reaction to all of this will 100% depend on how charitable you are feeling toward staring down a firehose of (mostly) intentionally slapdash shenanigans. If you go into this demanding coherence and substance, you will wind up disappointed. If you go into it expecting nothing more than a fluffy good time, you'll probably enjoy yourself tremendously -- and you'll maybe even be moved by the rare times it does work out to being something of substance! Such as...

3. We are never ever getting back together

The first thing you can tell about Qiu Qingzhi and Li Bing is that they are as divorced as two dudes in a c-drama can be. They aren't just a little divorced. They are nuclear divorced.

Except -- and this is the juicy part -- they obviously still work really well together. If it's just the two of them head-to-head, they will be assholes to one another with no mercy. If circumstances change and they have a shared target, God help that shared target.

The unspoilery version of their backstory goes like this: They were adorable little tween besties who grew up into adorable little teen besties, until Qiu Qingzhi went off to join the army and came back a real cold bitch, and Li Bing has no idea why. Now the two of them control state agencies that should work together but actually wind up competing more often than not (think the FBI and the CIA), a competition not helped by how the Jinwu Guards (Qiu Qingzhi's group) are actual professional soldiers in very nice armor, while the Court of Judicial Review is, well, [gestures to points 1 and 2].

And yeah, baby, this right here is The Ship.

I spent a nonzero amount of time while watching this series laughing out loud because Wei Zheming's face is just too beautiful to be believed. With his sculpted jaw and his perfectly practiced looks of disdain, his Qiu Qingzhi looks like a damn Disney prince. His face could not be more perfect if you'd assigned a team of animators to draw it. This actor is the reason I found this show in the first place -- he was so beautiful in Word of Honor that I found myself wondering what else he might be getting up to. Turns out, he is again being a smug bitch and capturing the heart of a doe-eyed younger man.

Don't let me oversell how much these two are together in the show, because they're not. Qiu Qingzhi is not part of the main crew, so he's not in most of the episodes. Most of his screentime comes in flashbacks during the last story arc, to a time in his past when Li Bing wasn't even around. But when they're together, oh, the sparks do fly.

I think it helps that the actors seem to have understood the ship, even if in that video, Ding Yuxi (Li Bing's actor) is trying so hard to do the Please Do Not Cancel Us dance of plausible deniability. I honestly don't even think this is the show's doing; after all, the source material (see the section near the end) is not BL in the slightest. I'd believe the show meant to create a normal platonic bro-relationship between these two. I'd even believe that it thinks it succeeded.

Still, if you're not the biggest fan of Lovers To Enemies? That's fine! Here's the relationship that's the real core of the show:

4. Here comes a special boy

All the boys of the family of all boys are special and wonderful, but truly, Chen Shi is the specialest and wonderfulest of them all.

He is your everyman character, the little country bumpkin overwhelmed by all the big-city dealings he's stumbled into. With his cute little twang and his natural inclination to trust everyone he meets, he's the perfect cinnamon roll, too good, too pure. I want to pinch his angelic little cheeks.

Fun fact: I have been informed by someone who speaks with the same dialect he does that said dialect is very sweary, which brings to mind the wonderful image of Chen Shi just casually and sweetly dropping f-bombs while everyone else stares in shock.

In a show where the characters are way more important than the plot, having a good POV character is key. Your audience lives or dies entirely on how much they want to see that POV character put into situations. To me, Chen Shi is a rousing success at this. He's not stupid! He's just extremely sheltered and on his own for the first time in his ife. He's the bravest little toaster, the goodest boy who's not going to let the little things stop him -- like, say, illiteracy, or a lack of familiarity with city living, or an inability to give any substantial details about the brother he's looking for beyond 'he looks just like me.' That's why he's got his friends help him out!

You better believe that when it comes time to save the day, Chen Shi will do it through the power of how everyone loves him.

And he and the kitty are ... romance? Kind of romance? Romance-adjacent? I could burn even more wordcount explaining the dynamic, but @uovoc has already said it best:

cdrama Li Bing is like: I've taken an inexplicable liking to this simple country boy so I'm going to entrust him with my life's greatest secret because I'm whimsical like that. And cdrama Chen Shi is like: this man is the most beautiful cat I've ever seen.

No matter how romantically you slice it, it's a dynamic I absolutely love: where a guy weighed down by his own past meets another guy who could not care less about that. Chen Shi is Li Bing's chance to figure out who Li Bing is, without the burdens of his family history, connections to the court, job, status, or any of the other things everyone else sees when they look at him. Chen Shi looks at Li Bing and sees Li Bing, whiskers and all.

I mean, Chen Shi makes Li Bing an entire office full of human-sized cat toys. If that's not love, I don't know what is.

And if you're not into besties-to-worsties or the pure and purrfect love between a man and his cat who is also a man? That's okay! I've helpfully made a chart to demonstrate the many flavors of exciting relationship dynamics White Cat Legend makes available to you:

Imagine the possibilities! Make your own fun! And then get over to AO3 and share it with the rest of the class! The White Cat Legend tag is sparsely populated and mostly not in English, and that's a shame, because there's so much smooching potential.

5. Not as dumb as it looks

Wow, that's kind of a backhanded compliment, isn't it? Well, no, not actually. You saw my earlier points about what a bag of goofs this show is. What's easy to miss, though, is how unexpectedly clever a whole lot of its dumbassery is.

A lot of this, I'm going to chalk up to the actors, who on the whole turn in some comedic performances way better than they have any right to be. That's the thing about comedy: to do stupid well, you have to be smart. They're all very funny, and they've got some great chemistry in combinations and permutations. It's a testament to their abilities that you can take any two of them, give them a scene together, and get something worth watching out of it.

Of course most of this is the main boys, but the major supporting characters largely have the same clever sense of comedic timing. Their actors know they're not performing some great work of literature, so they've decided to have some fun with it. I'm not going to praise anyone's performance here as particularly great, but by and large, the recurring cast members are doing solid work.

The aforementioned goofball nonsense also does a fair job of distracting from how creative the show can be. For example, the fact that many of the fights and chases are comedic makes it easy to miss how the fight choreography is often really tight. I don't think the show is trying to hide its moments of cleverness, so much as it's just grabbing them where it can without drawing attention to them.

I know a lot of people gave up on this show only a few episodes in, and I suspect I know why. It's not even that it just takes a while to find its footing -- it never quite finds its footing, on account of being such a patchwork creation. It's an adaptation of an incomplete story, forced to make changes because of budgetary limitations, promising things it's not allowed to deliver on, and further cut down between filming and release. That's what you call having the deck stacked against you. The fact that the final product is not only watchable but downright enjoyable is a testament to how the production got some critical fundamentals right.

In short, it's not just dumb fun -- though it is a lot of dumb fun. But it's dumb fun with just enough to sink your teeth into that it eventually becomes a compelling ratio. I don't blame the people who bailed, but I'm glad I stuck with it.

bonus: It comes in other flavors!

If you like the series and you want more, you're in luck! There's a whole ongoing comic and animated series!

The comic is the original version of the story: a tall vertical webcomic with a cute, distinctive style. It's still being published, and it's very different from the drama. There's a great ongoing translation project at @whitecatlegend, so if your Mandarin skills are as bad as mine (or worse!), you can follow along in English as well!

The donghua is a pretty close adaptation of several parts of the comic. You can find the whole first season at this YouTube playlist, though please note that the playlist is out of order, so you don't accidentally start with episode 8. The translation is ... eh, it's a little rough in places, to put it charitably, but it also makes some charming localization decisions, so I'm all for it. Oh, and here's the second season! It's even prettier and better-translated than the first!

Also, hey, furries? Li Bing's a perma-kitty in both of those versions of the story, so have fun with that.

The drama's casting is spot-on. Whoever picked these boys went out of their way to keep the original artistic vibe as much as possible, to the point where if you'd told me the drama had come first and then someone had drawn a comic starting from the actors' likenesses, I would've believed you.

(And yes, if you've read it, Qiu Qingzhi and Lai Zhongshu aren't technically Qiu Shenji and Lai Junchen, but I'm declaring them close enough for the purposes of this demonstration.)

I have heard that some fans of the comic are unhappy about the live-action adaptation, and I get that, I do -- they are not the same thing. There are plenty of things the drama leaves out where, okay, I understand why that person/event/factor got cut, but at the same time, dammit. In the end, I like them both as very different stories featuring the same(-ish) characters. Still, the drama is definitely not one of those situations where you get to tune in to watch the same things you loved on the page, just in a different medium. The delightfully accurate casting is about where the similarities end. Everything beyond that is its own legend.

Kitty.

Here, kitty, kitty?

The drama's an iQiyi exclusive, so that's where you'll get it.

It's a fun show, not a perfect show. It has some captivating elements and lots of promising nonsense worth thinking about. And like I said, it's a tiny-ass fandom -- a paltry 277 works on AO3, a mere 44 of which are in English. Somebody get in there and make some combination of those boys kiss!

Also, it is criminal that Kitty Li Bing has fabulous red eyeliner that Person Li Bing does not get to wear. Call makeup and fix that.

[nunalastor]

Worlds Watch Hazbin Hotel

Okay so you know how in the beginning of Episode one we see ‘Good’ and ‘Evil’? And good is glowing white with white wavy hair and evil is – basically Roo. So I think that ‘Good’ is basically God, and she’s been in a chess match with Roo for eons. (Roo thinks she won one with the creation of hell, but God was always gonna have free will).

So God knows what Roo is doing, and decides to hijack it – by meeting up with Alastor, who walks into his room and sees this glowing white woman who introduces herself as the Root of Good, the Soul of Virtue, or God if he prefers. And she says she has a deal for him.

She will remove his deal with Roo, which Roo got by essentially torturing him for seven years until he broke and agreed to give her his soul. (She would do this anyway, because she’s GOOD, but she knows Alastor would be suspicious unless there’s a deal involved.) In exchange, he will go and help Charlie with the hotel.

Alastor asks why he would do that, and God reveals what Roo is planning, and how she, with her omniscience, is planning out the best future, and that having him there will change how things go.

He asks why he should do this.

She says, because Heaven will be watching as well, and the broadcast will show people Earth (to prove its real), and then heaven and hell, to show THEY are real – so a) she will make sure one of the winners shown before the Hazbin Hotel part starts is his mother, so he can see her again…and b) because this means his mother in heaven will be watching what’s happening in hell.

Does he want her to be happy when she sees him – or disappointed?

(Incidentally, while Roo looks like/is possessing Eve, God just looks like Virtuous people – and so she looks a lot like his mother while she’s talking to Alastor.)

Alastor agrees. God removes his deal, but makes him promise to pretend to still be leashed, and so to allow Roo to record him whenever he sensed it happening.

Also, while God asks Alastor to go to the Hotel, she doesn’t ask him to protect Charlie or anything – so the bit where he fought Adam and almost died? Yeah, that was actually him almost dying for his friends, not set into place by any deal. Hence the mental breakdown lol.

And so the broadcast starts, with television and phone screens all over hell heaven and earth being static, until it counts down – and then reveals Earth, and shows various people who are watching the broadcast themselves in real time – and then goes up to heaven, where Emily gets to see herself before Sera moves her away from the screen, and then down to hell – where an extermination just happened.

And Charlie starts singing.

It’s pilot time!

Also, there are people alive right now who probably lost people they loved to Jeffrey Dahmer, so imagine how those people would feel at the ‘cannibal cooking show’ thing he’s in from the pilot. The Fuckers still alive in hell?! What's the point of the exterminations if that guy is still around!

👀

[rosemary03]

Could I request Vergil stealing the readers clothes and touching himself? He tries to convince himself that it isn't a big deal and he will return the clothes, so he *totally* isn't a pervert at all? Maybe the reader catches him in the act and he feels embarrassed by it?

nsfw!! warnings: only masturbation and a lot of cum, urine is mentioned and vergil is caught as the pervert that he is 😈 Ah, and there may be some spelling errors, but I'm not sure.

You and Vergil are on the couch watching television, apparently this is your favorite series, you can't miss a single episode, Vergil is aware of that so he's accompanying you, but he's fucking distracted, he looks a bit lost, what You catch him looking at you several times but he doesn't say anything, so you ask "what's up vergil?" your voice is kind and soft, vergil gets a little nervous you can feel that "nothing... I just have to go home soon you know?" he responds, to which you tell him that it's not necessary and that he stays today, he gladly accepts, you both spend the rest of the night talking and talking about the typical stuff, a lot of blah blah blah, here and there but only from you, he is extremely quiet today, maybe he is uncomfortable? You think, so you just leave him alone to rest, he sleeps in the guest room and you in your own room of course.

But you don't know the real reason why he was so nervous, he just can't tell you, I mean, no he's not a pervert for getting fucking hard when he saw your nice dirty panties in the bathroom but he doesn't want you to think bad of him! You probably forgot to put them in the washing machine and he saw them by accident.. it's not your fault or his.

But he didn't really know what he was doing when he woke up in the middle of the night, he went to the bathroom on purpose, not because he needed to pee or anything, he just needed to see your panties again! Don't blame him, he just wants to see what you used on your pussy most of the day. So when he goes into the bathroom he quickly looks for your panties, oh it is still there, in the same position he found them this morning, his half hard penis starts throbbing just by looking! He hasn't even touched them yet, suddenly he had a little idea, he thinks it's a bit disgusting but he can't help it, he grabs the soft fabric of your panties and takes it to his room "just for a moment, I'll return it as soon as I'm done" he tells himself, but he really can't tell for sure how many hours he's been fucking his fist with your panties around his cock, the poor fabric of your clothes is thick and wet from so much cum he's spilled! But he can't stop!! He was so lost in his own lust and arousal that he didn't hear the footsteps approaching his door, the only thing that brings him out of his trance is the little scream that comes out of your throat when you saw vergil masturbate with your panties, he is perplexed, really he doesn't know how to react, he feels ashamed and dirty. Is he really a pervert for doing this? He just wanted to enjoy himself a bit! Inhaling your smell and tasting your sweet taste, he didn't want to do anything wrong!!

[keikotwins]

Mokumokuren

Birds of different feathers flock together

Noticed online by head-hunting publishers, Mokumokuren hasn’t waited very long before polarising the attention of Japanese readers. With strange The Summer Hikaru Died, horrific bromance dealing with body dispossession, the mangaka signs a series of sophisticated oddity, that sets itself apart from the predictability of current fantasy productions.

Interview by Fausto Fasulo. Original translation: Aurélien Estager. English translation: “Keikotwins”. Bibliography: Marius Chapuis. Thanks: Camille Hospital & Clarisse Langlet (Pika), Yuta Nabatame, Mayuko Yamamoto & Mana Kukimoto (Kadokawa), Chiho Muramatsu (Tohan)

(T/N: Interview given to ATOM in winter 2023; 2 volumes were out in French.)

-

In an interview given to the CREA website in November 2022, you confided inventing stories since very young. Did your first fictions resemble the ones you draw nowadays?

It’s true that there are quite a lot of common points between the stories I imagined when I was a child and the ones I tell nowadays in my mangas. Especially a specific motif, that has been haunting me since the time when I wasn’t really aware of the world surrounding me: the presence amongst us of “non-human” beings, that nonetheless have a perfectly normal, ordinary appearance…

And how was this “obsession” born?

Precisely identifying the origins is complicated, my memories are too blurry, I think… What I can tell you is that I’ve always been fascinated by “creatures”. For example, I remember being very impressed by Peter Jackson’s bestiary in the Lord of the Rings trilogy. By the way, still in a fantasy register, I am also a big fan of Harry Potter adaptations… (She thinks.) And I’ve always liked yōkai stories, you know. I think that what I like in all these mythologies is the idea of species classification: each has its own characteristics – physical, biological – its own way to apprehend its environment.

In Japan, yōkai are integral part of regional folklore. Did the place you grew up in have some specific beliefs?

I was born and grew up in Tokyo, and, as you must know, yōkai are mostly associated with rural areas. I was thus never really bathed in this type of regional fantasy folklore. There are all kinds of yōkai and we can perhaps see in some more contemporary urban legends the echo of certain past beliefs? (She thinks.) I am a bit frustrated, because I believe that I could remember a legend that would have impacted me, but nothing comes to mind immediately, sorry!

You have already said so in an interview and it’s quite obvious when reading your work: you are a big amateur of horrific fiction. What has been your first contact with the genre, all medium included?

It was television that introduced me to horror: special shows, television films, series, I was watching these programs with a mix of fear and enthusiasm, a confused sensation that particularly delighted me! (She thinks.) And amongst all the aired shows, I will remember two titles: Hontō ni atta kowai hanashi and Kaidan shin mimibukuro*.

* Inspired by the homonymous manga magazine published by Asahi Shimbun, Hontō ni atta kowai hanashi (lit. “Scary stories that really happened”) is a series produced by Fuji Television that has been airing more or less weekly since 2004. Derived from literary material (a series of compilations of hundreds of short stories by Hirokatsu Kihara and Ichirō Nakayama, published from 1990 to 2005) Kaidan shin mimibukuro is a series made of several short movies depicting ghost stories based on real testimony.

Did you read horror mangas when you were young?

Let’s say that I was more interested in live-action productions. Nowadays, I obviously appreciate some horror manga authors, without pretending to be any expert in the subject. For example, I like Junji Itō’s work, but I am far from knowing it for a long time… (She thinks.) I could also talk about Shigeru Mizuki, who I also appreciate a lot.

The mechanics of fear aren’t the same in occidental and oriental fictions. You like American horrific productions – like Ari Aster movies – as much as ones from Japanese origin – you notably quote Ichi Sawamura novels and Kōji Shiraishi feature films. Can we say that you are tying these two perspectives with The Summer Hikaru Died?

My relationship with horror is more imbued with oriental sensitivity. But what I find remarkable in occidental horrific productions is work on image. In The Shining like in Ari Aster movies, for example, there is real research made on frame composition and choice of colours. I also try to follow this aesthetic reflection in my work as a mangaka.

In Ari Aster’s work, beyond the very precise staging, there is this permanent desire of ambiguity. Do you try to dig this same equivocal trench?

Absolutely. I try to tell complex feelings as well in The Summer Hikaru Died, like fear dyed with nostalgia or attachment, repulsion mixed with fascination, with attraction…

How do you “sort out” the shots that inspire you in cinema?

I don’t draw while freeze-framing during specific scenes. I would always rather watch a movie as a “focussed” spectator. However, I pay a lot of attention to the way the director composes their frame. I sometimes take some notes, but I most often simply keep it in a corner of my mind.

Could you tell us when and how the story and characters of The Summer Hikaru Died appeared to you? Have they matured a long time within you?

I’ve started thinking about this story when I was preparing university entrance exams. I was aspiring to join an art uni, and I was drawing every day. I can’t really say I made my characters “mature”: back then, I wasn’t thinking that the drawings I was making would one day end up being published, way less being serialised! I innocently created characters close to me, without guessing that one day they’d become manga protagonists.

One of your foundational reads was Sui Ishida’s Tokyo Ghoul manga. Can you tell us how you discovered it and what effect it had on you?

I don’t really remember how I discovered this series, but what I know is that I became crazy about it at first read. What I liked – and what I still like – is this idea of telling a story that confronts humans to these “different” beings while following the point of view of a character that represents alterity. Beyond this strictly dramatic aspect, Sui Ishida’s storyboarding and character design have had a strong impact on my work. However, I want to add that Tokyo Ghoul isn’t the only title I took inspiration from, I obviously have other references…

Do you do a lot of researches to define the design of your characters? You seem to draw them easily, in a very natural gesture…

I haven’t spent a long time defining my protagonists. First, there are few in the manga, then, they evolve in a rather realistic universe. My goal was rather simple: they had to look believable in the reader’s eyes. I wanted people to be able to imagine crossing them in the street, you see?

It’s after seeing illustrations posted on social media that depicted the future characters of The Summer Hikaru Died that the publishing department of the Young Ace Up magazine noticed you. How have you reacted when approached?

I was very surprised, because I absolutely wasn’t trying to become a mangaka. I would have never projected in such a future, you see. And, very honestly, if they hadn’t suggested working on this series, I don’t think I would ever had pushed the doors of a publishing house… I am then very thankful towards the persons who have allowed me to enter.

And what would you have done if you hadn’t been solicited?

Back when I’ve been contacted, I was considering – still vaguely – working in the video games field. But I wasn’t really proactive, I wasn’t contacting anyone, wasn’t sending resumes…

Did you want to do chara-design?

Why not, yes. What I like in video games is the range of possibilities they offer. You can then create an entire universe and this is rather exhilarating.

So you’re a gamer…

I have dropped my controller since I’ve started drawing manga. But yes, when I had more time, I played rather regularly, especially Nintendo productions…

Even if you play rather little nowadays, do video games influence your work?

I can’t say whether it really is an influence, but the Undertale game has left a big mark on me. I felt its creator’s strong will to surprise players, to make them feel unprecedented sensations…

Horror manga only relies on art and storyboard to provoke fear, whereas cinema and video games can also rely on sound. Is it from this observation that you have decided to particularly work on your sound effects?

Absolutely. I have thought a lot about the way to introduce and stage sound in The Summer Hikaru Died. The sound effects that you can find in the manga are indeed the result of this approach.

In an interview given to the Realsound website, you mention the use of the シャワシャワ (“shawa shawa”) sound effect. Knowing that occidental readers are way less sensitive to these graphicoustic details, can you explain its meaning?

“Shawa shawa” expresses the song cicadas make in western Japan. It’s a very special noise because in the different regions live different species that make specific sounds. So when I choose this specific sound effect, I convey a geographic and temporal piece of information to the reader, who can then guess the location and season the action takes place in. (She thinks.) When using this sound – that we especially find in the beginning of the manga – my goal was to play with silence, particularly when the song stops. I thus had the idea of representing this sound effect with an easily readable font, so the reader would make no effort to decipher it, as if the sound was asserting itself naturally, you see? I hoped to suggest a saturation they couldn’t avoid and that, when it’d stop, would immerse them in absolute silence.

The Summer Hikaru Died transcribes very well this particular atmosphere of Japanese summers…

Yes, I really wanted to signify this languor in my manga. And the cicadas’ song we discussed earlier contributes to creating this atmosphere: it’s an overwhelming sound, sometimes irritating, you cannot escape from in summer – Japanese readers obviously know what I’m talking about. (She thinks.) I also gave special attention to shadows: summer light being very bright, shadows are very sharp, very deep.

Do digital tools allow you to get this result more efficiently than traditional?

I work on Clip Studio Paint, and it’s true that it sometimes allow me to save time. Consider the work on shadows: I never apply solid black because I like saturating space with hatches and, with digital tools, I can obtain the desired result faster because I can duplicate each of my lines.

Your use of hatches is sometimes reminiscent of Shūzō Oshimi’s…

I don’t know his mangas very well, but it’s funny that you mention him because I recently read his latest series, Okaeri Alice. In any case, I really like his style and I perfectly understand how you can bring his universe and mine together.

The Summer Hikaru Died relies on the concept of body dispossession, that obviously takes back to the Body Snatcher novel by Jack Finney and its movie adaptations. Did you think about it?

I don’t know this book very well, but I know its theme has been approached often, especially in movies. As I was saying at the beginning of this interview, my idea was to adopt the point of view of a non-human and tell his indecision, his moral questions…

We also find this idea in Hitoshi Iwaaki’s Parasite…

I haven’t read the manga fully, but I’ve watched the anime adaptation that was released a few years ago (R/N: in 2014). I remember rather liking it, even if I think I offer something different with The Summer Hikaru Died. What interests me is sounding the inwardness of my non-human character out and expose all his dilemmas. What is his place amongst men? Is he legitimate in our world? Here is the type of questions that pushed me.

One of the impacting scenes of volume 1 of The Summer Hikaru Died is the one when Yoshiki penetrated Hikaru’s body by shoving his arm into his torso. It’s a sequence that is both very sensuaI – to not say sexuaI – and also very horrific. How did you get this idea?

I wanted to put the readers in an uncomfortable position. A stressful situation that could take several forms because, according to your sensitivity, you can feel very different emotions in front of this scene: sexuaI arousaI, fear or disgust. For me, it was supposed to put the reader in some kind of catatonia, you see?

Do you chat a lot with your tantō, especially around these slightly “complicated” scenes?

I have free rein, you know, I can draw everything I want. My editorial supervisor has never asked me to temper some sexuaIIy connotated parts. My discussions with him don’t revolve around this kind of things, but rather around the structure of the scenario itself: where to place this scene in the narration? Is it better to put this sequence before this other one? Nowadays, I am more at ease with all the scripting layout but, at the beginning, I needed support.

What allows you to get, from a dramatic point of view, the mix between bromance and horror?

I wanted to show the differences in sensitivities and values between a human being and an “other than human”, and tell the misunderstandings this can cause when both meet. When Yoshiki “scratches” under the appearance of the one who is supposed to be his best friend, it creates a first point of conflict in the story. I then hoped to make his relationship with Hikaru – or rather with the “entity” that pretends to embody him – a kind of undefinable bond, that wouldn’t be friendship, nor love.

Do you know today where this strange relationship between your two heroes will lead you?

I know more or less how all of this will evolve, yes. I have decided on my story’s general plot since the beginning. I can only tell you that The Summer Hikaru Died won’t be a long series.

How do you explain the almost instant public plebiscite of your series in Japan? You perhaps cannot have perspective on it but, in a saturated publishing landscape, you have managed to stand out…

Hm… Indeed, I don’t really have precise explanations to give you about this success. Maybe the covers’ design has been in favour of the manga? I asked the person in charge of graphics to make sure that the visuals would be noticeable in bookstores. That’s why the books have this monochrome aspect, with the title discreetly placed. I didn’t want obvious advertisement banners, but something simple, like this blue background for the first volume, on which the character stands out. I also wished to create contrast between the jacket’s and the inner cover’s drawings. I thus had requirements that didn’t quite go alongside what we can nowadays see on the shelves of Japanese bookstores.

[anthropologyruinseverything]

Summerslam venting - my opinions are based on personal experiences and feelings.

I’m a Roman fan but honestly this is getting old and stale and I’ll completely lose interest if he isn’t at Summerslam. (And listen, for a dude with his health issues I’d be happy to hear he was gonna mostly retire and make movies. Get your paper while you can babe!) I agree with a number of folks here that they’ve missed so much in regard to tension building between Roman and Solo. I just don’t care. And of course he’s gonna cheat against Cody. It’s a classic bad guy vs. the hero set up.

At least they gave Damian something to fight for. I am loving the new angle. But if he loses to a N@z* who called him street trash I’m gonna throw up because you’re just not hiding it at this point. Fair warning, you will not find any love for Gunther on my page. Yes, he’s great at what he does but until his character changes I’m not cheering. (Stood across the protest line from too many of the real-deal bad guys who sing his praises online at this point.)

Rhea’s gonna have to face the monster she herself created in Liv. I’m interested in the long term implications for Judgement Day and her relationship with Dominik. But it’s Mami’s fault so it’ll be satisfying to see what happens and I have faith in these performers to put on an amazing show.

Bayley and Nia lacks the same level of emotion but I also think it will be a great match. Nia is better than a lot of people give her credit for and with this last title run Bayley has won me over. Normally I leave the room when Tiffany Stratton is on the television so hopefully her fake ass won’t be too involved.

Drew, Punk and Seth will be fun to watch but they’ve screwed with other storylines so many times I’m just ready for it to be over. I think the highlight will be Seth’s outfit.

I want Sami to beat Bron. I’m a sucker for heart and hard work paying off. Bron is Goldberg 2.0 and I find him just as interesting as his predecessor, meaning I’d rather watch paint dry. He’s got potential so I hope they don’t stick with the angry meathead persona for long. I figure they’re setting Sami up to lose, probably due to being drawn back into Bloodline mess with Jey. It would be almost okay if he and Jey got a nice run as a tag team together.

Side note if you made it this far:

I was so excited for Jey’s single run. It’s personal and I know that’s silly but I FOUGHT TOOTH AND NAIL to escape an abusive family and make a life for myself. It really spoke to me to see him do the same sort of thing. And now, it’s all been wasted because he’s almost assuredly been nuked at every turn so he can go back to the Bloodline drama. He deserves better, deserves a better singles story and a title. It’s sad he probably won’t ever get it at this point. Like I said before, I will watch a different promotion if he goes to it.

Anyway, thanks for listening. My couple of 7 day, 18hr a day work weeks are coming to a close so I’ll have way more time to work on my fanfics and novels. I’m considering entry to a competition for some of my original stories so I may post a few blurbs for feedback. If you’re waiting for a request or just a story update, that’s what I’ll be working on! Some very much needed stress relief.

Thanks for giving me some space to share my thoughts and my work!

[eloise-t-g]

long post ahead. i wanted to respond to some of the things i've seen people saying about the watcher situation. i honestly just needed to get some of this stuff off my chest lmao.

"sorry, the bridge has been burnt and i can no longer support watcher" - valid.

"i'm happy with this compromise and will continue to watch their content" - valid.

"oh so they apologise, change nothing, and now people are happy to give them money?" - things have changed. they compromised and completely changed their plan for the new website. did you not watch the update video? they're also issuing refunds to anyone who wants one.

"i bet people who over-reacted feel real stupid now!" - some people over-reacted, but a lot of people had valid criticisms and concerns. they shouldn't feel stupid if they expressed it in a non-abusive way.

"yay, we successfully bullied them into changing their minds!" - you're ... you're proud that you bullied someone? this isn't fucking elon musk or jeff bezos. these guys aren't multibillionaires exploiting their employees. these are three youtubers who want to pay themselves and their employees a living wage, while making content they're proud of, and they made a simple fucking mistake. stop throwing around the term 'eat the rich' as though it applies here.

"the apology video is clearly PR!" - yes, watcher is a business. this is how a business responds to situations like this. they had abuse hurled at them for 48 hours straight, they shouldn't feel bad for wanting to make sure everything said in the video was 100% agreed upon and analysed beforehand.

"steven was clearly the one behind this, he should be fired or step down!" - was he? do you know that for a fact? cause from what i saw, all three of them got in front of the camera and made the announcement video together. i agree that he should step down as CEO, but only because they clearly need someone who has actual business experience leading them (if you remember, ryan and shane stepped down a while ago because they didn't want to deal with that side of the company anymore - in the same video, they thanked steven for being the sole reason watcher was still going).

"they shouldn't have been silent the whole weekend" - maybe so, but it's clear they went into lockdown/crisis mode. also, businesses aren't open on weekends. i think it's fair that they waited until monday and took their time with it. maybe they should have tweeted something like "we're sorry and we're working on an explanation", but that just would have given people another place to attack them.

"you're all being parasocial" - i've seen this used against both people who are supporting/giving the team the benefit of the doubt, and people who are against everything. a lot of people (myself included) have used this experience to realise they were developing/had developed a parasocial relationship with these men. this is a good thing - it allows us to recognise these things and make changes within ourselves.

i think generally people are more parasocial towards youtubers than celebrities in films and tv shows. YT feels like there is a barrier removed between the creators and us; it makes us feel like we know these people in a way that we don't know actors who are always playing different roles. YT makes it easier to believe we're seeing the real people, when we really don't know them at all.

"why should i pay someone who owns a tesla?" - you don't have to. also, steven has been working consistently for years. it doesn't surprise me that he has enough savings for an expensive car. people are allowed to own things that you and i can't afford.

"they're embarrassed to be youtubers" - might be true, who knows. but for me it feels more like they want to be taken seriously as filmmakers/television producers, and don't feel like they can do that on YT.

"there's clearly money mismanagement going on" - i think this is likely. i personally don't know what it's like to run a business like this, which is why i've been watching videos from other youtubers who do. since they're saying they don't know where the funds are going, i'm inclined to believe watcher's budget is way off what it should be.

"why didn't they initially say they were having money troubles and might close doors?" - i can see both sides of this. i believe they should have recognised that their audience would have been more receptive to this kind of honesty. however, if you're asking people to give you money, while also saying the venture might not work out, it doesn't engender a great deal of trust. why should i pay for a 12 month sub if it's possible watcher will fold in 6? who will be around to issue me a refund then?

"we were happy with blue and yellow text on a screen!" - valid, but it's clear that they weren't. they clearly want to push themselves further creatively. on the other hand, it definitely feels like they got impatient and wanted that future creation to start now, when they don't have the funds for it. they shouldn't have tried to force their loyal audience to pay for content the audience didn't ask for.

"i don't want to fund steven, andrew, and adam flying around the world eating expensive food." - very valid. i wonder how different things would have been if this 'Worth It' revival had come around 6 months earlier. it still would have been tone deaf in a global living crisis, but i don't think people would have been this upset. what i don't understand is them doing this show if they genuinely couldn't afford it, which is the implication i got from them announcing it just before announcing the paywall.

"why don't they move their office out of LA?" - that would be incredibly expensive, especially for a company that is struggling financially. they would have to uproot their entire lives, and would probably lose a great number of their staff who don't want to/can't move. they would have to completely start over, which is something i imagine they're desperately trying to avoid.

i think the cancel culture that has grown in popularity over the internet over the last few years has led people to believe that:

they can say whatever they want online with no consequences.

people aren't allowed to make a single mistake, and should understand that when they do, it's okay to for others to spew hate and awfulness towards them.

part of me doesn't even know why i made this post, i think i just got sick of seeing the same complaints and questions lmao.

[thedawningofthehour]

Ok so Wizard of Oz

I assume it‘s about a Wizard but most characters seem to be female? There‘s an upright walking lion and a robot man though I think, because there was an old movie in black and white I think, but I never saw that

I‘m assuming they are summoned by the wizard to save the fantasy world

Something about a hurricane taking a house with it. And there is a scene where a girl goes „I don’t think we are in Kansas anymore“ and there’s a witch (I’m assuming the wizard transitioned good for her)

What I know:

- main characters get summoned by wizard via world’s worst fast travel

- furry and robot man yaoi can happen in theory

- the witch has magic shoes at some point and there’s conflict abut it

SOUP I LOVE YOU SO MUCH.

This feels so weird, it feels like I'm mansplaining this movie to you because before this year I have literally never met anyone who didn't watch this movie growing up. But I mean, it was literally written to be an 'American fairy tale' and international movie releases weren't really a thing in 1939, so it makes sense that it wasn't big over in Europe. (my sister's boyfriend also hadn't seen it until she made him watch it the night before we saw Wicked, but he's French and lived in SE Asia as a child-which we routinely forget because he has no accent whatsoever)

Pretty much the entire reason The Wizard of Oz is a big deal is the Technicolor process they used. It was not the first color film made-far from that, the first official color film was made in 1903, which is insane to me. These films were usually hand-colored or used color filters to capture natural color. Which was incredible from a technological standpoint, but these early films were still generally black-and-white films with some added tinting.

Add to that, a lot of these early color films have been lost or only exist in black-and-white format.

Technicolor was invented in 1916, first using a two-strip red/green coloring process to great success.

The colors are generally quite muted, but look how vibrant that red is! The richness of the native woman's green dress and the brown on her collar, in contrast to the white woman's grayish dress. These are both from the early 20s.

Still, color film didn't really take off, because 1) it was more expensive to produce, 2) color television didn't exist, most American households didn't have a television at all, and 3) the time period. The first TVs hit the market in 1928. 1929 marked the start of the Great Depression, so people weren't buying the latest technologies. And then by the time that was wrapping up WWII happened so research and production of luxury items were suspended for the war effort, but The Wizard of Oz was produced in that sweet spot when the economy was recovering but the US hadn't entered WWII yet.

Anyway. Three-strip technicolor was invented, corresponding to the three cones in our eyes that make up our entire color spectrum. With this, they could render pretty much any color humans are capable of seeing. But it required a lot of light for the colors to show up, and didn't produce good results outdoors.

1930 and 1935 respectively.

So while you can see that they're in full color, and the colors are pretty faithful to what they look like in real life, it's still fairly muted.

So I can absolutely see why people lost their shit when they sat in the movie theater and saw this:

Fun fact: the level of lighting required to get these vibrant colors on screen were so hot and intense that it heated the set to over a hundred degrees Fahrenheit, (38C for you soup) and cost the modern equivalent of five million dollars just to power.

The entire movie was basically them showing off their awesome colors. I'm honestly convinced that's why they decided to adapt The Wizard of Oz in the first place-other film adaptions of it did pretty poorly. But with the color symbolism in the story and the fantasy setting giving them cover to go absolutely bananas with the color-yeah, this entire movie was a giant flex.

The colors of Munchkinland.

The contrast of pink poppies, the Emerald City, and the Yellow Brick Road.

The green skin on the Wicked Witch of the West was invented for the movie, which forms the initial conflict of the Wicked novels and play.

Dorothy's dress went through a bazillion renditions before they eventually settled on the simple blue gingham described in the novel, made of cheap fabric and hand-sewn to look authentically homemade, as a girl living on a Kansas farm would have worn in the 30s. The dress was actually blue and light pink, to give the film the desired shade and contrast.

In the original Wizard of Oz, the magical shoes Dorothy wears are silver, which was potentially commentary on the demonetization of silver in the 1890s. The Yellow Brick Road representing the gold standard, with Dorothy using the road on her way to the Emerald City, which represented green paper money. The reveal of the titular Wizard being a charlatan and completely powerless in his Emerald City palace was Baum insulting the concept of fiat money.

The shoes were changed to the ruby slippers we see here to show off the rich colors made possible with the Technicolor process, and to provide contrast with the Yellow Brick Road and Dorothy's blue dress. In Wicked, the shoes start off as silver slippers given to Nessarose by her father and later enchanted by Elphaba to allow her to walk-the power of the enchantment causing the shoes to turn ruby-red with heat. Which I thought was a cool nod to how the shoe color was changed.

I'm not sure why Dorothy's pictured with them still silver though. They're supposed to be red by the time she puts them on.

You were talking about plot stuff and I just basically screamed a summary of the history of color television at you loooool

The point is, The Wizard of Oz is a national classic mostly because of its revolutionary use of color, and also I think people were watching it over and over during WWII because new movies weren't being produced and it provided escapism. The music is still catchy and it still looks very pretty-but it's not a particularly deep story. Also the horrific conditions the actors and crew were subject to. I think it would be kind of underwhelming to watch for the first time as an adult. The main draw for us is nostalgia.

But I don't think you necessarily have to see the 1939 movie to enjoy Wicked. There's a lot of references and jokes to stuff that happens in it, (the heel of Nessa's shoes referencing the tornado that eventually kills her and brings Dorothy to Oz, Elphaba's "so happy I could melt" line when the audience knows that's how she dies) but in general all you need to know is that Dorothy kills the Wicked Witch of the West and then both she and the Wizard go back to America. I think everything else is pretty well contained in the Wicked storyline.

But it is incredible to see the progression.

[that-left-turn]

Look at you, think you're a real writer because you wrote some fic that isn't even finished. You aren't 👏🏼 qualified 👏🏼 to judge👏🏼 the SO without having seen it. NR and MMB are executive producing and they love the finale! They have experience and know the characters. Stop ruining it for everybody!!!

I have concerns about "the best one hour of The Walking Dead anything ever," that's true, but I have watched S1 so my opinions on the spinoff are not "sights unseen." Most of my concerns regarding 206 can have been addressed in post and I hope they have, but the big issue is that the climax of the season is framed in a deeply problematic way and it's not possible to cut or reedit it into something less off-putting because that's literally the culmination of the season's emotional arc(s). I don't think Melissa has said anything about the quality of the season finale and that's a statement in itself, but if she does tell us TBOC is the best thing on television, I’ll believe her.

As EPs, Norman and Melissa give notes on the script drafts, which may or may not have been addressed because the studio and/or showrunner saw things a different way. They might've given notes on the cuts which again, may or may not have been acted on because of opinions, time constraints or money. They will have given notes on the edits, which could've been ignored because "that's not the direction we're going in." Being an EP doesn't make anyone the feudal lord of the manor.

Unless you're a senior producer with years worth of experience, you don't want to comment on every little thing that doesn't conform to how you see things (and if you're a senior N/W EP, you won't unless you're an asshole too). Yes, the actors know their characters, but there are many things taken into consideration when producing a show that have very little to do with "artistic vision." Often, that vision has to fit into "what can I do for X amount of money in the locations I have access to, with the cast and crew already at my disposal, without pissing off anyone at the studio and still deliver on time?"

If you're not part of the hive mind at the studio, you're not the showrunner and you don't have a background of dealing with all the minutiae that goes into the actual tedious parts of making of a show—a lot of detail work, plenty of big figure costs and all the logistics—you pick the things that matter the most and those are the battles you fight as a junior producer. People who have experience don't appreciate having their job explained to them by others who don't know what it entails and as someone with a newly minted EP title, you don't want to get a reputation for being annoying. Producing functions like an apprenticeship, you learn from those who've done it longer.

"But Norman says..." Norman says a lot of things and various factions of fandom seem to believe him whenever it suits their own narrative. Carylers didn't believe what he said when Melissa was pushed out, but now he's speaking the gospel because it sways the tide of some imaginary battle against other fans? Norman embellishes and exaggerates—much like other actors when they try to hype their projects. S1 numbers were bad and he's trying to get more eyeballs by way of hyperbole.

We’ll see once the episode airs how truthful Norman’s assertion of "the best hour of TWD anything ever" is and whether I was wrong about my fears. I suspect that for the majority of Carylers the quality of the story won’t matter much if they get canon. If they don’t, though, what then? For Melissa's sake, I hope the season does reasonably well and that Carol's emotional arc revolving around Sophia won't feel cheap, but TWDU needs better writers than the regurgitated middle-aged white men currently in AMC employ.

[elysiumnotes]

This will be a departure from my usual ramblings but I need to talk to literally anyone about this.

One thing to know about me is that I like Spanish children’s television shows that are basically like telenovelas. And a lot of that comes in the form of things like Violetta or Soy Luna or Bia and other shows like that, so even as like elder Gen Z, I still do watch these shows because they are interesting, fun, and cheekily dramatic.

Anyway to the point..I just recently started watching Ayla y Los Mirrors and it’s cheesy in the classic Disney channel fashion.

It’s fine but I just need to talk literally anybody about it because I need to know if I’m the only one who believes that Ayla should be with Kako instead of the two ML that they have vying for her attention. Because I don’t care about either boy but I see genuine chemistry between her and Kako. She sees the real him and accepts his goofy self without demeaning him and he accepts her uptight posh nature but also lets her be down to earth and just normal with him. They would be kinda like a mini-Dair.

Another thing to talk about is that we have too many silly characters. Between the glasses girl, the Aunt’s henchman and the guy from the group home, it’s to much comedic relief that doesn’t really land. I would actually love to see development for the dude who is at the group home. I would like to see him become a father figure to Ayla and become sorta a serious guy who can be lighthearted but can also be counted upon when dealing with the heavier topics, like genuine person with development that way. Although I don’t think they will actually ever do that since these shows tend make characters like that pretty one-dimensions but I hope they would.

Anyway tl;dr, Does anyone else ship this because I do wish they could subvert expectations for this type of show and making the this third option canon instead rather going the typical love triangle route with the two plain MLs.

[autisticgirliesbracket]

What makes Woo Young-Woo from Extraordinary Attorney Woo the autistic girlie ever of all time? Here's what the people have to say:

Young-Woo-related asks/reblogs: x This post will be updated after each round!

Image ID in alt text and under the readmore.

[Image ID. White slide with a screenshot of Woo Young-Woo, portrayed by Park Eun-bin, wearing her headphones while on the train. She is surrounded by text boxes which read,

"She's canonically autistic, she's one of the only autistic characters on Korean television (possibly THE only, I don't want to speak for all of Korean TV but I know she's a big deal in terms of autistic rep in SK - in-universe she's the first openly autistic lawyer in SK), she's a lawyer and her neurodivergence is frequently presented as a positive in that it means she approaches cases differently than NT people, she has a lot of vocal and movement stims and wears ear protectors on transit, she loves to infodump about whales, her dad makes her the same thing for breakfast every day because he loves and supports her, she has a great love interest who she infodumps to (and they negotiate stuff! like he loves to hear her infodump but he wants to be able to talk to her too and they figure out an amount of infodumping that they're both happy with, which is such a real conversation people need to have sometimes!), SHE HAS A WHOLE MONOLOGUE ABOUT HOW SHITTY ASPERGER WAS, she's just so!!! She doesn't pass as NT at all and I feel like that's so rare for humanized autistic characters, to be recognizable as autistic just immediately, and it's so real for me and I love her so much, Young-Woo's so important to me and I just want everyone to know about her"

"She is literally canonically autistic. I binge watched this show after seeing a few gif sets from my mutuals on Tumblr and I fell in love with her. She's an attorney (as it says in the show title) and even though she isn't very good at talking to people, she's really good at winning her cases because of how observant she is (and her secret autism powers). She didn't speak until she was like 5 or something, and even then, the first thing she said was straight out of her dad's lawbook she had memorized. Her special interest is whales and they somehow help her in literally all of her cases, so good for her. The way her dad treats her sometimes makes me a bit sad, but I guess he's trying his best. He just didn't get any advice on how to treat autistic children, but oh well. At least he tries to be supportive. Like he cooks her safe food for her every day and is so proud of all her accomplishments. She has her daily routines that must not be crossed and she's so real for that. She's also obsessed with palindromes (including her name! :D)"

"Canon autistic queen! Not only is she canonically autistic, but her autism isn't shown to be a deficit or burden! She's also a kickass attorney! She's honestly one of the best representations of an autistic person I've ever seen"

"It's cannon. I almost cried when watching certain moments so... yeah it's pretty nice."

"it's canon. So canon. Like the whole point of the show is that she is on the spectrum. basically everything she does makes me feel like she is exactly who she was written to be."

"IS LITERALLY CANONICALLY AUTISTIC AND I LOVE HER VERY MUCH"

"Canonically autistic. Special interests are law and whales. Memorised this entire book of law at her home before she had ever even uttered a word. Her room is filled with whale related stuff from her alarm to random decor etc etc such her room is the coolest tbh. Wears headphones that play whale sounds instead to avoid sensory overload, echolalia, same breakfast everyday and memorised her route to the office cus routine etc." End ID.]