#I want to humiliate him

[jumbledbee]

I haven’t played the part at the legion fort yet, but if there isn’t an option like this, i’m gonna be really disappointed

[bakedbeanchan]

Drawing from a mini comic where the timeline is reset but Zuko still has all his memories

Minicomic here

[willgrahamstrout]

Contrary to a lot of Misha fuckers out there, I don't actually desire or fantasize about a healthy relationship with him. I don't want him to be my "daddy." I want to be the toxic whore that takes advantage of his turbulent emotional state post-divorce to not only get secret set gossip but also to make him obsessed with me, needy and pathetic. His kids would hate me but I try to buy them bubble tea as a weak mask to my plans and schemes.

[savanir]

DP x DC prompt [3]

during one of the final psych evals at Arkham right before he gets to be released, the whole thing wrapped up so tidy, just a little relapse which involved a robbery. Getting sent back to Arkham, but he got to stay at the asylum so long that he no longer has to serve a prison sentence, score!

But during that eval his overseeing psychiatrist recommended him to have a change of scenery, some fresh non polluted air.

Riddler was rather convinced the guy was making this recommendation to everyone in Arkham in their own weird way to convince them to just leave Gotham and become someone else's problem. should he notify Batman about it somehow? nah, it’ll be more interesting to see how this is gonna turn out in the long run.

But can he leave the state? Can he even leave the city? he never really bothered to look into it, at least not legally, up until now if he felt he needed to leave for one of his plans he just did it.

Turns out he can, it’s a whole hassle and a half though, first a judge and then a probation officer and he’s pretty sure both were like “what the hell is this psychiatrist guy thinking!?” but at the same time, shrink probably knows what he’s doing (WRONG) so he’s allowed to go visit out of state family or whatever.

he had to wear this nice ankle monitor though, Wayne Enterprises™ tech, not overly bulky but still very present. real fancy, and a fun extra challenge heh.

now as for a good reason to leave New Jersey he’s going to need distant relatives, and he finds some, great grandpa walker also has a son, who had a son who had a daughter Madeline, who married some guy Jack Fenton, and she lives somewhere out in the boonies Illinois. great he’ll visit her.

far enough away in all sense of the word that there is no way she knows anything about him. it would be best to call her first though, be polite about it.

“hello, you have reached Fenton works, this is Maddie speaking” 

“Riddle me this-” ah whoops, habit, oh whatever, “we don’t share parents, but certainly a part of your life, from laughter to strife. Who am I?”

there is a pause …  he’s going to be a bit disappointed if she hangs up if he’s honest.

“cousins~” comes the cheery reply.

“correct! the name is Edward Nygma, we are distantly related you and I and well-”

“oh you simply must come visit!” 

well this was rather easy, perhaps a little too easy, but she lives in the midwest so maybe just going with whatever some guy says over the phone is normal there? stranger danger not really a thing in a small town where everyone knows everyone?

things start to make a little more sense once he gets there and he’s starting to think some things might run in the family. like a preference for the colour green and weird hyperfixations and genius bordering on insanity. Though that remains to be seen, Jack does not seem like a very bright light after his very enthusiastic welcome.

their kids however are observant and sharp. young Jasmine is wasting no time trying to psychoanalyze him. and the boy, Danny, he had not really meant to and he swears he’s sticking with calling the kid Danny so he wouldn’t seem overly familiar, but he might have called him little bird a couple times now.

but that’s all whatever, he’s playing nice here. and he doesn’t even have to worry about his eccentricities tripping him up because this place is insane.

There actually is a local teen vigilante active but he seems about as loved as he’s disliked. and the ghost boy’s enemies are basically all his own kind, which another crazy thing to now know about. ghost. they are real actually, how is Gotham not completely overrun? and how do they even work? and where do they keep coming from?

Edward might be getting a little sidetracked here. He had fully intended to sneakily get his next big game plan underway all the way out here, ankle monitor be damned. but he hasn’t made any progress at all.

Instead he’s been listening to Madeline and Jack to maybe figure out what the deal is with these ectoplasmic entities, he has to know, at this point he might go crazier if he doesn’t. 

He’s making Jasmine promise him not to get her doctorate in Gotham, he’s going back and forth with space riddles with Danny.

so yeah the whole thing kinda just became a vacation, maybe the psychiatrist had the right idea after all? hmm nah, probably not. but this is fun. He’s thinking about recommending this place to some of the others.

It's different enough to get the vacation feel, but enough crazy shit happens to make it all feel like home.

it is not until Maddie wants to talk with him about potentially switching the position of godfather of Danny to him rather than some weird rich friend of theirs that Edward realizes he might have lost the plot somewhere

Apparently the little bird basically begged them with a powerpoint presentation on how he likes Edward so much more than that Vladimir guy. 

And honestly, the fellow sounds like a Dracula Lutho so even if it’s kinda sad Edward can understand why he’d be considered a better option. Even if the guy has more money and a huge company that makes him said money. And it’s not like the Fentons know about his Riddler activities.

Thinking it over, Edward does think that Danny would like Gotham and Wayne has that space program thing right? The kid is definitely smart enough for that (Nygma certified), and yeah Edward does quite like their space themed back and forth. So, fuck it, why not, what is the worst that could happen?

He doubts Maddie and Jack are gonna kick it any time soon anyway out here in the boonies, it’s just a title thing, a stamp of approval or something.

he should have known he was going to eat those words later… he had this whole beautifully elaborate trap set up for the whole Batclan, and he was just getting to the good part when his phone went off.

Had to put the whole thing on pause cause that particular contact wasn’t gonna get ignored. He did promise to be available.

If the whole thing he had planned now went tits up he could at the very least laugh later at the reactions of the bats as he told them to “hold up one second, I have to take this.” while they were all in various perilous positions. 

Sadly he did have to go, he had a very distressed godson to pick up.

[bietrofastimoff23]

"Teach a man to fish and you feed him for a lifetime."

Larys does what no one has done for Aegon: he's teaching him. he tells him the harsh truth, which hurts. Otto and Alicent did it too. but the difference is that Larys also demonstrates to Aegon that he is not alone in his path and he will have his support, he is here to help, not harm. He doesn't look at him as useless, even when he's lying in bed unable to move. he sees potential in Aegon - a combination of the ability to listen and the desire to return what is due - which is why he gives him a weapon "your mind is all that remains to you", rather than a finished result.

Larys can manipulate, using his own experience and genuine pain, and sympathize with Aegon's situation at the same time, these are not mutually exclusive things, especially when Aegon showed him his respect by giving him a position on the council ("i should be glad of your talents") and when their fruitful cooperation will bring victory to both of them. Aegon will become Larys' greatest creation if Larys continues to teach him inner restraint and cunning.

[bitin-and-barkin]

Keeping him in line

Warnings: Gunfucking, facefucking, shoe humping, sub Dutch, he's like super pathetic honestly, humiliation (Dutch Receiving), degradation, gender neutral reader, dom reader, the reader is SO fucking mean, Dutch deserves it tho, masochism, pain kink, anal, smut, all consensual dw, I like to think this could've stopped the downfall of the gang

-------------------------------------------------------

Thinking about being an "old friend" of Dutch.

Used to go out robbing with him back in the day, until some crap went down. He thought you died, and you thought the same for him. But after the blackwater incident, a long overdue meeting happens when you both try to rob the same train.

Thinking about him "Inviting" (practically begging) you to join him, even though you both know you're doing damn well on your own.

Thinking about once you graciously agree, he's consulting you for every little thing, saying something along the lines of "let me consult the missus/mister" before he plans any jobs, finally taking SOMEONE'S advice other than his own. Treating you like Hosea, like himself. A higher up, a leader, despite you having never set foot in this gang in over 10, 15, years.

Thinking about him insisting that you don't have to do any of the "dirty work" if you don't feel like it. Barking orders at others to "take care of it" while dragging you back to his tent for no reason at all, other than to just smoke and drink and chat about everything and nothing.

Thinking about others being weirded out and slightly jealous of all the praise and approval you get from him, with even Molly questioning if he's sweet on you. Everyone is thinking it, that maybe he had something going on with you in the past. But, even when he was with Annabelle? He had never treated her this kindly.

Thinking about him catching glances at your fingers while you handle your gun, the way you draw it and shoot in the blink of an eye. Watching your hands move as you play poker at camp, making everybody else at the table go broke.

Thinking about him watching the way your chest heaves in and out after a gunfight. Watching the way your silver tongue talks them into money and out of trouble, even better than he or Hosea can.

Thinking about him stating he needs to "take a break" with Molly due to him "needing some time alone" while she watches him talk to you the same way he used to chat with her, but with actual longing in his eyes.

Thinking about you talking to him, almost down to him, with a certain smug look on your face as he looks at you with a certain devotion on his. You calling out the flaws in his ideas and plans, doubting him, doing things that would get anybody else labeled as a traitor. But not you. Anybody but you. As when you do it? All he can do is sit there and take it.

Thinking about you pushing him down by the chest where he sits anytime he does something or says something that you don't like. Knocking his drink out of his hand in front of everybody when he gets too out of line.

Thinking about punishing him for his behavior at night, taking long drags of his cigar and putting it out on his arm as you grip his hair and shove his face into his bed as you fuck him into the sheets.

Thinking about you leaving bruises on his neck after you choke him too hard for being too mean to one of his boys or after one of his infamous plans fuck up once again.

Thinking about making him rut up against your boot as you face fuck him, saying he isn't deserving of even touching you, and if he wants release he has to work for it himself. Stating that your shoes better be shining when he's done down there as he rubs his dick against your spurs, desperate for friction.

Thinking of you fucking him with his own gun after he begs you for more, with you degrading him for getting a hard on. Asking him what the Pinkertons, what his gang, would think if they learned that Dutch Van Der Linde himself is no more than a common whore. One barely good enough to fuck. Saying that maybe you should turn him in, that way you can use the money to buy a whore that actually does what they're told.

Thinking about him crying into your lap as he begs for release, and all you do is laugh at him and shove him off, leaving him alone and aching after you climax and he doesn't. Knowing that he needs this punishment to keep him in place.

Thinking about him palming himself for the rest of the night and choking himself with a tie you got him a long time ago, fucking himself stupid with your gun which you left in his tent. But it's not enough. Such a greedy boy. It's never enough for him.

That's why you have to keep him in line. It keeps him sane.

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[relicsongmel]

As a musician I will never not be obsessed with the plot of Turnabout Serenade. Like what do you mean a professional guitarist gets accused of murder by Some Guy and one of his bandmates backs it up because he's upset the dude couldn't play a fucking quarter-note triplet correctly. What do you mean he uses that as evidence he did the murder. WHAT DO YOU MEAN HE WAS RIGHT

[rainybraindays]

Not to be that bitch, but if you're out here still saying Colin never apologized for the whole "I would never court Penelope Featherington" i think you need to maybe actually rewatch episode 1.

He very much does, as soon as he can once hes aware he hurt her. He addresses literally everything Penelope said hurt her about it. He says what he said was cruel and hurtful, he says that hes not embarrassed by her, he tells her hes changed and regrets doing something that hurt her. Its the most genuine apology anyone in this show has given.

How any of you have walked away from that seeing it as a fake apology makes me genuinely question what you think an apology is. Is he meant to fall on his knees crying and begging her to move on? Thats not an apology. Is he supposed to go "I'm sorry I fucked up, you're actually soso cool and so much better than me and everyone else" because thats love bombing.

Colin did it right, he came to her privately, apologized, addressed how he hurt her, reassured her he's not embarrassed of her and views her as his best friend, and said that he'd changed. Thats the correct way to apologize, thats how adults communicate. Everything that happened after that was in response to Penelopes frustration at her inability to be someone viewed as desirable in their society, and Colins want to prove how much he cares about her.

If we want to talk about non-apologies in this show, Colin is far from the first character in that line.

[cheecats]

Tears for two.

[heartkaji]

ik suna’s the type to comment stuff like ‘just out the fries in the bag bro 😭🙏” and whatnot HES SO FUNNY AHA

more suna comments for your viewing displeasure

[petrichorium]

i’m still thinking abt shanks dropping a “yes, ma’am” btw

[twentyfivemiceinatrenchcoat]

satoru is so fucking strong i think i’d GENUINELY have thrown up if i was in his place when geto came to declare war on jujutsu high … like i’m so serious i couldn’t handle cult!geto i really really couldn’t

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[cheesecakethots]

hypothetically… what would happen if you do chuck that book off the balcony. what is he gonna do? get the book again? just chuck that one too LMAO

he could

a) do the power play of using some nen or something to immediately bring it back before it even hits wherever it’s landing. he’ll look at you with a raised eyebrow and smug smile and just continue reading.

b) kiss you. the redness and irritation on your face really gets him going. knowing that he got to you, whether it be your anger or your interest, is what he strives for. sure, he was aiming to gain your favour with this whole book-scheme, but seeing you go hot-faced with that cute frown he loves so much is almost as rewarding. seeing you pant heavily after lobbing the book, as well as catching the fear of what he’ll do in your eyes, has him gravitating towards your lips, and a hand wrapping around your waist. he can forget the book, if you make up for it.

c) actually get a little mad. this is probably in the scenario where you’ve been with him for what he considers a while, and yet you still ignore or downright refuse his attempts to woo you. he’s been patient, and he can survive the idea of you never loving him, but he won’t take blatant disrespect, at least past a few petty jabs at his character. he won’t say anything for a bit, watching as the book falls, and immediately you start sweating. it’s when he turns around, expression blank, do you realise you have fucked up.