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#I thought I would stump myself with this outfit design as I tend to do with my characters... but I ended up having the opposite problem
mangomaking · 2 years
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costume planning sketches...
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arukou-arukou · 5 years
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Just A Really Very Intelligent System
Been thinking about this one for a while. Finally managed to write it. Rating: T for “Language.” (It just kinda slipped out.) Characters: Tony Stark & JARVIS
----
He is in one of the most dangerous situations of his life trying to save the whole freaking universe by watching a man the size of a dust bunny wriggle into the hairline of his younger self, so it would be really, really bad if he happened to have a heart attack. Older him that is. But he nearly does go into cardiac arrest when he hears an old friend in his ear.
“Verify immediately. Failure to verify will result in an activation of level one security protocols.”
His tongue is stuck to the roof of his mouth and his palms are sweating, but somehow he manages to whisper out: “Edwin-12-19-91-4-8-47-Alpha Override.”
“Override accepted. Sir?”
“Hey, J.”
“Sir, you have imbued me with considerable computing power, and yet never did you prepare me for the possibility of you being in two places at once.”
“Yeah, about that. You haven’t said anything to Mr. Quipster over there, have you?”
“Not as yet, Sir. You wish me to keep it that way?”
“It would really help me out, buddy.”
“Very well, Sir.”
Tony wants to stay longer, to talk, to warn JARVIS, to cry, but he has places to be, things to do, planets to save. Scott’s safely positioned, so Tony yeets himself out of the building to get to the ground floor. He doesn’t know why he thought that would make JARVIS disappear.
“I see, Sir, that your proclivities for leaping before looking are unchanged.”
Another near heart attack--he’s gradually phased Friday out of his ears now that the nanotech is connected directly to his nervous system, so he’s not exactly used to AI voices anymore--but he recovers more quickly. “You’re always there to catch me, J.”
“And yet my systems are not present in your suit, Sir. I see codal remnants of system designation FRIDAY, but nothing of myself.”
Tony remains silent. This is such a terrible time to be feeling all the feelings. He spots a grunt who looks more or less unimportant and knocks the guy out. Part of him wants to warn SHIELD about their shit security, but then again, this guy’s probably Hydra and he deserves every bruise he gets. He senses JARVIS in his systems, a ghost in the shell.
“You no longer have the reactor. And if I’m not mistaken, that is gray in your hair. So you are not my Sir.”
“Well, yes and no.”
“I suppose it would destroy the spacetime continuum for you to divulge the truth to me.”
“You’re too smart for me, J,” Tony grunts as he yanks on the bullet-proof tac vest. “It’s kind of a long story, and while I technically have all the time in the world, I also really, really don’t.”
He sidles into the lobby and looks toward his personal elevator, waiting for the Avengers to appear. J is quiet so long Tony wonders if he’s being preoccupied by...well, just about anything. Damaged internal systems, a Cap copy on the loose, a second Hulk out there, panicked calls from Pepper. But then JARVIS speaks again.
“Regardless of the tale, I must conclude that you are from the future, and I am no longer by your side.”
Tony is fucking choking up. He was not ready for this. It didn’t even cross his mind. And the fucking elevator is opening. There’s Pierce, the rat bastard, trying to collect the Tesseract.
“I hope I did not disappoint you, Sir.”
“Never, J. Never.” Fuck fuck fuck, he’s nearly crying and now Scott is on the com waiting for the go-ahead. Tony channels his pain into panic and orders his own cardiac arrest.
“Sir, what are you--”
Thank god, his younger self is on the ground and that’s apparently all the distraction J needs to abandon older Tony. Tesseract incoming. Tony grabs it and starts going and--
Blinking stars out of his eyes he watches as Loki makes off with the key, the thing they most needed, the damn stone that started all of this way back when Cap was a starry-eyed beanpole in World War II. He has just biffed saving the entire damn universe because of an overgrown Star Trek reject with anger issues. And now he has a migraine to boot.
Frozen in shame and horror, Tony watches as Thor attempts ill-advised cardiac electro-stim. Scott’s somewhere out there, yammering in Tony’s ear on the private channel, but all of that is just a buzzing.
“Sir? Sir. Sir!”
And J. Maybe Tony should cry now. It certainly feels like the time for it. One of the other SHIELD grunts is making her way toward him, so he staggers to his feet, waving her off and limping toward the door. Think. Think, brain, think. Tony is a genius, the man who invented time travel, the man who miniaturized arc reactor technology. A spaceship? SHIELD’s probably got one somewhere. Maybe they could chase after Loki.
“SIR!” How many times JARVIS has shouted his title, Tony has no idea, but this one is so loud it sets his teeth on edge.
“Yeah, J? Kind of busy here.”
“Giving yourself a heart attack, Sir?” JARVIS was programmed to be cool and calm in all circumstances, but Tony could swear that sentence was uttered with seething rage.
“I’m fine. Look at me.”
“Only by some measure of infinitesimal luck, Sir. Perhaps I should ask you to verify your identity one more time, as you seem intent on killing yourself.”
“No, J. I’ve actually got a lot of reasons to live. And so does he. Promise.” Tony is so tired. Was being an Avenger always this exhausting? Or is it just that he’s bumped over that damnable big 5-0? And Cap’s gonna ream him too. That’s never any fun.
“I’m...glad to hear it, Sir.”
And fuck it. It’s not like this will alter Tony’s timeline anyway. This reality is now on a different trajectory thanks to Severus Snape Lite. “Her name’s Morgan. You’d love her, J. Just turned four. She got my hair. Hope to god she didn’t get my personality.”
“Do I meet her, Sir?”
Fuck. Fuck fuck fuck it.
“J, you should dig a little deeper into SHIELD’s systems. Well, actually, a lot deeper. And the Pentagon while you’re at it. And track down Maya Hansen from that conference in 1999 and poach her from whatever outfit she’s working for. Immediately. Make sure she brings all her vet patients with her. And, uh, when I start talking about a suit of armor around the world, steer me away from anything called Ultron. And if I make it anyway, you delete the fuck out of that system file. Have Bruce back you up. He’s more sensible.”
“Sir, I don’t--”
“And have me make back-ups. At least three extra farms of servers for you. On different continents. And all those SHIELD files? Make sure Cap and Fury get them. And there’s...there’s this guy. This assassin. Brainwashed. He’s, uh, I think he’s on ice in Uzbekistan right now. If you could rescue him, it’ll...it’ll fix a lot of things.”
“Should you really--”
“And, please. Please please.”
Tony is not crying. He’s not. It’s just all the dust and debris in the air. Good lord, he’s probably going to die of cancer anyway. And all those first responders. Did he start a fund for them?
“Start a medical fund for the first responders on the ground today. And start leaning on Congressmen to make medical plans for them. You know how long they take to get anything done. Oh, and Stern. There are incriminating photos of Stern with some young ladies on South Beach. See if you can dig those up. Flowers for Pep. And a box of chocolates. And a dry martini with extra olives.”
Tony slumps into a burned out car, staring at nothing. He didn’t save his universe, but maybe he can save this one. His eyes are still irritated, burning red and itchy. He resists the urge to scrub at them, not wanting to grind in anymore dust.
“Are you quite finished, Sir?”
“Yeah. Actually, no. I love you, J.”
Silence. Ah. That’s stumped him. Maybe he’ll go back to tending his new posse of baby chicks now.
“I know you probably do not believe me capable of it, Sir, but I love you, too.”
His son. The only one he’ll ever make, but not the only one he’s lost. His son loves him. Tony’s throat is full of dust, too. Funny how that happens. He tries to swallow it down, but it only congeals into a hard lump. He puts a hand over his mouth to try and hold back any choking sounds. “I...I know you do, J.”
“As to your orders, I shall do what I can. It is my duty to protect you, Sir, and I would very much like to meet your little Morgan.”
“She might not exist here. I might’ve just changed everything.”
“If there is one thing I have learned from all my years with you, Sir, it is that perhaps such a thing as fate exists after all. Even mathematically speaking. And if that is the case, I cannot imagine a universe in which you are not fated to this happiness.”
Tony laughs, if only to keep from crying harder. And he is. Crying, that is. As if he was fooling anyone. Happiness? Him? Happy people don’t wake in the night screaming for a pile of dust in their hands. Happy people don’t spend hours coordinating relief efforts for countries whose entire infrastructural support has collapsed. Happy people don’t hurl themselves back in time, driven by guilt and horror at all the wrongs in the world. J, brilliant, wonderful AI that he is, seems to sense the dark turn of Tony’s thoughts.
“And if you yourself cannot believe in this thing, Sir, then I shall just have to do everything in my power to provide it for you.”
Another guffaw, but at least his eyes are drying a little now. “God, I miss you, J.”
“I believe your small teammate is approaching, Sir. If I may inquire, was it the Tesseract you were seeking?”
“You mean the stupid blue cube of doom? That’s the one.”
“And you say you have the means to time travel?”
“Yeah, J. We do. But only enough to get back to our time.”
“A limitation has never stopped you before, Sir.” JARVIS sounds thoughtful, as if he’s forming a plan.
Tony would ask him what he’s scheming at, but just at that moment, Scott embiggens himself and slumps into the car with Tony. That road is closed, then. They are out of options. Out of Pym particles. Out of time. Out of hope.
Until they aren’t. Just as Tony is setting his device for their new destination, J pipes up again, for Tony’s ears only. “You say you miss me, Sir. Then allow me to give you a small gift.”
Tony is pressing the buttons, and even if they weren’t already shrinking into the quantum tunnel, he wouldn’t be able to ask exactly what J means. It’s only when he and Cap arrive in 1970 that he has his first gleaning. In his ear, a voice. One so unexpected he nearly jumps into Cap’s arms. “Hello, System Administrator Anthony Edward Stark. I am System Designation EDWIN. ‘Eagerly Deployed With Intent to Neutralize Loneliness.’ I am told to tell you the “L” is silent and invisible. How may I best serve you today, Sir?”
Cap is staring at Tony like Tony’s lost his mind. And maybe he has. He’s been bugged by his own damn operating system. With a bouncing baby AI. And if Steve finds out, he’ll probably have a conniption about the spacetime continuum or something. So the only logical thing Tony can do is say, “Let’s find some Pym particles.”
“Acknowledged, Sir. Commencing scanning.”
-----
(In this reality EDWIN saves the fuck out of Tony’s life and everyone lives happily ever after and EDWIN builds JARVIS from scratch so he’s back or something, okay? Okay.)
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vdbstore-blog · 7 years
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New Post has been published on Vintage Designer Handbags Online | Vintage Preowned Chanel Luxury Designer Brands Bags & Accessories
New Post has been published on http://vintagedesignerhandbagsonline.com/not-so-haute-six-writers-on-their-biggest-fashion-mistakes/
Not so haute: six writers on their biggest fashion mistakes
Kenya Hunt ‘My version of day-to-night dressing was a night-time look worn all day’
Despite working at a fashion magazine, I’ve made a few sartorial mistakes. I comfort myself with the sentiment of an Instagram edict I saw: “If you’ve never looked a little dumb, you’re not having fun.”
I’d count the moment I met my husband as an off day, so it pains me no end that the clothes I wore have become a part of our marital lore. In his mind, the outfit is key to a story that must be retold, again and again: “She wore a shiny shirt, tight jeans, big, gold hoop earrings, tall boots and a giant white furry jacket. And I said, ‘I need to know this woman.’”
This visual loudness – the metallics, the big proportions, the shaggy texture – was my everyday look back in my late 20s, when I was living and working in New York. I dressed this way to please no one other than myself. I relished being able finally to buy and wear the labels I read about in magazines, but could never find in my suburban childhood home in Virginia.
My version of day-to-night dressing was basically a night-time look worn all day – ready for whatever fun might happen later. I’d think nothing of a morning commute in glittery Miu Miu heels or a gold Chloé sequin skirt. (To be fair, it was the era of high heels, flashy coats and skirts that were either very big and long, or very short.) No matter what the prevailing trend, I’ve always had a soft spot for the razzle. For further proof, see this old image of me in Milan, in bright colour and print, layered on top of more colour and print.
Now, my wardrobe stands on a foundation of grey, navy and black, mostly because it suits my lifestyle and the London weather. I limit the flamboyance to my accessories (a bright shoe, big earring, bold handbag) or show it through shape, such as an enormous puffer jacket. It’s just that now I choose pragmatic black rather than hot pink.
There’s a real joy that comes with loud dressing, because it requires a certain kind of go-to-hell spirit. I’ve come to indulge this in a more restrained way, but I don’t regret the mistakes. If I did, I’d have divorced my husband a long time ago, for telling that story so very, very often.
Ruth Lewy: ‘To think that this was my coolest look’
Ruth Lewy, aged 20, with Dizzee Rascal.
It was May 2006 and I was coming to the end of my first year of university. I had just received my first proper student journalism commission: an interview with Dizzee Rascal. I borrowed a Dictaphone and hastily scrawled down three pages of uninventive questions (“What is the best thing you’ve ever got for free?”).
Now the important bit: my look. I loved Dizzee; I knew his two albums back to front and had mastered all the words to Fix Up, Look Sharp. What was I going to wear?
To think, looking back, that this was my very best outfit. My coolest look. Not one floral print top but two, a T-shirt layered over a shirt. Not one necklace, but two. (Made with beads collected while InterRailing around Europe. I know.) My curly hair was slicked back with Brylcreem. Off I went, looking like Laura Ashley’s long-lost daughter.
He was courteous, holding eye contact and answering all my inane questions with grace. (The best thing he ever got for free? A lifetime’s supply of trainers.) I stood up and shook his hand, and he invited me to his afterparty. The next student journalist sat down and went straight in with a question about homophobic lyrics and issues of representation in pop music, and I thought, “Ohhhh, that’s what journalism is.”
The evening took a strange turn. My friends and I crowded into a bar on the high street, where Dizzee had a roped-off section at the back. It didn’t take him long to zone in on my gorgeous friend L, persuading her to leave with him. We were agog.
Twenty minutes later, she was back, laughing her head off at the way he had clumsily propositioned her. She chose us over him.
What do I see when I look at this picture? I feel embarrassed at my choices. But I’m also glad I spent my 20s dressing like a weirdo: it demonstrates a self-confidence that I don’t think I appreciated at the time. These days, you could still file most of my clothes under “eclectic”, but I’m much more careful, uninventive even. Now I tend to wear only one necklace at a time.
My interview never appeared in the end; the other journalist broke the embargo (she went on to write for the Daily Mail: go figure). I was left with only this blurry picture, a reminder of my youthful enthusiasm for floral prints, and an uncanny impression of Dizzee Rascal’s best chat-up line.
Ruth Lewy is assistant editor of Guardian Weekend.
Nosheen Iqbal: ‘Everyone else on the beach was 89% naked’
Nosheen Iqbal in Tuscany, aged 21.
I was a skittish 21-year-old in the mid noughties and I had, against my will, ended up on a Tuscan beach. It was the height of summer, but I was wearing thick black tights, thicker black skirt, black scarf and witchy pumps . Everyone else was dressed in 89% naked and the entire beach was rammed. I’d been sent on a work trip with four other journalists who were, as far as I was concerned, super-old (fortysomething) and, I hoped, probably willing to buy my stubborn refusal to strip as some cool youth thing. (They didn’t.) I made an attempt to style it out by looking casually moody, staring out to sea behind sunglasses, pretending not to notice my shoes sinking in the sand, legs looking like inky black stumps.
Why don’t you take off your tights?
No.
What about if…
No.
A couple of key things: the seaside was not on my itinerary and I hadn’t packed for it. I didn’t (and don’t) own swimwear or a bikini, and I didn’t (and don’t) know how to swim.
Being Muslim is barely an excuse to look as daft as I did; there are chic ways to be modest by the sea – childhood memories of Karachi’s Clifton beach were proof, where lawn cotton tunic and trousers were everyone’s friend. But being Muslim, plus an average level of body dysmorphia, was my “bikini body ready” get-out card. I knew there had to be more comfortable ways to be in public than permanently sucking my stomach in wearing what is, essentially, waterproof underwear. But 100-denier hosiery was definitely not the answer.
The general advice to give a shy 21-year-old should always be, “It’s not as bad as you think”, to allay their disproportionate embarrassment. Except, in this case, the cringe levels are fully warranted; I haven’t been to a hot, sunny beach since.
Nosheen Iqbal is a commissioning editor for G2.
Morwenna Ferrier: ‘I can’t remember why I decided to cut off my hair’
Morwenna Ferrier in Aldeburgh in her early 20s.
Other outfits have been more challenging. The mother-of-pearl bustier I wore to my graduation, say. Or, recently, the T-shirt printed with Valerie Solanas’s Scum manifesto I wore to meet a friend’s baby. But the outfit I am wearing here, worn on a walk along Aldeburgh beach in Suffolk, is the one I most regret.
It started a few months earlier when, in my early 20s, I decided to cut off my hair. I can’t remember why. I imagine I fancied a change and, in fairness, I liked it. But then, I looked like a boy in a dress. I reacted by phasing out dresses and instead wearing drainpipes, striped T-shirts and headscarves. None of this was good. In the photo, I’m wearing tight cropped trousers under the dress.
I had spent my late teens in dresses, grungy or flowery, with self-cut hems. It was a more innocent time, when I didn’t really care what I wore. But the haircut triggered an anxiety.
What is it I regret? Back then it was the haircut; now, it’s that I ever worried about looking like a boy. I clearly hadn’t been paying attention in those Judith Butler seminars; maybe I was still too attached to the binary. As my hair grew out, I started to care for the first time about how I looked. At 24, late in life, I became self-conscious.
Pam Lucas: ‘I looked like a turkey at Christmas’
Pam Lucas at a family party, aged 39.
As a single parent in the 80s, I was dirt poor. I didn’t have the opportunity to make fashion faux pas because I didn’t have any money. We shopped in jumble sales, and we had fun.
My family was invited to a party to celebrate my aunt and uncle’s golden wedding anniversary. I didn’t know them that well, but my mum wanted me to impress them by looking “modern”. In the 80s, that meant puffy sleeves and big shoulders. My mother came with me to buy the outfit from BHS , so I had to comply. I was 39 at the time.
It was a beautiful colour – between purple and lilac – but I didn’t like the synthetic fabric. It was watermarked all over and had a flared, taffeta skirt and a little jacket with a peplum. I looked like a turkey at Christmas, but it was such a fab party, I soon forgot how uncomfortable I felt.
In a way the outfit is a testament to my relationship with my mother. I was a grownup, with a child of my own, but she was still trying to keep hold of the mum bit of herself.
Tshepo Mokoena: ‘I settled on a vague hippy child look’
Tshepo Mokoena at 19.
It would be nice if we could start over. To spare me, and others my age, a fair bit of niggling shame, by wiping all early photos from our Facebook accounts. Anyone who set up a profile between 2004 and 2009 now lugs around the digital baggage of horrible pictures of misspent youth and terrible outfits.
Case in point: this delight of a photo. I was 19, killing time between the second and third years of uni in Brighton. In a few weeks, my housemate and I would set off on an impulsive charity volunteering trip to Kerala because – and I still cringe – we’d watched Wes Anderson’s The Darjeeling Limited.
Until my early 20s, my aesthetic consisted of not knowing when to edit. At 18, I would “layer” at least three beaded necklaces, two chunky bracelets, about 17 bangles and seven rings, for no good reason.
I attended secondary school in Harare, Zimbabwe, largely insulated from fashion, more concerned with my whizzing hormones than the latest velour tracksuit. I settled on a vague “hippy child” look at 15 and filled my wardrobe with earthy prints, flared denim and jewellery picked up in local markets. By 19, I looked like a substitute art teacher.
If you’re old enough to have only private, analogue photography from your youth, or young enough to have crafted a near-fictional version of yourself online, you’re spared the permanent reminder of your mistakes: 1,287 grim images owned by Mark Zuckerberg. I implore other twentysomethings to join me in calling for a digital purge. It’s time.
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