#I think that shit post prepared me to actually read the book coz I was like well now I know who’s gonna die and just read it
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a-little-disguised · 2 years ago
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SPOILERS FOR CROOKED KINGDOM
I can’t believe I put off reading crooked kingdom for months coz I had an inkling feeling that someone was gonna die and I was too mentally fragile to bear it (also I had assignments and exams)
Anyway a few days ago, a day before my final exam I saw this on Pinterest
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THIS SHIT POST MEME spoiled my most anticipated book
Anyway I just finished reading it and knowing what’s gonna come didn’t make it any less heart wrenching
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lizzybeth1986 · 5 years ago
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Quick Thoughts on TRFTP Book 1 Chapter 17
• I'm...not even sure what's happening anymore or whether this team is trolling us for expecting better from them. This chapter was shit. As has been this book.
• If you don't want to see these posts, here are the tags to block: #trh quick thoughts, #trh qts, #trh qt reblogs, #long post.
• I spent three days doing literally anything else but replaying it coz the writing for this one was so poor from the get-go, focuses on anything but the important stuff when we're two chapters away from the finale and uses Maxwell to retcon two moments from last book that they'd already bungled up in the grossest way possible.
• Ngl they also made Maxwell sound like a self-centered jerk this chapter. The one time they actually made him the focus, they make him into a narcissistic individual who thinks that just because he's friends with all these influential people he gets creative liberty over personal stuff that happened to them, without even fucking consulting them on it. I'm sure the book reading was meant to be funny but there was so much cringe going on that I wound up thoroughly disliking him this chapter (sorry Maxwell stans). Like this was me the entire time:
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• Screenshots:
Hana: The Abhirio YouTube channel
Drake: @thefirstcourtesan and the HIMEME YouTube channel
Maxwell: The rash rec YouTube channel
• Title: Hot Off the Press
Alternative Title: High on All Existing Levels of Cringe.
• The first few dialogues obviously change slightly if you're married to Maxwell. He's a little more contrite about not telling the MC earlier about the book tour:
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• My MC is as surprised as I am that we didn't go to Castelserraillian instead, since that place is a hotbed of art and culture (I'm also noticing that the writers have been avoiding mentioning Kiara's estate by name since this book began. It's always called "Kiara's estate" now). But no apparently it's because the Lythikos people have no taste, as we're soon about to find out.
• The MC can't stay too long, since the Last Apple Ball, which is supposed to be the final appearance a mother of the royal heir makes before they deliver, is coming soon.
• Maxwell promised the bookstore...that his friends - who are actual people he has written about in this book and who haven't read it yet - will do a live-reading alongside him...again, without consulting them. O boy. This is going to be fun.
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I have three points to make about this one:
1. If this book wouldn't exist without any of us then why the hell is YOUR face on the cover of MY goddamned story?
2. LMAO @ Maxwell acting like Liam's only strength is his title when:
a. He's the only one among you all who has a job (not applicable for Hana since she doesn't have a paying job but still works her butt off more than the other two do)
b. Liam threw an entire human being over his fucking shoulder. Like if that's not "actual strength" I don't know what is.
• It's more fun to make Olivia guess when you reach her estate. She either guesses that you're having your baby, that Liam is declaring Lythikos the capital of Cordonia, Drake fell into a vat of whiskey or Hana wants her to lead a self-defence seminar for the noblewomen. Maxwell for some reason isn't even mentioned.
• In any case, we arrive at Olivia's keep/lodge, where she's busy fussing over us.
• I liked the fact that you could do a callback to our first Lythikos Ball in Book 1, mentioning "cold lobsterless bisque". And Olivia doesn't pretend to forget it either, reiterating that she enjoyed besting the MC at her first visit there.
• First Kiara, now Hana. Both ladies make sure Olivia doesn't go ahead with giving us gifts related to "self-defense" 😅
• She does, however, have a special gift in store, this time for our nursery. Paintings for the walls. The royal options mostly showcase golden crowns and a castle, while the rustic options display forest animals. You don't get a free option here, pretty much like you don't get one for the crib mobiles. I think there's one element left in the nursery - the soft toy (one of which is a lion).
• Maxwell then offers to have Olivia there for the reading as well, considering the book's popularity in Lythikos and the fact that she is their Duchess. Olivia tries to get out of it, telling us that she has "duchess things" to do.
• I love whatever little we get of Liam and Olivia's friendship in this series. When the writing actually bothers to acknowledge them as childhood pals it shines. Like the bit where Olivia tries to get out of the reading by citing "duchess things" and Liam grins and tells her that he "can always tell when [she's] lying". Or this little bit right here:
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• The MC gets to ask about Liam's investigation on what happened to his mother, which he cites as 'ongoing'. Yknow, we would have had more time to investigate that if the writers didn't shoehorn so many chapters into the Texas section. I can understand a mystery spilling over to the next book, but the reason for that spillover being the writers spending too much time on irrelevant bullshit? Can't relate.
• Following this, Olivia agrees to come for the reading, tells the group which rooms are allowed to them and leaves, and the LI tells the MC about their plans to take her out on a final-date-before-childbirth to a resort in the mountains. This is supposed to be our last LI scene for this book.
• It's a short and fairly meh scene, mostly rehashing the LI parenting issues they currently have and filled with some of the same imbalances we spotted way back in Chapter 4 (the LI scene where the couple sneaked off from the ball where we were hosting Auvernal and Monterisso). It's on a smaller scale here, but the imbalances still exist.
• The scene has two sections, the helicopter scene and the resort scene. The helicopter sequence deals with (except in Drake's case) the LI and their worries over how good a spouse and parent they will be, and the resort sequence is mostly a sex scene with no lingerie of the MC's in sight because they felt too lazy to code a pregnant MC minus clothes. In Drake's case, the serious issues revolving around family get spoken about at the resort rather than the helicopter.
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Liam: Is extremely protective, maybe even obsessively so. Discovering his mother was pregnant when she died plays a huge part in his worries about the MC and his child now, as does the fact that growing up without her was hard on him, and that's an experience he doesn't want their child to go through.
Hana: Comes with a sweet story about her mother. The helicopter sequence begins with their child having a "kick party" in the womb, and Hana singing a lullaby that her mother used to sing while they spent time on the piano. Hana speaks of this as being a bedtime routine that her mother made, and how nighttime was the only time of day when Lorelai would pay any attention to Hana. Hana wants to be more involved, more present for her child, essentially the mother Lorelai never truly was to her - while still maintaining that there were moments she was happy with Lorelai.
Maxwell: I honestly expected this scene to have Maxwell speak about Bartie Sr or his mother in some capacity...but they didn't even bother to go that route. Instead they show Maxwell initially overthinking and fretting in his care for the MC, before the MC calms him down by quizzing him over his childcare knowledge so he can see for himself just how prepared he is. Like the pregnancy announcement before it, this scene seems to have been the perfect place to come up with something poignant for Maxwell, except they didn't even bother.
Drake: The helicopter sequence is shorter, but features Drake suggesting to the MC that they could "camp in the mountains". However, his resort scene post sex is the more detailed one, and tackles two issues: his need to be constantly tough and protective, and his memories of his father. In the first the MC tells him it's okay if he's not tough all the time, and he reiterates that especially with the MC and their child he feels like he needs to be...and he speaks about how his father - amazing though he was - often had to toe a thin line between his job (guarding the royal family) and his family (he mentions Jackson guarding Constantine, Liam and Regina...which means that he was around when Constantine had his third marriage as well??).
It's not AS bad as the Chapter 4 "sneaking away" scene during the ball in Valtoria...but as you can see, the same problem still exists. They're trying not to be too obvious about it, but the problem still exists.
• Okay so now it's time for this book reading...and Bastien is our driver and our security detail today. O boy.
• Maxwell is nervous, but the group (specifically Hana) reassure him that the crowd can't be too large considering the venue is a bookstore. Turns out...they're wrong. There's hundreds.
• Everyone except Olivia got nicknames (Liam the Benevolent, Hana the Just, Maxwell the Glorious, Drake the Bold). We get to choose ours (Unstoppable, Magnificent, Sexy). In addition, Drake has become a meme, considering people are holding up "THINGS ARE GREAT" signs close to 8-9 months after he was quoted on that (the ultimate irony, that this quote gains popularity among the actual commoners who have to face tax problems, so very unlike Drake who lives griping and moaning in a fucking palace).
• (also didn't Drake read the book earlier. I recall he mentioned as much in Chapter 5. Why didn't he warn his other friends or mention how terribly written this story was?)
• The rest of it...is ridiculous. I mean sure this can be read as a joke, as funny, as entertaining, but even that is a bit of a stretch and sounds more like we're making excuses for Maxwell's writing of his own friends.
• So the reading itself is divided into sections where the group takes turns to read the bits they were a part of, and where Maxwell aggressively rewrote what they said and did without once bothering to consult them. This includes very personal stuff, and he had no way of knowing if they would like the revisions he made. Like this is something I would expect of a trashy, money-grabbing biographer, not someone who is supposed to be a close friend of these people.
• Olivia hasn't read this book yet and she has no qualms saying that to people, which is kinda cool. I'm guessing Lythikos people normally don't like reading.
• Maxwell begins with the masquerade ball:
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Yeah dude you knew I was in over my head yet didn't bother to guide me properly all of the social season. Hana Lee had to save your ass a couple times. The other LIs were running around doing your goddamn job. That you will not mention in this fancy-schmancy book of yours!
• In this revised version of the Masque, Drake thirsts over the MC immediately (damn, Lady MC cleans up good) and Hana is made to sound like a pompous ass (at last, someone who can match my beauty) and Liam is, well, ridiculous. Revised Liam name-drops House Beaumont and Maxwell when complimenting the MC. None of the LIs are very happy with this book as they proceed reading, and the MC can choose to either agree and they plan to have some words with him later (which will never happen) or pretend it's okay.
I don't mind the revision in this particular scene really. Like the masque itself and Liam's turning down of Madeleine later are not that serious, so exploring it lightheartedly is okay. It's when he gives the same treatment to serious shit that happened to his friends that bothers me.
• The next section to be read is Liam dumping "Madeleine the Mean" (LMAO). Nothing much really.
• The best part is of course the LIs repeating their marriage proposals from memory:
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This right here is probably the reason why that book sold at all. Or possibly because Cordonians don't have a lot of good taste in books. Who knows.
• The other best part is the MC refusing to give the assassins proper "assassin noises" during her reading.
• So...up until now you've gotten only tiny glimpses of how self-centered Maxwell's book is. It has his goddamn face on the cover. This guy gave the actual protagonist's origin story nothing more than a page while dedicating an entire chapter to a "playlist" for saving the kingdom. But this...this is on another level. He has Liam name-drop House Beaumont and himself during the Masque. In Drake's playthrough he has Drake worry only about him. During Drake's duel he has both Drake and Liam say this shit:
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...did Barthelemy Beaumont ghostwrite this book. Coz he sounds more like Bartie Sr here than he does the old Maxwell. The old Maxwell was often clueless but not really THIS obnoxiously self-centered!
• Like first of all, Drake was doing that duel for himself? He did it because Neville was constantly insulting him? This had very little to do with the MC (unless she was marrying Drake) and definitely nothing to do with Maxwell yet somehow his book is written as if he is the be-all and end-all of this group?
• Also, bringing the MC to Cordonia as a suitor because Liam had feelings for her was perhaps the only thing that indicates Maxwell even considers Liam a good friend? (and even then his House needing to sponsor someone was a big factor too) Liam barely features as a "BFF" otherwise, Maxwell keeps placing Drake in that role more?? I heard Liam speak more about Maxwell (and in terms that acknowledge his unique gifts too, like the hotel room scene in Shanghai and the scene where he talks about his friends before the proposal - both are in Book 2).
Like Maxwell doesn't even once worry or ask after Liam once the MC turns him down for Maxwell in his playthrough (not even when he overhears Madeleine baiting Liam in his playthrough. Even then there's no reaction) and just in this chapter he apparently found no other strength in Liam besides the man's title...and somehow I'm supposed to suddenly believe that Maxwell had trouble choosing between the two of them as BFFs, which got resolved over fake dialogues??
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• Then of course comes the worst part of this whole trainwreck:
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I'm pretty certain a lot of people will excuse this as Maxwell rewriting these events out of kindness...but the truth is, both of these things are extremely personal, in some ways painful experiences for both Liam and Hana, and Maxwell shouldn't have been assuming what they would be comfortable with without even speaking to them first. He's lucky the two took it as positively as they did, but they shouldn't have been required to.
• What really stings about the use of these two sequences is that these were exactly both things the writers themselves never bothered to explore properly. The Lorelai confrontational was the weakest possible end to her arc...and having Maxwell shoehorn Drake and Liam into this moment in his book doesn't exactly make that any better, PB. And then...to have Maxwell put words in Constantine's mouth when he probably knows jackshit about the man? For something the writers never allowed Liam himself to talk much about? Fuck off.
• Also, I notice that Drake's duel is a default passage for the reading, but you're made to choose between Liam's and Hana's important crisis points. And Maxwell doesn't even have one obviously because TRR Book 3 spent too much time on BertVannah. Plus he doesn't deserve his own passage if he's so busy inserting himself in everyone else's story.
• Olivia's passage about defeating Anton is also a default passage, and perhaps the only thing written accurately in that entire trashfire.
• I will happily never want to hear about this book again, and I would rather Maxwell never wrote another book again either.
• There is a diamond option that features a Q&A, which Maxwell didn't prepare for (obviously). If we convince him, these are the questions the public will ask:
- Is the MC comfortable being Olivia's sidekick. The MC has options ranging from gushing about her, to dubbing them both equals, to calling Olivia her sidekick - and in all three cases she cuts off your mic 😂
- For Olivia, little Valerie asks what she should do to become like our resident Scarlet Duchess. Suffice to say Olivia's answers are...concerning to the girl's mother 😅
- For the MC, Cordonian Woman asks how she got to courage to escape Anton. The MC can either mention she had Olivia with her, mention the LI or take all the credit.
- The next question is to Maxwell, about a possible sequel for the book. This is when the writers of TRH have to admit how full of shit their book is: uh, let's see. There was a honeymoon. We went to a ranch for a long time. Er...baby shower?
- For the MC, if there is anything she would change about her wedding. (they didn't include "I deserved better lingerie earlier" as an option and that's a travesty).
- Peter Graves is now a Cordonian dude who is curious about how Olivia fell for Anton's trap, and she mentions his guard baiting her by mentioning that Liam was in trouble, so the book still wants Olivia to have her lingering feelings towards Liam. I can't imagine why the writers would keep drilling this point in if they're not going to do a damn thing about it.
- All in all, not exactly worth the money.
• Once we finish signing a few books, we're on our way back when we're nearly-trampled by the paparazzi.
• Samir of Them Magazine esp outs himself as an asshole and so does the dude in sunglasses.
• Ana de Luca is nowhere to be found here, and Donnie seems to be the only respectable journalist, asking the rest to give the MC some space. I'm guessing they're mostly making the distinction between "respectable, trustworthy press" (CBC and Trend), and tabloid press like Them and the other paps.
• Dude in sunglasses mentions that his source is paying triple rates for any photos of the MC...which is another in a huuuge pile of really suspicious paparazzi stuff that's been happening this chapter that EVERYONE has been too stupid to explore further so far.
• I can see why the ensuing car chase reminds people so much of Diana. The paparazzi don't give up chasing the MC, there's an overall sense of panic about this sequence and the crash does hark back a little to that devastating news. Except in this case, it's going to be a temporary scare, seeing as we are still in our pregnant sprite for the finale Apple Ball gown which I think means we won't be going into labour until that is over.
• @thefirstcourtesan also mentioned to me that the crash reminded her of an episode from Gossip Girl.
• What I think might happen is that the baby, MC and LIs may make it out of this fairly okay, but there will be widespread condemnation of the tabloid press and possibly laws implemented to limit this scale and level of access. Orrr everyone will simply glower and do nothing since the writers don't allow any of these people to possess any common sense anymore 🙄
• So possibly, there may be some focus on the safety of the mother and child, and on the fallout the press has to face as a result of this incident. We still have one last item (the toy) to feature in our nursery so I think that might happen this chapter too.
• 2 chapters until the finale, and Hana still hasn't gotten her own scenes. Neither flashback nor individual. Somehow they deemed it appropriate to give Olivia those by midpoint!
• Also, interesting how the one time Maxwell gets much attention in this book, they decide to do him badly. First they don't put any effort into his diamond scene, then they write him so. damn. badly. Does Maxwell have his flaws? Sure he does. But they did him so dirty this chapter and made him so ridiculously self-centered that it stopped becoming funny after a point, at least for me.
• This book has been such a load of nothing I can't even tell you. Like at least in the previous books threads would either begin to be tied up or they would give you a clear idea of what would be up next. TRH 1 is getting over in two weeks and the most important thing was dealt with only once and spoken of in an offhand manner only twice. At this rate there are all these threads that haven't even begun to be tied up. And sure, this stuff could get more in the forefront in Book 2...but it's been poorly written and poorly paced so far. That's what you get for forcing us all to play some version or other of the Drake route, unfortunately.
• I'll be off to Kerala until November, guys, so the last two chapters may not get a QT anytime soon (range is pretty awful there), and the same goes for TRM, unfortunately. If I'm able to, I'll try doing chapter reviews for TRM, but I'm not sure how that will pan out, or if I'll be able to catch up enough. I'll try.
• As for TRH...I honestly don't know. Writing for this one hasn't been a very pleasant experience, and I don't have high hopes at all for the next book in the series.
Perhaps by the time the second book or the holiday feature is out I might change my mind but for now...I don't know.
• Until November (or hopefully before that, if a miracle happens and I get good range in my parents' place) then, guys!
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roquesox · 6 years ago
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endgame grief relief 😭
ok, so it's been over a month since i saw endgame and i am *not* ok. did i like the movie? yes! 3000! however i am not doing to well now that it's sunk in.
before i get into this: yes, i know this is a work of fiction. . .but my feels are very real and i need to get them out.
i'm literally grieving over tony. now i knew this was gonna end with him dying - i didn't want it, but i knew it was inevitable. i was prepared to see it, but not deal with it. i'm one of those people who gets really into movies, series and books and having a hyper-active imagination means i really get to live in fictional worlds - which is actually awesome for the most part, but when shit goes down, i go down with it!
tony is one of my favorite fictional charcters and to say i got a little attached to the character is a serious understatement! i freaking love the guy! not in the 'i wanna read dirty fanfic bout him' way, but in the 'this character is amazing!' way. plus, through personal experiences, there's totally a reason i would want someone like him in my life (but that's a different story!). so yeah, if i could have, i would have been crying during his funeral scene coz that hit hard! of course, me being me, i went into my distraction-denial defence and decided to solely focus on the fact that the movie ended with cap and peggy finally getting their dance (that came with some personal baggage for me too, but i can deal with that!).
so i watched the movie on the 28th and 3 days later i got sick and i have been sick ever since because i'm having a physical reaction to the suppressed feels - WHICH IS RIDICULOUS! like, even i think this is dumb, but hey, it's a real thing i'm dealing with and, therefore, totally valid!
so yeah. . .the point of this long post (that i assume no one will read til i become famous and it comes up on a talk show that i'm a guest on) is that i'm a sad fangirl and could probably benefit from cap's support group. but it's ok. i'll work through it. step one is making this post. it feels good to get things out and i'm way better at typing than talking.
i almost miss the days when i was just sad about peter turning to dust. . .
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kristie-rp · 6 years ago
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[2016] A Series of Coincidences is Called, “The Universe is Having You On”
Prompt: Found their phone number in a library book au
1.
“Todays’ the day,” Xavier declares to his breakfast – scrambled eggs and toast, because his dad takes being a chef very seriously don’t laugh, Xav – and then gives a determined nod. “I can absolutely do this.”
And maybe he could, but when he gets to school and hangs out all day, even having the stupid note – something he did purely because he overheard her complain that she’s sick of being the messenger for her more popular twins notes, I want some for me, damn it – all prepared and written out ahead of time, ready to slip into her locker or, if he’s feeling particularly brave, into her notebook. The one with the little sketches all over it.
It’s not until after school, when he’s waiting for Isaac’s chauffeur to give them a lift to karate, that he finds out what happened. “Didja hear?” Isaac asks, more attractive with his actually decent looking facial hair (especially for a 14 year old, which, what) and his flawless olive skin and expertly quaffed hair, as he flops down on the stairs where Xavier has sprawled out, face-down on the concrete. “The hot twins got expelled. You know – the one that thinks she’s a dude and the one you have a boner for.”
Xavier does know. He sits up just to tear the little note to shreds. So much for that, he thinks, and in a dramatic teenaged fit later that night, he gives up on the idea of Pandora Rodriquez, gorgeous artist extraordinaire, and then on romance altogether.
2.
It’s ridiculous but Isaac dares him to do it and the new guy encourages the whole thing, so Xavier writes his mobile number on a post it and sticks it in the book he was hoping had information for the stupid class project that he doesn’t want to do. This is what he gets for hoping art history is actually interesting, and as he packs up to leave he swears the terrifying librarian with her magenta hair and dark skin knows exactly what he just did (judging by the snickering from the shelves, the womans boyfriend definitely knows), because she just keeps staring at him. He smiles uneasily and gets the hell out of there, forgetting about it once Vincent and Isaac finish teasing his damn unfortunate self (“You actually did it? Dude, you could’ve just pretended.” “Shut up and do something about your gigantic bisexual boner for the new guy,” Xavier snaps and hits Isaac with a pillow, because he’s still paranoid the librarian will show up and scold him for abusing books despite the fact that he lives on the opposite side of town to the library).
It’s a week later when he gets a text from a number he doesn’t recognise.
(3:43PM) so does this thing help at all with th project on “obscure fuckin artists” or
(3:44 PM) ? what are you talking about
(3:44 PM) who is this by the way
(3:50 PM) hellloooo? 
(4:22 PM) soz not soz. ur number’s in this book. at the library. that was u, rght? 
(4:24 PM) oh. yeah. 
(4:27 PM) but that book was rubbish. i ended up just googling
(4:27 PM) asdhfkldsahfkdlfkjsa 
(4:28 PM) u srs? 
(4:32 PM) IM AT THS HOLE FOR NO REASON FML 
(4:34 PM) breathe, random angry text person
He doesn’t get another text back that day, but he and the unknown number are in contact for a long time yet.
3.
College is fantastic. And by that of course Xavier means he hates it. He tells his cereal as much one morning, never mind that he isn’t even a college student, waiting for Isaac to quit hogging the fucking breakfast. “I hate college.” Just for good measure, he texts the random angry text person (now called ‘poxy paint’ because why not) from sophomore year the same thing.
(7:43 AM) u wke me up for ths shit 
(7:45 AM) you want problems? my roommate sings in the shower
 He snorts, because he can hear Isaac singing fucking Keep Moving On in the next room, and it’s mornings like this that he regrets renting an open plan living space. There’s a bathroom and one closed off room, which sucks because Isaac, as the one who actually has the sex life, is the one who gets dibs. Xavier’s still pining after a crush he had in middle and high school (he regrets nothing, damn it, except for a stupid ripped up note that melted in the rain six years ago).
(7:50 AM) coffeeeeeee
(7:52 AM) nyway. u still wanna meet me? coz im free today
 (7:53 AM) i can come to that shop thing if u want? sis nd her friends want to do smth “cultural” or w/e
 He stares at his phone for a full two minutes before grinning at his cereal, dropping the spoon. “I could actually meet them? Do I want to? Will I ruin everything?
“Quit talking to your fucking food!” Isaac calls. Xavier calls back that he should fuck himself while he’s in there, then texts back.
(7:56 AM) sorry that took so long 
(7:57 AM) the show starts at 10 if your serious. convention center and all 
(8:03 AM) ill b th chick wiv the twin, a lost boi and a crown 
(8:05 AM) i’ll be waiting for you your highness
4.
Vince helps out with the stall, because Isaac has advanced quantum physics or whatever the fuck he’s studying now. Xavier doesn’t care enough to know for sure, and wouldn’t even have an idea it was physics if he hadn’t tripped over a book that morning (“Why is a physics textbook next to the shower?” “I need that for class!” “Noooo? And here I thought you had it for light reading.” “Alright, no need to be sarcastic.”), but it means that he and Vince are manning the stall. Well, Vince is manning the stall. Xavier is mostly just being anxious and doodling little animals running around in circles. When the guy his roommate still has a bisexual boner for (even after they actually did something about it that one Thanksgiving break) became the most responsible person in his life, he doesn’t know, but it’s nice listening to someone other than him argue that his art is worth the price he affixes with little removable tags.
“Vince?” a confused voice chimes. Xavier rolls his eyes – it isn’t the first time someone has recognised the guy who will always be “the new guy” in his social circle – and looks up to scan the room for the crown, the twin and the ‘lost boy’ once again. Seeing nothing, he sighs and looks back at his doodles. “You’re the awkward artist dude?”
Vince looks positively delighted, Xavier discovers when his hand cramps and he looks up yet again as he shakes it out. “Oh my god, you’re the mysterious textee? Seriously?” Maybe he wasn’t there for the event itself, but he knows the story about Xavier’s gigantic crush, courtesy of Isaac himself. He turns to Xavier, says unnecessarily loudly, “Hey Xavier, I didn’t realise it was my Pandora.”
The look Xavier shoots him could wither a sunflower, but Vince just jumps to his feet, gesturing for Pan to come around. “You know what, you two should absolutely take care of things here, I want a break anyway.” He grabs the other guy – who’s mostly just standing there looking bewildered – by the hand and drags him away, borderline skipping. The other girl raises an eyebrow at the one with the – with the crown?
“Is this the guy,” she asks, except it doesn’t quite sound like a question.
“Uh,” the girl says, eloquently, then turns to him. “Phone.”
Xavier points at the counter, baffled, and lets her go through the thing, unlocked to play music as he works. After a moment she emits a triumphant little noise and nods at the other girl – who shakes her head and leaves – and drops the phone on his page. “Hey, so, this is a little bit weird, but – I think I’m the person you’ve been texting for, like, six years or something.” She taps her head; a glance has Xavier realising he didn’t look close enough to spot the fucking crown. It’s paper and bright pink, covered in so much glitter and beads that he’s not sure it’s not just stuck to her hair with glue.
And, worse, he knows her. “Holy shit.” Because maybe Vince thinks this is his Pandora, but before she was his she was his, Xavier’s, in his dreams at least. “This is going to sound absolutely insane, but – you went to Saint Jude’s and got expelled, didn’t you? You’re, uh, you supposedly set something on fire?”
“It was for art,” she retorts, indignant, “why?”
“Because I was, uh,” and he mumbles the last part as quickly as he can, wanting it over with as his cheek turn bright fucking red, “planning on asking you out literally the day you got expelled.”
She starts laughing a minute later, and then, out of sheer desperation, so does he. At this points it’s that or cry.
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