#I simply must believe

[sainz100]

just a small Daniel moment from the pit lane on Thursday ahead of the Singapore GP

[hinamie]

i don't normally participate in these redraw challenges but it's megumi so i'll make an exception

[allthatmay]

So, today my husband said, "Some people think Shanks is a radial leftist, but I think he's the most centrist character in the show. Dragon fills the role of the radial leftist/anarchist that people often attribute to Shanks."

And, huh, yeah. People do often talk about Shanks like he's an anarchist, but he's really not. I've always said that Shanks is a mediator, keeping a tentative peace between the pirate tribes and the government until the time comes wherein the One Piece can be claimed and the mysterious consequences can happen, but that means he is effectively playing the part of a centrist—straddling the fence, as it were. The key difference, I think, is that Shanks knows for certain that change is coming in the form of a rubber deity, and he is trying to guide it into place. All his work is done behind the scenes with very little violence if he can help it.

Now, it's easy to assume that Shanks' plans involve the complete dissolution of the government as it presently stands; that he is simply using his power & influence to mitigate harm for the many until the "real fight" can begin (and, with him having recently decided to chase the One Piece, now it has), but that might not be the case (and, even if it is the case, a lot of centrists use "mitigating harm for the many" as a reason not to take action against some truly heinous acts). The reality may be that Shanks doesn't see the need for the total collapse of the government, or perhaps he knows something about it that we don't (i.e. because he might be of Celestial Dragon blood). I don't really believe this is the case because, as far as I'm aware, Shanks hasn't ever shown any real support for the World Gov but he has shown, time and time again, that he believes in dreams, in people's personal willpower, and in the ability of anyone to become strong and change the future. But the truth is that we can't know his intentions for certain without Oda giving us more information, so my husband's assertion that Shanks is a centrist makes some sense.

In particular, Luffy is what makes this theory interesting: slap him in between Dragon and Shanks, and there's a very real dichotomy between the two "fathers" in his life. See, Luffy idolises Shanks and thinks of him similarly to a father, but he might realise as time goes on that he can't be like Shanks; he might realise that Shanks' ideals will only carry him so far. After all, what good is it to be a pacifistic when your enemy is a powerful government that is comfortable with mass murder?

(My rebuttal is that Luffy is the only one who can be like Shanks. He is effectively Shanks' dream: Shanks wants to be strong enough to do all the work himself, to suffer all the pain himself, and while he is one of the strongest men in the world, he simply can't do that; what he can do is only achievable through the support he has at his side. Meanwhile, Luffy has close support in his crew, and he has the Gum-Gum Fruit! He can literally become a godlike figure and shape the world around him! He can do everything that Shanks wants and needs and, as sure as I am that Shanks wishes he could have done it himself—I'm thinking back to his days with Roger here—he knows that it was never meant to be him.)

This is where Dragon comes in. Dragon, in direct contrast to Shanks, uses violence as a tool whenever he can. He's all about the greater good, for lack of a better term. His thinking is along the lines of, "People are suffering now and we can help, and we have no qualms in forcibly dismantling a government that uses slavery, genocide, and imprisonment to control its populace. We don't wait for the right time to act, we simply act." Do I think Shanks would approve of Dragon's goals? Yes. Do I think he would approve of Dragon's means in achieving those goals? No, but mostly because Shanks is very self-sacrificial and tries to take whatever suffering is necessary for change onto himself, relying only on his small, personal crew, whereas Dragon is happy to let other people martyr themselves for the rebel cause. He lets a small, amnesiac child join them, for crying out loud—something Shanks would never do, not even if the child proved very capable.

If anything is to come from this difference of ideals, I think it's that Luffy will learn from both of them and find his own way to the One Piece and into the world waiting beyond. Why? Well, because Luffy is all about freedom, and no one on the side of Dragon or Shanks is truly free. As for the world itself, it's hard to predict what will happen after Luffy's done with it because it's pretty dependent on Oda's philosophy. For instance, Oda seems to approve of monarchies, which is not something I would personally imagine remaining in a world without a governing body—but, hey, what do I know?

Of course, we all know that the true centrist in the show is undeniably Garp. He will let real, undeniable harm befall those he cares about in order to maintain the status quo, or to stop the government from toppling because [gasp] that would be the worst thing ever! He's a man who believes the government is essential and joins up in order to change it from the inside, only to fall short of his own expectations because he won't stand up when it matters most. Not even for the sake of his beloved grandson.

[slyandthefamilybook]

...And here we come upon a problem as basic as the nature of knowledge itself: all of our prodigious cognitive and computational abilities are inadequate to a full comprehension of our complex world. As humans, we remain heavily dependent on certain tools of perception and conception that our cultural and biological heritages have taught us are useful. These tools–such as language, causal logic, religion, mathematics–are indeed powerful, but they are powerful precisely because they reduce complexity to intelligibility by projecting our mental concepts onto the world. One consequence of this is that our recognition of significance is always what some philosophers call "theory laden," meaning that it is shaped by what our theoretical framework and cognitive tools encourage us to recognize as meaningful. Anti-Judaism, as I have argued throughout this book, is precisely this: a powerful theoretical framework for making sense of the world.

...

After all, no matter how overrepresented the Jews may have been among the European "bourgeoisie," they remained a tiny minority of that class. How could that tiny minority convincingly come to represent for so many the evolving evils of the capitalist world order? More broadly, how could untold millions of Europeans (and not only Germans) come to believe–or act as if they believed–the claims of the Nazis (and not only the Nazis) that Jews and their conspiracies so threatened the security of the world that they needed to be excluded, expelled, or exterminated? According to Horkheimer and Adorno, the liquidation of the Jews of Europe was not grounded in "reality." It took place in the vast gap between and explanatory framework ("anti-Semitism") that made satisfying sense of the world to a significant portion of its citizens, and the complexity of the world itself.

They set out to explore that gap in a philosophical history of modern thought they drafted in 1944 and later published as Dialectics of Enlightenment. Their final chapter, "Elements of Anti-Semitism: Limits of Enlightenment," suggested that what gave anti-Semitic ideas their power was not so much their relation to reality, but rather their exemption from reality checks–that is, from the critical testing to which so many other concepts were subjected. "What is pathological about anti-Semitism is not projective behavior as such, but the absence of reflection in it." In their terms, the problem is a heightened resistance to reflection about the gap between our ideas about Jews, Judaism, or Jewishness, and the complexity of the world. From their point of view, anti-Semitism provides adherents with a cognitive comfort: the fantasy that the gap between our understanding of the cosmos and its fearful complexity does not exist.

...

...[A]cross several thousand years, myriad lands, and many different spheres of human activity, people have used ideas about Jews and Judaism to fashion the tools with which they construct the reality of their world. The goal of my project, like Horkeheimer and Adorno's, is to encourage reflection about our "projective behavior," that is, about the ways in which our deployment of concepts into and onto the world might generate "pathological" fantasies of Judaism. And my choice of method owes something to Auerbach's conviction that the study of a given moment, problem, or even a single word in the distant past can teach us something about a much longer history, extending even to our own.

Selected excerpts from Anti-Judaism: The Western Tradition (2013 Nirenberg, David)

[cheesebearger]

i know there are people upset about dead boy detectives being canceled, but it's almost certainly due to the spate of sexual assault allegations surrounding neil gaimen. it has become very clear that neil gaimen is a practiced, lifelong predator. he has harmed many. he has violated and abused.

gaimen's properties being canceled are the natural consequence of the mask being pulled off. people rightly do not want to continue allowing gaimen avenues to profit when he's harmed so many. even if he's not directly involved in directing the show, he is an executive producer. and he does not deserve profit or platform.

[cementcornfield]

upon doing further Research it looks like ja'marr moved in the fall of '23, which if i recall correctly is RIGHT around when joe moved too 👀

genuinely and authentically soulmate shit

[theophagie]

Don't know why people think that Verosika lied when she called Blitz selfish in the sheets, I fully believe that it was the stolussy that converted him to reciprocal down-going. I Trust that it was

[genericpuff]

There is this rumor that the post from Rachel where she is upset about this years Nomination not getting hyped, might be fake

lmao I'm not taking the bait, anon, you can literally find the post and prove that it's real on her BlueSky in less than 30 seconds. How we interpret it is largely our own opinion, obviously, but the post itself is very much real and very easy to find.

[catholicsapphic]

Cool About It - boygenius

Divine Mercy by Eugene Kazimierowski before, during, and after restorations / Saint Rita and her Sons before the Crucifix by Giovan Battista Galizzi / Pilate washing his hands, by Jacopo Robusti Tintoretto / Christ in Gethsemane by Carl Heinrich Bloch / The Last Judgement by Gostave Dore / The Lost Sheep by Alfred Usher Soord

[unironicallytes]

I'm unfortunately right

[whereispearlescentmoon]

Dragon!Pearl. But like, a dragon with dinosaur esque feathers and multicolored plumage and scales that are black but iridescent like an oil spill. Am I right fellas?

[boarloved-art]

i LOVEEEE idol aus so bad because none of these fucking characters would be caught dead doing any of this shit. your blorbo is NOT doing aegyo on stage for a paycheck! your blorbo is NOT singing and dancing!

[lambergeier]

what’ve we been up to lately? me and the wife? yeah we’ve been making jokes about how much dick grayson fucks older men. yeah like the robin guy

[iphigeniacomplex]

anyone can suck strap but you have to have a working understanding of brechtian technique in order to really appreciate it

[shibearts]

so. weathergirl petra/lukas huh. i might as well drop the concept designs i did when the idea popped into my head

(not discouraging the anon who said they were making an animatic! go right ahead with your idea im just posting this to share it)

context below cut:

[rad-roche]

okay!! painting wrapped up, eager for you to see it. i have some super cool bonus news. guys

never stop posting