#I should just write it to get it out of my system tbh

[sentientcave]

Playlist Shuffle Poll!

Thank you @3amfanfiction for tagging me!

rules: shuffle your On Repeat playlist and list the first five songs in a poll, then have your followers choose their favorite.

Tagging: @dragonnarrative-writes , @callsign-mimic , @charliemwrites (And Anyone else who wants to do this!)

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[sweetsea1985]

Gave him the boot

Ended it with my fwb today bc the steady realization i have been in love with my ex best friend who i blocked and ghosted a year ago is too much for me to bear, even tho Johnathan was going to be a lot of fun bc he was into the exact same kinks as me in the exact same way and matched my freak to an eerie degree

So im gonna just kinda settle into maybe becoming one of those professional yeaners who still pine over their homoerotic object of affection like 70 years later. Wish me luck, I might become a published poet in like 5 years if i can channel whatever this is constructively!

[be-with-me-so-happily]

Okay so hear me out. Angst. Pure hardcore I’m gonna crawl into a hole angst. DIVORCERRY. (I’m unwell I can’t help it)

I'm back! Feels weird tbh. Hehe, I had actually started writing this before going through my own. Feels timely that I post it now. It might not be as angsty as you requested, and/or as I intended, but I hope you enjoy... it's been so long since I've written that I have no idea of it's any good.

You never thought you'd be here. Then again, does anyone? Sitting in a cold conference room, with your lawyer beside you and the man you thought you'd spend the rest of your life with now avoiding eye contact, as he stares down at his rings from across the large wooden table. It's not something you ever considered happening when you said 'I do'.

But here you are, feeling every emotion and yet none at all, listening to a mediator list off all the 'assets' that you and Harry accumulated together over the years.

Item after item brings back memory after memory, and a part of you wants it to stop. What's the point? These are things you bought together, found together, did together. Now you are no longer together.

"Mrs. Sty-... sorry, I mean... Ms. YN."

“Hm?” Your eyes shoot up to the man at the head of the table, the one who is there to divvy up the material items from your relationship. The only one who seems to have a hint of compassion in his eyes.

“Is there anything you'd like to start with? Something in particular you'd like to have for yourself?”

What a loaded question. Is there something you want? Yes. How about the last few years back? Or how about a marriage that didn't fall apart in the first place? How about just the beautifully dimpled smile that would appear any time Harry looked your way, rather than the small, apathetic glances you occasionally receive when you have to be in the same room with each other?

You clear your throat, taking note of the fact that Harry still has yet to look at you.

"All I ask… is for my attorney fees to be covered.” You take a quick, deep inhale. “That's all. He can have everything else."

You immediately rise from the chair, oddly one of the most comfortable you've been in, especially considering the situation. Of course, this is the moment he looks up at you, with the most intense furrow of confusion plastered across his brow.

“YN.” Your lawyer whispers, causing you to look down to a face just as confused as the one sitting across from you.

“Just…” You shake your head, knowing that you'll only be encouraged to stay there longer, to continue with the torturous meeting, and dissect why something could mean so much to you. “Just send me the papers to sign.”

“Come on YN…” The sudden deep tone of that familiar British voice sends a shock through your system. With how little you've heard it lately, you'd almost forgotten what it sounded like. Almost. “There has to be something you want. I’m… I'm willing to negotiate.”

You drop your head and rest your palms against the wooden table in front of you. There's a lot that you want, but right the only thing you need is for this meeting to be over.

"Harry, I was never with you to get something from you, other than love.” The tightening in your chest begins, leaving you to feel as if words and air are both now difficult to find. “Now that's gone, so I don't really have anything to fight you for."

You stand back straighter, reaching into your purse and withdrawing the last thing you still had from him.

In your hand is a box, a small box, which you place on the table and glide across the wood, your heart almost questioning if you'll be able to let it go. You release it with a sigh and a full ache in your heart as you realize that this is it. This is the end.

Harry's gaze darts back and forth, never landing on your eyes or the object for more than a few seconds. There's a look on his face of potential disbelief. Maybe it's finally hitting him too, though neither of you should be surprised.

“It's my-”

“Wedding… ring...”

You aren't sure if either lawyer or the mediator heard the whispers of the short interaction, but the room suddenly becomes silent, the void paralleling what's left of your marriage.

What do you say now? What's an appropriate parting statement to give the man you never thought you would part from?

Then again, you've both said all that you needed to say. That's why you are there. So maybe it's best to leave it at that.

You allow yourself one last look at him, and your heart feels as if it's breaking all over again, seeing the same sentiment in his eyes. Those beautiful green eyes you wanted to look at forever.

Considering all the songs Harry's written about sweet fruit, you wish this moment didn't taste so sour.

Taglist: @watermelonsugacry @tw1nflamebruis3 @hopefulwastelandcreation @tenaciousperfectionunknown @queenmadi2 @runway-to-my-aid @theekyliepage @be-yourss @behindmygreyeyes @michellekstyles @a-strange-familiar @yousunshineyoutempter @buckybarnessimpp @msolbesg @sleutherclaw @katiebaxterrrrrr @percysaidnever @mrspeacem1nusone @thurhomish @itsbebeyyy @divalovesyou @bxbyysstuff @sunshinemoonsposts @walkingintheheartbreaksatellite @boybands-baseball @austynparksandpizza @missmielyhoran @harryspirate @tiaamberxx @matildasatellite @cherryshouse @yatebe-kohayu @perfectzinenerdperson @babyiamperfectforyou @daphnesutton @around1302 @daydreamingofmatilda @swiftmendeshoran @one-sweet-gubler @jerseygirlinca @carey86 @lomlhstyles @vrittivsanghavi @fdl305 @sunflowersloverr @lemoncrushh @groovychaosavenue @justlemmeadoreyou @copiastricycle @lillefroe

[eluxcastar]

Dottore giving child reader a check up

── ୨୧��il dottore & reader

୨୧﹑synopsis :: nobody scares you more than the Doctor, and that's why you're wholly betrayed by Father tricking you into getting a check up right under your nose, but perhaps your worries are exaggerated by rumours

୨୧﹑genre :: fluff

୨୧﹑content :: gn reader, child reader, he's a lil soft (cause if he's not poor kid might explode on site), reader is mute, reader is also autistic (but tbh you don't have to read it that way), not proofread

୨୧﹑words :: 2.9k

idk what possessed me to write this I just has the thought and decided it had to be done. I got in the zone and wrote it in a few hours 😭 this is kinda loosely based off one of my characters but ambiguous enough I think to be read as a reader insert. little ball of anxiety with legs reader hehe. they come from the house of the hearth so every instance of father refers to arle

You can't think of a single person able to scare you nearly as much as the Doctor can, whether it's the daunting trip to find him wherever he hid this time or the fear of knowing he tried to bargain with Father to have the more unimpressive children—as some would call you—shipped off to him to become experiments.

Father won't allow him to get his hands on any of you, but it hardly eases the fear that he may disregard Father's warning and decide to pluck the first child he comes across up and feign ignorance when she realises they've disappeared.

Father personally entrusted you with this letter, so you cannot turn back as you make your way to where she said he should be. 

The sleepiness might manage to numb you to the danger by the time you arrive and make it easier to stomach his presence, but most likely, he will only frighten you awake, and it will worsen with the shock to your system.

There's no turning back now and no declining when Father asks you to take letters, which she says are of great importance. You can't treat letters like this lightly, even if you fear the recipient.

Knowing who is behind it makes the door all the more daunting. Doors that separate you from Harbingers always make you nervous as it's not every day you find yourself faced with one armed only with a letter and shaking hands. If it were anyone else, you could've knocked in a heartbeat, but you pause to gather your bearings before raising your hand to knock.

One two, three…four. Spaced just as Columbina taught you to, and then you wait.

Several seconds pass in silence before you hear footsteps from inside, then a voice calling out to you. "The door is unlocked."

You reach for the handle, cautiously cracking open the door just enough to peek inside. Your eyes travel across the room from your left to your right until you spy Dottore seated in a chair facing away from you. He hears you, evident in the way he turns to look at you as you work up the courage to step inside and leave the door ajar behind you.

"It's you," he remarks, the closest to acknowledgment you expect to receive. You are about to make your way to hand him the letter when he interrupts you. "Close the door."

The door is always closed here like it's trying to keep someone out, but there's no one here that he would dread seeing who would knock and accept that the door is locked. He must not be trying to convince anyone of that, and if he was, maybe he'd lock the door for real and leave everyone stranded outside instead of talking.

Dottore makes you nervous. You don't know what he thinks or why, but you probably don't like it. It's the only reason why he would be here right now. Normal doctoring wouldn't get him far as a Harbinger, and the sounds you've heard coming from his lab are enough to deter you from wondering too much. 

Instead, you quietly spin yourself around to push the door closed before returning to your endeavour of handing him this letter from Father she entrusted you with.

"Who is it from?" he asks, a question you remember him asking before too. You concluded that he's trying to gauge how eager he is to read it, and your answer will set his mood for the remainder of your stay.

You turn the envelope over to show him the seal on the back, which you hold out to him. The mark of the House of the Hearth—Father's seal—is displayed so that Dottore can glean the answer from wordless actions. He accepts it from your hand with a stifled eagerness, the hopes of something he'll enjoy written there held back by the knowledge that, in all likelihood, it's a trivial matter.

The moment the letter leaves your hands, you retreat to the safety of the door, where you stand beside the frame to await a half-hearted reaction or collect his response. Father is always happy when you return to the House to inform her that Dottore sighed when he read her letter, even if she regards the news with her usual stoicism. She despises when he bothers to send something back to her, but she never tells you why, as usual.

He collects something off his desk just out of your sight, hidden behind him, and the sound of paper tearing follows. He drops the twice-folded paper into his hand, then unfurls it to read the contents.

You wait in silence, nerves evening out as you rub the sleep from your eyes with the back of your hand. Sleepiness does help you occupy yourself if nothing else.

Then, you are interrupted by a snap of his fingers and a motion of his hand to usher you closer. 

Keeping him waiting will only make him mad, though you're sure not enough time has passed for him to pen any cohesive message in the minute or two you spent waiting.

You look up in anticipation nonetheless, expecting him to hand you something or tell you something so when he reaches toward you, it doesn't alarm you. 

Not until he grabs you beneath your arms, picks you up, and sits you down on the table, much closer to eye level with him.

"Arlecchino has her concerns about your sleeping habits and your seeming lack of will to speak," he begins, reaching behind you to grab something you barely follow before he has it in his hands. It's only a light, small and thinner than the torches at the House.

Your mind races with every question you can think of as you try to find a way off this table back to the floor, but the only way out is blocked by Dottore sitting in front of you, unsympathetic to the fear in your eyes when you stare at him. You could swear you hear your heartbeat thrumming in your ears in a quickened rhythm.

What was written in that letter? Was it about you? It takes only a brief glance down in search of the open letter to realise exactly what makes this delivery so important. Father tricked you into coming here to see the Doctor after you so eagerly declined her previous offer to go willingly. You catch glimpses of your name in Father's handwriting and little else as it blurs into a messy sea of details, but you always recognise how Father writes your name.

You know better than to assume this is punishment but rather the manifestation of Father's worry as you keep oversleeping lately and need one of the older children to fetch you from the comfort of your bed. The idea that habit would land you here, presumably getting a check-up, might've inspired you to prize yourself out of bed a little earlier had you known.

Dottore seems to gauge your trembling as an obvious sign of fear, though a twitch at the corner of his lips is your only indicator, as you can't see his eyes beneath the mask. "Her explicit concern was whether or not you're ill." He rests his hand against your knee— they're cold, yet you almost expect it. It doesn't mean you especially like it. You can only interpret the action as a skewed attempt to comfort you. "As long as you're healthy, I see no reason to keep you longer than a simple check up."

He's not a real doctor, is all you can think, and he doesn't know what he's doing.

You have no choice but to steel yourself for whatever pain you're about to be subjected to. It might hurt, but you have no way out, no way back to Father, so you can curl up in a ball at her feet and ask why she would subject you to this torture—

"Don't tense your jaw," you suddenly hear, realising his finger taps your knee to grab your attention back from dreamland. "Open your mouth," he instructs you, and rather simply at that. It's something you can follow without getting scared he'll hurt you somehow.

He shines that light at you, inspecting something, though you can't say what. A slight tilt of his hand and, by proxy, the light he's holding is your only sign he's looking at anything.

The light is off before you know it. There was no pain at all, not even a hint of discomfort beyond what naturally arises from your ever-present anxiousness.

Dottore moves to set the light beside you, then appears to change his mind as he offers it to you. You take it from his hand and click it just as he had, the light coming on again. Another click, and it's off. Holding it just like that, an object of clicks and ridges and a light you can play with, is enough to give you something to at least take your mind off the fear of getting hurt.

"Lift your head." 

This time, compliance comes easier as you tilt your head up until the point his hand stops nudging you, and instead, he presses his fingers against your throat. It's light enough to feel only slight pressure; it doesn't hurt, but you don't like that feeling. Your thumb brushes over the exterior of the light, smooth against the pads of your fingers and satisfying to touch. You pull away before you can come to your senses and stop yourself, but he lets go the moment your discomfort flares, and you do the closest you can to telling him no.

Your breathing begins to even back out seeing his hands so clearly in the air in front of you, away from you, not touching you. It's silent reassurance that what you just did counts enough as revoking his permission to touch you as anything can.

Dottore doesn't feel like dealing with the fussy child that trying to force it would invoke for a mere favour to the Knave.

Instead, simply asking you like the fully grown child you are seems much more efficient. "I'm going to ask you a few questions, all yes or no," he begins. "They're all simple enough you can answer without speaking."

You interpret the ensuing silence as Dottore waiting, expecting you to nod or shake your head, and you quickly offer a nod in agreement.

"Do you know if you're able to speak?"

You consider his question carefully, unsure of the answer. Your hesitation prompts him to rephrase the question.

"Are you able to make any noises at all?"

You nod. You know the answer to that.

"But not speak in full words?"

Not words. Words don't work. You shake your head.

"Would that be because you're physically unable to?"

You shake your head. You've spoken before, but each time you try, especially here, something robs you of your voice before you get the chance. You know you can talk, just not here like this. 

"If not physical, then there's nothing wrong with you," he concludes. It feels sudden like there should be more, but he stops so quickly. "Nothing that I can fix," he promptly adds. That explains it.

Why not? He doesn't answer, unable to hear the things you don't say. To him, you remain as starkly silent as ever and as difficult to treat as you have been the past few minutes. You suspect he came to some greater conclusion between when you first walked in and now but neglects to share with you what it is.

You must look unsatisfied or just confused as he pauses to stare at you. You look away first, eyes drifting back to the light in your hands.

"Arlecchino only wanted to know if something was physically wrong with you," he says, briefly looking down at the letter as he skims a particular section again. "Your poor sleep may be the result of insomnia, or whatever is causing the mental block that also prevents you from speaking."

Mental block? Nobody ever told you about anything like that. 

You eye him curiously, though you again remain silent, watching him while you think he isn't looking back. It's easy to look at him as long as you don't consciously think of the fact that he's staring at you behind that mask.

Dottore holds his hand out expectantly, a motion of his fingers telling you he wants you to return what you have in your hands to him. You do so, but not without a sadness-driven hesitance to accompany it.

"None of the things you're describing imply a physical problem, but a paranoid 'parent' overattentive to the wrong facets of what could be wrong with an orphan." You don't like the way he says that as if he's speaking ill of Father, but like always, you keep your mouth shut. "If you couldn't speak because of a physical injury, you would have presented with one when you arrived at the House of the Hearth—not now. Trouble sleeping and an elevated heart rate, shortness of breath, intense panic and your tremors are more likely the symptoms of anxiety." 

That's a lot of words, but as he quickly lists every example, you seem to become conscious of it. Mental block, anxiety. Those are the two things you've been told that sound like explanations. You look down as if on instinct, hands held in front of you to investigate his claims that you're shaking. You are. Before your eyes, your hands are trembling, though you can't say why. You look back at him to see if he has anything else to say.

You thought your sleep troubles weren't the same, the result of bad dreams, but supposedly not. Dottore doesn't know anything about that, does he? No, he can't. You never told him, so he can't know. He knows lots of things he shouldn't, like your heart racing when you're scared or how you feel like you can't breathe at times. 

Dottore clicks the light on again, shining it down at your hands resting in your lap. He circles it in place, and your eyes follow. It clicks off again after a few seconds. "Distraction helps anxiety," he says, then sets it down on the desk beside you. "Do you know why you can't sleep?" he asks.

Yes. You nod. Dreams. On nights when they're at their worst, they keep you awake long past bedtime when all others have gone to sleep. By breakfast, you can be so tired and sleep-deprived that dozing off over your food is the only thing you can manage.

You half expect to sit through another round of questioning before Dottore finds the one that clicks the pieces perfectly together in his head, just as he did in the first round.

Instead, Dottore stands, and his hands find your sides to hook you under your arms. Your feet are back on the ground before you can fuss any more about how much you do or do not like it. With you out of his way, he flips the paper Father wrote her request to him on.

"If you know the answer, then you're free to go."

That's it?

You stare up at him for a moment, perplexed by the surprising lack of pain compared to the abundance of fear you felt. It should have hurt, but it didn't, and now you don't know why you were so against coming here in the first place. Dottore spared five or ten minutes of his time, which he already didn't want to give you, and is sending you on your way without injury,

You can't see his face as he's turned away, writing something down that you can't make out. If you took a guess what it is, it's probably about you, just like the first one was. Still, you can tell why Father is so annoyed to receive letters from him. You don't recognise your name when he writes it. You don't recognise anything he writes. His handwriting is awful.

He folds it and slips it back into the envelope it was given to him in. That's not proper etiquette, but something in the way he practically shoves it into your hands tells you that he doesn't particularly care. So long as it gets from him to Father, it doesn't matter how it gets there in his eyes.

"Give that to the Knave." That is his final instruction. You're very used to following those kinds of instructions by now, having heard and executed them many times. They're second nature to your mind.

You nod, pinching it between your fingers to keep the paper from falling out of the open envelope. If Father's was critical, so is this one, and you'll get it back to her quickly—more importantly, safely.

You can't help wondering why it felt so much easier to have someone briefly look at you and ask a few questions. The older children make it sound torturous and barbaric, like being used as a lab rat to spite Father for her refusal with his only opportunity to access the children of the House.

Perhaps seeing a doctor to ease Father's worries isn't as scary as you believed.

[padawansuggest]

Okay so on Coruscant there are very few people that don’t actually go out into the streets (I’m thinking politicians and Jedi might be some of the few who don’t have to go outside very often if at all because the senate and the temple are both the size of a small city) which means that 1: they NEED to have vitamin D lights on the streets of Coruscant because otherwise everyone would be depressed like in the deepest winter at all times. And 2: that means I think the Jedi temple and the senate themselves also are just full of Vitamin D lights.

Also y’all need to stop writing fics where kids are afraid of ‘getting caught sneaking around after dark’ or something because the temple is literally so full of species that you have no idea of that kid is nocturnal or whatever. They very well could be. Tbh I wanna write a fic where someone catches Obi-Wan sneaking around at night to play a prank with Quin or something and he’s all ‘bruh my eyes glow in the dark I’m obviously meant to be awake at this hour’ and no one can argue with him. Stuff like that.

Also I think the temple neeeeeeeds multiple healing halls (once more. It is the size of a small city) one in the aquatic center of the temple (which canonically exists) one in the temple main (which should span over like four levels and act as it’s own building okay) and one in the creche. This is the MINIMUM amount of healing halls I think they should have.

A tram system should be inside the walls. Places in the temple that act as sideways lifts and also a subway system because believe it or not, there are species in the temple as small as one foot tall, and I’m not just talking about Grogu, I’m talking about others like Kushiban and others similar. Once more. It is the size of a small city. They should have both subway type stations (that take you certain places like the main healing halls or the biggest canteen or the supply sector of the temple things like that) because oh my god imagine how many hours the commute to your workstation could take if you didn’t have that shit. Annoying af.

They gotta have names for all the different canteens okay. Like ‘meet me in the cafeteria’ in a temple the size of a small city is bullshit cause even in the books they have multiple cafeterias.

A… let’s call it a Mall Section of the temple. A place where you can pick up groceries (the temple makes their own food and I assume most of it is cooked in careens but also not letting people cook their own food is a recipe for a Jedi starving to death on a mission lmao) but they also have a salon (skin care and hair care are very important and if you let all these babies cut their own hair they gonna turn out like me no one wants that) and a clothing ‘store’ where you can get certain size clothes and robes from, or even undercover mission clothes. There need to be Jedi in these places too!!! Imagine going to the salon with your master and having a gossip talk about your new lineage member!!! It’s important to society!!!

A Jedi movie theater where the masters send their kiddos on the weekend so they can enjoy a glass of wine and not be sneezed on for three hours.

I’ve actually seen a few mentions in fics and posts about tea salons so that is def also a thing. It’s the Jedi version of a cafe. I think people who like baking take turns working there and everyone chips in for tea selections and stuff.

Droid Ubers. They need to get somewhere but feel sick as heck and it’s not near any good lifts or the subway trams??? Call a droid Uber lmao. It shouldn’t be unusual either lol just grandmaster on his way to bother his kid while not aggravating his hip after hip surgery.

Remember that Jedi who are like 10 foot tall also exist so remember there ARE apartments in the temple that could fit Kenobi’s Dino-Horse girl Boga.

There should also be apartments with like 10 bedrooms and bathrooms (or even one giant communal bathroom) around a singular living/cooking space!!! Let Jedi live in communes!!!!

The aquatic levels of the creche are def the cutest place in the temple you can’t argue with me on the idea of water babies swimming and cuddling under water.

On another note to the fact that species like Kushiban exist???? Imagine tiny doors and corridors that used to be used by mouse droids but they became so useful to tiny Jedi so they got taken over. Just imagine that.

Bartering markets where Jedi trade things, mostly things they get on missions or are given to them as gifts, nothing goes to waste so they find a proper place for all gifts and extras here.

Cooking classes. Obi-Wan has been kicked out of all of them his cooking is so bad. Anakin claims bullshit he loves Master’s cooking! But then, he also eats worms…

Anyways. Y’all too single minded with this shit. It just be all ‘cafeteria, living quarters, healing halls and archives’ with you guys. Where is the culture. Where is the acknowledgment of multiple species all living in the same area taking place in a culture of peace and galactic exploration???? Give them a liquor store idgaf.

[valtsv]

What you find compelling about VAL is easy for me to intuit; I'm curious about what you find compelling about Shrue with regards to pairing them? I love them both as characters; I just remain perpetually confused as to pairings. Your writing is great btw; just interested to hear you talk about Shrue.

first off i need to confess that i shot myself in the foot a bit by using fandom shipping terminology to come up with the "VALshrue" portmanteau, because i don't have any desire to ship them in the typical romantic sense (or even sexual tbh, but that's an essay for another ask or post). in the best case scenarios where they aren't abusing each other and making each other worse it's still extremely aromantic - in fact any amatonormativity tends to contribute to the (unavoidable) toxic elements and make them more miserable and that is by design.

anyway! the anathema formerly known as adjudicator temerik shrue. my silly rabbit. i don't often talk about them in as much depth as VAL (which is truly a failure on my part) but i do absolutely adore their horrible ass just as much and want goodbad things for them. the easy answer to why i find them compelling is that a weaselly, hypocritical alcoholic public servant complicit in some of the worst abuses and exploitations the societal values they uphold are built on, contending with an impending inevitable divorce that will seal the nail in the coffin on their profound loneliness by drowning their regrets in more liquid shame, and denying their hand in their own and others' misfortunes at every turn - until their back hits the wall and there's nowhere left to run - is just such a fun character for me to play with. what if harry du bois was even more of a pathetic loser and a massive (but extremely funny) cunt about it too.

the slightly more thematically coherent answer is that i absolutely love a character whose hell is self-made and who can never balance the scales of that suffering, or their complicity in it, and has to understand that in order to ever develop as a person. the potential there is an absolute goldmine to me. how can you stand to live with yourself? why should you? why shouldn't you? and as much as i think their canon ending is beautifully written, i love to explore what might have happened if they didn't get an exit, and still didn't get what they wanted. if they had to put their money where their mouth is and try to build a better world, despite being cynically convinced that it probably isn't possible and that most people, them included, don't deserve to see it. honestly a huge part of the appeal of VALshrue to me is that not only are they absolutely awful people who've sacrificed everything that might have made their lives worthwhile to a heartless, insatiable cycle of violence that will never love them back, who less "redeem" themselves than succeed in recognising that the harm they've done has no justification and no meaning beyond feeding the same system that will eat them without remorse in turn when its use for them runs out - which is far more interesting and important to me than pure fantastical heroism - but they're immensely pathetic and selfish and self-sabotaging in very ugly, human ways about it. and that's SO much fun to play with as a fan creator.

also personally i think that they have a bit of a repressed sadistic streak that, while very much the result of the way they're constantly degraded and manipulated by everyone around them, is still incredibly destructive and maladaptive and extremely fun to unleash by poking them with sticks until they snap about it. and even more fun when VAL is the one poking them, intentionally or unintentionally ^_^

[autumnbrambleagain]

Favourite caves of qud mods? I wanna dive in and fully mod my game

I don't have the energy to turn these into hyperlinks so you have to do the work of typing these names into the workshop and finding them, I apologize that I am not apologizing.

Hearthpyre and the Clever Girl Fork are obvious necessities. Starapple Valley and Regrowing Plants and Qud Fishing is on that list too for being able to make your own imprint on the world. With how the uh, story's themes go, I am even more feeling validated in my decision to spend most of the game building bases and farming and stuff.

Dynamic Background Color because I don't even remember what the game looks like without it anymore. I think I use the More Dots mod too.

Allography lets you add descriptions to things, including yourself, which is great.

1 Percent Loot Drops adds a ton of neat, very balanced items.

Cleaning Robots lets you have robots that clean fluids and I honestly just wish one in on EVERY settlement so they don't become giant messes after one visit. Indispensable mod.

Choose Your Fighter is good if you aren't a lunatic like me who just makes your own phenotypes and sprites and pets and dialogue for every character you play.

Jademouth is what I would argue to be the best, most diegetically natural town mod in the game. It adds very little to the world outside of itself, and adds a very much needed mid-game town with a fun quest and good characters. None of the writing feels out of place, it doesn't add encounters all over the map, it keeps to its own lane and does an great job of it.

Cryptogeology is an incredibly good quest which helps guide you to each town in the game naturally, has a ton of flavor, and a really decent reward. It feels like a natural part of the game.

Tealeaves adds a much-needed merchant to the Six Day Stilt who is also very well written and lets you get a chance at Newly Sentient Beings rep.

Issachari Evolved adds much needed variety to that faction.

Nightmare Treats gives you a lot more ways to reroll mutations, AND ways to gain mental stats. Eat them. It's safe. Nothing bad will happen.

Wired Child is a fun mid-late stage quest in Ezra that gets you a VERY nice weapon if you can manage it.

Return of the Arcwyrk. You need more enemies in your life. zzzap.

Knife Fights at Eddy's is mandatory, I'm sorry I don't make the rules.

A Specter is Haunting Qud adds some VERY nasty enemies and you deserve to be killed by them. Things should be scarier. Get scared. Basically Templar Hologram Wraith Knights but they're Eater ghosts. Fucked up! I won't tell you how to beat them figure it out yourself.

Village Finder because I hate the "go to each parasang and press + and then -" when looking for villages. Am I that dumb my character can't notice villages when walking through them.

Folk Scrap and Mundanity. Mandatory. Very flavorful.

Baboons of Babel adds much needed variety to baboon faction.

Judicators of Qud add a fun neat challenging robot who is kind of like if a leering stalker and a feral lah had a baby that wasn't the sum of its parts but something all its own.

Disjecta Membra's lore feels a little out of sync with 1.0, and it makes the game a giant mess. So basically, enemies can be infected, and when they die things get Interesting. It can cause huge problems and it's a fucking mess. It can make Call to Arms an unworkable disaster and Templar historical sites become unmanageable. I love it. I cannot play without it. It makes the game so much more challenging and stressful, especially in the early/midgame. The writing is fucking incredible even if its flavor doesn't line up exactly right anymore. Do not do this on your first playthrough but after your first playthrough install this and suffer with me forever. This might be my favorite new-content mod tbh.

Your Own Personal Relics is a neat adjustment to the Item Naming system which honestly I just wish-name things when I mod them to max anyway but it's neat.

Feline's Furnishings are good tiles.

Fluid Storage is great and the Klein Bottles are fantastic and putting 500 drams in their weightless moebius will never go wrong for you ever.

I think that should do you with the unimax's share of the mods I use!

Sidenote, Eule does a lot of mods that are Very Cool but also last time I used them they had a problem of all of them would spawn things in the jungle, so with all of them active every jungle screen would have like, their populations taken over by all the Argent Somethingorother and the Unseen Adversaries and the Arboreta Guys. None of them work with 1.0 anyway I don't think, and the mods ARE very high quality! But their spawn rates were extremely overpowering to the point where the jungle was basically just entirely made of those 3 factions and it was a Bit Much.

I'm also about to try out the Labyrinthine Trail and Xeototin Mechanical Somethingorother for the first time but I haven't done them yet so i have no comment.

Also Facial Equipment Diversity is neat too.

[shabbytigers]

charles dickens: how can anybody tolerate reading him

it’s not the uncontemporary prose style i object to. i got super into the early novel in college, like samuel richardson and i mean his real doorstoppers, not pamela, which kind of sucks tbh, clarissa and sir charles grandison are much better. i also have a thing for old english. victorian prose still has new-car smell to me, and i like it just fine in general

i will concede the scrooge story but that’s basically one gimmicky short-story-length bit

and that’s the problem

all of dickens reads to me like a bit that’s fine as far as it goes but really should be over in twenty minutes tops. it’s like watching someone act out a comedy routine with hand puppets. there are some nice cutting passages about like socioeconomic shit, and some excellent quips, but i’m not sitting through a novel-length puppet show for that

forster’s distinction between flat vs round characters is the top-level read on what’s “wrong” with dickens: he does a lot of one-dimensional characters. really caricatures, not people. but like, that’s fine, sort of? jane austen also has some flat-ass characters. mr elton, mrs norris. mr collins! a great ‘caricature’ character, very much one long bit play-out. and he’s hilarious. idk though, i should probably try to articulate this better but basically he’s funny in a way that matters. mrs micawber isn’t. i’m done with her after one appearance. why is she still here? because dickens is saying something interesting with the plot twists that are inhabited by caricatures like mrs micawber. well, great: i don’t like that. it’s a puppet show. write me a blistering ass thinkpiece on what’s wrong with the economy or legal system directly, it’ll be more interesting. if you want to write a novel maybe write one where i can be bothered to give literally any kind of a shit what happens

i didn’t like fielding back in my early novel era, either. or candide and rasselas. picaresque is a puppet show too and i can’t live on just plot and atmospherics. i wouldn’t even say character is my biggest thing: what really drives me as a reader is worldbuilding, i read austen as much or maybe more for the window into how social shit and daily life work in this particular milieu as for the character arcs per se. writers in the mode i’m talking about aren’t trying to paint a world at all, a puppet-show stage is plenty sufficient for their purposes. i get it. but it’s excruciatingly boring. to me

[jacqulinetan]

On writing fanfiction

Exactly one person hinted that this might be helpful and I thought, well, okay, why not? tonight I have the time. I've been collecting thoughts for awhile and posting fic for more than a decade (writing longer than that!) so why not create a little manifesto of sorts.

A [not at all comprehensive] guide to writing and sharing fic - for beginners - from someone who is serious about writing fanfic as a hobby but casual about everything else:

On logistics:

Where should one write? I use google docs. Recently there's been some discussion about not using gdocs because of AI concerns, and I think if you are sharing nsfw files with other users there is a nebulous risk of losing access to the file... so I've heard. Tbh I cannot speak to the actual risk of either of these things. But I like gdocs because it's free and I can access the same doc from my phone as my desktop which is good for on-the-go thoughts. Other programs that people like are scrivener (costs money - but everybody who uses it says its worth it) and libre office (I tried this and didn't like it, but only because I'm used to gdocs). There are other programs out there, but these are the ones I feel I hear about the most. For me personally, I also have a notebook. If I'm inspired and want to get some scene or dialogue out quickly, writing analog is fastest for me and I find my thoughts flow well like that too.

Where should one post? Archive of our own dot org. There are other fic sites (wattpad) but none of them have the legendary tagging system that ao3 has - more on this later. On ao3 you will need to create an account (if you need an invitation, I'm not sure if you do, but if you do I will personally give one to you, just dm me). But you can post fic under your user handle or anonymously. When you browse the site, you will see that everything is separated by fandom, then by pairing (though non pairing/romance or 'gen fic' is fine too), then by characters involved, then other tags. I imagine it's overwhelming if you are not there a lot, but when you post, the form guides you for what to fill out (e.g. you will fill out the fields before you drop in your fic). You can always edit later if you want to change things around, but ao3 does not have an algorithm, so people will find your fic based on 1) the time it was originally posted or more likely 2) the tags that give an idea of what the story is about. I could write for ten thousand years about the merits of ao3, but like most things, you have to just get in there and try it out.

Other people who are smarter than me and know more than me can write and have written huge, in depth explanations for how to use features, and work skins, and the beautiful bells and whistles of ao3, but here is the down and dirty kind of explaining for sorting and filtering. I'm not going for nuance, I'm going for broad stroke understanding, and the nuance can come later. On ao3 fic 'metrics' we have hits (clicks), kudos (basically a 'like'), and bookmarks -- as a reader you can sort by any of these, which basically means you can move more popular fics to the top based on your preferences. And as a writer, it means you are hungry for people to kudos or bookmark your fic so that it potentially gets more eyes on it. Well, that's kinda putting the cart before the horse so to speak, if you're just getting started, but it is nice for your work to get feedback.

Tagging beyond pairing and character is important because it's how people will differentiate your fic from the others. This is things like 'canon compliant' or 'post canon' or 'coffee shop au' or 'enemies to lovers' or 'anal sex' or 'Bottom Shiro' or literally anything. Literally anything. These can be big tags ("wrangled tags") that everybody uses commonly enough that they are their own kind of category ('dom/sub') or random silly things you want to advertise with (e.g. 'blatant disregard for hoverbike safety'). You can add as many tags as you like. There are no rules to writing fanfic but tagging content warnings appropriately is important to readers, and you will find YOUR people most expediently if you tag honestly and robustly. Again, I could write 150k just about the intricacies of using ao3 as a reader AND writer, but 1) there are other folks who have done it better already/know more than me and 2) you really just gotta get in there and play around to understand it.

I am always happy to talk about fic and so if any questions about logistics arise, I will happily try to help. ao3 also has help pages and support. One random but important note is that the crux of ao3 is that it is an ARCHIVE only (so there is minimal moderation of content, to an extent ) and not for profit, so you must never ever mention money exchanged for fic there. if a work is a commission or something of that nature, that is fine, just mention it on socials or elsewhere, do not put put that in the summary or author's notes, etc as it will cause your work to be removed for legal reasons.

On writing:

The best advice for writing is the easiest to give and the most useless to receive: you really do just have to write. Write, write, write. That is the only way you will find what works for you, the only way you will get better, the only way you will tell your story. Since my goal is not to be patronizing, I will not say that. I will try to give some random and interesting tips that really get to the heart of what I feel you need to know (in my world of healthcare we call this type of information 'clinical pearls' LOL)

Getting started -

It's likely that there is a specific scene you want to write and that's why you're considering starting a piece in the first place. That's grand. All you need is that little bit of inspo!! when you're crafting a story around that point, try to drop the reader in at a time that is interesting/exciting/unexpected. if you're just starting out and all you have is the inspo scene, write that. then you can decide if that gives a full enough picture on it's own (fics don't have to be hugely long, esp in the beginning of your writing journey) or what else you want to add to be satisfied.

For me, I usually have an idea in a google doc and some bits of dialogue or random stuff that goes along with the idea as I got random inspiration. then when I want to start on a new work, I try to conjure up one scene that will get me rolling -- from there I can just keep writing what comes next. As a less experienced fanfic writer I wrote more outlines and was more methodical. when I'm writing now I don't really know how things end (except for in a very vague sense) until I'm actually writing the ending. this makes writing a lot of fun for me. when I write fic, I am my own audience and I am writing for my own entertainment.

Establish a setting -

I feel like a lot of less experienced writers fail to place these characters in a setting. If I open a fic and it's just mostly dialogue (chat fic, I'm looking at you, darling) I'm thinking ?? okay ?? are they floating in space??? what is happening?? I don't like chat fic. Give people an anchor at the very least and try to remember that the reader doesn't have your Mind's Eye and they will likely not know what you are imagining unless you explicitly state it. this might seem obvious, but writers who are good at setting are remarkably good at writing, I think. also, I do not like to open with dialogue but that's personal preference.

Magical paperclip moment -

Along the same lines as grounding the characters in setting, I like to add in what I call in my mind 'magical paperclip moments.' This is something I made up (I'm insane, btw) after being really impressed with a writer's work (I think in the hetalia fandom, I wish I knew the exact fic because it quite literally changed my life). anyways, the characters are having a conversation in the fic, and the author randomly added in a line about one of the guys playing with a paperclip while they talked. It did not move the plot forward, it was not important to the guy's character, it was just a random idiosyncrasy that made the story feel real. magical stuff. I love that.

Decide on vibes-

This is a big one for me!!! at the beginning of my working google doc I usually have some random notes, a running list of tags, etc, but I also have a category for ~vibes~ In other words, I am thinking hard about what kind of overall feeling I want the piece to have, and I am thinking about what kind of feeling I want to invoke in the reader. should this story be dreamy? Gritty? Fast paced? Emotional? And then it really helps direct the scenes because I'm trying to stay within that framework of vibes for the reader. So I try not to write just the story alone, but also the tone of the work. Also having a theme in mind, or a motif that runs throughout, can really make a work powerful

The POV has a voice-

This depends on the style of the writer, but for my work, it's HUGE. If I'm writing from the POV of one character and it is identical to the POV of another character, I am not doing a good job. through the way things are described, the tone, whether the writing is more formal vs casual, all of this can help establish the voice of the fic. the fics that I've written that are the most stand out, or the most entertaining, or the most popular - all of them have a very distinct character voice to them that matches the story and the tone of the fic, and helps characterize the pov. it's not for everyone, but to me this is the single most important thing to elevate a story into something special

Writer's block-

Getting stuck is inevitable. When you're stuck, you have two options: grind it out or let it simmer. Grinding through the block is not for the faint of heart - by this I mean literally chain yourself to the laptop and poke out word after painful word until the words start to flow. This could take hours and hours and barely result in a paragraph.... that you might scrap later. But, sometimes it can be enough to break through the block. If you let it simmer, that's more gentle - take a shower, go to the grocery store, go on a walk, etc. If that's not enough, read, watch tv, consume some other kind of media that fills your cup. Let your brain work out the block in your background processes. return to the fic when you really want to and then you will be ready.

Two things I always think of when I don't know what comes next in a story: What would I as a reader be so insanely stoked to see happen next??? and What would be unexpected or exciting here?

On community:

You can't really talk about the transformative work of writing fanfiction without mentioning the fandom as community. I have a lot of precious thoughts about this, but I will keep things brief here. Fic is shared in a dialogue with other fans - it is not sold, it is not beholden to canon, it is not for the satisfaction of the original work. People are writing purely because they want to and that is an amazing and powerful thing !!!!!

Comments -

Well we all want comments because we love to hear about how people love our take on our precious blorbos. But you have to leave comments on other folks work too. truly, as a writer, you have to. I think this is a good way to start finding your people: read fic that excites you -> leave a comment there -> see who else left comments -> read their fics -> look at their bookmarks -> read more fics -> leave more comments -> you will start to 'know' the people who like the same thing as you. you will start to have readers! you will find writers that inspire you! you will get better at writing! you will be in fandom!

One important thing to note for new to fanfic folks is that construct criticism of any kind is not welcome on fanfiction. it's not needed because the author is SHARING fic with you - I am by no means the first person to say this, but think of it like going to their house and eating their home cooked meal... if it's not to your taste, peace out. just leave. no need to let them know. this is doubly true if you don't like the content of a fic. simply leave...it's not for you, so find something that is. or make your own thing. As a writer, if someone is not following this basic fandom decorum, and they hurt your feelings with a nasty comment, you need to remember that they are the one in the wrong - they are being rude and you are justified to feel irritated or hurt. if you've tagged your own work appropriately, then you haven't done anything wrong by writing your fic.

Social media-

Two things about writing and social media (fandom circles of socials). 1. be insane about one particular thing, that will be your brand and bring you people and be fun. you don't have to do this, you could just be insane about a lot of things, but I think having one niche interest that really gets you going is good. that's my opinion! 2. never publicly discredit your work. don't say "LOL I suck at summaries" in the summary of the fic. don't put yourself down even if you have doubts about your writing....you can improve without doing that!!!

Sharing your fics in a post on twitter or bluesky is a good way to get more people to click on them, esp if you are a new writer. sometimes you will see people make pretty little title cards - they are making these on canva dot com and it is easy and free to use. I love doing this and it took me awhile to figure out how my favorite writers were making such pretty title cards for their fics. so now you know!

On concluding:

I can't imagine the resiliency of the readers who made it to this point!!!!!!!!! WOW !! Obviously I will post this with the caveat that I am just one little girlie and there are a lot of fic writing folks out there, some of them much more well spoken and more knowledgeable and better writers than me, and maybe if they posted a similar essay, it would have completely different content. that is okay and I am not sad about it. in other words, I do not pretend to be an authority on any of this, I am just a person who loves writing fanfiction and this is what I would tell a complete beginner <3 thank you for reading <3

[peace-hunter]

You’re so right about the Autobot and Decepticon roles in One tbh. I don’t have the guts to invite that argument but you are not alone.

Honestly I’ve always found the original Decepticon “might makes right” philosophy to be a super compelling villain motivation, I’ve never understood why people like the Aligned stuff so much better?

oh god i don't want to start an argument either that's one of my least favorite things in the world but i needed to get it out my chest. i'm glad i'm not alone in this opinion tho!

and also same! i love "might makes right" as a villain motivation by itself and in this particular continuity you even get a very compelling reason for why megatron decides to take that philosophy for himself!! you can't even complain they made him evil for no reason, because the entire movie is the reason! you can follow his logic into falling in with the decepticons pretty well all things considered!

personally i think people like the decepticons and they like having a reason for liking them beyond just "they're cool". so if you give them a continuity where the decepticons are the underdogs fighting an unjust system (something audiences are primed to respond well to) people will latch onto it.

i think it's also part of the "villains are cooler than the heroes" and "the villains were the good guys all along" trend that's been going around for a while now. people like edgy things and what's edgier than a cool bad guy having a good reason to do all of that.

i've seen some people (correctly if i may say!) that it adds a lot of nuance to the franchise and the civil war beyond just "good guys vs bad guys". and it does! making both of your sides shades of gray instead of black and white is pretty compelling and i can see why people are attracted to it!

if anything i'm just. frustrated at the fact that it's just treated as a common fact that the autobots were part of or the oppressing faction and always have and always should be when that's a relatively new addition to the lore. i think TFA and Aligned may have had a hand on that too OTL

personally if i were to write an origin story for the civil war i would make orion and dee leaders of a single faction that eventually splits up into autobots and decepticons when their methods diverge too far from each other to be a single group. make them fight for the same thing at the start and slowly have dee lose his way and stumble into his "might makes right" philosophy through the conflict until he becomes megatron.

which. is pretty much what happened in TF:One, but also there's just so much that can fit into an hour and a half kids movie! the fact they made Dee very sympathetic, the Decepticons initially heroic and fit in a pretty good commentary on how young men can be radicalized by both their own personal struggles and outside influences is already pretty fantastic imo

also to people who say the movie fails at setting up the civil war may i recommend watching Overly Sarcastic Productions' Detail Diatribe: How To Start An Eternal War? it really encapsulates how well done the conflict in this movie was <33

but again to each their own ajshdska

[inkofthebrain]

Imperial

[Paul Atreides x F!Reader] 1468 words

Paul Atreides, Duke of Arakkis, takes the hand of the Emperor’s eldest daughter for the throne, yet neither are pleased. They know they must learn to be civil, but what will it cost them…

Tags: post-Dune 2, strays from book canon, no use of y/n, dune typical everything, Corinno!Reader, slow burn, enemies to lovers kind of? (More strangers to lovers tbh) ARRANGED MARRIAGE TROPE, not proofread LOL

Warnings: mild use of the voice on reader. Dune typical themes, motifs, and actions. Jessica being Jessica….

A/n: this chapter goes from 0 to 100 plot wise: be ready >:) sorry 4 whiplash… || Thank you for all the support! I upload these chapters as i write them so apologies for the spontaneous new chapters. My request are open for one shots and more!

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masterlist

Three———

The following weeks with the Atreides are spent planning, discussing politics, and all the while you continued to silently observe Paul and his mother.

There are two things you are certain of. One, Bene Geserit have been at work, a congregation of women who you have always been weary of, and two—their plan had gone horribly wrong. Paul was the byproduct of a story not of his own which he, or should I say his mother, has appropriated for political power.

“Abomination”

Your fathers truth sayer’s words ring through you ears. You are terrified for what is to come, you gaze out of your bedroom window at the sloshing sea lapping at the edges of the cliff.

The nightmares about your soon to be home still plagued your nights, you were getting less and less sleep and as the wedding grew nearer your exhaustion grew with it. You prayed Arrakis would kill you quick.

You and paul spent hours in the Caladan meeting room, discussing the various political forces across the galaxy, alone and with both the Atreides and Imperial advisors. the details were complex, and Paul's understanding of the universe was quickly expanding by the day.

He learned about the various noble houses, the political factions within the houses, the imperial courts and their complex bureaucracy, and the many conflicting religions and belief systems across the galaxy.

This was just the basic information. the true power came from analyzing and understanding the social complexities and hidden motivations of the various players. Paul knows he must oblige with the current way things are running before slowly putting his own reforms and systems in place.

As you taught him the complex workings of the imperium and its politics, you realized his intelligence was unmatched. It was as if he absorbed the information like a sponge, taking it all in and putting it to use. his natural abilities coupled with his hard work and dedication made him a formidable political force.

You sensed that his thirst for knowledge and a desire to understand what drove the universe was insatiable, just as yours was.

You had grown closer to Paul but your shared disinterest in the Marriage lingered. You did not care for marrying a stranger, that was bound to happen, it was the circumstances of your engagement that lit an unpleasant fire in you. Paul, on the other hand, was clearly longing for something, someone, he knew he could not obtain.

You both were children who were manipulated, selected, and bred for this. And now as adults you must face your unnerving future.

Duty is everything in this world.

———

The day of the wedding was a week away, but the planning began much earlier. The ceremony was highly anticipated by the imperial court and the noble houses. rumors were rampant, various debates and gossip spread like wildfire. It was clear that this wedding was much more than a marriage of political convenience. It was a pivotal event for the empire, one that everyone would be watching closely and analyzing under a microscope.

As you walked to the dining hall, Delia at you side making occasional small talk, you mind was racing. You had compiled a highly educated theory based on observation and the small bits of Benne Geserit secrets you sister had let you in on. You were determined to gather more data to support this.

Jessica sat at the head of the table, Paul sat to her right and you sat to his left. The three of you were discussing the political ramifications of the wedding, how they would be viewed by the various noble houses and imperial courts. Your discussion was respectful and polite, but under the surface there was a tension, a subtle underlying pressure, that nobody acknowledged but was very present. After clearing her throat and waved the guards out of the room.

Your stomach dropped as she looked to you "Now, there's one other matter we've yet to discuss." She turns her attention towards you and looks straight at you, with a serious look on her face.

Jessica continues. "I am aware you understand the political nature of this union, and you understand the political implications of the ceremony itself. But what isn't discussed enough is the reality and expectation of the marriage after the ceremony. The two of you are to consummate the marriage immediately after, and the child that results from it will have enormous political implications. Do you understand what i'm saying?"

You almost choke on your wine at her boldness. Paul glances at you, he is alert to the seriousness in her tone, the way she is careful to drive home this specific point.

Still watching your reaction, she finally resumes speaking. "The consummation is expected to immediately produce a child. The pressure will be immense, and I am asking you to treat this with the upmost seriousness. The birth of the child will create a political shift that will alter the galaxy for generations. I trust you understand the gravity of the situation at hand? Correct?”

You take a large swig from your wine glass. “May I speak freely?”

"Yes, by all means, speak freely.”

You take a deep breath. “I have not been trained by the Bene Geserit like my sister so I am not privy in the ways” you pause. “But from my observations I have compiled a theory. There is a plan, a plan greater than us all. And you, Lady Jessica, set that plan on fire by giving the late Duke Leto a male heir. Yet they allowed you to become a Reverend mother after disobeying the high order.” You pause, watching her reaction. “Now you must scramble to solidify your disobedience into the prophecy”

Jessica is frozen for a few moments, eyes locked on your own, trying to hide the surprise you've seen through. It's clear that you've struck a nerve here.

Paul leans forward, his eyes locking onto yours. "This is impressive. Very impressive." there's a glimmer of admiration in his eyes, and the slightest of smiles tugs at the corner of his mouth.

“I assume I am correct then?” You look between the two

Jessica finally nods, a hint of a proud smile on her face. "You have struck at the very heart of it. My disobedience is not my own, Paul was set to be the bridge between the Bene Geserit and Atreides... and the imperium's entire future. And because of my actions, that entire future has been brought upon us prematurely. We have a plan, it is true. I will ensure that paul's inheritance of the empire remains intact. But you are key to that plan, and you must comply with my direction on this matter."

“Tell me everything.” You demand, your temper growing short as your heart starts beating faster and faster. “This is my life and the legacy of the Imperium!”

She leans forward, her intense gaze meeting yours. there's a firmness in her eyes, and she speaks with a sense of conviction. "Listen to me; if you wish to ensure your safety and the safety of Paul and the empire, then you will need to trust me. Do you trust me?"

“No!” You yell, “You made your son a false prophet and I refuse to go along with it until I am aware of every detail of this plan.”

“Calm yourself and listen” Jessica demands, her voice is dark and distorted. You are enchanted instantly—She has used the voice.

“Mother…” Paul says, guilt pricks at his soul as he watches your face go blank, but Jessica ignores him.

"I will not tell you everything at this very moment, but trust me, you will see it all in time. Just like I have, just like Paul has. There are some things that are necessary to keep from you until that time. I will tell you what you need to know, nothing more and nothing less. does that sound acceptable to you?"

Her hold on you breaks and you look to the mother and son in disgust. Everything about this woman is fabricated so she may complete her plan, a ploy in which you are just a mere stepping stone. Rage runs through your entire body with such velocity that you feel sick. You sit in silence.

“Do. You. Understand?” Paul’s voice is stern and startles you and you nod your head.

“Good” Jessica says flatly.

You turn your head to look out the window, closing your eyes while taking a deep breath you attempt to collect yourself. Paul and Jessica are staring into you. You can feel it.

———

Next chapter

🍾 Taglist @aoi-targaryen

[olderthannetfic]

A common argument I see against constructive or negative opinions (even in For Readers spaces now apparently 🙄) is that they crush people's dreams of being a writer.

And like. I have diagnosed issues with rejection sensitivity, so sharing my work publicly was extremely difficult for me at first. But it was just something I had to get through if I wanted to be a writer. When I was in a university level creative writing class, I was stunned that they wasted a seminar teaching us stuff like you're/your and there/their/they're until I noticed that my classmates found it really useful. I realised 00s fandom taught me better grammar than the actual official school system, say nothing of charactisation, voice, pacing, etc. There were a LOT of resources to help new writers understand writing 101 and avoid annoying mistakes/cliché plots, which you don't really see anymore. I honestly feel like I got an expensive years long creative writing course for free.

And even as a melodramatic and oversensitive tween, I always had the attitude that I wanted my writing to be good, so if people pointed out typos or grammar mistakes I'd just thank them, fix it and remember for next time??? I never once felt "bullied" by legitimate criticism: as someone who actually was bullied a lot IRL, 00s fandom was actually one of the few spaces where I felt comfortable and safe. Whereas tbh I don't always feel comfortable with this modern culture where fanfic writers demand comments in return for creating "content" "for free" but setting strict demands for what kind of comments they want to receive. (And ofc it's for free! It's not their intellectual property!)

Which is all to say, if someone telling you "hey, maybe consider adding paragraph breaks" makes you want to quit writing forever then maybe you didn't actually want to be a writer all that much.

--

I think people mix a whole bunch of dissimilar things.

If you go to art/film/etc. school, you'll need to get used to group critique. It's partly about advice, but a lot of it is about toughening you up for future situations where your audience is not going to care about why a work isn't up to their standards. I think some of these practices actually can be pretty damaging. It really depends on the professor to make them constructive.

A key element is that people who are going through that are usually supposed to already have some experience and be pretty committed, so they aren't going to shrivel up and quit.

When I was a little baby writer, I was indeed pretty sensitive. Even while trying to finish the first draft of a novel, I need cheerleading or maybe goading to put my ass in a chair. The hard part is getting the words out, not making them good. So a lot of negative shit, even if well meant and useful, would just be discouraging.

But...

There's a big difference between having no interest in back seat driving from AO3 comments and opposing all review-ish conversation anywhere, whether it's bookmarks or discord servers or other archives that have more of a culture of reviews than of comments for the author.

I think you can want to improve but not want to do it via AO3 comments. You should still leave readers to do their thing outside of your comments though. Analyzing or reviewing can be a big part of someone's own fannish activity—a positive and fun hobby for them, not just an excuse to yell at the writer.

[hiatus-xix]

hmmm what are some fanfic tropes the sdmn fandom should write more...

jumberjack!w2s x reader >based on sdmn camping vid >idk just hard fluff/smut of jacked af lumberjack harry surely

kitchen porter!ChrisMD x waitress!reader >based on sdmn open restaurant vid >chris that gets bossed about by the kitchen but reader thinks is cute >shy ahh Chris that also gets teased by the chefs (harry + Simon + ethan + others) for so obviously liking you >i reckon a fic of just straight flirty interactions + chris being teased by the boys for it would be fire >like, imagine one encounter being waitress being stressed over orders n venting that out to Chris while he's piling up the plates that she has to go deliver + once she's returned having delivered all the food, Chris also gives her a drink or little smth just as a pick-me-up / sweet gesture... reader overwhelmed with graciousness so you lean over the bar to give him a peck on the cheek before being called over by manager >chris returns to the kitchen bright red + JJ (having seen the encounter) teases Chris by describing it all to the other workers (Ethan + Harry + Josh etc.) n they all pat him on the back and laugh at how chivalrous (and bright red) he is

mechanic!willne x reader >oops white mustang ref >based on Will's peru vid

obsessive!ArthurTv x popular!reader >idk where i got this one from tbh - maybe kinda inspired by YOU (the show, not you) >but like, INSANELY obsessed with reader - loves everything about you to the point it gets stalkerish >probs a smut ending - reader confronts arthur about it... maybe says they can have a one time thing just to get it out of his system

athlete!G Clarkey x nerdy!reader >it just works doesnt it >based off of literally everything about him >deeffo a smut, unless we want j a really flirty fic which idm either >but like, deffo themes of size kink, G Clarkey muscle worship, shy reader

Arthur Hill x tattoo artist!reader >idk smth about riding him on the table you're meant to be tattooing him on or smth hey idk

Business!Calfreezy x employee!reader >yk how cal is sorta a business guy in terms of the whole fellas-running-podcasts things? >okay so now imagine he has a thing for you n you can sense that... >so whenever you want smth from him - be it a specialist producer, or a new set of microphones, or a set upgrade... >you gotta walk into freezy's office n he makes you earn it >can either be a single one like that, or a pace change-up where reader/freezy tells the other that they don't want each other just for transactional purposes n then the smut ensues 🎁

WillNE x Freezy!sister >OKAY based from the last idea asw >freezy's sister who's just outta uni + Cal's given her a part time to basically be a runner + assistant for him n everyone in the fellas building >will who notices a cute girl in the building's kitchen every so often + sparks up convo w her from time to time n really likes her vibe >just when he's gonna ask her whether she wants to come back to his office to continue one of their convos, after a few weeks of having seen her - cal steps in n tells her to piss off or smth >will reprimands him for not being very nice + cal validates it w "eh, she's my sister before being my worker - i get to be mean to her" >n then in full launch: hidden dating n relationship trope.

[bluebirdinhissky]

A best friend’s duty is to help you overcome your fears.

Hyunjin x Y/N.

I didn’t expect this to turn into a series but I feel like it should be this way. Also, sorryyy! I know I’m so late in the timelines because tbh I thought about this when they were going to Australia but somehow whenever I tried to write I would be blocked. I apologize for grammar mistakes. Thank you everyone who has been reading so far, really thank you.

*

Hyunjin already knew she would say NO. “I’d rather die than set foot in Hell on Earth”, she would probably say (Hell on Earth = Australia). He’d hear her say how it’s the one place where every nightmare-ish creature could crawl out in your bedroom, bathroom, street, beach or basically just everywhere you were and kill you. “I rather not die from a spider bite or simply touching a leaf”, she’d say. He would sometimes like to tease her about her aversion towards Australia, but this time he was about asking her to join him and the guys for their shows there.

He asked Felix and Chan for help. He asked them to talk wonders about their country to her, and they would do so with a passion that would make anyone want to travel there as soon as possible, but not her. It didn’t matter how many times they told her she would most likely never even get to see a spider the size of her hands just roaming around the city. Hyunjin was starting to feel defeated.

One cloudy night, Hyunjin was feeling anxious. He started to paint to relax but he kept being unhappy with the results. He sighed and threw his brushes to the side. He stood up and made his way to the roof of the apartment. He had a spot to sit down and look at the city lights whenever he felt like it, and that night he just wanted to feel the cool breeze on his face.

He was a bit surprised to find the spot wasn’t empty. SHE was there, a startled look on her face.

“You scared me”

“Am I that ugly?. Beastie, what are you doing here?”

“I couldn’t sleep”

Hyunjin reached her side and sat down beside her. The city lights from downtown’s skyscrapers were dim, semi-hidden behind a thin fog that made the scenery look like out of a movie.

“Are you okay?”, he asked after a few seconds.

“Yes, I think I just had too much coffee. Are you okay?”

“Yes” he smiled softly and lingered his gaze on the buildings far away. She noticed and looked intently at them too. Silence followed for a couple of minutes, where she leaned her head down to Hyunjin’s shoulders and he wrapped his arm around her. He felt his heart racing and hoped those moments could last forever.

“Can you imagine” she broke the silence with her soft voice, almost as if she was talking to herself only “what would we do if we were looking at those buildings and suddenly a Godzilla sized creature showed up?”

Hyunjin snorted.

“Well, beastie, I think we would be doomed. And we would spend our last moments together”

“What if the creature doesn’t come this way. We just see everything from far”

“We’d still be doomed”

“That’s scary”, she said hiding her face in his chest.

“Come now, aren’t you the one who loves Godzilla?”

“Yes, but that doesn’t mean it’s not scary”

“Speaking about scary stuff…” Hyunjin cleared his throat “I want you to come to Australia with me. With us I mean…”

“Hyunjin…” she rolled her eyes.

“I know, I know, “spiders the size of my hand”, I promise you, most places have pest control systems”

“Hyunjin…”

Hyunjin gave her his best puppy eyes.

“Pleaseeee beastie”, he was now being playfully dramatic “I can’t live without you”

“What if I DO see a spider and I get bitten and I die?”

“You won’t die. And if you do, I’ll catch the same spider and get bitten too”

“Calm down, Romeo”, she laughed and he laughed too. There was a bit of silence after that.

“Well. Let’s do this: let’s sleep together” he smirked “I mean sleep in the same room. We take turns sleeping”. She sighed.

“You promise you’ll keep me safe?”

“I promise” he said softly.

“Fine. I’ll go with you to Hell”

He made a fist to the sky as sign of victory and then hugged her hard.

Maybe his plans to confess were finally on the right path.

[august-anon]

Ok I’m sooooo late to the bg3 fan club but I’m here now and low key obsessed with gale, so here’s some tickly hcs for him

-I’m biased because I’m romancing him first, but this is just objectively the most ticklish guy in the game

-he’s so ticklish everywhere

-he definitely enjoys it, but if he’s tickled any of that suave attitude of his is out the window, he just cannot control his laughter and giddyness

-he equally loves making Tav laugh, to him them laughing together brings them closer together than the weave ever could

-his tummy is so soft and squeezable and simultaneously his WORST spot, it’s like hitting the jackpot

-after being with a literal goddess for so long he forgot how amazing physicality can be

-it drives me crazy that he’s canonically ticklish too, and his laugh whenever he’s hit with hidious laughter just sounds like he’s being tickled (the voice line about him having his tummy tickled also SENDS ME and is the reason I think it’s his worst spot)

-so WEAK to raspberries and soft little kisses, he’ll cackle like a hyena

God there just needs to be an option to tickle him playfully. Like the way you can ask for a kiss.

Also, I just wanted to say thank you for all the fics you’ve written! I’m so mad at tumblr for having suck an awful search system because it took me so long to find them, but I’m so glad I did, there just aren’t enough fics out there and you’ve single handedly fed me

omg these are all EXCELLENT headcanons thank you so much for sharing them!!! Also I think we should have options to tickle any of the companions playfully tbh, they need more laughter in their lives in the midst of the world ending lol

And I am so glad you've been enjoying my bg3 tfics! I think I've written mostly for Wyll or Astarion (especially Wyll as he is my dearly beloved skdjfhdf), but when I finally get the free time to get back into the game I definitely wanna work towards getting a better understanding of the other companions so I can be more confident writing for them too. There can never be enough bg3 tickle fanfic lol

Also, I know there's definitely other folks out there writing bg3 tfic, including more Gale than I currently have written! Off the top of my head, I would definitely recommend checking out @angelatmidnight1 and @sideshow-cellophane-blog. There are probably more that I can't remember right now, and I almost definitely have more fics to reblog tucked away in my drafts for whenever I eventually get back to filling up my queue, but I know for a fact those two should have some Gale fics! Go forth and enjoy!!