#I only need 2 5 and 8 — which I think is a fun pattern. each one has a difference of 3 from the last

[blueish-bird]

stayed home sick today to work through a fever but I think I’m feeling good enough to work on my sick fic lmao

[physalian]

The Fantasy Language Translation Matrix

Whether you intend to write your own full-blown lexicon with different verb tenses and formal vs informal language, need unique words for spellwork, or just need new names for all your foreign places, behold… the Physalian patented Fantasy Language Translation Matrix.

(I kid. I have no idea if I’m the first to come up with this)

**Disclaimer!** After rolling out your fresh new vocab off the word assembly line, make sure you google it and that it doesn’t already exist and mean something you don’t intend.

Step 1: Pick your Derivative

You can make it sound completely foreign and like total gibberish, but I find it easier for you and other people to read if they have some real-world reference to compare it to, and so they have a clue for which pronunciation rules to rely on. For example: I did not know who René Descartes was my freshman year of high school. His last name was in my algebra book, and I, thinking he was Greek like so many other ancient mathematicians, pronounced his name as if he were Greek “Des-kart-ees.” I got made fun of.

Spare your readers the humiliation.

So say I want a vaguely… Russian/Latin/Italian influence. As opposed to French. Cool. That’s my starting point.

Step 2: Reorder the most common letters from English to your new language

In English, the average use of the standard alphabet by letter in order is this:

Ignore your vowels for a second. I don’t use charts like this on the regular, I use the Wheel of Fortune method and focus on RSTLNE, then go from there. I also want to make sure this isn’t a complete 1:1 ratio so it’s not super obvious I’m just juggling letters around, so I’ll knock out some “duplicate” letters and swap out singular letters for specific sounds.

The goal of this isn’t to stare at two existing language matrices and perfectly match them up, it’s to take the most common sounds and letters in English and make them new, common sounds in your new language, to sound more uniform and like you have a real etymology.

And I end up with this:

This might look a little confusing on how I got from A to Z so the basics:

All my vowels remain in the same place, they just get juggled around so I don’t end up with 8 consonants next to each other and word garbage

My “duplicate” letters are combined so I have more room for the new sounds, like c/k, f/ph/gh, h/wh, s/z. The new sounds then get the spare letters I had left over

Common english suffixes get reduced down so the pattern isn’t as obvious

If you want to include accent marks, this is your chance

I wanted to really emphasize the long “e” and long “i” sounds, so those got extra attention

Step 3: Translating

Oftentimes this is not perfect, or you end up with a word that just doesn’t fit the rest of your new vocabulary, because English is the bastard lovechild of German, Latin, Danish, and French.

I start with English, usually, but if the English word is too short or too long, I translate it first into another language, like Spanish, and go from there. Like “bus” vs “autobus”.

Using your matrix, go one by one. Let’s use a word like “letter”.

English: L-E-T-T-E-R

New: T-A-C-C-A-Z

Step 4: Polishing

So now I have my new word: “Taccaz”

Which is serviceable. I can throw an accent on either A or fiddle with the Z. I can start with “carta” instead and end up with “kizci”. The matrix is just a starting point. It’s designed to streamline the process when I’m otherwise feeling uncreative and in a rush, and it moves very quickly when I need to come up with full phrases and sentences that someone would actually say.

Step 5: Full sentences

This is only if you’re really digging deep and not coming up with the occasional fantasy curse word or new name for your fantasy land/realm/noun etc.

For this you’re going to need lots of tables. I based mine off romance languages because I know Spanish and romance languages make sense. This is where you decide how many pronouns, if any, you’re going to use, how the infinitive changes based on past, present, or future tense, how many nouns the word references, etc.

This is… a lot. Way more than you’d ever need for your manuscript. Ever. But I did it just for my own sake. Does it get long? Yes. Does it get tedious? Yes. The point here is to have little pre-manufactured word bytes you can plug and play with, with as little mental effort as possible so you can save it for the rest of your work.

I also came up with very common words already conjugated, like “to be” so I can just glance and type without having to remember to take “is” and go through the process over and over again.

Which means that I can take an entire sentence and translate it to my new language in about two minutes.

English: The payoff is worth it, this is so satisfying. New, roughly: Nu kioyb ela fyzip ne, iski ela valo nicenbalaev.

Of course, you can keep tinkering until you get something that’s easier on the eyes (I’ve been working with this language for years so I can read it pretty well), but not all languages are smooth and pretty and simple.

To be frank: Most readers will just gloss over this stuff anyway, but it shows that you put in the effort and it enhances the lore and the immersion when you do this. At least in the written medium. You can’t ignore it if this is meant to be in a screenplay.

Is this what a language professor would do or recommend? Probably not, I have no idea. Does it work? Yes. I have a fully functioning grammatical system where any input can give me a legible output.

To make this yourself, just change the order of the letters around, adjust your shortcuts, and come up with your own common sounds for those last two rows. The conjugation matrix is where you can really make it distinct, assuming you are basing yours off a romance language, which you don't have to.

—

And there you have it!

Don’t forget to vote in the dialogue poll before it closes!

[blake447]

Strange way of drawing the Dragon Curve

Alright, so real quick I just want to share potentially the most arcane method of drawing the Dragon Curve I've ever seen, derived and designed by yours truly! As far as I know, this is a novel solution. I know the sequence it generates is known, but I'm not sure if anyone else has used this method before. Its quite elegant if I may say so myself.

So for those that aren't aware in programming the "<<" and ">>" operators are sometimes known as "bit shifts." Basically what this is doing is starting at some number, adding a power of two, then getting a specific 1 or 0 in the binary representation of that number iteratively, until its searched enough bits to know they aren't going to change anymore.

It has to do with this sequence right here. I've mentioned before, my personal favorite way of generating the dragon curve is to start with the sequence 0, reverse it, add one, roll over once you reach 4, and tack that on to the original sequence. So 0 0 1 0 1 2 1 0 1 2 1 2 3 2 1 0 1 2 1 2 3 2 1 2 3 0 3 2 3 2 1 Well what ends up happening is each time you add one, its like adding one to the reversed part of the newly added sequence. So we can track where all these 1's come from based on when they're added. For example, the 1 we added in the "01" step turns into 0 1 0 1 1 0 0 1 1 0 0 1 1 0 Note from here on out its palindromic, so reversing it no longer has any effect. What we end up with is a repeating pattern of two 1's, then two 0's, starting with half that many 0's. When going from 0 1 0 1 2 1 We're adding 1's to the entire second half, so in this step the 1's propagate to 0 0 1 1 0 0 1 1 1 1 0 0 0 0 1 1 1 1 0 0 0 0 1 1 1 1 0 0 And again, this is now palindromic. Four 1's, four 0's led by half that many. One of the things I've learned about the dragon curve is just how intrinsically linked it is to binary (and this makes sense when you think of the folding paper method of generating it. Here's an excel spreadsheet demonstrating this in action

Now here's the fun part. My research was to parallelize this algorithm. One approach is to say "Okay, how can we calculate each term in this sequence without looking at the previous ones." And the answer is to exploit these very predictable patterns. And how do we predict these patterns? Simple, we simply count in binary

The right most column is useless, but starting at the next one to the left, we see a familiar pattern, almost. Say we want to know what the 5th number in the dragon curve sequence is (0 indexed). To make the sequence only lead with one 0 instead of two, we need to offset by 1, then all we have to do is increase the number by (n + 1) = 5 and take its 2nd least significant bit (1 indexed because english). The 2nd bit of ( 1 + 5 = 6 ) is a 1. For the next iteration we're looking at the 3rd least significant bit. Here we need to offset by 2, and then we increase the number by 5 again and the 3rd significant bit is the one we take. The 3rd bit of (2 + 5 = 7) is another 1 After that we're looking at the 4th least significant bit. We need to offset by 4, then increase the number by 5, and the 4th significant bit will give us our number. The 4th bit of (4 + 5 = 9) is going to be another 1, bringing our total to 3. Here's a visual representation

This is where the "1 << i" comes in, because that's the same as saying 2^i, which is how we get those offsets of 1, 2, 4, then 8, 16, 32... the "n" in "n + (1 << i)" comes from us offsetting to get the nth term in each sequence Finally the " >> (i + 1) " and "% 2" are to fetch the (i + 1)th bit from the number. After that the increasing size of the leading zero's outpaces our constant offset of the number 5, so we are only going to get 0's from here on out, and we can actually stop, hence the usage of bit length to terminate the loop early.

And if we look at the the 5th element of the sequence (0 indexed) 0 1 2 1 2 3 Funnily enough, in python this brings an actual speed increase (or at least, distributes the cost over the drawing) because of how slow reading and writing to memory is, compared to how math and bit-wise operations are implemented in low level C behind the scenes. Additionally, since there is no reliance on previous work this task can be multi-threaded, or even GPU accelerated if need be. Finally, if you've made it this far, here are a few images of some close ups of dragon curves from my GPU implemented (unrelated to this one entirely) just so that there's something pretty. Enjoy <3

[ashilrak]

20 Questions Writer Meme

I was tagged by @skywalking-through-life! This is super fun omg, thank you!!

1. How many works do you have on ao3?

210!

2. What's your total ao3 word count?

1,670,384 words, which feels insane

3. What fandoms do you write for?

Currently, Percy Jackson! I tend to be pretty one fandom at a time, but in the past I've written for Hamilton, Harry Potter, and Marvel to name a few.

4. What are your top five fics by kudos?

Electing Strange Perfections (1,951)

If You Ask Me For My Fire (1,842)

See The Beast You've Made Of Me (1,769)

On Each Other's Team (1,656)

Come Loaded With The Safety Switched Off (1,604)

5. Do you respond to comments? Why or why not?

Yes! I'm a huge believe in fandom as a community, and fanfiction as an avenue for that community vs just 'content'. I love answering questions and talking about the fics, and I've honestly made some amazing fandom friends in comments on fics. I think commenting is a really valuable part of community-building in fandom, and I think that replying to comments helps with that :)

6. What's the fic you wrote that has the angstiest ending?

I think this is all a matter of perspective, but I definitely have a few that are regarded as angsty even if I don't necessarily see them that way? Picking one, I might have to say See The Beast You've Made of Me.

7. What's the fic you wrote that has the happiest ending?

This is harder to answer lol, a lot of my happier fics are more moments, rather than a having an ending with build-up. But, Love Has A Way To Find Ya (Sneaks Up Right Behind Ya) is the first one that comes to mind!

8. Do you get hate on fics?

I have actually been very fortunate in this regard! I've had a few negative comments for sure, but most are more along the lines of "stopping reading here" or just poorly worded. I have several fics I've been more worried about, but locking the fics has seemed to discourage anyone who wants to be senselessly cruel! A lot of what I write isn't to everyone's taste, so some less than perfect comments come with that territory.

9. Do you write smut? If so, what kind?

I absolutely have lmao. I haven't been in the mood for it recently, but I have my fair share. As for what kind, it depends on the ship and dynamic, and how seriously I'm treating it lol. I've written daddy kink to casual pegging to sweet losses of virginity.

10. Do you write crossovers?

Not really? I have a few ideas that have broached crossover territory, but I don't make a habit or it!

11. Have you ever had a fic stolen?

Yes, though not recently. I'm sure there's a lot more out there in all honesty, but I've only stumbled across it once or twice on random websites when I've had the thought to google my username.

12. Have you ever had a fic translated?

Yes! I've been fortunate to have a couple translated, and it's always the most amazing feeling ever.

13. Have you ever co-written a fic before?

Yes, I've co-written quite a few! I've done round-robins as well as more formal collabs where both authors are working together and writing together throughout the process. I really enjoy doing them and have written some of my favorite fics with others! They're definitely challenging, but I think I have the benefit of being pretty adaptable.

14. What's your all-time favorite ship?

So one thing you need to know about me is that I'm really bad at favorites. I think my favorite canon ship amongst my fandoms would be Percabeth, but my favorite ship for reading fanfiction for would, historically, be Tomarry/Harrymort/whatever you want to call it.

15. What's a wip you want to finish, but don't think you ever will?

I am actively determined to finish the ones first coming to mind, but honestly the one I doubt I'll ever do anything with is the AU lovingly referred to as Percy French Whore lmfao

16. What are your writing strengths?

I think my adaptability is my greatest strength. I definitely have themes and patterns I fall into, but overall I try to keep an open-mind to ships, aus, and more. I've gone back and forth between past and present tense, I've written over 25 ships for PJO alone. There's very little I look at and think I can't write, even if it takes some time to come around to it/make it work for me.

17. What are your writing weaknesses?

I think my biggest weaknesses have to do with managing a story as a whole. I have these grand ideas, but I struggle to bring them to Completeness. I'll have dreams of showing a realistic development of a character from the one we know and love to something twisted and taken advantage of and miss a few beats, and drop a few characters and plot points along the way. I'm also not the best at worldbuilding. I'm a pretty low-context type of person, and it's highlighted in a fanfction type of environment. I'll get questions about worldbuilding in fics--and they'll be GOOD questions--and I'll sit there with my head tilted at the screen wondering why anyone would think of that 😭

18. Thoughts on writing dialogue in another language for a fic?

I like the idea of it, but would definitely need help from a native speaker. I got overly confident with my high school Spanish classes and made an attempt and I will never be doing that again.

19. First fandom you wrote for?

Twilight. First fandom I read for, first fandom I posted for. Twilight was how I discovered fanfiction.net and started me down this path.

20. Favorite fic you've written?

This is almost impossible to answer just because there are so many factors at play, but the first two (very, very different fics) coming to mind are both collabs: HAUNT ME, THEN— with @mrthology and The Murder Monologues with @theinevitablesense

I tag @sappho-of-space 💛

[dandunn]

Fic author interview tagged by @vampirenaomi

1 How many works do you have on AO3?

42

2. What’s your total AO3 word count?

728,089

3. What are your top 5 fics by kudos?

Fic that annoys me so much I disabled comments (go find it yourself lmao), Marked for Death, Tiger by the Tail, What's coming through is Alive, The Sea is Getting Rough Again

my one piece fics all have way more kudos than my recent stuff basically

4. Do you respond to comments? Why or why not?

i do sometimes, im usually tired from writing and editing so sometimes ill just say thanks lol

5. What’s the fic you’ve written with the angstiest ending?

i wrote a fic anonymously which is horrendously dark and doesnt have a happy ending but I think most other fics i write at least have a bittersweet or happy ending hdfgb

6. What’s the fic you’ve written with the happiest ending?

uhhhhhh i dunno man I like the ending of the fic i wrote where goemon threatens to cut one of jigen's exes' dicks off and then they go hang out by the pool. that was fun :)

7. Do you write crossovers?

not really, I've had a few ideas for them but they're hard to write and wouldnt have worked out

8. Have you ever received hate on a fic?

not... really? i got a really weird backhanded compliment where someone talked at length about a ship i dont like (the fic wasnt about that couple) then said the first chapter was alright apart from being painfully slow (thanks) and then accused me of virtue signalling because of the difficult topics i handled in the fic.

It was really, really strange like I genuinely think they were trying to pay me a compliment but they were incredibly shit at it lol

And then in another fic I turned off comments because a minor started bitching at me about the porn I wrote not being sexy enough and when I told them to go away they harassed me for a little while. That was fun.

9. Do you write smut? If so, what kind?

Yeas. I prefer it when smut is incorporated into the story because I kind of need the emotional stakes to be high enough otherwise I kind of lose interest. Smut without feelings is just kinda boring to me. Of course I have some exceptions but those are rare nowadays.

10. Have you ever had a fic stolen?

Not that I'm aware of.

11. Have you ever had a fic translated?

yes, though it's on wattpad apparently so I have no idea if the person doing it credited me because I dont use that site lol.

12. Have you ever co-written a fic before?

yeah and I dont recommend it. we only wrote like 2 chapters of it but i no longer speak to the co-author and the whole thing ended up feeling a bit disjointed and weird.

13. What’s your all-time favorite ship?

Uhh I have a couple, zoro/luffy, ace/sanji, jigen/lupin and jigen/goemon

zolu probably wins here because i have not so far written a 200k fic about anyone else lol

14. What’s a WIP that you want to finish but don’t think you ever will?

*gestures weakly at literally everything in my google docs*

I forgot how to write sorry

15. What are your writing strengths?

*tv static noise*

16. What are your writing weaknesses?

i cant speak english

17. What are your thoughts on writing dialogue in other languages in a fic?

I don't know whether its bad or just handled badly by a lot of writers but I don't like it. Speaking as someone whos been learning japanese for the past 2+ years I hate it when I come across a word and have to either look it up myself or scroll to the bottom of the fic for any footnotes there are to explain it. Gonna use myself as an example for how I go about this kind of thing:

Fujiko tries to smile at his robotic, overly formal speech patterns, when really it's a little off-putting. She hasn't heard anyone use the word sessha, 'my humble self', for themselves outside of a period drama.

each to their own but i prefer putting in a small aside like this rather than shoving in foreign words and expecting for the reader to go and break the flow of the writing by looking it up for themselves.

18. What was the first fandom you wrote for?

id say pokemon mystery dungeon but the first fic i wrote i instantly deleted after getting one negative comment, i think one piece is more where i cut my teeth

19. What’s a fandom/ship you haven’t written for yet but want to?

i dont really know? ive gotten into a couple of new things recently but they havent triggered my "oh i gotta write something" reaction

20. What’s your favorite fic you’ve written?

i dunno man i dont like my work very much right now heres an image if u read all of this

[somediyprojects]

Minimalist Tote Bag

Project by Renske Solkez:

A talented seamstress with a mission, Renske Solkesz decided to create her own wardrobe after finding herself frustrated with high fashion prices. When we saw her chic and modern wardrobe creations, we asked if she’d be willing to create and share a fun accessory tutorial with us. I’m super excited about what she’s come up with: an amazing self-closing utilitarian tote!

I’m a huge fan of the graphic contrast and the leather and rivet details. Like her fashion designs, this tote is made from inexpensive materials, yet looks totally luxe. I’m halfway out the door to the fabric store already! You can see the other pieces she’s created on her blog, The Dress is Made. Thanks for sharing, Renske! — Kate

When I designed this bag, I wanted to integrate the grip/straps in a more functional way with the rest of the bag. I experimented with different methods of holding and closing the bag, which resulted in a bag that closes automatically when you pick it up. I just created a clever way to connect the leather strap to the bag.

A friend of mine called it a “yin yang bag,” which is pretty accurate, I think. The graphic use of white and dark brown fabric is not only an aesthetic choice; the dark-colored bottom makes stains less visible. — Renske

Materials

White cotton canvas (30 x 82 cm; that includes the seam allowance)

Dark brown fabric (or another color if you prefer that) for the lining (30 x 82 cm)

Dark brown fabric (30 x 18 cm)

Leather strap for the handle (12-mm wide, 70-cm long)

4 small rivets to connect the leather handle to the bag

2 large eyelets with a hole diameter of 14 mm (if you can find larger ones, you can use a broader strap, too)

Tools

Hammer

Sewing machine

Scissors

Pins

Chalk

Measuring tape

Iron

Pattern template

Instructions 1. First, cut two large pieces of fabric according to the pattern.

2. Pin the small piece of dark fabric to the white canvas. Make sure it’s exactly in the middle, because this will form the dark bottom once the bag is finished. I used the iron to create a sharp straight fold in the edge of the brown fabric before pinning it to the white fabric.

3. Sew together.

4. Fold the lining (the large piece of dark brown fabric) in two and stitch the side edges together. Don’t forget to leave a small part somewhere halfway unstitched. You will need this hole later on.

5. You now have a very flat bag. To create volume, you need to give the bag sides by stitching the lower corners together. To do this, open the bag and place the two side seams on top of each other. You will create a triangular fold, with the two corners now forming two triangles on top of each other.

6. Mark where you want the seams with the chalk and stitch each corner.

7. Repeat these steps with the white fabric. Make sure to turn the pretty side (the one that will become the outside) inside. When the bag is finished, all seams will be invisible between the lining and the outside. That’s the point of using a lining, apart from the pretty contrast when the bag is finished.

8. Put the lining inside the outer fabric. Make sure that the good sides, the ones that will eventually be visible, are positioned against each other. I kept the white canvas just as I had when sewing it and turned the brown lining inside-out before putting it in the white part. If you did it right, you will see the seems of the white canvas on the outside. The brown lining is inside it, with the seams visible when you look into the bag.

9. Stitch the edges together around the bag.

10. Now the really fun part: Pull out the lining and look for the hole you left open in one of the side seams. Through this hole you can pull the whole bag inside out until it is completely reversed and all of the seems have become invisible. Use the iron again to flatten the edges and the side seams. The sewing part is done!

11. The last step is to add the eyelets and connect the strap to the bag. Eyelets and rivets usually come with some tools to make the right holes in the fabric and to keep their form when hammering them into place. Add one eyelet to either side of the bag, in the middle of each flap.

12. Stick the leather strap through one of the eyelets and connect it with two rivets to the opposing side of the bag. Do the same with the other end of the strap.

Finished!

[fruitncream]

my very hypothetical wedding plans!

(i am but a child and have not ever had a relationship, but i love romance and thinking about these sorts of things!)

morning of timeline:

5:00 a.m. - 6:00 a.m. morning routine

6:00 a.m. - 7:30 a.m. gather decorations/other things

7:30 a.m. - 8:00 a.m. last minute things

8:00 a.m. - 8:45 a.m. travel to venue

8:45 a.m. - 11:45 a.m. caterers arrive and set up

8:45 a.m. - 11:45 a.m. wedding party gets dressed

arrangement calls and confirmation should have been set up the week before. the venue should have been set up the day before. eat light breakfast. wear white vintage slip/nightgown.

wedding timeline:

12:00 p.m. - 12:30 p.m. portraits and family pictures*

12:30 p.m. - 12:45 p.m. guest arrival and seating

12:45 p.m. - 1:00 p.m. ceremony

1:00 p.m. - 1:30 p.m. cocktail half hour

1:30 p.m. - 2:30 p.m. lunch

2:30 p.m. - 2:45 p.m. cake

2:45 p.m. - 3:00 p.m. toasts

3:00 p.m. - 3:10 p.m. first dance

3:10 p.m. - 7:00 p.m. dancing/activities

ceremony and reception are in the same place. venue is most likely a mansion in the suburbs. the ceremony will be set up with dinner tables on either side of the aisle with the arch at the end. i will have a flower child and ring bearer. for the cocktail half hour, guests can just talk, or enjoy the activities, and eat the little snacks. toasts are done by parents of both newlyweds and maid(s) of honor/best man/men. i would prefer only a first dance and no parent dances, but i guess we’ll see what my future spouse wants. lunch is plated and guests selected which meal option they wanted on the rsvp i think. cake will be fully cut and put on plates and put in front of everyone. they will not be able to resist the lemon curd/other fillings!!!!! then dancing can start and the non-dancers can enjoy board games, cards, toys, books, and polaroid cameras. even if someone is completely alone and has no one to talk to (which i really hope isn’t the case!), they will probably be able to enjoy themselves with activities and taking pictures of other people. for an “after party” we’ll probably go to the hotel/airbnb of someone who had to fly in.

*photographs wanted:

things

signs and stuff, rings, bouquet closeup, wide venue shots (ceremony and reception), wedding cake, food shots, decor details, people (portraits), my whole family, future spouse's whole family, couple alone, me and my half of wedding party + flower child/ring bearer, future spouse and their half of wedding party + flower child/ring bearer, couple with entire wedding party, couple with both sets of parents, and flower child and ring bearer together (<33).

people (action)

both parts of the wedding party getting ready, walking down the aisle, exchanging vows, kiss, cake cutting, cake eating, people dancing and having fun, and children specifically having fun.

days?

maybe the sunday before martin luther king day or around valentine’s day..

attire

custom tailored 1840’s style white gown. i could just select some textured white fabric and the whole dress could be made of it with some lace trim on the sleeves, hem, and maybe neckline.

(by the way, i need to get botox in my underarms during the engagement period.)

carved gem ring with something that's significant to the relationship. like each other's eye colors or something that symbolizes the place we met.

paper

i will design the invitations. making them digital would be a great way to save money, but i like the idea of sending physical invitations.

decor

possible themes:

lake of lily pads (frogs, swans, and ducks)

meadow of horses

soft delicate valentines day

enchanted forest

strawberries and lovecore

angels/heaven

cakes and princesscore

antique dolls

“somewhere that's green” from little shop of horrors

land of light and rain

cherished teddies

fabric flowers and patterned or solid colored linens (not white, most likely) to match the theme. centerpieces and signage designed by me to match the theme. little thrifted knick knacks and wares placed on tables to match the theme.

thirteen tables, eleven of them have eight chairs and two have seven chairs. one hundred guests, plus the couple. although there’s also a sweetheart table.

thrift/purchase a theme-matching tea pot (and coffee pot?) for each table, rent colored glasses and theme-matching plates.

food

for the cocktail half hour, there's a table of treats and snacks for people to eat.

i want a plated meal with at least one vegan option and at least one gluten free option. they'll all be pasta.

for cake, i'd like three tiers with white mascarpone frosting and lemon curd/strawberry cream/peaches inside!

activities

chess, checkers, standard 52-card decks, and tarot cards.

toys

these would be for children and others to amuse themselves with and they'll be wedding themed in some way, but the exact toys will have to be based on what theme i decide on....

[lukowrites]

1 hour free write – Dopamine baby

Nathan McDermott lived at home, he always had, felt he always would. Around 3pm he would usually wake, tired despite getting his 8 hours. Sometimes he’d jerk off his waking boner, other times he’d go straight to the kitchen and sate another hunger. Brafternoon tea – eggs, bacon strips, beans, toast, hash browns or potato gems, and toast to soak it all up, sipping a coffee or two while he ate. During his breakfast he often paused to take a shit, coming back to a tepid plate that he’d begrudgingly continue. Wasting food was a sin. Chucking the plate on the floor, or around his desk, he reached over and swizzled off the cap to his flavoured vodka. Pouring himself a generous helping, mixing it with warm canned lemonade he had stashed under his desk, he sipped while scrolling the forums and fondling himself.

Sometimes he’d let out his frustration by raging about pointless trash to easy targets, unsure if he wanted a response, or would hate to receive one. Other times he’d boot up a video game, combing through every nook and cranny, but either way, he’d lose track of time, which was the primary goal, to forget about life. This habitual routine, a pattern of congregated joyless urges feeding off each other, steered his life. Glancing out towards the window, seeing the birds, something resonated and pulled him in. He’d long forgotten and devalued how the sunshine and the outside can revivify, instead, he only felt hopelessness and defeat at the sight. That was a place for others, people stronger than him, born lucky, or with a strength he was far from attaining. Much too far, the thought alone of climbing out of his pit exhausted him, he was always exhausted of course, and the smallest steps were a massive effort. Thoughts too exhausting to let germinate, quickly nipped in the bud.

He checks the time, 7pm. Too late to do anything outside, just as the midday energy of his brafternoon tea kicks in. Oh well.

Take a load off brother, life is about having fun. Don’t stress yourself. Dinner will be ready soon, I think mum’s making tacos. Still time for another fap. Just don’t look at your body, and don’t let your arm brush against your ballooning man-tits too much, all distractions we don’t need. That’s it, let us assume control. Speak to me, as if you speak to another, fracture yourself and blame the other, when you’re an inner child beheld to the other, you don’t need to grow up. Poor thing. Eat your din dins.

Time for more games! So much trauma. They’re not excuses, they’re reasons. You’re very logical. Don’t let anyone tell you otherwise. 9pm, let’s relax. Have some more drink, put on a show, don’t cry, I’m right here. I know what you need. Dopamine, baby.

Nathan. WAKE UP! GET UP AND DO SOMETHING! YOU’RE PATHETIC! GET DOWN ON THE GROUND AND GIMME 20 RIGHT NOW! FUCKING DO IT DO IT DO ITT DO ITTTTTTT!!!!!!!!!!

1…2…3……4……….

That was a pretty good effort. Not bad. Still pretty pathetic though. Have another drink, maybe a smoke? I know you quit, but times are tough, and you don’t wanna live forever. Let’s go for a walk, that’s productive right?

The moon was beautiful in blurred vision. Stumbling gracefully like in Zui Quan, dancing around, bottle in hand, he weaves his way in bliss through the night. Sip. A sudden burning sensation, he sits down, pulling up grass and feeling it between his fingers, performing a cross-section, analysing carefully, before scrunching it up in a ball and throwing it in the air. Maybe some sit-ups?

1….2….3…..4……5……..6…….7………8…………9……………10!

Fuck yeah! That was hard, but you can keep this up. You’ll be fit in no time.

11pm. Nathan goes back inside, tired and sweaty, enjoying the feeling mixed with a little drunken carelessness and daydreaming, he stumbles back to his computer chair and plops himself down. Now what?

Another sip of vodka down, he moans while getting out of his chair. Making it to the kitchen, he opens up the fridge and leans on the door heavily, assessing the inventory. Feeling zany, he fishes out a store-bought pre-made salad, healthy AND tasty, along with a large bag of BBQ crinkle cut chips from the pantry, and retreats to his room. He opens up a 3 hour video on pizzagate, enjoying the demoralisation as a sobering reminder of the world and people he hates/avoids, munching down his snack to the twisted crayon drawings of traumatised trafficking-victims. The hate spiral continues down, trapped by G-force, he plunges deeper.

I hate these people. I want them all to burn, I wish a flood would swallow the Earth and kill everyone. There’s nothing I can do. Hopeless, hopeless, AHHHHHHH.

He smashes the desk with a thumping fist, clattering the empty cups and plates together. 2am. Fuck this, time for a distraction, I can’t sleep like this. Nathan opens up a game, killing time and enemies. His head hurts. The hangover coming fast, he takes a big gulp of vodka. The placebo effect immediate, dilatory distraction resumes. He feels the buzz, his eyes growing heavy, his headache still pressing but mixed with tingling.

4am. Nathan opens up his messages. Nothing. He checks his bank account, $5.64, 3 days til pay day.

What’s your ex doing? Probably curled up against someone right now. Remember your dead dog? Remember that time you were alone with the teacher? Your parents hate you. You’ll never amount to anything. Who are you anyway? Imagine how peaceful death is. What’s the easiest way to kill yourself? Are you happy? I know what you need. Go to sleep, dreams are nice. Don’t think about tomorrow. Take it one day at a time. If you still feel like shit then, maybe do something about it. You probably will anyway, but you’ve still got some booze left. That’ll tide you over. I guess you don’t wanna die after all, at least not yet.  

5am, Nathan gets into bed, too tired to stay awake, he passes out. He doesn’t dream.

[cyclesprefectpress]

[image description: 9 photos of a combination letterpress and hand-drawn print of Thanatos from the game Hades, process photos, and the formes of lead type used to print it. it’s a 5.375x10 inch piece, black pen drawing illustrating Thanatos inside a loose & lightweight frame of broken stone railings, burning candles, and bleeding heart flowers. The letterpress elements are his name, and the color of his cloak, rendered in a relief-printed repeating geometric pattern in greyish purple. The pattern doesn’t contour to folds of the fabric, but it is half the depth of color where, in context of the illustration, it shows the back side of the fabric, like the inside of his hood. individual photo IDs under the cut.]

HELLO, Desert Bus 2021 starts streaming tomorrow (Nov. 12th), playing the worst game of all time to raise money for Child’s Play! They do a lot of other fun stuff on stream as well since, you know, the worst game of all time, including auctions and giveaways, and i donated a set of three Hades prints that are scheduled for giveaway in the noon-6 pm slot Thursday the 18th!

honestly i debated mmmm quite a bit, which 3 characters to do, there’s some tempting element to every single design in the game—but my boy. my guy Thanatos. this enormous, swoopy swathe of fabric, the cavernous hood!! had to do it.

of course then i sketched it and one solid print of the pattern was going to be too much, too hard to read as a 3d object. i had to distinguish parts of the cloak from each other somehow, didn’t want to change the angle of the pattern for a couple reasons, didn’t think i could get the registration i needed between two different masks, SO. treated it like pressure printing! made one single big mask. cut my ink in half with transparent. printed the whole area of fabric once (3 passes, i don’t have all that much of the decoratives i wanted to use :[ ) in pale purple. cut away the tympan backer in all the areas that needed to stay pale, as the back side of the fabric. went back and hit the whole print a second time, with the formes and mylar in the same positions, but there’s not enough pressure anymore to imprint those lighter areas. tadaaaaaa 🎉🎉

gosh bleeding hearts are fun to draw. they’re such weird little alien creatures. Name set in Torino.

more wip : Megaera : Zagreus

1: a photo of the complete print, where Thanatos hovers above his name, framed by crumbling stone railings. the bottom left and top right corners are covered in clusters of bleeding heart flowers, and in nestled in the flower clusters are his Pierced Butterfly keepsake and Companion Mort. the right side of the frame is implied by tall candles and their smoke wisps.

2-5: closeups of the finished print, showing details like the smoke wisps, the impression of the relief printing on his name, and places where the letterpress-printed pattern changes from deep purple to pale purple, where fabric in the illustration folds over to show its reverse side.

6 & 7: process photos of the masking process used to print the letterpress material in the irregular area of illustrated fabric. the decorative pieces cover a larger, rectangular area, and the print is protected from printing in the negative space by a hand-cut mask from mylar. to bring the positive space up to printing pressure, a matching set of tympan paper packing is cut to match the mylar mask, and pasted into the press so that the print is sandwiched between paper packing and mylar mask, and printed through the hole in the mylar. the second photo shows the mask in place, and the backer behind reduced to only the pieces that were double-hit for extra color depth.

8 & 9: photos of the handset formes used to print the pattern and Thanatos’ name. these formes need to be lifted up, carried, and held vertically in the bed of the clamshell press, so all negative space around the individual letters and decorative pieces are filled with shorter pieces, too low to ink or print. then pressure is applied by wedges to two sides of the forme, inside a rectangular cast iron frame, so that the whole frame and all the assembled pieces inside it can be lifted up.

[kerasines]

GIF Tutorial for Beginners

People keep asking me to teach them how to make gifs and I end up writing them long confusing messages, so I figured maybe it’s time to just write up an actual clean tutorial instead! This is supposed to be for total beginners! (Or people who want to switch to a new process that I’ve curated and streamlined over 8 years of making gifs.) I’ll try to keep this as barebones as possible, and won’t include all the advanced stuff I usually add. I hope it’s easy enough to follow, and I’ll include some links at the end for more stuff. I really do think it’s better to make a few simple gifs before doing more complicated stuff though, just to get used to it!

There will be three sections in this tutorial: #1 Basics - How to make a gif in PS at all #2 Sharpen - How to use sharpen/denoise filters in an easy way #3 Colouring - Just a few very basic adjustment layers

What you need:

A video (most common formats should work, although .mkv doesn’t always)

Photoshop (I use PS CC 2018 - this one because I'm morally opposed to Adobe’s subscription model - but versions aren’t super different from each other)

In the end, you should hopefully be able to make something like this:

This is gonna be so long. Sorry. You can make a gif with just part #1! The rest is just to make it look better.

#1 Basics

If any of the tools/functions aren’t where they should be for you, your best bet is googling it, you might need to change something in your preferences!

Make sure to save your PS file... often. PS has a tendency to crash, especially on laptops.

First, you need to get the video file. I recommend a shorter video, a few minutes long, if it’s longer you might want to cut it into shorter parts beforehand. This is just because PS’s video import tool sucks.

I chose the Butter MV, specifically Jungkook’s body roll at 1:24 because that’s what I want to look at for the duration of this tutorial. No further questions, thanks.

1. Open PS, go to File > Import > Video Frames to Layers

2. In the little pop-up, choose the part of the video that you want to gif. This will import every frame of the video into PS as a layer, so it has to be a relatively short part, or it’ll take ages (and gifs can’t be that big anyway). Now you can also see why it’s almost impossible to select the correct part if the video is too long.

The little controls at the bottom are for trimming, the one in the middle just for the preview. Make sure “Make Frame Animation” is selected! Then click OK.

3. Now you have your layers, and you have a frame animation! On the right are your layers, that’s where we’ll apply the colouring etc. later on. On the bottom, that’s your timeline or frame animation - that’s what the gif will be in the end! So if you delete frames, the layers will still be there, but they won’t show up in the gif. If you click on a frame, you can see the little eye checkmark on the layer that’s currently visible.

4. The timeline controls at the bottom that are relevant right now: set to “forever” so the gif will loop, you can play the animation with the play button, and you can delete the selected frame(s). The number on each frame is the speed of the gif, depending on the video I usually set it to 0.05 or 0.06 (photoshop lies to you when you play the animation, the only way to test this is to open the finished gif, preferably on tumblr or wherever you want to upload it).

5. As you can see, the animation starts a bit before the actual part that I want, so go ahead and delete all the frames in the animation that you don’t want! You can delete the corresponding layers too if you want, to make the PS file smaller, but it has no influence on the gif. (Hold Shift to select multiple frames as usual)

6. Next, we’re gonna crop the gif however we want! You can do this with the crop tool in the left sidebar, but with gifs like this where there’s a lot of moving parts, I sometimes just use the selection tool in the left sidebar, like so:

When you click on different frames, the selection stays, and you can check to make sure Jungkook doesn’t suddenly go out of frame if you crop it like that!

At this point, make sure the selection/crop isn’t smaller than you want the gif to be! For tumblr, what matters is the width (in pixels) of gifs. In the end, the width dimensions on tumblr should be 540px (1 gif per row), 268px (2 gifs per row), or 177/178px (3 gifs per row). Anything else will lead to very shitty resizing!

For this gif I’m going full sized, meaning 540px wide, so I made sure my selection isn’t smaller than that.

Then just go to Image > Crop, and it’s done!

7. Check to see if this is what you want, then resize: go to Image > Image Size to resize the picture. Make sure the little “link” between Width and Height is active (to keep the same aspect ratio), then set the width to 540px or whatever you chose. I always set the resample option to Bicubic.

Once that’s done, set the zoom to 100% right above the timeline, to see what it really looks like.

Almost done! A little note about the sizing: width is the important part for tumblr, but if you want to make a whole gif set (especially with more than 1 gif per row!!!) make sure to make all the gifs the same height, otherwise they won’t line up and tumblr will do whatever it wants.

I ended up making mine 540 x 400 and ended up with this:

8. Time to save the gif!! Go to File > Export > Save for Web (OR just use the shortcut Ctrl + Shift + Alt + S) (or whatever it is on Mac).

In the pop-up, you can change things about the gif, but most things should already be the way you want it (Image size, Looping option forever). Selective should be the default, just like the rest.

You can choose between Pattern and Diffusion, some gif makers swear on one or the other, I go back and forth.

On the bottom left, you can see the size of your gif. Keep an eye on that! I believe Tumblr allows every single gif to be up to 10mb, but I try to keep mine under 5mb or close to it, because I think tumblr adds compression if it gets closer to 10mb?? Anyway back in my day you couldn’t upload anything over 1mb. You’ll never know our struggles.

Then just save it, and that’s it, you made a gif! Well done!! Here’s the end result:

:)

#2 Sharpen

There are countless ways out there to make gifs as smooth and clean as possible! Here I’ll show you the easiest way, but it also provides a good basis for other methods. The main difficulty is that you you need to sharpen the layers, but you don’t want to 100 layers one by one. So what we’re gonna do is convert the layers into a Smart Object, which functions as one layer!

1. Convert the frame animation timeline to a video timeline with the little button right underneath on the left:

It should look like this, and I’m sorry but I can’t explain this one because I’m not an expert here, but you can just ignore it:

2. Select all layers: Select > All Layers, or just manually. 

Then right click on the layers > Convert to Smart Object. Now there’s only one layer left, but don’t worry, the frames are still there!

3. De-noise! It reduces noise, takes away some of that grain. More necessary in some videos. It also makes it less sharp, so I do this one first. Filter > Noise > Reduce Noise

My default settings are, Strength: 6, Preserve Details: 60, Reduce Color Noise: 45, Sharpen Details: 25, Remove JPEG Artifact: No. But you can play around, especially with the strength, and see how the little preview looks. Don’t apply too much of it! Or it will look weirdly smooth with no details in the end.

4. File > Sharpen > Smart Sharpen. 

Settings: I usually have mine at Amount: 500, Reduce Noise: 5, and Radius at either 0.2 or 0.3, depending on the video. I’ll actually do 0.3 here, because I find it a bit blurry otherwise. If you sharpen more, it can quickly get grainy.

The difference isn’t huge, but here’s a little before and after denoise & sharpen:

5. Technically you can just save it as a gif (save for web) as shown above now, or you can convert it back to a frame animation, which I’d recommend especially if you use certain other sharpening methods (I’ll show you how to convert it back at the end of the colouring part), but for now, let’s go straight to the next part:

#3 Colouring

Now, you CAN do this part right after part #1, still in frame animation, without a smart object. I prefer it like this because sometimes PS acts weird, but if you want to skip the smart object stuff: select all frames, and add the adjustment layers at the very top, above all the other layers. (It only affects selected frames; and it only affects the layers under it.)

The adjustment layers should be above the layer tray, and these are the ones we’ll use today: Brightness/Contrast, Curves, Vibrance, Color Balance, Selective Color.

All of these are optional! You can do one, or all, or any combination. This is just the very most basic for me to get a gif to a point that I like. I’d recommend sticking to these for a start, but once you get the hang of it, definitely feel free to play around! It’s fun! Every gif maker has different preferences here, too, so there’s tutorials for everything.

1. Curves: Just click Auto, tbh. You can play around, but Auto works fine for me as a start, just to brighten or darken some parts as a base.

2. Brightness/Contrast: Usually videos are a bit dark, and contrast can help to make it seem sharper AND cut down on gif size, so I usually just up both of them a bit (but not too much! Or it’ll look cheap). Here I put them at B: 19, C: 23

3. Vibrance: I love very vibrant and colourful gifs, so I usually up the vibrance (and sometimes the saturation). This one is already very vibrant, so I only put +5, but if you try to colour, say, a very moody tv show, this can help wonders, especially if you want to work with the colours more later.

If you prefer less vibrant gifs, you can also lower the values here!

4. Color Balance: getting a bit more complicated now. Often, videos will have a slight yellow or green or blue tint, and this is where you can correct that. This video is a bit yellow, so I added +17 Blue. It was still too warm, so i added -11 Cyan as well. This neutralized the yellow tint, but I wanted some of the reddish tone back, so I added -5 Magenta. I usually do a similar process like that, depending on the tone. 

Instead of Midtones, you can also do this for Shadows and Highlights individually.

5. Selective Color: now this is the most complicated, but also the most fun to play around in my opinion! Be careful here, if you do something too extreme it’ll look like shit or make the gif super grainy. I some rough goals in mind here: make the blue hair as blue as possible, make their skin tone a bit less pale, and enhance the black and white (which I always do).

You choose a colour at the top, and then add or subtract cyan/magenta/yellow/black values for that colour.

Skin tone: yellow and red. For this gif, I just added black to both, making them darker. Sometimes, if you change one or both those colours for a different part of the gif (for example, if I wanted to make the background less yellow, I’d subtract yellow from the yellows - but then I’d add yellow to the reds, to make the skin tone natural again.)

Blue hair: Just ramp up the cyan for the blues. Be careful with putting anything to +100, but here it’s already so bright that it should be fine. His roots are more purple, so I changed the magentas by adding cyan and black, and subtracting magenta and yellow. It’s not super clean, but fine for our purposes.

Black/white: depending on the gif, I often either add or subtract black to the whites. Adding makes the highlights less blinding, a bit darker, and flatter (I like to do that if one side of the face is bright white in the sunlight, for example). Subtracting creates contrast, makes it brighter, can wash it out. It can also lessen the gif size, and here it’s mostly just the tracksuit instead of important details, so I subtracted black. For the blacks, I almost always just add a bit of black, to make it more intense. Just like adding contrast, this can make the gif seem sharper and less grainy.

And done! 

6. You could just save it as gif now, but as I said, I prefer to convert it back to frame animation timeline first, if only because I like to let it play through before I save it, and it works better for me there than in the video timeline.

Select all frames, then click the little menu on the top right of the video timeline > Convert Frames > Flatten Frames into Clips

7. When you scroll down to the bottom of the layers now, the old smart object + adjustment layers should be at the bottom, under all the new layers. Delete the old ones, we don’t need them anymore.

8. Convert the timeline back to frame animation, by clicking the little button at the bottom left of the video timeline:

9. Click on the menu top right of the timeline again > Make Frames from Layers

10. Now, just some potential cleaning left to do. Sometimes, there’s a doubled or empty frame or layer at the beginning or end, just delete those as necessary. The timing of the frames is probably off, too, just select all frames and set the delay time to 0.05 (or whatever).

Now your done! Save as gif, and you should get this:

I included some bonus links and tips after this but tumblr ate that whole part so I guess it’s going into a separate post. (Here is is)

Anyway, I tried to make this as easy to follow as possible for beginners, but feel free to send me an ask for clarification anytime. Hope this helps, now go make gifs and have fun!!

[mcustorm]

In Defense of a Black Cyclops

In case my username didn’t make it clear, the single most anticipated visual project for me is the MCU’s interpretation of the X-Men, which hasn’t even been announced yet [officially]. And ladies and gents, I have found your Cyclops:

Good ol’ Alfred Enoch, who we all know from Harry Potter and How to Get Away With Murder. If you’re not familiar with HTGAWM, know that his character goes from the de facto leader of the ragtag (murderers) and most cherished protege of Viola Davis’ Professor X to taking more of a grimdark turn after his girlfriend’s death. Sound at least somewhat familiar?

Enoch also embodies the physicality of the character well, seeing as to how he’s “slim”, 6′4(!!), black, and notoriously lanky. Wait, one of these isn’t like the others.

In general I hate fancasting. Everyone generally picks from the same pool of about 30 actors (Peeps, neither Taron nor Daniel is a good Wolverine choice. Argue with your mother!), and most all of it is based on physicality, except when it absolutely should be (like say, choosing a ~5′10 dark-skinned black woman for Storm).

And I think there’s some malarkey afoot. I think there needs to be some serious consideration on part of fancasters and actual casting agents alike to rethink race when it comes to the [white] X-Men, especially since they’re the X-Men of all teams. So I’ll make the case for a black Cyclops: 

1. There is no quota on Black X-Men: There’s a bug in your ear that’s been whispering lies to you for years, it says something to the effect of “We need a black person on the team for diversity. How bout Storm?” And you’ve gotten complacent. Storm does not have to be the only black person on your X-Men roster.

2. The X-Men represent diversity: Iceman is gay, Cyclops and Prof. X are disabled (sorta), there are plenty of women, oh and everybody except Storm is white. Of the A-List X-Men, there is only *one* POC character. I’d argue that an MCU X-Men needs to champion diversity like never before.

3. The X-Men represent minority struggle while being mostly white: There’s a cognitive dissonance in the metaphor that has always been there, and for the most part, nobody cares. To appeal to the white readers of the 60′s, the X-Men were all initially white. That way, the message of the mutants could be related to the audience with a familiar face. We don’t need to approach the problem that way in 202?

4. Just because that’s the way it’s always been, doesn’t mean that’s the way it should be: The first line of defense. Sorry, that will never be a good justification for literally any idea. It’s time for some more critical thinking.

5. We don’t all want to be Bishop: So say you’re white and you have a kid who for his birthday having a costume party. You’ve bought some X-Men costumes and you want each kid to pick one. 9 white kids and one black kid show up to your house. As the kids deliberate who gets what costume, be it Cyke or Wolvie or whatever, you yell at everybody to “STOP!”, point to the one black kid and tell him “You’re gonna be Bishop. That’s it, end of story!” 

We don’t all want to be Bishop. The black child could have the best Cyclops interpretation within him, but you’ll never know if you don’t let him try. And that’s no different from the Black actors of Hollywood. There’s no reason why all of the black talent should *have* to compete for the role of Bishop or Storm, which I’ve discussed, while Joe Schmo can walk up and audition for literally anybody he wants.          

Jharrel Jerome is 23 and has an Emmy to his name. He needs to be in the MCU in some capacity, period. Stephan James is another. How bout Damson Idris. Ashton Sanders. But no, no, let’s fancast Dacre Montgomery or Ansel or Joe Keery again as [Human Torch, Wolverine, Iceman, Angel, I’ve literally seen it all.]

6. Nobody wants to see the B-team if it comes down to it. The next line of defense from your racebending naysayers after “That’s the way it’s always been!” is “Well, what about Psylocke, Bishop, Forge and Jubilee?” who are otherwise known as B-tier X-Men. The problem is, we’ve got limited time and limited spots.

So since the X-Men is all about wonky metaphors that make half sense, let me give you another: Let’s say somebody approaches you and says “Hey buddy, I got two free concert tickets for ya! You can either see Michael Jackson Sings the Blues, or you can go see Justin Timberlake. Free of charge!”

Now, are you used to MJ singing the blues? No! Do you have a problem with going to see Justin Timberlake? No, he’s fine on a Wednesday! He had that one little diddy we liked that one time. We’d love to see him eventually! But are you gonna say, “fuck that, I’m going to see MJ Sings the Blues” regardless? Hell yes, because that’s still Michael Jackson. He’s gonna give the same amazing performance he always does, it’s just gonna be the blues. And speaking of blues...

7. Black is not Blue, Brown is not Blue: Raise your hand if you’ve ever heard this one: “I don’t care if you’re black, white, purple, or green, I’m going to treat you all the same!” I will not say all have this intention, but some fancasters have noticed that the racial diversity is kinda low within the A-List X-Men, so they oh-so-generously give the following roles to a black or brown person: Iceman, Nightcrawler, Beast. 

Notice the pattern? It’s a microaggression, and it’s bullshit. What these fancasters are implicitly telling you is that, yes the actors will be black or brown, but when the action starts we can ignore that. They’ll be blue by then. In other words, you in fact do care if they’re purple or green. Nobody will cry foul if Dev Patel gets to play Nightcrawler (because that’s a common one I see), but should Anna Diop be Starfire or Michael B. Jordan be Human Torch, I bet there’d be backlash. Oh wait. If that’s you, please stop acting like you actually value diversity. You don’t want to see black or brown skin, period. Unless of course, it’s Storm (refer to point #1).

But wait, there’s more! When brown characters get whitewashed in these movies, it’s crickets! So eventually it’s revealed implicitly that proclaimers of point #4 only care about it one way.

8. Professor X should not be black if you’re not willing to change anyone else: The next line of defense is that some people say the professor should be black, if anybody HAS to be racebent. Something something MLK Jr., Civil Rights or some shit. Number one, I’m not reducing Professor X to being a magical negro for 9 white people (and Storm!) who for all intents and purposes get to have all the action. Number 2, the Professor X/MLK/Magneto/Malcolm X comparison is an oversimplifying disservice to ALL FOUR of those people. I hate that line whenever I see it, please watch a documentary my friends. 

9. The Candidates for Racebending: For me, the A-List X-Men are Cyclops, Jean Grey, Iceman, Angel, Beast, Wolverine, Storm, Gambit, Rogue, Colossus, Nightcrawler, and Kitty Pryde. Now, who should be exempt from the racebending? Storm, she’s our designated minority. Gambit, he’s Cajun and they’re white (generally speaking, that’s a fun bit of research). Wolverine, Colossus, and Nightcrawler, because their nationality/ethnicity was the whole point of the Giant-Size premise in the first place. Angel, because his character embodies a privileged white male. Beast and Iceman, I don’t care one way or another (Point #7).

That leaves Cyclops, Rogue, Jean Grey, and Kitty Pryde. Now Jean Grey is a redhead, and we all know that every time a redhead is racebent people sharpen their pitchforks (Mary Jane, Wally West, Iris West), so I will cede the ground on Jean if only so that my ginger friends can get their rep. Kitty Pryde is Jewish, but Jews of color exist. Rogue is from the South. And Cyclops is, well, just Cyclops. That makes those three characters good options for more diversity. But allow me to make the case for Cyclops, specifically.

10. It’s not just diversity for diversity’s sake: If you had to pick who the main character of the X-Men is supposed to be, most would say Cyclops. And so in a series that highlights racial discrimination in society, it makes sense that our main character be black. While changing Cyclops’ skin color should not change who he is as a character, it *should* recontextualize it. Now, as an eventual increasingly radical leader of the X-Men, Cyclops would evoke real life figures such as Colin Kaepernick or, shall I say, Martin Luther King, Jr.

Not that most X-Men fans and writers truly think about what it means to be black anyways. Storm’s minority status is almost always put through the lens of her being a mutant and not her being a black woman. In other words, you can’t argue that making a character black will fundamentally change his or her character when you haven’t even analyzed the racial context of the black character(s) you already have. Another concept that the MCU X-Men should tackle: intersectionality.

11. Representation matters: I have to say it: Chadwick Boseman’s Black Panther hit different. And now he is tragically gone. At the end of the day, the MCU moving forward is down its most prominent black male superhero. Which has implications beyond just the movies themselves.

The women are in good hands. Shuri, Okoye, and Nakia are badasses in Wakanda, Valkyrie is ruling Asgard, Storm is almost assuredly on the way, RiRi Williams has already been cast, and Monica Rambeau is here and she’s not even at her most glorious yet. That doesn’t even include variable Δ, or the number of characters who can and will be racebent. And I’ll note again that to me, Gamora doesn’t count, because she’s green (#7 really pisses me off because it’s so blatant. I hate it). Of course from a behind the camera perspective we love black women getting work.

The men are a completely different story. Imma just go out and say it, I can’t stand Falcon and War Machine [in the MCU] because they’re not characters, they’re just two of a slew of MCU minority sidekicks who have essentially been at the beck and call of Captain America and Iron Man, respectively. You cannot tell Falcon’s story without mentioning Cap. The reverse is not true. There’s a whole essay that could be and have been written on “Minorities in the MCU, pre-Black Panther”. Remember, there’s a reason BP made so much noise in the first place.

So excluding those two we have, let’s see, M’Baku, Blade, and Fury who aren’t exactly the most superheroic superheroes, Eli Bradley is proooobably coming, I doubt Miles Morales is coming (because he’s just Peter Parker in the MCU), Luke Cage(?) Bishop(??), Sunspot(???), Blue Marvel(????). Not only are they not A-List, I would not put money on any of them being in the MCU any time soon.

Cyclops is thee Captain America of the X-Men. He’s the frontman. He’s the poster boy. He’s the “boy scout”, which in other words means he’s the hero, if there has to be one. It would mean a lot right now, and specifically *right now*, if he were to be black. The MCU needs it. It NEEDS it.

12. The X-Men is the Summers Story: I’ll even make the case that if just one character needs to racebent, then it should be Cyclops, because that of course implies that other related characters need to be black because half of the X-Men universe is in fact a part of the Summers family. 

So now Cable is black. Corsair is black. Havok is black. And one of the most central stories in the X-Men mythos, the Summers family drama, is now a black family drama set in space or the future or where the fuck ever. The concept is boundary pushing. When white families have drama in the media, it gets to be Game of Thrones or Star Wars, while when black families have drama in the media, it has to be black people arguing in a kitchen or living room about their various earthly traumas (I’m @’ing you, Mr. Perry). I mean, that’s all fine and good often times, but I want my black family drama in space, dammit.

And again, this is the X-Men, the series that’s all about *minorities* and their struggle, so again, why not?

Oh, and I’ll even throw out a Havok fancast for you: How bout Jharrel Jerome?

[lunarfly]

Harmione Essay: Physical contact — a changing pattern (by Turambar)

Hello! This is an essay written many years ago, before the release of HBP&DH. It doesn't belong to me so credits to the original writer(Turambar)! It was written on the CoS forum, I'm not sure if it's still saved there but I have a word document with all of the essays. Anyways, this essay has no ship/character bashing. Again, this essay isn't written by me. Enjoy!

The evolution of this pattern of physical contact between Harry and Hermione is very interesting.

PS to POA:

1) If we look at the very scene where the trio become friends, a curious aspect of this pattern rears its head: Harry is physically decisive, Harry and Hermione have physical contact in a time of crisis and Ron is to one side looking on. "Harry yelled at Hermione, trying to pull her towards the door."

2) At the end of the book she initiates the hug and he feels very embarrassed since displays of physical affection are totally foreign to him. "Hermione's lip trembled and she suddenly dashed at Harry and threw her arms around him. 'Hermione!' 'Harry - you're a great wizard you know.' 'I'm not as good as you,' said Harry, very embarrassed as she let go of him." Then there's the nice moment in the hospital wing when he realizes she wants to hug him again but is glad she holds herself in because his head's hurting.

3) In POA, having previously seen Harry jump on a troll for her and wrestle Millicent Bulstrode off her - both while Ron is present - Hermione turns to Harry for emotional support through a physical gesture, grabbing his arm when the trio see that the Fat Lady has been slashed (by Sirius). "Harry, Ron and Hermione moved closer to see what the trouble was. 'Oh my -' Hermione exclaimed and grabbed Harry's arm." Again Ron is present but Hermione turns to Harry.

4) The Shrieking Shack/Time Turner scenes, when they are nearer their 14th birthdays than their 13th ones, are where the pattern accelerates and becomes noticeable.

It is mostly Hermione initiating contact. Harry is accepting of this contact and only indicates she should let go of his arm at one point when her grip causes him to lose feeling in his fingers.

Shrieking Shack:

"She now grasped Harry's arm painfully hard"

"Hermione suddenly grabbed Harry's arm again."

"Hermione's grip on Harry's arm was so tight he was losing feeling in his fingers. He raised his eyebrows at her; she nodded and let go."

Time Turner:

"In here!' Hermione seized Harry's arm and dragged him across the hall to the door of a broom cupboard, she opened it and pushed him inside."

"Hermione nudged him and pointed towards the castle."

"Hermione was holding Harry very tightly around the waist."

"Peeves!" Harry muttered, grabbing Hermione's wrist. "In here."

5) So to summarize:

a) Up to this point, apart from a couple of occasions where Harry has grabbed Hermione, the contact between them has been initiated by Hermione.

b) It has occurred at times of crisis/stress and generally involved Hermione seeking support, reassurance and protection from Harry.

c) Apart from the hug and flying on Buckbeak it has involved arm contact.

d) Despite embarrassment over the hug - understandable since it's presumably his first since he was a baby - Harry is still mature enough to pay a compliment - 'I'm not as good as you'. But he's comfortable with the contact, he doesn't question it and his indication to Hermione to release his arm is not a rejection of her: she has no qualms about grabbing him again.

GOF:

6) Here we see a change in the pattern to Hermione initiating contact in moments of fun/joy/excitement/relief.

Veela:

"She reached up and pulled Harry back into his seat."

"Hermione was soon tugging on Harry's arm. He turned to look at her, and she pulled his fingers impatiently out of his ears. 'Look at the referee!' she said giggling."

First task:

"Then before either of them could stop her, she had given both of them a hug."

Dobby:

"Harry!' she panted, skidding to a halt beside him (the Fat Lady stared down at her, eyebrows raised). She seized Harry's arm and started to try and drag him back along the corridor."

"Oh come on Harry, I want to show you!' she seized his arm again, pulled him in front of the picture... and pushed Harry hard in the back, forcing him inside."

Hexes:

"...catching up with Harry and Ron in the Entrance Hall and pulling Harry's hand away from one of his wriggling ears so that he could hear her."

The end:

"'Bye, Harry!' said Hermione, and she did something she had never done before, and kissed him on the cheek."

7) Things to note about this:

a) IMO it reflects Hermione's growing self confidence which is very evident in OOTP

b) Hermione appears to have an increasing wish for physical contact with Harry. For instance is it really necessary for her to touch his hands and pull them away from his ears (twice) to gain his attention. Wouldn't a tap on the shoulder have sufficed? And isn't hand to hand contact quite a lot more intimate than tapping someone on the shoulder?

c) Harry only initiates physical contact once, during the Dark Mark chapter: "He [Harry] seized the other two and pulled them down onto the ground." There is no description of how he reacts to the joint hug Hermione gives himself and Ron.

d) This pattern coincides with a growing mental closeness between Harry and Hermione: a lot of instances of them knowing what each other is thinking and also of Harry becoming more interested in what Hermione is thinking. It also coincides with Harry becoming more reliant on Hermione: needing her friendship when he has his falling out with Ron and her knowledge and skill to help him get through the tournament.

OOTP:

Now we finally come to the most interesting part of this whole pattern. It has changed again.

Harry's feelings towards Hermione are in transition and that flows through into a river of confused thoughts, emotions and actions about various subjects.

Just in the welcome scene, for instance, there are phrases such as: "found that he was not sorry" "the words tumbling over one another in a rush" 'but before he knew it, Harry was shouting" "every ... thought ... was pouring out of him" that help to show he's not on top of things.

8) The hug

"Followed by an even louder shriek, and his vision was completely obscured by a large quantity of very bushy hair. Hermione had thrown herself on him in a hug that nearly knocked him flat, while Ron's tiny owl, Pigwidgeon, zoomed excitedly round and round their heads.

"HARRY! Ron, he's here, Harry's here! We didn't hear you arrive! Oh, how are you! Are you all right? Have you been furious with us? I bet you have, I know our letters were useless - but we couldn't tell you anything, Dumbledore made us swear we wouldn't, oh, we've got so much to tell you, and you've got things to tell us - the Dementors! When we heard - and that Ministry hearing - it's just outrageous. I've looked it all up, they can't expel you, they just can't, there's provision in the Decree for the Reasonable Restriction of underage Sorcery for use of magic in life threatening situations -"

"Let him breathe, Hermione," said Ron. (Harry gives description of Ron)Still beaming, Hermione let go of Harry."

a) When compared with the pattern of the previous books this has to be the most intense and sheerly physical sign of affection and joy Hermione has ever lavished on Harry. Compare it to their first hug in PS: that was a moving embrace, this is almost a rugby tackle.

b) Neither Harry nor Hermione want to let go. Harry doesn't make any move to. Hermione only lets go after Ron intervenes.

c) For the first time, we are told how Harry feels: a "warm glow that had flared inside him". This feeling incorporates seeing both friends, but it starts when Hermione hugs him, as I've explained previously.

9) Snape's class:

"Salamander blood, Harry!" Hermione moaned, grabbing his wrist to prevent him adding the wrong ingredient."

Hagrid's cabin:

"Get under here!" Harry said quickly; seizing the Invisibility Cloak, he whirled it over himself and Hermione while Ron tore around the table and dived under the cloak as well ... Hermione gasped; Harry clapped a hand over her mouth ... Harry made to pull off the Invisibility Cloak but Hermione seized his wrist. "Not yet," she breathed in his ear. She might not be gone yet."

Quidditch:

"As they rose from the table, Hermione got up too, and taking Harry's arm she drew him to one side."

Grawp:

"Hermione walked right into him and was knocked over backwards. Harry caught her just before she hit the forest floor ... "Good!" said Hermione, as Harry set her back on her feet."

"Grawp's hand had shot out of nowhere towards Hermione; Harry seized her and pulled her backwards behind the tree, so that Grawp's fist scraped the trunk but closed on thin air.

"Bad boy Grawpy!" they heard Hagrid yelling, as Hermione clung to Harry behind the tree, shaking and whimpering."

Out of the Fire:

"Get over here," muttered Hermione, tugging at Harry's wrist and pulling him back into a recess."

"Harry grabbed Hermione and pulled her to the ground."

"Hermione had been dropped, too, and Harry hurried towards her."

"Hermione gripped his arm tightly."

"Harry could feel Hermione shaking as Grawp opened his mouth wide again and said in a deep, rumbling voice, 'Hermy.' 'Goodness,' said Hermione, gripping Harry's arm so tightly it was growing numb."

"One of the giant's massive hands reached down. Hermione let out a real scream, ran a few steps backwards and fell over. Devoid of a wand, Harry braced himself to punch, kick, bite or whatever else it took as the hand swooped towards him."

"Pebble-sized droplets of Grawp's blood showered Harry as he pulled Hermione to her feet and the pair of them ran as fast as they could."

"Harry and Hermione moved together instinctively and peered through the trees."

The Department of Mysteries:

"The circular wall was rotating. Hermione grabbed Harry's arm as though frightened the floor might move too, but it did not."

"She grabbed his arm and pulled, but he resisted."

"He seized a handful of Hermione's robes and dragged her forwards."

"Harry raised his wand but to his amazement Hermione seized his arm."

10) The major change to the pattern from all the other books is that Harry is a far more active participant.

Instead of being the more passive rock that Hermione clings on to, he is much more forcibly protecting her. He reacts very instinctively and decisively.

From being mostly one-sided in the sense that Hermione was doing most of the grabbing, it is now much more even. There's more full-on contact rather than just arm grabbing.

If we compare Harry's actions in the forest scenes of OOTP with the Shrieking Shack/Time Turner scenes he is far more protective and physical with Hermione than before. In POA they were facing the Whomping Willow, a werewolf and dementors, in OOTP a giant and centaurs.

The way Harry shapes up to Grawp without a wand shows almost a desperation to protect Hermione. When his arm starts to go numb in OOTP, same as it did in POA, this time he doesn't ask her to let go.

11) Overall this changing pattern reflects the changing nature of Harry and Hermione's relationship:

Hermione has been the one to develop and realize her feelings for Harry but now Harry is catching up just as Hermione for a while was the dominant participant in the pattern but it has evened with Harry's full involvement.

[katzkinder]

(multiple linked image references throughout this post)

Ok, so I loved this post

The part that got me though was when you said “I wonder what type of animal form they take factors into that” - that’s where the gears in my head started turnin’

So I went snooping on each animal counterpart associated with each sin.

1.) SLOTH: are cats sensitive to cold?

So Kuro isn’t JUST a neet that prefers blankets or a kotatsu over the cold… his animal form being a cat does play some part… key word beings some

“Cats are pretty well adapted for cold weather, but when the temperature dips below freezing they are susceptible to hypothermia and frostbite. During periods of cold weather, cats will go looking for a warm place to hunker down. How cold is too cold for indoor cats? Cats prefer warmth but will be okay in rooms hovering between 50-60°F degrees; while their counterparts Lions, in a zoo environment, stay outside in the winter unless the temperature dips below 40°F (in the wild, most lions don’t have to worry about temperatures dropping below 65°F so in most cases 40°F and below is too cold).”

SLOTH SENSATIVE TO COLD? ✅ (yes)

2.) PRIDE: are bats sensitive to cold?

“Bats can't survive freezing temperatures, even when they're hibernating. Any roost bats shelter in for the winter must be at least 45°F or warmer. They also seek out dark, secluded, and sheltered places that can keep them safe from predators. Bats are defenseless while they're hibernating.”

PRIDE SENSATIVE TO COLD? ✅ (yes)

3.) ENVY: are snakes sensitive to cold?

Jeje being a snake is pretty much a given… but it’d be mean to not include him (so no funny ideas outta you, ok Mikuni?)

“What is the coldest temperature a snake can withstand? Snakes usually stay out of cold climates. Because the coldest temperature any snake can thrive in is around 65°F, snakes normally live in the warmer temperate or tropical zones. Below 60°F, snakes become sluggish. Above 95°F, snakes become overheated.”

ENVY SENSATIVE TO COLD? ✅ (yes)

4.) WRATH: are wolves sensitive to cold?

“Wolves don't need to do anything. They're much better adapted to cold weather than we are. Thanks to their winter adaptations, wolves can live in temperatures as low as -40°F. During the coldest nights, a wolf will curl itself into a ball, covering its nose with its tail, which will hold the exhaled warm air over its feet and nose, conserving precious body heat. It will also sleep close to its pack-mates(her Eve) in a unified effort to stay warm.”

WRATH SENSATIVE TO COLD? ♾ (neutral-ish)

5.) GREED: are hedgehogs sensitive to cold?

“Hedgehogs getting cold is a BIG ‘No no’. It slows their metabolism down, leaving them susceptible to infections, dehydration and starvation. It's important to keep your hedgehog in an environment between 72-80°F. Even if it’s not always comfortable for us humans (comfortable for angels? no clue), temperatures lower than 70°F are considered ‘cold’ for hedgehogs and can result in a hibernation attempt, which can be fatal.”

Maybe that’s why Lawless always wears that scarf? Since hedgehogs are severely thermally sensitive then it would make sense…

(Crantz, Gil… please stop the angel from getting any ideas)

GREED SENSITIVE TO COLD? ✅ (yes)

6.) GLUTTONY: are pigs sensitive to cold?

In this case I will refer mostly to Vietnamese Potbellied Pigs because as far as I know, we haven’t actually seen Ildio’s pig form yet - one of the only depictions is Lawless’ stage depictions of the 7 vampire siblings in ep6… and based on his stage depiction of Ildio’s pig form, Viatnamese Vietnamese Miniature Potbellied Pigs seem like they’d be the common type of pig that seems to fit that shape/size.

“The ideal temperature range for a potbelly pig is 65-88°F. Pigs in winter do not need any type of supplemental heat down to at least -20°F. Most potbelly pigs require more feed to maintain heat production and body condition; meaning that housing aside, the more feed/calorie intake, the easier it can be for pigs to regulate their body heat.”

However, seeing as Ildio is an ageless vampire with the mother-effing holy grail of metabolisms, we don’t know if his MASSIVE calorie intake, that he doesn’t really gain much/any weight from, will actually help him in cold weather.

GLUTTONY SENSATIVE TO COLD? ♾❔(neutral/unknown where they stand exactly)

7.) LUST: are butterflies sensitive to cold?

Snow Lily’s butterfly appearance is probably one of the most exaggerated of the 8 servamp animal forms. That gorgeous shade of pink and black aside, I couldn’t find any real buttwrfly species with that wing pattern or wings shaped like that. So color and wing pattern aside, I’d say the closest real-world butterfly to Snow Lily would be a variation of Swallowtail Butterfly.

Butterflies are cold-blooded critters, however, generally speaking butterflies won't fly when temperatures are less than 55-60°F.

LUST SENSATIVE TO COLD? ✅ (yes)

8.) MELANCHOLY: are foxes sensitive to cold?

Even though Tsubaki’s two tails seem to be a play of of the legends of Nine Tail Fox, generally speaking based off his other details being black fox with white on the end of his tail(s), he is most likely a Silver Fox; which is a type of Red Fox.

The upper critical temperature of the red fox is probably between 86-89°F. An official temperature range of what is too cold for red foxes is more or less unknown or unofficial at best. The arctic fox is said to be able to tolerate temperatures as low as -72°F but red foxes haven’t occupied the tundra in the past partly because it was too cold; with their longer ears and limbs, they lose heat faster than their arctic cousins. So we know the average red fox can tolerate and survive cold temperatures, but most likely not temperatures like their arctic counterparts live in.

MELANCHOLY SENSATIVE TO COLD? ♾❔❌ (neutral/unknown where they stand exactly/least affected of the bunch)

and after ALL OF THAT…

the most interesting thing is–

when I first got into SERVAMP, I remember being curious where the concept of ‘the different sins transforming into animal forms’ came from. After a little research, I found that there is a history to it! A very detailed account of the origins and representations of them within history. And a small portion discusses the animal depictions of the original 7 deadly sins⬇️

“An allegorical image depicting the human heart subject to the seven deadly sins, each represented by an animal (clockwise: Toad = Avarice [greed]; Snake = Envy; Lion = Wrath; Snail = Sloth; Pig = Gluttony; Goat = Lust why? I have no idea; Peacock = Pride).”

So Jeje and Ildio’s animal forms are the only ones true to the original depictions of their associated sins.

Pride as a peacock does make sense… but I can understand adding the bat into the mix because - vampires.

I get why they’d change Kuro to a cat instead of a snail because I can’t see a snail being threatening at all unless it’s either severely poisonous or Gary… like, supernatural vampire powers or not, Kuro as a snail wouldn’t be very badass.

Why the ever living f*ck would a goat reprint lust? Originally I was going with the possibility that goat could be related to ram, ram represents Aries, Aries is one of the most lustful zodiac personalities… but no, apparently the goat represents the Devil, lust, lubricity and the damned… so that’s fun - I prefer the butterfly thank you very much.

Apparently frogs symbolize greed because it is a greedy creature in desiring to live in both worlds- on the land & in the water… okay I guess?

& lastly even though the Lion role is also occupied by Kuro within the series, I can understand Wrath not maintaining the original Lion role swing as Wrath is female and they probably wanted a male to hold the depiction of Lion so that the could use the lion’s mane, again, to add to the badass factor… regardless I don’t think Wrath as a lioness would have played out the same way… is it sexist when referring to animals? Whatever - that’s a question for another day.

If you’re interested, the full article can be found here

I am so sorry this random rant turned out WAAAAAAAY longer than I originally intended… I always love your analysis and theory posts so I hope you enjoy :)

YOOO ANON, THAT’S AWESOME! I’ll definitely check that article out!

In return, have this!

We know what piggy ‘dio looks like now! :D

Hopefully this will make your research a little easier?

[msommers]

i have the horror genre brainrot and have been playing dead by daylight nonstop lately, so here’s a bunch of fun concepts for a few ocs as survivors. for elide and maeve i like to imagine they were plucked from their fantasy worlds~ just because it brings to mind some funny imagery while putting them next to regular ass modern folk. (tagging @carminasolis bc of the recent ask you sent! here are half of the requested thoughts 😂)

ELIDE.

perk #1 — perpetual calculations. you always think multiple steps ahead, preparing for success and failure alike. for each successful great skill check you gain a token, storing a total of 3/4/5 per trial. when you fail a skill check you expend one of your tokens, granting you the chance to immediately attempt the skill check once more with a 15%/20%/25% better chance at success. only one token can be expended per failed skill check. 

perk #2 — trick shot. you've scrounged for materials over the course of your last few trials, giving you enough to craft a single shot for the arbiter (the scattergun elide invented in andaria). once per trial you can activate the second ability button while standing still, pulling out the arbiter and taking aim. you can shoot at a range of up to 8/12/16 meters, stunning the killer for 4 seconds if you successfully hit them. 

perk #3 — rapid repair. you know how to quickly fix damaged machinery. you can see the auras of incomplete generators within a 8/16/24meter range. you gain a 8%/10%/12% bonus to repair speed while repairing generators below 60% progress.

outfits — would probably be her outfits from this art line-up! syllerian would be the default, casual a rare and orothelli the very rare. another very rare could be one of her modern outfits. a deep green teddy bodysuit under a pair of tight-fitting black jeans and a red cardigan. half-up crown braid styled hair.

MAEVE.

perk #1 — damsel in distress. physical fights aren't your strong suit, but you have faith that your friends will always come to your aid. other survivors gain 10%/15%/20% speed while healing and rescuing you from a hook. when a survivor takes a protection hit for you while you're being chased, you both gain a 7% haste status effect for 4/5/6 seconds.

perk #2 — historical accounts. from the grim journals of maeve sommers, you recognize the details of your next trial’s setting. at the start of the trial, auras of generators, chests, hooks and totems are revealed to all survivors for 8/10/12 seconds within a 32 meter range.

perk #3 — the bard's muse. there's nothing wrong with a bit of idolization every once in a while. at the start of the trial, one other survivor is chosen at random to be your muse. the aura of your muse is revealed to you when you are within 8/16/24 meters of them. while your muse’s aura is revealed to you, they gain 8%/10%/12% action speed while repairing generators, unhooking survivors and healing.

default outfit — her outfit in the art here! prolly with pink and blue recolor options uwu

rare outfit — prolly a cute and more casual outfit, something she’d be found wearing at her estate. a dark purple long-sleeved top with ruffles around the edges and a floor-length black ruffled skirt to match, then a corset over the top which has flowers embroidered on it purely for the aesthetic bc who needs function. honestly could look good in a roughed up state.

very rare outfit — mayhaps just a modern maeve outfit bc why not. hair in half-up space buns. a lace heavy shirt worn underneath a flower patterned elbow length button-up, both tucked into a pair of light jeans. bi pride patch stitched onto one of the back pockets and wearing a bunch of jewelry plus pink heart-shaped glasses.

SPENCER.

perk #1 — seeker’s study. your deductive and perceptive skills can aid your allies. perks that allow you to reveal the aura of the killer last 3/4/6 seconds longer. whenever you reveal the killer’s aura, other survivors within range can also see their aura.  

perk #2 — rogue’s evasion. outrunning dangers seems to be a family inherited trait. gain a token for each successful pallet stun and rushed vault while being chased, up to a maximum of 3/5/7 tokens. for each token you gain a 1% haste effect while being chased by the killer. being put into the dying state or being hooked removes all tokens.

perk #3 — cosmic resistance. you are less afraid of the eldritch and arcane after accepting the harsh truths of the universe. killer perks effects that affect you within their terror radius are reduced by 8%/12%/18%. you recover from status and passive effects 4%/7%/10% faster and reduce the remaining duration of exhaustion by 6/8/10 seconds when you escape a chase.

default outfit — a denim jacket worn over a stripe patterned t-shirt, accompanied by dark blue jean leggings and a messenger bag slung across her shoulder. variants change the pattern of her shirt and shade of her jacket/pants. loose hair.

rare skin — a knee-length brown, wool double-breasted trench coat worn over a green sweater and light blue pair of jeans. her hair is up in a messy bun.

very rare skin — mandy thompson morph (like the stranger things/resident evil specials). she wears a yellow tweed jacket over top a dark brown shirt with a belt around her middle, with a below-the-knee box-pleated red skirt and plain dark knee stockings underneath. her glasses and pearl necklace are pristine baybee.

map — velma’s diner in arkham city, though from way back when in the 1930s~ when eldritch cult activity was at its peak in the city and investigators needed a space to relax and grab some food. and then, y’know, make it extremely fucked up. kind of as if the old cult had succeeded in summoning a great one and the city got screwed as a result, the entity pulled that universe’s version of it. the main building is the diner which has broken windows, doors and walls opened as vaults. the inside has a load of retro decorations and electronics, and in some places amidst all the random clutter there can be seen notes and gear of investigators that were still working to fight the good fight. the long countertop and rearranged barricades made out of the tables/booths are your classic loops. the outside is the parking lot and a small bit of the forest behind the diner, a killer’s shack replacing what was probably a utility shack of some kind just a small bit off to the side of the diner, and a road that you can cross. the other side has a handful of storefronts with signs so dilapidated that you can’t make out what they once were, but who cares bc there’s probably some generator spawns there.

killer — leader of the cult of atlach-nacha, aka the cult spencer was working against in her home realm. a humanoid man that has started to morph from his time spent devoted to and communicating with eldritch beings, able to call upon their powers for his machinations. probably that classic of having one tentacle-eqsue growth on one arm that has overtaken half the chest, making him a bit lopsided in stature but incredibly strong with that arm. not too sure about his ability. could be a case of calling on the power of the eldritch “deity” he worships to summon a tangible circle of the cosmos in a certain radius, triggering a countdown that leads to the survivors being confronted with the absolute horrors of reality and becoming afflicted by manifestations of that deity which could slow/injure them. ways to rid themselves of the effects could perhaps be reading one of mandy’s journals that are scattered throughout the map because her sensible, clinical ass notes can clear the mind lmao. i DO know that it’d be dope to have a perk  about conflicting loyalties, where he can displease his eldritch deity by instead working with the entity to alter smth in the trial. i don’t know what but it sounds cool from a character perspective.

i don’t know exactly Why it would have happened, but i know the When of spencer and the cult leader being brought into the entity’s realm would have been right in the middle of spencer and her friends attempting to disrupt the cult’s big ritual. two of the biggest players on that board being yoinked would have been really sucky so who knows what happened after that (i mean, i do. in this fake scenario her friends would have 100% won because she has really skilled allies lol)

[variousqueerthings]

Tom Hardy Movies rated least to most queer

I made a list of some Tom Hardy movies and I rated them based on my own, non-specific criteria about what makes a movie queer. Results below the cut.

(Some films not included, because I haven’t watched them yet, because Mr Hardy’s only in them for a few minutes, because the subject matter doesn’t lend itself to this list, or because I just don’t want’em here. TV series also not included. The list is organised into both groups and ratings, because I’m doing The Most.)

Movies are divided into four groups and rated from 0 – 10 on the Queer-Scale, scroll down to the bottom if you want the ratings without the commentary.

Disclaimer: This list is subjective. Don’t come at me because I didn’t rate Inception higher, Nolan himself is as queer as cargo shorts. 

1. This movie would make more sense if it were queer

If this movie were queer it… might not become a perfect film all of a sudden, but it’d make a hell of a lot more sense than what’s actually going on. With an occasional dose of “are the cis-straights okay?”

This Means War (2012): So Chris Pine and Tom Hardy are ostensibly both in love with Reese Witherspoon, but say “I love you” to each other pretty much constantly throughout the movie and their friendship is often presented as a domestic partnership. Cool, cool, cooool.

Queer Rating: 2 out of 10. This movie hate-crimed me by having Tom Hardy literally spell out his relationship with Chris Pine, only for the script to then have him say… “can you imagine all that… but with a woman…” Later on the movie explicitly denies polyamory is possible. Fuck this film.

The Dark Knight Rises (2012): Batman movies should always be queer. Mr. Hardy’s the only one who acceptably camps it up, despite Nolan’s best attempts to make him “acceptably gruff.” No matter what you do, Bane is a massive daddy in a mask and thanks to Mr Hardy’s honestly iconic fucking speech pattern in this film, it goes from pretty atrociously straight to just queer enough to imagine a future where Robert Pattinson plays batman and maybe adopts a bunch of kids.

(the only truly decent mask in this franchise tbh)

Queer Rating: 3 out of 10. Mr Hardy’s back is the one that’s actually broken carrying any semblance of fun in this overly long movie all on his own.

Lawless (2012): Wow, this really was the year of the not-queer-enough, wasn’t it? Look, it’s “based on a real story,” but it’s also a movie and movies don’t need to stick to the truth, and this one certainly doesn’t. Was the guy queer in real life? I don’t know. But that doesn’t matter, what matters is that it’s just kind of an eh movie and maybe being queer would add something to it. One of those “but why make someone queer? because it’s always more interesting to do so,” movies.

Queer Rating: 3 out of 10. It’s just not queer. But Tom Hardy wears cardigans and described his character as a “mother figure,” which adds an interesting dynamic to him.

2. Actually Queer but in a homophobic way

Tom Hardy plays a canonically queer character, yaaay. The whole movie contains a strange sense of the director being too not-queer to actually engage with that and everything around him is almost aggressively straight, noooo.

RocknRolla (2008): Honestly this movie has the funniest coming out scene ever + that familiar undertone of “all these manly men secretly want to fuck each other” is only heightened by one of them actually being gay and in love with his best friend. It’s such a fucking… it’s such a movie. Personally I find Mark Strong, Idris Elba, Thandie Newton, and, of course, Tom Hardy to be really hot in it, so that’s a plus. There’s a scene in which Strong’s character teaches another gangster how to do a proper backhand. It’s really gay of him. Also slow-dancing at a gay club. Butler’s character needs to get himself together, you really don’t think 2008 Tom Hardy is hot? Mate.

(left to right: functional queer, disaster queer, distinguished queer)

Queer Rating: 6 out of 10, for having an actual gay character who is played by Tom Hardy doing a sexy phonecall voice to another guy, but then there’s that feeling you can’t shake that the whole movie is vaguely uncomfortable about it, like a family member awkwardly patting you on the shoulder after they found out you were queer second-hand, but they’ve still got 50 years of bias to unlearn. Also Thandie Newton is killed, fuck that noise. 

Legend (2015): If I had a nickle for the amount of times Tom Hardy’s played a gay gangster, I’d have two nickles. Which isn’t a lot, but weird that it happened twice (looks at Peaky Blinders and thinks it ought to be three times). I’ve watched Legend three times and every time it just… loses me. And because this is a biased list, I’ll only specifically mention that it fails to make Ron’s queerness anything but a way for him to shock others. Gangsters could be gay? Gasp! On the upside Tom Hardy has so much sexual tension with everyone in this movie, including himself (why would you do that? Asks Ron, bemused. Because I can’t kill you, no matter how much I fucking want to, hisses a blood-soaked Reggie right into his ear. It’s hot).

Queer rating: 5 out of 10 because the film is just not very queer for a movie with several queer men in it.

3. Straight as a forced family dinner

It’s straight.

Locke (2013): He’s a married man who had an affair and trying to deal with the fallout of it. This isn’t a spoiler for most of the movie, it’s a pretty neat movie where we look at Tom Hardy having a bit of a mental breakdown and taking lots of phonecalls (my personal hell). Is it queer? Not in the slightest.

Queer Rating: 2 out of 10 for Hardy’s face being in almost every shot.

The Revenant (2015): Yeah, yeah, DeCaprio’s and Hardy’s characters are obsessed with each other, yeah it’s a man’s world where the only women are dead wife, kidnapped sexually assaulted native princess, or background whore, yeah, they fight each other and there’s a ton of grunting, but also… I just fucking don’t like this movie. The thin line where a storyline like this one becomes queer might be crossed for others, but not for me. Fuck these guys and their stupid  bear fights.

Queer rating: 3 out of 10 for it being about dirty men in the middle of nowhere (but you could just watch Brokeback Mountain or The Lighthouse or God’s Own Country or any Mad Max, or, or, or…)

4. Queer? Queer. Queer? … Queer…

The plots, aesthetics and/or characters played by Tom Hardy lend themselves to a queer reading, even if there is no overt intention towards queerness. Often this is because of a deliberate lack of heterosexual and/or cisgender writing, which in this day and age is still pretty uncommon not to include within a plot.

Inception (2010): Okay, I don’t even need to write about the added “darling,” or the “go to sleep Mr Eames.” I don’t need to go on about the absolutely bonkers amount of fanfiction written for Eames and Arthur, based on a few minutes of film and a boatload of chemistry. It’s queer.

Queer Rating: 7 out of 10, because the actual plot of the film isn’t very queer, but between the Arthur/Eames dynamic and Elliot Page, Nolan was really given a gift he didn’t deserve.

Warrior (2011): Okay, so first off, this might be my favourite Tom Hardy film, at least some part of my brain is fixated on it at almost all times and I’m considering watching it for the third time in two weeks. I don’t only consider it queer based on Mr. Hardy’s character, although he has no romantic or sexual interest and could be read as aroace, but because of the themes, especially those surrounding said character, who is coded as a caregiver to women and through close emotional connections to men. It’s got possibly unintentional deconstructions of masculinity and two men (brothers) who need to forgive each other and can only do so through the catharsis of violence. It speaks to me as a transmasc with several cis brothers, struggling with my own masculinity. It’s not at all written for me, but I find myself all over it. I could talk about this movie forever.

Queer Rating: 8 out of 10. I’m not allowed to say any more or I’ll never stop writing about it. I love you Tommy…

The Drop (2014): Bob’s lack of sexual and/or romantic interest in Naomi is so strange to her that she doesn’t know what he would want from her otherwise. Bob really just wants to raise a dog with her (and also forgiveness for past sins). Bob is such a rare ace and possibly aro coded character, it really throws me every time I watch this film how obvious it is. Bonus points for also being autistic-coded and not in the stereotypical ways.

(Tom Hardy’s most challenging role: pretending he doesn’t know dogs)

Queer Rating: 9 out of 10 because it’s so fucking rare to see ace and aro coded characters that aren’t, you know…. serial killers. Also Tom Hardy adopts a puppy and has a very cute, kinda lispy voice. How often does Tom Hardy play softer men like this?

Mad Max: Fury Road (2015): Very deliberately no sexual or romantic writing included in Max’s and Furiosa’s relationship. Sure, there’s not a lot of time for that in the post-apocalyptic wasteland, but it was also done with a purpose! “It was always going to be two warriors on par, starting off with very little respect for each other and ending up with a massive respect for each other.” - Charlize Theron. “So of course they meet, of course there’s a relationship, an unspoken understanding. A recognition.” - Tom Hardy.

Queer Rating: 9 out of 10. It’s not just the characters, but the world and it’s apocalyptic BDSM leather scene, the questions it asks about sustainability and about people as tools, and the found family. It’s about overcoming violence through multiple kinds of love. And it’s about watching a guy playing flame-thrower guitar. What could be queerer?

Venom (2018): Talented, brilliant, incredible, amazing, show stopping, spectacular, never the same… No, but Eddie is queer. The only question is whether the sequel will acknowledge that aspect or not, but even if not. Even if it manages to straightly bypass the reality of a symbiotic relationship with a genderless? genderfluid? being from another world that is linked to you down to your very cells and understands you more intimately than any other person possibly could… even if all that: Eddie is queer. Venom and Eddie are in a relationship. Any relationship Eddie ever enters into will automatically become a thrupple. He makes out with Venom in the movie! Eddie is queer.

(aw yeah that tongue is going down his throat)

Queer Rating: 9.5 out of 10, because it’s still coded by the creators in the language of bromance (hey, bro, is it gay if we’re physically and emotionally closer than any other people on earth?), but the movie is so, so camp and Mr Hardy’s acting choices are beautiful – the screaming? The lispy soft voice and lack of taking up space? The lobster tank? The only people who don’t know how queer this is are the people making it apparently. Fingers crossed for that sequel!

Hon. mentions:

Star Trek: Nemesis (2002): Star Trek – even at it’s worst (especially at its worst?) – is camp af + Hardy is a straight-up baby in this film.

Bronson (2008): It’s about a real person who’s still alive, so I won’t comment on the actual man. However the film seems to code the character Bronson along an ace line and also has genderqueering Vaudeville. Someone let Tom Hardy do more of whatever was going on in those stage-bits.

(this right here: this the good shit)

Tinker Tailor Soldier Spy (2011): Another ensemble piece not massively about Hardy’s character, but it’s a movie that centers around queerness in a strange, depressing way. Tom Hardy’s character isn’t queer. Colin Firth and Mark Strong are though. The book makes me cry.

Peaky Blinders (2013-): Because it’s a TV series I left it out. There’s a lot of straight nonsense going on there, but Alfie Solomens is gay. There’s nothing in the series that disputes that and plenty that lends itself to the reading.

Dunkirk (2017): Tom Hardy plays an RAF pilot in a deep emotional connection with the other main RAF pilot. That’s immediately gay. However he’s not in the movie much because of the way it’s constructed, so I left it off.

Queer Ratings (least to most)

No queer to be found here traveller:

This Means War: 2 out of 10 - illegal movie, Tom Hardy swore he wouldn’t do another rom-com after

Locke: 2 out of 10 - straight Welshman and his straight problems. He pretty though

Lawless: 3 out of 10 - cardigan-Hardy being a mother-hen, but very straight for all that

The Dark Knight Rises: 3 out of 10 - a superhero movie that doesn’t deserve Mr Hardy’s camp talents (unlike Venom)

The Revenant: 3 out of 10 - doesn’t give me what I want out of a movie full of dirty, bearded men

Queer but we deserve more:

Legend: 5 out of 10 - timid homosexuality, considering the source material. 

RocknRolla: 6 out of 10 - hey bro, is it gay if we kill the only female lead in our massive ensemble cast

The queerest of Hardy’s:

Inception: 7 out of 10 - Elliot Page and JGL kissing was an all-around terrible choice that made no sense, we know the truth, Nolan

Warrior: 8 out of 10 - I’m still crying, Edgerton’s crying, Hardy’s crying, we’re all crying, and I think that’s really emotionally healthy and queer of us

Mad Max: Fury Road: 9 out of 10 - non-romantic love in the time of BDSM post-apocalyptic wastelands is something that can actually be so personal

The Drop: 9 out of 10 - “Fucking punk. Go out to dinner dressed like you're still in you living room! You wear those big hippity-hoppity clown shoes! You speak to women terribly! You treat them despicably! You hurt harmless dogs that can't defend themselves! I'm tired of you man. I'm tired of you. You embarrass me!”

Venom: 9.5 out of 10 - Sometimes a relationship is an anxious reporter, the sentient goo inhabiting his body, his kinda-ex-girlfriend and her new doctor boyfriend, and I think that’s beautiful

[whenimaunicorn]

Playing House - Part 13.1

Summary: Ivar clarifies your role, and Hvitserk reaps all the benefits. Words: 2588 Notes: Content Warnings for bondage (possibly uncomfortable), BDSM humiliation and dirty talk, orgasm control, roleplayed dub/noncon (now that the relationships are established I’m going to remind you less often that they’ve already negotiated consent and safety measures).

Previous posts:  1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18

(Fic begins below the cut because it starts off with a bang, baby)

In your current predicament, the world has narrowed down to two things. The vulnerability of your body, and the total neediness of your cunt.

The two are most certainly related. Ivar is not one to make idle threats. When he told you over the phone that he believed you deserved punishment . . . it seems that he had immediately started making plans.

You’re alone, now, helpless on your own bed. Of course, it’s Hvitserk’s bed, this week. Ivar has bound your wrists to your ankles, and pointed you with your spread legs aimed right at the door. The open door.

What a sight Hvitserk is going to see when he walks in.

“You know you deserve this,” Ivar had said, trussing you up with methodical fingers. The way that he took your clothes from you, you’re not sure you’re going to get them back until Hvitserk’s no longer in town. “You had freedom, and you wasted it. Now you have to understand that you are here for our pleasure. Not the other way around. This pussy,” he said, giving it a sudden rub followed by a quick slap, “is here for our use. So . . . I’m not letting you use anything else for a little while.”

Your hands are tied to the insides of your ankles. You can try closing your legs, but your thighs won’t come quite back together with your arms bound right there in the way. Lying on your back as you are, the slit of your swollen pussy lips would still be visible between your raised legs to anyone standing in the doorway anyway. So why bother.

He had assured you that he would make sure Hvitserk “stumbled in” fairly soon, before you got too stiff in this humiliating pose. But you’re sure he’s going to stretch out the suspense as long as he thinks you can handle it.

You rock your body anyway, fruitlessly seeking just a little relief. After opening you up, Ivar had carefully applied a liberal helping of lube all over your pussy, inside and out. “I want you wet and ready for him.” A bullet vibrator came next, positioned carefully on top of your clit by a small shibari harness wrapped around your upper thighs and waist. “I am not turning this up high enough to make you come,” he said, matter-of-factly. “You are not to come until your punishment is over. This is here merely to keep you focused.”

And fuck, are you focused. You’re cursing yourself for allowing Ivar to learn your body so well, to know just exactly how high he can turn up the vibration without pushing you over the edge. And the pattern, fuck, that pulsing, wavelike rrrm, Rrrm, RRRM is damned hypnotic. You can’t possibly ignore it. And yet you want to sob every time the wave crests too soon, the intensity dropping well before the tension building between your thighs has anywhere to go.

An even more powerful thrill rushes through your body as you hear movement at the door. Lifting your head from the mattress, you see Hvitserk’s eyes widen, his steps arrested on his way into the room. He does a doubletake before his brain can fully process the obscenity he’s truly seeing in front of him. He glances back down the hallway, then slides inside and shuts the door with a shark’s smile spreading across his face.

“You seem to be kind of stuck, Y/N.” His eyes roam over the backs of your thighs, and what’s on display in between. There’s no way not to feel completely, horribly exposed to him. It’s so hot you’re probably about to start dripping all over the sheets. “Can I help you?”

You look him right in the eyes. “I need to be fucked.”

“Oh yeah?” he asks, settling down on his knees beside the bed, definitely not lining up to drive himself into you like you so desperately need.

“Yeah.” You nod, quickly. “I need it bad.”

You arc and whine when Hviterk’s fingers slide around your opening, gliding between your outer and inner lips. “You’re wet enough for me to believe you.” The pads of his fingers dip inside, but only shallowly, stretching the rim of your opening in a wide swirl.

“Fuck,” you sob. That’s a lot of entirely unsatisfying stimulation right there. You need to feel filled up, not stretched out. “Please, Hvitserk. I’m here for your use, so use me, fuck me, put me out of my misery.” You have crane your neck to make eye contact with him, looking down the line of your body and between your own legs.

His eyes are dark as he stares at your naked and readied body, which shudders with the strength of your need. His eyes flit up to the ropes that bind each ankle to a wrist. “Ivar did this?”

“Yes.”

His fingers slide along the thinner cord tying the vibrator down onto your clit.

“He said it’s my lesson. I need you to fuck me until I learn.” Having to explain this to Hvitserk somehow makes your predicament all the hotter.

Hvitserk moves in closer, until you can see his face between your ankles and don’t have to contort your neck so badly anymore. “That’s what Ivar wants.” His softly scratchy voice adds weight and intimacy to his words. “But what do you want?”

His fingers are still just teasing, up and down and around your entrance. He hasn’t even taken his dick out. “Fuck! Did he send you in here to test me or something?” You’re starting to feel desperate. “This isn’t about obedience, Hvitserk. I need to be used. I want it this way. I-I just want you to fuck me like a toy.”

“That’s it?” he asks, a wicked gleam flashing through his deep-set eyes. “All this” he gestures at your body “is just here for me to play with?”

“Uh huh.”

He grins and nips at your inner thighs, and finally presses two of those long fingers into your pussy.

You throw your head back and keen your pleasure.

He toys with you, for a while. The relief of friction, of satisfying depth and pressure, starts to give way to fear that he might accidentally push you into orgasm before Ivar had permitted it. That hadn’t sounded like it would be such a hard rule to follow, when you thought that Hvitserk was going to come in here like the horny bro he’d been acting like before, and just sink his eager cock straight into you.

But even when there’s no contest to be won, Hvitserk evidently loves getting up close and personal with the pussy. He pulls his fingers out just to bring them to his lips, plunging them into his own mouth to taste you with a little savoring sound as he locks a promising look onto your eyes.

He’s not done. Hvitserk’s fingers slide under the ropes that bind the vibrator against your clit, then he’s pushing them out of his way and removing it.

You sigh, relieved to be free of the temptation and missing it immediately at the same time.

But then Hvitserk’s mouth replaces the device. And this is not just a taste. This is business, the same masterful pace and pressure that won him the contest earlier.

“No . . .” you wail at him, drowning under your own conflicting needs. “No, Hvitserk, Ivar said not to.”

He lifts his head just barely far enough to answer you, so that you can feel his breath against your slick and sensitive parts with every word. “I’m supposed to use you how I want, right? And what I want to do is eat this pussy like a birthday cake.”

“You can’t,” you insist. “I’m not allowed to come!”

He barely hesitates. “But I want you to,” he says, voice breathy and urgent. And he begins another round of his very best work.

There’s not really any other type of ordeal quite like this one. Pleasure blooms, white-hot and urgent, beneath Hvitserk’s tongue, and you can do nothing but grit your teeth and try to push it back. You could use your safeword if this was truly bothering you, Ivar had told you that Hvitserk was informed how that works. But this is a challenge you prefer to ride out, come what may.

You know Ivar well enough to be sure that he’s monitoring this, although you don’t see him darkening the doorway this time when you strain your neck to look. Perhaps he’s waiting just outside the door. Or hell, maybe the walls just are as thin as the boys keep saying. Either way, it makes you want to do him proud. Show him you can endure even this absolutely torturous pleasure, and follow his command despite it.

You manage to hold out, though internally you’re screaming. Your body is clenched in a line of sheer, stubborn tenacity against that insistent rapture when Hvitserk finally gives up, swiping his face with the back of his arm as he stands up. “Fine. Is this what you want?” He pulls out his dick, proud and rock-solid with a bit of a graceful curve toward the tip. He gives himself a crude stroke. “On to the main course, then.”

You sob your victorious agreement.

He grabs a rubber. Ivar had literally left a bowl of condoms right next to you, on top of a guest towel. It doesn’t get much more demeaning than that.

Hvitserk whips his shirt off and then leans over you, ready cock bobbing, and grasps one of your swaying feet in each hand. “This is so fuckin’ hot,” he intones, staring at the ropes. “Can you handle it if I leave you like this while we fuck?”

You let out a shaky breath and agree. You’ll stretch out later. This is, just as Hvitserk said, too fuckin’ hot.

The angle has your hips turned up rather sharply. He misses on his first attempt to enter you, cock slipping off your lubricated lips. He mutters an obscenity and then laughs it off, reaching down to line himself up better with an endearingly self-deprecating smirk.

It’s fun to watch him handle himself. You can’t do much to help the process, your body positioned precisely how Ivar wanted you left, with very little wiggle room. A lock of dirty blonde hair falls into his face as he peers down and lifts up onto his tiptoes to drive himself downward into your body.

It just got real, now. There’s nothing more grounding than an urgent cock pressing deep, deep inside.

Hvitserk leans over you, eyes going wide and tight around the edges as he sinks all the way into your aching pussy. “Fuck, you’re so fucking tight like this.”

Your eyes bulge a little as you agree. This angle makes you feel full as hell.

Hvitserk stares down into your face as he starts moving his hips. That eye contact of his, fuck. You’re not sure how to handle it. Somehow it feels more intimate than the rubbing of your naughty bits together. He fucks down into you with an increasing pace, his lips curling up in a cheeky smile. “This is it, huh?” he glances down, looking at the way your tits bounce between your imprisoned arms, at your upturned cunt swallowing his cock down. “What you were begging for.” He interrupts himself with a sigh and a smile, bites his lip as he repeats an angle that must be particularly good for him.

“Fuck, yes,” you say, relishing the relentless depth of every one of his increasingly-wild strokes. “Use me.”

He puts one knee up on the bed, balancing the movement by wrapping an arm around your raised leg, and deepens the already-maddening intensity of the position. He groans with abandon above you, guttural sounds as he does exactly what you’ve encouraged him to do. You let him rut into you with no concern for anything else at all, neither your comfort or your pleasure. It’s worth it; the rush of this feels better than any soft, candlelit evening you could get out of a partner that was focused only on making you feel good. This is so much more complex; it scratches a deep itch you couldn’t even begin to explain, to let every boy in this apartment use your body according to their own wild and selfish desires.

Hvitserk is going to come soon. You can tell by the way his face is twisting to one side, almost wincing, the pleasure apparent in the wild sparkling of his eyes as he continues to attempt to hold onto your gaze even through all of this. You can hear it in the way his grunting breaths are matching the rhythm of his strokes, and the way his thrusts have gone from fluid to insistent, driving at a tight, brutal angle so deep that you swear he’s going to hit your backbone.

He invokes your name like a curse when he finally blows, drawing it out into a long and ragged sound. He can’t keep his eyes open for that moment, making you feel like you can finally catch your breath just as he’s losing his.

He shudders inside you, sealing himself in deep as he comes down from it. He’s propped his weight onto one hand that presses into the mattress just beside your head, so you don’t have much of anywhere to look aside from his heavy brow as he sags in the air right above you.

This time Ubbe’s not ready and waiting. You can’t see the doorway, but if Ivar’s there he has yet to announce himself. This time Hvitserk gets to stay nestled inside you as long as he wants, and you catch your breaths together.

When he lifts his head, his eyes are glittering with easy mirth and hints of something deeper. You smile back, squeezing your inner arms into contact with his body. It’s the closest to a hug you can do in these restraints.

Hvitserk turns his head, following the line of your arm up to ropes that connect it to your ankle. “Let’s get you out of those,” he says gently. He withdraws his cock with a shaky breath and eases himself back up to standing. “I can’t believe you—” his mouth is set at a wry angle and he shows his awe in a little shake of his head. “I’m sorry I—”

He’s cut off by Ivar’s return, his voice a sharp, loud contrast that instantly shifts the mood. “Leave those, Hvitserk. I will handle that.”

Hvitserk had just been reaching for your ankle. He drops his arm and melts back a bit.

“Did you enjoy my gift?” Ivar asks, stepping in between the two of you. He sets his crutch so he can stand more solidly beside the bed, and looks you over. His eyes crackle with a deep blue fire at whatever mess he sees in your face, and the expanse of your naked skin. When Hvitserk doesn’t give much of a response, Ivar moves to loosen the rope at your closest ankle. “Would you like to help me give her the rest of her punishment now?” He spares one pointed glance for his brother. “You are the wronged party, after all.”

“That wasn’t the punishment.” He looks at Ivar with a raised brow.

“Of course not. She loved that.” Ivar says, matter-of-factly, and then his whole face breaks out in his evilest grin.

Next Chapter

Link to my other Hvitserk fics

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