#I need to like....not go on tangents like this

[piper-2244]

the limit does not exist!

how spencer helps college!reader understand a little calculus and therefore understand how he loves her.

MDNI | smut word count: 1931 warnings & tags & stuff: fem reader, fingering, oral sex (f receiving), lil bit of overstim hehe, pure unbridled affection, LOVE, FLUFF, hugging, reader cries, this was in fact meant to be written for spence's birthday... sorry about that school is kicking my butt lets just pretend it's october! author's note: this one is for my folks who HATE their calculus class and want spencer reid to give them head instead <3 maybe this can help you romanticize it a bit. i think this is classified as self indulgent…like REALLY self indulgent… hah... anyway i hope you enjoy! let me know your thoughts if u have any, i loveeeee you!! have a great day my hands are shaking posting this smut is so scary!!!!!

You sat in bed, staring down your notebook, eyes narrowed. Limits stared back at you. You were just about at your own limit, if you were being honest. 

Your brain, however sharp and witty it may be, is absolutely not one designed for calculus. A literary analysis essay? Done in half an hour. In depth scientific research project? Easiest months of your life. But there’s something about finding the instantaneous rate of change of a curve at one point in time by finding the slope of a tangent line that hasn't clicked yet. 

A slew of other papers- notes, practice worksheets printed from obscure websites, and formulas- surround you, a sea of unfinished thoughts from the past month of the semester.

You bite on the end of your pen, the little hope you had for a good grade in this class slipping further and further away with each passing moment, like the last ember dying in the remains of a fire.

What you really wanted to be doing was celebrating Spencer’s birthday with him right now. A chocolate cake lay on the kitchen counter and pasta simmers on the stove, but you and your boyfriend had agreed to do a solid hour of work before the celebrations ensued.

You were never particularly strong willed when it came to following through on such agreements.

“Teach me calculus,” you say, a very impressive three minutes later, flopping down on the couch. Your head makes its way to its forever resting spot, Spencer’s lap. He raises his eyebrows slightly, thumb reaching out to trace over the slope of your nose. His eyes flit between you and the file to the side of him. 

“I thought we agreed on an hour.”

“Yeah. But it wouldn’t be a very productive hour if I didn’t know how to do what I have to do. And I missed you.” 

He sighs quietly, closing the file next to him. 

“What do you not understand?” You smile at that, loving how quickly you won.

“Related rates. Like, conceptually.” 

Spencer hums in response.

“It’s October. You’re not even supposed to know related rates yet.”

“Fine. Then let's open presents,” you respond, smiley. His eyebrows get impossibly higher, hand stroking your cheek delicately.

“No. I want our night to be a little more stress free when we celebrate, okay? How about you think about that lovely cake you made for me. What if I decided to squash it so that the diameter would get bigger, going from…let’s say, 20 centimeters to 26 centimeters in 3 seconds, and the height would get smal-”

“That wouldn't be nice. It took me like four hours,” you interrupt, grumbling. He cracks a smile.

“For the sake of the example, let's say I was an awful boyfriend and really wanted to ruin all the hard work you put in for me.”

You roll your eyes.

“Hey,” he says, hand moving down to touch your jaw softly. “Don’t do that. Don’t be difficult. I’m helping you.”

“Sorry. I guess I need you to zoom out a little. I don’t really get why I’m learning this as a whole.” Spencer’s eyes pore into yours, staring down at you adoringly for a small moment as he comes up with an answer.

“Calculus helps us begin to explain the unexplainable by harnessing what we can,” Spencer says simply. “Einstein once said that, ‘Pure mathematics is, in its way, the poetry of logical ideas,’ which makes it simple in practice, but I actually like to think about it as the opposite philosophically. Trying to find logic in the more poetic ideas.”

You cuddle deeper in his lap.

“Think he would agree with that?” you ask. “I do answer to Einstein before you, unfortunately.” Spencer bends down to kiss your hair.

“I think so. He also had a really nice quote where he remarked that, ‘Gravitation cannot be held responsible for people falling in love.’ He said, ‘How on earth can you explain in terms of chemistry and physics so important a biological phenomenon as first love? Put your hand on a stove for a minute and it seems like an hour. Sit with that special girl for an hour and it seems like a minute. That's relativity.’”

Spencer takes a deep breath.

“Math doesn’t explain how I love you. It can’t. But I love the fact that it tries to. It kinda makes you wanna learn it as best you can.”

You process that for a long second and nod. He keeps talking.

… 

Presents get opened, and cake gets eaten before dinner. Of course.

You’re now in bed, on top of the covers, forcing Spencer to give you a fashion show of the new sweater vest and tie you got him. He turns to you after putting it on, and you beam. 

“I really like it. You look great. Do you like it?” you ask. He nods, smiling back at you.

“I’m gonna wear it to work tomorrow.” 

You beckon for Spencer to come closer, sitting up in bed. Your hands go out to the tie, tugging at the knot softly. He stares down at you until eventually interrupting your motions with a slow kiss, hands cupping your face.

“You’re so pretty,” he mutters.

He pulls away and finishes what you started, folding the tie neatly and setting it in the drawer. Then comes the vest, and soon enough, he’s just in his boxers.

“You’re the pretty one,” you say quietly. “Come to bed.” He crawls on next to you, tugging you into his arms. “Happy birthday, Spence. I love you.” He dips his forehead to your shoulder.

“I love you.”

Before you know it, he’s shifted on top of you, moving down. Fast. You blink, hard, trying to rid your head of the hazy endorphins as you register what he’s doing.

“What? No, I was gonna do that. It’s your birthday. You don’t have to,” you protest.

“But I really, really want to, darling girl,” he murmurs back, kissing your knee and softly pushing it to the side.

You fluster and Spencer just looks at you, fingers tracing shapes on your waist, waiting for you to be ready. 

“Well. Um. Okay. If you insist. I can’t really deny the birthday boy.” Your voice is small, and a little giddy smile grows on your face. Of course Spencer Reid would want to give you head on his birthday. 

He smiles a little against the bare skin of your hip where your top meets your shorts. Then he meets your eyes. 

“You know you can, though, right?” he asks, voice a little more serious. You reach out to touch his hair softly. 

“Yeah. I know.”

Fingers hook your shorts, gently pulling them down. He presses a kiss to your thigh, and then he suddenly looks down at it. 

“Soft,” he murmurs, like he’s making a mental note. He presses another, and another, incrementally going closer and closer to your soaked through underwear. His eyebrows scrunch when he sees the wet spot. “All this from a few kisses?” 

You blush, unable to respond. 

Spencer’s fingers hook a centimeter of your underwear. “These?” he checks.

“Yes, please,” you manage. He tugs them down, silently noticing the slickness of your sex, and exhales shakily.

“How many times on average does it take for a guy to call you pretty on a given day before you get annoyed?” he murmurs, soft smile playing on his face. You smile too, head cloudy from his words, but it immediately drops when his lips press directly against your pulsing clit, kissing it softly.

“Fuck,” you say (Spencer would argue moan) softly (loudly). You let out a content sigh, and he moves to suckle it, actions becoming less and less delicate. 

It’s not harsh, but incessant. Spencer knows what you can take. He knows exactly what you can take. You’re both quiet for a bit, save for your breathy moans. 

“Spencer,” you say softly, ripping you both out of your individually hazy and dirty and distracted minds. “You’re too far away.” He looks up to you, face parallel to your aching core, hair beautifully messy and mouth glistening.

After a second, he grabs your hips, gently pushing you up against the pillows so you’re propped up at a better angle. He then shifts his body up wordlessly so he’s more above you, dipping his head down to give you a soft kiss. You taste yourself, tongue darting out to lick your lips.

His hand takes over where his mouth was, sliding in between your folds with a practiced ease. Spencer looks down at you, eyes wide and flitting between yours, searching for a reaction.

You reach out and wrap your arms around him, holding him close. “Holy shit, I love you,” you murmur.

His fingers lightly graze your clit again before one slides into you. “Angel,” he breathes out, so quietly. “I love you too. This okay? Are you okay?”

You nod feverishly and lift your hips to meet his hand, always in a perpetual state of wanting more, to be closer. Your bodies are melded so close together, barely giving him room to push his hand into you. He doesn’t even bother to ask you to use your words or keep your hips down, like he might on a regular night.

He pulls his head back to watch as he pushes another finger into you, stretching you just a little. “There we go. You always feel like heaven around me.”

Your eyes flit up to his face as he says those words, now having a little more room to observe him. You focus on the slope of his nose and curve of his mouth. 

“You’re so perfect,” you say quietly, adoringly, before you even realize it was true.

You blink at that thought. Spencer Reid is perfect, despite whatever universal odds deeming that impossible.

Those graphs, those formulas, now laying discarded & crumpled on the ground. They click, a little bit. You understand why Albert Einstein wanted to spend his life developing theories of relativity.

This is how Spencer sees you? What he was talking about earlier?

This is how he sees you?

The thought is almost too much.

Spencer sees your face, and not knowing what's going on in your head, slides down his free hand from your cheek to your carotid, feeling your racing pulse. “Take a deep breath for me, okay? You're about to come, huh?”

You inhale and are met with peace. Then your orgasm hits you like a wave. You clench hard around his fingers, and he just watches it happen, fascinated. “Baby,” he coos softly at you.

It wasn’t just your sensitivity he’s currently maximizing on or the little kisses he dips down to leave on your neck that sealed the deal, but the very thought that you could be loved in a way that is so perfectly impossible.

You exhale breathily as Spencer pushes you through the last trails of your climax, fingers not caring one bit that you just had your world tilted on its axis. 

“Spencer. Ohmygodohmygodohmygod,” you say eventually, overstimulated.

“You’re okay. Did so good.” he murmurs, fingers slipping out of you. 

His thumb brushes your cheek, wiping away a tear you didn't even realize was dripping down.

“Don’t cry, you always cry. It’s my birthday. Don’t cry on my birthday,” he whispers soothingly, affection lacing his voice.

“I’m not.” 

Another one falls. 

You reach and press out that perpetual little slope between his eyebrows with your thumb, gentle, like you might break him. “I’m not crying.”

Spencer lets you lie.

[lopsicle]

Arcane season 2 spoilers

/////

I have been thinking A LOT about Jayce and Viktor, mainly the scene where Viktor is reborn out of his pod of Hexcore.

Mainly because it means a lot for Viktor’s character. On a fundamental level, he never seen much worth in himself, but he did see worth in inventions, the things he made, it’s how he could prove himself to the world. This is why he becomes so concerned with his illness and the legacy he’ll leave behind on the world; he needs the Hexcore to work because he doesn’t have anything else.

But now, he is literally fused with his invention, his invention that he has grown to hate because it killed one of the only people who truly saw value in Viktor, and not the things he could, partly due to his own negligence. Viktor put it best, in his pursuit of greatness, he failed to do good.

He doesn’t really know how to process what happened to him at all, he’s a smart man, he can clearly deduce that his body has undergone some cybernetic change, he can probably remember the explosion in the council room, but other then that, he’s just confused, hence why he asks Jayce, “what am I?” Viktor’s body is entirely different and unfamiliar, and taking into context that the Hexcore, his greatest invention which he tied all his worth to, has failed before this, it’s likely Viktor had lost sight of who he was, and his new body only served to further that descent.

Jayce can’t think about any of that though, he’s just happy that his partner is alive and who wouldn’t be, he’d been waiting for days, possibly weeks for him to wake. Viktor’s mortality is one of the things that Jayce has struggled with the most in the series, which is what makes his survivor’s guilt so much more pertinent. A lot of people claim that Jayce grew up rich and coddled, and I think that’s true to an extent, but they forgot his family were workers, tool smiths. Jayce seemed to grow up with the idea that he wasn’t that fortunate, that he was a working, middle class man who was going to change the world, and then he meets Viktor, a “poor cripple from the Undercity,” and then he sees what the Undercity is really like and the conditions people live in. And that’s when Jayce realises; he had it good. I believe this is what encourages part of his admiration of Viktor; he is what Jayce thought he was.

Tangent aside, I feel that their hug is a very, very important moment, mainly because of Viktor’s reaction.

He isn’t relieved or uncomfortable, it’s just…nothing. Given what Viktor says about how he doesn’t feel that it’s cold and just recognises that it is cold, I believe this is the moment where it fully sank in how much his body had changed. He couldn’t feel Jayce.

And like, first off, that is such beautiful symbolism for what he says later about how they’re relationship was only held together by affection. Viktor physically cannot feel said affection anymore and know has no reason to stick by the side of someone whose views have become so contrasted to his. But more emotionally, it’s representative of Viktor’s belief that he is unloveable, his new body is merely proof at that, he can’t touch Jayce, he couldn’t save Sky, he couldn’t make the Hexcore work properly, he couldn’t even get Jayce to destroy the Hexcore. To himself, Viktor is a failure who is unworthy of love.

But, he still huge Jayce back. Despite not being able to feel Jaycee’s warmth anymore, despite it feeling like his whole life has crumbled, Viktor wants to give Jayce one last act of service. Perhaps to prove that he still has use, or maybe this was the moment where he decided he would have to part ways with Jayce, and just wanted Jayce to remember his touch, even if Viktor couldn’t remember his.

Anywho if enough people like this dribble, I may post my take on the rest of this scene because it shattered me

[feyrescourt]

I can admit as someone who was a Dorian and Aelin shipper up until the middle of QoS (I know I was delusional) that it’s ok to admit when your ship is dead in the water. I was WILLFULLY ignoring Rowan because I thought when Aelin returned to Erilea she and Dorian would be end game. Lol. I used the smallest passages as proof and made myself believe it was real. I literally have the texts I sent to my friend who introduced me to the series, going off on my tangents.

(I’d like to mention that ToG was the first sjm series I read and I went in completely blind lol)

I say this to point out the similarities that I recognize between my past doraelin-shipper-self and gwynriels today. I personally found Rowan unlikeable/boring in HoF and so I would tell myself that there’s no way he was going to be Aelin’s end game. And I just personally liked Dorian the most in the series.

I feel like people need to be open to admitting that their biases against Elain is the reason that they don’t ship elriel instead of doing mental gymnastics for undeveloped, non-existent ships.

It would be one thing if gwynriel was just a gag ship that no one really took seriously but when you start to act as though it’s reality, that’s where I have to stop you lol.

[snowyrey]

i have like, essentially an artist bucket list which just means random stuff i wanna try as an artist even if i don’t fully commit to it

one of those things is a monthly sticker club, idk why but that just sounds fun

idk if i have the audience for that but like, i just think it would be neat to send some of y’all lil stickers of the DCA or sebastian or something, y’know? maybe i ask for yalls input about what stickers i make for this hypothetical club lol

this has been late night tangents with snowy lol i need to go to bed

(i know i posted these designs already but i wanted to have an example shhh)

[ziggysarcana]

Shira raised a brow as Silas took a sip from her glass, an almost knowing look flitting across her features. A sly grin tugged at her mouth as her gaze lingered for just a second on his lips as he took a drink. She moved a hand to cover the grin, trying to hide the emotions it wore. There was something about the hesitation, like maybe he wasn’t feeling as casual as he was trying to seem; and that fact bemused her. “Really?” She teased, clasping a hand over her heart “You’d want my cooties? That’s probably the sweetest thing anyone’s ever said to me.” Shira wasn’t sure who had brought the gin but she was fairly certain it was Seagrams. A fact she wasn’t going to mention to the man sat across from her. “Pretty good, but I don’t know if I can trust your opinion, you just admitted you want cooties.” Pleased with her quip — she giggled, her head tilting to the side and her eyes sparkling with delight before she reached for the glass. She brought it to her lips now to take another drink, a grimace shaking through her once more. Her tongue darted out in dramatic disgust before she thrust it back towards him, a pleading of “I need your help with this please, Silas,” falling from her lips, already abusing her knowledge of his name. She couldn’t help it, she liked to say it “I promise my next pour won’t be so heinous.”

Shira leaned her head back against the sill as he spoke, taking in the things he was saying and the things he wasn’t. There was something about the way he spoke, about the way he carried himself, that made Shira want to dig deeper. But she didn’t dare; because she didn’t want to make him frown. Not because she didn’t think he wouldn’t look nice frowning, in fact she was sure he would look just as handsome even if he were frowning, she just didn’t want to be the cause of it. “That’s good,” she said quietly, not pressing him further “I’m sure not a lot of people can say the same. That they like their life how it is.”

Humming at his question, she took a moment to think about it. “Portland pride,” she repeated, allowing herself to feel the weight of it on her tongue. Bittersweet. “Yeah, I guess I carry some of that everywhere I go. It’s a city that can stick to you like glue if you allow it to. It’s not flashy or glamorous, but it’s really fuckin’ real. Flesh and blood. Filled with freaks and weirdos. A place where anyone can find somewhere to belong. I think that counts for something.” Her voice started to trail off, not meaning to go off on a tangent. “But anyways,” Shira shrugged, indifferent “I don’t miss being there. I was feeling too much pressure.” A half-truth, despite the fact that her heart was screaming at her to be honest with him.

Shira caught the intense gaze and a small smirk tugged at the corners of her lips. It wasn’t often that someone looked at her like this; so curiously. At least it wasn’t often for her, anymore. She didn’t say anything at first, letting the moment linger as she wondered about what was happening inside of his head. Her own mind raced, with a million zingers, a million quips. Something like ‘I’m not a Rubik’s cube, you don’t have to try that hard to figure me out’ on the tip of her tongue. But her vocal cords acted before her brain — “You’re making me nervous.” But she didn’t sound nervous. Quite the opposite, actually. Almost as if they were playing a game of chess and she was simply commenting on his strategy. Hushed due to their proximity. Not wanting to give Silas another half truth, she corrected “You make me nervous.” Shira didn’t know why. Maybe it was because she was acutely aware of the fact that he was psychoanalyzing her, or maybe it was the fact that she didn’t care if he was. She wanted him to see her.

Her shoulders relaxed and she mirrored his movements, leaning in to listen; as if they were sharing hushed secrets in a loud classroom. Like best friends, like they had known each other long before this party had even started. “I’m very honored,” she said, sweeter this time. Not saccharine, but real. Sugar cane. “and I must confess; you’re doing a fine job so far. Consider me entertained.”

Silas smiled, a light blush forming on his cheeks. He wasn't easily embarassed, but there was something about Shira needing to explain she didn't have any cooties that got to him. "Damn, I was really hoping you did have cooties." He said, trying to play it off while grabbing the cup from her hands. He went to take a sip from the glass, unknowingly putting his lips on the same edge she had, or did he do it knowingly? The strength of the alcohol hit him, but he was able not to react, he had been drinking drinks far too strong for far too long that he's able to keep a straight face. "Oh yeah, that is really strong." He took another, smaller, sip. "Pretty good gin though." He talked about it like he had any type of authority on what's good gin or not. He held the glass back out to Shira, seeing if she wanted it back.

Silas didn't enjoy talking about his past, mainly because he didn't enjoy his past, but he absolutely hated complaining about it. "My childhood wasn't really bad per se, it was definitely better than most." He said, dismissively. Unlike some of the people he knows from the circles he frequented in New York, he understood his privilege, and understood that writing was not a physically strenuous job that gave him a lot of benefits. "I just... I don't know... I just like the life I have now." He was uncharacteristicly ineloquent, looking to the ground. He paused for a second, before looking back to Shira, "enough about me though, how did Portland treat you? Have you still got that 'Portland pride.'" He asked her, repeating her line of questioning.

While Shira talked about Cardinal Hill, looking out the window, Silas took a chance to actually look at her closer. She appeared to have a kind of earnesty that Silas is not used to, like she was a real person with real emotions. He wondered what those emotions were, what she was thinking. He usually thought about people like characters in a book, where they fit in the story, what they bring the reader, but for some reason she was different. As she glanced out the window, his attention was brought to her hand brushing her hair. Silas thought about what she does for work, what she does for fun. He thought about what her hand felt like. When she looked back to him, it was obvious that he was looking at her a little too closely.

As Shira moved closer to Silas, he instinctively moved closer to her, listening closely to her voice. "I pretty much forgot about my brother as soon as I walked into the room. I couldn't think of anything I want to do more than entertain little ol' you." He said, matching her hushed tone, looking her in the eye.

[themightycourtjester]

Before anyone tries to say anything abt me not posting anything online about any current events going on around the world, all the work I do is mostly offline and within my community and teaching everyone in my community these things. I have more of a voice offline than I do online at this current point in time, so doing my activism offline is honestly more productive than it is online.

I just know it's only a matter of time before someone tries to come on here and say I support stuff or refuse to stand in solidarity with anyone because I'm not posting or reposting stuff(which I do repost things, just not as often as others).

The last generation in my family to show any strong, progressive activism were my great grandparents, and it's their legacy and my own morals + basic human rights that I plan to uphold.

Community building and informing others in a rational and non-combative way is a huge part of activism that so many people now tend to overlook. Even with the people you 100% disagree with, you still need to listen to what they're saying, because if you don't, you'll also look like an idiot. It's important to listen to what they're saying to try to understand their point of view(even if it's extremely unethical and horrible and you hate thinking about it), because in the end, if you refuse to even hear them out, then their ideology is 100% never going to change/they'll never even reconsider their POV.

"How is community building helping others that aren't in your community/not even in your country though?"

It helps because then, it spreads awareness through direct human to human contact and you're not stuck in a perpetual echo chamber. You hear differing opinions, nuance, different sides and how it affects them or someone those people know. Community building helps others learn compassion and kindness to their fellow human being. You learn not only to respect others, but also your environment as well. You learn about other people's culture, whether it's regional or international culture.

All these things are so important. It's the foundation for the change that so many people are wanting right at this very moment. If we do not have community and cannot learn how to listen and respect each other and come together, then the atrocities that we are seeing going on around the world are going to continue to happen. And I am speaking from a very US-centered POV here, I am aware of that, and so this is more of a call-in to other Americans as well. I know that me saying this isn't really going to get anywhere, but I just feel like I need to get it out there, you know?

Shoot the cop in your head, learn compassion, uphold, demand, and enforce human rights for all, don't use your religion to tell others what to do, and finally, don't be a fucking asshole.

And remember, being an activist and trying to do the right things isn't going to be comfortable or easy all the time. In fact, you'll actually get worked up! You'll fuck up! Thats okay! And when that happens, learn from your mistakes and listen to others. Don't talk over marginalized communities, even if you believe your information is accurate. Humans are not inherently evil and humans are not inherently good either, we're very grey. Actually, grey isn't the best way to put it, moreso- humans are the paint that creates life, all different colors, mediums. You mix specific colors to make others, you use more of one color or more of another. *Everyone is different, and that is okay.*

Learn to be kind to yourself as well, it's so hard to be there for others when you're never there for yourself.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[ferrocyan]

nodding at all this yes. i didnt get the sense feral souls are used with impunity but that does sound like it makes sense too. although regarding the effects lets consider that going by the story, a fighter can have two matches in one day, back to back (the wol wins against black cat then immediately had to fight honey b lovely the same day) so maybe the effects arent that severe. or youre supposed to get over it quickly or something. a mood crash would work i think if it comes w the stigma that you shouldnt let a bad mood keep you from doing your job

and your next point reminds me, the arcadion tiers are sorted not by the fighters strength, but by the potency of their feral souls, right? there is likely some kind of qualification needed to use upper tier souls. like, only the champion who can defeat everyone in their tier is allowed to level up and use stronger souls. ...hey do you think brute bombers energy drink enhancement is the way he signals to the management that he can handle a more potent soul, so just promote him already? also, tangent but the beasts themselves--the wasp and bomb are overworld enemies, compared to eutropes ixion which is a fate boss (yaanas cath palug is one im really not sure about, bc i dont recognize the silhouette.. but its got a name so i wonder if its not a normal coeurl, and yaana is supposed to be a cruiserweight user or something?) i wonder what the cruiserweight beasts will be then

this is probably nothing

like i rly dont know if theres anything to make of this but uh. the fact that the arcadion fighters have their intro posters and walk into the ring in their real faces. that bothers me. the promo material arent of their feral soul fusion forms, its just the guys and gals as themselves. also, looking at honey for example, her poster is honey b lovely the idol, not the queen bee, and she greets her fans at the beginning of the match as honey the regular female idol as well. its like, they are all larger than life stage personas, yeah, but that includes their normal life selves too. it just bothers me a bit? where does the stage persona end and the real person begin? this is why in my canon honey has to have a worksona disguise to have another job, bc her real face is owned by the arcadion as honey b lovely

rly dont know if this is anything though. i do humbly request anyone who might be seeing this and know better for your insight. i shall just stick the "kick me" sign on my own back

[blueskittlesart]

i get that people’s first reaction for the religious thing is often negative—being raised irish catholic i experience the same knee-jerk reaction—but that’s because we as adults are approaching the ideology from an adult perspective. we have our own associations with both religion as a concept in general, as well as the social phenomena around religion (and for this post specifically we’re talking about christianity more than anything else). kids don’t have that experience, and so while it might feel really uncomfortable to an adult listening to them speak with such a casual incorporation of it into their worldview, they truly wouldn’t see why that could be. and it’s only when it they’re older and it becomes the only point of perspective or logic for them that it’s truly a problem

EXACTLY. if you don't have a lot of experience with very young children it may be hard to conceptualize, but especially preschool-aged children are still learning LITERALLY EVERYTHING. like, I said the word "collision" when two of my kids ran into each other the other day and then had to have a like 10 minute conversation about what that word means and why I said it. Everything in the world is a new experience for them, including morality, storytelling, and social interaction. there's a specific, scientifically documented developmental stage (usually between ages 2.5-3) where they learn for the first time that they can lie. before that stage, they genuinely don't understand the concept that something can be fake, and it often takes even longer for them to understand that other people, especially adults, can lie to THEM, too. everything in their world is true unless proven otherwise, which can be a scary way for adults to hear religious concepts addressed, since among adults that kind of rhetoric very often goes hand in hand with radical beliefs or conspiracy thought. but for a child, it's just an age-appropriate way to conceptualize religion.

children of that age are also very self-centered in their thinking and largely assume that their lived experience is the same as everyone else's, and that anything outside their own little world doesn't exist. we almost all assumed as kids that our teachers lived at school. I once had a kid with lesbian parents ask me where my 'other mom' was. children I babysit for will very often be upset that I don't inherently know where things are in their house, because to them it's the most obvious thing in the world. they're still developing empathy and the ability to think from someone else's perspective doesn't exist yet. again, irt religion, when that kind of sentiment is expressed by an adult it's usually a supremacist or evangelical who believes that all other religions are inherently evil and their religion is inherently good, but that's not what it means when a kid expresses self-centered thought about their religion. it just means that they haven't yet learned that other people view the world differently.

[ruporas]

hello there, angel

[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. Vash is sitting facing the viewer and holds a rose between his clasped together hands, but he’s looking to the left, upwards, at Wolfwood, with an awed expression. Wolfwood hovers over him with wings sprouting from his back. He has a cigarette lit between his lips, his arms and legs are crossed, and he looks back at Vash with a neutral expression. The both of them are covered in a blue shadow, casted by Wolfwood and his hovering form, while warm light hits the back of his wings and over Vash’s legs. Small feathers sits next to Vash. End ID]

[kaidatheghostdragon]

Dani x Jason Prompt

(Because i dont see enough of these two together. Also, this is another prompt i found in my fic files that i never did anything with.)

While Danny is in Amity Park protecting the ghost portal, Dani explores the world. Danny might be powerful enough to put down any threat, even Ancients, but she isn't as lucky. Her best defense against Vlad or the GIW is to never be in the same place two days in a row. Not to say she isn't powerful in her own right - she's yet to meet a ghost in her travels that she couldn't utterly crush, and even if she had, she's got the most loyal dog in both this world and the next to have her six.

Dani has discovered a great deal of beauty throughout the world in her few short years of life, but also unfathomable evil and undescribable corruption. She does what she can in every place she passes through, her ghost powers the ultimate cheat code for investigation and subterfuge, bringing to light the things that once hid in the dark.

But while scoping out yet another child trafficking ring, she crosses paths with a spirit of vengeance. At least, that's the only explanation she can come up with for how he's able to turn his shock and horror into pure rage at the flip of a dime.

Until she realizes that he's a baby halfa. If he doesn't learn how to mediate his emotions, he's going to burn out one of his halves.

Maybe she can help him stabilize into a proper spirit of justice and keep him from following the path that Vlad went down - oh shit, he doesn't even know that he's undead. Well, this is going to be a project and a half. But Dani is nothing if not resourceful - she's more than willing to put in the work if it means making an ally of the fourth known halfa.

Featuring:

Dani and jason are about the same age (16-17ish)

They run into each other during jason's LoA-sponsored world tour, investigating the same trafficking ring

Cujo is there too

Dani totally helps with the crime lord grand plan, but also wrestles jason down from the more messed up family drama stuff he did, like attacking tim, and knocks some sense into him and finds a better solution for dealing with the joker

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

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heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[lesbianfakir]

If you think about it the song discord from my little pony fame is a perfect princess tutu song. You know who else is not a fan of puppeteers. You know who else has a nagging fear someone else is pulling the strings. Where is my amv

[creativity-deficient]

Why are people always so shocked when South Park handles a topic well?? I’ll see so many articles that are like “wow even SOUTH PARK is calling you guys out” tf you mean? They’ve BEEN doing this??

[lucabyte]

transfem loop + siffrin... you agree

i does agree.... i does in fact ... write a 7k word essay on the subject..... if you would like to perhaps click that link and read it if you were not already aware...... kisses u on the forehead......... sorry its that long but i had to cover all of my bases you know how it is with textual analysis when you're trying to draw a distinction between "headcanon" and "reading of the text" because those are different things.... to meeeeeeee.......