#I mean I always don't really 'need' a new show because my primary form of entertainment is watching cruise reviews for some reason
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idonthaveacontract · 1 year ago
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not to sound like someone who censors words a la “unalived” but I do have to say that I appreciate that mad men is deep thought provoking prestige tv I can enjoy without wondering who is going to be brutally murdered next
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starlitprism · 4 months ago
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GMing and Cooperation
So you're probably thinking "oh like a tabletop game. Cooperating. Telling a story together" and you're right! Sorta. We're getting more specific than that. I am going to start by posing a question. When does character creation end? Does it ever? Does it have to? Should it?
I don't know about most people but I am one of the people in my friend's group who is almost always the GM of her group. I like GMing. I love telling a story. I also sometimes want to let loose and not have to craft something from the ether for several others... but not completely.
See, I have a GM's love of creation and that means I have a really hard time, well, not creating. So I talk with my GM (another forever GM) and go over thing after thing after thing proposing ideas, giving my thoughts, sharing my character's current state of mind, and possible ways to take the character in the future. We're in near constant dialogue at least insofar as in between each session I bring up the character at least once or twice.
And some of you might ask why? Don't I want mystery? Don't I want to be surprised? YES. I live for it actually. Curiosity is one of my primary motivators as a player. Few things will invest me more than a mystery to delve into (the other way being excessive emotional and consensual stabbings of myself during the game in the form of shit happening to or around my character). And this need not get rid of ALL mystery! The other reason being I literally told my GM to "make me bleed" and then point out the various ways she could emotionally stab my character and myself. It's very helpful
Not all GMs want to talk this much I imagine. To have a player so involved but I want to advocate for it anyway. It's a cooperation between the player and the GM to craft a story. Maybe you don't know the ending but sometimes it's ok to know a few story beats. It removes some of the pressure from the game master or whatever your term is and instead, you give something to them. A tool. An outline. Jolly cooperation at its best.
Hell, most recently my character started planning for a party for example (see here: https://www.tumblr.com/starlitprism/757035153048715264/me-to-my-gm-ok-my-character-is-prepping-for?source=share )
Now I could have left this stuff up to the GM but I didn't. I came back with a party playlist, party games (mechanics included), and a guest list. I largely just built it all for her. Because my character was making it. Why shouldn't it have my touch all over the damn thing? PLUS it let said GM focus on my oncoming possible demise (and the demise of the multiverse. Not my fault). I admit this blog post is less an argument for this as much as examples of it working but I wanted to write it anyway as a sort of recommendation to try it. To talk to whoever is running your game and ask them "do you want to work together?" It will make it easier on them and will let you have more say assuming it is agreed upon.
A tabletop game is not somewhere where one person runs the show and the rest are there to passively watch. No. It's collaborative storytelling. So why not collaborate? And who knows, maybe you'll bottle some lightning together
And no I don't expect this to be entirely new. I just want to share something that has brought me SO much joy for so long.
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fairuzfan · 11 months ago
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re: your post about "screenshots aren't news". lmao? what do you racist clowns want us to do? wait until clarissa ward and jake tapper decide they want to do their jobs and report the truth instead of regurgitating zionist propaganda and supporting a genocide? stupid ass take.
But that's the thing Jake taper, Anderson, all those people ARE doing their jobs now. Their job is to be an arm of the imperial machine. Like they're not doing anything exemplary in regurgitating propaganda that's how they always have been. That's why primary sources are usually your best bet. Sometimes, yeah, you need to be explained things about a situation but you can find that out FROM the communities themselves instead of secondary and tertiary sources.
Even in research contexts (sorry for academic posting...) but ideas and analysis are considered more intellectually valuable when theyre interacting with primary sources. But usually people reject the idea that people can tell their own stories in an "unbiased" (whatever that means) way. Of course my viewpoints are informed by my understanding of the world that's the way being alive works lol. Does that make me an "unreliable" source for things directly happening to me?? What an incredibly racist take to say that communication networks outside of the state mandated ones are less valuable or somehow intellectually inferior.
I think you should try to source your news always and pay attention to who you're boosting, yeah, but like no one who is saying "screenshots are not news" are saying that they're just saying "you all are stupid dumb dumbs for believing Twitter lol" like hello?? It doesn't even make sense like Twitter is just one of many ways to communicate. And yeah sure twitter and facebook are designed to make you as angry as possible in the algorithm but like you can counter that actually by going. To individual accounts. And seeing what people share from sources you trust. But to completely reject the idea of social media as a viable way of communication BECAUSE of the algorithm is just admitting to me you have no idea how to vet sources yourself. If you see mis or disinformation yeah call it out but to assume all things you see on social media are untrue just by virtue of it being on social media is a ridiculous take. Making blanket statements of "I see soooo much disinformation these days" without specifying what you mean and trying to sow doubt in spaces that already are prone to being doubted is equally as malicious.
It actually makes me really really annoyed because it just SHOWS they've never been demonized by public press or inherently distrust them. Like bro we (people around the world) have been communicating about our circumstances through whatsapp groups for YEARS because no one will report on our circumstances and now that you realize people have different forms of communication other than CNN BBC all those places you're like "oh actually I'm going to define news into stuff that's only state sanctioned." Ok dude like you guys have no idea how the world outside of your position of CLEAR power (ie people who implicitly trust major news networks without clear detriment) works and how people around the world communicate in a myriad of ways.
It's like so malicious in its intentions and I don't understand how the same people who parrot this don't realize they're also disenfranchising themselves with their viewpoint.
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get-rammed · 1 year ago
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Can I get an info dump about Rodney?
I know he's a bastard as well as a bit of a soft boy with a praise kink, which really intrigues me.
I will always take opportunities to spew about my silly bug boy. This is Rodney Osmund
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He's a character of mine.
This is his true form, and secondary form. The humanoid one above is his tertiary form, and what I usually draw him in.
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He's had many names and many lives in his history. Within the universe I've made, he's a Fiend and can die and be reborn any time Trevor dies. Trevor being one of his 3 siblings. Veronica and Caroline being the other two.
He was once a Warlord by the name of Bog Belly. A scourge upon man and Demon (Demons being an alien race by the name of Tymos who eventually just adopted the name Demons as a secondary and or primary name)
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Bog Belly slaughtered thousands simply because he was born angry over and over again, and wanted to have everyone under his heels. No truama there. No reasons. Just a dick because that's his true nature. Though he was kind to his cult members, and his breeding stock.
But roughly 200 years ago, his sister Veronica defeated him in battle. Ending his reign of terror. Veronica heads a group called the Hunters. They were formed specifically to track and kill Bog Belly. After that goal was completed, they more or less ended Warlords being a problem, and now are a government body.
Veronica is the bad twin between herself and Caroline. So she saw zero issue with parading around a defeated Bog Belly. Forcing him to be an act of sorts for a few years before making him work with Colton (Trevor) to improve his morality.
When James (Trevor) picks a fight with his sister and gets all of them killed, they're reborn into their new and current lives.
Every one of Rodney's parents have always been cruel and mean to him. Forcing his nature to always be mean spirited. Except things were different this time.
Rodney's mom was endlessly patient with him, and always showed him true compassion and love. No matter what he did. Rodney is her baby boy, and he's an absolute mama's boy.
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Being there for him as he spiraled into drug problems, and there when he cleaned up. He loves his mother. The first person he's ever truly loved.
So when he regained his memories and his full personality, he was far more docile than he had ever been. Not to say he's not still a bastard. He would absolutely kill you with zero hesitation and not even flinch as you cry for help.
But he's definitely trying to feel more empathy and understand what it's like to be normal. But it's a struggle for him. But he is trying.
This man needs. A lot of therapy lmao.
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- He hates going to Hunter bases because he's been assaulted a number of times in a multitude of ways.
Rodney leveled a Hunter base in Ohio because of this. He's banned from the state of Ohio. Veronica covered this situation up as she understands why he did it.
She doesn't know he's still assaulted at some bases :( and he won't tell her because he doesn't believe anything will be done about it.
- Rodney can open his pupils to freeze in terror whoever looks at them, in place
- Rodney had front horns like his sister Caroline, but Trevor snapped them off in a fit of well deserved rage.
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- Rodney overall is a dick (but he's trying to get better), and uses sex, various drugs, and alcohol to try and survive instead of getting therapy.
- He is taught about in schools as a part of history. People recognize him sometimes and point and talk about him. He's used to it and generally just ignores it.
- Even though he's trying to get better. If given the chance to get his power back. He would. With no hesitation.
- Rodney uses humor and acts like a dipstick so people don't expect too much from him. It upsets him a little hit to be labeled as a man whore who has no real thoughts besides memes, but he also knows it's better than the alteratives.
- Fiends have incredibly low fertility rates, but Rodney has eggs. He has roughly 100 kids, but he acknowledges none of them. "You're my son? And? I ain't got shit for you besides some protips. Get away from me or I will kill you."
- Rodney's spit is dual functional. It is both the most caustic venom known to man or Demon kind. But it also a heavy aphrodisiac. It completely depends on his mood. So it's a risk if you kiss him lmao
- He has a motorcycle and often will still ride it around
You can read more about him, his siblings, and the universe overall here. Just as a warning though. It's long lmao
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epicspheal · 2 years ago
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Get Ready! Here I Come! A Wally Analysis
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Oh Wally, one of my favorite rivals and Hoenn Characters! He's definitely one of the many characters from Hoenn that was definitely benefited by the ORAS storyline adding much needed character development and screen time.
Wally as a character broke a lot of molds for his introduction in gen 3. He's the first rival to not be the first battle or get one of the main starters! He's also the first rival to be a secondary rival (as Brendan/May are the first) but ultimately become the primary rival as Brendan/May pretty much give up on keeping up with the player by Lilycove.
Let's start with Wally's name, in English Wally is derived from "Wallflower" which is a term for people who may come off as either shy, awkward and/or introverted. In Japanese, his name is Mitsuru which can mean "to be frail" or a reference to the crane ("tsuru") which would then reference the thousand origami cranes that are often given to people who are seriously ill. Indeed a lot of the names he has across localizations seem to reference his him either being shy or frail.
Which makes sense given that when we first meet him he's is quite sickly and rather shy (the shyness is much more prominent in his animations in ORAS). Based on what we know about his condition (needing more fresh air and it improving as he was able to travel more) it's likely he had asthma, which can indeed improve as you grow older (provided it doesn't come back, like mine did). Wally's introduction being the catching tutorial is probably one of the best of the series simply because it involves the growth of a new character instead of just it showing the player (who most likely already knows how to catch Pokemon). It's really nice to see Wally so excited about catching his first Pokemon. This is magnified by the fact that when you look at his room it's filled with a lot of textbooks on how to catch Pokemon, showing this was a major dream for Wally for the longest time and now he's finally getting a chance to fulfill said dream. Wally's introduction is probably my favorite of any rival we've had in the series just because of how sweet it is and how creative they were by using his introduction as a tutorial.
Now let's step back for a second and look at Wally's team. His signature Pokemon is the Ralts line with him evolving the Ralts he caught in the capture tutorial into a Gardevoir in Ruby/Sapphire/Emerald and Gallade in Omega Ruby/Alpha Sapphire. Both Gardevoir and Gallade evoke guardian angel and knight vibes with their Pokedex entries and appearances. You would think this would mean that Wally is a guardian/protector…but really this involves Wally being the one needing protecting. Obviously as the trainer Wally does take care of his Pokemon, but given his sickness he relies on his Pokemon. IN the first match we have against him in Mauville City, his Ralts has Teleport, which is a great move to quickly get you back to the last Pokemon center. Perfect for someone who might get sick and need to leave an area immediately
Indeed Wally makes multiple mentions to relying on his Pokemon
"I'm always relying on Gallade. This is my chance to help him out for a change." <- Serena's Dessert Party Story Event "When I was younger, I wasn't able to get outside much… Spending time with Pokémon helped me get better." <- Random Conversation in Pokemon Center in Pokemon Masters Ex
It's really cool to see this play out with a major NPC as most oftentimes in the game we don't really seeing humans actively needing help from Pokemon unless they are minor NPCs
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But then let's look at the rest of his team when he fights you at Victory Road. It consists of a Delcatty, Magneton, Roselia, Altaria and the Gallade(ORAS)/Gardevoir(RSE). What's interesting to note is that outside of his starter most of his Pokemon's base forms can be found near Verdanturf. Skitty can be found Route 116 (on the other side of Rusturf Tunnel which connects Rustboro and Verdanturf). Roselia is found on Route 117 (connecting Verdanturf to Mauville City. Magnemite can be found in New Mauville but also in horde battles on Hoenn Route 110 (which is just underneath Cycling Road which is near Mauville). Swablu is the mon that's found farthest away on Routes 114/115 which are close to Meteor Falls (easier to get to via Fallarbor Town but you can go up through Rustboro City).
This is interesting to note because it gives the impression that Wally stayed closed to his Uncle's House in Verdanturf when initially catching and training Pokemon. Presumably this is so one he can boost up his confidence and two to help build his stamina as the air there is a little cleaner and would help improve his respiratory condition. This is something I really like about Wally in the fact that he has far more humble beginnings compared to many rivals who often get traditional starters and come from rather privileged families. I feel like he's more emblematic of what the average trainer would go through normally in the Pokemon world, which makes his true strength later on that much more impressive.
Now we don't see Wally much in our Gen 3 playthroughs and some players express frustration about that because we're used to having rivals challenge us on a more constant basis. But actually makes sense given this line of dialogue
"I lost to you, , but I'm not feeling down anymore. Because I have a new purpose in life. Together with my Ralts, I'm going to challenge Pokémon Gyms and become a great Trainer. Please watch me, . I'm going to be stronger than you. When I do, I'm going to challenge you to another battle." -At his Aunt and Uncle's house in Verdanturf
He expresses the desire to challenge you again, but he wants to build up strength before hand. Again subverting the rivals before him (even Brendan/May in the same game until Lilycove where they give up) he doesn't see himself as better/more experienced. So his loss doesn't affect him the same way. He knows he has a ways to go and decides he wants to focus on building himself up before challenging you again. And going back to his team composition he really wants to be sure he's prepared so he sticks to a small region of traveling before branching out. Which no doubt helps him conquer the gyms at a blistering rate. You'll notice around through the game that if you check the gym statues his name actually appears first on gyms. Because like Blue and Silver he ends up outpacing you. In ORAS the News portion of the Pokenav actually comments on a trainer who is conquering the gyms at a blistering pace which we'll later find out is him
"Oh, ! I…I left my uncle's place in Verdanturf without telling anyone. I wonder if he's furious with me… , you understand how I feel, don't you?" <- Wally in Emerald on the Match Call after you beat Flannery
This is a line that stuck out to me even as a kid playing Emerald on GBA SP. He actually snuck out in order to continue training his Pokemon. But he feels bad for doing it because on some level he understands that his family is just trying to look out for his health. But also he still wants to make his dreams come true even if it upsets them. It's also really nice touch in Emerald when he does call you because it shows he really considers you to be a friend even though you guys don't see each other much (one of the many reasons I wish we would've gotten Delta Emerald just to keep the Match Calls because they provide a lot of insight to the Hoenn cast, among other things).
In ORAS at least it seems to be less of a sneak out thing as we do see him in Petalburg after defeating Norman and he does get his dad's encouragement to continue traveling, with both Norman and his dad remarking on our strength as we head on out.
We don't see Wally again until Victory Road where he surprises with a battle and in ORAS giving us one of the best themes of a Pokemon character EVER in my opinion. Since Hoenn was my introduction to the Pokemon main-series games and Wally was really my first true rival of the series hearing the epic music and seeing the visual was amazing. It brought a tear my eye, honestly. Also just seeing how his animation in ORAS changes where our first battle he has a very timid look, but on Victory Road he challenges us with a more confident stance showing how much he has grown. And when he loses he expresses frustration.
We see him again in ORAS in the Delta Episode being harassed by either Courtney or Matt for his Key Stone after he already had his stolen by Zinnia which he'll eventually get back. But when we see him at the Battle Resort we notice something a bit different about him. He seems to be a little bit more impatient, running so fast he knocks the Team Aqua/Magma admins aside. He does apologize to them afterwards, but it's definitely a change from what we've seen of him thus far. And then after defeating him the first time at the Battle Resort we get treated to this line"I knew my team makeup was still off. Then…I guess I need to take this guy out. No, if I do that, I'll be wide open for… Hmm… Then if I replace this move here… Yeah… Yeah, that should do it! Oh! Excuse me! I couldn't help myself! But you're just as brilliant in battle as ever, <player>! Still, don't you count on me just losing to you forever. I've met a lot of people who have helped me grow since coming to the Battle Resort, and it has reminded me all over again how much fun it is to really go all out in battle! Thanks again, <player>! Let's battle again sometime!"
This is a bit concerning. Now to be fair other trainers who swap out Pokemon. He's not the first or the last. But you can kind of tell how serious he's become about trying to win. When we battle him he drops his Delcatty and Altaria for Talonflame, Azumarill and Garchomp with rather strategic movesets.
And then we get to Pokemon Masters. Specifically the Melancholy Wally event where he's paired up with a shiny Gardevoir. He really wants to team up with Diantha who refuses because she says he "lacks something". Which he takes to mean as strength when she really meant how he and his partner shine with their bond. And as we see throughout the event he is actually really prioritizing winning and technical battle stuff over just bonding with his Gardevoir, causing it to disappear. Which makes him really upset leading to this heartbreaking line "Is it because I'm weak? Do you not like battling with me anymore?"
We see Wally does have a bit of a complex, no doubt influenced by him being a sick shy child who was a little overprotected by his family. But then when he sees Noland teaching others how to battle he remembers something… "Although he lost the battle...he looks so happy..."It's all coming back to me...I was once like him...And it was so much fun. But now, all I think about is winning or losing...And I'm not enjoying Pokémon battles like I used to... ... ... ...Now that I think about it, when was the last time I had fun with Gardevoir? I should apologize...I was horrible to Gardevoir!"
He realizes where's he gone wrong. He's too focused on the outcome of the battle and forgetting the most important thing is about maintaining your bond with your Pokemon. And this again goes back to that post-defeat quote at the Battle Resort. When he started to care more about winning and optimizing tactics over bonding with his Pokemon.
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With the recent Galar Neo Champions promos people have been joking about how he was paired with the jerk rival Blue, Silver and Bede. When you look at the Melancholy Wally event and his dialogue at the Battle Resort, you realize this was intentional. Because while he may not tease or put down others, he is very much falling into the "jerk rival trap" of caring more about strength over just enjoying time with their Pokemon. Luckily on Pasio he seems to be just like Blue, Silver, and Bede, overcoming that pitfall. This is something I really appreciate about Wally because it's nice to see the friendly rivals fall into bad-Pokemon training habits. Just because you're not strutting around thinking that you're the best thing since slice bread doesn't mean you can't have nasty traits or habits that need to be broken and I kind of wish they did that more often because it's rare to see.
But yeah Wally's a super interesting character who proves you don't need to have a lot of screen time to make a big impact.
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muthaz-rapapa · 1 year ago
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Hirogaru Sky Impressions (3/5)
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Alright~
So we're more than halfway there. Excited for leaks season yet?
Show is still going good despite the last 10 episodes being mostly filler. I don't have anything to really complain about since as far as fillers go, the quality of HiroPre's is definitely better than those of previous seasons.
But me being me, of course there is going to be some form of criticism so let's gogogo~ and get that over with.
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Again, the fillers are quite enjoyable but ever since the recovery of Captain Shalala, doesn't it feel like we've gone too long without any plot-related episodes?
Thankfully, it seems they're getting back to that with ep 31 next week. But even so, the lack of clues or hints about the Undergu Empire and the reason for its antagonism dragged the show's momentum slightly. So it felt longer to get through these 10 weeks.
"Filler doldrums" as I'd like to call it because tuning into Precure weekly became more of chore than something to look forward to.
But it wasn't that bad so let's hope the next 10 episodes will be more balanced.
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Moving on.
I spoke too soon on not having to worry about the handling of Mashiro's character arc anymore. Why am I surprised, though? Whenever I let my guard down, my expectations are always betrayed. Oiy.
But honestly, they got me all hoping and excited since they actually gave her potential content to work with. Like her taking an interest in creating picture books. Or even her cooking skills or passion for makeup. Or her long distance relationship with her parents. That's quite a bunch of material to expand on for her.
Instead, she's been regulated to the passenger seat again to let Sora drive.
On one hand, I understand and can accept that Sora would receive more focus since the she is the main character of the overall story. Her coming from another world and therefore being a fish out of water bird out of Skyland when it comes to most things Earth-related...along with being someone who's never had friends before due to spending most of her time training are all prime real estate for development.
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However, you can't deny that there is a blatant amount of lead favoritism.
It's not as bad as previous seasons since the writing for HiroPre is a lot better. But when the rest of the cast individually gets one episode of spotlight for every five or so the lead gets, it can be tiresome or even suffocating to sit through.
...on another note, my theory about Captain Shalala possibly being a double agent for the Undergu Empire turned out to be wrong after all. But I think having the enemy take Shalala hostage was the more suitable direction to go for breaking Sora down in order to let her renew and restrengthen her resolve as a hero. The loss of respect for your idol can be a really difficult thing to bear and that might be too harsh a topic for Precure's target audience. It achieved similar effects to the Broken Pedestal trope anyway so no complaints there.
Anyways, we may have broken the Pink trend this year but I'm not optimistic it will stay that way as long as there's always one primary lead in each group. Frankly, I think we're going straight back to special Pink treatment for another 4 years before 25th anniversary but that's a thing to worry about later.
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As for Tsubasa and Ageha, I was more satisfied with their focus eps. Mostly.
Tsubasa's always teaches you something new. I really liked the one about branching out your dream, which is something we all need to hear should we ever reach our goal or get stuck on what to do next. And Ageha's most recent one with her older sisters and her parents' divorce when she was younger provided more depth into how she became the person she is today.
But I wasn't pleased when the Peach airline promotion ep that should've been about Mashiro spending time with her parents went to Tsubasa instead. I mean, Tsubasa showing off his airplane knowledge is always amazing but...ngh, they really don't care for Mashiro, do they?
Another thing. I became a little concerned about the portrayal of Ageha. She is shown to be consistently confident and composed in most things she does...but most 18-year olds aren't like that. So I worried for a bit if that might've sent an unintentional message that "you should be as competent as Ageha when you reach adult age" which is like ehhhh......not true.
Though it's only a flaw you notice if you're incredibly scrutinizing like I am. And given Ageha's personality, there's nothing wrong with presenting her as such cuz she wouldn't be Ageha without those traits. But definitely think of her more as a role model instead of one to emulate, that's all.
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Right so, next week...is not the debut of Cure Majesty.
YET.
But very soon. Maybe even the week after? September titles haven't been released yet (as of checking right now) but with only...wow, 18 more episodes to go, they better make the best of it.
I don't think Ellee-chan suddenly getting older will become too much of an issue with pacing...as long as they don't put her in school if she still largely retains the mind of a toddler.
Or maybe she'll only grow older when transforming into Precure and return to being a baby during off-hours? That'd be interesting...it wouldn't be as fun as seeing her more grown up, yea, but it'd be unexpected, at least.
Whatever. Just give me more lore and I'll be good.
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Finally (haha), let's talk about the future of Precure for a bit.
This season is obviously not going to be the last of 'em. If it was, they wouldn't try to scare you with it in an All Stars movie preview of all things. They'd likely do it the boring way by just announcing it in the news. :P
Anyways, we can definitely expect the franchise to continue for another 5 years. 25th anniversary is something Toei absolutely has to aim for because it will be a double milestone.
Quarter of a century run for the Precure franchise.
And (if my projected calculations are correct), if we keep to teams of 4-5 every year up until till 2028, we will hit over 100 Precure total.
Pretty exciting, yes?
With mixed-gender teams no longer being just a dream (look, Cure Wing even made the news! WAAAAHHH!!! xD) and upcoming projects like the Otona Precure series and the all-male Precure stage play in the works, it's definitely a confirmation that this franchise has no intention of ending any time soon.
If you want more consumers of your product, you need to accommodate for a variety of people and all sorts of new and different ideas, aspects and tastes.
Formula they probably won't budge on too much (not for the main tv series anyway) but there always will be other rooms to explore, y'know?
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Ok~ So Precure won't be ending but summer is~
Hope everyone enjoyed it in spite of the heat and best of luck in school or whatever your future endeavors are!
See you in another 10 eps! (^ _ ^)/"
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butchrobin · 2 years ago
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an eleven + mileven analysis (a kind of character study)
i don't want a mileven breakup just because i want byler to be canon, actually my primary reason is because i want el to be on her own. i really don't think mileven super fans understand her character at all, at least past the "protagonist with telekenetic powers dating mike" - she's a child who was raised in a lab all her life and went through an immense amount of trauma before the events of the show even began.
when mike and the party found her, she could barely form coherent sentences. she was young, naive and knew nothing about the world or how it worked. mike literally had to explain how family worked to her because she didn't know. the only thing she had known was "papa" and nothing more. when mike told her how nancy was "gonna be like a sister" to her and el asked if that meant mike would be like her brother, it just clearly shows she was not at all ready to be in any kind of romantic relationship at all. and yet, mike kissed her anyway.
another point i want to make is that any time el has some good, and i mean really good character development or some kind of journey of self discovery, it's without mike. we see this happen multiple different times throughout the seasons. like season 2, when she finds a home with hopper and builds up a father-daughter relationship with him and finds a place for herself. in season 3, when she dumps mike and has the time of her life without him with max instead, she was discovering the thrills of a genuine friendship. and more importantly season 4, when she overcomes her traumatic experiences in the lab and faces brenner again. she gets her powers back and does it all without mike constantly by her side.
there's no development with mike. BOTH their characters seem to have some kind of growth or arc without each other around (el getting her powers back, mike doing his thing in california) the thing that gets in the way of that character development is their relationship. s3 they spent the majority of their screen time together making out and what we see of them in s4 is el blatantly lying to mike at the start and them arguing with each other because of issues like that getting in the way.
el is still new to the world. it's only been 3 years since she left hawkins lab and i feel that's something that gets overlooked a lot. she's barely had time to process everything, to actually live her life on her own and be free without being restrained by anyone - mike included. to me it's like her desperation to hold onto her relationship with him is because technically, it was the first normal thing she clung onto upon escaping the lab. mike. he was always there. and with trying to learn about how the world works, of course she's bound to attach herself to love, boyfriends and what was considered the "perfect" life to a lot of people around her. it was all she knew. but i reckon she's starting to realize she doesn't need to hold onto that anymore, that she can let go. mike included, his s5 arc may have him also learning to let go from something he thought he needed (bc like el, he clung onto societies ideals of a perfect, normal life) so he can realize what he wants too.
i feel that their time apart is building up for their eventual and mutual breakup, again, not because i'm so desperate to have byler canon but because it seems like the best narrative choice for them. mike can do whatever and el can finally stand on her own two feet, with nothing to hold her back so her character is free to grow.
tldr: milevens need to consider what's best for eleven and let her be her own person for once without constantly adding mike into the mix. just let her stand on her own two feet so she finally has room to grow i beg.
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boopidyboopidyboop · 1 year ago
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Howdy!
I recently saw a reply you made in a post about feeding unfinished fic to large language models like ChatGPT. In there, you said that free-to-use AIs are "free to use because the company who makes them is actively profiting and taking aspects like phrasing, style, etc." I've heard of variants of this idea but could never figure out where it came from. Can you tell me more about the origin of that?
Well I'll start off by saying I'm not an expert in the field, and that AI technology is actually relatively "new" in terms of very recent rapid developments and it's in this stage where the future is generally uncertain. However, as early as now, people are already using AI for commercial works. There was a movie announced where all backgrounds were made with an AI, and a manga that was made near entirely with AI. The rhythm game Cytus has recently drawn ire from fans and even its own creators and designers for using AI generated art instead of the very stylistic art it used to use. The moral and economical issue here would lie in that they still charge the same amount for the game and it's already a game that is criticized by some for its high price point compared to other rhythm games. So not only are they earning more, in a way are putting less effort into the game. Those who purchase it would essentially be paying more for less and the money would not be going to the artists because their styles will have been copied but they themselves wouldn't be credited or paid.
Now for a more direct example, I've also heard reports that publishing houses are being spammed with hundreds of purely AI generated work. This of course directly negatively affects writers trying to get published if only by uhhh what's the word,,,, adding a bunch to the pool (sorry English is my third language).
I myself do writing for companies overseas by editing and writing the info on their websites. As someone from a third world country, this contributes to a good chunk of my income as the local economy is not great. Due to the recent popularity of bots like chat GPT, the market had dropped by a LOT and while at first it was my primary source of income, its not really sustainable anymore.
Now these examples don't all use language based examples but they do show that the creation of AI art forms so far is mostly just harming artists and from the examples such as Cytus and just,, life in general I suppose, as "young" as commercial AI is, we can likely assume that corporations don't intend on making their AI for purely wholistic reasons. The art AI midjourney was even found using stolen art after saying that they don't. AI writing, I believe, is going to be more finicky than AI art and as such, I expect theyd want to do a lot more fine tuning before using it to write whole textbooks while art bots are already being used on book covers and movies, only because you don't need to fact check art.
Sure people can see something is wrong, but with the sheer amount if it used, it's rapidly adapting to fix the anatomical issues in its art. Written work I think would need to be double checked a lot and by a human before they release one making bold claims such as "You can't buy food but you can buy paint thinner from home depot instead" (an actual AI result generated by Quora when I was trying to find a place to eat that Google tool as the top rated answer on the website and proudly presented to me). But that doesn't mean it won't eventually go as far as to take someone's job entirely. It's already starting to take mine.
For a clear cut example, sorry to say I can't name one myself, but you can look at the way AI is already being used this early on and how it's already being used to substitute and replace some artists and writers and how apparently even fanfiction writers who do their work out of love, and look just a few years in the future based on the patterns that have been happening and the way corporations will always value profits over the heart of what they make, and for most the picture of what will happen is a very grim one for art.
The "Origin" of it differs from person to person. Some artists have seen their art put into AIs and their styles mimicked (art which will be very difficult to claim the person who generated it shouldn't be allowed to use for commercial purposes). Some writers who write more boring industry stuff that is very easy to mimic are getting their jobs taken away from them. Others without firsthand experience can only look at examples or patterns and infer a probable and large scale outcome similar to that of Cytus. All in all, to me the backlash and opinion that AI is copying peoples works is more of a social movement with no clear cut origin but a lot of evidence that points towards AI generated writing and imagery being a bastardization of the work of hundreds even if it's just a lot harder to see when it comes to a non visual form of art like writing.
Hmm I think if you want a clearer answer or example, the best personal one I can give you is an article I edited which was so poorly written I sent it back and they had a different writer do it. When it got back to me it was better, but extremely familiar. It repeated phrases from the OG article and had the same problems I had noted (strange wording, odd vocabulary, etc) so I asked them if they had wrote it. Apparently they just put it into chat GPT and told the bot to rewrite it without changing too much, so the bot mimicked phrases and words but changed the flow by adding conjunctions or paraphrasing, but to me, who has read the first persons work several hundred times, I still recognized the style, if I can call it that. The person profiting wasn't Chat GPT, but if the state of AI art is anything to go by, in a few years it could very well be.
(sorry about the long reply and if anything is messy or hard to understand. I am not an organized thinker.)
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yourunholyeditor · 7 months ago
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hi id like to request a bg3 matchup ^_^ i'd like male matchups and keep the rating to a T. i would be a druid/ranger maybe.. but feel free to choice one for me. keep the reader gender neutral as well. i also would like the romancable cast only bc im still not so well versed in the game tyvm.
im an introvert, very quiet and calm and rather hard to provoke to actual anger. i'm easily irritated, lack patience and have a pretty sharp tongue with people who don't really think things through or lack my idea of what common sense is. im very loyal and reliable as told by my friends and act similarly to a nagging aunt of sorts?? i'm rational, ambivalent and rather stubborn in the things i do but i relent quickly depending on the severity/how easy it is to take care of. at times, i'm rather gullible esp if someone is lying for the fun of it.
i've been told it's easy to be around myself as a person, and people are really comfortable to be themselves in my presence. generally, i'm very blunt since i don't know how to phrase my words any better and some people (& even friends) at times, take the things that i say the wrong way without meaning to. i tend to get along with most people as long as they deal with the same mutual respect back.
i'm rather sarcastic and tend to tease a lot out of the fun of it. it's really easy to get me flustered though, especially with flirts but the first thing i do is laugh and seem terribly off-put by it all (according to what people have told me) 😭 i have been told that it's hard to know what is going on in my head because i don't project things outwardly. in general, its hard to get to know me because i won't say anything, and i mean anything at all unless you ask. like an air of i have going on i think but i haven't tried to change it either.
i wouldn't really consider myself the most passionate person either but i enjoy listening to those who have one. it really makes me happy to see people enjoy the things they do. in a sense, i like when people have the things that i lack (energy, passion etc) i just love seeing it reflected in other people which is nice. if you get to know me better, im a really nice person i swear 😓 i just have a hard time showing it at first (& in general). hobbies include art and gardening but everything i grow tends to die. im also learning to play the bass guitar as well. im not really picky in a partner but personally i cannot take overtly clingy people or superficiality at first glance unless they might change overtime. otherwise.. just simply be normal.. or a least a mostly moral person bc im not the most moral in some cases either.
thank you and have a good day/night ^_^
Class: Rogue
Explanation: Your ability to navigate social situations combined with your preference for listening and observing rather than actively engaging are great characteristics for a rogue. Your sharp tongue and adaptability align with the wit and cunning often associated with rogues, and your gullability when it comes to lying makes me think being a rogue class would suit you more than the bard class.
Matchup: Wyll
Explanation: I think Wyll would appreciate your calm demeanor during your journey and the chaoticness of his life would bring lots of energy and passion into the relationship. He’s also empathetic and open, which helps him navigate your tendency to keep your thoughts and feelings guarded. While you may not be the most passionate person yourself, he can introduce you to new experiences and adventures as the two of you travel. He is always genuine and forward with his feelings toward you. Romantic gestures through gifts and sweet words are his primary way of showing he cares for you. He might get self-conscious of his new appearance at times, so he will need reciprocation in some form from you, otherwise he might not feel worthy of being at your side. Reforming how he thinks about himself and building up his self esteem will be the first stages of your relationship, but after this, he will make sure you’re the happiest person in all the realms for as long as he lives!
fic/drabble below the cut!
GN reader, T rating
Drabble word count: 308
A Toast! To the One I Love the Most
It was nice to witness Wyll in his element at the Elfsong Tavern, ragling the party with tales from his youth over mugs of ale. From pranking the old barkeep to sneaking away for his first late-night tryst- laughter filled the air, mingling with the lively chatter of the taven. Your cheeks flushed as he recounted his teenage naivety, burying his embarrassed face in his hand. Amidst the cheery atmosphere, Wyll’s gazed turned to you, catching the flush on your cheeks. With a smile softened by the warmth of the ale, he drew you closer, his words laced with affection.
“I’ve come a long way since those days, haven’t I, my love?” he declared, his candidness catching you fof guard. Amidst the cheers of your companions, Wyll led you away, seeking a moment of privacy with you away from the bustling tavern. Away from prying eyes, he expressed his concern, apologizing for any discomfort his openness may have caused. You reassured him with a shake of your head “I guess I wasn’t expecting you to say that, that’s all” you replied, appreciating his sincerity.
“If anything ever crosses a line, just let me know,” he assured, his gaze searching yours. Instead of words, you found solace in a tender kiss, conveying your feelings more eloquently than words ever could. He chuckled at your choice of communication, leaning into your body until you pulled away.
“In a love like ours, words often pale in comparison,” he teased, his affectionate banter a testament to the unspoken understanding between you. He took your hand, electing to turn in early for the night with you by his side in the rooms upstairs. And as you shared a knowing smile, basking in the comfort of your shared bond, you knew that with Wyll by your side, every moment was an adventure worth cherishing.
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vaijayantheee · 2 years ago
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I read this post about how Desi Hindu people read books like Rick Riordan's Percy Jackson, Magnus Chase, and Heroes of Olympus series, and feel jealous that they haven't been given the liberality almost (well not really nothing's stopping you hehe) to intake similar content about the characters that come in Hindu mythological epics, mainly because of the reverence that is automatically associated with most characters. I think this is bullshit because our gods literally take human form again and again because they like it. I mean they're gods? They're not forced to do anything, ever.
Krishna is the primary example here! He is literal god in human form, not because he is bound by any karma like us or wants to exclusively help obtain a certain objective (contrary to popular belief!). He says in the Gita that he has no need to take a human birth but does so to go with the flow. Wow. If that doesn't tell us that he might actually like being human, I don't know what else would. In my basest opinion, I think Krishna loves the various interpretations the Mahabharat fandom has provided him with, including his being pansexual (what, which old-fashioned Hindu thought Krishna doesn't know about all the different sexualities - girl he is definitely a pride icon for us queer Hindus VISHNU AND LAKSHMI ARE THE LITERAL PARENTS OF MANMADHA THE GOD OF LOVE AND IF YOU THINK THAT LOVE IS EXCLUSIVE TO HETERO, GET OUT OF HERE YOU'RE A DISGRACE).
Of course, there are the very straight interpretations of the Epics like BR Chopra's tv show or Rajaji's novels, but I feel like Krishna takes everything with love and passion like "oh! You made this? I'M IN IT and I'm the estranged uncle of a twelve year old NRI who desires to overcome her bullies??? GIRL REBLOG THAT SHIT SEVEN HUNDRED TIMES TILL EVERYONE'S READING IT AND ON THE BANDWAGON". I do feel that all of our mythological characters (except for maybe poor Ram and Yudhishthir who encounter too much slander!!!) really love the way in which we have adopted modern writing capabilities to communicate new forms of stories. (Draupadi is sitting on Satyabhama as she scrolls through this... And promptly blushes).
Another aspect of this reverence comes from the fact that the Epics are fed to us as "itihaas" or history, that ACTUALLY happened in India ages and ages ago. It's up to each one of us whether we believe it or not (I do!) but also, it's this fact that makes it so incomprehensible for modern interpretations to take it along in the same successful manner in which Riordan did with Greek, Roman and Egyptian mythology. In that case, I believe we should do what the most magnificent Rajamouli did with RRR. He created an effective story of his own, using basic guidelines of history from Alluri Sitaramaraju and Komaram Bheem's lives that ended up with a great chemistry, and a marvellous story. That's what the Hindu mythology fandom is doing a great job at promoting.
So anyways, here is an untraditional blessing for the Hindu fandom to continue this wonderful service haha: ☺️🌟
May Krishna and all the ships he is a strong basehold of protect this fandom from the evil eye, and may he and his amazing colleagues in all Hindu Epics protect all people of this fandom from getting shouted at by strict, overly traditional family members for having modernist views. May the contemporary thought evolve and nurture our beautiful stories, whether you think they are mythology or history, and may we always provide our epic characters with a happiness that comes from being given different portrayals that stay true to the heart of their roles.
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cinnamonest · 4 years ago
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Zhongli (Genshin Impact) - Yandere Profile
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This man's voice has a POWER over me I SWEAR
tws: yandere, mentions of n/sfw
tws (under the cut): very ddlg-esque vibes, sorta? infantilization, noncon
I'm sorry I get such strong daddy vibes it unintentionally went in this direction, hope that isn't too bad lmao
I’m working on all the prompts I’ve gotten in! I’ve gotten a few so I’ll be working on those.
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What are they generally like? Lucid, aware? Obsessive? How do they behave?
He's one that might be likely to misunderstand his feelings at first, think that he sees himself as a mentor or maybe even an authority figure, someone to guide you and teach you and serve as a dependable partner to your travels. As time goes on, and he begins to recognize how utterly flustered he gets around you, he's forced to acknowledge the actual feelings he has.
While some yanderes with a slight aloofness or pride to them get worse when in love, such as Childe or Kaeya, his drops completely. You bring out a softer side of him, really, one that's protective and tender and loving, so very loving, wanting to be around you, with you. He's certainly an obsessive, protective type, ultimately allowing his protective nature to get the better of him as he demands to know everything you've done, account for your location at every moment, constantly keep track of your habits, inquire about very personal details of your life. If he realizes you're bothered by it, he might draw back a bit, but he's convinced that that's just your perception, that it's necessary, truly, and not at all unusual.
Pet names. Particularly fond of love, darling, and angel. Sweet things that represent what you mean to him -- something precious, something to represent his adoration and idolization.
The primary form of delusion comes from a perception of you. He's obsessive, and idolizes you to an extent. He perceives you as pure, innocent, angelic. The thing is, this applies regardless of whether or not you actually are. If you are, it will solidify the idea, but even if you're not, he will find a way to see you so, anyway. No matter how wise you are, no, you're naive. No matter how capable you are, no, you're weak and fragile. No matter how experienced you may be, no, you're pure. He can always keep this delusion running by bringing into account age and comparison - you'll never be as strong as him, so you might as well be frail and weak. You'll never have lived as long as him, so really, do you think there's that much difference between you and a child, when compared to someone like himself?
How likely are they to kidnap their darling? How quickly will they do so?
Actually highly likely, and pretty quickly. As he observes you, it becomes very clear to him how very fragile you are, how naive you are, you are quite literally too pure, too angelic, to be living in this world with such beings as humans. Fragile, beautiful little things have a place where they belong - protected. Where do we put fragile, beautiful things? We put them behind glass, behind ropes, in pretty cages, in secluded rooms. It's only natural that you, too, need a similar environment.
He's one of the ones that will... Elegantly kidnap you, as odd as it sounds. He's not a brute that would do something horrendous like knocking you out or drugging you, no, he'll find an excuse for you to come to his abode, invite you in, and you'll walk in none the wiser. Only after your in, and the doors close, does he guide you to your new room, calmly explaining that he's come to the realization that you're too fragile to continue your journey, and ought to simply give up on your travels. He knows you'll be upset at first. Like a child being denied, you'll get pouty, moody, you might cry, you might lash out at him. It's predictable. He'll dry your eyes and calm you down, brushing off any harsh words you may have, holding your wrists in his hands when you try to push him away, softly reassuring you that it will all be alright, that you're safe now, and you'll learn to accept this with time.
How difficult is it to escape from them? How do they keep you restrained? How do they deal with attempted escape? 
He would want something... elaborate. He's a man with taste for the most beautiful of things, including yourself, and he won't settle for something as simple as a chain or ropes. No, that would be too simple and brutish, and you, one of the finest things in his life, deserve something equally beautiful and delicate.
He's one of the ones that would go to a great deal of preparation for your arrival. He'd have a room prepared just for you, very ornate, beautifully tailored to you -- the walls your favorite color, the bed made of the same material as your old one, and the whole room completely filled with things you're certain you never even told him you liked. Clothes that fit perfectly to your body. It's frightening how perfect it is, because you know he had to go out of his way to acquire the information to achieve such perfection, but you have no idea how.
Everything about it elegant and detailed, right down to the series of ornate locks on the door. They're some of the sturdiest available, made with essentially unbreakable metal alloys and the most intricate lock systems to date. The windows don't open, and he'd certainly find some way to ensure escape through them isn't an option -- perhaps metal bars, perhaps an unbreakable glass substitute, perhaps merely locating your new home right on the edge of one of Liyue's most beautiful mountains, so that if you were to go out the window you'd plummet to the earth below. He's a bit delusional, but he's not stupid, and he will think through every possibility. Every little detail he needs to keep you safe and confined.
He's certain that, perfect as it is, this room is all you will ever need to be happy. Should you desire anything else, he can bring it to you. You'll never have to leave.
So it goes without saying that it would be exceptionally difficult to escape him. You'd have to find a way through the locks, for which your best bet would be to get some hair pins or tiny writing utensils. Even if you managed it, though, which would frankly be a very difficult feat, you'll have to deal with staying free. Zhongli has ties to the people of Liyue as a whole, and needless to say, he has eyes everywhere. You can't risk appearing in the harbor area, there will be far too many people who would immediately report you, and you'd just be walking right to him anyhow. The surrounding areas also have ties to him, so you'd want to try and reach Mondstadt, as far as it is, which is a difficult travel by foot all alone. You won't get far. He's faster, he's wiser, and he will find you long before you could ever hope to make it there.
However, he's not quite as angry as some yanderes would be about it. He doesn't take your escape personally, no, he blames himself, only calculating his own mistakes as to how it happened. He sees you as something like... a little runaway pet, so naive and dull that you don't know any better than to go wandering off. Or perhaps like a child, just sheepishly curious and wanting to explore, not knowing the dangers of the world. Or, perhaps...
"I haven't been giving you enough attention, have I? That's why you pulled this little act of rebellion... you're hurt by my negligence and wanted to be reassured of my care for you. I'm so sorry... I understand now, love. This was my fault. I've been so caught up with work... I'll delegate some tasks to my workers, and I'll be able to spend more time with you from now on, alright? Don't worry, I'm not angry, I'll take full responsibility. I'll be sure to make it up to you... now, let's go home."
How easy are they to trick, deceive, or manipulate?
Much like Childe or Venti or anyone who has been around as long as he has, you really don't stand a chance. He's an incredibly perceptive man. There's not much to say on the matter, as any attempts will be quickly shut down.
He'd find it amusing, really. Like a child trying to lie, but the evidence is all over their face and hands - it's that obvious to him. It's cute enough that he almost hates having to discipline you for it, but, you have to learn.
How lenient are they? What privileges can you have, and what will you be denied?
He wants his little angel to be safe - and unfortunately, you, being so naive and empty headed, don't always know what's best for you. He knows rules can be hard to follow perfectly, but they're there to keep you safe.
Extremely strict, will want to monitor every moment of your life, every little movement you take, and will insist on watching over you in every task. He'll pick out everything you wear, everything you eat.
Occasionally, if you ask very sweetly, he may take you out for walks in Liyue. Honestly, he'd be lying if he said he didn't enjoy taking you to what he knows are the finest locations, shops with the highest level of craftsmanship, restaurants with a high price tag and reputable food. He enjoys showing off his refined tastes and discerning selective abilities. And honestly? There's a certain... Powerful feeling to knowing you're made aware of the costs when he makes high purchases in front of you... even if you don't realize he's not always actually the one paying for it, or that he forgot mora again but promises the owner to pay later - but he'll make sure you don't know that. You hear the numbers, and your eyebrows raise, your eyes widen. You'd nearly faint if that total was on your responsibility, and he knows that. Which is why he'll simply smile at you, and tell you you're worth every last Mora. He'll buy you nearly anything you may desire. It seems like leniency, but in reality, it's his subtle way of locking control and dependency over you, making you respect him, making you love him.
"Don't worry, love. It's not a lot... Not to me, at least. Even if it were, my angel only deserves the best, no?"
What kind of rules do they have? What kind of punishment would they use?
Oh dear. Again, he's very strict, and wants to monitor everything you do, every little aspect of your life. He decides what you eat, portioning your meals to make sure you're eating enough, he worries about you going hungry during your travels, but luckily you'll never have to worry about that again. If you have a sweet tooth, he'll sigh and worry about your teeth and health, but he'll make sure to account for a little bit of sugar in your day, and will even pick up little treats from some of the most reputable places in Liyue.
He picks out clothes for you with each day. They're not... Normal clothes, per se. Certainly not what you'd normally wear on your travels. And it's not like anyone will see you except him - which is exactly why you'll have clothes he would never want anyone else to see you in. Frilly, lacey things, somehow both highly sexualized but also incredibly infantile, soft pinks, baby blues, gentle off-whites. They accentuate the curves of your body so perfectly, while just barely letting him see the parts of you normally kept hidden.
You'll have a schedule - a bath time, a bedtime, a wake-up time. He's weak to your requests, though, and may let you stay up a little late every now and then, or sleep in just a bit, if you make that soft pouting face and beg. He'll insist on bathing you, dressing you, so that you don't have to - and can't even if you wanted to - lift a finger even to wash yourself or put your clothes on.
He has a set of rules for you, very simple ones he hopes you can easily follow. No trying to leave. No doing anything dangerous. No talking to strangers when you go out. You must hold his hand whenever you're walking together, don't go wandering off.
He'll feel ashamed of the thought for a while, but eventually he'll cave and give into the desire, no, the security precaution, of a nice little collar for you. It's not too embarrassing, no, he went out of his way to find one that was delicate, almost like a necklace, made with fine materials, the engraving only visible up close. If you look closely, though, it clearly bears his name.
Breaking the rules is expected, he anticipates it. You're not the brightest, he might even view it as a mistake. A benefit is that you can easily pass it off as simply forgotten, or an accident. Hence, he's not too harsh - normally. He'll sigh, forgive you, and pat your head, contemplating how to prevent your access in the future.
Perhaps you wriggled out of his hand and ran off while walking? You were just excited, distracted, like a child. He might be able to procure a small leash, one that wouldn't be immediately obvious or embarrassing, to attach to your collar. Perhaps some cuff-like links to latch your arm to his.
You forgot the rule about not handling the kitchen knives and cut yourself? He'll have to get some kind of lock and simply keep them safely away from you. No big deal. Any measures are worth your safety.
If you push the limits, or have a defiant attitude, he might reach the point of punishment. As for not-unwholesome things, this would usually include taking away privileges, such as walks or sweets, but overall, punishment will mostly come in more impure forms.
How do they deal with rivals, or perceived rivals? Will they get rid of them? Will they kill them themselves, or find another way?
Not too much to say here - he has connections. He doesn't need to dirty his own hands. For all his supposed humility, if he truly dislikes someone, they're no more significant than an insect to him. He has no reservations about ridding the world of people who, in his mind, are obviously trying to deceive you, abuse you, corrupt you.
Thankfully, he is very capable of keeping a neutral face, even when he feels laughter building up. It would probably look strange if he were smiling over the newest body to come into his parlor.
How easy is it to make them mad? What does their anger look like?
It's a slow buildup. He views restraint as a virtue, and looks down upon those who lack control over their own tempers. He's a man who strives to meet his own standards of character, and that very much applies to self control and ability to maintain a controlled demeanor, even when he feels a bit of frustration due to you being intentionally and deliberately defiant.
It's his responsibility to be a good role model for you and make sure you understand how to behave. However, in the end, he's very keen on properness and rules. If you have a tendency towards brattiness and pushing your limits, you may drive him to a boiling point.
However, even when expressing his anger, he's remarkably controlled. It's very mature, really. Nonetheless, he will have you shivering and tearful with his voice alone, booming with that depth that reverberates off the walls, that vibrates against your very core. His true anger is one that can strike fear even in the most courageous individuals - he's terrifying when he wants to be, fierce and intimidating, a sort of power just eminates from him.
Nonetheless, it's quick, he calms down very quickly, wipes the tears from your eyes, and sighs.
"I do hate having to be firm with you... but I can't have you thinking you can just act however you want. You understand that, don't you?"
So they see you as above them, beneath them, or equal to them?
Both? It's difficult to describe. You're an angel to him. You're the finest work of art, the most intricate creation, the kind of person whose body and likeness deserves to be preserved in art and tradition, one of those women who should be renowned for beauty even centuries long after you're gone from the earth. It's almost goddess-like. At the same time, there's a beautiful, tragic duality to your essence, he thinks. A fragility and a dependency that leaves you in need, but an inherent status of perfection that makes you deserve the utmost perfect of care. You need to be coddled, cared for, protected, but you deserve it. Like a deity incarnated into a mere fragile human form, a queen that needs support to retain her grace.
Unlike some, he doesn't view his care and protection as some kind of favor that should be repaid with your gratitude, no, really, he is grateful that he is the one who is even deserving of being your caretaker, your provider, your lover.
Even if he is the one who determined that he deserves that role.
How determined are they for you to love them? How hard will they try to make it happen? Or are they content just having you?
He's convinced that he can show you that he is your protector, your lover, that it's fate itself that has locked you together, not just his own will.
And he is, above all else, patient. One of the most patient you could encounter. You think a year is a long time? It's nothing to him. A century for you? More than a lifetime. For him? Nothing. He can and will wait, as long as it takes, and he will never falter in his continual care. He'll remind you frequently, he'll shower you in affection, but if you don't return it? It's not that bad. He has all the time in the world to fix you.
Bonus: Is there anything that makes them unique, in comparison to other yanderes?
Moraless Sugar daddy
But in all seriousness, he is definitely of the gift-giving love language. He sees beautiful things, and beautiful things make him think of you! It's sweet, he thinks. So many little things he sees throughout his day make him think of you, and he has to have all of them, see your face when he gives them to you. He likes making you happy, for one, but he'd be lying if he said there wasn't a sort of satisfactory pride he gets from the power dynamic of it all. He wants to be the sole source of provision in your life, he wants your dependency.
If we're talking prior to the events of the game, it will be even more extreme. He treats it like it's truly nothing, throwing around massive purchases, seemingly as if he's not thinking about it at all. But he is - rest assured, he's taking it into consideration, at least, that is, how it will affect your attitude and perception of him.
General perverseness: how sexual of a person are they? What’s their drive like? How touchy do they get? Do they have any reservations about sexuality?
On the reserved side. He'd never conduct himself improperly in public, of course. It's out of the question. He cares about proper behavior and public image, and he'd never behave in a vulgar manner.
Even in private, he's certainly one of the ones that struggles with a certain guilt. To some degree, he would feel like you're so innocent and pure that he doesn't want to corrupt you. He goes through stages. First, he'll lie to himself, telling himself that the feelings he has for you are simply protective, platonic, a natural sense of responsibility for you. That becomes more and more difficult to convince himself of, the more excited he becomes around you, the more he finds his eyes drawn to whatever bits of skin are exposed on your body, finding himself drifting off to impure thoughts, trying to push them away. 
Second, once he's forced to acknowledge the true nature of these feelings, he'll simply practice restraint, something he's rather good at in this area. He tries, he really does. He tells himself he can't do something so impure, that it would violate you, that he should be ashamed of himself for it. It becomes more and more and more difficult to restrain himself with time, the feelings rising and the thoughts become more difficult to push away, eventually entertaining the fantasies in his head in an attempt to rid himself of the urge in real life. It doesn't work, no, it only makes the urges worse, and he can't be around you without his body nearly commanding him to do something. And finally, he'll take a different stance entirely, telling himself that, no, it's not going to corrupt you, rather, it's taking care of you. If he really wants to love you, really wants to care for all of your needs, then surely that would include your physical needs, and therefore, really, it would be wrong of him not to help you.
As that shift in viewpoints goes on, he'll become more and more bold, hands lingering just a little longer, face coming just a little closer. It's a slow build of tension, just waiting to boil over. 
How forceful are they? Do they care about your willingness?
He understands you're nervous. Again, no matter how experienced you are, somehow in his head he makes it out to be insignificant. Even if you've had other relationships, he convinces himself - and tries to convince you - that they were inadequate, they didn't care about you, not like he does. And he'll treat it as that -- any resistance you put up is nervousness, nothing more, nothing less. He'll reassure you a million times that you won't feel pain, that he'll be gentle, that you'll feel good, even if his size and strength frankly is rather intimidating regardless of experience. He'll keep cooing in your ear, softly whispering reassurance, softly running hands over your skin, holding you in place as the last inch stretches you apart. 
What sort of kinks or fetishes do they have, or would they fill?
Infantilization
Again, no matter how smart, experienced, and capable you may be, you're none of those things to him. You're a fragile, little thing. He has to take care of you at all times. It may not be evident at first, and he himself likely doesn't fully realize it, but there is something highly sexual to this for him. Caring for you puts him in a position of dominance, control. It gives him access to your privacy, dressing you up, fingers running over your skin, bathing you, watching your skin glisten. He'll talk to you in this way, too, often softly, remarking every little way in which you need him, and even condescendingly so. He wants you to be his, not only in a sense of love, but of possession.
Oral
Primarily giving. Even on its own, he loves the taste, but the effect it has on you makes it that much better. He loves anything that forces you to depend on him entirely for pleasure, that puts you at his mercy. And he'll be torturous about it too, restraining your arms and legs so you can't control anything, hold your hips down so you can't roll into him, so that only he can determine exactly how much pressure and speed you get. And he won't rush it, no, he'll go so slowly it's torturous, and telling you very simply that if you want any more, you'll have to beg.
Edging
For a variety of reasons. The power trip is as exhilarating as it is pleasurable, but he also loves watching your body writhe. Each little muscle that moves under the flesh when your arms strain against his hand holding your wrists together, the convulsing of your stomach muscles, the way your toes curl and legs spasm and the sweet little whimpers you make when he draws back just short of your high. He's mastered watching your reactions, knowing exactly when to stop, even if you try to mask it. He'll want you to tell him, though, nonetheless, tell him when you're close, if for nothing else but the sense of you obeying his commands.
Collaring
Similarly to infantilization, it gives him something of a sense of control, of possession. He loves seeing his name engraved on it, marking the whole of your being with his ownership. In his somewhat rare moments of roughness, he'll want to pull on it, use it to draw you towards him, in a moment of your defiance, in particular. If you're being mouthy, whiny, disobedient, and you finally make him snap, especially if you try to walk away from him, he'll yank you back with force, pulling you close to him, and when the force of it shuts you up, changes your demeanor, forces you to acknowledge your submission - the satisfaction he'll get from that is incomparable.
How do they feel about pregnancy or babies? Do they want them?
As much as he likes the idea, to him, you're already like a child, naive and fragile. Could your body even handle a pregnancy, a birth? He'd likely try to avoid it, but in the end, if it happened by accident anyway, rest assured you'd be getting the best care of any woman to ever be pregnant in Teyvat, and he'd do everything in his power to ensure you were always comfortable, taking his caretaking to another level, almost never even letting you get up, insisting you stay still and calm and needy.
What kind of (nsfw) punishments would they use?
He'd be one to pull the "it doesn't hurt you as much as it does me" line, but really, even if he refuses to admit it to his own self, having you bent over his lap is just as much for his own enjoyment as it is a disciplinary measure. It's more humiliating than it is painful -- he'd hold back, afraid of hurting you with his strength, but taking in every little flinch and whimper you make as he brings his hand down on your ass, keeping your head pressed down, kneading at the flesh. He'd insist it's the most effective punishment measure, but you can feel the hard-on digging into your stomach. The worse the behavior, the worse the beating, but every time, after it's over, he'll hold you upright, wiping the tears from your eyes and asking you if you learned you lesson, if you intend to do it again, and smiling when you insist you won't.
What body parts of their darling do they like the most?
Your skin. It's beautiful, and he loves the way that light from the moon and sun look on your naked form. He loves the way your skin feels, soft and delicate, smooth, so paper thin and fragile, and so, so deliciously prone to showing marks from the slightest of harm - a simple smack can make the plump flesh darkened and reddened, the lightest suckling will leave beautiful hickeys all down your neck and chest. There are so many ways to mark his property, to stake a visible claim all over you, it's irresistible.
He also will go out of his way, when picking out all the things he wants you to wear, to find colors that best go with your skin tone, in a contrasting sense - particularly lacey, sheer things that contrast very well, so he can see your soft flesh perfectly defined against the little lace patterns.
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therealvinelle · 3 years ago
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I've always wondered this, but what do you think the Cullen's political viewpoints would be, given their individual backgrounds? if vampires don't change after they turn, then surely they would all be extremely racist (especially Jasper). would this not come up at some point? they aren't like the Volturi because the Volturi are too old to care, but the Cullens are young enough that they have been brought up with opinions on stuff like sexism, racism, homophobia and the like.
Oh fuck.
You get an early answer because otherwise I'll just chicken out and delete this one, pretend I never saw it.
UMMM.
Since I'm guessing you meant American political viewpoints, we need a disclaimer. I am not American, and not too knowledgeable about your politics. Not just in the sense that I don't follow the day-to-day drama, but as I am not an American citizen there are several things I don't know, can't know because I've never lived in your country and therefore can't know what the effects of living in a country ruled by American policies is like. What I do know is based off of the news in the foreign section, social media (by which I mean tumblr posts), and Trevor Noah's Daily Show.
I am an outsider looking in.
Which is really rather appropriate, since the Cullens are too.
The Cullens go to high school and college, Carlisle works, they pay taxes, they own real estate, and submerge themselves in American culture. Esme, Edward, Rosalie, Emmett, and Bella are young enough that this is in many ways their world, and apart from timeouts they've more or less spent their entire lives, human and vampire, integrated into American society.
Not fully integrated, mind you, they do what they need to to fit in and get to school or, in Carlisle’s case, to work. They go no further. No extra-curriculars for the kids, no book clubs for Esme, no game nights for Carlisle. They walk parallel to humans, not among us.
In addition to this they're obscenely rich, which puts them another thousand miles from the experiences of your average American. They won't deal with the health system, which means healthcare is a non-issue, they're not going to need welfare or other social programs, unemployment is another non-issue. Name your issue, and the Cullens don't have personal stake in it. Even the climate crisis won't be a problem for them the way it will for us.
What I'm trying to say is, American political issues are a concept to them, not a lived reality. Just like they are for me. So hey, you made a great choice of blog to ask.
I'll also add here that you say the Volturi are too old to care, and I agree- from an ancient's point of view, racism is a matter of "which ethnicity are we hating today?", and it all looks rather arbitrary after a while. Same with every other issue - after a while it all just blends together into "what are the humans fighting over today? Which Christian denomination is the correct one? Huh. Good for them, I guess."
I can't put it any better than this post did, really. The Volturi are real people, humans are nerds and tumblr having Loki discourse. Aro thinks it's delightful and knows entirely too much about Watergate (and let's be real, Loki discourse as well), but the point I wanted to get at is that politics really don't matter to vampires.
And I don't think they matter to the Cullens either.
So, moving on to the next point while regretting I didn't put headlines in this post, I'll just state that I don't think vampires' minds are frozen. Their brains are unable to develop further, and they can never forget anything, but... well, this isn't the post for that, but in order for this to be true of vampires they would barely be sentient. They would not be able to process new impressions, to learn new things, nor to have an independent thought process. Yes, we see vampires in-universe (namely, Edward, who romanticizes himself and vampires) believe they're frozen and can never change, but there is no indication that this is a widespread belief, or even true. Quite the contrary - Carlisle went from a preacher's son who wanted to burn all the demons to living in Demon Capital for decades and then becoming a doctor and making a whole family of demons. Clearly, the guy has had a change in attitude over the years. Jasper, in his years as a newborn army general, slowly grew disenchanted with his life and developed depression. James initially meant to kill Victoria and hunted her across the earth, then became fascinated and changed his mind about it.
Had these people been incapable of change, Carlisle would still be hating demons, Jasper would be in Maria's army, and James would still be hunting Victoria.
It goes to follow, then, that they are able to adapt to new things.
The question is, would they?
Here I finally answer your question.
So, we have these people who don't really have any kind of stake in politics, who keep up to date all the same (or are forcibly kept up to date because high school) and are generally opinionated people.
Where do they then fall, politically?
(And this is where you might want to stop reading, anon, because I'm about to eviscerate these people.)
Alice votes for whoever's gonna win. She also makes a fortune off of betting each election. Trump's 1 to 10 victory in 2016 was a great day to be Alice. MAGA!
The actual policies involved are completely irrelevant, she does this because it's fun. Election means she gets to throw parties. Color coded parties for the Republican and Democratic primaries, and US-themed parties for Election Night! (Foreigner moment right here: I at first wrote "Election wake" before realizing that's not what y'all murricans call it.)
Alice loves politics. Doesn't know the issues, but she sure loves politics.
Bella votes Democrat. She actually knows about the issues, and cares about them. This girl is a Democrat through and through.
Carlisle doesn't vote. I can't imagine it feels right. Outside of faked papers he's not a US citizen, this is meddling in human affairs that he knows don't concern him.
More, this guy has never lived in a democracy.
In life, Carlisle lived under an absolute monarchy that, upon civil war, became an absolute theocracy. From there he learned that vampires live under a total dictatorship.
For the first 150 years of his life, democracy was that funky thing the Athenians did in history books thousands of years ago, no more relevant to him than the Ancient Egyptian monarchy is to me. Then the Americans, and later other European countries started doing this.
Good for them.
There's this mistake often made by those who view history from a... for lack of a better term, a solipsistic standpoint. A belief that the present day is the culmination of all of history. “My society is the best society, the most reasonable society; all the others had it backwards. Thank god we’re living in this enlightened age!”
The faith in our current system of government is one such belief. We (pardon me if this doesn’t apply to everybody reading this post) have grown up in democracies, being told this is the ultimate form of rule, and perhaps that is true - but remember the kings who have told their subjects they had were divine and the best possible ruler based on that. Remember also that most modern democracies haven’t actually been democracies for very long at all, America is the longest standing at some 230 years (not long at all in the grand scope of things) and they have a fracturing two-party system to show for it.
Every society, ever, has been told they’re the greatest, and their system of government the most just. Democracy is only the latest hit.
This is relevant to Carlisle because he’s immortal and decidedly not modern. Democracy has not been installed in him the way it was the rest of the Cullens, Jasper included. To him- well, it’s just not his world. He has no stakes in our human politics, and as he is older than every current democracy and has seen quite a few of them fall, he’s not going to internalize the democratic form of rule the way a modern human has.
I think the concept of voting is foreign to him.
It requires a level of participation in human society that he’s simply not at. He does the bare minimum to appear human so he do the work he loves, but nothing more, and I find that telling.
As it is I think he'd be iffy about his family doing it. He won’t stop them, but in voting they’re... well it’s kind of cheating. They’re not really citizens, none of this will affect them, and by voting they’re drowning out the votes of real human voters. He does not approve.
Edward votes Democrat. He's... well he’s the kind of guy who will oil a girl’s bedroom window so he can more easily watch her sleep without being discovered, justifying it to himself as being okay because if she were to tell him to get lost he’d stop immediately. Same guy is so sure that he’d leave and never return again if she wanted him to, except this is the man who returned to Forks to hang around his singer, knowing there was a significant chance he might kill her. To say nothing of his Madonna/Whore complex, or of the fact that he tried to pimp out his wife twice, and was willing to forcibly abort her child.
This guy is very much in love with chivalry, with being an enlightened and feminist man who supports and respects women, while not understanding the entire point of feminism, which is female liberation.
He votes Democrat because he’s such an enlightened feminist who cares about women’s rights.
Emmett doesn’t care to vote, but if he has to he votes Republican. The guy is from the 1930′s, and has major would-be-the-uncle-who-cracks-racist-jokes-if-he-was-older vibes.
Esme doesn’t vote, that would require getting out of the house.
More, I just... can’t see it. I can’t see her being one to read up on politics and The Issues, period, but if she has to then I doubt she’d be able to decide.
Jasper doesn’t vote. Alice can have her fun, he does not care.
There’s also the whole can of worms regarding the last time he went to bat for American politics.
I imagine he stays out of this.
Renesmée doesn't vote. She has no stock in the human affairs. Who would she vote for, on what grounds? When Bella tries to pull her to the urns, she points out that she's three years old.
Rosalie, guys, I’m sorry, but that girl is definitely gonna vote Republican. Perhaps not right now as it’s become the Trump party of insanity, but the Mitt Romney type of Republicans? Oh yes.
And for the record, yes I imagine she does vote. To step back from politics would be another way she was relinquishing her humanity, and that’s not allowed to happen. So, yes, she goes to the urns, less for the sake of the politics involved and more because like this, she’s still a part of society in some way.
Now, onto why I think she’s Republican, I think it’s both fiscal and social.
This girl was the daughter of a banker who somehow profited off of the Depression, and who then became part of a family with no material needs that would soon become billionaires thanks to Alice. Poverty to Rosalie is a non-issue, as it is I imagine she views it as a much lesser issue than what she’s had to deal with. The humans can pull themselves up by their bootstraps, Rosalie’s infertility is forever.
Rosalie’s empathy is strongest when she’s able to project onto others, and she won’t be able to project onto the less fortunate at all.
Then there’s the fact that the Republican party is all about traditional family values, and pro-life.
Rosalie, a woman from the 1930′s who idolizes her human life and who‘d love nothing more than to get to live out this fantasy, is down for that. And as of Breaking Dawn she’s vocally pro-life, so there’s that.
This all being said I don’t think Rosalie cares to sit down and fully understand these politics she’s voting for, the possible impact they’ll have- that’s not important. What’s important is what voting does for her.
TL;DR: I bet anon regrets asking.
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margarethelstone-2 · 3 years ago
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if I loved you less (i might talk about it more)
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requested by one and only @nerdypanda3126. thanks so much!
Read on AO3!
"Taichi... You still like me, don't you?"
The young man in question raised his eyes from the book he'd been trying to read for the past quarter, and fixed them on Chihaya, confused. It wasn't just the question that surprised him, even though its content sure would have been enough to puzzle a better prepared soul.
The fact that Chihaya had barely spoken at all for most of their time together today was the main reason why he felt startled by her words now.
She really had been quiet for most of the day, even though they were spending it at his place, determined, as she herself had claimed, not to get in the way of his studies. Taichi had tried to make her realise that it wasn't what he wanted at all, that the very reason he'd invited her over was to get a break from all the reading and just relax a little. He'd explained over and over again that he needed her to be a distraction; tried – unsuccessfully – to get it into her head that she was actually doing him a favour. He knew how much of a workaholic he could be and so he specifically planned the visit as a means to enforce the necessary break he might not have taken otherwise.
He had told her all of that. And yet, she'd remained quiet.
All the way until now, that is.
And just what on earth was she going on about?
"What's with that question? You know the answer to that," he replied casually, almost dismissively, before going back to the textbook in his hand. He really had no idea what had gotten into her all of the sudden, but then again, he didn't care to delve on the subject. He knew she'd tell him anyway.
"I was just wondering," she answered, a trace of hurt ringing in her voice; Taichi needed to hold back the smile that sprang on his lips at the sight of her pout. "Is it so bad if I do?"
Taichi hummed in thought.
"Is that why you've been so quiet all day?" he asked right after. "You've been just busy considering my possible affection for you?"
"Stop with the mockery. I'm thinking of it seriously."
"Oh? And what conclusions did you come to?"
"I wouldn't have asked if I'd come to any."
He had no choice but to close the book and put it away after a statement he'd just heard. Not that he minded. Throwing it on the floor rather carelessly, he sat up straight in his corner of the couch and, resting his chin on his palm, he fixed his gaze on the girl seated by his desk on the other side of the room.
She really was being impossible today.
Well, he supposed that wasn't anything new. He'd known Chihaya long and well enough to not be fazed by the swings in her mood or the inane schemes she so often came up with. He had learnt to expect the unexpected, every day, every hour of his otherwise boring life, because that was obviously the only way to keep up with her. The one thing he had to keep doing if he still wanted to be a part of her life.
Because that was how Ayase Chihaya was.
Chihaya. His best friend. His fiercest karuta rival. The girl he'd been in love with since fourth grade of primary school and the girl who'd rejected him straightforwardly at the very beginning of their third year in Mizusawa High. The girl whom he'd thought he could never win over, on whom he'd given up again and again, fooling himself he could move on and blight the love he'd had for her since he'd been a ten year old squirt.
He sighed and shook his head, remembering her question from a moment before.
She knew damn well he was still head over heels for her.
She was his girlfriend, for sanity's sake.
"I can't believe you actually have asked, you know," he picked up with the same fake weariness he'd shown before, if only to cover his growing amusement. Seeing her very real anxiety made him assume a more solemn expression, as he asked, "Seriously, what brought this on? Are you mad about something?"
"I'm not mad," she disagreed instantly, and with good emphasis.
"Are you unhappy then? Did I do something to make you feel like that?"
Again, she denied. Now she just looked sad. "That's not it."
Wrong. She was flustered.
"Then what is it?" Taichi asked, as gently and warmly as he could. Not for the first time, he felt grateful for all the hard training his patience had received. It was obvious that Chihaya needed that from him now. "It's not like I could get over you like this, you of all people should be aware of that. You're the most important person in my life. The best companion I could think of. You know I get lonely and grumpy when I can't see you, and you know I still get absurdly jealous, even though I hate being so. And so I can't help but think there's something else I'm not doing right."
Taichi stopped there, waiting for her to, if not answer his question, then to contradict him in one way or another, at least. After all, he really was at a loss.
He thought he'd been doing a fairly good job as a boyfriend, when all was said and done. He'd already shared Chihaya's most important interest and it wasn't difficult to at least understand the new ones she'd found. He made sure to be there for her when she needed him, and tried his best to give her space when she needed that more. True, he'd had some trouble coming for help on his part, but even that was a thing of a past rather than present – certainly not something that could shock Chihaya into thinking like this.
He would think that the all-day-long date he'd come up with and seen through in celebration of their first anniversary as a couple last week was a good show of how much he still cared.
He wasn't perfect. Neither was she. But never in his life would he have thought that he'd failed to get his feelings across.
"Chihaya," he prompted once more, his voice audibly quieter. "Please tell me what it is. I can't fix it if I don't know what's broken."
She looked up from the floor she'd been glaring at for a while and met his gaze, a shadow of unease still clouding her big brown eyes. She opened her mouth to answer; she closed it instantly and looked away again, abashed. There was a hint of pink on her cheeks, and it only grew darker as the time passed, though whether it was because of embarrassment or something more alarming, Taichi couldn't tell yet.
"Chihaya–"
"It's because you never say it."
He supposed his eyes opened wider than ever, what's with the utter astonishment he felt growing inside him immediately. For a few moments, he could do nothing but stare, the craziness of the situation overwhelming enough to successfully prevent him from forming a sensible thought, and much less coming up with any kind of solution. One look at Chihaya was enough to sober him up, however.
She was distressed. She was insecure.
No matter how stupid he thought the reason to be, he could hardly allow the situation to last.
With a groan that was bound to startle her, he bent over and buried his face in his hands.
Only one thing he could do now.
"Come here," he said, his face still hidden behind one hand as he tore the other one away and beckoned her towards him. "No excuses. You'll talk later. Now just come here, please."
She did, albeit tentatively, as if afraid of the reaction he might show her. With his patience starting to run thin at last, Taichi didn't wait for her to cover the whole distance, instead reaching out and grabbing her by the wrist, only to pull her down on the couch right next to him.
And then he pulled her even closer, locking her in a bone-crushing hug.
"I'm gonna do something to you," he mumbled into her hair, his voice a mixture of laughter and complaint. "You cruel, cruel, woman. Have you no heart? Here I am, mind reeling as I try to figure out what the hell I did wrong again and you say it's because I don't say I like you enough. As if you didn't already know you've got a firmer hold of my heart than I ever did. Tell me, am I really this bad at showing you that I care that you doubt it?"
It was Chihaya's turn to growl at him, though it surely – and fortunately – didn't stop her from burying her face even deeper into his chest and digging her fingers into the shirt on his back. Again, Taichi laughed at the display, but didn't loosen his grip one bit.
That silly, unbelievable, most beloved girl.
"This and that are different things," she muttered finally in response against his buttons, her stubborn indignation probably being the only reason why he could discern the words at all. "There are different kinds of love languages. We even talked about it, you know."
"Yes. And as far as I remember, we've already established that neither of us cared for this one. So your argument doesn't work."
Well, this was a lie, or at least, it wasn’t fully true. After all, he could never get tired of hearing her say those words, to him and him only. But he didn't need it that much, not when he already knew of so many other ways in which Chihaya expressed her love towards him. He'd always assumed it was the same for her, too.
Funnily enough, he still didn't think he was mistaken.
"I've had feelings for you for the past fourteen years, you dummy, I wouldn't change my mind just because you decided to return them," he threw in only half-jokingly, as if to make sure he got his point across before moving onto the next part. "So? Care to tell me what's the source of it all?"
He felt her tense against him for a split second, only to relax in the next moment with a long, weary sigh. He waited for her to make herself comfortable in his arms, shifting ever so slightly to make it easier for them both. And then he heard her speak.
"I met up with Kana-chan the other day," she admitted weakly. "Her and Desktomu. And I guess... They're always so sweet with one another, now more than ever. I suppose... It made me feel a little jealous. But most of all, it just made me think."
"And you decided that I'd fallen out of love with you, because I don't talk like Komano does?"
"I didn't decide anything, I told you already. I just wondered if maybe I was doing something wrong to deserve that treatment. Sorry for being so terribly scared of losing you again because of my own foolishness."
Words caught in his throat as Taichi tried to protest against this new development. That last addition Chihaya had made – and more importantly, the wounded, truly uncertain voice with which she'd spoken – would have been enough to melt his heart even if he had actually been angry with her. Right now, he had to hold back from grabbing her by the chin and kissing her senseless until all the idiotic ideas evaporated from her overworked mind.
The things she did to him without as much as trying.
You evil little imp.
"They're newly-weds. You can't use them for reference," he managed to stutter out at least, conveniently ignoring the hoarseness of his own voice and the emotion that hovered behind it. "Not to mention, those two are the opposite of us when it comes to talking about feelings openly. There's a reason they got together six years before we did. Just because something works for them doesn't mean it's the best course for us to take as well."
He smiled again and planted a kiss at the top of her hair, before adding, "I still can't believe you really doubted me, though."
She huffed and pulled away, although she still didn't move from her place on the couch. They were still close; close enough for Taichi to see the light reflecting in her eyes and the blush that hadn't left her cheeks, and to reach out and comb her tangled hair with his fingers. Another gesture so full of love, even though it was but a fraction of all that she made him feel.
"Well, since I never understood what had made you fall in love with me in the first place, it's only natural that I'd have this kind of doubts."
He chuckled and she smiled on her part, her obstinacy giving it to the desire to just be with him. It was another thing Taichi was able to read in her eyes – and, knowing the feeling well enough from his own experience, he had no trouble deciphering it.
Delayed, the first part of her sentence entered his brain.
What made me fall for you, I wonder?
He didn't know. It had been so long since he’d realised his feelings after all, and longer still since those feelings had been born. Even all those years earlier, he probably wouldn’t have been able to point out the reasons clearly, never mind finding the one spark that had started it – trying to do so now seemed downright impossible.
There were so many reasons, after all.
Maybe it was because she had never considered herself a possible love interest for anyone, first when she was too engrossed in karuta and later, when she thought she didn't deserve to be one. Maybe it was her hot-headedness and her drive, and how different she'd always been from him, and yet never failed to tell him how much she'd admired and envied those qualities of his that she lacked.
Maybe it was the fact that she'd always been with him, so close and so dear and yet so impossible to grasp.
Maybe it was because she'd loved him long before either of them dared believe that was the case.
Maybe...
"Maybe," he said out loud, though in fact not loud at all, his lips moving against her forehead as he leaned in to put a kiss there, too. "Maybe, if I loved you less, I might be able to talk about it more."
Edging away, Taichi saw tears gathering in her eyes. He wiped them away with his thumb, his hand cupping the side of her jaw fittingly.
And then he kissed her properly.
Just like he had wanted to ever since he'd first seen her that day.
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loftec · 3 years ago
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Heyyyyy girl! We haven't talked in a hot minute, but I just finished reading I Will Follow Him earlier and hadn't had a chance to comment when a friend brought the nonsense anon tumblr drama to my attention. Anyway, I'll just say you handled it much more gracefully than I ever would (and probably have in the past, lmao). And I know you have a thick skin and this isn't something that would make you stop writing, but I still just wanted to let you know that I've missed your writing. I don't know if it's just in my head, but having been around the fandom for roughly the same amount of time as you have, I've discerned patterns in terms of the way people write and even what they respond to as readers, and the cliques that get formed around those things, so that to me it feels like even the fic itself generally has eras of writing styles? Like in my head I kind of cluster people together who seem simpatico in regards to the way they write IxM, but also how they express themselves and the way stories flow, whether there's depth of emotion or not, etc, etc. Anyway, for whatever reason, true or psychological, I find myself missing an era of fic that feels gone now. Not to say that there isn't any good writing anymore, just that it's simply a different vibe. So your new fic really brought me back to that old feeling. You always defy expectations when you adapt something into your own thing, so right off the bat I was pleasantly surprised that you, knowing Johnny Castle was not a completely accurate fit for Mickey because dancing/performing and also being a big man whore with the ladies (lmao), decided to subvert that and make him someone else. And Ian was Baby, but also not. My favorite thing though is the unspoken way you really showed Ian not feeling like he belongs anywhere. He has two families and none of them feel like home. I've felt that way my whole life and it's an emotional theme that's always been highly relevant. Makes you feel like there's nowhere you actually belong or anyone you really belong with. So I loved that aspect and look forward to it being explored more in the sequel(s). I thought your ending to this part of the story was realistic, even if I teared up and felt the loss. I could imagine a bit of a time jump and them meeting in completely different circumstances down the line. Again, totally unexpected that you wouldn't even include the big dance at the end, but fucking bravo honestly, because I couldn't picture some cheesy shit where Mickey dances with Ian in front of everyone for shock value and do the lift. Lolololllll... but yeah... do people honestly think Baby & Johnny lived happy ever after once the credits rolled on the actual movie anyway??? No way in hell. Lol. They were too different in ways that couldn't be overcome back then, sorry. He was meant to be her sexual/romantic awakening, and she went on to have a freer life. That's what I think. Ian & Mickey have a lot more in common, and although they have obstacles to overcome, they ultimately will be able to understand each other, and I think, get on the same page eventually. So please, think no more of any hate-adjacent crap you got or will get for this, because you'll always have a willing audience here, and we enjoy your voice so much. 💜
Hey my friend! It sure has been a hot minute, and this is so interesting! I hadn't even really thought about it, but I think you're on to something here. I haven't really read IxM fic in a good while and I kind of just figured that it was all on me because I have changed over the years, but it makes so much sense that the fic culture would change too. The characters are different, the tone is different, the fandom is different... it stands to reason that the fic is different too. I remember how fascinated I used to be with finding demarcations of time in fic, going back chronologically through the tag on AO3. Season 1 fic felt one way, season 2 a whole other way, etc. I suppose we're yet another ring in the ever growing oak tree of this fandom, lol. We're vintage, baby! You want some of those season 5 vibes? You know where to go, these angsty oldies over here writing increasingly absurd AU in 2021, they got what you need.
All of this means so much to me, you have no idea, especially knowing some of these ideas resonated with you personally like that. I've been thinking about this dang AU for several years at this point and I'm a little bit frustrated that I didn't find a way to give the actual writing of it the time it deserved, but I guess I gave it all the time I had, in the end. So that's something. I hope to muster some enthusiasm to go back and perhaps edit it a bit more soon, or at least start working on the sequels. I was traveling with my dad last weekend and I played some of my playlists for him, telling him about all my silly research and plans, and I now have three books about Soul in the late 60s to read. So you know the next part is gonna be real approachable! 😆
I think I somehow imagined that everybody knows and loves Dirty Dancing, too? I never talked to anyone about it when I was a kid, and it's only really the last four years or so that I have started meeting people who love it, like me. And turns out it's all my friends from primary school! It's all of my coworkers (at least the women), and it's so many of my tumblr mutuals... I was halfway convinced that every single person around me was just waiting to reveal themselves as another fan. Not so much, turns out! Writing a 60s dirty dancing AU is really weird, honestly! I expected two people to read my MiB AU, and I should have had the same expectations for this one. Because that's fine! I will write what I want to write and people will read what they want to read, as it should be.
Most importantly, though. I couldn't agree more with your Dirty Dancing analysis! To me, the dancing isn't the actual ending. To me, the ending is "guess we surprised everybody" and "I'll never be sorry" and "neither will I". The dance number is just a good note Johnny comes back to end it all on, but really, the honest final note is that "I'll see ya" *saxophone solo intensifies*. I just think it's so very bittersweet and good, and I only loved the movie more when I realised this. With Ian, everything became more complicated. Clayton is no Dr Houseman, and there can be no cheesy onstage dancing, and Ian has barely had time to wrap his head around the idea of having a future at all, being himself, let alone spending it with someone he just met. The Dirty Dancing AU needed to end this way for it to truly be a Dirty Dancing AU, in my mind. The next part will be something entirely different, and operate under a different set of narrative rules... Oooh well, look at me. I'm all excited about it. I can't wait to write it!
Thank you 💜💜
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touchmycoat · 4 years ago
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I LOVE YOUR PORN AU!!!!! LIKE SO MUCH - and i'm just. if you don't mind me asking, how - the way you flesh out the characters, their motivations, and feelings in every scene in such an eloquent way, and just little things here and there, a habit or an activity that adds dimension to who they are, and - your prose is wonderful. you achieve this addictive, engrossing narrative space that readers just absolutely melt into, and i have to ask - how did you develop your writing style? 1/2
what books did you read that formatively shaped the way you write? or you know, what did you do to improve your writing? i'm so in awe of how you world-built and established the porn au - like lqg & hc being national taolu champions?? how do you come up with that stuff? i cannot comprehend the amount of research and effort that must've gone into porn au, and i'm just so deeply thankful that you decided to share that with us. i apologize if i'm coming on too strong, but wow. thank you 2/2
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oh my god please don't apologize, when i saw your ask i rolled on the floor giggling hysterically for a solid 15 min, bless your heart
part of the answer to your question—i've taken like, 8 years' worth of creative writing classes/workshops! there was also a transnational literary component to my degree so whenever possible, i took literature classes fksjdfksd so whatever you see and like is definitely the result of a lot of work. My writing from not even 10 years ago but like, 5? horrid, ridiculous, wild, cringe. The Porn AU itself is the second draft of a MUCH more lackluster piece.
about my writing style. gosh, you really know how to make a writer blush. "I like your writing style" is literally an instant kill LMFAO okay okay, the useful answer: my primary criteria for choosing what to write is, don't be obvious, be interesting. Fiction tells us to show, not tell, right? Poetry is about concretizing the abstract. Screenwriting says cut all useless lines. A lot of writing rules and advice—never start with the weather, avoid detailed descriptions of the characters, don't use adverbs, etc.—are all really about this exact sentiment.
I once took a seminar on writing for horror movies. The golden rule of the horror genre is Never Show the Monster, because whatever the audience is imagining is always going to be scarier than what you actually show them. There are obviously exceptions to this (to all writing rules), but in my mind, it's all the same principle.
LONG answer under the cut
So you start with building a scene. I approach it like essay-writing—I state my thesis for the motivations/main propulsion of the plot. "In this scene, LQG and SY are motivated to save Cang Qiong's porn production, so they have sex on camera." Then you build the sub-motivations: "LQG is also doing this because he's pining after SY."
I learned this "thesis-writing" from theater, specifically from writing 10-min plays. Theater is all about characters being driven by their wants and needs, and the reason I say 10-min plays in particular is because longer forms of writing will give you more leeway, but in 10-min, you pretty much need your character motivations established from their very first line. That's why you need that very clear thesis for yourself—if you don't even know what the character wants from the get-go, then you can't establish who they are, what they want, and where they're going to go in a dynamic and interesting way.
So this thesis drives EVERYTHING that happens in your scene, just like an actual thesis for an essay, just like topic sentences for your paragraphs. Once I do this, I have the emotional direction & narrative scope of how much this scene will cover, I have a sense of where it begins and ends. "Begin with the dynamics of their sex. LQG starts showing signs of his feelings. Reveal LQG backstory for exactly what those feelings are and why he isn't telling SY. The rest of the scene implies that LQG's feelings may not be so unrequited, but also sets up the fundamental problem at the heart of the whole fic—SY's inability to comprehend his own feelings." This is kind of my new thesis now. They're having sex; LQG pines; SY doesn't know he himself is pining.
Now it's time to manifest. This is the "storytelling" part, and the hardest lmfao.
Personally, my approach is largely shaped by my very cool screenwriting teacher, who hammered into us: don't fucking waste lines. The Golden Rule of screenwriting is that every line should reveal something new. I found my old writing kind of repetitive, especially on the emotional front, so this is kind of my editing mantra now—is this line either propelling the story or revealing character? If it's revealing character, is it a revelation that has to happen right now, or is it slowing the momentum of the scene?
But these aren't rhetorical questions! "Momentum" doesn't just mean tumble forward as fast as you can, it also means taking the time to draw the bowstring back further, so your next move has even more propulsion. That's why you get the little "LQG has been in love with SY..." cut scene in the middle of the fucking (at least, that's my reasoning for putting it there). Every line has to bring a fresh revelation that "proves" your thesis further.
That brings me to the details. You said you like the details I inject into the world-building, and honestly that's so gratifying to hear, because that means I'm successfully manifesting my intentions, y'know? "Every line has to bring new info" kind of sounds like a tall order, but the most effective way I've seen it done in books and onstage/onscreen is with these hyper-specific details. If you're writing a scene in which someone feels dirty, never have them just say that—have them say they want to take a shower. Show them running out of bleach again as they scrub down the stall after they wash. Begin the scene like "Steve always washes his throat first now." Then pack the scene with even more revelatory details: "Soap in hand, he heard the pipes above his head groan for a half note on adagio, and readied himself for the blast of icy water that always followed." Shitty shower, probably not rich, is likely a classical musician.
By the same token, I want to build LQG's character. The "Liu Qingge has been in love with Shen Yuan" section is the first insight we get into his background and perspective, right, so: I need to establish LQG's emotional context for filming this scene -> I can characterize him as a nut for martial arts in the same stroke -> so this takes place at a gym, beating up sandbags is a classic way of showing manly emotional distress -> so give me more details on this gym -> Puqi Gym, XL the martial god is obviously the owner -> how do I have XL & LQG a relationship beyond gym owner & client? They spar together -> I want XL & HC's position in this AU to mirror their god/ghost king statuses in TGCF canon -> how can I concretize their fighting prowesses in real-world details? -> they're martial arts champions -> what's an actual competitive martial art form that involves weaponry? -> wushu -> wikipedia Wushu, find taolu weapons sparring
(I just realized that in my songxiao daycare AU, Hualian are Olympic gold medalists by the same narrative logic laksjdnflaksjdnflsd)
So, that's the flow of logic behind my world-building lmao. It's all in the details. Leverage is one of my all-time favorite TV shows and the way they build their stories is super inspiring. If their thesis is "the rich and powerful take what they want, we steal it back for you," they manifest it in the most specific and concrete narratives: mine workers who like the work but are fighting for workplace safety vs. the money-grubbing mine owner who will blow up their livelihoods if it means a bigger payday; the little girl from Iraq with refugee status forced to be an accomplice to antique smuggling vs. international smuggler with a fetish for British royalty.
Last pieces of writing advice I've gotten: pay attention to the real world. A writing exercise we did was just sit in a public spot and make concrete observations on our surroundings. There are stories in everything!!! I learned to observe things like weird holes in the concrete (earthquake? drilling accident? bullet mark?), odd patches of moss or bird shit (look overheard: it's an AC unit dripping water for the former and nesting swallows for the latter), ladies in flipflops walking alongside ladies in high heels (excited mother walking her antsy daughter to the bus for the daughter's first job interview—the daughter's shirt collar is unfashionable and she's taking the bus, so there's a good chance the shoes were passed down, maybe from an office lady aunt. Maybe she's even overdressed for the interview, so will her outfit be an unintended source of tension once she gets to the interview? Is it a group interview, to make the comparison more stark?).
Also, write what you know. You know why SY is a video editor in porn AU? Because I'm a video editor. One of my more popular MDZS fics is set in a plant shop 'cause I worked in a plant shop. SL was First AD in Bachelor!AU 'cause I was First AD on a set once. Concrete details like the editing software having a split-screen, always answering questions about how often to water plants, and being up until 3AM editing call-sheets are the ones that will fully immerse your readers.
And if you can't do the actual things, just watch someone who is, listen to them talk, pick up lingo, and fake it. I watched like a 15-min vox video on fencing for the fencing!AU and a 45-min music theory video on the hospital pianist!AU (also I started learning piano sklfjnlsdjlfkjsd). Of course, I just finished reading a wangxian fic that had me going, "holy fucking shit, the author is literally getting their masters in a music program" so my 45-min youtube video ain't shit, but if you just need a little bit of character establishment, then it's enough to do the trick.
Anyways, tl;dr. Find the details, find the tension. Never tell outright what the tension is supposed to be, manifest it instead. Make the manifestation as interesting as possible, and if it's meant to be funny, make it funnier.
Sorry this turned into a fucking lecture lskjnflskdjnflskd but last thing, someone asked me before if I had formative authors, and this was the list I wrote at the time:
Angels in America (play) by Tony Kushner
The God of Small Things (novel) by Arundhati Roy
The Penelopiad (novel) by Margaret Atwood
“Litany in Which Certain Things are Crossed Out” (poem) by Richard Siken
Night Sky with Exit Wounds (poetry) by Ocean Vuong
Giovanni’s Room (novel) by James Baldwin (and then Go Tell it on the Mountain and then his essays)
Franny and Zooey by J.D. Salinger
And, ooh, now that I have this list I think I can even roughly sort it as such: Kushner, Atwood, Siken, and Salinger I really latched onto for their dialogue and very present narrator voice—same is true for Go Tell it on the Mountain. Roy, Vuong, and Giovanni’s Room, I think, are texts more representative of the kind of saturated figurative language I like, and emulate. Of course they all do imagery and voice and overall structure amazingly, but that’s the rough dividing line I’d draw.
But yeah James Baldwin is my fucking hero.
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faelapis · 5 years ago
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Help, 2 of my best friends think Spinel going with the Diamonds at the end throws away her character arc because she goes from her toxic dependant relationship with Pink to the Diamond's codependant adoration. They know that the show is likely to go into their dinamic in season 6, but they don't care since they think the movie should stand on it's own. I think their relationship will give them all a chance to grow, but I can't help seeing their point.
so… here’s the thing. i think the movie intentionally leaves room for feeling like spinel and the diamonds rushed into things because they’re both quite early in their growing process, but i would hesitate to call it toxic codependence (it’s more of an intentionally flawed starting point), or in any way a break from their character growth or the film’s themes as a standalone piece. i’d like to point out three things:
point one: most familial relationships start out on the basis of knowing someone else related to the person. like. your grandparents wouldn’t take an interest in getting to know you if you weren’t their child’s child. that’s just how it works. 
and this is kind of similar - if “daughter-coded” is a thing, then pink diamond is that in relation to the other diamonds. and the diamonds have always loved gemkind *in relation to their diamond* - like, in a “we take care of our people because they’re Ours” kind of way. all gems are made by the diamonds, and if that’s the case, then the ‘daughter diamond’s’ gems may be perceived as a kind of grandchild or psuedochild it’s important to preserve and protect. 
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so that’s a very benign, “we’re gonna take care of what our child made” read on it. which is pretty hard to say is inherently abusive or codependent, i think.
point two: the movie’s point is not to entirely undo spinel’s and the diamond’s issues. so to read it as a failed attempt to do so is, i think, incorrect. 
by contrast, the movie really stresses how you SHOULDN’T think there’s an endpoint to your growth. you have to keep trying to become better. you may have to keep struggling your entire life. that is very much compatible with the characters still being somewhat flawed by the end of it. it reinforces the movie’s message, rather than working against it. it’s thematically consistent.
if the movie has a thesis statement, it’s this: “there’s no such thing as happily ever after. i’ll always have more work to do”.
this is reinforced by the finale song in a number of more subtle ways: 
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“happily ever after, there we were - and here we are” implies we are now somewhere else. “i’ll be ready every day, for as long as (…) i’m in the future with my friends - that’s why happily ever after never ends” carries that through. here, instead of meaning “complacent happiness without growth”, steven transforms the “happily ever after” concept into his own, more accurate version. the meaning he gives it is “i’ll keep growing with my friends by my side, and i’ll be ready to change & work on myself for the rest of my life”.
this is also reinforced by spinel herself. she admits that friendship isn’t going to be easy for her. she has to work on herself. that’s a blatant reminder to the audience that she’s ready to keep growing instead of becoming complacent - and it’s a reminder placed right before the diamonds arrive. that’s not subtle. 
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so the intent here isn’t to give spinel a perfectly happy ending - it’s sweet, but its primary purpose is acknowledging the possibility of healing by giving her a new beginning. a chance to have a relationship with people she hasn’t hurt. “i’ve already messed things up with you”. this was the same thing blocking steven & the diamonds’ relationship. they’d already hurt him. so he was uncomfortable spending all his time with them. 
“you guys have really gotten better at showing affection” has two meanings. 
1. i’m proud of your progress.
2. there was a time you guys were awful at this. towards me. i remember that.
and one does not erase the other. steven is genuinely happy for the diamonds! he’s not about to downplay their growth or abandon their cooperative partnership - but he’s not gonna let them smother him either. he wants his own life.
point three: the diamonds and spinel have genuinely grown.
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no, not in the way where they are no longer flawed. that would be weird. the diamonds still primarily relate to others through a “diamond’s creation” lens, even if they are making the effort to see those creations as equal. 
spinel, on her side, is not too trusting as much as she’s still trying to find a puzzle piece to fit a void inside of her. but that’s kinda normal, at this point in her development. everyone needs reasons to keep going in life when everything falls apart, and those reasons need not be perfectly fulfilling - they just have to be enough for the person in question (for now). 
so okay, how have they grown?
spinel is growing past her toxicity. her issue was not so much codependence as it was an inability to handle rejection and abandonment. those things are connected, sure, but there’s nothing inherently wrong with latching onto someone. even someone you have a familial connection with. the problem is when that becomes so all-consuming - as it did with pink, albeit understandably - that one lashes out in its absence. 
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and the first step towards dealing with that is acknowledging one’s flawed behavior. which spinel does, finally, when she realizes she can’t hurt steven anymore and trying isn’t making her happy. she understands that she’s being ridiculous, toxic, and the antithesis to a good friend.
also, spinel accepted that she’s not entitled to anyone’s friendship. heck, she thought she may be alone for a while, and still thinks that working on herself is a prerequisite for keeping friends. that cannot be undone by finding someone else willing to give friendship a try. this, along with the understanding of “no happily ever afters”, shows that she is self-aware and won’t let herself get complacent in this new relationship. she’s gonna keep trying every day, just like steven.
so in summary, for spinel - she’s unlearning her toxic behavior patterns, trying to undo her damage, self-aware about her flaws, and wants to start over with new friendships. none of which is undone by the diamonds.
as for how the diamonds have grown - firstly, in actually listening to people. 
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communication on equal grounds is the first step towards better relationships. this is perhaps obvious, but their flaw was never exactly codependence, either. it was a power imbalance where they ignored, tormented and condescended their “daughter” into running away. steven has helped them realize how they were wrong to do so, how their perfectionism didn’t justify what they did to pink. or to anyone else. or to themselves. 
so now, they’ve come face-to-face with their self-justification and found it invalid. they have to start over from there. they have no excuse not to listen to people anymore, and are still figuring out how to do right by others.
this is something they’re actively trying to correct - firstly, with steven, who they Very Much listen to. to the point of putting him on a pedestal. this is perhaps an overcorrection, along the lines of how rebecca sugar described peridot’s turn as, at least at her “new recruit” stage, overzealousness towards a form of caring that had never been on her radar before. 
this, of course, steven partially rejects (albeit gently) and tries to distance himself from. it’s not untrue that they’re not entirely over pink, either. for him, that’s still a sore point. but they are trying to grow & listen to others, however slowly.
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like spinel, they understand they have flaws. they are earnestly trying to correct them. what both sides “need” is a chance to put these lessons into practice, forming new relationships instead of insisting on clinging to someone you’ve hurt (like they both tried with steven). 
now, they will attempt with each other. perhaps successfully, perhaps not, but nevertheless, it’s a chance to grow together, with a newfound understanding of how they, themselves, can screw it up. that, in  itself, is a good thing.
it’s a flawed starting point, because the characters themselves are supposed to still be flawed, yes. but to say that this undoes their growth, i think, is quite… heartless. like. they don’t need to be alone and in pain until they’re Perfectly Emotionally Mature, and only Then do they get to have relationships again. that’s not how people heal. they should be allowed to try, fail, explore, try again. that’s certainly in line with the movie’s core message.
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