#I love this character break down so much

[nocek]

Is it a stupid idea? Yes. Did I have to go overboard and animate it? No.

But I had to and I'm not sorry ;P

[michelle-jacksons-art-blog]

Try these out!

[soothedcerberus]

Oh yeah fun and cool reminder about Cyclonus:

[sampegger]

certain deangirls just frustrate me so bad. like. the ones who insist with their entire chest that dean loves sam more than sam loves him. even just talking early seasons. to see sam leaving for stanford as a betrayal to dean and proof that he loves him less is so. him leaving for college wasn't about dean. it was about wanting something better for himself than what hunting had to offer. him being able to want something more for himself than what he had with dean and john is not a betrayal. to claim that sams ability to endure misery is directly correlated with how much he loves someone is cruel and a terrible perspective to have on any relationship.

and in season 4, to claim that he chose a demon over his own brother while in the midst of having an active addiction problem, and to take that and make it about his loyalty to DEAN is so. that is so biased and evil. you should not see sams violation of his own autonomy as a betrayal to dean. i know the show likes to think they do in the later seasons but the choices sam makes do not all have to center around dean, and that still doesn't mean he loves him any less! viewing it through that type of lens will certainly make it look like he does, but that is objectively the wrong way to interpret any of sams arcs.

when it comes to season 8 i'll say a lot of the same stuff i said about sam leaving for stanford in the first place. while yes i do think him not looking for dean was slightly out of character, it is still unbelievably cruel to think of sams ability to endure pain and claim it marks the level of which he loves someone. especially when he takes on the trials this season, and the entire narrative thrown on sam is his newfound notion that pain purges sin. to have that level of misery thrown in your face (these trials are purifying me) and still insist that if sam is actively fighting against something that is making him miserable (staying in hunting) it's proof he never loved dean that much anyways is awful!!! and that whole "non-agreement" line in which bobby says that he and dean promising not to look for each other was just something that was said and it should've been obvious he was meant to look for dean. don't even get me started.

season 9 is the last season that i think people use as evidence for this. sams claim that he "wouldn't do the same thing for dean." and really. i guess i don't expect dean letting gadreel possess sam to be seen in any other light at this point. sam said he wouldn't have done the same thing for dean because he literally wouldn't have!!! there is nothing that can properly convey the absolute level of violation that that was, especially when sams entire storyline is about his struggle for autonomy. it was a selfish decision on deans end, as is most of the way that he loves sam. it is just so frustrating to see this arcs that revolve specifically around sam turned into evidence of how much he does or doesn't love dean, because that is literally the opposite of what they're about.

i could move onto later seasons as well and talk about how dean is outwardly abusive in them, but that would just be dean slander and that's not what i'm trying to do. the entire point of this post is that tying all of sams decisions to how much he loves dean is wrong and you fundamentally miss the entire point of sam as a character if you view the story through that lens.

sam's ability to endure misery is not directly correlated with his ability to love.

[anhonestdaysworkcomic]

I’m updating my art fight profile rn and I’ll realizing how little I’ve drawn the farm family

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[vaugarde]

havent seen this take in a while thankfully but it popped up in my head and i wanna post this anyways. i think everyone who talks about how siffrin “got off too easy” at the end of isat and his friends should have abandoned him should go read warrior cats if they want an example of a character using their trauma as their god-given jailbreak card to treat their family and peers (a good amount of whom who were completely innocent) like dogshit, and who faces zero consequences from the narrative for it (and in fact bends over to blame their peers). like read all the shit jayfeather does while the narrative sobs over how tragic but awesome and quirky he is and then look me in the eye and tell me siffrin’s ending was poorly written.

[lunarharp]

when an obsessed orufrey person plays ace attorney for the first time in a while

[amaranthdahlia]

god i will never stop fawning over how absolutely SPECTACULAR afo vs bakugou was. genuinely one of the best fights in the entire manga in terms of art, the themes, the pararells, the gayness, the fight itself, and just. everything about it makes me wanna scream into my pillow and chew on it

[gaylactic-fire]

This is going to be an unpopular take, surely, but the Four Swords characters (particularly Red, Blue and Green) aren't really that nuanced or deep. They're all based on stereotypical character tropes and given the length of the manga, the Himekawas didn't really have time to let them go beyond those tropes. I don't know if the Himekawas even wanted to delve much further into their characters, regardless.

And like?? That's ok?? There is absolutely nothing wrong with acknowledging a character has not reached their full potential within the source media. There's absolutely nothing wrong with adding your own interpretations and headcanons to that character to give them depth. Stereotypes (unless harmful) do not make a character inherently bad or less worthy of being enjoyed.

But I'm also sick of the genre of FS posts where it's like "Red/Blue/Green actually has so much depth and other fans are just fucking stupid." My brother in christ you have projected your headcanons on to this character and expect us to see exactly what you see even though it's not present within the manga itself.

[averlym]

i have been thinking about this lyric all day 

[deargravity]

akashi is actually not as good at everything as people like / want to believe but let me not get into that today

[queseraphita]

It didn't truly strike me harder how devastating the grief and trauma Cheng Xiaoshi felt about that Chen Xiao mission and how he was probably raised in that part of China by his parents and having to confront the feelings of all the people he had bonds with in that area until i was reading posts from Chinese readers explaining how Cheng Xiaoshi has a northern accent and Lu Guang has a southern Chinese accent

[torgawl]

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!

[seilon]

charles sobbing on the ground having a full blown self loathing and trauma fueled breakdown and edwin only being able to say “it’s going to be alright”??? you are literally in love with this boy edwin i am SO disappointed

[clinicallyinsanedumpsterrabbit]

The Rot™

The Rot™ is your friend, The Rot™ keeps the ecosystem rolling, forfeit all your possessions to The Rot™ for it will take it anyway no matter how much you resist, The Rot™ owns all.

... I am very very sleep deprived

I like fungi a lot, they're fun, hehe

Oh and don't eat the bunni fungi, the bungi, or you will go on a trip so bad you'll see colours only the eldridge monstrosities can see, I am specifically looking at a certain someone. Don't. Eat. The Rot.. ™

But on a hopefully more understandable not that doesn't sound like I myself ate The Rot™ I do like this design for the feral side of daves soul a lot, he got consumed by the rot in the suit so he becomes The Rot™ when his body gets burnt to ashes, yayie, plus I love fungi bunny characters, and I wanted to draw one, double yayie!

Also here's a funny and totally not foreboding me me below with an eyestrain warning

Gee do I love The Rot™