#I like lovelies but that isn't exactly themed with the comic

[ask-team-donum]

Have a sleeby Scout and Phoebe doodle, lovelies <333

[vagabond-umlaut]

⁙ ensnared

No matter what the world says, no matter what the world believes in, Gojo is nothing but a puny fly to the wily spider that you are. Flying headfirst into the gossamer web your skilled fingers have spun, time after time after time— The silk threads, perfectly tailored. Just for him.

▸ Gojo x Wife!Reader; Tooth-Rotting Domestic Fluff; Very Very Suggestive Themes; Nudity; Mentions of Food & A Plant Dying; Gojo calls his wife 'cookie'; Everything is fair in love and war ;) [This Fic's Rated Mature -> MDNI!!! ^_^]

▸ This is for you, Dilay! *MWAH MWAH MWAH* @roseqzpd

For all that is said about him, Gojo is a man who succumbs to only two temptations.

One:

Sweet dishes, regular intake of which will put anyone into a hyperglycemic crisis. [Good thing, he isn't just 'anyone'.]

And the other one:

You. His wife. His sweet, sweet, sweetest wife, who's currently peering up at him from his lap, wrapped in nothing except a way too tiny bath towel— however– he instructs himself the nth time since you emerged from the bathroom– you are a temptation he refuses to cave in to... just for now.

Strangely cognizant of his mind [like you are, more often than not], Gojo watches you intently stare at his lips for a full two seconds. Then repeat the request you made less than thrice today, but your husband already feels his defenses crumbling.

"'Toruuu," you whine, wrapping your arms round his neck and pressing closer, "Won't you help your wife choose a pretty outfit for today's get-together? I'm so confused... You want your wife to look the best among all the ladies there– tell me, don't you?"

"'Course, I do, cookie!" he exclaims, indignant as to how you could ever think anything otherwise— before a sudden ping! from his laptop sends him careening to the ground like a deflated balloon.

The poor man sighs. "But there's still so much work left to be done–"

"– which you can always complete once you've helped me, 'Toru," you cut him off with a pout, that slowly gathers a playful tinge as you ask, "Why are you behaving like this, though? Usually, you jump at the faintest chance to get out of paperwork. But now..."

Eyes growing comically wide, your voice sinks to a conspiratorial whisper. So worried, so cute. "Did anyone threaten to leak where your secret sweets stash is, 'Toru? If you– you know– submit these reports too late like always, eh?"

The only response your husband manages to eke out for your query is a very strained chuckle... 'cause, yeah, that's right.

Nanami promised to do exactly that– telling his very dear but having-black holes-for-stomachs students where his foreign sweets are stored– besides telling you how the white-haired man hogged ten chocolates one day despite his allowed daily two– and how your favourite star cactus didn't die from age but from him overwatering it, that week you were on a mission in France two months back– should he submit anything late ever again... But, no, wait.

You were on a foreign trip when he was given this ultimatum, and returned only last night. And Nanami promised to not tell you these yet– at least, not any time before that damned deadline's over. So, how...

"'Toruuu," Your petulant self, very adorably so, draws him away from his musings. And Gojo swears, if he wasn't losing before, he certainly is now. Your watery eyes, lower lip jutted out just the right amount and your nails leaving a delicious trail on his undercut— they've always been too strong for the world's strongest sorcerer.

Groaning, he leans forward to rest his forehead on yours. And darts his eyes to bore into yours lest they travel to your soft skin peek– NO, DON'T GO THERE. NOT NOW. PLEASE.

He huffs. "Okay, fine."

You open your mouth, probably to screech in delight, but your husband shushes you with a finger to your lips. He continues, shifting his tone to a graver timbre, "But only to help you choose your outfit– nothing else."

Lips curving into a wide smile behind his finger, your eyes gleam in terribly concealed delight. He has to actively stop himself from kissing you right then and there— there are still three mission reports left to be filed.

"And if I catch you trying to change the stream to anything else," he warns. You nestle closer into him, blinking your gorgeous eyes up at him in silent wait. A chuckle [which sounds more embarrasingly choked than anything] leaves him.

Features shifting into something brighter than a supernova, you push his finger away. And giggling, say, "You won't go easy on me— right, 'Toru?"

[In hindsight, though, Gojo thinks he should have recognised this plan to be yours.

From the way you step out the bathroom, not in your usual bathrobe but a towel... To the way you beg him to help decide your dress, in spite of knowing well how he leans towards only white or light blue choices... To the way your towel– pretty conveniently and accidentally, of course– slips lower not even ten minutes into the task...

To the soft 'Oops!' you exhale but make no move to cover your exposed chest, a mute thrill clear in the curve on your lips as you watch him watch, drink in, mentally devour the delectable sight before— your ever-present coyness nowhere to be found even as he strips you, nothing hiding you anymore from his starving gaze...

To the smug smile you're offering him now, the next day, after he's been thoroughly chewed out by Yaga for submitting his work a whopping four hours late...

Your wicked, brilliant, bewitching eyes go from him, to the mountain of empty candy wrappers on the centre table, to the empty pot of soil on the windowsill– the one that had your annoying, attention-hogging desert plant– then return to him.

A shudder runs down his spine— which doesn't take long to transform into a shiver of excitement. And a very, very warm burst of fondness right in the middle of his chest.

The man shakes his head with a laugh, 'cause—

For all that is said about him, Gojo is a man who succumbs to only two temptations.

And he'll be a fool, if he is to mess with the second– and more important of the two–

You.

His sweet, sweet, sweeter than the sweetest sweet dish, but startlingly sharp wife.]

[Also, no joke, but isn't your 'Toru insanely in love with you, even more for that?]

Gojo, some time later: My cookie is sooo smart– did ya know that, Nanamin? Hehe. Nanami: Why TF do you always hide in my office every time your wife is mad at you?

▸ Divider by @hitobaby. Header from Pinterest. I don't own the characters used here.

▸ masterlist

[neon-sunsets]

aa4 is fundamentally a game about trust. about people who trust each other when they shouldn't and don't trust each other when they should, and about the ways that trust can be earned or broken or misplaced.

see, there isn't exactly a lot of mutual trust to go around in the game. let's take inventory: apollo and trucy trust each other; they also trust ema, who comes to trust them during turnabout corner; trucy and phoenix trust each other in their own weird way (like the fact that she doesn't seem all too worried about him apparently leaving her in apollo's care prior to turnabout succession, or that he allows her to run around crime scenes with his new employee). and, by the end of turnabout succession, apollo and klavier at least trust each other to help work towards the truth.

there's also phoenix and kristoph, who are quite a unique case. this is because kristoph obviously does not trust phoenix, is friends with him to keep up appearances and keep an eye on him, but maintains that outward facade of trust. and while I don't think phoenix spent seven years plotting revenge on kristoph, i do think he was suspicious of kristoph's role in the whole thing. so they were friends (as twisted and weird as their friendship may have been) in spite of, not because of, mutual trust - both of them say as much. this weird, shaky, frequently one-sided trust in each other is only fully broken once zak gramarye is murdered. it's a source of grief for both of them. they did care about each other, as much as neither of them wanted to.

aside from those relationships, though, much of the rest of the trust in the game is one-sided. when characters in aa4 trust each other, that trust is frequently betrayed.

kristoph trusts apollo to follow his lead and accuse the right person. the kitakis trust paul meraktis to treat their injuries. wocky kitaki trusts that his fiance loves him. klavier trusts daryan to do both of his jobs. lamiroir trusts machi and romein to keep her blindness a secret. trucy trusts her biological father. and in all of these cases, the person who trusts another is inevitably betrayed or disappointed. the game is packed full of these examples; I probably haven't found all of them (nor is a betrayal of trust unique to aa4, though I think the game has a unique degree of focus on it as a theme).

there are three specific examples of misplaced trust I want to focus on, because they're essential to the plot of the game.

first, before anything else, klavier gavin trusts the brother who is implied to have had a significant hand in raising him (by the anthology comics, but even if you don't believe that's the implication it's clear from their interactions in-game that kristoph feels he has authority over klavier, and that klavier cares a great deal about kristoph's opinion).

then, apollo justice trusts phoenix wright to be the man he is (used to be).

and finally, vera misham trusts her good luck charm to protect her from the outside world.

klavier's trust in kristoph allows him to be used as a puppet in kristoph's schemes. it means he never questions kristoph's role in it all; though he certainly has questions, he blames himself instead of the person who's actually responsible. it breaks klavier's heart, and to a certain extent his faith in his abilities, when he finds out about what kristoph has done.

apollo's trust in phoenix seriously impacts his belief in goodness and truth. apollo trusts phoenix to be true, and just, and righteous - the man he used to be, the man whose court tapes apollo studied in law school. and then his idol hands him forged evidence and has the gall to laugh about it.

vera's trust in her good luck charm nearly kills her, and this is also a case where her lack of trust in the outside world is consequential. she should be able to put more trust in apollo, in trucy, and in the justice system. but she can't, and it makes her fearful, and the one thing she does trust - her good luck charm - is the one thing she shouldn't.

these three examples are driving factors within the story. obviously klavier's (and vera's, by extension) trust in kristoph is important because it sets into motion the events that culminate in turnabout succession. but apollo's trust in phoenix is also crucial because it allows those events to be exposed.

the rest of the time, the characters in aa4 tend not to trust each other. and they generally have good reason not to. the many instances where a character does not trust another character and is totally justified in doing so, are, in my opinion, less interesting. some examples include romein letouse, who had no reason to trust anyone he was working with given the nature of his interpol mission, and drew misham, whose paranoia, though extreme, was pretty much justified given his involvement with kristoph. their lack of trust isn't foolish, it's out of self preservation.

what are more interesting are the really important instances where characters should have trusted each other and didn't.

zak gramarye doesn't trust kristoph, so he gets a new attorney and kick-starts kristoph's murder plot. then he doesn't trust olga orly and knocks her out, which gets him killed. (obviously he had no way of knowing that kristoph was planning the things he was planning, but certainly not trusting olga is his own fault).

pal meraktis doesn't trust alita tiala, so he tries to kill her. wocky kitaki doesn't trust that his parents are trying to help him, so he acts out and gets himself into a lot of trouble. daryan doesn't trust klavier and goes behind his back, becoming so desperate that he resorts to murder. magnifi, zak, and valant gramarye all have levels of mutual mistrust that lead to a murder trial for magnifi's suicide.

apollo and phoenix don't trust each other, and they both have good reason not to, but it makes both of their lives a lot harder and I do think it damages their relationship. apollo isn't sure if he can believe phoenix and phoenix isn't sure if he can trust apollo to be who he needs him to be. that suspicion permeates all of their interactions in aa4. (they're so fucked up in this game, i'm obsessed with their dynamic.)

and, of course, thalassa gramarye doesn't trust that her children will want her in their life, so she hurts them by keeping their connection a secret. phoenix trusts her judgement and shouldn't, so he helps keep that secret. no one in that situation makes the right choice, and though we never actually get to see the fallout, I can't imagine apollo "foster care kid" "abandoment issues" "punched his hero in the face because he betrayed him" justice would react well to this revelation. I think it sets him and phoenix back, possibly right back to where they were in turnabout corner. and while I think they can repair their relationship over time, I do think it's a significant setback. and, importantly, it's a consequence of the same misplaced trust or lack of trust that is exemplified throughout the game.

and what I think aa4 is trying to say with all of this, just as its conclusion in regards to the truth is that the truth is so frequently ugly and upsetting, is that trust can only be useful if it is mutual and invested in. that people have many motivations, some of which we can never hope to know, and that sometimes they will betray us.

and, looking at apollo specifically, I think aa4 is telling us that trust is worth it in the end, even if it hurts when it is broken. apollo trusts each of his mentors and is betrayed by each of them (to different degrees), and yet he ends up in the right place because he trusts them and others. the force of his convictions, his belief in doing the right thing, and his belief in the good within other people carry him through other people's misdeeds.

and, if he hadn't trusted phoenix in turnabout trump, he never would have brought kristoph to justice or found his sister. he never would have gotten the chance to become a full-fledged attorney. aa4 is saying that it was worth it, in the end.

[wellwornworldwalker]

I have an obsession with assigning theme songs to characters I like. Since Linked Universe is my current hyperfixation I realized I have a golden opportunity. Sleeping at Last is one of my favorite artists and he has an album called Enneagram. 9 songs for 9 personality types for 9 Links so without further adieu here is my totally flawed assignment of songs.

One - Warriors.

The list goes on forever Of all the ways I could be better, in my mind As if I could earn God's favor given time Or at least congratulations Now, I have learned my lesson The price of this so called perfection is everything I've spent my whole life searching desperately To find out that grace requires nothing of me

In the Swords comic Warriors admits that wielding the Master sword made him feel invincible and that nearly cost him his life.

Now Warriors has learned that his true strength is his ability to work with others, a strength he brings to the chain. I see Warriors as someone that likes rules, he needs the world and people to follow a predictable pattern. That puts him at odds with the chaotic members of the chain (That’s everyone, including Warriors.) He’s a perfectionist, specifically the type of perfectionist that believes if you want something done right you’ve got to do it yourself. He’s learned to work with others, and has overcome his initial instincts as The Hero.

Two - initially I thought Hyrule was the best match for Two but as I was writing this analysis I changed my mind to Twilight.

Sweetheart, you look a little tired When did you last eat? Come in and make yourself right at home Stay as long as you need Tell me, is something wrong? If something's wrong, you can count on me

You know I'll take my heart clean apart if it helps yours beat

Twilight is running himself ragged. He was pulling double duty as Wolfie and Twilight. He’s trying to make Time proud, then turns around and tries to mentor Wild. A thankless task because Wild is not interested in his mother Cuccoing. He's more used to the mature blue eyed wolf that pushed him to his limits and never coddled him.

And in Twilight Princess he became The Hero to save his village. Mayhaps Twilight is a bit of a people pleaser but…

I know exactly how the rule goes Put my mask on first No, I don't want to talk about myself Tell me where it hurts I just want to build you up, build you up Till you're good as new And maybe one day I will get around to fixing myself too

Twilight recently had his heart broken when Midna left and shattered the mirror. Maybe he’s trying to avoid those feelings by concentrating on everyone else?

Three - Time and Legend were fighting back and forth with songs Three and Eight. Those two are very similar . Both young hero’s that had their childhood stolen in a single defining moment. Legend watched his uncle die and went on the run. Time drew the sword and woke up seven years later having slept through his childhood. And they’ve become pessimistic and cynical because of that.

And a nice little detail that shows how similar Time and Legend are is when Legend and Warriors were betting on who Time’s wife was. War’s thought it would be the princess. But Legend correctly guessed it was someone different because he knew that wasn’t Time’s style.

But back to Time, because these two are different and maybe that just because Time has the advantage of years and age on his side but he settled in a way Legend hasn’t

Maybe I've done enough And your golden child grew up Maybe this trophy isn't real love And with or without it, I'm good enough

Time is who he is because he has Malon and the ranch. Malon loves the very normal man Time is not The Hero he had to be. The others immediately notice how different Time is when they get to the ranch.

He laughs, smiles, and jokes around. While on the road he’s tense and serious. He sees this quest as a duty and a responsibility, but he wants to be home. Makes you wonder why he’ll leave home and die to become the hero’s shade?

Four - Is FOUR

Jk jk it's Sky. The song Four is about ordinary touching divine. And if that doesn't sum up Sky I don't know what does.

Bodies fashioned out of dirt and dust For a moment, we get to be glorious

When Sky first encountered Demise the Demon King spends a lot of time pointing out that Link is human, brave for a human but still human.

Then there are these lines

But I've fallen in love with a ghost I lost my balance when I needed it most

He loves Zelda, a mortal incarnation of a goddess and in his quest to save her he is so often just a little too slow. He's there in the end and gets the job done but it's a close thing that haunts him.

Five - For real this time. This is Fours song.

The opening lines are

I want to watch the universe expand I want to break it into pieces small enough to understand And put it all back together again In the quiet of my private collection

He's a curios little guy and a smith. Always looking into the mysteries of the world, take them apart and remake them. Maybe that curiosity got him into a little trouble. He's got the four sword and one magic sword is more than enough for him.

The last lines of the song are

I finally feel the universe expand It's hidden in heartbeats Exhales and in the hope of open hands

Four has got the four sword but he is also the hero of Minish cap. He see's the large universe and the small important things that are closer to home. He's recognized this after the events of sunset and dawn. If this quest is to succeed he needs to let his brother's in. Wild knows his secret but that was more of a spur of the moment angry reaction. I'll be interested to see if he purposefully reveals his secret to anyone else.

Six - Six was originally my pick for twilight but I switched him and Hyrule. Fanon characterizes Hyrule as the healer but so far we've only seen him healing once. So I'm basing this off of his games, Linked universe canon and my hopes for his character arc.

We laugh about this line because Hyrule has what is considered the hardest game. Oh you sweet summer child. You complicated, pixilated little hero. Do you know what you've done? That's why I associate these lyric's with Hyrule's character

I want to take shelter, but I'm ready, ready to fight Somewhere in the middle, I feel a little paralysed Maybe I'm stronger Than I realize

Like Legend Hyrule lives in the fallen hero timeline. That's caused some serious problems for his kingdom. But unlike Legend, Hyrule seems to be open and friendly.

Is it courage or faith To show up every day? To trust that there will be light Always waiting behind Even the darkest of nights

It takes real courage to live in a dying world and still love it and it's people.

Seven - There was never any doubt in my mind that Seven was Wild's song. Some of these were difficult to nail down but not Seven and Wild. This song is about being restless and wanting to explore. Perfect for our Hero of the Wild

Then the song hits you with this sucker punch

But I want to be here Truly be here To watch the ones that I love bloom And I want to make room To love them through, and through, and through, and through The slow and barren seasons, too

Twilight has pointed out the Wild should talk to his Zelda about who he used to be and who he is now. But that means looking to the past and he's can't bring himself to do that yet. Instead seeing his life as two different people. The before and after.

Eight - I mentioned that I flipped flopped on choosing Time or Legend for this song but I finally decided that this is more Legend's song. Truth be told Eight could have been just about any Link's song. It's such a protagonist song. It's my favorite :)

Jojo has draw a picture of Legend with Marin and he looks so happy and playful. Something we don't see with the group.

But I can't let you see all that I have to lose All I've lost in the fight to protect it I can't let you in, I swore never again I can't afford to let myself be blindsided

He was open and loved once before but then he lost it. Not only lost it but had to be the one to destroy it himself, confront that maybe this happiness was never real to begin with. Now he's withdrawn and cynical. Legend is still all in on being a hero. (Unlike Time he's not looking to settle down.) But he wont be opening his heart anytime soon.

Can we talk about this panel from the bet

Are you talking about Time or yourself?

I'm standing guard, I'm falling apart And all I want is to trust you Show me how to lay my sword down For long enough to let you through

I can't wait to see his brother's break through that hard exterior and see the kind and empathetic person underneath. We see flashes of it.

(Memories is a gold mine for everyone's characterization, just saying.) He's emotional mature enough to know where to really lay the blame. I hope he can help Wild see that. But I think to really get through to Wild he'll need to be emotional vulnerable and he's not prepared for that yet.

But in the end Legend is a hero through and through. Since he was 11 he's been The Hero and he shows no sign of stopping.

I'ma shake the ground with all my might And I will pull my whole heart up to the surface For the innocent, for the vulnerable And I'll show up on the front lines with a purpose

He's grumpy and cynical but still a hero.

Nine - By process of elimination Wind is number Nine. I'm not really happy with this one but none of the songs really fit Wind . So I decided to speculate about Wind's future. Wind and Tetra are supposed to reestablish the Kingdom of Hyrule, a daunting task for a 13/14 year old. No wonder he admires the kings of Hyrule so much

Wake up Fall in love again Wage war on gravity There's so much Worth fighting for You'll see Another domino falls Either way

Quite the opposite of Wild , Wind is always looking to the past to build the future.

This ended up being longer than I thought it would be but I also didn't even talk about half my feeling when it comes to this album and Linked Universe. IDK how that possible. But I've said enough and I just needed to share my thought. And you guys should totally listen to the album.

[themareverine]

Stone Cold | Logan Howlett x fem!OC | TEASER

synopsis: They look at you differently, in mountain towns. Sure the female to male ratio—anywhere in Alaska, really—ain’t exactly cut down the middle. Women are territory, little else. And belonging to Logan—learning to be nothing short of an animal? Bred with his child? It’s another thing entirely.

warnings: mentions of a breeding link, implied sexual themes 🌶️, PG-13, pregnancy, comic adaptation, pre-established relationship from my Mare & the Wolverine series, angst, survival aesthetics, mentions of hunting, dead carcasses, extreme minimalism, blood, mentions of Logan's time at Weapon X, etc.

a/n: takes place in the Wolverine: The Long Night universe and follows up my Bed of Bones universe. I’ve been in my feelings lately and hormonal, so I wanted to play around with this—since survivalist Logan makes me feral and would love nothing more than to give him an entire litter. you’re welcome for this pure self indulgence.

masterlist | navigation | tags let me know if you want added!

TEASER

Freezing chill trojans into the supply store behind a bold arch of sunlight as the heavy door kicks open, arctic skies faraway in a sense that feels storybook, ethereal. Like this almost isn't real — in some ways, it doesn't feel like it.

Thick shadow takes up the full of the doorway like God, door braced open with an arm no smaller than trees growing in the sleeping forest beyond city lines.

“Logan,” there’s a relief she can’t fingerprint, but it jackrabbits against her bones all the same. Turning, she abandons her selections faster than the speed of light, they drop with a solid thud! at her feet enough to shake the world.

“You’re here,” it’s like breathing sweet air. His full scent takes up the space of the four walls, making parts of her tremble she hasn’t felt in weeks. Parts of her that spin and swirl with new life, with purpose “Missed you somethin’ bad, baby.”

Breathe deep of him, honey—don’t ever let him leave. Never again—never leave me, Logan.

Slipping between shelves and stacked wares like whisks of death, her feet are light. Airier than they should be, carrying around steel bones, the seed of a man older than new stars. The weight of universes were less than the life knitting in the depth of her womb, but she was designed for this—built.

Mere sight of him, scent of him stirs her blood like a swirling, hot little thing she didn’t know—his child in her womb all but leapfrogs into her chest cavity. He’s strong, she knows it—and it is a boy. Her bones know it. Nothing short of Logan’s son could brave the adamantium of bones like this child kicks around her womb.

Meeting his shadow in the door is just short of staring God in the face, stepping into the embrace of his extended arm is Eden. Nearly forbidden, how sinfully good it is.

A fortress to which she can stake hope, serenity. A future.

The smile knifing at his lips is genuine, more of Logan than many will ever know in this life. Steady heartbeat up against her breast as she rests against him, his arm falls around her shoulders perfectly. Fortressing her away from the press of the world, the dark eyes staring at them from the counter, the aisles.

Thumb gently kneading against her shoulder, his low rumble of approval lights her soul on fire, his other hand lifting to brush knuckles along her cheek.

“‘Course I’m here, darlin’,” he angles his head enough for his lips to skip over the line of her jaw, “couldn’t keep me away if ya tried.” Smelling of ocean salt, fish, sweat, he invades her senses like an assault. Capitulating quickly, her pulse kicks to life in a way that sends her spine almost numb. Lips chapped from frigid air as they skip across her skin, it's like tasting starlight as he kisses her, softly. Tenderly, so unlike everything he, actually, is.

A large hand palms graciously over the swell of her belly, protectively. Possessive, like she's made of the finest wealth buried in mountains. Reserved for his, to defend. Fight for. Kill for. Skin to skin that never ceases to drive her within an inch of sanity.

“Look at you,” his finger dips beneath her chin, lifts it a little to consider her eyes. Satisfied she's paralyzed under his gaze, right where he wants her, Logan's big hands find either side of her belly, feeling. Seeking, yearning in fascinated little way he's been since she started showing early in her fertility.

Kissing her cheek, he nuzzles his nose along the shell of her ear.

“You look good, all fat ‘n full’a me, darlin’.” Oh, he was wicked.

Strength evaporates, taking with it all the air from her lungs as she manages, somehow, a low growl of approval. Knees buckle. Swear to Christ— if she weren’t already so full with his child, well—she would’ve been. In shorter order than she probably could realize.

[deconstructthesoup]

Looked at my Dead Boy Detectives swap AU, decided that it could be better, and ran with it. So... here ya go.

(For those of you who need a refresher---it's an AU where Crystal and Niko are the ghosts and Charles and Edwin are the alive ones. "Dead Girl Detectives," basically.)

Crystal is pretty much unchanged from the original concept---she died in the 1920's, she was a psychic socialite with absent parents, and she acted like the quintessential spoiled wild-child while secretly being fascinated by detective stories. She died when she got possessed by David the demon, who puppeted her body around for weeks... until she finally managed to wrench back some form of control, threw both of them off of a building, and wound up getting sent to Hell. Now that she's out and living free as a ghost, she's doing her level best to leave her old self behind and be a better person---partly for herself, but also so she can prove that she doesn't deserve eternal punishment if Hell ever comes for her again.

Niko's still an anime geek from the 1990's who was an outcast in life, but her death circumstances are different. Instead of dying from the dandelion sprites, she accepted an invitation to a party in an effort to try and socialize more after her father's death... and she got killed in a prank gone wrong, trapped in an abandoned mansion that used to belong to Crystal's family. She probably would've even moved on if it weren't for Crystal showing up and helping her out, giving Niko a reason to stick around. Niko's doing better now, but she still hasn't really processed her feelings surrounding her death. (Also, her hair's still white---she just dyed it that way, and it's never changed even after she died.)

Charles is also pretty much unchanged from the OG concept---he's still an irresponsible witch who got possessed by David and lost his memories as a result---with the added detail that he's one of many incredibly powerful magical people who David's possessed, wrecked havoc with their powers, and killed, though Charles thankfully survived the ordeal thanks to the Dead Girl Detectives. Also, I'm fairly certain that Charles is not only well aware that he's bisexual and out, but he and David were almost certainly dating. Or at least hooking up.

Edwin's still a socially awkward comics nerd and shut-in, but I decided to just have him get the paranormal parasite as a way for him to get involved with Charles and the Dead Girl Detectives---though, instead of a dandelion sprite that's all about soaking up attention, it's a hornet-themed sprite that feeds on people's insecurities and self-loathing. I think that he still butts heads with Crystal a little bit, but his bookish, studious nature winds up becoming incredibly helpful to the team, and he gets along great with Niko and Charles. Especially Charles.

Now, after thinking about it, I realized that if I was going to do a four-way swap with our main crew, it would probably make sense to do the same with our supporting cast. So:

The Night Nurse---or Minerva Knight, as I've tended to name her in my AUs---is in the place as Port Townsend's resident witch, though her motives are pretty different from Esther's. She has no need for any spells of eternal youth, having stopped aging a while ago, and she considers herself the protector of Port Townsend, keeping the forces of the supernatural at bay from the mundane residents... even if that means occasionally sacrificing a child or two to keep some of the more unsavory beings satisfied. Needless to say, Minerva has a very skewed view of morality, and unlike her canon counterpart, she can't really be swayed to change her mind. She's scary.

Esther, meanwhile, is in the lovely position as the Crow Queen, a charming and campy trickster being who exists to wear fabulous, over-the-top outfits, rule over her little feathered darlings, and to be a menace to everyone she meets. Her whole deal with Crystal isn't exactly flirtatious, but it's enough to give Crystal a gigantic bisexual awakening. And whether or not Esther's really all that interested and is just fucking with her, she's a lot of fun, and she's definitely instrumental in helping Crystal realize more about herself.

Thomas (the Cat King, but we're calling him by his first name) is Charles and Edwin's landlord---the owner of a queer bakery who's having a bit of a quarter-life crisis and is therefore a bit of an asshole to almost everyone he meets. Despite how prickly he is, though, he has an energy about him that makes him automatically endearing to every single misfit teen in a fifty-mile radius, and he's less than enthusiastic about it. Deep down, Thomas doesn't really mind, because he is a pretty lonely individual (not that he'd ever admit it).

And lastly, Jenny is the Night Guard On Duty in the Afterlife Lost & Found Department---overworked, burnt out, and thoroughly cynical when it comes to the affairs of the living. She's convinced that all she really needs is the big case that'll get her a promotion to a much less stressful position, and tracking down the Dead Girl Detectives seems to be just the thing. Of course, she's not as dedicated to her job as she appears to be, and even years of working in the most depressing place in the universe hasn't fully worn her down.

And, uh, other than the fact that I'm gonna have to figure out a stand-in for Monty... that's what I got!

[musings-of-a-rose]

Marcus

Pairing: Marcus (Pike, Moreno, Acacius) x f!reader

Word Count: 6900+

Rating: Mature - 18+ ONLY!

Warnings: Just like ao3, “creator chooses not to use warnings.” If you click Keep Reading, that means you agree that you’re the age to handle mature themes. Also by clicking Keep Reading, you understand warnings may not be complete in order to avoid spoilers for the story. 

Notes: I saw a post from @pimosworld innocently asking for a Marcus bachlorette style fic and, while this isn't exactly right, this is what my brain came up with. Shoutout to @mermaidxatxheart for listening to me ramble and helping me, as well as @vanemando15 for being a cheerleader!

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**Reader is not described

Main Masterlist

Marcus Moreno Masterlist

Marcus Pike Masterlist

Marcus Acacius Masterlist

“Thanks for coming to Level Up Comics!” I smile at the customer as I hand them their bag, a quiet grunt all I get in return before they head out the door, the little bell jingling with their exit. I stretch, walking around from behind the counter and heading back towards the display case where several boxes sit in front, unopened figurines and collectibles pouring from them. My family and friends thought I was crazy for opening a physical media store in this age of digital products. They said no one would come in let alone want to actually buy “this crap.”

But here I am, a few years after opening, and I’m doing pretty good for myself. There are still collectors out there who want their favorites in case something happens to their files. They want the figurines from the original manufacturers, rather than printing them themselves. I can’t blame them. There’s something different, something magical about reading the printed word, having a figure of your favorite character that was made decades ago by something other than a 3D printer in someone’s basement.

The bell jingles and I yell out a greeting, shoving a few more figures in the back of the case before standing and turning, a pair of dark brown eyes meeting mine. I can already feel the smile on my face. 

“Hi, Marcus!” Shit, was that too enthusiastic? If it is, he doesn’t let on, his own smile shyly spreading across his face. “How…how are you?”

He rubs the back of his neck with his large hand, his eyes darting away from mine. “I’m..I’m good. You?”

“Good. That’s good. I mean, I’m good. Good. It’s all…good.” What the fuck?

He chuckles lightly, looking anywhere but at me. “Good.”

We’re both silent for several moments. He’s so hot. Way out of my league hot. And the weird thing is, I don’t even think he realizes just how attractive he is. 

“Did my back issue of X-Men come in?”

“Oh!” I slap my forehead. “I almost forgot! Yes. Let me get that for you.” Trying desperately to hide the heat in my cheeks, I quickly walk around the counter, kneeling to sift through the special order pile. 

“You got more figures in?”

“Yeah,” I yell from my crouched position. “There’s a few bins in the back I haven’t emptied yet. Feel free to have a look!” 

“Thanks.” I hear him shuffle off towards the back of the shop just as I locate his order. The door bell dings again and I stand, smoothing down my jeans. A man stands at the counter, his bright blue eyes roaming up and down my body before her plasters on the most ingenuine smile I’ve ever seen. 

“Hi. How can I help you?” I ask him as I place Marcus’s order on the counter.

 “Hi beautiful. I’m looking for a comic.”

I internally sigh. I already know where this is going. It happens several times a week.

“Well you’ve come to the right shop. What are you looking for?”

He chuckles, intending to be endearing. It isn’t. “I’m looking for a very specific issue of Hawkeye. You know who that is?”

Seriously? “I am very familiar with Hawkeye. Are you?”

He scoffs. “Haha. You’re a funny, pretty thing. Anyway, I’m looking for a specific run of his. Do you know what that means?”

Anger surges through me and I grip the desk to ground myself. Out of the corner of my eye I see Marcus at the back of the store, standing and turning towards us but not moving. He’s even hot in my peripheral. 

“Which run are you looking for? Or are you wanting a recommendation?”

He laughs, the vile sound of it echoing off the walls. “A recommendation? From you? What would you know? You’re just a pretty little girl.”

A clunk from the back of the store and I see Marcus trip over one of the boxes. He doesn’t go down, but turns to fix the boxes that he’s kicked over. The man in front of me is unphased, his eyes still on me, an amused smile tugging at his lips.

“Well?” He spits out. 

I look at him, giving him a smile. “Well, if you’re asking me personally, my favorite run is the Matt Fraction run. Not only because of his artistic style and great story, but the fact that they weaved in Clint’s deafness, drawing him wearing his hearing aids, and even doing an entire issue completely in American Sign Language. A great story and representation of a marginalized community from, in my opinion, one of the best and most relatable Avengers. Now, would you like the individual issues, an omnibus, or the digital version?”

The smug smile slowly fades from his face, his eyes hardening. “You don’t have to be such a bitch.”

“I do when customers act like a bitch.” 

He grabs the fliers on the counter and throws them at me, turning towards the door. “Fuck you and this place!” He tries to slam the door behind him but he fumbles with the handle, flipping me off one final time before disappearing around the corner. 

I sigh, bending down to pick up the fliers. A hand reaches out, large and inviting, carefully helping me pick up the scattered papers. I look up at him, at Marcus, sweet Marcus. Who had heard all of that. 

“I’m sorry Marcus. I shouldn’t have lost my cool.”

He hands me the small stack he’s collected, meeting my gaze. “You don’t have to apologize for standing up to a sexist asshole. I should be the one who’s sorry.”

I combine our stacks, both of us standing as I tap them on the counter to even them out. “Why should you apologize?”

“I should’ve come to help,” he rubs the back of his neck, his ear turning slightly pink. 

I shake my head. “No, Marcus don’t worry about it. I get assholes like that all the time. Really, it’s ok.”

He shakes his head. “It’s really not-”

To my own surprise, I reach out and squeeze his arm. “Really, I’m ok. Thank you, Marcus.”

He smiles at me, opening his mouth to say something, but his phone rings from inside his pocket. “Sorry. Sorry.” He pulls it out, tapping on the clear screen only he can see. “Shit. I have to take this. Work. You sure you’re ok?”

I smile, trying not to show my sadness at his leaving. “I am. Hope everything’s ok at work.”

“Thanks. I’ll uh…see you around.” His eyebrows pull together as his phone rings again, his eyes moving down to the screen before he turns around and heads out the door, pausing to give me a wave through the window before he disappears into the crowd. 

I’ll never meet a man owning this shop. They’re either assholes, taken, or hopelessly out of my league. My own phone beeps and I pull it out, scanning the clear screen with my reservation confirmation. I tap the confirm button, nerves flooding my system. 

I can’t believe I signed up for a virtual version of the bachelorette.

—----

I closed the shop early and rushed home to get ready for that night. I arrive promptly at 7pm as they requested, the giant VIRTUAL LIFE logo on the side of the building bathing the sidewalk in bright blue light. I take a deep breath and walk inside, the door disappearing momentarily to let me in before reappearing behind me. The front desk assistant guides me to a row of elevators and instructs me to head to floor 28. I’m the only one in the elevator, the lights illuminating each floor as we pass it. The elevator stops and the doors open to a small waiting room, black leather couches and chairs surround a coffee table with several tablets, each loaded with some form of entertainment. While it looks like there are windows, if you look closely, you can tell they’re simulated, trying to grant us as much privacy as possible. Although, I think it may be more about guarding their own technology secrets. 

“Ivy?” a woman calls my name from the only doorway in the room aside from the elevator. I nod, standing and smoothing down my dress. 

“That’s me.”

“Right this way.” She leads me into another small office, a simple desk with a single chair for me to sit in. She sits opposite me at the desk, tapping in mid air at what I’m assuming is the computer screen in front of her. 

“Ivy it says here you signed up for the bachelorette program to meet a compatible mate. Is that correct?”

Swallowing down my embarrassment, I nod. “Y-yeah.”

She taps a few more things. “Great. Do you know how this works?”

“You guys take a picture of my brain and show me a story?”

She chuckles, the first time her professional demeanor has broken. “Almost but not quite. After we’re done here, you will be taken to the simulation room. You’ve already done your physical-”

“Yeah. They had me put on this suit and they captured the way I moved. Motion capture, I think?”

She nods. “Yes that’s it exactly. This way, your avatar inside your world will move like you. It helps with immersion.” I nod. “They also completed your brain scan to find the most viable dates and look of mate that you are searching for. You indicated you’re looking for a male mate, is that correct?”

I nod. “Yeah. Yes.”

She nods. “Alright. If you’ll go through the door, someone in scanning will take you. Good luck!” She gestures to a door on the opposite wall from where we entered. I go through the door and another woman greats me, leading me to chair where she has me sit and get comfortable. It reminds me of what the dentist chairs used to look like except way more comfortable. She turns to me, holding a helmet with different little lights on it. 

“Any questions?”

“Yeah. So what will he..I mean, how will I know who he is?”

“You will just know. Sort of like in a regular video game, where you can tell who is important to talk to.”

“Ok..but…will he look like him or?”

That’s reassuring. But then she interrupts my thoughts. “Don’t forget, he will be there too also looking for you.”

She shakes her head. “Your algorithm took in your scan and will give him the appearance of someone you find appealing or comforting. We’ve found it’s easier to accept someone if they have an outward appearance you’re already familiar with.”

“So you base connections on personality as opposed to looks?”

She nods. “Those relationships have the highest success rate, so yes.”

“And after, will you show me who he is?”

She nods. “In the simulation, you’ll go on 3 dates. They may be something as simple as communicating in an office to being a superhero or even traveling back in time. The algorithm takes both of your likes, dislikes, and desires and places you in situations. The more you play along and immerse yourself, or yourselves, into the simulation, the better the outcome, meaning a closer connection. And don’t worry - you cannot be physically harmed. And if it’s too much or you want to stop, you only need to say “End simulation”. Please be aware that time may pass differently in the simulation, but you will only be in for an hour. After, you will both meet here, in reality, and can determine whether you’d like to continue with a relationship or not. Any more questions?”

I shake my head. “I don’t think so. Not at the moment, anyway.”

She places the helmet on my head, the nodes all changing different colors as it comes in contact with me. She squeezes my shoulder and I look up at her. “Just relax and try to go with the theme. It’s more fun that way, ok?”

I nod, wiping my sweaty palms on my dress. “Yeah. Makes sense.”

“Good luck!” She taps a button on her clear screen and my vision fades to black so just a couple of seconds. But then I’m blinking awake, the tips of my fingers tingling and my toes feeling like they just woke up. My vision starts to clear and the room comes into focus. I’m sitting at a bar, a fancier bar, which explains the nice dress. As my hearing levels out, I realize that the blonde man to my right is talking to me, his body shifted in my direction. His grey eyes are slightly unsettling. This can’t be my mate, can it? 

“...and so I had them fired! Can you imagine? I asked for my steak to be medium and they brought it out medium well. That will teach that guy to listen to the customer at his next job.” Grey Eyes chuckles and takes a sip of the drink in front of him. He nods towards the glass in front of me. “Do you want another?”

“What? Oh, uh sure.” 

He flags the bartender down and orders a rum and coke before making a show of leaning on his beefy arm against the bar. “I’m glad you finally saw reason and agreed to come out with me tonight.”

I give him a small smile. “Yeah. Same here.” This doesn’t feel right. Maybe they got it wrong? Someone bumps into me from behind and grey eyes catches me, glaring at the person who bumped me, who had moved on. 

“Are you ok?”

“Yeah. It’ll take more than a drunk asshole to bring me down.” Grey Eyes laughs, picking up his glass and holding it up towards me. “I’ll drink to that.” I glance down to grab my drink, only to find it wasn’t there. I look back at Grey Eyes and see him frozen in place, the smirk on his face completely gone, his glass shaking as he continues to hold it in mid air. My glass appears next to his, lightly clicking against his glass. 

“Now that’s not very nice.” That voice. I would know his voice anywhere. My entire body relaxes as I turn to look into the dark brown eyes that I love so much.

“Marcus!” I exclaim, ignoring the vein in grey eye’s neck that’s threatening to pop. Marcus on the other hand, looks good. I mean, he always looks good to me but he’s dressed in nice black pants and a light blue button up shirt with matching black jacket. I’m not sure how a blue shirt makes his brown eyes pop, but it does. Marcus pushes his black frames up his nose.

“Hey, Ivy. Sorry to interrupt your date, but this not so kind gentlemen put a little something in your drink.”

“He what?” I blink rapidly a few times, trying to pry my eyes away from him. Grey Eyes vein relaxes somewhat and he sputters out.

“Fuck you man! We’re on a date! What….what are you doing to me?”

Marcus shrugs. “Well, you wanted to make it so she can’t move. Only fair if I return the favor.” 

Grey Eyes goes to say something else, but then seems to recognize the man standing next to me, his eyes going wide.

“Aren’t you the guy that can move metal?”

My eyes snap to Marcus, who is smiling. “I see I have a fan.”

Grey Eyes tries to backtrack. “Listen, man. I’m sorry. I was just trying to get her to loosen up a bit. Have some fun.”

Marcus looks at me, his brown eyes wide and smiling. “Ivy, do you wish to continue your date with this man?”

“Nope.” I pop the “p” sound at the end of the word. “Little hard to have fun when my date is trying to render me unconscious.”

Marcus waves the bartender over. “Call the police. This man is in possession of Freeze Me.”

 A handful of what felt like seconds later, several officers show up and arrest Grey Eyes, who barely puts up a struggle. I turn towards Marcus, my smile stretching my face as I grab his arm. “My hero.”

His eyes dart around the room, his arm coming up to rub at the back of his neck. “It was nothing.”

Gosh he’s so cute when he does that neck rub thing. Wait. Gotta play along. 

“Is Marcus the Metal Bender actually acting shy around me?”

He chuckles nervously and I think how perfect they coded him. Like he was picked out of my brain. Which I guess he was. 

“Just trying to be respectful.”

I wish he wouldn’t. Wait, are we even allowed to have sex in here? Wow, getting ahead of yourself there, Ivy.

“Youwannagetoutofhere?” He speaks so fast it all comes out in a jumble and I cock my head to the side. 

“What?”

He swallows hard and I can’t help but watch his Adam’s apple bob in his throat. “Do you want to get out of here?”

“Hell yeah I do.” 

—-

It’s a few weeks later, or at least it feels like some time has passed. That lady did say time passes differently here. Now I’m in an office building, a stack of files in my arms, walking down the hall. A quick glance around tells me I’m in the Heroics head quarters. Marcus appears from around the corner and looks up at me, smiling and walking towards me. But then a man in a much too tight blue suit with a glowing M on it joins him, Marcus’s shoulders sagging slightly as he gives me a sad little wave.

“When are you two going to go on a date already?” A woman with bright pink hair appears next to me. 

“I uh, me?”

She slaps my shoulder. “Yes, you Ivy.” She leans in closer to my ear. “Aren’t you the one who confessed to having a crush on our heroic leader?”

I will the heat rising in my face to not show. “Oh, I uh..I-”

“You know he likes you too.” Her jaw drops when she sees the confused look on my face. “Oh don’t tell me you can’t tell! That man can hardly look at you and he’s taken down alien forces by just staring at them.”

She feels like a close friend so I go with it. “Yeah, ok I like him. Keep your voice down, will you?” She continues walking with me to the end of the hall where I deposit the stack of files into several slots, each one making a small whoosh sound as they’re whisked away to their destinations.

When I’m done, Pink Hair gently grabs my face and turns me to her. “I love you, Ivy. You know you’re like the sister I never had. So please listen to me when I say ask that man out before something happens and you regret not ever trying.”

Well fuck. That is…really spot on to reality isn’t it? 

I never get a chance to answer her as the entire building suddenly shakes, alarms and lights screeching and illuminating the halls. One of the tall filing cabinets starts to topple in my direction and I can only look on in horror, frozen in place by the rumbling building. I throw my hands up, as if that’s going to stop it, but nothing happens. The cabinet is laid gently on its side, floating to the ground. 

“Come on!” I look up into those dark eyes, Marcus extending his hand to me and helping me to my feet. “We have to get out of here!” He tightens his grip and somehow leads us out of the chaotic building out into the streets. Which is also nuts. People are running everywhere and…wait. Is that an alien spaceship coming towards us??

Marcus pulls me behind a wall, glancing around it and waving hand signals to a small group of heroes across the street behind another wall, Pink Hair amongst them. He turns back to me, his face full of worry as he starts to take his shirt off, exposing…not skin but a uniform? No. His hero costume, which is a black shirt,and arm bands. He sees me staring down and he shrugs. “I normally have a tach vest but we’re out of time.” 

“Should you not go out there without one?”

Marcus shakes his head. “I have to support my team. And I’ll do whatever it takes to keep you safe. I mean, people safe.”

“You could just stay here with me? The others can handle-” my words are cut off by a giant laser beam cutting through the street, coming directly from the ship. 

He takes my hand and squeezes it. “Get yourself to safety. Don’t worry about me, I’ll be fine. I need you to be safe.” Another laser beam, the sound of some smaller buildings crumbling to the ground. “Go! Get to safety!” He releases my hand. 

I get a glimpse of the deep craters that lasers had left in their wake through the cement of the street, the piles of rubble and dust, and this spurs me on.

“Marcus?” He leans against the wall, readying himself, but he looks at me. 

“Yeah?”

Mustering up my courage, I lean towards his hunched body, softly planting a kiss on his lips. When I pull back, I see his chest heaving, his eyes moving between mine.

“Please make it back, Marcus.”

Before he can answer, the ship comes into view and his team moves out, following behind Miracle Guy, who had flown right up the ship and started punching it. Marcus’s head whips around, assessing the situation and I squeeze his arm once more before quickly moving out of the immediate area. I know I should move more, but I can’t get hurt so… 

The fight that ensues between the ship, the aliens inside, and the Heroics team is nothing short of brilliant. They may argue in the halls, but in the field, they all take direction from Marcus, who is a brilliant leader, playing all of their strengths. Marcus bends metal like it’s made of playdough, a beautiful dance of destruction and strength. Then the ship comes crashing down, everyone moving out of the way except-

“Marcus!” I emerge from my hiding place at a full run as the smoke around the alien ship that’s currently scraping along the road as it crashes and envelops Marcus. The ship stops, groaning as it falls back and lays still, no other life forms moving or detected on board. For a few moments, no one moves. Then Marcus emerges from the smoke, his face soot stained and a small gash in his shirt and along his cheek, but otherwise unharmed. 

“Marcus!” I run to him, his eyes finding mine, his entire body relaxing as he realizes I’m safe, just before I launch myself into his arms, our lips crashing together as my right hand fists in his shirt, my left tugging on his hair. Miracle Guy wolf whistles but I couldn’t care less. I feel his tongue gently lick out and I part my lips, letting him take whatever he wants. But before it can go any further, my vision starts to blacken, the last thing I see is Marcus’s eyes going out of focus as he succumbs to his own transition to the next simulation.

—----

I find myself blinking awake for the second time in what feels like weeks, but I know in reality it’s only been maybe 20 minutes that I was in there. The tips of my fingers and toes are tingling, my vision and hearing clearing and I find myself in…a breakroom. Am I back at the Heroics? The slight weight in my hand takes my focus and I realize I’m holding a cup of tea. I must be on my break. I walk towards the floor-to-ceiling windows, looking outside. I’m not back at Heroics - the cityscape is all wrong. I hear the door open behind me and I turn, the smile on my face widening as Marcus enters the room. His hair is shorter than the last simulation. And his face is clean shaven, which is a look I’ve never seen on him before. Not that it matters - he’s beautiful no matter what. I wonder what he’ll look like when he’s a little older. Probably hot as-

“Hey, Ivy.” Marcus smiles down at me, grabbing his own mug and pouring a cup of coffee from the carafe. I notice the FBI logo on the mug and figure that must be where we are.

“Hey,  Marcus.” I take a sip of my tea as we both watch the other. But then the door opens again, another agent walking into the room. He claps his hands together, looking at us.

“Hey! Congrats on finally cracking that art case, you two! 8 months is a long time to do an operation like that. Great work!” He shakes both of our hands as we thank him. Marcus catches my eye and, with a small movement, jerks his head towards the door. I nod, thanking the other agent again and follow Marcus out of the tiny breakroom and down the hall, stopping in front of an office door labeled MARCUS PIKE. I wonder if that's his name back In reality. He extends his arm towards his office and I head inside, smiling at him as I do, noting how his eyes dart around, that hand coming up to rub at the back of his neck as he closes the door behind him.

“I uh…great work, Ivy.” 

“You too.” 

He puts his hands in his pockets and finally looks me in my eyes and he nods once. 

“Listen. Do you..uh..I mean, would you like to…this is coming out all weird.”

I squeeze his arm and he looks down at my hand, taking a deep breath. 

“Would you like to get something to eat?”

My stomach erupts in butterflies. “Like on a date?”

The redness in his eyes spreads down onto his cheeks as he stammers, gesturing around vaguely. “No! No, not uh. Not a date.”

I can feel my face falling. “Oh.”

“Uh, unless you…uh…unless you want to? Make it a…a date?” His eyes are wide and bright, like a damn puppy. 

I smile, tucking some hair behind my ear. “Yeah. Yeah, I would love to go on a date with you, Marcus.” 

His smile is bright, lighting up the room. “Yeah?”

“Yes.”

He let's out a sigh of relief. “Great! I found this great pancake place.”

Pancakes? I love this man already. “It's nearly dinner time!” I can't help the small giggle that I let out. 

“Yeah, well you said your favorite food is pancakes. And they're open 24 hours.”

He remembered my favorite food? I'm so screwed. Damn this program is good. “You're right! I'd love to get pancakes with you. On a date. For a date. When will this date be, by the way?”

“Oh. I uh, would it be too weird if we went tonight? Is that too soo-”

“No! I mean, yes! No it's not too soon. I'd love to go!” If my heart could stop beating through my chest, that would be great. It's not that I'm some young girl getting asked on her first date. I just really like Marcus. Or whomever this is. My heart sinks at the thought of it not being the Marcus I know in reality. 

“Great! I'll pick you up at 7? Unless you'd rather meet me there? I don't want you to be uncomfortable.”

“Marcus, we just spent 8 months together on assignment. I think I'm comfortable around you.”

He chuckles. “Fair point.” His office phone rings and he apologizes to me, picking it up. I wave ro him and he mouths “See you at 7!”

—----

He picks me up with a flourish of flowers, all long legs and button up shirt that I'm really dying to unbutton. If that's even allowed here. 

But what's more than that is the conversation. I thought I had learned everything about him over the last 8 months. I was very wrong. 

“You were a bass player in a band?” I ask, choking on my drink.

He laughs, holding his hands up in front of him. “What can I say? I wanted to meet more people.”

“I bet you had all the girls hanging on you.”

Marcus shrugs. “Not really. They all want to date the drummer or the singer.”

“Really? Not the sexy bass player?”

Marcus takes too large of a sip of his drink and coughs, pounding his chest. “No, not the…you think I'm sexy?”

I set my fork down and meet his eyes. “If I didn't like you, I wouldn't be here.”

We spend several moments, just looking at each other and then I remember that he's not a simulation but a real person on the other end of those eyes. My heart squeezes thinking about how it won't actually be Marcus. Despite that thought, we really get along well and the conversation flows freely between us. Sooner than I’d like, we’re leaving the small diner, heading back to my place. Marcus parks in my driveway and turns to me, his eyes bright and wide like a damn puppy. We had been talking about books, one of my favorite topics.

“..and I know everyone complains that Tolkien takes 20 pages to describe a flower, but I really love that attention to detail. It makes it more immersive for me. One of these days I’ll get you to read Lord of the Rings!” I tap my fingers on his bicep to emphasize my point.

Marcus rubs his neck. “I uh…I already have.”

My jaw drops. “What? When??”

“When you told me it was your favorite book. Or books, I should say.”

I think back. “Marcus, that was…months ago!”

His eyes meet mine, the light from the street lamp outside adding a sparkle to them. “You said they were your favorite so…I read them.”

My stomach does flips, my heart beating. “You read them all for me?”

He nods. “Even the Silmarillion.”

I can’t help it. This is so fucking hot. I reach out and grip his shirt, pulling him to me, his soft lips pressing against mine, the heat between us quickly rising. His large hand cradles the back of my head, holding me to him as his other hand settles on my hip, squeezing it lightly. We make out for several minutes, Marcus kissing and nipping a path down my neck. 

“Do you want to come in?” I ask breathlessly. 

He pulls back and looks at me. “I do but-” he whispers. “Are we allowed?”

“I…I’m not sure. We could try to-” 

But then my vision starts to blacken around the edges, and before I pass out, I hear Marcus say “See you in the next one!” before we both black out.

—----

Now familiar with the way I wake in these simulations, I wiggle my fingers and toes, giving myself a moment to figure out where I am. The room looks…ok, this isn’t from my time. Roman decor and pillars line the grand bedroom, some food laying on a small table for, I’m assuming, me. A quick glance down shows me in a beautiful white garb and I marvel for a moment at how clean it is. 

BOOM!

The ground shakes and I duck down, completely caught off guard. It’s only after the boom dies down that I hear it - the distant sound of clanking swords and men yelling. I walk to the small window set into the wall and look out, my brain taking a moment to process the scene in front of me. 

I’m several floors up in a sort of round building, a castle I realize as I see the lower tiers, more square in their shape. I’m sure the grounds would have been beautiful, if it weren’t for the massive amounts of soldiers fighting in the streets. I can make out their bodies, the blood, sweat, and dirt spreading almost like a disease. Spear and swords burst from chests or stomachs, limbs separating from their bodies to be lost to the throngs of soldiers. The seem to be moving closer to the castle, which I’m not sure if I want to happen or not. Turning on my sandaled heel, I walk to the door, pressing my ear against the wood to listen. Hearing nothing, I try to open it. Nothing. The door doesn’t open or move, the handle locked into place.

Well, fuck. 

Before I can try and figure out how far down the next ledge is out the window, or if I can even fit out the window, I hear a commotion outside my door. It’s not loud, but I hear a man gurgling and sputtering, a small bit of crimson blood pooling under the door. I grab an iron rod by the fire and hold it up, preparing to defend myself. I know they said I can’t be hurt but damn this feels real. The door opens and a man walks through, wide, muscular shoulders under his Roman armor, Medusa proudly engrained on the front. I lunge, the iron rod above my head but the man turns and grabs the rod and I  would’ve fallen to the floor if he hadn’t caught me.

“Ivy! Here you are!” 

It’s him. Marcus. Only he’s older, probably closer to 50. Grey streaks in his curls and patchy facial hair only accentuate his beauty, a new scar forming across his nose, bleeding lightly down his face. He’s covered in dirt and blood and ash, but I throw my arms around him anyway.

“Marcus! Thank God, what’s going on?”

He cups my face, pushing my hair out of my face. “You are so beautiful, my love. I would bring every army from the entire world to rescue you from this horrid Emperor.” And then his lips are on mine, urgency behind them, but a desire to show me how l much I am loved. This man apparently started the battle outside, for me, and still wants to make sure that I know how important I am to him? 

“We have to flee. Come!” But before we can leave, the door flies open and 5 guards file in, grabbing Marcus and holding his arms out to his sides. I pick the iron rod up from the floor and run towards them, unsure of what I would do but I know I’ll beat the shit out of them until they let him go. But another hand shoots out and grabs my wrist, twisting it hard so I drop the rod. I look up into the eyes of a man that I’m assuming is the Emperor, his golden robes flowing around him. He looks vaguely familiar, like that one asshole from the comic shop.

“Now, now my dear. What were you planning on doing with that?”

I open my mouth to reply, but then he smacks me across the face and I slam down onto the floor. Ok, that hurt. Didn’t she say I wouldn’t get hurt? Maybe she meant I wouldn’t die. Marcus swears, cursing the Emperor for hitting me. 

“Are you alright, my love?” Marcus grunts as the men punch him in the stomach. 

“Marcus, Marcus, Marcus. You’re kind are dying out. I told you to just accept your fate and take your banishment, but instead, you stayed behind and fell in love with a woman. How…stupid.” Marcus tries to speak but he’s punched again, his body hunching over. I try to stand, but then I’m drug up by my hair, the Emperor’s fingers digging at my scalp as he pulls me to his side. 

“This one?” His eyes rake over my body. “She is attractive, I’ll give you that. Even if she is attracted to a brute like you.” I jerk my body, trying to get out of his grip but it’s too tight, my hands gripping his arms to try and get some relief from the stinging at the back of my scalp.

“Let her go. You can kill me, I don’t care, but let her go.”

The Emperor looks from me to Marcus, a sick smile spreading on his face. “I didn’t go through the trouble of kidnapping her just to have you give up. So I’ll tell you what I’ll do instead. LOOK AT ME!” The Emperor bellows from beside me, Marcus’s eyes moving from mine to his. 

He steps closer to Marcus, dragging me a little beside him. “Such a wild man. How about this: you watch as I take her. Then, I’ll drive my sword through her belly so she can slowly bleed out on the floor. Only after the light has left her eyes will I either kill you or lock you up to suffer the rest of your days. How does that sound?”

The darkness that settles over Marcus is unforgiving, his eyes hardening in resolution. He growls and screams, throwing the soldiers off him as he grabs his sword from the ground, swinging it and taking out all of the soldiers in only a handful of moves. He spins, aiming his sword at the Emperor, who has now moved me in front of him as a human shield, a knife to my throat. 

“I’ll kill her, Marcus! You are too weak to save her!”

Marcus’s gaze moves briefly to mine and I release my weak grip on the Emperor’s arms, letting them fall to my side. Marcus shifts his body ever so slightly before he throws something from behind his back. The object whizzes past my cheek, scratching it slightly as the blade buries itself in the Emperor’s neck. He drops his knife and clutches at his throat, his eyes wide with fear. He crumbles to the floor and sputters for several moments before his body stops moving. I run to Marcus, throwing my arms around him again. He grunts and I remember the soldiers hitting him.

“Are you hurt?”

He clutches his side. “I’ve had worse.”

“You are so fucking hot right now,” I speak quietly to him and he smiles. “I’m covered in dirt and blood and sweat.”

“Stop trying to turn me on more I already said you’re hot.”

He laughs but then inhales sharply at the pain. “I’ll take it, I guess.”

“No, that’s my job.” I bring my lips to his, pushing him back towards the chaise lounge chair on the other side of the room. He sits, pulling me onto his lap as I straddle him, my dress getting dirty as I shift my hips. He groans, his large hands sliding up my bare thighs under my dress and fuck! My vision starts to blacken and I hear Marcus whine out some expletives as we both are brought out of the simulation. 

—---------------------------

Hopefully for the last time, I blink awake, wiggling my fingers and toes as I look around the room. The helmet is gently lifted from my head and the woman that had put it on me moves into my eyesight.

“How are you feeling?”

“I’m here.”

“Good. Wait just a moment for your body to fully catch up. Do you have any questions?”

“Yeah why did you stop us having sex?”

She studies me for a moment. “It is not allowed in the programming.”

“I cross my arms. “Well your programming is stupid.”

She chuckles so quietly I thought I’d imagined it. “The algorithm wants you and your mate to match based on personality and emotions, not just physical.”

“I can guarantee you it wasn’t just physical.” 

She helps me stand and I shake my limbs out, full feeling returning to them. I smooth out my dress as she readjusts my hair. “Are you ready to meet him?”

Him. My reality man. “Y..yeah.” 

“Right through that door. He’s already waiting for you.” I move towards the door but she stops me. “I just have to say, I’ve been doing this for years and I’ve never seen a situation like yours and his.”

I furrow my brow. “What do you mean?”

So smiles softly. “So…rooted in reality.”

Yeah that’s not confusing. But she doesn’t explain further, turning back to the chair and helmet, starting to clean them. I take a deep breath to steady myself and open the door, walking through and closing it behind me. The man on the other side of the room, my mate, turns towards me and we both gasp.

“Marcus?”

“Ivy?”

We meet in the middle of the room and I cup his face, Marcus tucking a strand of hair behind my ear. “Is it really you?”

He nods. “Yeah. You? Real?”

“Real.”

He pulls my face to his, kissing me deeply, but then pulling back a moment later. 

“I’ve been dying to ask you out since forever. I never thought I’d be paired with you, here of all places.”

I cock my head to the side. “Why didn’t you ever ask me?”

“Have you seen yourself? You’re entirely out of my league.”

“I’m fairly certain it’s the other way around.”

He opens his mouth to protest, but I put my finger on his lips. “I think we went through several first dates in there. Plus, we’re already friends. Can we…that is, can you take me back to your place first? Then we can eat?”

Marcus’s eyes darken, his hands finding a place on my hips as he pulls me against his body, letting me feel how into that idea he is. 

We’re married a year later.

—----

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[charlietheepicwriter7]

Finally reading "Under the Red Hood" for my story, Dick Grayson V Gotham and some notes about what exactly happens here:

Jason's helmet really is a whole ass red circle with eyes, isn't it.

There's constant internal monologue about how much Batman cares about his kids. From Alfred and from Batman.

There's a whole ass woman who I have never seen referenced before called Onyx? Who's apparently the "only other hero allowed in the whole of gotham... other than catwoman".

Bruce recognizing Jason just based on how he fights and plans is beautiful, even if bruce doesn't believe it yet.

Superman's over here flirting with Bruce, going "we could have gotten tickets to the theater if you'd called ahead 😘😘" while bruce is traveling all over the world to figure out if his baby boy might be back from the dead.

Lowkey sad that Jason doesn't have the skunk stripe. I know it was fanon that occasionally became canon, but I still like it.

Wow, this Robin!Jason flashback is really giving us good views of the scaly panties, >:P

So, during the flashback, Bruce brings up the idea that Jason has a "mean streak" in comparison to how Dick was. But it's not that Jason was "mean" and Dick "nice"--Dick has a massive temper, even if canon rarely allows him to acknowledge it--but with Dick... Everytime he was Robin, I think he was still in the mindset of "performer". There was a bit more disconnect between him and the criminals of Gotham, because the fights were more like acts. Jason performs too, but he's very personal about it. This is his city, he's taking all these crimes personally and even when he's "performing" it's still Jason Todd, while Dick's Robin is more so a mask. IDK, this is just the vibes I'm picking up.

I really love the panels after Jason blows up the meth lab. The way the colors are... it makes Jason almost look like he's teared up? It's beautiful.

Oh great, Slade's here. No wonder this things so damn long

You know what, Slade? I'm on Black Mask's side here. A nazi and a hyena man? You can find better hired help on Craigslist.

Just finished the fight, and I'm STILL on Black Mask's side. Slade, who the fuck are these losers!?

Yes, Jason baby, kill the nazi!

Jason got them Christmas presents! That's sweet!

Slade, why the FUCK were you here? Did you see Nightwing was in town and go "lol, this'll be funny"?

Black Mask really calling himself Daddy around Jason... wasn't a joke. Huh.

There are some very nice parallels after Jason reveals his identity to Bruce. Bruce was too late to stop Joker's bomb, he was too late to stop the bomb in the meth lab. Bruce was too late to stop his son from getting attacked by a supervillain, but Bruce was faster now, good job! And Bruce never killed his son's killer, and he won't kill Stephanie's killer either. It's like he keeps testing Bruce to see if he really has to go through with his plan with the Joker.

Actually, it wouldn't surprise me if Jason's entire beef with Black Mask was because of his part in Stephanie Brown's death.

...I don't really like the idea of Jason calling himself a zombie after Joker did it.

Jason wiped the smile off his face, goddamn! (And don't think I didn't notice how similar Joker and Jason's laughs are, comic artists. Sure, maybe that's just how cackling laughter was drawn back then, but in literature, that smells like foiling).

...THIS is when Bludhaven gets destroyed!? Really???

Also, what is this depiction of Bludhaven just... being across a river? This feels unreasonably close, why hasn't Gotham just eaten Bludhaven at this point?

IT'S A NUKE???

THEY ARE LOOKING DIRECTLY AT IT, HOW ARE THEIR EYES NOT GETTING BURNT OUT OF THEIR HEADS

I'm just realizing how many explosives there are in this series. Between the bombs the Bats use, and the bombs Jason sets up, and... what happened to bludhaven. That, kids, is what we call a theme!

Bruce really is sympathetic in this. It's subtle, which is good, I don't think anyone would have appreciated the author blaring out "BATMAN IS IN THE RIGHT, HE'S THE BEST GUY, FUCK JASON."

And Jason is getting more and more unhinged as the fight progresses.

You know, it's occurring to me that this all could have been prevented if New Jersey had the death penalty. There's no way Joker could have gotten the insanity plea so many times if they could put him in the ground for good.

...I wonder if Batman votes to reinstate the death penalty?

"But why... why on God's earth--??! Is he still alive!!??" Is just... such a good reveal. Such a good line. No wonder we're all so fixated on this character, omg.

Oh. This is why Jason thinks Batman doesn't love him.

It's the lack of reciprocation. Jason sees "killing the Joker after he killed you" as an act of love. Batman cannot provide that act, so Jason sees that refusal as proof he is unloved.

The funniest Joker's ever been:

Oh, the batarang moment. Oh no.

Oh no oh no oh no

I still feel like resurrection via Superboy punching the universe hard is still a cop-out reason why Jason's alive, but the line "Until time decided to set things right." is speaking to me.

Oh god, the buried alive scene is brutal.

Okay, so Jason came back fully sane, he definitely knew what he was doing breaking out of the coffin, but his injuries that were unhealed and getting hit by a fucking car are what caused his catatonic state. He didn't just wake up not all there, that happened because no one was looking out for him.

Okay, so 6 months dead, about a... year in a coma. It says a year for his time catatonic on the streets, then a year with Talia, still catatonic... that's three and a half years, Jason really started being the Red Hood... like what, a few weeks after he got tossed in the Pits?

...I thought the pits were green. They look gold in my version of these comics, is that normal?

EW, WHY'D SHE KISS HIM

Also, there was no brainwashing this boy, Talia literally just said "you remain avenged" and it sent Jason on this whole murder spiral, she didn't do shit

Except kiss him. which, EW

Alright, good night everybody!

[chalkscrub]

chalkrub stuns in new oc-tober prompts

it's a text-heavy update...i love rambling

day 11: symbolism/themes/visual metaphor i.e my favourite things in the world - eng lit nerds make some noise!!!!!

goin back to day 11 with my favourite thing in the world: an unfinished sketchy concept. and also SYMBOLISM and themes and metaphor…and also dark green

so mika and heidi's story is haunted by one time they happened upon a drowned fox and pheasant in a disused canal, something which came at a weird time in their lives and which heidi made weirder by making cryptic suggestions about the whole thing, especially playing on mika’s (former) religious beliefs about spirit connections. Over time, it’s infected mika with budding paranoia in the form of nightmares, hallucinations and latent aquaphobia, all of which she begins seeing as premonitory

shan’t overexplain the symbolism even though my brain wants me to, but this was all inspired by seeing literally the exact same thing on a walk with my great aunt when I was like 6 or 7. the canal water was all covered in algae/pondweed so i’m guessing the fox chased the pheasant, they both mistook the canal for grass, then fell in and drowned together. even as a little kid I was like wrow this is so poignant and tragic and heavy with the potential for on-the-nose symbolism….. or alternatively it just looked cool as hell and felt kind of rare and special. either way, like 15 years later I was developing a new direction for a couple of initially completely unrelated ocs, i.e mika and heidi, and at some point in their story development, I was like now wait a second….this is just like that one time I saw those animals who chased each other into an early shared fate and drowned together…… and it fit them really well and also made everything click into place for the main story, it was kind of uncanny. Thank you nature for showing me cool things every day, and rip to the fox and pheasant you live in my mind forever and always

day 12: future

BEAS!!! beas i love you beas. initial beasley flavour on the left and future flavour on the right. his whole deal is he wants to start a cult, so he ventures to The Big City to make a name for himself. then he realises imps like him are a dime a dozen in the city and nobody cares about him, so he has to scrape by working a minimum wage job as a cashier in a tiny corner shop. he’s from a comic I (partially) made for uni, idk how his story goes exactly but I guess it probably ends with the typical sappy message of being yourself for yourself and not for fame or fortune or whatever. he gets up to hijincks, feels sad and depressed, and goes through the torment of living with his own mediocrity in a world that demands greatness. imps grow with power, not with age, so at the start of the story, even though he’s an adult, he’s still as small as when he was born/summoned/spawned/whatever. he’s got some shapeshifting prowess, so his future form is more an example of the kinds of feats he can pull off when his powers stabilise, and also his cool badass flaming eyes.

day 14: inspiration.

here's a convoluted block of text explaining the heretic's main inspiration, which isn't very apparent in the design at ALL but nevertheless: they’re kind of inspired by the concept of a closet costume. like how you can throw a bedsheet over yourself and cut out some eyeballs and voila. You’re a ghost. Or put a big furry coat and a mask on and you’re a werewolf now. almost all of their design links back to this in a roundabout way: the fur is meant to look like a rug/coat/furry thing draped over something. I used to have a sheepskin rug when I was a kid and I’d always hide under it and crawl about and pretend to be a monster lmao…this is what i looked like in my head maybe. The normal shoes poking out are the human element – like how halloween costumes will sometimes be mostly themed but the shoes are just practical, or you see shoes poking out beneath one of those two-man horse costumes. The face is meant to look mask-like – the glassy unfocused eyes, the fixed toothy grin, the simple cone shape. The black eyelids are meant to be like those Halloween masks that have eyeholes above/below the eyes, covered with that black fabric to make it less obvious there's eyeholes. And the ears are floppy to be like socks or something; they have those two black lines because they remind me of loose stitching. Also just some animal influences thrown in – possums, goats and bulls…..none of the closet costume stuff is meant to be noticeable or apparent in the design, so why did I put so much thought into it? who know… but this thing is one of my favourite designs I’ve made so maybe it was all worth it

[thewertsearch]

Anonymous asked: it’s not that The Homestuck Epilogues make a really good argument for “being canon” — it’s that they (and Andrew) make an INSANELY good argument that “canon” is a meaningless descriptor for something like homestuck. remember, homestuck has always been “fan fiction” in the sense that from literally its very beginning it has been prompted by reader commands. literally every rule homestuck invites us to explore it eventually subverts or straight up breaks. John’s name is John, not Zoosmell Pooplord, John is “commanded” (but retains his free will) etc — it makes sense to eventually challenge the idea of Andrew as an auter. remember, the story frames even Andrew (AND mspa readers!!) as fictional characters within the physicality of paradox space. homestuck is literally ALREADY fanfiction.

I like the argument you're making, here. The idea of a work of fiction that subverts or wholly rejects the notion of 'canon' is pretty interesting, and on an academic level, it would be kind of cool to analyze it. It could challenge the idea of what it means for something to be a story.

The problem is, well... I just don't think I'd enjoy such a story, as a personal reading experience. I'm here, primarily, to enjoy myself - and Homestuck isn't enjoyable to me because it's waxing philosophical about canon. It's enjoyable to me because I'm invested in the characters, and I like theorizing about its events and lore.

I'm fine with a certain level of meta fuckery, but I have my limits. If Homestuck was just constantly pointing at its characters and saying by the way, these are just person-shaped narrative devices, it would hurt my investment in them, and therefore my enjoyment of the story. If Homestuck started saying my rules are irrelevant and your passion for analyzing them will not be rewarded, then it would kill my motivation to make theories, and torpedo my enjoyment of the story.

If Homestuck's sequels do anything like that, then they're probably very interesting works of fiction, and I'd love to read meta about them. But I don't think I'd actually like them.

Anonymous asked: i've found that if you like homestuck for the themes, the meta stuff and the weird multiverse whatever, then you'll like the epilogues; if you like homestuck for the CHARACTERS, you'll hate the epilogues. most of the fandom only cares about the characters, or cares SIGNIFICANTLY more about the characters, which is fair because they're great. i personally love both and thus find the epilogues incredibly conflicting. i think you'll like them, or at least find them worth reading

In other words: I like the themes, characters, and weird multiverse whatever, but I'm just not that interested in canon discourse, as it applies to Homestuck. Not because it's inherently bad, but because I feel like it's at odds with what does interest me about the comic.

Now, don't get me wrong - I'll happily engage with Homestuck's canon discourse, so long as it doesn't get in the way of zany fraymotifs, punch-card alchemy, and alien teenagers saying funny shit. Whether I like Homestuck's sequels will depend on exactly how it splits the difference between the former and the latter.

[narcjsistx]

Hi, I hope you're doing well.🤗 I absolutely love your relationships HC.🤩 I don't want to be rude, but could I request from Toma!Chifuyu and Tenjiku!Kakucho (my favorite boys)? Thank you very much.❤️

HI! thanks for the request, hope you have a good day 💜 you didn't specify the theme of the hcs, so I'll use the basic one as it would be in a relationship (if I made a mistake, tell me immediately, I'll correct it and do the theme you like most!) Furthermore, I'm still not used to making two characters in one post, so as soon as I have 2 free minutes I will post the part dedicated to kakucho :)

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; 𝐎𝐏𝐄𝐍 𝐑𝐄𝐐𝐔𝐄𝐒𝐓𝐒!!

— Matsuno Chifuyu in a relationship HCS ᡣ𐭩

He's clearly the kind of guy who learned everything slightly romantic he does from a romantic manga he read. He's canonically a fan of Ai Yazawa, the creator of Nana, so who knows, maybe sooner or later he'll give you some glasses with strawberries

It seems impossible but he asks Takemichi for advice on how to deal with you. We all know that Takemichi isn't exactly the person with the most self-esteem in a relationship, however he has always helped Chifuyu, despite sometimes getting into trouble for stupid mistakes. Hanagaki had advised him to get you some flowers to give you after school, but he got the ones you're allergic to. He panicked when he saw you sneeze so many times in a row while you told him to move the flowers away from you

He's slightly unsure of himself, but he doesn't show it. As a result, he feels slight jealousy which he hides quite well, he knows that you would never cheat on him and therefore he represses this side of him because he knows that it is useless. Maybe when he doesn't succeed he'll show off a little more, perhaps resting his head on yours or giving you a few pinches on the side

A typical date might be at a comic book store. He would like to spend time with you at his side while you talk about the comics you are reading or would like to read, and I don't know why but I can see him showing you the cover of a romantic manga where the two protagonists are while he says "this could be us"

Your first kiss wasn't actually planned, or at least not for him. It was Baji who insisted that he had to kiss you, he didn't agree because he wanted you to take the first step and he didn't want to force you anyway, Baji ignored it and pushed him against you. As luck would have it, the impact made you kiss

More than a few times he faked his condition after a fight. You have an unwritten rule that says that after every fight he has to call you, because you want to know if he's okay or not. He often says he feels fine even when he has a few broken bones. He hates seeing you worry about him, so he tries to lie as best he can

You automatically entered the group formed by him and Baji. You're both his two favorite people, so why not all of you hang out together? You often go on long motorbike rides, you and Chifuyu on his motorbike and Baji on his, or you simply like to while away the hours at the arcade in Shibuya

The first time you went to his house, the first person, or rather animal, that welcomed you was Peke J: he immediately approached and started meowing. You spent a few hours with the cat on your lap while petting it, while Chifuyu whispered that you were giving more attention to the cat than to your boyfriend

He's the type to celebrate every date, even a stupid one. For example, it was precisely midnight and you were sleeping when you received a phone call from him. You asked him why he called you so late, which was unusual because if he called you it was before you went to bed. He, extremely happy, said he had called you because it was the date when for the first time, two years earlier, you had sat together in class, but at the time you weren't even friends, therefore not even engaged. You wanted to insult him, but you admit it was nice

I don't know why but I see him as someone who LOVES matching clothes. Like, if you casually told him that you're going to show up on a date in a beige dress, he'll do anything to find something beige in his closet. He finds it a nice thing to do as a couple

[thehelltingvilleclub]

Matt Montgomery - Closet Geek & Closet Freak

An Adult in Eltingville that actually acts like an adult???? WHAT???

Matthieu "Matt" / "Mattie" Thomas Montgomery [02/16/1978] Not Affiliated with TEC - Known Tournament winner amongst Jerry's MTG players. Cosplayer and College student in Manhattan. AOL / Online Users: [MTM_cosplay] | [GoblinHoarder] Theme Songs: Talk talk - Charli xcx | Move Along - All American Rejects | Somebody Told Me - The Killers

Favorite Shit: Trading Cards, Puzzles, Sports cards, Cosplays, X-Men, Monsters, Kaiju, Robots/Mecha, Dr. Who, Rubicks Cubes, Hard Cover books, YAPPERS, Movie Marathons, Beast, Wolverine, MTG, D&D, Cosplay Contests

I don't know how tf to describe this man other than tired and done with everybody's shit and he hasn't been awake more than an hour. He's three years into his bachelor's degree, essentially has 3 full time jobs between cosplay, tournaments, and all of his school work PLUS TUTORING, homie barely has enough time to breathe let alone deal with the TEC. However, that doesn't mean he won't find a way to weasel himself in-- even if its.... by unconventional or rather... *unexpected* means.

Guys I have like no art of him SORRY

Mattie generally only gets introduced very sparingly during 1999-2005, essentially in passing by Jerry or Josh, but he's still present and alive during this time, obviously. Him being friends with Jerry is what gets him to recognize Josh later.

Matt is studying for a Bachelors in English Comp, specializing in Journalism.

Speaking of, Josh and Matt work together at the editors office for the Comic Book News site in the epilogue. It's how they find each other again after Matt graduates and moves back home.

Matt is from northern Vermont, around the Canadian border, and has a bit of a Canadian accent because of it.

Everyone picks on him about it except for May and Jerry, (yes, even Josh, but it eventually becomes endearing to Matt.)

MATT. LIKES. YAPPERS. He doesn't talk much, he doesn't have much to talk about. Books and papers and trying to explain gymnastics routines isn't exactly the most interesting thing in the world, y'know.

He also doesn't have the time to really subject himself to the extreme absorption that Josh and Bill can get with their comics and shows, so.. Tell him about them!

He didn't get access to a lot of the more nerdy, pop culture side of things because of his parents. They had a significantly stronger iron grip on what he and his sister were exposed to, so he never really...

well, he didn't get to express his love for the more geek-y side of life until he moved to NY for college.

He became a professional cosplayer via his roommate forcing him to post, invited to events and photoshoots for his live floor routines he'll do in character, though he almost always wears a full-face mask or enough make up that you can barely tell who he is.

he can't have his sister finding out he dresses up as a blue demon freak in his spare time, yknow? (god she'd bully the shit out of him if she did--)

He's been in gymnastics since he was in middle school, and he's actually quite good; he's on a scholarship at his university, for pete's sake.

unfortunately a bad fall broke his clavicle and made it so he can't do vault anymore, but he enjoys his time doing floor routines and fucking around on the pommel horse from time to time.

Matt also.. is weirdly envious of TEC's... closeness? The fact they barely get along and yet they're all still together, they all still try and see each other or keep in touch..

He's never had that, and it makes him horrifically jealous, but he keeps it to himself-- smile and wave, swallow it down like normal, hm?

please subject him to a movie marathon. Infodump on him everything about whatever you're fixated on. He likes listening to people's voices, so please, just do it. It doesn't bother him at all.

This man has a TEMPER. His mother and his sister have this too, and it is BAD. Matt, however, learned ways to keep his temper at bay and calm down. to an extent. Bill, however, always manages to get his blood to boil by just the mention of him, so maybe... don't

Also, Matt and Pete absolutely bicker. A lot. Matt is constantly showing off that even though he's only an inch taller, he's able to do soOOSOooo much more! and Pete is convinced that Matt isn't actually gay and is trying to steal May away (guys Pete is such a fucking jealous goober I hate him)

Meanwhile literally the only person Matt wants is Josh. Pete should open his eyes maybe but like it's fine.

HOLY SHIT GYUSY

Okay UHM Hi Matt probably won't be talked about much but if you see me Vermont Honey posting it's because I need my comfort ship back okay THanks Also the NSFW cut is coming guys It's gonna have em all And I'll draw Jane and Matt's little sister soon, as they go to school together (Jane absolutely hates her guts OOPS unfortunately she's a bitchy cheerleader so you bet Jane has a voodoo doll of her somewhere in her room).

[littlecrittereli]

catching up on all the chapters of decoded and i'm literally tweaking out. your writing has so much imagery and you're able to capture the reoccurring themes and emotions of healing, anxiety, desperation, and disorders like PTSD even if you're not specifically saying it (like the knife imagery, and how chris feels like he's walking on egg shells around the crew whenever he feels like he's trying to earn their trust back, or trying to get that label of mentally stable back on him). it throws me for such a loop anytime i see some of the words you use. "invasive" really stuck out to me when you were describing the chip in chris' arm, and (as an older sibling) you capture the complex of an older brother perfectly. i feel like such a fangirl, but you're able to place the reader in everyone's shoes (besides diego n anyone not on the crew), from chris struggling to heal and feel trusted--and survivors guilt, to martin just wanting his brother to feel secure (and struggling to cope with the change), to aviva, koki and jimmy all caring for him. I also LOVE how you show little instances into chris'.... well.... i guess memory gaps? or i guess his time in the suit? I don't know how exactly to word it, but you ride the line between telling too much, and telling to little-- it's just enough that it's disturbing and leaves so many questions. and the pure symbolism in chris scarring martin while in the suit, the branding and ownership imagery, the loss of self-- its all so amazing, im enamored! it's honestly a work of art and honestly i'm obsessed with how the story's evolving. just AAAAAA if i could read your fic for the first time again, i would. if I had the time to write a dissertation on it, i also would. keep up the amazing work!!! im so excited to see all the things yet to come with your writing (you should totally write a book at some point!!) (and your art is amazing too!!!)

-sincerely, a college english major (who's also sick with brain fog so sorry if this isn't as clear as it should be)

This is the nicest thing anyone has ever said to me wtf

HEKSHSJ IM SO HAPPY YOU ENJOY IT AHHHHH im so insane for them and everytime someone matches my insanity i jump around in my enclosure

This is honestly the first thing I’ve written thats over 20k!! I have never been super confident in my writing capabilities, sticking more to art and comics. But I really wanted to give it a try, and I’ve been learning so much and having so much fun with it!

I will definitely be writing more stories in the future, but Reprogrammed is really special to me in a lot of ways. There’s a lot of symbolism and deeper interactions that I don’t usually explore. It’s honestly been really refreshing and healing to me in a way :]

[fuctacles]

"What are those 'freaks' exactly?" Steve asks from the back seat of the car. He does have a vague idea but it's not something that comes up in daily conversation or gets covered in classes. He's not even interested in going, but his parents rarely take him anywhere, so when his mom mentioned that a freak show came to town and she wanted to check it out, he backed her up and his father reluctantly agreed to make it a family trip.

“Human curiosities,” his mother answers, which explains nothing to him.

“Mother Nature’s fuck-ups,” adds his father, making Steve frown. 

Wasn’t nature supposed to be orderly and thought out? Meticulously crafted by evolution or god’s plan, whichever you believed in? (Steve’s teachers had a confusing beef about it.)

Then again, nature invented spiders, which Steve would consider a fuck-up on its part. He remembers Dustin telling him about a comic about a spider-man. The thought of a human-shaped arachnid makes his skin crawl and he loses all his curiosity on the topic. Suddenly the family trip doesn't seem so fun anymore.

The short drive to the empty fields on the outskirts of Hawkins is filled with the Top 40 playing on the radio. His father taps his fingers to the beat of some of them, proving against all odds that he's capable of enjoying trivial human things. Steve loves to sing along and dance in the confines of his room but here, trapped in a car with his parents, he just bops his head slightly, not wanting to disturb the silence.

The freak show is a lot like the circus his uncle took him to once. There is a scattering of tents and trucks in varying sizes, all in a similar, kitschy theme of a fun fair. The air even smells of popcorn and hot dogs.

His mother scrunches her nose as soon she steps out of the car.

“This is not what I expected,” she comments, eyeing the scattering of kids and families running around.

“Well...” His father slams the door shut, pulling out a cigarette even before locking the car. “These things are dying off because of human rights activists,” he says around the cig he's trying to light. “Guess they had to rebrand to keep the business afloat.”

It's Steve’s turn to scrunch his face. His dad makes everything about business and money, even something supposedly fun, like a Sunday family trip to a fair; freak show, circus, whatever this is.

“It used to be a huge tent with displays. Now each of them gets their own? Who do they think they are?” his mother laments while hanging onto her husband’s arm, while Steve tails behind.

They pass a tent with a Siamese Twins sign hanging from the front, with a man at the front of the line, gathering money and letting people in. Nearby is another tent, occupied by a Bearded Lady, then a Half-man Half-wolf behind it. The line to that one is particularly long.

The Harringtons agree to take a walk around and decide which ones they want to spend money on, and whether it's even worth it. They've already paid an entrance fee that gives them access to most of the attractions anyway.

They pass a couple of smaller booths, a face-painting clown, and a juggler, before reaching the biggest tent in the center. In front of it stands a chalkboard with a schedule of main events. According to it the next show, between 1 pm and 2:30 pm, was a music performance, pricing a dollar per song: The Twisted Jukebox. 

Steve decides to stay back, with a couple of bills burning in his pocket, while his parents keep exploring.

The light coming in from the top of the tent illuminates a box in the stage center, throwing a long shadow against the soft glow. As he comes closer he realizes it's a jukebox, and he wonders what could possibly be so special about it to warrant an hour-and-a-half-long performance slot. The sign says 'a dollar per song', but does it even take bills?

He decides that the couple of minutes left until the start gives him enough time to examine the machine. It isn't as close to the edge of the stage as he’d like but he presses against the wooden construction nevertheless, cocking his head to the side. The jukebox looks off, different from the ones he'd see at diners, but he can't exactly put his finger on why.

“Hi! Would you like to request a song?”

The sudden voice to his left startles him into bumping his elbow against the stage. He winces as he turns around.

A blonde girl is smiling at him apologetically. She's wearing a short green dress, with a jacket he's seen on other circus staff thrown over her shoulders. She must be involved in the show, then.

He glances back at the jukebox, the song list unreadable from his vantage point.

“What are my options?” he asks, looking at the girl again. 

“Any song works!” she says with a bright smile, and he frowns at her, confused.

"That's not how jukeboxes work," he observes. But her smile only widens.

"This one does," she assures him. "So?"

His mind blanks in when put on the spot like that, but he thinks back to the songs he's heard on the radio today.

"Madonna's Material Girl?" he suggests hesitantly. For some reason, she laughs.

"That's perfect. You're the first one today, so you'll get the honors. Do you have a token already?"

The face he makes must be answer enough because she smiles and produces a coin from her pocket. Or a poker chip painted gold to resemble a coin.

"I hope you have a dollar because I don't have any change yet."

He remembers how gigs work, that you have to pay the performers, and dives into his pocket. He didn't take much with him, but one dollar isn't a problem. He exchanges it for the golden token.

"Follow me." The girl motions at him and turns around abruptly. Stunned, he does as he's told until they reach the steps on the side of the stage. She moves aside as if expecting him to go up there.

He's confused as all hell. Is this how all circus performers were? Freaks in both senses of the word?

The girl chuckles at him and she's too cute for Steve to be offended but it's a close call.

"Hop up there, put the coin in the slot and the show will start. I'll come get you after that."

His confusion triples down but he's used to nodding along when a cute girl talks to him so that's what he does now as well. Blondes are not exactly his type, but maybe he could ask her out and show her around town later.

"Okay," he says before stepping on the stage. When he turns around the girl is gone and he hopes it's not some kind of twisted joke.

The sunlight coming through an open flap on the tent's dome lights the stage, casting the surrounding audience in shadows, which Steve is grateful for. He doesn't want to know what kind of faces they are making looking at the dumbass on stage approaching a jukebox.

It looks almost like any other he's seen before, though the paint job is custom. Twisted Jukebox is written at the top in scratchy letters, and the sides are painted with images of fantastical creatures: dragons, unicorns, and the like. Not Steve's style but someone did a good job on it.

The songs list though, is... peculiar. It has things like:

Anything by Metallica, please,

No Wham! I beg of you,

Country over Pop.

Steve wonders briefly if he had even woken up this morning. Everything from the moment his mother proposed a family outing has been too weird to be real.

Finally, his eyes land on the colorful slot with an arrow pointing to it saying "$1 - 1song". He rubs his thumb over the token he's been given before flipping it sideways and sliding it in.

The coin rattles inside like it just fell through into an empty box. He frowns.

read the rest here with art by @blasvemous

And then, the sides of the jukebox fall apart.

[beifong-brainrot]

While mostly find Kuvira a relatively straightforward character, I do love how the theme of rejection is just so ingrained into her character.

Of course we have Kuvira herself experiencing what many would call the cruellest rejection possible, being literally given away by her own biological parents.

Kuvira: [She angrily turns her head toward Korra as the shot cuts to a wide view.] Don't pretend you know what it felt like! [Wildly, waving her free arm.] The Avatar is adored by millions! I was cast aside by my own parents like I meant nothing to them.

We also see that, while Kuvira is invited with a lot of love by Su, who clearly is open to taking Kuvira into her family, Kuvira clearly didn't feel like part of the family. It isn't exactly concrete why this is the case. We can be certain that Opal, who was most likely working through her own issues surrounding not being a bender and feeling that Suyin is replacing her.

I know it's very easy to theorise that Kuvira was somehow isolated and ostracised from the Beifongs and while I can see this being the case, I haven't seen many people talk about just how avoidant Kuvira herself is.

I mean, Kuvira was horrifically rejected by the people she was meant to unconditionally trust and rely on. As a child who doesn't exactly understand why this is happening to her and that it wouldn't happen again, what better way to defend yourself if you reject them before they can reject you.

I think Bolin hit the nail on the head here. (When will we get a Bolin Kuvira argument i need it in my life)

Kuvira fears rejection. She struggles to form proper relationships, even her one intimate relationship with Baatar Jr had a certain amount of.... padding? If you know what I mean.

I don't doubt that Kuvira had a lot of affection for Baatar. I just think that she still kept a healthy dose of diatance in her relationship with him.

Her relationship with Baatar Jr is actually really fun. It sort of mirrors Kuvira's own childhood disillusionment with relationships.

Baatar also suffers a brutal rejection from someone. Kuvira, the woman he loved, and to some extent, for whom he abandoned all previous relationships tries to kill him. Directly after he pours his heart out to her and and restates his love for her. And now it's him isolating himself, particularly from Kuvira, even when she does try to reach out. (I do giggle at how much Kuvira gets consistently swerved in the comics)

The parasocial relationship Kuvira fosters with her Empire is also worth taking into consideration. Kuvira obviously is projecting her own childhood trauma onto the entire damn country which is my fave part of her character because who does that lol.

I've mentioned this in my comparison of the Earth Empire and Russia in the throes of Stalinism but I wouldn't be surprised if Kuvira cultivating a cult of personality to bolster her leadership is also her attempting to build connections that she deems "safe".

She holds the power in these relationships, she's basically a celebrity and if someone does step out of line, they are betraying not Kuvira, but the Nation. Postulating herself as an untouchable emperess also, once again, allows her a certain level of distance from others.

I'm not sure if Kuvira is aware she's perpetuating her own loneliness. I wanna say yes, because when she is alone, she acknowledges to herself that Suyin indeed was there for her and that she can rely on her. But she's so good at manipulating and gaslighting that she may have tricked herself fully into believing she's the victim, like she had with her warcrimes at the beginning of RotE.

All in all, I think Kuvira is a very interesting character if not one that is simply putting an slightly new spin on tried and true tropes. I will say I find it quite odd how many people take what she says without a second thought when she clearly has a vested interest in lying, but she is very charismatic and fun to analyse lol.

[positivelybeastly]

Hey again, since you've once again brought up the idea of Hank and fatherhood, thought I'd try again to bring up his romantic history ( first comes love then comes marriage, Yada Yada and all that)

For a guy so down on himself and his appearance his got a pretty good dating history, and that's not even counting the people he's been teased with that the writers haven't pulled the trigger with yet

* cough*wonderman* cough*

How do you think Hanks romantic history in comics reflects on him as a romantic partner, both good and bad?

It's not my fault Hank's got such dad energy that people want to talk about how good of a father he'd make all the time. ;)

So, I think that Hank's romantic history is. Interesting. Because there's the surface level perception of Hank, and then there's the actuality of Hank as a romantic partner.

The surface level is largely dictated by the only non-comics source that ever bothered to give him a romance (no, I emphatically do not count the Mystique bullshit from the movies), which was the 90s animated series and the continuation of that theme in '97 this year.

Yep, it's time to talk about Carly Crocker!

Now, Carly is a completely original creation for the 90s show, and she doesn't quite fit any of the archetypes of Hank's other notable comics paramours, so I'd hazard a guess that they just kinda freestyled it here because, well, Hank's other romantic partners up to this point (Vera Cantor and Trish Tilby) wouldn't have fit the interracial romance/literal Beauty and the Beast angle that this episode is going for.

Carly's cute! I like her dynamic with Hank. They're very soft and tender with one another - she's not what I'd call frightfully complex, but she's a good woman with a nice dynamic that tugs at the heart strings a little, and especially given that the original 90s cartoon was aimed at kids, I feel like this is the right level of romantic interest to give a similarly relatively un-complex version of Beast.

Neither of them have any real negative qualities because if they did, well, it would detract from the tragedy of their denied romance and the unfairness of it all. It's very clear that the makers of the show want you to come away from this thinking that it's complete bullshit that Hank and Carly can't be together because other people are so small minded, and that would be muddied if Carly was, idk, kinda rude, or if we more faithfully transcribed some of Hank's neuroses to screen. So instead, it's very idealised.

This is where a lot of people get their idea of what Beast is like. He is a perfect saint who literally cures the blind on his time off from being a superhero, and his paramour is an angelic blind woman who is completely free from prejudice or rough edges. I think it's fine for what the show is going for, but it's not quite accurate to what Hank and his romantic history is like - to the point where I've seen some people (usually Redditors) say, UGHHHH, Beast was never the saint you think he was in the 90s cartoon, he's ALWAYS been morally grey, you fools! The fun blue uncle never existed in the comics!

And it's like, my guy. Yeah, the 90s show embellished a little bit, but this is not a million miles away from who Hank is. He's simplified, but Hank was absolutely a fun blue uncle jokester with a heart of gold for most of his existence. Maybe it wasn't exactly who he was in the comics, but neither is he what certain later writers think he is.

But. I digress.

We do, of course, have the '97 romance to consider, but we'll get to that, because that's a lot to unpack . . .

Comics!

Vera Cantor!

Ugh.

So, like . . . teenage Hank is just obnoxious. I don't enjoy him, tbh. He occasionally has good lines, but I'm basically just sitting around flicking his annoying head like

But in this instance, the 'do something' is turn blue. He's so much less obnoxious and annoying when he's blue . . .

Even filtering out the 60s misogyny, which isn't a particularly interesting flaw to try and give Hank, he's just not a great romantic partner because he's too stuffy and bookish. He's inattentive to Vera's needs and it really does read like he's only here because, well, it's something to do and Bobby needs a wingman. Vera states that she likes Hank because he's refined, which I suppose is true enough, but that's not enough to build anything more than a flirtation out of, tbh.

He's just. Not ready yet, for a fulfilling romance. The stuffiness and the blowhard vocabulary are all a smokescreen for a lot of insecurity, and that's just not someone who's ready to have a relationship.

Then again, when has that ever stopped a teenager?

They survive for longer than they should have done, honestly, given that Hank and Bobby are literally ALWAYS being called away to do X-Men things, which naturally puts a damper on dates, and they're on decent enough terms when she shows up again in Amazing Adventures, needing his help in dealing with Mimic's whole deal in Incredible Hulk.

It's a comic book romance (derogatory). It is what it is. Not really all that complex, not a lot to write home about.

Where it gets interesting is when J.M. DeMatteis enters the picture.

There's something very . . . performative, about Hank's romance with Vera, under DeMatteis. And I don't say that analytically, I mean that completely, utterly literally.

Silence. Uncertainty.

Guys, if I have to tell you that this is a bad foundation for a relationship, then I'm worried for you and your significant others. You can't be with someone because they're safe. That's part of a good reason to be with someone, but if you look at someone, and the best you can think of when you look at them is, you remind me of when my personal life was a little less scary because it was being dictated by a stern Professor Xavier, that's. Probably a sign???

It's also not great that Vera hasn't discovered feminist literature yet, so she keeps falling for being lovebombed because Hank is a bad boyfriend.

And this scene is just a big fuckin' WOOF.

Kid? Is that . . . really how you want to talk to your girlfriend, Hank?

Like . . . in the end, this is not the worst relationship in the world. Hank, when he's around, is charming. He's a good man. He writes good poetry, he'll take you dancing, he's handsome, he's great in bed, and he's a goddamn superhero. He is a fundamentally good man.

But.

He is inconsistent. He is prone to making decisions without consulting you. He is prone to showboating and revelling in attention from his fans because he has self-esteem issues. And, in the end? He's just not that into you, Vera. The base problem is still kind of the same - he's immature. He hasn't grown up yet. He's working on it! He's showing some self-awareness! But it's gonna be a bit before he's really good for anything beyond a fling.

Thankfully, Vera grew up and out of it quickly. Good for her!

The fact that they're still friendly means Hank didn't completely fuck this one up. I think both of them realise they had a lot of growing up to do, and I think that's the kind of sin you forgive people for a lot more when they're actually working on it, which Hank did.

Now, let's compare and contrast . . . with Jennifer Nyles.

I fucking love Jen.

Introduced in 1991's Marvel Presents as a flashback character who was Hank's first proper girlfriend (there's a character called Mindy that appears to have been a less serious relationship before Jen), Jennifer is a clever clogs like Hank, and even more feisty.

Hank remarks multiple times that if it hadn't been for his choice to join the X-Men, he likely would have stayed with Jen for the rest of his life, and I can see it. In a world where Hank didn't go with the X-Men, he lives a quiet, happy life with Jen in Illinois. Maybe he wins a Nobel Prize for biophysics. They have kids. They're good.

But, instead, Xavier wipes her mind of Hank's existence, and it shifts her entire world's axis - she commits her genius to the task of working out what the gap in his mind is, and becomes an expert in the field of techno-organic cybernetics.

As you do.

They find each other again. They have their moments together. And then, because Hank is a superhero, and they live dangerous lives, and Jen is reckless enough to get involved in dangerous endeavours to try and work out what was stolen from her, she nearly dies.

Nearly.

Hank and Jen are incredibly compatible, to be honest. They're a great match, and it's interesting to compare her to Vera, who is identified as a librarian, an 'intelligent' profession, but whom Hank seems disinterested in, whereas Jen, who is explicitly on Hank's level, enraptures him, and in the end, he's forced to let her go for her safety.

In the end, Hank doesn't want someone who'll just hold his hand, he wants someone who can challenge him intellectually, someone who will hold him to account, who can match his wit, and Vera . . . can't.

Not really.

It's partly a foible of when they met, partly a case of Vera being who she is and Hank who he is, but in the end, it all comes down to how Vera reacted when she received those flowers and poetry. She folded. She was charmed. She fell for Hank's charming exterior. And that's. Kinda. Not interesting to him? I don't even think he realises that's what's going on, but it is what happened. She showed him that she would put up with his shenanigans, and that's not what Hank wants. Not really.

You could almost see it as a game that Hank plays, a challenge to see if you can scratch the surface and get at who he really is, under the surface, if you're dedicated to getting at him. Maybe that's unfair of him to do, but again, I don't think it's something he even realises he's doing. He has walls up for a reason, and if you break through them, then you clearly want him - he can believe that, because you just fought him, to get to him. It all comes back to that insecurity . . .

It's also worth noting here that Hank and Jen have another encounter in X-Men Unlimited vol. 2 #10, in a way that contradicts Marvel Presents. It's hard to reconcile, since she remembers Hank here when she shouldn't, but I like both stories too much to really fight over which one I have as canon, so I kinda just don't think about it too much.

"What would you think of me if I was to tell you how terrified I am of everything right now?"

"You've never been scared of anything in your life. I think we should both be brave and go take a look at what might be hiding in the cemetery."

That touch, that tenderness . . . ouahhghhhh . . . the timelines are screwy, and these are all written years apart from one another, but I do think it's significant that Hank spends entire issues of Amazing Adventures and Incredible Hulk hiding his beastly appearance from Vera under a mask, and yet, he willingly unwraps his bandages for Jen.

I think that tells you all about how willing he is to be his true self around Jen versus Vera. Hank literally says he doesn't know who he is sometimes around Vera, and she tells him, I'll help you find out if you let me. Helpful, but it doesn't fix the problem. Meanwhile, Hank is in the midst of the worst depression and fear of his life, reeling from his worst ever mistake, and Jen tells him that she'll be brave with him, and they'll confront the unknown together. He finds catharsis that way. Vera is supportive. Jennifer is proactive. Hank appreciates both, of course, but only through one can he achieve growth.

But, that's no real surprise, because . . . she's the one who tells him this, too . . .

Jennifer Nyles, you have, like, 9 appearances in all of Marvel Comics, but I would die for you. Genuinely one of the most influential characters in Hank's life, tbh.

. . . SPEAKING OF INFLUENTIAL CHARACTERS.

So . . . in the interests of a fair analysis, Trish is an interesting character. She believes in transparency, the democratisation of information, she is eminently heroic, she is self-sacrificing, she is intelligent, and she is strong.

You can see why Hank would be attracted to her. She can cut through the flip attitude and get at the Hank underneath. If we're going with the theory that Hank is playing keep away with his real feelings so that the only people who get close to him are the people who work to get there and he can believe that they're there for him, then Trish will succeed, because she'll put in the work.

But, the problem is, the Hank she met was human Hank, and even though she claims not to have a problem with the fur - and maybe, at this point, she doesn't! - we know that Hank's mutation becomes a problem for her.

Man, if I had a penny for every time I posted these panels, I wouldn't have to work.

But. In the interests of fairness. I have to point out that the problem here is not that Trish found it hard to get used to Hank's changing face - I've talked about this before, that it's understandable it would become an issue for her, in a romantic relationship, faces and bodies and the tangible aspects of a person are more important than ever - but that she thought this was in any way an acceptable way to do it.

Trish's insecurity made her lash out and 'fix' the problem in a way that saved her career and severed the tie that would drag her down. That is. An understandable reaction. It's hurtful, but in the end, she's prioritising herself, and that's. Understandable. That being said?

She had no fucking right to even try this.

Like. No??? You don't get to do this??? Fuck off??? You exited from his life in a way that saved your career and your reputation, you do not get to try and dip back in because you feel bad - and, I'm going to be incredibly fucking honest, that's if that's even the reason she's doing it. I suspect, maybe maliciously, but maybe not, that she had ulterior motives, because of past behaviour.

Because do you want to know what the worst thing Trish Tilby ever actually did was?

Meet Dennis Hogan. He is a mutant. His power is to look like a lizard. That's it. He also was infected by the Legacy Virus, making him incapable of controlling those transformations. He is a perfectly harmless, innocent young man, who is trying to find medical help for a disease that he had no way of avoiding contracting.

Trish Tilby is directly responsible for his death in a hate crime.

And Trish's response, when Hank brings this up?

Just throw the whole fucking woman out. She's septic garbage.

How does this reflect on Hank? It reflects badly that he ever took her back after this. After she sold out his fucking race, got an innocent man killed, deflected blame, physically assaulted her partner, and acted as if she, somehow, were the wronged party in this.

"If you were doing your job as well as I'm doing mine, there'd be one less dead mutant to mourn!"

Hank is currently working on a cure for the Legacy Virus, Patricia. Thank you for implying that he's not doing enough, while you sit around, hocking news stories that will tangibly improve your position at your job, that directly lead to hate crimes, because you have decided that people just NEED TO KNOW things that will make them act irresponsibly, hatefully, and cruelly.

Yes, there is such a thing as freedom of the press. There is such a thing as the democratisation of information.

And then there's this asshole, who was storming into Angel's hospital room with a camera, recording him with his ruined wings, chasing a story because it was the right thing to do, and damn the consequences.

Who cares who gets hurt, so long as Patricia Tilby gets her story?

It reflects badly on Hank that he ever went out with her. it reflects badly on Hank that he ever took her back. It reflects badly on everyone involved that they didn't have the heart to tell Hank to just fucking NOT.

This is who she is. It's who she's always been, since her first appearance, and it is stark how awful a woman she is.

The X-Men '97 adaptation of her was kind. Think about that for a moment. Think about the fact that turning this woman into a fucking Prime Sentinel couldn't make her do as much damage as she did with her own free will and bad judgement.

. . . Blech.

So, this is an incomplete history, because I've run out of images? Heh. If you want to hear more about Hank's other relationships, most notably Cecilia Reyes, Abigail Brand, and Simon Williams, feel free to send another ask, and I can link them together. Hope you found this informative and not as rambly as it feels.

Also, if I remember correctly, Cerebrocast is gonna do an episode on Trish Tilby soon? I have no intention of listening/watching to it, but keep all of this stuff in mind and see if it gets mentioned when that episode happens. Because that podcast's hate boner for Hank McCoy means I genuinely think they'll find a way to excuse Trish's poor behaviour just because it's Hank. It honestly wouldn't surprise me.