#I know this is long and filled with quotes

[planetformer-central]

Thank you for making this baby prime AU, it's a boost of serotonin seeing each art of it!

How do Starscream and Soundwave feel about the Primes they once guarded now having been reborn?

I've already done Soundwave, so here's Starscream. This is part 1 of a set of comic pages I have sketched.

That said, in the TF1 Baby Primes AU, Starscream is not a meme worthy character. He is cunning, exceptionally so. He was trained from the moment of his forging to be a soldier, eventually being taken under the wing of Liege Maximo himself. He watched the Cybertronian empire fall. He witnessed Crystal City, the crown jewel of Cybertron, burn. He was so loyal during the war that he was allowed to know of the Primes reincarnations and even serve as a teacher to Prima during his regular rebirths. Additionally, he served in a priestly position to fill in after the Primacy was destroyed. He tried to keep the ancient customs of Cybertron alive, no matter the cost to himself.

Starscream is old, and above all else, he's unwavering in his goals. He wants nothing more than for the old empire to return, and for his Lords to be able to go back to their traditional roles as wandering guardians and guides. For the sake of his goals, he has allied himself with Megatron and remains loyal in the hope that Megatron might show his Lords the error of their ways and convince them to come back with the High Guard.

One of his notable quotes regarding the situation is as follows:

"Our Lords are young yet. And during this delicate time after rebirth, they imprint easily. Their loyalty to Optimus is pure and unwavering, at least for now. But as they age, so long as they are shown the truth, they will begin to stray from him. That is when we strike. That is when we can bring them home."

[vxlentinescookies]

..dark cacoa x reader?

→ ❛Of Books and Lavender❜

→ Pairing ; Dark Cacao Cookie x Reader → Quote ; ❛❛By god, does he love you as much as you love him❜❜ → Genre ; Headcanons → A/N ; Here you go! I, guessed you meant Dark Cacao so

Nights in the citadel arent always peaceful, but this once, they are. You’re seated in the lounge area, cozy in your coat as you read one of the many books there are in the kingdom. Your eyes roam over the lines and text with certain intrigue, looking at them over and over, before finally sighing and setting it down, looking upwards with closed eyes…

“Still havent gotten used to reading in korean, sweetheart?”

A booming voice catches you off guard, making you yelp and jump before turning to see him, with a smug smile that is reserved to you and you only.

Loving Dark Cacao is… interesting. You arent exactly like him, you’re warm and cozy, you’re a safe haven, you dont have blood in your hands.

But he does, and in that sense he fears even loving you, even being by your side and tainting you with that same love you profess to him.

Even then, loving Dark Cacao entails loving a man with many scars and many pains, but it doesnt entail healing them, because love isnt about healing others, Love is about loving others.

So when you confess to Dark Cacao, it takes him by surprise, but if you’re giving yourself to him, then he’ll gladly accept it, he’ll gladly accept you and cherish you as you deserve.

“I try, but its hard to get used to the alphabet…” You say softly, looking as Dark Cacao, your lover, moves to sit by your side. “I am trying, still, dont get me wrong…”

“I know you’re trying, and you’re doing your best” He’d start, gently, a gentleness reserved to you. “Let me help you”

“Cacao…”

“It is no burden to me, you could never be a burden to me”

Loving Dark Cacao entails acts of service and words of affirmation.

You hear it from him, how much he loves you in private, how he holds your pinkie outside, how he holds you close when you sleep…

But just like how he says it, he needs it too, even if he wont admit it. He longs to be loved like he used to be, he’s touch starved, will you fill that void?

To love Dark Cacao is to love a man in a war he is just recently closing by, but by god, does he love you as much as you love him.

[1moreff-creator]

Fool's Table MV - Analysis

I absolutely adore this MV so it's getting an immediate analysis post. I cannot fucking believe what was in it. After playing coy with Mai for so long, we get an entire MV about her and Teruko?!?! The Terumai stocks are through the roof and my adoration is immeasurable. Let's go!!!

I hope I'm able to pick up on at least most of the most important details, I am doing this a bit off the cuff lol. As always, an important disclaimer is that the following is just my interpretation, I could be wrong about some things, and others may have multiple valid interpretations, I’m not claiming that my way of seeing the MV is the only “right” one, yadda yadda, you know this by now.

First, the description:

Together, alone, until the curtains close, I want to dance on the stage with you.

Pretty straightforward. The entire MV is framed on a stage, there's curtains, Mai and Teruko even dance. Just reinforcing the togetherness of Mai and Teruko (and don’t worry, we’ll get to that).

But, wait. Not everyone knows who Mai is, or what we already knew of her relationship with Teruko. That’s understandable, she’s had literally 9 seconds of screen time in the main series, and while it’s widely speculated she’s Unnamed Classmate, that’s not immediately obvious.

If you don’t know anything about her, I'll recommend you read up on the relevant sections of my secrets masterpost, since all you really need is her profile, Mai quotes and maybe her LGI numeral to understand this post. Or, if you're down for a longer read, my only somewhat outdated Mai post.

Next, we have to ask, what is Fool's Table actually about? I find it helps to talk about the song's overall meaning before diving into any specific lines, so we can better understand them in context.

Fool's Table is a song primarily about societal rules and expectations, and what it means to live within them. You'll see plenty of references to manners, people wearing masks, etc. The song also dwells on the concept that suffering is an inherent part of being human, and how to deal with this fact. The titular Fool's Table refers to life itself; it's framed both as a table, where society would claim manners and cleanliness are important, and described as a stage in various occasions, somewhere to dance and dirty and act on. You'll see what I mean when we get to line by line analysis, which this should be enough to get us started on, I think!

We open on a shot of a table, filled with plenty of different foods. Given this is the "table of life", you can easily interpret this as a representation of the large amount of experiences which life can offer. Before Teruko and Mai appear, the following lyrics play:

I'll deliver the final blow Already, that kid has a pitiful look on their face Everything everywhere is in flames Savages acting "sensitive"

"Everything everywhere is in flames" is pretty straightforward, I think. A very Teruko-like sentiment. This sentiment is possibly why the table that represents life is shown upside down; being "upside down" is a way of showing that everything's wrong with it, and by extension the world. The "final blow" mentioned, in my opinion, is showing this "truth" to the "kid with a pitiful face." Basically, this kid, possibly a stand-in for all children, was already sad, and now you're telling them everything is in shambles because of "savages" who pretend to be more compassionate, "sensitive", than they truly are.

On its surface, this seems like exactly the kind of fatalism that Teruko has held throughout most of her life. However, the next lines actually recontextualize these statements in quite an important way.

Let's let the flowers bloom until the end From the cradle to the grave, there's not enough love! Impatient guests, in a hurry Everyone is wearing the same face

This reveals that the singer actually wants things to get better, "flowers to bloom until the end." Although discontent with the current state of the world, with all these people who have lost their identity ("wearing the same face") due to "being in a hurry" (which you can interpret in a few different ways but it's not all that important for us), they seem to believe there are ways to improve it. And this idea that the singer wishes to go against society and make a better world for themselves is immediately tied to Teruko in the next line.

"You have no manners"

(The color's not actually in the MV just to be clear lol)

So first, sick animation. DRDTDev is awesome.

Anyways, there's the connection. For all that Teruko in current canon doesn't particularly believe her life can get better, she's certainly someone who goes against what is expected of her, here represented by dropping her cutlery and eating with her mouth. That's because Teruko doesn't think acting the way others act is going to help her, so she does her own thing. For example, pushing everyone away after the first trial, when others would want her to be more approachable. And with this idea, we reach Teruko's side of the table.

Now, gather around the pure white table

"The pure white table" is an ironic statement. Remember, the table represents life, so pretending it's "pure white" would imply it's simple and orderly, which the singer obviously doesn't believe. To amplify the irony, the statement is contrasted by the image of Teruko spilling blood all over the "pure white table." The statement is pretty clear: Teruko is a challenge to the orderly nature of society. Not only because she's a disruptive person herself, but because her life of misfortune is in itself a challenge to the idea that everything's perfect and okay, the mask that the other people mentioned before in the song wear.

Dance on spinning dishes, oh no

I actually quite like this line. The imagery of dishes is obviously connected to the table, which represents life, but spinning dishes in particular is a circus trick. Literally calling the world a circus, lmao. And asking you to dance on the dishes once again invites images of disorder and going against expectations.

We've forgotten the right way to breathe

AND THE CROWD GOES WILD!!!!!

Indeed, our favorite mystery girl (and birthday girl!), Mai Akasaki, makes an appearance. Unlike Teruko, Mai's eating with her cutlery, the way society would want her to. And this isn't exactly the first time we've seen Mai be contrasted with Teruko in this kind of vibe, remember?

In the LGI MV, Teruko is described as "someone dearly unloved", while Mai is "someone dearly loved." If you know anything about Mai, you know the idea that she's perfect by all standards, including societal ones, isn't exactly new.

However, it's worth noting that this is only a first impression. We'll see Mai dancing on the table later, and based on that and the whole "document" situation with Xander and Unnamed Classmate in Visiting Graves, we know Mai's perfectly fine with going against the grain and doing what she believes is right, despite what society may think. That said, unlike Teruko, her existence isn't actually a threat to the status quo, as she's:

[Mai Quote - Min]: An average girl with nothing special at all about her.

It's worth noting, though, she seems to be eating flowers instead of food. This can be an early indication of her more rebellious leanings (you eat food, not flowers), but I think it could be meant to serve as further contrast with Teruko. Remember how the foods could represent life experiences? Well, "eating flowers" in that sense could mean that Mai actually had a pretty pleasant life, which is entirely possible as, again, ordinary girl. We know from Charles' Mai quote that she loves her family, from Whit's that she has many friends, and from Visiting Graves that she doesn't have money issues. She could certainly have other issues, mind you, but right now we don't have much indication of it.

Oh also the lyric. "We've forgotten the right way to breathe" is just another way the singer has of expressing dissatisfaction with how others act. It seems like it's explicitly ambiguous whether Mai is one of the people who've forgotten the right way to breathe, or one of the people who hold the singer's opinion, playing into the dichotomy of how Mai is first presented here (eating properly) and how she dances on the table later. By the way, the word "we" actually appears and disappears before Mai shows up on screen, while the camera is still in the middle, so take that as you will.

It's all over once we drown What a luxurious dining table!

To quickly cover the lyrics, "drowning" I imagine is an allegory for death. Remember how the singer was upset others "lived in a hurry"? Yeah that. And the "luxurious" dining table thing is once again sarcastic.

You might have been wondering if I was ever going to talk about the things on the table, and don't worry, I am about to, I was just waiting for this wide shot. In general, I think most of what's on it is decorative, as I struggle to find any metaphors hidden in most of the food. The 12 colored biscuits next to Mai may be representative of the 12 members of the cast who are still alive in the killing game, maybe, but I don't think some of the colors match all that well (where does yellow go? why do we have so little blue?). Could also be the altDRDT cast + mascot, as pointed out by accirax. I don't think it's too important to know what this is, so I'll leave it open-ended.

The candles are a point of interest to me, though. The one on Mai's side is taller, but further from her, while the one on Teruko's side is smaller, but closer to her. There are like a billion ways you can interpret that, but I'm gonna choose to think of them as the two girls' "warmth", if that makes sense. Teruko is keeping it closer to herself, not as willing to open up, and the candle's shorter, so she has less warmth to give. Conversely, Mai is more willing to give Teruko her "warmth", as she's a really nice person from what we know, and that warmth is very intense judging from the length of the candle. Works well enough for me.

Finally, the most important part of the table, the cake. Obviously the centerpiece, it has both flowers and a red liquid, which I assume we're meant to see as blood. Notably, the side facing Teruko has the blood on top and the flowers below, possibly representing the way Teruko, at least in CH2, shows off her harsher side to the world while hiding more delicate and complicated feelings. Meanwhile, Mai's side has the blood being covered by the flowers, as if implying that Mai's kindness and love hide a fiercer soul underneath. Given the whole "she was probably staging some kind of revolution against Hope's Peak with Xander based on Visiting Graves" thing, I'd say that's a pretty accurate description of her character. Not to say she's intentionally hiding an evil side or anything, just that her real feelings are more complicated than what her seemingly perfect exterior suggest.

I haven't talked about the flowers because they're drawn the same as the flowers on Mai's tattoo, the Bonus Episode text boxes, and the "flowers of an unknown species" of the LGI MV. If you know the common interpretations, you'll know the two popular options for what they are is white camellias or white mai flowers. White camellias represent purity and honor like other white flowers, though they also specifically represent adoration and respect and are popular funeral flowers in Japan; while Mai flowers represent "prosperity, happiness in the new year, as well as resilience against storms and challenges", and the yellow variation of the flowers is connected to a legend about a girl who died protecting her father and village from a snake monster. Oh yeah Mai's probably dead by the time the killing game starts. 'Cuz, you know.

See that arrow pointing to Mai's portrait when her numeral XI shows up alongside the word God?

Yeah it's not very subtle. Mai's God, Mai's dead. There are other interpretations for this, mind you, but there's also other reasons to believe she's dead, so.

Trash is trash, trash will act like trash Fools are fools, fools will act like fools That's the ironclad rule of society And there's no room to complain

You get the lyrics by now, right? I don't have to point out that this is once again talking about rigid societal rules and expectations? Good!

Everyone everywhere is a nuisance The noisy crowd from earlier

For now, let's dance in the palm of their hands

Yay more pretty animation! :D

Here, the singer once again insults society at large, but also says that "for now, let's dance in the palm of their hands." As in, they're not fully ready to complete go against society yet, and will engage with its expectations for a while longer.

However, we're actually left with a pretty important question: what the fuck is the apple? Apples are usually representative of the “forbidden fruit”, a temptation or desire which goes against what is accepted. So, perhaps Mai is doing as the lyric on screen says; by discarding the apple, she’s discarding that which is forbidden by society and “dancing in the palm of their hand.”

That’s certainly an understandable interpretation, but I don’t find it fully convincing, because it just… doesn’t fit Mai.

[Mai Quote - Xander]: She couldn’t stand to do nothing.

Not only because of the whole “rebelling against Hope’s Peak” thing, but because later in this very MV, she’s seen dancing on the table with Teruko, going against societal expectations.

Additionally, it doesn’t explain what giving the apple to the dog would represent. Dogs can’t go against human societal norms, as far as I know. So, that’s another point that would need to be explained in that interpretation.

But maybe the doggy can help us? Maybe we can get to another interpretation through it, because I feel like I’ve seen it somewhere before-

Oh for the love of- Can this stop being the most plot relevant execution of all time???????? I don't want to think about it anymore!!!!!! /silly

Yes, the presence of a black dog/wolf is an explicit callback to Min’s execution. This would draw a connection between the apple and Min. On the surface, there are a few other ways we can connect them, as apples have a lot of associations with a bunch of things. In pop culture, apples are a common gift students give their teachers, and Min is a Student who wished to be a teacher. Allow me to ignore that this could also connect to the About Page Text and altDRDT Teacher real quick, since this connection is very minor and very cherry picked and only works because of the dog that doesn’t have ties to those two things.

However, it does bring even more issues with the interpretation I previously mentioned. Because, to put it bluntly, Min is the exact opposite of going against societal norms. Her recap foil is the Rebel, she’s under the orders of XF-Ture Tech, you know the drill.

Is it possible, then, that the meaning of the apple is the opposite as well? That eating the apple represents accepting society’s rules? It may seem weird with the associations to forbidden-ness I mentioned earlier, but if you go back and look at the Lone Apple scenes again, this idea gets a bit stronger.

The apple is full when the singer talks about the ironclad rules of society, as if implying that the apple is the ironclad rule. Then, right before we hear the singer talk about dancing in the palm of the hand of the “noisy crowd”, the apple is seen eaten, as if eating it is directly connected to dancing in their palm and following the rules. This would be consistent with the apple’s connection to Min, as Min herself is representative of following societal expectations as discussed earlier.

But then, why would it be “forbidden”? Well, I propose that we’ve been thinking about it wrong. The apple isn’t forbidden from society’s perspective, but from Teruko’s perspective.

Theory: An “Unfortunate” Point of View

The idea is that the MV doesn’t show things from a neutral perspective, but rather, from Teruko’s perspective, specifically. I’ll discuss why I believe this in more detail in a bit, but for now, I’ll ask you to bear with me.

This is the final piece of the puzzle for my take on the apple. Since the world has been unkind to Teruko, playing along with the rules of the world would make you an enemy in her eyes. She has been opposed to them from the very start of this MV, after all. Thus, the act of accepting the “ironclad rules”, eating the apple and “dancing in the noisy crowd’s palm”, would be seen by Teruko as eating a forbidden fruit. Therefore, the MV presents it as such, since I believe it’s shown from her perspective.

However, Mai discards the apple, which in this case is consistent with her dancing on the table later. She’s forgoing society’s rules and “throwing them to the wolves.”

Am I cooking? Am I burning down the kitchen? I have no idea! But that’s what makes it fun! This whole thing is obviously very up to interpretation, and there’s not really such a thing as a right or wrong one, really. I’m very open to hearing other interpretations on this thing.

Btw while we’re here, the wolf thing could also be connected to Elliot’s death, since he likely got killed by dogs as well (long story). In that case, the apple could represent knowledge, as in, the “forbidden” knowledge of Elliot’s existence and death. But… that’s kinda really disconnected from the rest of the MV and I don’t know how to relate it to the other lines the apple is seen alongside. So, throwing it out there, but I don’t think there’s a connection there.

Finally, I don’t think Mai’s the mastermind. Yes, I know that her throwing something to a wolf could be an allegory to her executing Min. But as stated earlier, it’s likely she’s already dead, and it’s kinda hard to mastermind a killing game from beyond the grave. You could connect it, in a more roundabout way, to theories that Mai’s death caused the killing game, but I don’t think it can really go further than that.

Gather around the pure white table Dance on spinning dishes, oh no We've forgotten the right way to breathe Let’s continue until we drown

Same lyrics as before, except for the change of “let’s continue until we drown.” It fits with Teruko lying on the table, not really doing anything. See, I believe this moment represents one where Teruko has given up on actively fighting, and is just deciding to go along with the flawed society she lives in. If I compared her eating with her hands earlier with her attitude at the start of CH2, this could be compared to her attitude when MonoTV told her she’d get executed but before Levi jumped in. That is, resigned and just letting things happen. This bouncing between harsh and “socially condemned” methods of self-preservation and resignation to her fate is a common thing for Teruko, I find.

Go ahead, enjoy the sour and sweet as you please Forever uncertain, I’ve held onto this poison Let it make my cells dance With those sharp-edged words! Our pain, we couldn’t choose any of it Look, it’s spinning round and round On the dining table of “life”

Yeah remember that thing about Teruko resigning herself to her fate and bad luck? “Our pain, we couldn’t choose any of it” is pretty in line with that. Teruko’s just accepted that bad things will happen, the world’s terrible and her existence is suffering. Hence, “enjoy the sour and sweet as you please” while she’s lying on the table; she’s a meal ready to be consumed by those who hurt her at their whims.

And who do I mean by “those who hurt her”? Well, if you didn’t catch it, the type of knife and its placement is a clear echo of Xander stabbing Teruko. Now, judging by several of her statements through the series, Xander isn’t the only person who’s ever hurt her, but he does work as a stand-in. Someone Teruko trusted has stabbed her in the… I’d say back but it was really the stomach, and she thinks this is what will always happen if she opens herself to hoping things will be better. She wants to, to some extent (“forever uncertain”), but she knows it will still hurt her eventually (the poison “making her cells dance”).

Well, except.

Here Mai is, pointing a knife away from Teruko. Defending her, possibly. This is the same knife she held at the start, the one which seemed to suggest Mai was playing by the rules of society. Except, she’s now taken those things, and is now using it to point at whoever may want to “eat” Teruko. That could represent a couple of things, but the most straightforward idea for me is that several of the things that make Mai a standup member of society are also just good traits for a friendship, such as her kindness and compassion.

Now, the next section has a lot of repeated images, so I’m just going to describe what shows up with each lyric.

[Mai pointing knife from uninjured Teruko] Now, gather around the pure white table Dance on spinning dishes, oh no [Teruko stabbed, alone] We’ve forgotten the right way to breathe [Mai holding knife, Teruko hidden] It’s all over once we drown (What luxurious dining table!)

(Btw you can know if Teruko is injured or not by facial expression, if you were wondering how I could tell)

Chorus, we know the lyrics. However, I’d like to point out that the line “we’ve forgotten the right way to breathe” is shown with Teruko injured and no Mai, possibly implying that being alone is “the wrong way to breathe” as it gets Teruko injured. That’s my favorite interpretation for that, anyways. Also ominous showing Mai front and center when talking about drowning as an allegory for death, but frankly? This is the first “dead” allegation she’s caught this entire video, and seeing how she managed to catch, like, three in the two seconds her numeral shows up in LGI alone, I’m actually quite proud of her! She may not be beating the allegations, but at least she's not getting one per scene!

Now, play a pure black elegy Let’s dance on the palm of your hand, oh no How does it feel to be devoured by the prey you once mocked?

Let’s start by focusing on what’s happening with Teruko in in the background, because it’s quite sweet. Not only does she start smiling and crying in joy, her stomach is covered in Mai’s signature flowers. This is pretty clear; Mai’s kindness has “fixed” the injuries other people had caused Teruko, her flowers covering up the Xander related injury that serves as a stand-in for all the betrayals Teruko’s endured over the years.

Admittedly, such heartwarming visuals are a bit of a contrast to the line “play a pure black elegy”, which if you don’t know is a “poem of serious reflection, usually a lament for the dead”, and the whole “devoured by the prey you once mocked” thing. However, that’s presumably because Mai is still very much holding a knife up to someone, so we can get away with some darker stuff.

I choose to interpret these lines as these two effectively talking to the status quo of Teruko’s life, if that makes sense. With Mai’s help, Teruko’s finally regained the courage to fight against her fate and stand up again, looking to “devour” the vague enemy of her luck whom she was always the prey to. The elegy, then, is aimed at this vague enemy, who they seek to defeat and “kill.” Does that make sense?

And this is the final link I need to explain my aforementioned “this MV is from Teruko’s perspective” theory. Because, you see, I believe this entire MV shows a story, and there’s an arc about Mai and Teruko’s friendship which can be followed. I believe this MV represents the process of Teruko befriending Mai, from Teruko’s perspective.

Think about it. It starts with Teruko and Mai literally opposed to one another, and Mai effectively being shown as one of the people who “wears the same face” as the others, given she’s following proper table manners. She’s nothing special, just someone else who will betray Teruko eventually, hence Teruko’s almost angry expression on that table. Someone who will bite that “forbidden fruit” that is the ironclad rule of the world. Trash will be trash, fools will be fools, and Teruko will be unlucky and get betrayed.

But then, Mai rejects the apple. And when she grabs the knife again, she points it away from Teruko, even when Teruko was lying on the table and ready to get hurt again. This is also, by the way, the first time Mai opens her eyes in the MV; the first time Teruko and her see eye to eye (per se). Because Mai always trusted Teruko, always wanted to be her friend, and only now is that good faith being returned. Well, I assume she never had any bad intentions, anyways.

Look, from how Mai is usually presented, she may as well be perfect in my books. If I catch her burning an orphanage, I’d probably assume the orphans deserved it. This is hyperbole, of course, but only barely.

And so, Mai has officially broken through Teruko’s bad luck and allowed her to “devour” that horrid fate which had always been pushing her down, allowing them to finally dance together in the end, smiling all the while.

Now, obviously, this makes 15000 assumptions as to how Mai and Teruko actually met, what their relationship was like, etc. There are a million things I may have just gotten horribly wrong. But as always, we know too little about Mai to make any good theories without a lot of assumptions. And with the little we do know, this interpretation makes sense in my mind, so it’s the one I’m currently going with!

Go ahead, enjoy the sour and sweet as you please Forever certain, we’ve been waiting for love Let these cells dance With that completely decayed mind! Nothing will be taken from us Our pain and everything is spinning On the dining table of “life” What a luxurious fool’s table!

Look, by this point, you’ve heard what this scene is all about. Mai and Teruko finally both throw away the rules of society and dance upon the table together, not caring what they destroy or messy up in the process. They’re more certain now, because they’ve found the love they were looking for, and feel like nothing will go wrong because “nothing will be taken from us.” The pain’s still there, but they’ll face it together! What a wonderfully hopeful ending! Ignore that Mai's probably dead please.

And since this part’s pretty easy, it gives me time to appreciate the yuri!

You see, this may be something I’ve only ever brought up once, but Teru-Min-Mai is my favorite DRDT ship, and it has been for a while. And while I can’t find any excuse to talk about Min for longer than I already have (a tragedy, I know), I can spare some time to spread the Terumai side of the Agenda, at least! I’ve seen a few people start thinking about shipping it too because of this MV, so let me make a sales pitch. Ehem.

-Opposing themes: You’ve heard of the “dearly unloved” and “dearly loved” thing from the portraits, but did you know red and green are complimentary colors?

-Looking for each other: I mean, just look at what can show up on Mai’s page.

[Mai Quote - Teruko]: Some years ago, she was searching for someone named 'Teruko Tawaki.'

Come on. Why’re you so interested in looking for her if not to kiss her on the lips?

-Matching phone charms: We see that Teruko’s monopad has a phone charm in 2-1, which she shares with Unnamed Classmate. Btw, Mai’s profile states she likes phone charms :)

-Matching tattoos?: Mai’s iconic flower tattoo is on her left arm, and Teruko’s left arm has always been conspicuously hidden from us. But from the jacket off reference, it seems there is something important there. And from the only time we’ve ever had even a glimpse of it, it seems like she may be hiding the same tattoo as Mai.

-Dream sequences: Teruko literally dreams of Mai in her 1-6 dream sequence. And her dialogue there couldn’t hold more fondness if it tried.

It's strange I would remember her now, of all times. What was her name again? It's on the tip of my tongue, but I can't remember. Xander always reminded me of that girl. Perhaps that's why I'm thinking about her now. They looked similar, with that same red hair and smile. And... they both wanted to help, didn't they?

-Teruko’s favorite color is red “by association”: Considering Xander stabbed her, I think the association comes from someone else. Imagine loving someone so much they change your favorite color wow.

-Apocalyptic levels of doomed: We’re DRDT fans, we enjoy our yuri when it’s doomed. And the second anniversary art makes the doomed-ness pretty clear.

(I have to remake this collage there's like three pixels on it total lol)

The code translates to “It’s all your fault.” Combined with Mai likely being dead, you can put two and two together that Teruko might blame herself for Mai's demise, or at least she would if she had all her memories. This is doomed as can be.

-This entire MV: Like come on.

Anyways, ship Terumai. Or don’t, I really don’t care about shipping much and you can do what you want forever. This is just so newer fans aren’t hopelessly confused on why these two are together in this MV and seem to be about two seconds from proposing to each other; the basis for them being really good friends, if nothing else, has always been there.

Anyways, the video ends with a curtain closing, because we’ve been interpreting life as a stage to dance upon, so it’s a natural way to close things out. If you wanted a sadder reading, you could take the idea that Teruko ends up seeing her relationship with Mai as a play, an act that would always end eventually, because it was too good to last when taking her luck into account. The yuri is even more doomed than we expected, I fear.

-

And that should be it! What a wonderful MV this was! It’s nice to really get insight into what Teruko and Mai’s relationship looked like, sort of, and I know I’ll personally savor some of these frames forever. Loved it. Happy 5th anniversary everyone, and happy birthday Mai! Thanks for reading! See ya’!

[hockeyspiral23]

OKAY.

Went and saw Rebecca Yarros speak at the Paramount Theater in Denver. First of all, thanks to the Paramount, the Tattered Cover, RY herself, and the Fantasy Fangirls Podcast for a great afternoon.

I didn't take video, but I did take notes. There were some vague-ish Onyx Storm spoilers with it being the last stop on the tour, so all notes will be below the cut!

What did she love the most about writing Violet in OS? - she's more confident in this book and more determined in what she has to do - they can't silence her.

Hints of Colonel Aetos's signet? - no, and no song that represents it/him, either.

Any other second signets to share? - no

Any signets we haven't seen yet? - No ... she's not going to steal our theorizing fun. Obviously there are signets we haven't seen yet because Violet hasn't seen them yet.

Question about interpersonal drama between the First Six besides just Lyra and Warrick disagreeing? - will not mention ... possibly because we *may* get more about that at another point.

Why did JFB know so much about feathertails? (basically, was he venin prior/did someone fill him in about it?) - everything JFB mentioned was a known fact about feathertails and was not let in on some vast venin conspiracy before crossing the parapet.

Signets show up when they do because nature wants its balance - which is why we're getting all the powerful signets again.

Is there magic elsewhere? (*wink wink*)(this is referencing the Isles without referencing the Isles)

Can she share Ridoc and Aotrom's Threshing story? - She actually IS considering a bonus scene about this but it's also a lot of "hey" "hey" "hey" "hey" and "did we just become best friends?" between them.

Most satisfying kill of the first two books? - Varrish.

Can she confirm a character BESIDES JESINIA who is safe in the series? - She will not confirm ... except for Broccoli. Broccoli is safe (won't kill pets).

Is there a specific epigraph to pay attention to? - All of them. But speaking of epigraphs ... they may not always directly tie into their respective chapter, but they do have some sort of connection somehow.

Was asked to comment on any of the Zihnal gifts specifically ... and chose not to.

About that new family member/brother ... what might she wish us to pay attention to? - Who is missing; someone who thinks is not enough (... basically, who has a reason to reach for power?).

Insight on how Kaori's records are so incorrect? - Remember, it's the riders that give the name of the dragon for the records. So ... do we trust that people are giving the correct names? Are the dragons?

She's not entirely discounting crazy grandma (Riorson, presumably) ideas ...

Aaric's signet did not manifest in IF.

In terms of percentage of full capacity, what is Violet's second signet at? - 10% (because she has no idea how to train it and there's one person alive that can train her); Xaden's probably at 50% with his; Violet's probably at 85% with her first signet (which yes, is pure power just in the form of lightning).

It is NOT the first time that venin have infiltrated the Basgiath scribes ... but Nasya? Is just narcoleptic (so it's not him).

No comment about seeing a venin scribe on the page prior to OS.

What Taylor Swift song would best describe Violet at the beginning of book four? - Look What You Made Me Do

Can she expand on the song she chose for Bodhi? - He's raised to be in Xaden's shadow; he's the spare.

What prompted her to write Broccoli? - She wanted to scare the crap out of us and then haha just kidding ... and also because it's so much fun to write because of where they are and what it symbolizes.

What does she think it is about the Empyrean world that appeals to everyone? - She wishes she knew ... but said possibly the inclusivity, the dragons, the hot men ...

What would Taylor Swift's signet be? - "I do not tell the queen her business." (... might not be direct direct quote, but close enough)

Tell us about the ring and how long it had been in existence. - We see the stone on the blade at a time and then we don't ...

Who is her favorite god/goddess and why? - Malek because you meet him and you're done; everyone fears him.

What about Onyx Storm makes it her favorite? - Her feet are firmly planted in the world and she loves to go places and do things and she had fun with the politics in the places (read: Isles) and has known the ending since FW and loved working toward it and just had fun. IF was a rough, rough time and writing Variation got her back on track and she just genuinely enjoyed writing OS.

If Ridoc had modern technology, what would be the first thing he would do? - You know that boy downloads Tinder ... doesn't wait for WiFi or anything ... also first photo on the app is of him and the Quest Squad or a selfie with Aotrom (that only has like one of Aotrom's eyes in it).

Speaking of Quest Squad ... describe the patch? - Might see it later! (but probably a map)

There was a question about which of her contemporaries she'd recommend and it depended on if you wanted to cry or not (if you do: Last Letter/Things We Leave Unfinished; if you don't: Variation, In the Likely Event).

Is there a character she was writing and knew they'd be a fan favorite and were or thought they would be and weren't? - Knew Ridoc would; didn't necessarily answer the other half, but reiterated that she had know idea that Broccoli would be an instant fan favorite (and was a late night/early am idea that she kept).

What has been her favorite part of the tour? - Right now because of being on stage at the Paramount, in a venue where she's seen so many shows. And the people who bring their service dogs with the service dragon vests.

MIL was gifted FW; advice for when she gets to the spicy and doesn't know that (audience member) reads them? - Run the other direction ... and then hand her Haunting Adeline so then it'll look tame.

Who does she think is the most underrated character? - Sawyer; also expanding on his relationship with Silseag, Sawyer is worried he's dishonoring him because of needing potential accommodations (like Violet), but Silseag's just waiting for him to come around.

Regarding where she came up with the analogy for the chilled pond/ice for mental health: - Her kids play hockey and she always wonders what's beneath the ice - we can swim through our emotions or glide right over them.

What are her desert island books? - East of Eden (Steinbeck) is her favorite; I missed one series but I did hear the Children of Blood and Bone (iirc) ... but basically she's like can I cheat and bring my kindle?

How has writing her books changed her life? - Still has to take her head up to look around ... but the core of her life - family - hasn't changed; the rest of the world around that core just spins a lot faster and there's a lot more people now to watch her succeed or watch her fail.

Thanks to Broccoli ... what pets exist in the world? - We've already known that domesticated animals exist, so it does open it up to pets, but it's not like they're going to be running around Basgiath.

A character she loves to hate: - She doesn't hate anybody, because everybody has a reason for what they're doing. Except Varrish; she hated Varrish because he was a two dimensional character (read: straight evil).

Advice for a spouse going through her first deployment? - it sucks; everyone does it differently; find a way to escape to keep the spiraling thoughts from coming (she read, personally).

Favorite Onyx Storm vibes playlist song? - Agreed with the audience member's mention of Halsey's Nightmare ... and also thinks that the end of book three is optimistic.

If she could tell readers to reread one specific scene for hidden meaning ... - The last 100 pages.

Can she expand on what it means to be dedicated? - I'm pretty sure she alluded to us getting a bit more info about this in book four, but it's basically that you're given in service to a god.

Did she use parts of Colorado Springs for inspiration for the Gauntlet and Parapet? - Not necessarily those specifically, but CO does play into inspiration for geography, particularly with the mountains (and Aretia).

Weather report for the Continent? - Southern gets warmer (closer to the equator), weather patterns with the mountain ranges, there's more magic in areas of more geologic change (tectonic plates).

Sooo there's mention of pirates and kraken and y'know, Heaton breathes underwater ... - She hasn't written books four and five, but she might use or might not use things she mentions in the series ...

What else can we do to support her as an author? - Read other people's books (and be patient).

Her son asked which is her favorite child (or which son is her favorite and why is it him - it wasn't entirely clear) ... to which she said that it's like she always says - whichever kid is sleeping.

About the TV series: the lines we love are there, a lot of the dialogue is there, it's in good hands with Moira and that she knows what's important (has talked to readers) and is capturing the essence ... and to stop sending Theo James her way for Xaden because he's 40 and white.

Any specific IF Xaden POV scenes she'd love to write? - She would love to write the time in between when Xaden learns Vi is captured and he rescues her (... but it sounds like given secrets boy, we probably won't actually get it).

Final bomb: First three songs on the book four playlist are (all TS): Down Bad, But Daddy I Love Him, I Can Fix Him

... and more Xaden POVs in book four depend on what he's doing.

[givekelsiercocaine]

God everything about Lisa is so tragic. Her trigger event, being forced into villainy by Coil, her desperate attempts to find out as much as she can to prevent the end of the world, and her whole relationship with Taylor.

She sees Taylor for the first time and immediately knows she's passively suicidal. She can't let that go, if course she can't, she can't let another Rex happen. So she reaches out, she invites Taylor to join the Undersiders, knowing the whole time Taylor's lying from the start. She gives her a friends/family/a support group, desperately hoping to give Taylor a reason to live. She takes her shopping, hoping to boost Taylor's confidence in herself. She pushes Taylor to go out with Brian, because she knows Brian has the same feelings, and she thinks it'll both help Taylor feel more tied to the group and help make her happier.

And it kinda works. Taylor gains confidence, she's stronger, she's happier.

"I'm sorry," Lisa put her hand on my shoulder. I felt grateful that she wasn’t pulling away or laughing. It was the first time I’d ever really talked about it, and I wasn’t sure I could’ve dealt if she had.

Shell 4.3

It kind of surprised me, but I realized what I was saying was true, so I didn’t even need to worry about tipping Lisa off. A second later, I realized I might have been a little presumptuous.

"I mean, assuming that we are frien—"

"If you finish that sentence,” Lisa warned me, "I'm going to slap you across the head." I felt the heat of a flush in my cheeks and ears. "Yes, Taylor, we’re friends," Brian said.

Shell 4.3

"I don’t know how to say this gracefully," I said. I paused, noting the presence of a hero nearby who’d raised a camera towards me. Whatever, I’d say it anyways. "But you guys mean a lot to me. I’m sorry I didn’t say it before, but I couldn’t without letting on that something was going on. You’re my family, in a way. As lame as it might be, I love you guys."

Drone 23.5

"I know," Grace said, after a pause. "I get that. I get that there’s other reasons. Like the fact that you love those guys and you never loved us. Cool. Makes sense."

"I liked you guys."

"But you didn’t love us.”

"No," I said.

Venom 29.1

By Arc 19, Lisa's sure she succeeded. She averted another Rex, she saved Taylor. Even with how self destructive Taylor is, pushing herself so hard towards a goal, first saving Dinah then saving everyone, throwing herself in dangerous situations one after another, she's in a better state than she was before. But is Lisa?

Taylor and Lisa have somewhat of a distant emotional connection. As much as Lisa has helped Taylor, Taylor can't really do the same to Lisa. Because even when she isn't wearing a mask in a literal sense. she's always wearing one metaphorically, one that she almost never lets slip. So as much as Taylor loves Lisa, she doesn't really know Lisa. She can't. Lisa's given Taylor a support system, but she herself doesn't have one.

"Except you’ve been talking to the heroes, and you’ve had that to help center yourself, figure out where you stand," Tattletale said. "I haven't."

"That’s it? You need to talk to someone?"

"No. That’s not what I’m saying," she said. She sighed. "Yes. Kind of. It’s only part of it. Who the hell am I going to talk to that grasps things on a level I do? Do you really expect me to find a therapist and sit down and not pick him apart faster than he can decipher me?"

"You could talk to me ," I said. "Not when you’re part of the problem, part of what I’d need to work past."

"That’s not fair," I told her.

"No, it isn’t," she admitted."

Scourge 19.7

And that disconnect shows in Taylor's pov. Even in Taylor's head, Lisa is so often thought of as Tattletale, not Lisa. Even as she's eviscerating Taylor on personal level in 30.1, she's still Tattletale, not Lisa. Rachel is almost always Rachel more than Bitch, and I'm pretty sure Aisha is Aisha'd as much as she's Imp'd.

Later in the same chapter, she explains herself, her first time in the whole book being genuine and letting herself be vulnerable.

Me? When you shot Coil, I realized I was done. I’d helped you out of the same trap of despair Rex had been in. Don’t know if the road I helped you down was a good one or a bad, but I’d finished."

"But why be reckless? Why take the risks?"

"Because I did what I had to do, I helped you, and I still feel like the stupid, self-obsessed little child that let her big brother die. It wasn’t conscious, but maybe I felt like I needed to up the stakes. Pull something dramatic. Show that, with these crazy smart capes like Alexandria and Faultline around, I could still be the smartest person in the room."

Scourge 19.7

She's finished her project, she's saved Taylor, whether for good or ill. She's freed herself of Coil. And it didn't fix her; She still bears all that guilt over Rex. Maybe, given time, Taylor could have helped Lisa, returned the favour. But they never had the time, because so soon after this, Taylor is outed, and things escalate, and Taylor is gone. I can't imagine what that did to Lisa, but it I'd guess that it means that her one true friend, probably the only person who even comes close to understanding her, is gone. Of course, she keeps in touch. But the letter she sends, its so impersonal, naught more than a status report. Whereas Brian and Rachel's are emotional and personal, confessions of their feelings. (I love Taylor and Rachel's relationship so much, but that's not the point here.) And when they meet all meet back up before Behemoth, the only thing she says to Taylor is asking her to survive. I think that even though she said she felt like she'd succeeded fixing Taylor, she was still doubting. Taylor is Taylor, I don't think she ever really could have been saved just by who she is. And Lisa could probably tell.

With a touch more seriousness, Tattletale said, "No dying, okay, Skitter?"

"Weaver," I corrected.

"Skitter," she said. "Here, today, you’re Skitter. Consider it a good luck charm. And no dying . I’ll say it as many times as it takes, until it gets through to you."

...

“Just remember,” Tattletale called out, “You’re officially Skitter today. Don’t be a hero. No point to all this shit if you do something brave and get yourself killed.”

Drone 23.5

And it all leads to Khepri. Taylor ruining herself, letting someone alter her brain to such an extent in a desperation to beat Scion. And it kills Lisa

"You couldn’t have made it easy?” Tattletale asked, looking down at it. “Because standing by while you do this… that’s fucking hard . It’s honestly easier if I’m on their side and I’m helping them stop you. If I can blame the fuck-up job Panacea did to your head."

"While I’m saying all this, kiddo, you gotta know I love you. I adore you, warts and all. You saved me, as much as I like to think I saved you. All this stuff I’m bitching about, it’s the same stuff that got us through some pretty hairy shit, and I love you for it as much as I groan about it. You’re brilliant and you’re reckless and you care too much about people in general when I really wish you’d leave things well enough alone and be selfish. But this?"

"Shit ," Tattletale said. "You gotta forgive me, just this once. Because seeing this and knowing what you pulled hurts enough that I gotta say this. This makes me feel really sorry for your dad, because I’m starting to get a sense of what you put him through.

Speck 30.1

Like, god. The tragedy of loving Taylor Hebert, a stubborn, persistent, unyielding person, one who doesn't value herself but will give everything to fight for her friends. For all that Lisa could try and do to save her, for all the happiness she could try and give her, it didn't work. Taylor becomes Khepri, and she loses her forever. I'm don't even know if Lisa knows what happened to Taylor, that she's on another earth, safe with the opportunity for genuine happiness without all the crises, able to be a regular person. Or does she assume Taylor died, maybe at the hands of a cape traumatised and angry and being mind controlled, maybe because of her own shard destroying her?

Does she ever regret trying to fix Taylor? Does she ever think back on it and wonder if Taylor would be better off if she hadn't guided her into villainy?

[artuurle]

"I have hands for building altars Lips to pray to reckless gods Yeah, I was made to be a devotee " " Won't someone teach me to love without it swallowing me whole, If to be loved is to be changed, I'm only worsenin' " you can see where i gave up on this but WHATEVAH. i usually work in doodles and sketches for a reason lol.

[longelk]

SIR JAMES

[ratatatastic]

i am cringe but i am in fact free always remember that

[mariocki]

Donald Sutherland guest stars as the appropriately named Philip Guest, a less appropriately unbalanced kidnapper, in Gideon's Way: The Millionaire's Daughter (1.21, ITC, 1966)

[handsomegentlebutch]

Sometimes I feel like "lonely" isn't enough to describe how I feel. It's an ache that echos in everything I do. I don't personally know anyone else like me. I've never met another butch irl. I've never met a femme irl. (And I mean Femme btw. Not just a feminine queer person). I don't personally know any other lesbians. Dating is hard. I have so many queer friends that I love so much but somehow I still feel alone. Even though there's a lot of experiences we share and feelings about gender and presentation or whatever. I just feel alone. The few Sapphics I see on dating apps either don't want someone like me (i.e. butch) or stop replying after a few days. Sometimes I just stare at the ceiling and hurt. Maybe I need to go back to therapy (probably do tbh) but like. At the risk of sounding like a melodramatic dork... I feel like no one understands.

[mrmathmanwr]

OMFGGGGGG. Listening to the InuYasha soundtrack on soundcloud as I look for a download for opening 1, and by god I keep getting chills. IT'S JUST SO GOOD. I really can't describe it in a way that does it justice, and to be fair, I can see from the outside how it wouldn't be anything special - but when you think of it from the perspective of the series? I can't even think of a follow up to that. The emotions that form in me are far beyond the - what I'd like to describe as rather large - vocabulary I possess. I may give the InuYasha anime a lot of shit, and I may mock Sunrise incredulously, but by God, I really have to give credit where credit is due. Nothing else hits quite the same way. God, play this shit at my funereal.

edit: GOD I WANNA FUCKING HIT SOMETHING IT'S SO FUCKING GOOD.

[acourtofquestions]

Kingdom of Ash

Chapters 36-37

Had it been like that in the iron coffin?

Aelin gave no indication that the smothering dark bothered her, and had shown no inclination to illuminate their way. Hadn't even summoned an ember.

But the Little Folk, it seemed, had come prepared. And within heartbeats of entering the pitch-black river passage, blue light had kindled on a lantern dangling over the curved prow. Not light, not even magic. But small worms that glowed pale blue, as if they'd each swallowed the heart of a star. They'd been gathered into the lantern, and their soft light rippled over the water-smooth walls. A gentle, soothing light. At least, for her it was so.

Before Aelin had been given an ancient Faerie Queen's crown, her birthright and heritage.

The queen had stashed Mab's crown in one of their packs, as if it were no more than an extra sword belt. She hadn't spoken, and they had not asked her any questions, either.

Instead, she'd spent these past few hours sitting in the back of the boat, studying her unmarked hands, occasionally peering into the black waters beneath them. What she expected to see beyond her own rippling reflection, Elide didn’t want to know.

He'd crawled after Maeve on the beach to save Aelin. And he had found her during her escape-had ensured Aelin made it out. Did it wipe away what he'd done in summoning Maeve in the first place? Even if Maeve had set the trap, even if he hadn't known what Maeve intended for Aelin, did it erase his decision to call for her?

The last time they'd spoken as friends, it had been aboard that ship in the hours before Maeve's armada had arrived. He'd told her they needed to talk, and she'd assumed it was about their future, about them.

But perhaps he'd been about to tell her what he'd done, that he'd been wrong in acting before Aelin's plans played out. Elide stopped twisting the ring.

He'd done it for her. She knew it.

But the queen sitting silently behind them, no trace of that sharp-edged fire to be seen, nor that wicked grin she'd flashed at all who crossed her path ... Two months with a sadist. With two sadists. That had been the cost, and the burden that Aelin and all of them would bear.

That silence, that banked fire was because of him. Not entirely, but in some ways.

The collar had not been real. But the army Maeve had summoned was.

A blink into the gloom was the only indication that he was aware of her every movement. Aelin breathed in his scent, let its strength settle into her a bit deeper.

Their paths would meet again, or they would not. And if he found the final key and then brought it to her, she would pay what the gods demanded. What she owed Terrasen, the world.

Yet if Dorian chose to end it himself, to forge the Lock ... her stomach churned. He had the power. As much as she did, if not more so.

It was meant to be her sacrifice. Her blood shed to save them all. To let him claim it ... She could. She must. With Erawan no doubt unleashing himself on Terrasen, with Maeve's army likely to cause them untold grief, she could let Dorian do this. She trusted him. Even if she might never forgive herself for it. Her debt, it was supposed to have been her debt to pay.

Perhaps the punishment for failing to do so would be having to live with herself.

Having to live with all that had been done to her these months, too.

The blackness of the subterranean river pressed in, wrapped its arms around her and squeezed.

Different from the blackness of the iron box. The darkness she'd found inside herself.

A place she might never escape, not really.

Her power stirred, awakening. Aelin swallowed, refusing to acknowledge it. Heed it.

She wouldn't. Couldn't. Not yet. Until she was ready.

She had seen Rowan's face when she spoke of what his deception with the collar had prompted her to do. Had noted the way her companions looked at her, pity and fear in their eyes. At what had been done to her, what she'd become.

A new body. A foreign, strange body, as if she'd been ripped from one and shoved into another. Different from moving between her forms, somehow. She hadn't tried shifting into her human body yet. Didn't see the point.

Sitting in silence as the boat was pulled through the gloom, she felt the weight of those stares. Their dread. Felt them wondering just how broken she was.

You do not yield.

She knew that had been true—that it had been her mother's voice who had spoken and none other.

So she would not yield to this. What had been done. What remained. For the companions around her, to lift their despair, their fear, she wouldn't yield.

She'd fight for it, claw her way back to it, who she'd been before. Remember to swagger and grin and wink. She'd fight against that lingering stain on her soul, fight to ignore it. Would use this journey into the dark to piece herself back together-just enough to make it convincing.

Even if this fractured darkness now dwelled within her, even if speech was difficult, she would show them what they wished to see.

An unbroken Fire-Bringer. Aelin of the Wildfire.

She would show the world that lie as well. Make them believe it.

Maybe she'd one day believe it, too.

Days of near-silent travel passed.

Three days, if whatever senses Rowan and Gavriel possessed proved true. Perhaps the latter carried a pocket watch. Aelin didn't particularly care.

She used each of those days to consider what had been done, what lay before her.

Sometimes, the roar of her magic drowned out her thoughts. Sometimes it slumbered. She never heeded it.

They sailed through the darkness, the river below so black that they might as well have been drifting through Hellas's realm.

She hadn't asked him why he remained in his wolf's body. No one asked her why she remained in her Fae form, after all.

Rowan straightened, eyes sparking at her question-or at the fact that she'd spoken at all.

He'd kept by her these days, a silent, steady presence. Even when they'd slept, he'd remained a few feet away, still not touching, but just there. Close enough that the pine-and-snow scent of him eased her into slumber.

Silence at the order, even from Rowan. Aelin pointed to the lip of shore by the cave mouth. "Stop the boat," she repeated.

The queen had been reckless before Cairn and Maeve had worked on her for two months, but it seemed she'd had any bit of common sense flayed from her.

"Well, I don’t have any, so forgive me if I remain alert." No, she'd once told him that while magic flowed in the Lochan bloodline, she had none to speak of. He'd never told her that he'd always considered her cleverness to be a mighty magic on its own, regardless of Anneith's whisperings.

"It will take time for her to readjust."

She stared at him with those damning eyes.

He braced his forearms on his knees. "We got her back. She's with us now. What more do you want?" From me, He didn't need to add Elide straightened.

Elide straightened. "I don't want anything." From you.

This was where they'd have it out, then. "How much longer am I supposed to atone?"

"Are you growing bored with it?" He snarled.

She only glared at him. "I hadn't realized you were even atoning."

"I came here, didn't I?"

"For whom, exactly? Rowan? Aelin?"

"For both of them. And for you." There. Let it be laid before them.

"I told you on that beach: I want nothing to do with you."

"So one mistake and I am your eternal enemy?"

"She is my queen, and you summoned Maeve, then told her where the keys were, and you stood there while they did that to her."

"You have no idea what the blood oath can do. None."

"Fenrys broke the oath. He found a way."

"And had Aelin not been there to offer him another, he would have died." He let out a low, joyless laugh. "Perhaps that's what you would have preferred."

She ignored his last comment. "You didn't even try."

"I did," he snarled. "I fought it with everything I had. And it was not enough. If she'd ordered me to slit your throat, I would have. And if I had found a way to break the oath, I would have died, and she might very well have killed you or taken you afterward. On that beach, my only thought was to get Maeve to forget about you, to let you go-"

"I don't care about me! I didn't care about me on that beach!"

"Well, I do."

This was what came of opening that door to a place inside him that no one had ever breached. This mess, this hollowness in his chest that made him keep needing to make things right.

"Resent me all you like," he said, damning the hoarseness of his words. "I'm sure I'll survive."

Hurt flashed in her eyes. "Fine," she said, her voice brittle.

He hated that brittleness more than anything he'd ever encountered. Hated himself for causing it. But he had limits to how low he'd crawl.

He'd said his piece. If she wanted to wash her hands of him forever, then he would find a way to respect that. Live with it.

Somehow.

Gratitude shone in her eyes.

Rowan only gave her a nod. Don't worry about it.

Yet Aelin turned away, shutting off that silent conversation as she surveyed the space.

Time. It would take time for her to heal.

Even if he knew his Fireheart would pretend otherwise.

So, Rowan looked, too. Across the tomb, beyond the sarcophagus and treasure, an archway opened into another chamber. Perhaps another tomb, or an exit passage.

"We don't have time to find a way out,"

Rowan murmured as she strode into the tomb.

"And the caves remain safer than the surface."

"I'm not looking for a way out," she said in that calm, unmoved voice. She stooped, swiping up a fistful of gold coins stamped with forgotten king's face. "We're going to need to fund our travels. And the gods know what else." Rowan arched a brow. Aelin shrugged and shoved the gold into the pocket of her cloak. "Unless the pitiful clinking I heard from your coin purse didn't indicate you were low on funds."

That spark of wry humor, the taunting … She was trying. For his sake, or the others' maybe her own, she was trying.

Rowan gave the Lion a slashing grin. "You heard the lady."

A flash ruptured from where Fenrys had been sniffing at a trunk of jewels, and then a male was standing there. His gray clothes worn, but intactin better shape than the hollowed-out look in his eyes.

Aelin paused her looting.

Fenrys's throat bobbed, as if trying to remember speech. Then he said hoarsely, "We needed more pockets." He patted his own for emphasis.

Aelin's lips curved in a hint of a smile. She blinked at Fenrys—three times.

Fenrys blinked once in answer.

A code. They'd made up some silent code to communicate when he'd been ordered to remain in his wolf form.

Aelin's smile remained, just barely, as she walked to the golden-haired male, his bronze skin ashen. She opened her arms in silent offer.

To let him decide if he wished for contact. If he could endure it.

Just as Rowan would let her decide if she wished to touch him.

A small sigh broke from Fenrys before he folded Aelin into his arms, a shudder rippling through him. Rowan couldn't see her face, perhaps didn't need to, as her hands gripped Fenrys's jacket, so tightly they were white-knuckled.

A good sign—a small miracle, that either of them wished, could be touched. Rowan reminded himself of it, even while some intrinsic, male part of him tensed at the contact.

A territorial Fae bastard, she'd once called him. He'd do his best not to live up to that title.

"Thank you," Aelin said, her voice small in a way that made Rowan's chest crack further.

Fenrys didn't answer, but from the anguish on his face, Rowan knew no thanks were in order.

They pulled away, and Fenrys cupped her cheek. "When you are ready, we can talk."

About what they'd endured. To unravel all that had happened.

Aelin nodded, blowing out a breath. "Likewise."

She resumed shoving gold into her pockets, but glanced back to Fenrys, his face drawn. "I gave you the blood oath to save your life," she said. "But if you do not want it, Fenrys, I ... we can find some way to free you—"

"I want it," Fenrys said, no trace of his usual swaggering humor. He glanced to Rowan, and bowed his head. "It is my honor to serve this court. And serve you," he added to Aelin.

She waved a hand in dismissal, though Rowan didn't fail to note the sheen in her eyes as she stooped to gather more gold. Giving her a moment, he strode to Fenrys and clasped his shoulder. "It's good to have you back." He added, stumbling a bit on the word, "Brother." For that's what they would be. Had never been before, but what Fenrys had done for Aelin .. Yes, brother was what Rowan would call him. Even if Fenrys's own—

Fenrys's dark eyes flickered. "She killed Connall. Made him stab himself in the heart." A pearl-and-ruby necklace scattered from Gavriel's fingers.

The temperature in the tomb spiked, but there was no flash of flame, no swirl of embers.

As if Aelin's magic had surged, only to be leashed again.

Yet Aelin continued shoving gold and jewels into her pockets.

She'd witnessed it, too. That slaughter.

But it was Gavriel, approaching on silent feet even with the jewels and gold on the floor, who clasped Fenrys's other shoulder. "We will make sure that debt is paid before the end." The Lion had never uttered such words not toward their former queen. But fury burned in Gavriel's tawny gaze. Sorrow and fury.

Fenrys took a steadying breath and stepped away, the loss on his face mingling with something Rowan couldn't place. But now wasn't the time to ask, to pry.

Aelin continued picking her way amongst the treasure, however. She'd been more selective than the rest of them, examining pieces with what Rowan had assumed was a jeweler's eye. The gods knew she'd owned enough finery to tell what would fetch the highest price at market.

"We should go," he said. His own pockets were near to bursting, his every step weighed down.

She rose from a rusted metal chest she'd been riffling through.

Rowan remained still as she approached, something clenched in her palm. It was only when she stopped close enough for him to touch her that she unfurled her fingers.

Two golden rings lay there.

"I don't know the Fae customs," she said.

The thicker ring held an elegantly cut ruby within the band itself, while the smaller one bore a sparkling rectangular emerald mounted atop, the stone as large as her fingernail. "But when humans wed, rings are exchanged." Her fingers trembled-just slightly. Too many unspoken words lay between them. Yet now was not the time for that conversation, for that healing.

Not when they had to be on their way as swiftly as possible, and this offer she'd made him, this proof that she still wanted what lay between them, the vows they'd sworn ...

"I assume the sparkly emerald is for me," Rowan said with a half smile.

She huffed a laugh. The soft, whispered sound was as precious as the rings she'd found for them in this hoard. She took his hand, and he tried not to shudder in relief, tried not to fall to his knees as she slid the ruby ring onto his finger. It fit him perfectly, the ring no doubt forged for the king lying in this barrow.

Silently, Rowan grasped her own hand and eased on the emerald ring. "To whatever end," he whispered.

Silver lined her eyes. "To whatever end." A reminder-and a vow, more sacred than the wedding oaths they'd sworn on that ship.

To walk this path together, back from the darkness of the iron coffin. To face what waited in Terrasen, ancient promises to the gods be damned.

He ran his thumb over the back of her hand.

"I'll make the tattoo again." She swallowed, but nodded. "And," he added, "I'd like to add another. To me—and to you."

Her brows flicked up, but he squeezed her hand. You'll have to wait and see, Princess.

Another hint of a smile. She didn't balk from the silent words this time. Typical.

He opened his mouth to voice the question he'd been dying to ask for days now. May I kiss you? But she pulled her hand from his.

Admiring the wedding band sparkling on her finger, her mouth tightened as she turned over her palm. "I'll need to retrain."

Not a single callus marked her hands.

Aelin frowned at her too-thin body. "And pack on some muscle again." A slight quiver graced her words, but she curled her hands into fists at her sides and smirked at her clothes—the Mistward clothes. "It'll be just like old times."

Trying. She was dredging up that swagger and trying. So he would, too. Until she didn't need to any more.

Rowan gave her a crooked grin. "Just like old times," he said, following her out of the barrow and back toward the ebony river, "but with far less sleep."

He could have sworn the passageway heated. But Aelin kept going.

Later. That conversation, this unfinished business between them, would come later.

[veinpursuer]

WHERE’S MY FUKING CAPO

[21280]

may I request miss🙋🏻‍♀️ some high nsfw katsuki

warnings for nsfw, p star! katsuki, no quirk college au, consumption of weed n alc, masturbation, fem! reader, it’s a cliffhanger i’m sorry i don’t have the brain rn

katsuki bakugo would become a porn star entirely on accident.

the topic would surge from time to time in his friend group, mostly as a joke. because "gosh, bakugo! you have the body of a porn star! you sure you're not on some secret account we don't know about?" and it really got to him. what does a porn star body look like, anyway? it's a mystery to him, as he pulls out his phone on incognito and...

he's in disbelief. he's actually looking up porn. never in his life would katsuki bakugo ever think of doing so. katsuki feels like he'd be less guilty if he's not sober whatsoever, so he's searching multiple accounts on his twitter throwaway with one hand as the other holds a small joint. it's not long before his eyes are completely red, pants and boxers slid down to his ankles, and videos recommended by kaminari going on auto-play.

but he's not satisfied, not one bit. he stopped caring for physique videos ago, he's now entertained by the poor technique. with blurry vision, he reads the replies and quote tweets, expressing their inconformities. comments like "god, her moans sound so fake", or "can't he stroke it slowly? i want it to last" make his mind run. katsuki bakugo was lost in the world of constructive criticism, while his ego began to chew at him.

he can do better than those stupid extras, right?

of fucking course. he's katsuki bakugo. but he's not gonna fucking do it. nope. never.

katsuki bakugo is a lightweight. he feels like he's sitting on the moon instead of his couch as he's gulping down some cheap rum his friends bought the week prior. and soon enough, his camera app is open, cock fully on display, and he's stroking it for a few good minutes. and the camera catches everything—how his cock twitches every time his strokes get slower, how the tip was reddish and filled with precum from the very beginning, his heavenly moans, his white-knuckled grip, and how his knees shake as he comes undone and stains his red, velvet couch.

and he has the video on twitter as a draft, half written caption and all. katsuki needs to visualize how it would look like if he posted. until he does. his finger slips, and the video and half caption are posted. at first, katsuki is mortified and doesn’t know what to do, until he sees a person liking and commenting. he decides to leave it up until he sobers up.

twelve hours and a huge hangover later, user 00179359027728kb is a twitter porn sensation.

thousands of users express their love for him, asking and demanding for more videos, as well as wishing to be his partner in crime. when katsuki realizes he can monetize this, he suddenly has dollar signs for eyes. a few videos later and katsuki bakugo is famous.

so famous, in fact, that one of your friends is in love with him, despite only seeing the lower half of his face. she raves about him to you on the daily, and as a result you find yourself creating a throwaway to watch his videos, and damn—katsuki is fucking sensational. he’s an icon, and you wish he were in your bed right then and there.

but he’s quickly discarded by your own brain as you get ready for an outing. it’s a nice, weekend night, and your friends are ready to go clubbing. once you get there it’s… okay, you suppose. dim lighting, people stuffed like sardines in a can, and the occasional couple eating their faces in the corner. you know the many cocktails you had are catching up to you once you accidentally bump into a person, and as you turn to apologize, you’re stunned.

“y’should watch where you’re going.”

“i’m so sorry, i didn’t see y—wait—are you that kb guy from twitter?”

he’s like a deer in headlights. “…that depends. who’s askin’”

“name’s y/n” you giggle, “i know you cause i have a friend who’s nuts for you.”

you officially pique katsuki‘s interest. his eyebrow rises as he smirks, “oh, is she?” he tilts his head to the side, “what about you, sweets? you watch me too?”

shyly, you nod. his smirk gets bigger as he steps closer, “she here? i don’t really do pictures, though.”

“do you do videos?”

liquid courage. it would cost you a lot to even say that sober, and you blame your drunken state for your boldness. katsuki bakugo has that fiery look in his eye as he laughs. “sure i do, sweets. you wanna be the first model for my page or is it just to spite yer friend?”

first?

only model is your goal. you’re determined to make that happen.

“bathroom? in 5?”

“ya got it, captain.”

[2hightocare]

COFFEE!

“I think I'm past obsessed at this point, there has to be another word in the dictionary that tops obsessed.”

Synopsis: in which a hopeless romantic falls in love with the man of her dreams…

Pairings: boyfriend!jeongguk x fem!reader

Genre: established relationship.. non idol au

Warnings: literally the most sappy thing I could have possibly written, was listening to ‘coffee’ by miguel while writing, they’re such a gentle love, reader is a book worm, Jungkook likes drawing (doodling) plus points when his drawings are about oc, mentions of their first time having sex, usage of book quotes (read nltm, had to use the mia and sebastian line for my own sanity) <3333333

authors note: this is so simple but my book worm hopeless romantic needed this.. wrote this while high so nothing new 🤍

They say falling in love is the most beautiful feeling in the world.

You couldn’t explain the immediate sensation, the feeling that spreads throughout your chest as if you were a black-and-white picture that suddenly starts to fill with vibrant colors anytime his eyes lock with yours.

It was astonishing how the universe works—the idea that you are destined for someone ever since you are born, and that all the hardships along the way shape you into the person you need to be to meet them.

Your heartbeat thumped loudly in your ears as you watched him laugh from across the room, an oversized hoodie and baggy jeans covering his lean, muscular figure—one you’d memorized to the tiniest detail. You knew every freckle and scar. His head was thrown back, arms crossed, as he paid attention to whatever the guy in front of him was saying.

You scrunched your nose, using your index finger to push your glasses up as you studied your boyfriend from afar. You weren’t sure whether to call it pathetic or endearing, the way you noticed every little crease on his forehead and the way he toyed with his bottom lip absentmindedly. You even took note of his long eyelashes, and nearly died of jealousy every time you counted them when he slept beside you.

It was gut-wrenching to imagine anyone else feeling about him the way you did. The thought alone made you want to puke in the nearest trash can.

You were lovesick for this man, and you could already feel the heat rising to your cheeks whenever you looked at him or heard his laugh. Not only did you want to scream and freak out over every little thing he did, but he also had you daydreaming constantly. You found yourself thinking of silly song lyrics that resonated with how you felt about him. Staring at his side profile, you finally understood the meaning behind Suki Waterhouse’s lyrics: “Oh, my good looking boy,” echoed in your mind.

Before you could form another lyric or recall a favorite book quote to describe your feelings, his eyes found yours. A small smile tugged at his lips as his gaze scanned your expressions, reading you as if you were an open book. You smiled, tilting your head to the side, trying to hide the makeshift fireworks going off in your tummy.

His gaze softened, and it made your breath waver. You had never understood the meaning of “his gaze softened” in books, but now, you understood every syllable of those words after experiencing it firsthand.

You honestly couldn’t think of a single thing you didn’t love about him. You loved everything about him, even the parts he claimed were too “broken” or “damaged” to be loved.

A few seconds passed before he finally said his goodbyes and began making his way back to you. Your eyes followed every step, catching the grin he wore.

“I don’t know, I pretty much think you’re obsessed with me,” your boyfriend teased, his straight teeth on full display as he stopped in front of you, looking down at you on the couch.

“In your dreams.” You laughed, craning your neck to look up at him.

Instead of getting mad, he let out a low chuckle, leaning down with both arms on either side of the couch, caging you in.

“Every night, baby.” He whispered softly, pressing a delicate kiss to your lips before moving to your cheek, delivering another soft kiss. You sighed in contentment as his lips ghosted over your skin, the pet name making your head feel dizzy.

He placed a soft kiss on your forehead before standing up straight again, looking down at you. Your eyelids felt heavy as you looked up at him through your lashes. He was already smiling, and you didn’t even need to ask “what?”—you already knew. Anyone in their right mind could tell how obsessed you were with him, and it was no surprise to him either.

As you both walked out of the bookstore, carrying a bag full of psychological and romance books (and, of course, the box of transparent sticky notes Jungkook got for you to annotate your books without writing on the actual pages), it was clear this was one of his favorite things to do. In his free time, when he wasn’t working or with you, he loved opening one of your books and reading your thoughts scribbled in the margins. Half of his camera roll was pictures of you, but the other half was just pictures of your annotations, scribbles, and drawings.

It was as if he was inside your mind, reading every thought, and he loved it.

He could still recall the first book he opened that sent his heart racing, like a teenage boy with a crush.

“I couldn’t see him, but his laugh was unmistakable. I could close my eyes and be in so many places with that laugh. That laugh was the cohesive thread, the little recurring melody that showed up in so many scenes of my life, like Mia and Sebastian’s theme in La La Land. Always there, playing in the background.”

Those words were highlighted in the prettiest shade of pink, with two small hearts drawn beside them. But it was your handwriting at the bottom that got him: “The feeling I’ve been trying to put into words about how I feel every time I look at him has just been done for me, oh my.” He remembered feeling his heart stop for a second. And when it started again, it was for you—his heart was for you and only you.

That wasn’t all. It had become one of your shared love languages. Jungkook started buying books he thought you’d like. He even asked your little sister what your favorite highlighters were so he could buy them for both of you.

Your heart did somersaults when you opened a book on his bedside table and saw a drawing—a pair of eyes in black ink, long lashes making them look bigger and more innocent. Your breath hitched as you noticed the small freckle just below the eyebrow, realizing it was you.

It didn’t help the overwhelming sensation of adoration when you saw his handwriting in the margins.

“You remembered?” she said softly.

“I remember every second of us.”

The text was underlined, and in small letters, he had written, “Gosh, she made me fall so hard that I’m reading sappy words and thinking ‘us’ out loud. #sendhelp,” with a frowning emoji next to the hashtag. Before you knew it, you were on page one, reading every single line and note he had left.

Also, the multiple drawings on the pages where there was extra space had your heart thumping hard in your chest. There were so many drawings— each one tied to you or him. It was impossible to describe every feeling surging through your chest, every emotion racing in your bloodstream, as your fingertips traced the drawing of you.

This time, it was an image of you on your back, lying on a bed. Only part of your side profile was visible, with your hair spilling across the bed, covering most of your back. At first, you didn't want to assume it was you he'd drawn-being self-centered wasn't your style. But it was impossible to deny it when he'd sketched every freckle, even the small half-moon tattoo on your shoulder blade, matching the real one inked on your skin.

You smiled at the memory but snapped back to the present as your boyfriend instinctively switched you to the other side of the sidewalk when you two turned toward Target. You held tight to his index finger as he squeezed between people, leading you behind him with a soft "excuse me" to anyone in the way.

Automatically, you found yourself smiling as you picked up your pace to match his longer strides. He pulled you in closer, his arm snaking around your waist, his hand resting over your belly—a little lower than usual, sending butterflies flitting wildly in your stomach. You suppressed a shiver as he gently guided you to the side, allowing an older couple to pass by.

"Us when we're eighty, baby," Jungkook leaned down and whispered into your ear, making you playfully roll your eyes at him. His smile only widened at your reaction.

"Won't be us if you keep watching Young Sheldon without me," you pouted, giving him a playful glare, which only made him smile more.

"Why are you smiling?" you asked, maybe even whining a little as you walked into the store and heard the employee greet you both.

"Because you're so beautiful, and my brain goes in circles when I stare at you," he shrugged casually, giving your waist a small squeeze before untangling his arm to grab a cart.

You tried so hard not to melt, holding onto his bicep as he leaned forward on the cart, making him closer to your height.

"Don't know it you're down, but l've been wanting to learn how to crochet," you said as you glanced around the aisles. Your boyfriend immediately started nodding excitedly.

"Baby, oh my god. I'm so down. We need to make those big-ass blankets," he rambled, looking at your face for a reaction, like a puppy with its ears perked up and tail wagging.

"I think that's knitting, baby," you corrected him, smiling as his eyebrows raised before he let out a small laugh.

"Wait, are those two not the same thing?" His dimple deepened as he bit his lower lip, stopping in front of the craft aisle.

"I actually have no clue," you admitted with a chuckle, raising an eyebrow. "But I know you can crochet a blanket because you once told me about those pattern blocks you saw on your explore page.”

Jungkook's gaze softened as he made eye contact with you, his pupils dilated with so much adoration that it made your heart swell.

"And I remember because I searched them on TikTok to see what you were talking about. I saw people connecting them into blankets. Also, I remember you pretending to sleep so you didn't have to scratch my back anymore-before my one minute was up. You swear you're slick, but I know when you're really asleep," he said with a grin, teasingly biting your cheek as you tried not to smile.

"How do you know I'm not sleeping?" you teased, and he chuckled, ghosting his lips over yours.

"Because every time you fall asleep, you make this little sound, and then slowly, you start snoring," he laughed, watching your cheeks turn a shade of red before burying his laughing face in the crook of your neck.

To be loved is to be seen.

That phrase had never felt more accurate. No one else had ever seen you the way Jungkook did. He knew you so well, down to the tiniest details that sometimes even surprised you.

Your eyes practically turned into hearts as Jungkook kissed your neck innocently before turning his attention to the yarns.

This was the kind of love you had always dreamed of

-better than the movies or books. Nothing could top the overwhelming feelings of gratitude, love, and appreciation that coursed through your body whenever you looked at him. Your brain practically played the instrumental of "Video Games" by Lana Del Rey whenever you spent time with him.

It was as if even a natural disaster couldn't faze you

-so long as you could experience it with him.

The connection between you two was beyond what you ever imagined existed in real life. It felt like something out of a fairy tale. From the moment you locked eyes with him across the room, you both knew there was no turning back.

After checking out and getting to Jungkook's car, he opened the door for you, reaching over to buckle your seatbelt before putting the bags in the back.

Once he climbed into the driver's seat, his hand instinctively found its place on your thigh after starting the car. His thumb rubbed your bare skin, sending sparks flying through your body. It was such a natural gesture for him, but the butterflies never ceased. You bit your lip, trying not to whine when his hand moved closer to your inner thigh.

As he softly sang along to "Creep" by Radiohead, it was just another thing you'd become morally obsessed with-his voice. You had always known he could sing, but everything changed the night you were first intimate.

It was as if your entire perspective on love and sex shifted. Simply calling it "sex" seemed absurd now, because it was so much more. Everything felt heightened, more intense, making your heart pound wildly in your chest.

"F-fuck, baby..." he whimpered into your ear, his hips moving slowly into yours, leaving your mouth hanging open.

His little groans and moans made you dizzy, like notes of a lullaby. The feeling of skin against skin was the most addicting sensation, made even more special by the way he always checked in on you.

"Shhh, I'm sorry. Am I being too rough, baby?" His voice was strained as his hips halted, his breath heavy as he moved your hair to kiss your neck.

He resumed slowly, making your legs shake and grip the sheets, and you couldn't help but moan, asking for more. His chuckle against your skin was the same one you’d hear when he rested his head on your stomach, expecting you to scratch his back or read to him.

"You're sweaty," you pouted at him, both of you basking in the afterglow.

"I know. Do you still want me?" He smiled, mimicking your expression before pulling the covers over both your naked bodies and pulling you in as close as possible.

"Yes, I'll forever want you," you replied, hiding your face in the crook of his neck, savoring the warmth he radiated.

As sleepiness began to overtake you, you felt his fingertips tracing letters and shapes on your hip.

Just before drifting off, he began singing again. It was like entering another universe where only you and he existed

"I want you to notice," he sang softly, "when I'm not around."

"So fucking special... I wish I was special." He pressed a kiss to your temple, the sound of his voice and your matching heartbeats lulling you both to sleep.

You snapped back to reality when the car stopped at a red light.

"Is it bad that I always hope to get red lights so I can kiss you?" he asked, flashing a grin that had you laughing.

Leaning forward, you pressed your lips to his as his eyes fluttered shut, his finger lifting your chin gently.

"Not bad, but a little weird. You want to spend so much time with me," you teased, pulling back to your seat. "Some might even think you're pretty obsessed."

"I'm past obsessed at this point. There's got to be another word that tops it," he admitted, stealing another kiss just before the light turned green.

As you gazed at him, you couldn't help but wish there was another word, stronger than "love," to describe how you felt about him.

[yieldtotemptation]

ANIMALS ft. Natty

natty x male reader smut

10k words

“All I’m saying is,” Natty starts, like she always does, with more unsolicited advice than you can handle at 2 AM, "for someone that complains so much about not having a sex life, you really don’t do much to fix it."

“And what, oh wise friend of mine, is your recommendation.”

“I don’t know. Get a haircut. Dress better. Try not being a massive pussy?” Natty shrugs. Or at least you think she does. Only so much you can tell over the phone.

You sigh. Bite back the urge to tell her to fuck off. But then, who else would talk you to sleep at this ungodly hour? So instead, you concede the point. “Noted.”

“Or, you know, if it’ll stop you from being such a little bitch,” and now she’s laughing, cackling really, and not once has that ever, ever meant anything good. "You could always just fuck me."

—

Two weeks and twelve hours post-Natty’s incredibly unhelpful suggestion that did absolutely nothing to alleviate you of your insomnia, and you’re back on the phone with her.

Only this time, there's video.

So, yay.

"Help me, please."

It’s a Friday and Natty's begging, again.

Because she knows she can count on you, knows that you’ve long since resigned yourself to your fate as Natty’s on-call ‘fixer’. There for everything from life-changing career decisions to helping her figure out what show to stream next.

And now, apparently, choosing her outfit for tonight.

“Help me, help me, help me, help me.”

God, this woman and her begging. Knowing full well that it’s your kryptonite.

"Okay, okay, okay," you're relenting, much earlier than usual. Mostly because as far as Natty’s petulant requests usually go this one’s a walk in the park. “But don’t you have people for this sort of thing? People who don’t, and I quote, ‘have a dogshit taste in style?’”

“It is dogshit!” Natty calls out, already turned around and leaving you (her phone) on the vanity, facing out to her bedroom and all its hideous pinkness. She disappears from the screen, diving deep into her closet for yet another pair of shorts that will most certainly hug way too close, or a top that dips way too low, or a pair of heels that scream—'hey, I have legs, would you like to spread them?' "But!"

Natty returns to the camera with a leather belt—oh no, that's a leather skirt—in hand; clad in nothing but a casual cotton bra/underwear combination that she’s filling out far too well for your sleep-deprived brain to handle.

She holds up the skirt against her waist for your consideration. Poses. It wouldn't cover a thing. Or maybe that's the point—again, you don't have any fashion sense, whatsoever.

“You’re a man, and I need a man’s opinion because I’m hoping to take one home tonight to fuck my brains out until I forget about this shit-storm of a week. So, you know—help a girl out?”

“As always, you have quite a way with words.”

Natty leans towards the camera, bending down to stare right at you. It makes entirely too much sense that she’s built an entire career around doing just this.

“It’s my third language, asshole.”

The insult lands softer than she likely intended, considering well, you’re a little too distracted to take it. It’s entirely her fault. The angle makes her tits look far too immaculate to pay any attention to her mouth.

Maybe she should consider going out just like this?

Yeah, that’d definitely get her fucked.

But, she frowns before you can make the suggestion, turning on her heels and sashaying back to her closet, leaving you to choke on air at the sight of her ass stretching out her favourite pair of panties. (The white pair with the pretty-pink bows. The one that rides up her ass when she stretches, bends, sneezes—basically any time she’s not standing perfectly still. And even then.)

Anyone else and this whole thing would be weird. Well, weirder than it already is.

See, you and Natty have this thing; this odd, cat and dog relationship that’s been going on since what feels like the dawn of time:

You’ve watched her shamelessly cycle through men faster than a teenager through a box of tissues, leaving a trail of broken hearts and broken cocks in her wake.

While she’s been forced to witness every time you’ve met ‘the one’, only to be there months later to help pick up the pieces when you’re burying your feelings in video games and alcohol and porn, wondering how it all went so wrong.

All this to say that seeing Natty bouncing around in her underwear with that laser-beam of a smile of hers; with all of her soft curves, thick thighs, her ridiculous ass and again, those immaculate fucking tits isn't that unusual.

In fact, it doesn't really do anything for you at all.

(Fucking liar.)

“Here, how about this.” Natty appears from the corner of the screen, having found a top that’s somehow made of even less material than the bra she’s already got on. The gall of her to ask, "Too much or not enough?"

You deadpan. “Does it come in adult sizes too?”

Natty grins, because she can read it right on your stupid face. She looks so, unbearably hot. Without even trying that hard. This bitch. “So just right, then.”

And then she twirls, leaving you to face her back, and before you even have time to blink, Natty’s bra has fallen down her shoulders; and you’re hating how you lean in to look because this damn app has no zoom feature to save your sorry eyesight.

Her fucking tits. Perfect, bouncy. Even through the pixels, even from behind, you can still see the way they spill.

She slips on her chosen top for the evening—a tiny, strappy number—and spins back around to face you in all her Natty glory. By the skin of your teeth, you’re looking away and leaning back, feigning nonchalance and leaving her none the wiser.

You think.

“You know,” Natty says, tilting to one side, hand on hip. Fuck, even that slightest movement makes them bounce. Utterly, utterly obscene. “You should just come tonight.”

You’re saying, “Fuck no,” before she’s even finished her sentence. ‘Coming tonight’ means ‘clubbing’, and ‘clubbing’ means being stuck listening to the shittiest music, surrounded by the worst people in all of Korea, drinking overpriced slop and watching Natty turn down a revolving door of douchebags on the dancefloor.

So, yeah.

If ‘fuck no’s’ were bricks, you’d be building the Great Wall of ‘Fuck No’, big enough for aliens on the other side of the galaxy to see with a fucking telescope and have their first contact with the human race be a giant ‘Fuck No’.

And that’s your polite way of turning her down.

Yet somehow, Natty’s hardly deterred.

“Come on, it’ll be fun,” Natty sing-songs, shuffling on her tiptoes, shifting her weight from foot to foot, making her entire body jiggle. It’s like she’s intentionally trying to sell you on the idea with every little movement. Make you believe that if you came with her, you’d be able to find someone who comes close to looking half as good as she does in that… whatever-the-fuck that is. Bralette? Crop top? Whatever. Fat chance. "Come on, come, come, come. Be my wingman please!"

You already have your second ‘fuck no’ queued up, but Natty just won’t stop fucking talking.

“Don’t you want to get laid? Don’t you think you need to have fun after what’s-her-name?” Natty continues, pouting at you through the screen.

And there it is, a study in how Natty usually gets her way—jutting out her bottom lip, digging her thumb into the waistband of her panties to expose just a smidge more skin, leaning just right to make her tits look like they’re about to pop out. It’s like she’s got a fucking manual.  

“Don’t tell me you’d rather stay at home with Handalf the Grey than come out with me and all my hot friends?”

“You mean having to clean up after all your ‘hot friends’ and their bullshit while you run off to score free drinks?” You retort, recalling all the other times when she managed to entice you out of your self-imposed isolation and into the deafening, sweaty hellhole known as a nightclub.

“Said hot friends that you’re too much of a pussy to hit on, mind you,” Natty chides, and then oh-so-casually decides to drop this nugget: "They all like you, you know, they'd be more than happy to break this dry spell of yours if you just asked. Don’t act like I haven’t seen the way you look at Julie."

You can feel your cheeks reddening. You’re not a teenager. You shouldn’t blush at this shit. But here you are, falling for Natty’s words and their magical abilities to needle at your insecurities and fill your head with thoughts of her friends and all their... well, incredibly positive attributes.

Natty pounces on your lapse in composure and gets closer to the camera, crouches. Drops down so she’s on her heels and all you can see in that tiny window of your phone is the red of her plush, plump lips.

“Come, you pussy—”

“Natty—”

“Do it pussy—”

“Natty, if you think that’s going to work—”

“Pussy, pussy, pussy—”

You’re yelling down the phone: “Fuck, fine!”

Natty’s victory dance is already in full swing before the words have even left your mouth. Bouncing around her room in pure joy at once again having ruined your evening. Dancing in that barely-there outfit, treating you to entirely sinful ripples across her curves and dips, pure sex on a pair of toned legs. Really makes you wonder how the fuck is she not illegal in at least fifty different countries.  

You hide your face in your hands, because there it is, the reason you’ve never really been able to deny her:

Her laughter, her energy, her fucking shameless glee whenever she manages to get her way (which, if you’re keeping count, is every single time).

She’s just so frustratingly adorable.

Somewhere in her celebrations, Natty finds exactly what she was looking for. Reaches down to the floor, picking up a belt—no, that’s another skirt—this one even tinier than the first.

“Oh, this is perfect,” she preens, holding it out to the camera (to you), before stepping right into it. She spins around, making it dance around her hips. It does wonders for her thighs. "How do I look?”

You swallow. “Like you’re going to get fucked tonight.”

The glint in Natty’s eyes. Like you’ve just served up the finest compliment on a silver platter. You feel sorry for whatever poor soul crosses her path tonight.

Natty winks. “Here’s to hoping.”

—

Guess what?

Turns out you were right: this is the worst place in the world.

Only, you’re the sole person here that seems to think that.

Hours have passed since you helped Natty look perfectly fuckable and you’re at the bar, trying and failing to get the attention of the bartender. Unfortunately, he, like every other male with a beating heart and a boner seems far more interested in Natty’s little dance routine than his thirsty clientele.

You can’t blame him, really. It’s built in how she moves.

Strobe lights cutting through the air like knives, slicing her into this series of absolutely pornographic snapshots as she dances. And she’s not alone, she has friends—beautiful, all of them, in their own ways. They spin and twirl around her; but Natty’s the sun here, the star that everything orbits.

(You included).

You see it play out—the Natty effect. Men, even women alike gravitate to her, drawn by that magnetic force that is Natty at her very best. Trying to get a dance, maybe whisper a line they stole from some movie in her ear, even dare to reach out to touch or press themselves up against her.

But she’s a black hole, a dark star. Can’t get too close.

One by one, they’re swallowed up by the void of Natty’s disinterest. The shoulders slump, the smiles falter, and the hope in their eyes dies as Natty, with a simple flick of her wrist sends them stumbling back into the crowd, forgotten almost immediately.

And the whole time she’s doing this, she’s got you in her line of sight. A wink here, a smile there, a dance on its own; and all you can do is nod and pretend like you’re okay with all this.

You inhale. Deeply.

Her outfit looks even tinier in person.

You turn away for just a moment, shaking off thoughts of Natty, of her hips and their sway and her winks and her smile; attempting (and failing) to flag down the bartender once more.

This fucking night.

But, when you look back, Natty’s no longer on the dancefloor.

She’s standing next to you. Arms looping around your neck.

“Natty—”

But she’s not listening. Her eyes are darting around the room, searching for something—or someone—that you can’t see. Your stomach clenches, because that look on Natty’s face? That’s not her usual I’m-about-to-make-some-poor-soul-my-bitch look. That’s something else entirely. That’s fear.

“Shut up, I need a favour,” she’s in your ear, yelling over the thrum of the bass that’s rattling your ribcage.

You lean in, bend down to meet her, because, frankly, you’re worried. You’ve never seen Natty like this, wide eyed and shaky. Never seen her be anything but comfortable.

You’ve also never been this close to her. Felt her breath hot against your neck, felt her body press up against you, felt her softness, felt her—

Fuck, you should be asking her what’s wrong, but before you can even do that, the bartender's filling two shot glasses and sliding them over to Natty.

She takes one. You take the other. It tastes lethal.

Natty’s nails dig into the back of your neck, and she looks at you, intense. Words fast and frantic. “Just pretend we’re together, okay? For a bit. Until I can figure this out. Just—just keep playing along, yeah?”

You blink. The room blurs around you. You think you might’ve misheard. “What?”

“Be my boyfriend,” she says, taking a second shot before you can even digest the first. “I need you. There’s some creep and I need you. Now, please?”

You turn immediately, scanning the floor, but the lights and shadows make it near impossible to make out anything other than vague shapes and strobes of colour, let alone pinpoint a face. "Natty, where is he, I can—"

"No, no, no," she cuts you off with a shake of her head. “Focus on me.”

“Wait, why do I have to—”

“Oh, shit there he is—”

And then she’s kissing you.

Ending whatever argument you may have had, because she’s grabbing, pulling you in, and her lips are on yours and oh fuck, she’s really, really kissing you.

It’s a slap to the face, and you need to reel in from the sting. Because you’re already forgetting what you’re doing, forgetting how your limbs work, because Natty’s putting on the performance of a lifetime and you’re having trouble keeping up.

Her hands are in your hair, yours at the small of her back, and she’s pulling you close, squishing against you and the taste of her—sweet like candy and sharp like vodka—filling you all the way up.

Your tongue catches up, flicking against hers, licking inside of her mouth and she’s even convincing you—as if she’s the one that’s always been into the love at first sight bullshit and you’re the non-believer.

And it’s a problem, how right this feels. Because this isn’t what friends do—definitely not Natty and you. But still, you can feel her tension, her need for this to be believable; and you don’t dare to fuck it all up.

So you kiss her back, because that’s what you do for Natty.

You always do what she needs.

You’re about to pull away; this should be enough to have every single person here convinced that you’re hers and she’s yours. But Natty’s already sliding her tongue back in your mouth, pleading, “Keep going,” the moment a gap opens between your lips; and you’re diving back into the kiss without a second thought.

And then you hear it.

A flash of a camera.

A cheer.

A whistle.

Julie, Haneul, Belle—Natty’s friends, staring at you like proud fairy godmothers witnessing their own magic at work.

You break the kiss. You look down at Natty.

She giggles.

You feel like a fucking idiot.

"There is no creep, is there?"

Natty shrugs, looks up at you, and she actually looks—what is this? Shy? Embarrassed?

"There could’ve been," she says, her eyes wide and innocent, a mask. You see through her like you should have when she first wrapped her arms around your neck.  Oh sure, like she’s ever been innocent for a second in her entire life.

She’s far too smug for that.

You roll your eyes. You feel like every other idiot that’s ever fallen for a bat of her lashes and a peek at her tits. Hope is a hell of a drug, especially when Natty’s the dealer. And yet, despite yourself, the corner of your mouth quirks up. "You're fucking insane."

“Maybe.” There’s a long pause. She’s staring at your mouth. She presses a finger to your sternum. “But I had to do something.”

It takes a second. What?

What does that mean?

You stare at Natty, lick your lips. Her taste still lingers.

“Ask yourself the same question I’ve been asking myself for months now,” she says, louder this time, her voice cutting through the noise of the club and hitting your ears with a sobering clarity.

You know what she’s going to say—what she’s going to ask before she’s even opened her mouth. You’ve been asking yourself the same thing too.

So, swallow hard, try to ignore the way Natty’s friends have gone quiet. Try to ignore Natty’s hand still resting against your chest, her eyes burning a hole right through you.

“Why haven’t we had sex yet?”

The blood’s rushing to your cheeks; the music's too loud, the lights too bright, and the room's suddenly spinning around you like a carousel.

Fucking embarrassing.

But Natty doesn’t crack a smile. She just looks up at you. Hopeful. Searching you, searching your eyes for an actual answer; and you already know what it is.

“Because, Natty, we’re friends.” You offer up a weak smile, hoping against hope that she’ll buy it.

But she shakes her head. “Oh, please. Like that’s ever stopped anyone before. Besides, if you want to put a label on it, call it whatever the fuck you want. I just know what I need. Do you?”

You sigh. She gets closer. And closer.

Until your nose is brushing hers. Until her breath is hot on your face, until your heart is racing so fast you can feel it in your ears. Until her hand is sliding down, down, down, until it’s resting over your pants and oh, oh no, you’re straining.

You gasp. She smirks.

“See? You want it too. And I know you do, because, sweetie, your cock’s practically begging me to pull it out and shove it between my tits right here in front of everyone.”

She just throws it out there, so casually, so bluntly, she might as well be talking about the weather. And maybe, maybe it’s the alcohol, or maybe it’s just Natty being Natty, but fuck you can’t do anything but stay frozen still.

You’re letting her hand linger. You’re letting her touch you like she’s got every right in the world. You’re letting her because there’s a part of you—the part that’s growing by the second—that wants to see just how far she’ll take this.

“So, what is the real reason, ba-by?”

Because you’re in love with her. You’re in love with her, and you can’t just have casual sex with someone you’re in love with because it will ruin you.

But you don’t say that. Instead, you just tell her: “Timing.”

That makes her laugh. Has her closing what little gap remained between your bodies, until her tits are flush against your chest, and you’re coming to the conclusion that, yes, you did help her pick out the perfect outfit for tonight.

Perfectly, hopelessly, fuckable.

“Well,” she says, and she’s pulling you back down again and shutting you up with yet another kiss. “We’ve got all the time in the world now, don’t we?”

—

You’ve been here before.

Many, many times before.

You installed the showerhead and fixed all the cabinets yourself. Even secured the lock that you’re now unlocking with the digits that you coded.

But somehow, it feels like a first.

First time you’ve kissed her in the back of a car, pushed your hand up her skirt, felt the heat of her against your fingertips. First time you’ve pinned her against the wall of an elevator, made her feel just how desperate you were for her against her thigh, made her promise to be so good for you when you got to her door.

First time being pulled through the threshold, hands at your chest, tearing your shirt off you before you’ve even stepped foot in her apartment. Had her smiling against your mouth, because she’s won, again, and you can’t even bother to argue because you’ve lost to her so many times now that this shouldn’t be so surprising.

What is surprising though is how you’re naked first.

"Terrible, terrible taste." Natty's clicking her tongue as your shoes, your shirt, your pants are scattered along the floor behind you. “We’ll have to fix that.”

And then she’s moving on, hands clawing down your stomach to land at the waistband of your underwear, hooking her thumbs in and yanking down. You’re so obviously hard—you’ve barely made any effort to hide it from her—fuck, you pretty much flagged down the taxi with it.

"Holy fuck," is the first thing out of Natty's mouth when she takes a hold of you, feeling the naked weight of you in her palm. "You’re really not messing around, are you? I was expecting—"

"A sad, lonely little thing," you finish for her, because you've heard it before. "Yeah, you like to mention it a lot."

But Natty’s not laughing now.

She’s just staring. Almost reverently. She decides, her voice a little raspy, tinted with an apprehension that you never knew she was capable of mustering, "I like it. It's... massive."

You lean in, pressing your mouth against hers because if she’s going to say that, you’re going to kiss her, again and again, and there’s a strong possibility you're never going to stop.

She whimpers, gasps into your mouth, says your name for the first time—not some nickname, not a jab or an insult. Just your name, in your ears, like it’s something sacred.

You’re not a saint. You can’t ignore that.

Your cock jumps in her hand, and as if on instinct, she strokes you.

It's slow, purposeful. She's too good at this. Knows the right pressure, where to twist and wind her wrist. How to sweep her thumb over the tip, smear pre-cum over your skin, and this entire time she's staring down at your cock like she's discovered something new.

“This is going to ruin me, isn't it?” she whispers, and you nod, because your voice is lodged in your throat and she’s stealing the air from your lungs. “Going to fit so fucking nicely inside me. Fuck it’s going to stretch me.”

You groan, collapse your weight into Natty, press your lips against the column of her throat.

Both hands now, one underneath, toying with your balls, balancing them in her fingers, and the other doing its best to squeeze, to pump, to make you fall for her with every stroke.

“I can’t wait to ride this,” Natty kisses these words into your cheek, your jaw, leaves these marks all over your collarbone. “I wonder if I can fit it down my throat. God, can you imagine what it’ll look like between my tits?”

And that makes your cock throb.

Because face it, Natty has always had a way of getting into your head; is far too dangerous with her words, and she’s all too willing to abuse this power she has over you to get you do what she wants, which is now, apparently, fucking her senseless.

You let her, let her build and build this pressure, let it coil inside you, tighter and tighter. Until the need to feel her, all of her, is too much to handle.

Until you grab her, take her by the shoulders, push her—not hard, but firmly—against the nearest wall.

You’re not gentle about it, because Natty doesn’t want gentle. She wants rough, she wants passionate, she wants to be fucked and have her cunt worshipped by way of complete ruin.

She’s told you as much.

"That's more like it," Natty bites into your ear, grips your shoulders. She follows your eyes. "Let me guess, my tits?"

So, maybe she has caught you looking once or twice. Either way, you don’t care much for her top anymore, it’s served its purpose. You take a fistful of it and pull, ripping it right off her and tossing it to the floor with everything else that’s kept the two of you from tearing each other apart.

“Better?” Natty poses for you, puts her tits on display—and yeah, you were right all along. Fucking immaculate.

You take a hold of one, palm it; fill your hand with flesh, twinge those dark, plump nipples, because of course you’re going to. You’re going to pinch and squeeze and suck on them. You’re going to mark her like she’s already done to you. Mark them, with your teeth, with your tongue. Fuck, you’re going to make them yours.

But for now, you're just going to slap them, because you want to watch them jiggle up close.

You laugh. Natty does too.

"Much better."

And with that, you’re back on her. Kisses that are sloppy, wet, and filled with all the pent-up want that's been simmering for months. You don’t even know where to begin with Natty, but you start with her mouth. It’s a good place. It’s always a good place with Natty.

Her hand doesn’t stop moving, can’t, won’t. The friction is heaven; you just let her touch you, fuck her hand while you indulge in her tits. Get to know the weight of them, the balance, the softness.

A sigh into your ear as your tongue finally finds her breasts, deep and messy, sliding over her nipple—she’s already so sensitive, just a flick and she’s gasping. You’re not even trying to be precise anymore, not that Natty needs it, not that she needs anything but for you to enjoy yourself against her.

It all makes the room seem smaller, the walls close, surrounding you with the scent—cinnamon and sweat and something else that’s just her.

“See this is why fucking me is such a great idea,” she slurs against your shoulder, hand tightening, stroking you harder, faster.

You mumble an affirmative into her breast. It’s a miracle you can still stand upright.

“Isn’t this so much better than like everything else? Anyone else?” She sighs, breathy, sweet sounds, as she takes you by the wrist, guides your hand southwards.

Fingertips graze her stomach, trace around her belly button and lower; until you’re digging into her skirt and feeling the heat rise off her skin. She’s soaked right through her panties, dripping with it. Another place for your tongue to land.

“We can just be fucking honest with each other,” Natty’s explaining, eyes tearing when your finger pads her clit, pressing down just right. “You already told me all the things you hate. All the things your bitch exes never let you do.” And she smiles, wicked. “Never had the tits to give you.”

Christ.

“And I can get you to fuck me exactly how I want with this big, fucking cock,” Natty finishes. "We’re a perfect fucking match."

It’s at that moment you find the zipper of her skirt, tugging it down, watching it fall to the feet. Leaving Natty to step out of the tiny scrap of fabric she calls her panties; abandoning the sticky mess of cotton.

You take a step back, unlatch your lips from her tits, because you need to see it. Need to finally see her, see your Natty, see the Natty you've never allowed yourself to look at.

So, take your time, drink her in—because the way she’s standing there, the way she’s touching herself now; biting her lip, sighing your name. All but saying, ‘Look all you want, but don’t you dare look away’.

Look at the arch of her neck, the red you’ve left there, that trail you’ve burned down to her tits. Bruised and swollen from your tongue, your kisses, and yet still not marked enough. Follow the curve of her hips; how they flare out from her waist, the plush squish of her ass cheeks against the wall behind her.

You want to kiss her, from the tips of her toes to the top of head; all of her, every part of her, because now she’s going to finally let you.

Because now you're going to fuck her until all she knows is you, going to make her scream your name, going to make her beg for you to fill her with your cock and cum and never ever leave her cunt empty again.

That’s the plan, anyway.

But Natty’s got plans of her own.

“Didn’t you say,” Natty begins, sighing, circling her cunt in a rhythm that you’re dying to recreate. She licks her lips. “That your last ex refused to suck that lovely, magnificent cock of yours?

"Yeah," you stammer, at a loss for breath at just the sight of it all. “And weren’t you trying to find someone to fuck your brains out?”

Natty’s eyes light up; and there's that easy, charming grin that knocks you right off your feet. "You’ve always been such a good listener."

—

Natty's plotting to ruin you.

It's the only possible explanation for the way she's looking at you right now—on her knees, at the foot of her bed, flanked by walls painted an ugly shade of pastel pink and Natty's tits, sandwiching your cock.

You’d imagined it, thought about it when you shouldn’t have been thinking about it. Whenever she brought you to watch her perform, whenever she sent you pictures of her outfit of the day. But your eyes always went there. Straight to Natty’s tits, every time.

You knew they were big.

You’ve felt them, on accident (though they don’t seem like accidents anymore).

But now, to have them enveloping your cock, drowning your shaft in their softness, and to have her, staring at your face with so much fucking excitement as she gives you everything you’ve ever wanted—it’s surreal.

You’re dying to paint them white.

“Looks like you’re already about to fall apart, baby,” she teases, and it’s even worse now that she’s calling you these sweet names, saying them like she’s always wanted to, like she’s finally letting herself. “Couldn’t wait, could you?”

“Fuck, Natty—” you breathe out, your hands finding her hair, tightening, because that’s all you can manage to do when Natty’s in control. Like she’s always been.

“Mmhmm,” she hums, keeping her eyes on you, making sure you’re watching, even as her tongue flicks out to taste you. A slow, taunting lick to make you buck your hips, desperate to feel the suction of her lips. “You must have been dreaming about this, huh?”

You don’t bother lying. She already knows the answer. “Every. Fucking. Night.”

Natty’s smile spreads across her face, and she rewards you with a kiss, pressing her lips down onto the head of your cock; before sliding them lower, eyes fluttering shut with the first taste of you. “Well, what took you so long? All you needed to do was show me your cock and I’d have been happy to do it whenever you want me to. Happy for you to use my tits as your cum rag. You know that, right?”

She moves; and the sight of it alone—Natty’s tits wrapped around your cock, bobbing up and down, hypnotising you with the flicker of her nipples—up and down, up and down. It’s merciless, unrelenting, and she keeps talking, keeps kissing these sweet little words into your cock that makes your hips jerk, trying to fuck her tits faster, harder.

"Look at how perfect you look," Natty keeps going, "how your cock fits so snug."

The sounds she’s tearing from your throat as her tits take you, and she’s barely even started.

“But we can do better, can’t we?”

Her pace picks up, and with it, the tightness of your grip on her hair. She’s pushing the ample mounds together, squeezing, putting her whole body into it, into this new art she’s pioneering. Driving you insane with just her breasts, making you swell between them, throbbing as she works you over.

“So big," she’s panting from just the effort, the bounce, bounce, bounce of it all, "I can feel you getting so much bigger."

Everything’s going too fast, her tits are too soft, her lips on you too hot, and she’s drooling, her spit dripping down onto your cock. You want to tell her to stop, that you can’t take it, but Natty just keeps going.

"Fuck,” Natty mewls, pinching her own nipples, for you, for her. Pinching and rolling them, making them nice and stiff and swollen. “Let me just try and—”

She cranes her head, bends; takes your cock deeper into the warm, wet heat of her mouth. Her tongue darts out licks your cock, gets that sweet spot on the underside, makes you shake underneath her.

Natty holds you there, even as you groan, even as your hips rise; just licks, spits, sucks. Her mouth moving up and down on you, making a mess down your shaft, down her tits. Taking you deeper, deeper, until you’re fucking her face.

She moans around you as your hips buck and you push deep, desperate for it. Her eyes water, her cheeks hollow, and she’s got you. You’re in her mouth and she’s loving it. Loving the power she has over you, loving giving you what she wants, loving how you’re pulling her by the hair, desperate to feed her more of your cock into her throat.

Like your entire relationship has been building up to this moment—to Natty’s tits wrapped around you, her mouth all over you, her eyes on yours, watching as you fuck her face.

"Fuck, Natty," you grunt, your voice barely recognisable. "What the fuck—"

But Natty's just smiling, you’re fucking that smug little smile on her lips, and she’s taunting you. "Come on baby, keep going, keep going."

It’s utterly obscene—the smack of her lips around your cock, her slobbering all over you, her gagging, her moaning around you, looking up at you and asking, “Is that all you’ve got?”

You're so close, so fucking close, and she knows it. Moving her tits faster, faster, and you're about to blow your load all over Natty's pretty face, her chest.

But she keeps talking.

Even as you stuff her cheeks, even as you muffle her, “None of those other skinny bitches could do this, could they, could handle this big, fat cock?”

Even as you force her down, pull her by the hair, “You’ve been so obsessed with my body, so obsessed with my tits, haven’t you?”

Even as her tits slide off you and your cock smacks her across her cheek, “I always saw the way you looked at them, fuck I was showing them off for you, you just took too fucking long to notice.”

She won't stop fucking talking.

You finally snap. "God, are you ever going to stop?"

But Natty just laughs, bats her lashes. Slides her tongue from your base to your tip. "Maybe you should find something to gag me with."

Your hand wraps around her throat, squeezing just enough to make her eyes go wide, to make her mouth pop open. She rolls out her tongue for you, and you know what she expects you to do, what she expects you to fill her mouth with.

But you don’t—instead, you fill it with your kiss.

It's deep, it’s bruising, it’s saying ‘fuck you’ in the sweetest way possible, without uttering a single syllable. Natty laughs against your mouth, a ‘fuck you’ right back with her teeth, biting down on your lower lip. Not breaking skin—not yet—but the promise is there.

Her hand leaves your cock to wrap around your neck, pulling you closer to her, her mouth eager for yours, and you don’t even think twice before you hoist her up, her legs wrapping around your waist. Giggling again—another sound that’s going to be your undoing—before you’re both stumbling back onto her bed.

The mattress dips under the weight of your bodies falling back into it. Natty straddles you, presses her cunt down onto your thighs. So wet you can feel it on your thigh, leaving your skin sticky and stained with her. Your hands move to her hips, dragging her closer, so you can feel the friction grinding against your cock, making you ache.

She breaks your kiss, gasping for air. Her eyes are dark, pupils blown wide—seeing her pant like this, it’s not even fair. She’s just so fucking beautiful, like a painting you’re afraid to touch because you might smudge it.

You tell her as much.

She blinks. Blushes.

Grins.

“You,” Natty breathes, her hand trailing down your chest, finding your heartbeat, resting there for a beat, two, “are so fucking in love with me.”

You don’t argue because she’s right.

Her hand slides up your arms, nails dig in and she’s got your wrists, pinning them over your head. You let her. Let her grind herself against your cock, feel the warm, wet heat of her cunt against the tip.

She takes her sweet time, melting herself into you, pressing her tits into your chest, and you can feel her heart racing against yours.

She whispers, “God, I’ve waited so fucking long for this.”

You can’t even form a coherent thought, so you just grunt.

“I’ve dreamt about this so much,” she continues, breathless words sending shivers down your spine. “Your cock, fuck, it’s just as perfect as I imagined. And now, it’s all mine.”

And then she does it—she sinks down onto you, slow and sweet, her pussy taking you in inch by glorious inch. You groan into her shoulder, your eyes shut as Natty’s tight heat surrounds you. It’s like nothing you’ve ever felt before; sure there’s been others but something about Natty’s cunt is so intense it’s almost painful.

“So tight,” you grit out, the words torn from your chest like they’re made of glass. She just laughs, low, sultry, and starts to move.

It’s a dance, a rhythm that’s been building between the two of you for what feels like an eternity. She’s rocking her hips back and forth in this torturous grind. Fucking you like it’s the last thing she’ll ever do, like she needs to make the most of it. Like you’re going to vanish into thin air the second she lets you go.

“I knew you’d feel this good,” Natty sighs into your neck, already surrendering to your cock. “Fuck, I knew it—why did you keep this from me?”

You can’t answer, not really.

You’re too lost in the feel of her, too consumed by the way she’s moving on top of you. Every inch of her body is pressed against yours, and she’s so warm, so alive, that you can’t think of anything but how Natty’s finally letting you in. How she’s letting you make her whole.

But it’s too much. Natty’s cunt, tight and wet, fucking you so slow it’s a fucking crime. Pinning you down, a butterfly on a board spread out, displayed, unable to do anything but take her sweet, sweet punishment. And she’s whispering it in your ear, grinding down, rolling her hips, “Fuck you. Fuck you for keeping this from me,” with every stroke.

She’s doing it on purpose, you’re sure of it. Driving you crazy, making you beg, making you want it more than you’ve ever wanted anything in your life. Your hips jerk up to meet her, trying to speed things up, to get that friction you need, but Natty just pushes down on your shoulders, keeping you in place.

So you tell her, "This is fucking torture."

Natty just smirks, her hips never stilling. "Is it?" she asks, as if this all isn’t intentional. Like she doesn’t have some grand plan to ensure you never forget the things her cunt can do to you. "Do something about it then."

So, you do.

It takes more effort than you’ll ever admit, but you break her grip on your wrists, grab her hips, and flip her over, sending her sprawling onto the bed, face down.

The squeal from her. It’s music.

How her eyes go wide when you treat her like a ragdoll, how her tits juggle and bounce, smacking the mattress. And when you push down into her, slamming your hips into her ass, how she arches back into you, her back bowing like a fucking violin.

“Yes!” She cries, fucking cheers into the mattress, like she’s been waiting for this—for you to have had enough of her shit and take her without asking. “Yes, yes, yes—”

You hover over her, throb inside her. "Is this what you fucking wanted?"

Natty sighs into the bedsheets, urging her hips against you, begging without words, begging for you to do more.

“You want it rough, baby?”

“Yeah,” Natty says, pushing back against you again, nodding immediately. “If you can.”

Still with the provocations, unable to resist pressing at your buttons.

You grab her hair, yank it back so she’s staring at you, force her to look at you. And you fuck her hard. Fuck her like you’ve wanted to since the first time she walked into your life and decided to make it all about her.

You fill her with deep, long strokes, fill the room with the smacks of your hips colliding against her, of your cock thrusting into her cunt again and again.

She claws at the sheets, trying to find purchase, trying to push back against you. But you’re too strong, too desperate.

You pound into her, impale her with your cock, watch her face twist in pleasure, in pain. You’re fucking her like you’re trying to break her, like she asked. Trying to solve her—how hard can she take it, how deep, how fast.

But Natty won’t give you an answer, she just takes it all—every inch, ever pump into her sopping wet cunt. Just grins and takes every bit of your need, your frustration. A bottomless pit of pleasure, begging for more with every whine, every little noise she makes that’s not quite a scream but is so close that it rattles your brain.

And when you finally let go of her hair, Natty’s licking her lips, and without even a care for what it does to you, she coaxes, “You can do better.”

You don’t know how she can talk right now, how she can even think with your cock so deep inside her, but something about the way she says it makes you want to test the limits of her ability to stay coherent.

But first, there’s the problem of her ass.

“Let’s see about that,” you murmur, dragging your hand down her spine, feeling the dip of her waist, the swell of her hips, and coming to a stop at her perfectly rounded ass. It’s a masterpiece, a work of art, and you’ve always had a bit of an artist’s soul.

You do what comes naturally.

A spank against Natty’s ass. Hard, hard enough to make her yelp.

Again—another slap, another yelp, louder, better.

You keep fucking her, keep spanking her, keep watching red bloom across her cheeks and Natty squirm underneath you. The whines get louder, her cunt gets wetter, but it’s still not enough to dull that smug look on her face.

“Fuck yes,” Natty gasps, raises her ass, presenting it to you like a trophy for you to claim. “I always knew you had it in you.”

You grab her hips harder, your knuckles white, your hand a blur as it connects with her ass. It’s so explicit, the sound of it in the quiet of Natty’s apartment—each spank echoing through the room like a gunshot.

But Natty just takes it, her body jolting with each hit, her cunt tensing and tightening around you.

“God, don’t fucking stop,” Natty sputters, tears of pained pleasure leaking from the corners of her eyes. “You’re using me so good.”

You lean down, kissing hard against her neck, branding her shoulder. You want her to feel you, to remember you. To not be able to ever feel remotely good again without first thinking of you.

"It's your fucking fault, Natty," you growl into her ear. "You drive me mad."

And she laughs, the sound vibrating through her body and going straight to your cock. "Good," she answers, "Good. Be mad. Be angry."

But you’re beyond that now, beyond the point of no return. All that you know is Natty’s cunt, Natty’s ass, Natty’s moans, and Natty’s grin that you’re aching to wipe off her face.

"Fucking hate me if you want," she’s saying, and she can’t seem to stop, "just don’t stop fucking—ah!”

You nearly stop when you realise you’ve finally done it. Finally left Natty out of breath, lost for words. A fucking miracle, really—the kind that makes you feel like a fucking god.

It doesn’t stop her cunt clenching around you, tight as a vice, because even now, Natty’s got some kind of death grip pussy, and she’s using it to fucking kill you.

You whisper in her ear, “You like that?”

Her only response is a breathy, needy little whine, so you spank her again.

And again.

Her cunt tightens. She’s close, so close. You can feel it.

“You like it when I use you, Natty?”

She nods, her eyes screwed shut, her mouth crying into the mattress, a mess of hair and sweat and utter bliss.

“Say it,” you demand, slapping her ass once more, watching as the pain ripples through her. “Say it.”

And Natty does, because she’s a good little whore, because she’s yours now. “Yes, yes, I like it when you use me, when you fuck me like this, when it’s only about you, your cock, your needs, your pleasure—”

God, it feels good to hear her say it, but you still want more than just words. You want her to fucking scream it.

You make the bed shake, knock the headboard against her wall, it’s a competition of what’s going to break first—the frame or her.

“This cunt. Your cunt. I’m going to use it. Fuck it whenever I want.”

But Natty catches you off guard, because that’s what Natty does best. She opens her eyes, looks right into yours, and suddenly she has her voice again: “Whenever I want. You’re going to fucking move in with me.”

You freeze. Your hand mid-spank. Your cock mid-thrust. It throws you entirely off, because, what the fuck?

"You're going to be my boyfriend now," Natty says, wrenching back control, fucking her ass back into you. Stating not asking, leaving no room for argument. "Move in with me, your place sucks anyway."

"You're out of your fucking mind," you start to protest, but she cuts you off with another squeeze of her cunt around you, and now she’s the one fucking you, her hips rolling back and forth in this maddening, sinful way that has you biting down on your tongue to keep from shouting.

"Move in and just fuck me every day," she says, all light and airy, like it’s already been decided, like moments ago you didn’t have her dead to rights. "Morning to night. It would be so fucking nice."

This is real, you know that for sure. It’s not just something she’s saying to get off, not another way to get under your skin. You know it in her voice, she’s deadly serious and suddenly your mind’s racing.

"Come on," Natty purrs, punctuating each word with a slap of her ass against your waist, "You know you want it, why fucking wait?"

She’s not wrong. It makes too much fucking sense to deny. And yet, part of you still can't believe it. That Natty, the girl who's had countless men at her feet, could have any man at her feet, actually wants you. That Natty is underneath you now, eyes glossed over with need, mouth swollen from your kisses, ass cheeks flushed crimson from your palm.

"I'll take such good care of you, baby," she says, unaware that she’s already completely won, unaware that her cunt already has you bending to her will. "Every day, every night.”

You can't help but nod. You're too consumed in her to do anything else. You just let go of everything. The fears, the doubt, the fucking logic.

And Natty says it, the three words that seal your fate—"I'll love you," she cries out, "I'll fucking love you forever if you just keep giving me this fucking cock."

It's like the world stops, like everything you've ever wanted is right there in front of you, wrapped up in Natty's tight fucking body.

You're so close, so fucking close, that you can almost taste it—the sweet release of your orgasm; giving in to Natty’s unbelievably sensational cunt sleeving your cock, pulsing with each thrust, desperate to milk you dry.

There’s nothing left to do but give Natty wants. Fuck her, hammer into her so hard that you’re going to fuck a Natty-shaped hole into the mattress, fucking shatter her bedframe, and then keep drilling her straight through the floor.

And she’s crying out your name, forgetting about everything that isn’t you, isn’t your cock, isn’t the dream of your cum filling her to the brim and spilling out of her cunt every single day for the rest of your fucking lives.

“Are you close, baby? Are you going to cum for me? Please, give it to me, I need it so bad, I need it now, because I'm about to, about to, about to—"

And then it happens.

Fucking destroys her.

It hits. A crescendo that peaks as you bottom out inside her, shaking her to the core. Her cunt spasms about you, her body rises off the bed as if you’re performing a fucking exorcism, and she screams your name so loud it’s only a matter of time before the neighbours come banging on her door.

"Oh my fucking god you—"

Natty gushes around your cock, juices running down your shaft, your balls, and she’s squirting. Oh god, she’s squirting all over the fucking place.

Natty’s body goes rigid, her back arching so much it’s like she’s trying to fold in half, crying, sputtering these words that don't even make sense—until you realise she's speaking an entirely different fucking language.

Not that it matters, because you can tell what she's saying, read it in her body, in the way she's spurting and making a big fucking mess beneath your bodies. Whatever she’s saying sounds utterly depraved, filthy and so, so good to your ears.

It keeps going and going, until she has enough sense to speak your language again, needing to make sure you hear it when she says—"fucking fill me, baby," she whimpers. "Give me everything, all your fucking cum."

And it’s your turn to be hit—like a fucking freight train.

You're cumming, hard and fast and out of fucking nowhere. Your balls tighten, your cock throbs, and you’re flooding Natty’s cunt.

It’s biological, in every cell of your body—like your entire being is coming undone, and the only thing holding you together is Natty, Natty, Natty.

Her body shaking beneath you, her cunt contracting around your cock as wave after wave of cum fills her up.

She’s so fucking tight, so fucking perfect, that you can feel every pulse of your orgasm, every drop of your cum spurting into her. You're not sure how long it lasts, how much you give her, but it’s enough to make your muscles shake, enough to knock the architecture right out of your limbs.

"So fucking good, so fucking good," Natty coos. "Fucking finally, finally filling me up so good."

Her moans a lullaby, sending shockwaves of pleasure through your body with every syllable. You lean down, burying your face in the crook of her neck, your every inhale and exhale ragged as you try to catch your breath. Still twitching inside her, still releasing the last of your cum, and Natty’s just lying there, her body limp, her eyes closed, basking in it all.

"So perfect," she keeps repeating, right up until the very end, “So, so, perfect.”

You collapse on top of her, just lie there shivering together, your face next to hers. She’s got this look on her face, a victorious glow, and you just have to accept it. Yeah, she’s won again, in devastatingly convincing fashion.

For a second, you’re both just that—spent, exhausted, entirely drained. Like you’ve just run a marathon. Or been in a fight. Or both.

Then Natty’s got the nerve to stir, to kiss your cheek with the tenderness of a whisper. Lips softer than you thought possible, given how hard she’s just been fucking you. And that’s it, the moment your body decides it’s had enough of playing dead, enough of lying there like a sack of potatoes.

You roll over, bringing Natty with you, her body curling into yours like she’s been made to fit there. Her head rests on your chest, her legs entwined with yours, and for a moment, you just hold her close.

It feels fucking right.

"Tomorrow," Natty sighs contentedly, her cheek finding home atop your heartbeat.

You blink. "Tomorrow?"

"Yeah, you're moving in tomorrow." Natty’s deciding for you already, setting the dynamic for the rest of your future. Doing all this with her eyes still shut as she snuggles closer to you. "I'll hire the movers."

You sigh, the weight of the world and Natty's body both feeling surprisingly light. You think about the next few days, the weeks, the years even, with Natty. The idea is so ludicrous, so absurd, that it feels like a fever dream.

But as you hold her, feel her warmth, her unabashed, blatant satisfaction, something inside you shifts. A reframing of the concept of Natty that you hold in your head. The thought of her naked body in your bed, her laughter in your living room, her mess in your kitchen—it doesn’t feel like an intrusion, it feels like home.

"Are you sure?" you ask. A little shaky, a little hopeful.

Natty opens one eye to look at you, a laugh playing on her lips. "Oh, you know I'm going to be the worst fucking roommate ever."

"Yeah, I can see that. But as long as you keep being the best fucking everything else..." Your words trail off into a whisper, your hand tracing idle patterns on her back.

And then she says it again.

"You’re so fucking in love with me."

Natty kisses you hard, deep, her tongue sliding against yours. And you know, you fucking know, that she's right. You are desperately, entirely, so fucking in love with her, and you wouldn't have it any other way.

You laugh, the sound a little desperate, a little wild, and roll her again, pin her down again. A strange feeling rushes through your mind. Like you’re going to be repeating this exact same motion for the next hundred years. And somehow, that doesn’t sound like the worst thought in the world.

Natty squeals, cheers, moans when you settle between her legs.

"Fuck you, Natty."

"Oh, baby," Natty giggles, reaching down between your legs, squeezing you. Once. Twice. Until you're filling her hand once more. "That's what I'm here for."