#I know for a fact that the showrunners have a plan and I pray to any and all gods that there is a season 2
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authortobenamedlater · 9 months ago
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Good, bad, questions, and predictions for this week. Harebrained Halo Headcanons of the week.
Good: Casting is still this show’s greatest selling point, particularly Joseph Morgan’s Ackerson. Every performance is stellar, and that goes a long way toward covering the series’ flaws.
I like the look at the rank-and-file military and the confirmation that there are in fact other Spartan teams out there. And, because this is me we’re talking about, I like the religious references. Babylon 5 trained me well, I guess. The St. Christopher Medal, Corporal I’m-a-Baptist, Talia’s family praying before dinner, Shaman Lady telling John to “find your faith, Spartan” because she has seen his death which comes soon. WHAT is up with that by the way. They can’t just leave a line like that there.
The costuming has leveled up this year. The Spartans’ duty uniforms last year, as I’ve said, looked like spray foam insulation and slinkies. These ones may look like the Spartans are managing a Cabela’s, but I still like it better. Also, Kai would rock the gun counter. Not one for modern AUs, but all of the Spartans working at a Cabela’s has some appeal.
The new intro and use of the actual Halo music.
Bad: Honestly, nothing about these two episodes is straight-up bad. It just doesn’t feel like a follow-up to S1. Some of this is a new showrunner, so of course things will look different, but it also seems like they took the easy way out of resolving some things from last season. I am trying to reserve judgment until at least the halfway point, though, so I won’t say more yet.
Neutral: Keyes is an admiral now. Like…OK? What does this mean in the grand scheme of things? Did they need a new admiral when Parangosky got the boot? Keyes also seems like someone’s pulling his strings. ONI/Ackerson, probably. Something’s up here. This is not the Jacob Keyes we saw last season.
The show has not told us what ONI is. The lack of context for people who aren’t coming from the games/books has to be frustrating. Also is Ackerson still a colonel or not?
Speculations/wishful thinking/questions: Miranda is working on the S-IIIs, maybe even IVs. Or she has been rebooted to be a line officer like her game character. Miranda DOES have a ship in S1. Halsey mentions “Miranda’s ship” during the fight on Eridanus. So this wouldn’t be as big a leap as it seems. Miranda could be out running some science mission. I like this idea, really. We’ve seen the side of Miranda that came from her mom; it would be cool to see the side that came from her dad.
What “monster” does Kwan mean? My money right now is on the Flood. I’m pretty sure Soren and Laera don’t know Kwan is on the Rubble since Soren asks where Kessler is getting the ideas about monsters. How do Kwan, Laera, and Kessler fit into everything here?
What’s Parangosky up to? The Paramount website had her planning Operation: Red Flag but she’s a civilian now. Also, how did John not know that? Anyway. Was she planning Red Flag when she got cashiered? Is she planning it from behind the scenes?
Soren’s “arrest” is how he gets to Reach (we see him in Halsey’s holodeck prison in one of the trailers) which is how he and John end up fighting together. This might be a good time to mention my plot bunny that Soren and Vannak have some long-standing feud from a training incident in their youth which would get reignited if they ever met again.
Cobalt team will yank their pellets.
John seems very much like Halo 5 Chief this season, don’t know if that’s on purpose or not. Even his brooding about Makee parallels Game Chief’s Cortana angst. Though TV Chief has plenty of that too, he just doesn’t know it. Look how he reacts every time someone mentions they took Cortana out of his brain.
How and when will they reunite John and Cortana? Will she go back in his head? Or a chip like her game self? I see advantages and disadvantages to both. But, given how the show has changed AI, where would Cortana’s chip go? John’s helmet wouldn’t have a port for it, and neither would any ships or…anything. There’s a trailer scene where John puts on his helmet and the visor is cracked, so maybe he needs a whole new helmet and it could be fitted for Cortana? I think with the planet frying there are bigger things to do around FLEETCOM though.
But when they do reunite John and Cortana, are we gonna get the scene from the end of Fall of Reach where Ackerson almost kills John and Cortana gets revenge???? I have said this before but I REALLY want to see that.
Makee. Is this really her? Could it be a clone? Projection? I’m inclined to say it’s her but no harm in entertaining wild theories. At least my Vital Record AU isn’t canon. I was low-key worried about that.
OK, Bum Bum gave me his cold and I need to take NyQuil and sleep now so I’m going to end this here. See everyone tomorrow night since I’m going to drop off Tumblr until I can watch.
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wishesunderthestars · 4 years ago
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Eunoia // Ch. 12
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eunoia (noun): beautiful thinking, the possession of a well-balanced mind, which exhibits goodwill and kindness
Pairings: Hybrid! BTS x reader
Summary: You are a world famous director and you have dedicated your life to your job.You have everything you could ever dream of; wealth, recognition, talent, your friends and family. But loneliness ins’t cured by success. So what happens when you somehow rescue seven hybrids? Can they fill the void?
Genre: Angst, fluff, hurt/comfort, eventual smut
Word Count: 18.1k+
Warnings: Abuse and violence, mentions of past sexual abuse, mentions of putting down hybrids, discussion of insomnia caused by a traumatic event, panic attacks, derogetory language
Masterlist
Chapter 1, Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11
Phew, that was long one. Please comment and reblog it really motivates me to keep writing. And I always love receiving asks so don’t be shy ;)
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"I can't believe this is happening! Why can't I receive good news for once?" After the initial shock, you were fuming. "Work of months has been destroyed and for what? Because someone decided not to take the proper safety measures to save some money. People could have been hurt in there! Seriously hurt. And it would have been on our heads!"  
Namjoon was holding your phone, the email you had received opened on the screen. "You didn't know they hadn't taken the necessary precautions. It wouldn't have been on your head."  
"Can you imagine what would have happened if we had been filming? If the actors and the crew were inside and the building collapsed on us?" The chair scraped against the floor as you raised to your feet. You couldn't stay sitting anymore. "I don't even want to think about that. How many people... If we would even get out of there alive. And it isn't only us. What if the earthquake hadn't hit at night? And the workers were still inside? What then? This is wrong on so many levels I can't even begin to count."  
Five point six Richter. That was the magnitude of the earthquake that had hit Virginia. It had been felt in Washington. They said it had affected a radius of two hundred kilometers around the center of the earthquake. No one had expected it and no one had been prepared. In the email there was a detailed description of how the earthquake had caused the sets for The Raven Cycle to collapse in on themselves, because the respective protection measures hadn't been taken. The earthquake had hit at night, waking up everyone in the area and causing panic as people flooded the streets. They had discovered the ruined sets in the morning.  
Protection measures were of utmost important in every environment and you were baffled that a film studio with such prestige would disregard them so easily. You had half a mind to storm into the building you had just returned from and make a scene in front of everyone. They had put everyone in danger, not only the actors and the crew and all the people working there but also the passersby who could have had metal rods falling on their heads.  
How could they allow this? How could they be so careless? It wasn't a building made for only a couple of days of use with light materials. Filming would take place there for the better part of the summer. In a few months you would have been there. You could have been there.  
"And now you have to leave?" Namjoon asked, jaw tense. "Can't you wait a few days and go later?" You knew what he was thinking. You didn't want to leave either. It was the worst time possible for you to leave. The two hybrids in the guestroom, the injuries you had to tend to, Jimin and Jungkook, Jimin's past. But it wasn't your decision to make.  
"I can't, they have already planned the whole trip. It isn't like I have a choice. The message is clear, I will be flying to Virginia in two days. As the director and showrunner, I have to be there. They have called everyone important in the project and I am one of the lucky ones. And it isn't like I can refuse unless I have a very important reason. And I can't exactly tell them I am nursing to health a stray hybrid until he and his friend can live on their own again, instead of reporting them to the hybrid services."  
Namjoon's face scrunched up at the mention of the services. They were anything but kind to hybrids. They thought they could do anything to them if they were strays before they had to give them to a center. The times he and his small pack had to run away from them weren't few. It disgusted you, the way some people behaved.  
You landed back on your chair with a huff, tired of pacing. Namjoon must have got a headache from the way his eyes were following you. "This is just what I didn't need. I thought we wouldn't have to go to Virginia until summer!"  
You felt like banging your head on the wall but you settled for laying you head on the desk. It collided with a dull thud.  
It wasn't only the destroyed set and what that meant for the show. Slowing down of the production, a larger budget needed (oh, the irony) and the bad press you would get if it got out.
People in the area must have suffered. Flashes of collapsed buildings, shattered windows and  cracks in the streets ran through your mind. No, it couldn't be that bad. You prayed it wasn't that bad.  
Namjoon frowned. "What are you supposed to do there? You aren't going to help rebuild the sets. What do they need you for?" You could see the worry in his eyes. His instincts calling him to protect you, to not let you leave. You appreciated the fact he was fighting it.  
With your cheek squished against the desk you said, "No, I'm not going to rebuild the sets, but they need me there nonetheless. There is a legal part of this whole thing I have to be there for. And me being there might help the ones doing the rebuilding."  
Namjoon sighed, giving up on trying to keep you here. "Will John come with you?"  
"Most likely," you said, raising your head from the desk and sitting back on the chair. Your back hurt from the awkward angle you had bent your body in. "I will ask him but I'm pretty sure he will say yes. He always comes with me when I'm working out of California. He has toured half of the world being my bodyguard. And this time.... This time I don't think he would let me go without him."  
 "It seems you do tend to travel a lot," Namjoon noted. There wasn't any judgment or disdain in his voice, he was simply stating a fact. If anything he looked at the cream and gold world globe on your desk with longing. He had told you he had never left California, created and bred in Los Angeles. You didn't like how he said "created" but you couldn't correct him. "It must be nice seeing all those places."  
 The gold of the globe caught the light, distorted figures moving on the polished surface. "It's nice when it's properly planned and when I actually want to go. And there aren't any natural disasters involved. I can't say that's true this time. It's the furthest it could be from the truth." You groaned. "What am I going to do now? I can't leave like this. There are so many things going on."  
 Namjoon was too close to what he looked like talking to you about the ending of the Book Thief. "How long will you be gone?"  
 "A week?" The email didn't specify. A week was how long most work trips that didn't include filming lasted, but this wasn't a normal work trip. This had never happened to you or to anyone you knew before. You had heard of disasters but nothing like this.  
 Your fingers had subconsciously started drumming a tune on the desk. A tune that had comforted you once. A tune he used to hum long before he turned it into a song. You stilled your hand.  
 An earthquake. Five point six Richter. Shaking buildings, rattling shelves, trembling chandeliers, cupboards opening and dishes and glasses falling to the floor. The kind of thing you see on the TV. The kind of thing you don't ever expect to witness. No one expects a disaster like that to strike out of the blue, but that's the way it is. There is no one to warn you, no one who can.  
 You didn't go to dinner. You told Namjoon not to wait for you, you would eat later. Climbing down the stairs, you stopped in front of the door and knocked. The reply was the same and Yoongi opened the door like every time.  
Every room had a medical kit in the bathroom, the one in this had to be restocked twice in the past few days.  
 Hoseok gave you a small smile and extended his broken arm. Sitting on the edge of the bed, you started telling him of the time you had spent in the Caribbean Sea. You had stayed there for a few months and had spent most of that time in Jamaica and Puerto Rico. The sandy beaches, the endless turquoise sea and the colorful houses didn't fail to bring a smile to your face. The people had been welcoming and kind, eager to help with any problems production faced. They invited you to nights full of dancing and music and included you in everything like you belonged there.  
 The movie you had filmed wasn't one of your biggest hits. It wasn't nominated for an Oscar and although it did earn much recognition and was played at multiple international film festivals, it wasn't as successful as your other films. But it was the most fun you had had filming. The actors were incredible both at their job and out of it. You had spent some of the best nights of your life there.  
 As you fastened the splint in place around Hoseok's arm, you told him of the night they had lit large bonfires along the beach and all the people in the area had gathered around to have a few drinks and dance. Your mind, however, wasn't on the story. A fractured arm and a rib wasn't something you should be treating at home. It didn't matter how many first aid classes you had attended, a lot of things could go wrong. But it was either this or nothing. When you had suggested taking Hoseok to the hospital, Yoongi had almost bitten your head off.  
Hoseok was laying back against the pillows with his eyes clothes when you were done. He was doing better. Having regular meals and being able to wash made the improvement more evident. He didn't complain when you were treating him but you could see his eyes clenching shut when you were applying salve to the most tender spots. The stories helped. They distracted him and you could work easier. He rarely spoke but lately he had been brave enough to voice any questions he had and you had readily answered him. Progress. Progress you hoped wouldn't halt now.  
"This is it for today," you said, rubbing your hands together and getting up. "In a few days you won't have any trouble moving around on your own. Not anything too strenuous, though, no running or jumping around."  
"Thank you." Hoseok spoke softly, like being any louder would break an unspoken rule. Like it would get him punished.  
Yoongi was sitting on the chaise lounge by the glass wall, facing away from you. The fire pits were lit all the way along the balconies, flames licking up the darkness of the night. He didn't look at you while you were there, only stealing glances when he thought you weren't looking. When his eyes met yours he would scowl and look away.  
"There is something I wanted to tell you," you started. You didn't know how else to say it so you jumped in head first. "I was called to Virginia for work. I'll be leaving the day after tomorrow." Yoongi's back stiffened, his tail stilling in the air. Hoseok's eyes turned impossibly wide. "I don't know yet how long I will stay there but it will be some time before I can come back. I thought you should know because I won't be able to treat you."  
Yoongi huffed. "Who will be our caretaker then?"  
You paused by the door. "Do you think you need one?"  
"Is this a joke?" Yoongi's fists clenched. There was no blood on them anymore.  
It wasn’t a secret that hybrids were treated like pets, that included having someone babysit them when the owner was gone. You had been through it before when you had left for New York shortly after you had adopted Namjoon, Jimin and Jungkook. Everyone had expected you to ask someone to take care of them. You hadn’t. They could take care of themselves and each other just fine.
It was the same now.
“If you think you need a caretaker I can hire one for you, but I doubt you do,” you said. “I think you can survive in the Castle without me for a few days. If I’m gone for longer than a week, Helen my housekeeper will come over to do some cleaning. She usually comes over a few times a week. And the gardener comes by quite often. ”  
Yoongi looked stunned but schooled his features quickly. Hoseok’s ears were pinned against his head. You closed the door behind you.
Why did your work’s timing had to always be that bad?
An earthquake. A fucking earthquake.
In the kitchen, the table was served. The mouthwatering smell of the food drifted in the air. Jimin, Namjoon and Jin were sitting around the table, Jungkook absent once again. No one had touched their plates.  
“You didn’t have to wait for me,” you said taking your seat. Your plate was filled with a generous slice of meat pie and fresh salad. Your stomach grumbled. You hadn’t noticed you were that hungry.
“We wanted to wait for you.” Jimin’s smile didn’t reach his eyes, it hadn’t since the day he had come running to you, begging you to take him with you to work. Jungkook spent most of his time at the atelier and he slept in Jin’s room at night. Every time he didn’t show up for meals, the light in Jimin’s eyes dimmed further.
You picked up your fork and knife and cut into the pie. The taste was heavenly, not that you had expected anything else from Jin. You told him so and delighted in the way he got flushed and tried to cover it by a terrible joke he must have come up with on the spot. While you ate, you didn’t speak much, thinking about the best way to bring up the news crawling up your throat. Namjoon squeezed your hand under the table.
When your plates were empty and Jimin was laying his head on Jin’s shoulder, you decided it was time. You put your fork aside. You started by the email, the email that had looked so inconspicuous at first because you received emails like that all the time. An email labeled “important” was often not as important as the people sending it thought it was. You couldn’t have guessed what it contained inside. You hadn’t been prepared.
Your leg was moving up and down on the metal foothold of the stool, mimicking your racing heartbeat. An earthquake had struck Virginia at night. You repeated the dry words of the email, of someone who hadn’t felt the terror of the earth shaking underneath their feet. Five point six Richter, strong enough to knock down the sets they had been building for months. You were required to be there in two days.  
Jimin’s bottom lip was trembling. “How long will you stay?”
You shook your head. It was the same question you were asking and had no answers for. Even if you called someone in the company they wouldn’t have anything but speculations for you. “I hope no more than a week.”
“Isn’t it dangerous?” Jin asked. “What if there are aftershocks, or if it was a warning for a larger one coming?”
Jin’s question brought an dreadful shine to Jimin’s eyes. You had thought of that as well but your mind was troubled already as it was. Questions of your safety would take this too far. For once, you didn’t trust the company you were working with to keep you safe. You would have to do research before you left and take all the necessary precautions. You wouldn’t risk it like they had.
Namjoon wrapped his hand around his glass but didn’t bring it to his lips. “John will be with her. They will be alright.” It didn’t calm down Jimin who hugged himself tightly, dropping his head to his chest.
You couldn’t watch him suffering anymore. Getting up, you walked to him and hugged his from behind, prying his hands away so they were over yours instead. “I promise I’ll call you every day and we will text. It’s like when I was in New York and you texted me every day about what you got up to and what you were thinking. Your texts made me forget all about work and how tired I was.” Jimin sniffled but his cheeks remained dry. “It’s only a few days. They’ll be over soon. You won’t be alone here.”
Jin ruffled Jimin’s hair and the cat hybrid wrapped one arm around the oldest, pulling him into the hug. You placed a kiss on both their head, making Jin flush again. He wasn’t used to physical attention the way Jimin was but he craved it too and you were trying to make sure he felt as loved as he was.  
Namjoon held Jimin while you and Jin cleaned the table. He grabbed Jimin’s thighs lifting him up and carried him to the living room. The younger laughed all the way there, telling him to put him down. His tight hold around Namjoon’s neck told him a very different thing.
But you weren’t done yet. You had one more person to tell.
The atelier’s door was half open. You knocked once on the wood before opening it all the way. The room could be described as an organized mess. Two canvases were set up in the middle of the room and three half-finished ones stood against the cabinets. The floor was covered in newspapers splattered with all the colors of the rainbow and paint tubes were lined on the tables in no particular order.  
“I finished dinner, you can take it,” he said, gesturing to the tray on one of the tables with the hand not holding a brush.
“That isn’t why I’m here.” One of his ears perked up as you walked closer. The canvas he was working on now was a blend of shades of purple, orange and yellow with no definitive details. “What are you painting.”
He shrugged. “Don’t know yet.” Moving forward with no destination. You knew how that felt.
Jungkook hadn’t distanced himself just from Jimin but from everyone. He didn’t run to you to hug you and scent you when you came back like he used to do. He didn’t come up to the living room to watch TV and talk until you were too exhausted to keep your eyes open. He didn’t show you his progress on the paintings. He didn’t annoy Jin while he cooked (the oldest liked it even if complained). He didn’t come to meals. Meals were family time.
Being in the atelier now was different to any other time. It was the stifling feeling of an empty page, which used to be ecstasy. It was wrong, something missing.
“I have to leave for Virginia the day after tomorrow,” you said, ripping the band-aid off. The times you had said it today were too many. Surprised doe eyes turned to you. You explained the story once again and waited.
Jungkook seemed to be bracing himself for something. “Can you take me with you?”
“Take you with me?” you repeated, dumbfounded.  
He nodded. The brush he had been holding had fallen to the floor at some point painting the newspapers in a shock of deep purple. Neither of you had noticed. “I won’t bother you. I’ll listen to everything you say. You can leave me at the hotel. I won’t cause any trouble, no one will know I’m there.” He lowered his head. “I need to be away from here.”  
“Jungkook…” Your hand touched his cheek and you felt the way he clenched his jaw under the touch. “If this is-”
“Don’t,” he begged, pulling away. A pained desperation coloring his voice. “You don’t know what I did. If you did-” He took a sharp breath. “Can I come with you? Please.”
Stifling. You hadn’t considered taking any of the hybrids with you now. You had planned on inviting them along when you would go there for filming, a much more fun part of your job. This would be a busy trip and most likely far from enjoyable. It could be dangerous. But Jungkook’s eyes were begging you. He was fading away locked up in the atelier avoiding everyone.  
“Okay. If you really want to, you can come with me. I’ll help you pack the essentials,” you said. Jungkook visibly relaxed. Maybe you should have pressed more. Insisted on him speaking with Jimin before you left or after you came back. But you were exhausted and a headache was brewing behind your temples.  
Jungkook glanced at a canvas covered with a white sheet at a corner. You’d let it go for now.
When Jimin sneaked into your room late into the night, you didn’t say anything pulling up the covers in a silent invitation. Jimin crawled underneath and hid in your arms. Against every expectation you fell asleep. Orange bottle untouched in the bathroom cabinet.
The days leading up to your departure were every kind of hectic. Panic had taken over the studios and the atmosphere was tense in every meeting. No one wanted to admit the colossal mistake that could have cost the lives of so many people. The press was another matter entirely. The project could get a bad reputation before it was aired. It was emotionally exhausting, your brain working in overdrive, coming up with solutions to problems that may or may not arise. You had to be prepared for the worst.
At home it wasn’t much better. You had started packing for the weird end-of-spring weather in Virginia. The Raven Cycle books and a little research had provided you with enough information about what to expect. Dry, warm and with a possibility of thunderstorms. It could also get cold at night so you made sure to pack a few sweatshirts.  
You helped Jungkook pack his things in a similar way. He had a habit of wearing long sleeves even when it was hot so you packed a few more sweatshirts and hoodies for him. He continued not talking much but he looked calmer now that you were leaving. All you wanted to do was hug him and tell him everything was going to be alright. But you didn’t think that would be welcome.
Jimin had timidly offered to take care of Hoseok’s injuries while you were gone. You hesitated at first. While they had been here Jimin and Yoongi hadn’t interacted much. You had expected they would talk, figure out the strange tension between them, but they had kept to themselves. You gave in in the end. The worst had come and passed and you trusted Jimin to provide the basic care Hoseok needed.  
He came with you to their room before dinner and you explained to him what you were doing. Hoseok was a little more withdrawn than usual but  he didn’t protest, smiling at Jimin.
You had a long talk with Namjoon in your office the night before the day you were scheduled to leave. There were a lot of things to talk about and you tried to get everything out. All your worries and all the things you thought he should know. When you were spent and his reassurances were buried deep in your chest, he brought you close to him, rubbing his face in your neck. He places light kissed on your skin, his lips trailing up until they were touching yours.
The house was silent. You opened your eyes blearily, staring at your phone. The ringing of the alarm had stopped, leaving large numbers reading the time on the screen. The blinds were closed hiding the morning from you.  
There was a weight on your chest. You looked down to find tired eyes staring up at you. Jimin made a small sound in the back of his throat and nuzzled against you. His blond hair was soft against your fingers as you combed through it. A loud purr escaped him as you scratched the base of his cat ears. He held on to you tighter but the alarm was clear, you needed to get up and get ready. You had a flight to catch.
“No, don’t go,” Jimin whined.
You massaged his head down to his neck. “I have to get up. I’ll miss the plane if I’m late.”
In the shadows of the room you could see the pout on his full lips. “What if you miss it?”
“If I miss it, I’ll get in trouble. And I’d rather not get in trouble.” Jimin snuggled closer to you and you could smell the vanilla shampoo he loved. Mia had said in the early days that she had smelt vanilla and muffins on you and you had guessed that was Jimin’s scent. The shampoo must serve to accentuate his natural scent.  
His cat ears lowered as his tail wrapped around your bare leg. You suppressed a shudder at the feeling of the soft fur against your skin. “I don’t want you to get in trouble.”
“I know, that’s why I have to go.” You untangled yourself from the hybrid and pressed the button for the blinds to retreat. The morning light spilled into the room. It caught on Jimin’s curls painting them golden. You had an urge to capture the moment with your camera, the way he looked so soft, hair mussed and eyes still dreaming. Carving the image in your memory, you walked to the bathroom to take a shower and get ready for the day.
Getting dressed for a flight was different than getting dressed for any other work day. You liked to wear something comfortable that wouldn’t look too bad on camera. You weren’t the kind of celebrity to get mobbed every time you went out but sometimes paparazzi could get wind of where you were going and show up at the airport. When you were traveling for premieres or events, fans and paparazzi would fill the place.  
The previous night you had set aside a pair of loose black pants and a red top. You would also take your leather jacket with you because it could get chilly on the plane.  
Jimin, wearing his stripped white and blue pajamas with the little pink hearts, clung to you like a koala all the way to breakfast. He only let go of you when you placed your large black bag on the floor and took a seat at the kitchen island. Jin was finishing up with cooking, taking the pots off the stove. Breakfast was almost ready.
John would be coming later to drive you to the airport. The black SUV had turned into a sign you would be traveling. Because of the sheer volume of the luggage you always ended up with, a large car was needed to drive you to and from the airport. This time you had packed two suitcases and your handbag. You had been tempted to fill a sac-voyage as well but you quickly abandoned the thought.  
Namjoon arrived, looking wide awake. The opposite of Jimin and his drooping eyes. Only one was missing. And you weren’t compromising today.
“Jungkook?” you asked. The others exchanged a glance. It told you enough. “I’m going to go get him. I’ll be back in a minute.”
Their gazes followed you as you left. They probably didn’t believe you could get him to come up. And any other day that could have been the case.  
The door of the atelier was closed but you were sure Jungkook was inside. The amount of time he had been spending in there was unhealthy but you were the last person who could judge him, having spent the majority of your so called break in your office. You knocked three times before opening the door.
Jungkook was sitting on the floor in the middle of the room, lost in a place that used to scream comfort. Did it still? You couldn’t feel it anymore. The canvases were all in their places and the paints and brushes had been tidied up. Sitting on the paint splattered newspapers in his completely black clothes, Jungkook looked lost.
“We’re having breakfast upstairs,” you said.
Jungkook’s eyes cleared, just enough for most of the fog to disappear. One bunny ear drooped down and he swiped it away from his face. “Can’t Jin bring it to me?”
You shook your head. “Jin isn’t bringing anything to you. You will be coming to breakfast and eat with us like you used to.”
He lowered his head, both ears falling in his face. “I can’t.”
“You very much can and you will.” You tried to be gentle but you were firm on this. “You will come up and we will all eat breakfast together. We are leaving in a few hours for the other side of the United States and I have no idea when we will be back. You aren’t doing anything here and everyone wants to see you and spend some time together.”
“Not everyone.” It was so low he probably hadn’t meant for you to hear.
“Everyone,” you said, kneeling by his side. “Everyone wants to see you.” You brushed his bangs off his face, petting his ears in the process. He didn’t relax the way he usually did, melting in your hands, but he did lean into the touch. “One breakfast. That’s all I’m asking for. You said you’d listen to me if I took you with me to Virginia.”
He couldn’t disagree with that and when you offered him your hand he took it.  
Jungkook and Jimin had had a special bond. That first night you had seen it in the way Jimin cried begging you to help Jungkook, to heal him. You had seen it in the way Jungkook, beat up and having trouble breathing, was asking Jimin if he was injured, if he needed to be treated first and Jimin had cried every time Jungkook flinched but smiled and squeezed his hand to ease the pain. Nothing had changed the longer you spent with them, the way they loved and cared for each other only becoming more apparent.
Jungkook had gone to Namjoon crying, saying he had hurt Jimin but you couldn’t imagine him doing anything but loving him. Misunderstandings preyed on everyone and they were hungry for those who loved each other. They would get through it, you assured yourself. They were strong and they cared too much to continue hurting each other like this. You cared too much too, you wouldn’t let this get out of hand.
They needed a break, that’s what it was. Jungkook had been right, the trip would help put some distance between them to think clearer. You would make sure when you returned they would be ready to face whatever had happened between them.
Jimin lit up at seeing Jungkook but the light dimmed when the younger didn’t even glance his way. You sighed into your orange juice.
After breakfast Jungkook carried up his suitcase while you went to another room. Three knocks and a question of who it was. It had become routine. Hoseok smiled at you, he had been doing that more and more.  
You sat down at the side of the bed, Yoongi watching you from the chaise lounge, his ears standing alert. “I’m just here to check on you one last time before I go. Jimin will take over after this.”
Hoseok was sitting with his back against the headboard. He hadn’t been able to do that without hurting the first days. “When will you be leaving?”
Touching his arm to inspect it, you said, “John will be here in about thirty minutes but the flight isn’t for another two hours. We have to be early at the airport because the process to get on the plane takes a long time. Do you want to hear about the first time I got on a plane? That’s a funny story.”
Hoseok nodded enthusiastically so you started recounting the time you were sixteen and you had to take a plane to get to the film festival that was held in France. The short film you had directed would be played there. The only problem was that you had never been on a plane before and the prospect of flying wasn’t appealing to you in the least. It just happened that the flight was far from calm.
The check up was finished halfway through the story but Hoseok touched your arm, wordlessly asking you to finish it. At your arrival in France Hoseok’s smile dissolved.  
“I have to get going, John will be here soon,” you said getting up. Hoseok had met John only after you had told him of the time both of you had gotten lost in London. John had been insisting he knew what he was doing leading you deeper into the maze of streets. Because of that a few more stories the bodyguard had guest-starred in, the fox hybrid hadn’t looked as terrified as some people did at the side of the giant of a bodyguard.
“Thank you for,” he gestured to himself “this. And the stories. Thank you for the stories.”
You stopped by the door. “It was my pleasure.”
John was at the Castle right on time, parking the SUV close to the front door. He helped you carry everything to the car, which meant he carried the three suitcases while Jungkook insisted he could help. The bunny hybrid did help but only because John took pity on him and let him help with putting the suitcases in the trunk.  
You lowered your sunglasses. No wind and no cloud in sight. You would have a calm trip.  
You hugged all the hybrids, letting them scent you. Jimin’s eyes were growing misty and you hugged him extra hard assuring him you would be back soon. You rubbed your forehead against Jin’s and kissed his cheek in goodbye, his skin warming up under your lips. Goodbyes were hard and you’d thought you’d gotten used to them. Saying goodbye to Taylor and Zayn before tours, to your aunt the rare times you could visit her, to your friends, to the actors and the crew.  
And yet your chest was tight.
Namjoon was talking with John by the car and you heard him asking John to take care of you and Jungkook. John replied he would protect you with his life. John was your bodyguard but this had been more than a job to him for a long time.
From the corner of your eye you saw Jimin approach Jungkook. He reached to touch him, hug him. Jungkook flinched. Jimin’s hand hovered in the air before going limp. He backed away, his chin dropping to his chest and jaw trembling.  
You bit the inside of your cheek. A hand landed on your shoulder and you turned to find Namjoon standing next to you. You weren’t the only one who had watched the youngests’ exchange. You hid in his arms, forgetting about the world for a moment. The two hybrids who loved each other too much, the trip you had to take, production being halted, that godforsaken earthquake. He nosed along your neck, his warm breath tingling your skin.  
Jungkook got into the car first, an escape, and you followed soon after, a necessity. The house got smaller and smaller behind you as the car drove away. The Castle fading in the distance. Another trip. Different reasons, a different disaster, but familiar territory. Once you used to be excited about these trips, exploring a new place and living new experiences. Where had that part of yourself gone?  
But you weren’t alone this time. Jungkook was looking out of the window, his head laying against the glass. You would take him to that yogurt shop you had liked so much and you would show him the park you wanted to film at and take him to that endearing small cinema. Yeah, you would do that.
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The hotel towered over the rest of the buildings in the area. It wasn’t the same one you had stayed on your first visit last year, more grand and definitely more expensive. The company had gone all out. An admirable attempt to quell your anger, yet it continued simmering underbeath your skin. A young man was waiting for you outside, taking the suitcases from the car and leading you to the lobby.  
Jungkook looked around with wide eyes and an open mouth. There was so much glass and marble, almost everything was made using these two materials.  
The receptionist smiled at you wide, her teeth white and straight like her uniform. She welcomed you to the hotel and handed you two key cards, white with a gold line on front and the room numbers in cursive. Two cards.
“I was sure I’d forgotten something,” you muttered.
The receptionist’s smile faltered. “Is something not to your liking, miss?”  
Two cards. One for your room and one for John’s. You had notified the company about Jungkook accompanying you but you hadn’t requested another room. Granted, you had thought they would come to the conclusion on their own. One more room would have cost them a lot, though. Easy way out. But you couldn’t exactly blame them. At hotels, owners rarely bothered to spend money on a room for their hybrids.
You held the cards like a magician ready to do a trick, showing them to John.  
“Shouldn’t there be one more?” he asked.
The woman behind the desk blinked a few times. “More? Two rooms were booked in the name Y/N Y/L/N. Is there a problem?”
You sighed. “No, I guess there isn’t. Or there wasn’t supposed to be.” Jungkook watched the exchange shifting from foot to foot. His black hoodie was a size too big and he was drowning in it. “Do you have any available rooms in the same floor.”
“I’m afraid we don’t, miss. The rooms on the top floor are all booked for the night.”
“Great.” You couldn’t think of another solution, you would have to make do. “Thank you. We’ll be going now.”
“Have a nice stay,” the receptionist said.
The elevator was as luxurious as the lobby, a glass chandelier hanging from the ceiling. John had your black bag slung over his shoulder. The man with your suitcases was already gone, you would find them in your rooms when you arrived. There was a mirror to your left and leaning your back against the wall your gazed at your reflection. With your black circles hidden with concealer and carefully applied makeup, you looked just a little tired from the flight. You had brushed your hair on the plane and it fell in waves over your shoulders, curling at the tips.
Jungkook hadn’t been to a hotel before and it showed as he tried to take everything in. The lights that were on even in the afternoon, the golds and whites, the mirrors and glass and the velvet seats. It was wonderful but still it wasn’t the best hotel you had stayed at.
The elevator’s doors opened with a ding and you walked into the well-lit corridors. Doors were on either side with a sitting area at the front. You had stayed in many hotels over the years but they were nothing more than a place for rest. Sleep and shower, that’s all you did in your room. And sometimes breakfast or dinner if you didn’t feel like going out.  
Stopping in front of a white door, you checked the numbers on the cards again. The two rooms were very close, only a few meters distance from each other.
Two rooms. Right.
You handed John his key card. “So, we’ve got two rooms…” Jungkook looked at you curiously. “I hope you don’t mind staying in my room with me for now. Unless you would prefer staying with John and his snoring.”
John pointed a finger at you. “Hey, I don’t snore.”
You hummed. “Sure you don’t. What I have been hearing all those years must be the pigs outside.”  
Jungkook was trying to hide his laughter behind his hand and doing a poor job of it.
John dropped your bag by your feet. “Do you hear her? No respect for me. That’s what I get for listening to your every whim for years. I’ll go to my room now and snore in peace.”
You giggled as John struggled to swipe the key card right. With an ‘aha’, he managed to open the door and get inside. You swiped your own card, the door clicking open at the first try. Both of you had been doing it for years but John was more of a fan of traditional keys.  
The company had booked a suite for you, which you guessed was one of the best in the hotel. The door opened to a grand living room with white velvet couches and armchairs and a 75 inch TV. You took off your sneakers before stepping on the wool carpet, it was white with veins of gold running through it.
You fell on the couch, taking off your backpack and placing it on the floor. “I’m sorry for this, I thought they would book three rooms for us.”
Jungkook looked at you from where he was still standing by the door, his hands pulling at the straps of his backpack. “Why would they book three rooms?” There was a gap here. Hybrids stayed with their owners, that was the norm. You realized that was what he had expected.
“We are three people. I thought you would want your own room. I told them you would be coming with me for the tickets but they didn’t change the rooms they had booked.” You threw your head back and closed your eyes. “Everything is going so well already.”
There a shuffling of feet from the door. “I thought… I can stay with John if he doesn’t mind or… I can…”
You opened your eyes. Jungkook was looking at the floor, his ears drooped at the sides of his head. “What are you talking about?”
Jungkook hugged himself. “I don’t want to bother you.”
And it clicked. You got up from the couch. “Oh, bunny. You aren’t bothering me. I only wanted one more room because I thought that’s what you wanted, that you wanted your own space.” You didn’t touch him, remembering him flinching and pulling away, but you stayed close to show him you were there for him.  
“Oh, I-” He flushed, not knowing what to say. You had been past that stage and it was unfortunate to see the shyness and hesitance come back.
“Come on, take off your shoes,” you said, motioning for him to come further into the room. “I desperately need a shower. Then we can rest. I don’t have to do anything until late tonight. Do you want to go in first?”
Jungkook sat down gingerly on the couch. “No, no, you can go in first. I think I’ll sleep a little.”
You stopped him before he could lay down. “Here?”
Confused, he looked around at the furniture. “Should I take the smaller couch?”
“I didn’t mean it like that,” you said. “But there is a huge bed in the bedroom. If you feel uncomfortable though, I could take the couch.”
Jungkook shot up at that. “No, no way. You have work, you should sleep in the bed.” The redness creeped into his cheeks again. “I would like… I would like to share, if that’s alright.”
You gave him a smile. “That’s more than alright. Come in, then.”
You were planning to make the most out of this trip.
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Jimin had memorized everything you had said about checking and treating Hoseok’s injuries. He had memorized the pills he was taking, the salves you used and the times you checked on him during the day. Before you left, he had even looked up all the injuries Hoseok had on Google and read all the information he could find. You had told him Hoseok was well on his way to recovery and he didn’t have to worry much. But he was worried. He was very worried.
He had thought he had been ready, that he could do this. But standing outside their door, second thoughts were smothering him.
What if he did something wrong and he hurt him? What if he made everything worse? If he pressed too hard, if he used the wrong cream, if he wrapped the bandages wrong…  
Seokjin would have been much better at this. He took care of them like a parent, he would have been a better choice than Jimin. But Seokjin was the one to cook all their meals, he had enough on his plate. Yoongi could have done it but… He had only glared at you and sneered something that sounded very much like a refusal.
Yoongi…
He hadn’t talked to him since the day he had chased him to the alleyway. The older didn’t leave the room he shared with Hoseok unless it was absolutely necessary. Jimin didn’t know what he had expected, but it wasn’t this… This stasis they were trapped in. He had expected someone yelling, accusing. Sharp words, that didn’t match the soft voice he had been used to. There had been none of that. Nothing at all. He wasn’t sure what he preferred.
Hoseok smiled a little at him when he walked into the room. He was sitting up in his bed with his reddish tail in his lap. Yoongi, laying in his own bed, didn’t acknowledge him but his dark eyes were burning Jimin’s skin when he wasn’t looking.  
Hoseok patted the bed with the hand that wasn’t in a cast. His smile was smaller than it had been in the morning. Your absence wasn’t affecting only them. Jimin had heard you telling stories to Hoseok, you had done the same with Jungkook. But he had no stories to tell, nothing worth sharing. He hadn’t traveled the world, he didn’t have interesting and famous friends, he didn’t have a job or childhood memories by the beach.  
Silence spread, only broken by his apologies every time Hoseok winced. He was holding back for his sake and it made his stomach clench. He left the room like there were hell-hounds on his heels.  
The second day you were gone everyone woke up early in the morning, like all the days they had to be up early to see you before leaving for work. You might not be there but his body demanded he wake up and drag his feet upstairs for breakfast. A book was laying cover up on the table. One of the leather-bound classics you kept on the top shelves of the library. Namjoon read it at night before going to sleep.
Seokjin placed a plate of pancakes in front of Jimin. Pancakes were his favorite.
Belly full, he trudged to the second level.  
“Good morning,” he greeted, coming through the door.
Hoseok’s fox ears twitched. “Good morning,” he said with a small smile. Yoongi remained silent, standing by the glass wall.  
Jimin fetched the medical kit from the bathroom. Everything he would need was in there. “Did you sleep well?” He tried to make conversation. It wasn’t easy when he felt like he could erupt at any moment with Yoongi’s gaze on him. If he hurt Hoseok, Yoongi would never look at him again. Or he could do so much worse. But Jimin had already lost him years ago.  
“Yeah,” Hoseok replied, fumbling with the blanket he was sitting on. “I had a weird dream. About being at the lake. There was a statue there and he was talking… It was good, though.”
There was a small Greek style statue on the half-empty shelves of the room, a Kouros you had explained to him. “It must be because of that.” Jimin motioned to the shelves. “There are pieces of ancient Greece all over the house. The first show Y/N directed was about Persephone and Hades, the Greek god of the dead. Greek mythology has a special place for her.”
“She talked to me about Greece a little but she didn’t say anything about the show,” Hoseok said.
Jimin opened the medical kit, remembering watching the episodes one after the next, hanging from every word the characters said. “The show is so good! I couldn’t stop watching it, I didn’t want to get out of the cinema room for anything. The characters were perfect, Persephone was so sweet and kind but she-” He stopped himself, cutting off his rambling. The cream in his hand was getting warm.
Hoseok sat up straighter to help his work. “But what? Why did you stop?”
Jimin startled. He could at least do this, he could speak about the show. He had watched the episodes multiple times and he had asked you so many questions, some of which you hadn’t talked your way around. Hoseok didn’t wince as much as the first time and maybe Jimin go a little carried away, but he didn’t make any mistakes and Hoseok even asked questions and talked with him.  
The cat hybrid had to suppress the shivers the eyes on his back sent down his spine.
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Greek gods, fantasy, romance and mysteries. That’s what made you rich. That’s what got you this huge house and more money than anyone would ever see in their lives. The Castle. Yoongi scoffed. What a pretentious name for an even more pretentious house, but that was the way it worked.  
Yoongi disliked rich people on principle. Privileged, arrogant and self-entitled were only a few of the adjectives he would use to describe them. They thought they could control anyone because they had money and money made the world go round. Money could get you everything and that’s what they wanted. Everything. In long coats and designer sunglasses looking for entertainment in the most dubious places, feeding off the struggle of the others. Watching enraptured as others fought for their lives.
All of them were the same. It didn’t matter if they were hiding behind smiling masks or surface philanthropic acts. They were the same. And you were just like them. He refused to believe anything else. Despite how hard it was getting. But every time he was slipping, he would remember the pleads and rough hands. His resolve didn’t crack.
He heard all the stories you told Hoseok. Not that he wanted to but there wasn’t a chance he would leave him alone with you. Most of them were funny and although he didn’t want to admit, there were parts the corners of his mouth had lifted up without his permission. He was grateful for those stories, they made Hoseok forget. One rare time, when you were telling him about a disaster on set that involved three spoons, a maraca and a lost script, Hoseok had giggled and Yoongi’s heart had come close to bursting out.  
Every morning and every night you would have a different story for him and it made Yoongi wonder if they were all true or if you were coming up with them on the spot. Not that it mattered, it made Hoseok smile and that was enough. Yoongi had found himself waiting for the times you would come into their room and start talking. You had a way with words.
And now you were gone, leaving them alone in the house, alone with no one watching over them like a guard dog (except that damned wolf hybrid, but that was another case entirely). There were a few things he knew about the world and one of them was that hybrids weren’t left alone in a house that cost more than his handlers would make in their whole lives. He didn’t like surprises and he hated how full of them you were.  
Jimin had been the one to take over and you must have been somewhere in Virginia laughing at Yoongi’s expense. The younger looked good, his cheeks were full and there was a certain glow on his soft skin. Jimin had always looked beautiful but now he was ethereal. He couldn’t keep his eyes away.
Hoseok pressed a few buttons on the TV remote and groaned. After Jimin’s excitement about the show in the morning, he had decided he would watch the show. Jimin had showed him how to put it on but Hoseok was having some trouble.
“Give that to me,” Yoongi grumbled, taking the remote. He searched for the title among the options (there were too many of them).  
Hoseok pointed at one of the pictures. “That’s it! That’s it! “Land of the Gods”.”
A girl wearing a flower crown was gazing at him from the screen. He clicked on the picture and the synopsis and the episode list appeared. “Are you seriously going to watch that?”
“It must be good if Jimin was so excited about it. He was so excited he got me excited.” A smile stretched his lips. Yoongi was weak.
“What do you know about Greek mythology?”
Hoseok shrugged. “Not much but I don’t think I need to. The show has to be good if it got her where she is now. I’m sure she must have been great at her job to be this successful.”
If anything, there was no doubt you were successful. He could see it everywhere he looked. One night he had been watching the news, Hoseok long asleep, and they had talked about your newest project set to start filming in May. One of the greatest directors of our generation, they had called you, predicting high ratings and large audiences. But success didn’t necessarily mean talent and Yoongi told himself he didn’t care enough to see if you had it.
Contemplating, he sat on the bed by Hoseok’s side. “We should discuss when we are leaving.”
Hoseok’s eyes widened, his tail fluffing up. “Leaving?”
“Yeah, leaving. You’re better, aren’t you? We should be gone before she comes back.” Yoongi threw the remote on the bed.
“Oh.” Hoseok’s fox ears lowered. “I wanted to thank her, it feels wrong to leave like this.”
Yoongi sighed. He could understand Hoseok, he didn’t want to leave either. He wasn’t stupid. Having a warm meal three times a day was more than they could dream of in the streets. It was more than they could dream of when they had a roof over their heads and murky water on their tongues. These few days Yoongi had eaten and slept more than he had in three years but it had to end. It was nothing more than a polished dream. He didn’t want your pity and he wouldn’t have accepted to come here if it hadn’t been for Hoseok.
“I think she would appreciate us leaving more than a thank you,” Yoongi said. “We don’t know how long she will be gone and we have already overstayed our welcome.”
“We… yeah.” Hoseok gave in. “But you should talk to Jimin before we go.” Yoongi stiffened. “I have seen the way you look at him, you know. I heard you that first day. He is the only reason we are here now. I can connect the dots. I don’t ask you about your past because I know it hurts you but I ask you this. Talk to him before we go. Jimin… Jimin looks like a part of your past that shouldn’t hurt this much.”
Yoongi clenched his jaw. Because Jimin was the most painful part of his past. Everything that had happened to him, everything he had been through didn’t hold anything to the pain he felt when thinking about Jimin and his delicate features. Nothing hurt more than the images of that night ingrained in his brain. He didn’t deserve to forget, he didn’t even try.  
“I can’t talk to him.”
Hoseok scooted closer and Yoongi reached to steady him. The fox hybrid would laugh at him, he had the all clear to move on his own and he didn’t need help with something as simple as this, but he didn’t push him away. “Why not?  
“I just can’t.” Hoseok raised his eyebrows at him. “Hobi, just let it go. Jimin wouldn’t want to talk to me, there is too much you don’t know.”
Hoseok turned his head away. “Yes, because you don’t tell me.”
“Hobi…” Yoongi placed a hand on his shoulder, rubbing comforting circles, there were no bruises there. “What happened, it’s better if you don’t know. I don’t want any more people being haunted by what I did.”
Hoseok’s eyes softened, taking Yoongi’s hands in his own. Every touch from Hoseok was like a brush with the sun. “If you think anything you say could change my opinion of you, you don’t know me at all. You saved me, Yoongi. You saved me when I thought I was done for, when I thought I wouldn’t live to see another day. If you weren’t there, if I didn’t have you…” A shaky breath fell past his lips. He squeezed Yoongi’s hands in his and Yoongi squeezed back. “I would have never gotten out without you. You are all I have.”
Yoongi touched Hoseok’s cheek, nosing against his neck and breathing in the scent of cinnamon. “And you’re all I have.”
The first episode of “Land of the Gods” played as Yoongi laid next to Hoseok with the younger’s head on his chest.
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The workers kept looking at you like children who had been caught stealing cookies from the cookie jar and it wasn’t even their fault. They had been following instructions and using the materials the company had sent. The one who had decided to forgo the safety measures because they were too expensive had yet to admit to anything, but a storm was brewing and you would watch until the end. They could say whatever they wanted about you but no one’s life was at risk on your watch.  
You hadn’t been alone in the sentiment, most of your co-workers siding with you and calling meetings after meetings on the matter. You had taken it up to yourself to send a lengthy email to the president and were waiting for a reply that wouldn’t take long to come.
In the meantime, you were stuck with damage control. The meticulously designed sets had turned into ruins and rubble. A lot of expensive equipment had been destroyed and the replacements had yet to arrive. The first night you had a short meeting at a building the company was renting and then drove to the set to survey the damage. You had gritted your teeth at the sight of broken blocks like legos. There was nothing more to see.
You came back with heavy limbs and dust on your jeans. The air-conditioning was on and Jungkook was sitting on the couch watching a superhero movie. It wasn’t one you recognized, an older one than those you usually watched. You changed into your pajamas after taking a shower for the third time in a day (your skin barrier was set to be destroyed soon) and joined him in the living room. Neither of you had had dinner so you ordered food from the first place you found on the web. The delivery was fast and you settled on the couch, eating pizza and watching an old Samuel L. Jackson film.
Fortunately, the earthquake hadn’t caused any major disasters but you had heard that a couple of people had been injured. The most damage in the area had been to the TV show sets. That was alright, you could work on that.  
Your schedule wasn’t much different from usual. You woke up early, the sun peaking over the horizon and showering the room in its morning glow through the thin curtains. Reaching for your phone, you turned off the  alarm before it could start ringing. You woke up earlier but you scheduled it every night regardless of that. Jungkook blinked his eyes open as soon as you moved a little, he was used to waking up early too.  
At breakfast it was only the two of you, John and the hotel staff. It was way too early for anyone else. Jungkook didn’t leave the hotel and you spent most of the day outside. The first days were the most crucial and therefore the most busy. Go there, take this, fill this out, talk to him/her. An endless task list. And there were a lot of things you had to figure out yourself.
“You should come with me today,” you said, digging your spoon into the bowl of yogurt. You ate a generous breakfast to propel through the morning.  
“T-to work?” Jungkook stuttered, his hand loosening around the spoon. He was eating pancakes with maple syrup and you had a feeling about who he was thinking of.
You rolled the spoon between your fingers. “Well, you don’t have to come to work with me. We could drop you off at a coffee shop or a park if you want to. You can’t stay cooped up in the hotel room all day.”
John nodded in agreement. “I think it’s a good idea. You need some fresh air, staying in three rooms can’t be good for you.”
Jungkook dropped his head to hide his flushed cheeks. “I’m alright here, you don’t have to worry about me. Really.”
“But that’s what I’ll do at work if you stay in here for one more day,” you said. “You can go anywhere, there is a whole city to explore. And if I have any breaks I can call and I’ll come find you.”
Jungkook looked down at the pancakes. “I don’t think I should be out alone.”
“Of course you can. You can wear a collar and no one will say anything. We packed a few didn’t-?” Wearing a collar would protect him from the hybrid services, especially with your name and number engraved in the back of a charm. But you realized it wasn’t hybrid services he was afraid of. A hybrid alone in the streets could be an easy target, Jimin and Jungkook had been together that night and still… But it was broad daylight. “John could come with you,” you offered.
“No, no, he should be with you,” Jungkook protested weakly.
You exchanged a look with John, after years you were perfect at reading each other. “I actually think John would have a much better time with you. The only thing he does with me is follow me around and wait for the day to end. And it’s not like I’m in any danger there, I’m surrounded by a lot of people and some of the places have security so…”
“Or she’s trying to get rid of me,” John said, taking a bite of his sandwich. “Not that I’m complaining, waiting outside of those meetings gets very boring very quickly. Who will drive you?”
“It won’t be hard to find someone. I’ll catch a ride with Will, he has plenty of space in his car.” Will was the assistant director and he had been dragged to Virginia with you. When you worked it was rare to find one without the other. He had been with you for a few years and he was your right hand on set, he could get everything you asked done in a matter of seconds and often better than you could have done them yourself.  
Satisfied, John finished his sandwich. “It’s settled then, I’ll go with the guy while you run around like a mad woman.”
“It isn’t so much running around today,” you mumbled. In comparison to other days, that was.
Jungkook picked up his fork again, his nose twitching. “Thank you, but I really don’t know where to go.”
You smiled. “That’s the most exciting part. There are so many places you can choose from. John knows the area a little, he knows a few places worth visiting.” John saluted with two fingers on his temple. “Is there something you want to do?”
Jungkook shrugged. “The park maybe? I would like to walk a little if that’s alright.”
“Fine by me,” John said. “Let’s reconnect with Mother Nature a little.”
You shook your head. “As if the sets aren’t in the middle of nowhere. They’re like thirty to forty minutes from the city, I spend most of my day in a car.”
“Stop complaining. It’s partly your fault,” John reminded you, which only caused you to complain more.
Jungkook let out a cute giggle at your bickering. He looked small in his oversized hoodie, it was a gray one this time with design of black swirls interwining and forming a heart. He would have to change before going out. He would melt otherwise.  
They dropped you off at the set, having spent most of the thirty minute drive (John was a fast driver, always following the speed limit though) listening to music and talking about whatever came to mind. Jungkook had insisted on coming with when John dropped you off instead of waiting at the hotel for John to come back. He didn’t care that the drive would be more than an hour for him. You stepped out of the car, adjusted your backpack with all the papers and files inside and sent flying kisses to them while John rolled his eyes.
It was one of the good days, everyone was in a relatively good mood, they were listening to you and the conversations about the problems you were facing rolled smoothly. Will had taken over some of the most tiring tasks ignoring your protests so you were left to do most of the talking and the moral support part.  
They worked quickly but there was no doubt that the sets wouldn’t be ready for filming to start on the initial date you had set, you would have to rely more on the sets in Los Angeles and film some scenes earlier than planned. Time was precious and you couldn’t waste it sitting around doing nothing.
Will was more than happy to give you a ride back to the city, you had many things to discuss on the way. You hadn’t been at this park before. It wasn’t the one you were considering for filming but it was just as nice. John had texted you where they were and you had typed the address in Will’s GPS. It was way past lunch and you wondered if they hadn’t left the park since the morning. That was a lot of hours spent in a park.
You followed the cobblestone path, tall trees framing the way adorned with green leaves and tiny flowers. Sending a quick message to John asking him about more specific directions, you stopped at a bridge arching over a small river and rested your elbows on the railing waiting for the reply.  
You missed home in a way you hadn’t before. Home hadn’t always been Los Angeles, it had taken a long time for you to see it that way. It had been your hometown at first and that would always remain a part of you but it had been years since you had stayed there for more than two weeks. Home had been a suitcase and a vague idea of belonging for the most of your adult life. Being at a new place every few months, often more than that, you traveled and met people, you explored new places and learnt their secrets and culture. Los Angeles was just the base you returned to before you were gone again.
And then you had met Taylor and Zayn and suddenly you had a reason to come back other than necessity. They had become your closest friends and you held a new appreciation for the city because that’s where you spent time with them, strolling through the streets and going to the beach or staying inside watching movies or baking.  
And through Zayn you had met Jacob and Los Angeles became more and more to you. The two of you had decided to build your life there together. That was gone now but the City of Angels had sneaked into your heart and made a home for itself there. Yet you hadn’t missed it like this before.  
Texts and calls were fine for some time but not nearly enough. Jungkook was withdrawn while you talked to the other hybrids and Jimin’s voice got smaller and smaller every time the youngest refused to speak with him until he stopped trying. Namjoon and Jin tried to comfort him but the only person who could help was the one shutting him out. On top of that, Jimin tended to Hoseok’s wounds, the two hybrids were still at the Castle and you hoped they wouldn’t leave until you got back. You wanted to check in with Hoseok one more time before they were gone, back to the streets.  
The streets… Those damn streets. Where Hoseok had been beat up, where Jimin and Jungkook had been attacked, where they didn’t know which day would be their last, starving or being beaten to death. You had done all you could, when they refused any more help, but it wasn’t enough. It couldn’t be enough.
A whistle made you turn around.
“Are you going to stand there all day?” John called to you.
“Me?” you called back. “How long have you been here? Did you eat lunch?”
“We went to a restaurant nearby, John ordered the best from the menu. I told him to wait for you but he said you would be late,” Jungkook said.
You ruffled his hair and he shuffled closer to you. “Late… I’m not late, I didn’t say I would be back for lunch.”
Jungkook chuckled. “When are you back for lunch?”
You gasped. “You have been spending too much time with John. He’s corrupting you!”
On the other side of the bridge, the path opened up to a large expanse of grass with a few trees sprinkled in. Jungkook had his sketchpad with him and sat down against a tree with pieces of black charcoal, a method he had been experimenting with.  
Next to him, you pulled out a notebook from your backpack, it was your personal space where you could write anything and everything. Drawing faint thick lines on the paper, Jungkook told you excitedly about his day with John, who was sitting at a bench talking on the phone with his family.  
A shine you hadn’t seen in a while was back in Jungkook’s eyes. You took photos and sent them to the hybrids at home and rolled around in the grass. He pointed at the clouds and what each of them looked like. There was turtle, an elephant and a vase, although you insisted it looked more like an Egyptian cat.
Jungkook came with you to work later and although he was shy and stayed away from everyone else, trailing behind you like a lost puppy, he was smiling. Fascinated, he listened to your conversations about the show and the sets and admired the designs. Your co-workers cooed at the cute bunny hybrid and he flushed hiding behind you.  
When the day was over and you were back at the hotel, you realized it was the most fun you’d had since coming to Virginia. Freshly showered with his wet hair sticking to his forehead, Jungkook slipped into the bed next to you.
“Did you have a good time?” you asked. In the quiet of the night it felt wrong for your voice to be louder than a whisper. “You can be honest with me. I won’t take it personally.”
A small smile simmered on Jungkook’s lips as he turned on his side to look at you. In the lights of the city coming through the window, his chocolate brown eyes seemed black. “I had the best of times. Thank you.”
“You don’t have to thank me. It was nice having you there, it was… different. A good different. You should come again tomorrow, to the sets outside the city this time.”
“I would like that,” he whispered.  
“Okay.”
“Okay,” Jungkook repeated in a breath.
It would be nice to have him with you. He wasn’t distracting you, on the contrary you were more focused because you knew he was there watching you, you wanted to show him the best of you. This was far from the most exciting part of the process of making a film but it was necessary. Well, it wouldn’t have been necessary if someone hadn’t decided to purposely forget all about the safety measures but you had already dedicated too much of your energy being angry about it.
Once the actual filming had started you would take Jungkook with you and show him the behind the scenes of how a TV show was made. If he was fascinated with this part then he would love filming. The actors were incredible and they had found their connections to the characters, channeling them at the table readings, it would be even better when they were in the costumes on set.  
“I liked it,” Jungkook said. “I really liked seeing you work.”
You smiled at the bunny. “You used to see me work every day at the Castle.”
“But it wasn’t the same.” Jungkook laid his head on his hand. “You looked different there,” he said. “You looked powerful, like you could do anything. Everyone looked at you like you had all the answers.”
“It was a good day, I guess. It isn’t always like that. I might look confident and like I have everything under control all the time but that’s far from the truth.”  
For all of your fame and the praise you received, you did make mistakes, you got stuck and felt helpless against some problems. Not everyone listened to you and you got into arguments with the executive producers sometimes. And you weren’t always the one who was right.  
“Looking confident is half of the job, even when you don’t feel like it. It’s one of those situations where ‘fake it till you make it’ is a requirement. When you want to be heard you have to look and act like you are sure of what you’re doing, especially when you are a young woman at an important position. If you don’t, people begin to doubt you and if they doubt you, they will begin to talk over you and disregard your opinions. That was the first lesson I learnt on this job.”
At seventeen, you had been in charge of directing “Land of the Gods” and it wasn’t all smooth sailing, much less at the beginning. You were young, too young for most of them. You couldn’t direct such a project they said. They questioned your every move and decision, every correction you made and everything you said to the actors during a scene. They didn’t take you seriously until halfway through filming and even then they didn’t hesitate to question your authority. A constant battle of wills.
But it had gotten you here. You couldn’t complain.
“You’ve done so many things,” Jungkook said as if in awe. “All those shows and movies. And they are all so good. You are so talented. I could have never achieved what you have even if I wasn’t…” He left the sentence hanging.
You adjusted your position, laying on your forearm. “I don’t believe that, I think you would be marvelous at whatever you did. You have the dedication and that’s half of the job done. About me…” You let out a small chuckle. “I was very young when I started, I’m still young considering my profession, and I had so many ideas. I still have so many of them.” Or you used to, before the buzz in your brain became just noise. “And I don’t want to wait so long the industry gets tired of me, I have to take advantage of the light as long as it’s on me.”
“I don’t think they can get tired of you, not when your movies and shows are… like that. I couldn’t get tired of them,” Jungkook said. “It’s just- I’m not-” Frustrated, he cut himself off. “You work too much. I’m just… When was the last time you had a break? An actual break without working in any form.”
You opened your mouth to answer and closed it again. It certainly wasn’t this year and it wasn’t last year either. When you had taken a break to buy and decorate the house, you had been answering calls about work when you had been choosing the paints for the walls and writing scripts while you discussed floor plans. Break for you wasn’t a time you didn’t work but rather a time they couldn’t call you to the offices or the set.  
“It’s been a while,” you said in the end. “I’ve got a lot of things going on, I don’t really have the time to take a break. I can’t leave them hanging, they rely on me.”
“Maybe they shouldn’t. Not so much.”  
But that’s how it has always been for as long as you could remember. You were involved in every single part of the process, in every decision, from the scripts, to casting, to the set and costume design, to the actual filming, the post-production and the editing. Supervising and making sure that everything was right. That was your charm, that was one of the reasons you were one of the most sought-after directors in Hollywood. Each project was a part of yourself. If you let those responsibilities go, what would that mean for you? What would they say about you?
The air-conditioning made a small sound as the room reached the desired temperature. The setting wasn’t too low, a pleasant coolness replacing the stifling heat. The thick walls of the hotel kept the heat of the day trapped inside, something that would be very beneficial in winter but a lot less so in spring nearing summer.
“Anyway, I think we’ll be done in a few days,” you said. “We’ll probably be home by the end of the week. The new plans have been drawn and there is only one more meeting I have to attend and that’s more for appearances�� sake than anything else. The rest is up to the crew here.”
Jungkook’s smile wavered. “So soon? Don’t you have any more work? The people here seemed to need you.”
“They don’t need me, there is nothing more I can offer them. My place right now is in Los Angeles, that’s where they need me.” You nudged his foot with yours, your knees were close enough to touch every time you moved. “But that’s not what you’re nervous about, is it?”
Jungkook shook his head, hiding half of his face in the pillow. “I don’t want to go back.”
“Kookie…” You nudged his foot again until your legs were intertwined underneath the thin sheets. “Staying here won’t help anyone. You have to talk to him.”
Jungkook closed his eyes as if the conversation pained him. “He shouldn’t want to talk to me.”
“But he does. You know he has been asking for you,” you said.
“He stopped.”
“Because you never replied. Doing this, pulling away and ignoring him, you’re hurting him more than whatever you feel guilty for. You didn’t see how sad he was every time you didn’t show up for a meal or when he called for you and you ignored him. You’re hurting him and I know that isn’t what you want so why do you keep doing it?”
A sob clawed out of Jungkook’s throat and he tried to muffle it with his fist. Your eyes widened at the sound, instinctively pulling the younger boy into your arms. He didn’t fight you, holding on to you like you were the only thing keeping his afloat, hiding his face in your neck as the sobs he couldn’t suppress fell from his lips.  
“What… What I did to him was h-horibble. I-I took adva-advantage of him,” Jungkook chocked out as his tears dampened your skin. “And I know, I know he’s going to forgive me. But I don’t want him to. He shouldn’t. He shouldn’t forgive-” A sob cut him off. “I don’t deserve forgiveness.”  
You run your hands through his hair, scratching gently at the base of his bunny ears, something that used to calm him down. “Baby… You should let him have that choice, you can’t take it away from him.”
“I can’t forgive myself,” he muttered, desperation and heartbreak seeping into his voice like water through the cracks of a dam until it breaks.
“If Jimin can forgive you then you can work towards forgiving yourself. All I know is that you love each other too much to continue like this.”
♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩
It was the fifth day you were gone. Seokjin had been keeping track, the equivalent of another line engraved on the wall of a cell. He had been going to sleep and waking up alone in a bed that felt too large for one person. He had added more blankets and stuffed animals decorating embellishing his nest but it did nothing for the feeling of emptiness covering it like a veil.  
You called every day and texted them religiously, it was more than he could have expected but much less than what he craved. Jungkook sent photos of the hotel suite and of every place he visited with short captions. Seokjin smiled as his heart constricted.
It was the fifth day you were gone and he was sitting at the large table in the back garden, drinking tea at the time he would have been bringing yours before you had to go back to work. Jin didn’t consider himself a clingy person. He was loyal and protective of the people he loved, he obeyed his past owners and he took care of them. But this was new. It had been five days, the number didn’t change but Jin felt like it had been much longer than that. When his past owners left it wasn’t for long, less than two weeks, he didn’t have the time to miss them. He hadn’t missed them. Two weeks. Five days.
Jungkook would be nagging at him by now, tugging his arm or foot or whatever part of him he could get and if Jin didn’t give in the bunny hybrid would sprawl himself next to the older with his head in his lap. Despite Seokjin warnings about getting splashed with tea or coffee in the face, Jungkook stayed there.  
If you were back from work, a rare occurrence, you would insist you all spent that time together. Like a family.  
Family. Such a peculiar word. It was one of those words Seokjin couldn’t grasp the real meaning of. He was a hybrid, he didn’t have parents, the one who had given birth to him had delivered him to the scientists earning a large amount of money for her services. His first owners had trained him harsher than a pet and treated him like a servant or a living piece of decor. It didn’t matter if he’d thought of them as his family to feel better for himself, they owned him and they didn’t let him forget.  
He didn’t know what having a family felt like. But he guessed it felt a lot like the mornings before you left for work and Jungkook was bickering with Jimin about how much he could eat while Namjoon was smirking into his coffee.
“A penny for your thoughts?”  
Seokjin startled, the mug trembling dangerously in his hands. Another hand enveloped his to steady it. “How do you do that? I almost had a heart attack.”
Namjoon smiled sheepishly. “You aren’t the first one to say that, about the heart attack. I’ll try to make more noise next time.”
There was only a tiny bit of tea left at the bottom of the mug so Seokjin placed it on the table to avoid any more surprises that could threaten its survival. “Are you going somewhere?” he asked, looking at the black backpack Namjoon was wearing.
“I’m going for a walk in the forest. Would you like to join me?”  
“Like this?” he gestured to his casual attire.
“Maybe you should wear different shoes,” he said referring to the slippers he was wearing.
Seokjin was tempted to say no, sugar gliders might be native to forests but he didn’t have the same ease among trees. But he was tired of being in his own company and something inside him was screaming to go and be with his pack. After all, it was impossible to not give into Namjoon’s dimples.
“Okay, I’ll come with you. Just don’t lead us so far away we won’t be able to come back.”
Namjoon’s smile widened as Jin left to change his shoes. His sneakers were in a box under his bed. He had worn them only once because he preferred wearing his slippers in the house or the gardens. These sneakers were the ones he had on when you had gone to the lake before you had to go back to work and be away for most of the day.  
The wolf hybrid was waiting in the back garden for him by the curtain of vines with the purple blooms. The mug was nowhere in sight.
“Ready?” Namjoon asked him.
“Ready,” Seokjin said, not paying any mind to the fluttering in his stomach.
Namjoon pulled the curtain of vines aside, the path stretching ahead. The forest was alive in spring, trees green and tall, creating shade for the small creatures roaming around to hide from the sun. And when a few sun-rays slipped through the spaces between the branches and the leaves, they looked like a touch from the gods.  
Namjoon navigated the forest with practiced ease and Seokjin had a feeling the wolf hybrid knew exactly where they were going. He just hoped Jimin wouldn’t look for them while they were gone, but knowing Namjoon he had probably already told Jimin. Or Jimin could call them. Seokjin wasn’t used to having his own phone and often he forgot he had the device.  
Staying close to Namjoon, he kept his eyes on the ground. A poor attempt to keep his tripping to the minimal. But the forest was conspiring against him. Roots, stones, sticks, everything he could trip over was in his path.  
“Where are we going?” he asked.
Namjoon stopped, turning to look at him. He smirked. “It’s a surprise.”
“No, I prefer no surprises,” Jin said. Rock. He stepped over it, avoiding a possible humiliating fall. “Tell me where we’re going. Is it far?”
“Not too far.” Not too far for Namjoon could be totally different from Seokjin’s idea of not too far. “I swear to you we aren’t getting lost today. I know this part of the forest like the back of hand and I have a good sense of direction. See?” He pointed to the direction of a large tree on his right. “That’s north,” he pointed to the opposite direction, “and that-”
Before he could finish, Seokjin had tripped over a protruding root. He hadn’t seen it, being too focused on Namjoon. He let a shriek as he tumbled to the ground, scratching his hands as they came in contact with the ground fist.  
Namjoon called his name but he hadn’t been fast enough. He grasped Seokjin’s elbows pulling him up so he was sitting instead of laying face down on the dirt.  
“Are you alright?” Namjoon asked, kneeling next to him, and Seokjin felt heat travel to his face and his chest tightening. He had an urge to flee and forget that had happened. Namjoon didn’t give him the chance though. He took his hands in his, turning them over and inspecting the damage. Dirt was clinging on the flesh and Namjoon blew on them to make some it go away. “We need to clean this.” He pulled out a water bottle from his backpack and poured water on his hands. It did sting a little but Seokjin was used to much worse than this.
Thin lines were etched on his palm, none of them bleeding. His hands had taken most of the burnt of the fall. The pride he had been piecing back together hurt more than his body did.
“We should go back,” Namjoon said, letting his hands go. Seokjin mourned the loss then reprimanded himself for it. “Maybe coming here wasn’t a good idea.”
“I’m fine,” he said. He didn’t like the frown on Namjoon’s face. “We don’t have to go back. I don’t want to go back.” He cleared his throat. His face, neck and ears felt impossibly hot.
Namjoon regarded him with careful eyes. “Are you sure? Does it hurt anywhere?”
“Really, I’m fine,” he repeated. He put one hand on the ground to steady himself and get back on his feet. It didn’t work very well because as soon as Namjoon saw him moving he was helping him up supporting most of his weight. “It wasn’t painful, more embarrassing than anything else,” Seokjin muttered. Despite the low tone, Namjoon heard him and his face smoothed. “Let’s go. We will never get to that place you want before nightfall at this rate.”
Namjoon chuckled shaking his head. “If you say so.” Seokjin expected him to start walking but instead he laced their fingers together. “Is this okay? I don’t want you falling again. If you trip again I’ll keep you up or at least we’ll fall together.”
Seokjin huffed out a laugh, lightheaded. Namjoon wasn’t distant but he wasn’t open with his affection like Jimin or Jungkook or even you and feeling his hand in his had ignited something inside him he was struggling to bury.
They held hands all the way to the secret destination. Seokjin tripped a couple more times, the rocks and the roots were still there and Namjoon was too distracting, but he kept his balance. Namjoon held on his hand tighter whenever he lost his footing and he allowed himself to consider it for a moment before banishing the idea.
The walk wasn’t too long and as the trees thinned out a little, a few large rocks emerged from the ground. They had climbed higher than the level of the house, the forest and the lake stretching under them. On the side the Castle peeked between the trees and the road leading to the city.  
Namjoon helped him up the rock while he complained for the sake of it. They sat down to rest and Namjoon offered him the bottle of water he had used before, plenty of water was left inside. Seokjin insisted they shared it, he had already used half of it on him anyway.
“You like being outside so much, you have walked through most of the forest. You go on walks every day. Why don’t you go out with Y/N? Or around the neighborhood?” he asked. Namjoon wasn’t someone who could be contained in a house, he needed to be outside, and the forest looked too small for him.
Namjoon crossed his hands over his bent knee. “Being in the forest is easier. I can’t explain it but it’s familiar territory. Outside the forest, outside the house, that’s different. I know the streets of Los Angeles, I’ve spent more time on them than I would have liked. And now things are different but those streets are the same. I don’t think I’m ready to go back there alone.”
Seokjin’s heart constricted at the reminder of what the three hybrids he held so dearly had been through. He was spoiled, he couldn’t have survived a life in the streets. But if he was with them… If he was with them maybe it would would have been worth it.  
It was a dangerous world for lone hybrids, people were eager to take advantage of them and hybrid services were always lurking in large cities like Los Angeles. Going outside alone could be an invitation for harassment from a few sick people who thought they were entitled to hybrids’ lives because humans created them, who thought they were lesser. Seokjin hadn’t been allowed to be alone outside, his owners believed it was indecent and disrespectful for hybrids to walk alone or stay alone.  
“Do you want to go outside in the city?” Namjoon asked.
Seokjin hugged his knees. “I wouldn’t know where to go or what to do. I’ve never been out alone.”
Namjoon nodded. “That’s alright. It was nice being out for Spring Cleaning, I saw the city in a different light.”
Seokjin smiled, for him it hadn’t been only the city he had seen in a different light. “I would like to go out one day.”
“I would like that too,” Namjoon said softly.
But Seokjin didn’t think of going alone. He thought of being with Namjoon holding his hand so they wouldn’t lose each other or an excited Jungkook hopping around with Jimin chasing him.  
Namjoon’s phone beeped with a message and he pulled it out of his backpack to read it. A smile spread on his face at whatever he was seeing. Seokjin wanted to lean closer and look at what was making him smile but he held himself back. There were only three people it could be from.
“Jungkook is playing her assistant,” Namjoon said, turning the screen so Seokjin could take a look at the photo. Jungkook was looking to the side, probably at someone talking to him, carrying two folders and a few loose papers. Seokjin’s heart softened at the sight, Jungkook looked content there. Excited and a little confused.
Seokjin took the phone in his hands. “I’m sure he insisted on carrying them for her. Doesn’t she have an assistant?”
Namjoon nodded. “Yeah, Will. But I’m not sure he’s that kind of assistant.”
“Maybe she should keep Jungkook on set, he could carry anything she wanted,” he joked. Their bunny could pick up all of them without getting tired, Seokjin had been his victim enough times to know that.  
Jungkook had been doing better, his messages were more frequent and he talked more on the phone. He had been doing better but Seokjin was missing him a lot. But he couldn’t be selfish with this, going away had been good for him and if it hurt a little that he needed to be away from them, Seokjin didn’t utter a word. He had heard him sniffling at night, covering his mouth to muffle the sounds. Seokjin didn’t know how to comfort him so he just held him tighter.
Namjoon sighed, taking his phone back and hiding it in the backpack. He sighed. “Jimin is hiding away again. He barely spoke to me before locking himself in the cinema room. I don’t understand what is going on between them. Jungkook had to travel to the other side of the States to get away.  I can’t get a word about what happened from either of them. Jungkook says he did something horrible to him and Jimin doesn’t want to say anything about it. And every time Jungkook pulls back from him I can see how much it hurts them both and I can’t do anything about it.”
“They don’t want us to do anything about it but they need us next to them,” Seokjin said, looking ahead at the sun slowly descending in the sky.  
Namjoon let the silence stretch before speaking, “I’m grateful you’re with us, that you chose to stay. I don’t like to think about how it would have been without you.”
Seokjin turned his head away. “I didn’t do anything special. I am not that important.”
A hand touched his cheek, leading him gently until he was face to face with Namjoon looking into his hazel, almost golden, eyes. “Listen to me when I say this; you are important to us. You are pack and your place is with us here. I’ll be honest, I was weary at first but you fit right in like you were always meant to be with us. You belong with us and we’ll never let you go or get tired of you. You give so much without even realizing it.” His thumb rubbed small circles on his skin leaving burning trails behind. A heavy cloud had covered everything around him and all he could see was hazel eyes. “All I ask you is to let us take care of you, too.”
And before his doubts could stop him he surged forward. Namjoon caught him in his arms, cradling the oldest’s neck as he hid his face in his neck breathing in his scent. Time was meaningless there.
♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩
You were taking a short break. John had delivered your second cup of coffee for the day and a smoothie for Jungkook who disliked the bitter taste of coffee with passion. It was a mostly practical day that didn’t require a lot of moving around. You had been meeting up with people since the crack of dawn and discussing the best ways to cover up the disaster in a way that wouldn’t turn the public against the show or the studios. So far, you had been holding off any reporters from including the overlooked safety measures when publishing the news about the collapsed sets.  
After being inside all day, you had decided to take a stroll around the block. Jungkook was walking next to you sipping his smoothie. He was wearing a simple black chocker with a silver charm.
He was telling you about a video he had seen on YouTube when your phone started ringing. Your nickname for Taylor was displayed across the screen with a photo of her pulling out a tray of cookies from the over.
“Hey, Tay,” you said.
“I called at the right time, didn’t I?”  
“Just the perfect time, I have around twenty minutes before I have to go back. Work has been kicking my ass.”
Taylor laughed. “I’m sure you’ve been kicking its ass too. And better.”
You had told her around what time you would be taking your break. You hadn’t talked on the phone since coming to Virginia and you had missed her voice.
You stopped at a bench and Jungkook pulled out his phone. You felt a little bad for talking on the phone when it was the two of you but you had really missed Taylor and it wouldn’t take long anyway. She had been busy with Astrid, getting to know her better and helping her adapt to the new environment. When you had visited the hybrid had looked enamored with Taylor, you knew your friend would be amazing at taking care of a hybrid.
The conversation soon turned to you but you didn’t have much to share. Work was the same regardless the disaster but Taylor was more interested in other things.  
“It has been almost a year since you and Jacob broke up. Don’t you have your sight on anyone? Any flirts? It isn’t like you lost the one and only,” she said.
Jacob had been far from the one and only. And when she asked, your mind went to dangerous places.
“Just because you found your man doesn’t mean we are all that lucky,” you said. “And how am I supposed to find anyone? I’m too busy.” From the corner of your eye you saw Jungkook turning to look at you with an unreadable expression.
Taylor continued, “Aren’t there any cute boys on set? At work? There has to be someone. Don’t bury yourself in work and forget to live. I’m not saying you need a man to be happy or complete, but don’t you miss going on dates? Getting to know someone like that?”
The answer came to you unbidden but it wasn’t something you were ready to say. “Maybe after the TV show, for now I really have to focus. After that is done and I don’t have to worry about anymore earthquakes, I’ll see where I’ll end up.”
You knew Taylor cared for you and she worried about how deep you threw yourself into work. Maybe there was also a small part that was still uncertain about the way you and Jacob had broken off things and the way you had avoided the topic like the plague for the first months. Like you and Jacob had never happened. But looking at boys and dating had been the last thing on your mind.  
Ending the call with Taylor promising to text her when you got off work, you patted the small of Jungkook’s back. It was time to walk back. The smoothie was half-finished, the way it had been before, like he hadn’t taken a sip since sitting down.  
You asked him if there was something wrong but he replied that everything was alright. It didn’t look like that was the case. He stayed close to you all day, more clingy than he had been the whole time you had been in Virginia, wary of the men who talked to you.
♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩ ♩♪♩♬♬♩♪♩
The blue sky and fluffy clouds reflected on the lake, a huge mirror creating another sky on its surface, a more vibrant but precise copy. No boats cut through the water, it was like there was a part of the sky that had made its home on the ground. Trees extended on every side of the lake, so many of them one next to the other with no end in sight.
The grass tickled Jimin’s palms swaying in the gentle wind. He breathed in the fresh morning.
“One day we’ll go on a boat ride.” Jungkook was sitting next to him, his long bangs falling at the sides of his face. “We’ll see every part of the lake, not just this. We’ll go everywhere.”
Flowers bloomed all around them, white and blue petunias, chrysanthemums and lilies. Jimin wanted to cut the most beautiful one and tuck it behind Jungkook’s ear. He turned to tell him but hands were holding the back of his neck and lips devouring his. He gripped Jungkook’s arms to steady himself from the force of the kiss. The sweet aroma of the flowers filled him up, engulfing every part of his being, the deepest crevices and the smallest of cracks.  
Jungkook pushed him back so he was laying on the grass and Jimin let him, too drunk off the flowers and soft lips. Touches on his cheeks and his sides, caresses under his shirt. He was burning.  
It didn’t take long for the panic to set in. With weak arms, he pushed Jungkook away. The air wouldn’t reach his lungs. The scent of the flowers turned stale and bitter.  
“We can’t,” he tried to say but his voice wasn’t coming out right, sticking in his throat and refusing to flow.
Jungkook pulled back. His eyes were darker than before. “Is this it? Am I too common for his highness? You didn’t have any reservations about the panther hybrid, did you? Are you attracted to power, Jiminie? Or do you open your legs only for him?”
There were sharp blades piercing Jimin’s chest. How did he know? Who had told him? No one was supposed to know.
Two figures were hiding between the trees in the darkness the day couldn’t chase away. Your hands were crossed in front of your chest and Yoongi was standing right behind you.  
Jimin took a step back colliding with the fountain at the entrance of the Castle. The house was looming over him, ominous and tall as if it could touch the sky. His clothes were torn, dirt and blood staining them. They were the clothes he had been wearing the day you had found them.
“I’m sorry but you can’t stay here anymore,” you said. You knew what he had done, you knew his dirty secret and he was paying for it again. He would be paying for it his whole life. A pain so powerful he felt like he was dying bloomed in his chest as rivers of tears rolled down his cheeks. His knees were weak. He couldn’t stand.  
He searched in the faces of his pack, of the people he loved so much he thought his heart would burst. Nothing but sneers and gazes of pity. Whore, they whispered. Slut. Worthless.  
Jimin crumbled to his knees. He was dying. He was sure he was dying. Spasms wrecked his body as he sobbed. He had nowhere to go, he had no one but them. He couldn’t live without them.
And when he thought it was over, that it was the last breath he was taking. He opened his eyes. His chest was heaving, his heart beating like a wild animal scratching at the bars of its cage. He was in their room, the glass wall looking out at the forest. Only the moonlight fought the darkness.
The sheets were restricting him and pushing him down, tangled around his body. Frantic movements born out of desperation took over his body and he stumbled over the edge of the bed, falling hard on the floor with the sheets wrapped around his legs.  
And it overflowed.  
The sobs and tears. He pulled at his hair and scratched his skin. They couldn’t know. No, they could never know. You would never look at him the same way. He would lose the only home he has ever known.
He wanted to scream. Scream until his lungs were empty and his body stopped shaking. Scream until he didn’t feel worthless and used like an old toy forgotten in a corner of the attic.  
There were arms around him, prying his hands away from his hair and skin. He tried to pull away but they only held tighter until he gave in and sunk into their warmth. Blood was rushing to his ears and he only made out his name falling from the other person’s lips. He rocked in his arms, cursing himself and the world. Weak. He was so weak.
Fucking pathetic.
He gripped the hands holding him. He focused on the voice speaking although he couldn’t understand what it was saying. He choked on the bile in his throat, his body shaking with his sobs.  
“Jiminie, breath. Just breath,” the voice said and Jimin tried to listen to it. He did. But it felt like he hadn’t been able to breath for a while. “Just like this. Breath with me. That’s right, like this. Breath. You’re doing so well, Minie.”
Spent, Jimin fell on the chest behind him, shaky breaths leaving his lips. One of the hands rubbed his stomach over his nightshirt.  
“There. You’re alright. You’re alright.”
Jimin swallowed with difficulty down his scratchy throat. “Joonie?”
“I’m here. I’m here, Minie,” the other said. Jimin didn’t have the energy to look at him, laying his head on the older’s shoulder. “I’m right here.”
His breathing stuttered. Another tear escaping from his eyes, he thought he’d run out of them. “I’m sorry.”
“Shhh, don’t say that. Please don’t say that.” Namjoon’s voice was unsteady and it hurt Jimin knowing he had been the cause of it. “You’re alright. I’m always here for you but I can’t protect you from your head.”
Jimin’s tail wrapped around one of Namjoon’s arms as Jimin sniffled. “I don’t want to be alone. Please, please don’t let me go. Don’t make me leave.”
“Never. I’ll never leave you. We’ll never leave you. I’d do anything in this world to keep you safe.” Namjoon caressed his arm, moving upwards and pressing his fingers against Jimin’s left scent gland. Jimin’s whole body trembled, shivers overtaking him. Namjoon rubbed his nose against the other side of his neck, leaving kisses behind. Purring, Jimin arched his neck.  
“I love you,” Jimin whispered, unable to stop the tears from falling.
Namjoon kissed over his scent gland and Jimin felt it everywhere. “I love you, Minie. So much.”
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tbhwhocaresanymore · 4 years ago
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Nancy Drew 2x2
Me in my naïveté: surely, the Nancy Drew writers, the best writers the CW has on staff, have run out of ways to bring back past moments and episodes that seemed unimportant at the time.
ND writers: Bitch you thought?
Y’ALL
When I say tonight’s episode made me absolutely lose my actual goddamn mind that is not in any way an exaggeration. My brain physically pried itself out of my skull and ran away down the street.
Jesus Jedediah Christ the way they brought back those five people/ghosts who at the time seemed absolutely unimportant and sent me so entirely off my rocker if I even attempt to think about it for more than two seconds I’ll spontaneously combust so we’re going to have to work around it.
First off, no surprise: HANNAH GRUEN. My bae. My wife. Love of my life. You were only there for two minutes but they were exquisite.
Second I fucking KNEW that dude from the Marvin funeral episode was important. If you’ll recall from my review my theory at the time was that maybe HE killed Owen, but you know what this was so much better.
Okay, to business. At the beginning when Nancy is seeing all of the scratches on Douglas Marvin’s grave and then we zoom out to kind of see the Aglaeca in the side of the frame, and then zoom out more and it turns around and LOOKS at us doing that creepy little swaying thing? POETIC CINEMA. Riverdale wants what Nancy Drew has.
That “unfortunate first meeting” George had with Nick’s mom and her subsequent attempts to prove herself, culminating in Millie giving her the dumpling recipe? Adorable. Speaking of the mom, I do indeed hope we see more of her. Her and Nick’s moment at the end of the episode where he talked about seeing her cry in the courtroom absolutely broke my heart. I can’t handle the thought of him not at the very least having the occasional phone call with her from this point onwards.
To be entirely honest almost every scene with the mom broke my heart. When she was talking about how she and her husband raised Nick to always do everything right and lost him anyway? Hhhhhhhhhhhhh it hurts. The writers said they would be keeping BLM in mind while writing this season, like how they kept Me Too in mind for the first one, and I was a little worried it would be hamfisted. But if they continue as they did tonight it will be nothing but beautiful.
Guys. Guys. I know I said I had no idea how to talk about it but I have to talk about it. That scene in the orphanage. When they find the photo. And Nancy realizes she has seen all of those ghosts before.
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GUYS.
EPISODE 3.
SINCE EPISODE THREE THE WRITERS HAVE BEEN PLANNING THIS.
GODDAMN DO WE LOVE CONTINUITY AND FOLLOWING THROUGH ON PLOT LINES AND WRITERS WHO KNOW WHAT THE FUCK THEY’RE DOING. I WANT TO FIND THE SHOWRUNNER AND KISS THEM ON THE MOUTH.
Ahem.
Anyway.
I thought Carson and Ace had some really nice moments this episode. i.e. “The guy at the store said it was a one man job.” “I think the guy at the store lied to you.” I am, however, curious if Nancy is going to ever bring her father in on the fact that supernatural beings exist and that she deals with them on the reg. Like I know he helped them out with the coma ritual with McGinnis (McGinnis come back 😭😭😭) but they never really brought it up with him again, and he’s been like kept out of the loop on it all ever since. I’m just wondering if he in fact actually knows and is just remarkably calm all the time, or if he’s in denial, or what. But tbh I do have a very strong amount of sympathy for Carson, and I really want him and Nancy to get back on good terms. At the end of the episode when she brought him the coffee and stuff I teared up a little. I’m an adult, I can admit it. Maybe it’s just because I’m such a massive fan of the books, where she and her dad were so close, but having them at odds especially after they started out that way, is painful.
Speaking of the books.
Fernwood orphanage. Hhhhhh writers I see what you did there. But for those of you who don’t know, in Nancy Drew #9 The Sign of the Twisted Candle, Nancy Bess and George stop at a roadside inn/bed and breakfast type place. At the inn is a 100 year old man named Ada Sydney who Nancy befriends, along with a young orphan waitress named Carol Wipple whom Ada has a soft spot for. The next day he dies, and turns out Carson is his lawyer and Nancy goes with him for the will reading. Long story short, Carol is apparently his granddaughter and he leaves her like EVERYTHING, but when she was young she grew up at, drumroll please!
FERNWOOD ORPHANAGE. I AM DECEASED.
And the Stratemeyer woods? For the same people, Stratemeyer Syndicate was the place that published all the Nancy Drew, Hardy Boys, Bobbsey Twins, Tom Swift books, etc. You will not be able to find them today however, as they were bought by Simon and Schuster in like 1987.
Back to the show.
When Detective Tamura (aka The Inferior McGinnis Who Can Rot In Hell) said the skeleton was Buddy and NOT KJ (AJ? I’m deaf) I got suspicious. And then as soon as they played the record and only five ghosts showed up, I was all ‘HOLY SHIT HE IS ALIVE’ and then he WAS. At the end of the episode, when they saw the flowers on the graves? You guys I was LOSING. MY MIND. And then the note saying “forgive me -kitsune” aaaaaaah. I am in fact afraid that he wants forgiveness because he sacrificed the others to save himself, but I am praying the writers do not do that to me.
I’m interested in finding out, assuming we meet KJ/AJ next episode, WHY the 1975 group reached out to the Aglaeca in the first place. Nancy and Crew did it because they needed Lucy Sable’s bones from 20 years ago to get Carson off the hook for murder, I am assuming these guys had at least as good a reason. And the Aglaeca herself. Dear god you guys. Odette Marvin. I’ve been saying and we’ve all known for a while, that she was wronged by the Marvin family. But Lordy that’s extreme. Listening to the overlaying recording? They low key abducted her, stole her fortune, her chaperone and the captain betrayed her, she was presumably bound hand and foot had her head shaved and got thrown into the ocean. I think I might be a little murderous too ngl. Although it begs the question, why exactly did Douglas Marvin have her painted into the hall of tragedies? I don’t think it was to gloat. Maybe Odette haunted him after the fact and added herself into the painting? But my favorite theory is that Odette as the Aglaeca started killing all the people who were in on it, her chaperone, the captain, etc., (I assume there were six) and Douglas saw the others dying and painted her into the portrait as a way to warn future generations of Marvins, rather than fess up to what he had done. I also want to know the deal with the first women to summon her, and the mirror? There is potential there I KNOW IT.
If you’re not a Drewson shipper feel free to skim this paragraph but guys Nick and Nancy are soulmates it’s confirmed. I’m not even kidding guys I was in no way shape or form prepared for the amount of Nick x Nancy content I got tonight. When Nick is at her house and they mention how they skipped friendship the first time around? “We skipped a lot of things the first time around.” DEAD. And then later at the Claw, when Nancy and not George came to comfort him post fight with the mother? And then he saw that look Nancy gets where her eyes flit around cause her mind is working overtime? *chef’s kiss* My prediction is they will spend this season building up a strong, solid, foundational Nancy x Nick friendship and then when they give the romance a second go they will be so. much. stronger. I’m guessing season 3 will be spent in a bit of a complicated love triangle with Nick and Nancy (re)developing feelings for each other while still having them for George and Ace, making the eventual payoff all the more delightful.
I close this review - which was admittedly less of a review and more of me shrieking incoherently - off with a plea to the writers.
*eyes turn black*
WHERE IS DEAD LUCY
WRITERS
WHERE IS SHE
IT HAS BEEN ALMOST A YEAR. FOR TEN MONTHS NOW I HAVE GONE WITHOUT HER. SHE HAS BEEN GONE SINCE EPISODE 16. NO SCREAMING. NO CREEPY CRAWLING. NOTHING. WHERE IS MY DAUGHTER. BRING HER TO ME.
*shakes self* Glad to get that out of my system. See you all next week for 2x3, The Secret of the Solitary Scribe.
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not-so-mundane-after-all · 4 years ago
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Well, I think it’s time to create my own list of thoughts and wishes for season 3 of Titans
(I am well aware that some of these points are merely a wishful thinking but a girl can dream, right?)
First of all, the official stuff we found out so far:
- Redhood - I know Jason was treated poorly (to say the least) in s2 and that is a legit reason to be angry at the team but please let this transition make sense. Curran is putting a lot of work into it and I am sure his performance will be amazing, but storywise I really hope it’s not gonna end up being done in a “bratty kid throwing a tantrum” kind of way.
- Barbara Gordon - I don’t want to hear anything about a love triangle, got it? She’s being introduced as Dick’s ex for a reason. There might be some little things thrown in here and there like we had with Dawn in s1 but a full blown drama? We don’t need that shit! And besides, it’s been said she won’t be very happy to see Dick, neither she’ll be thrilled about Nightwing and Company running around her city.
Unless they turn it all into a comedy where instead of Kory being jealous - it’s the kids! Gar and Rachel going completely feral whenever Barbara gets close to Dick, giving off you’re not our mom so get out vibe and Kory lets them because she finds it hilarious (this season is supposed be *lighter* and *more fun* as I’ve heard, right?)
- Scarecrow - I am VERY intrigued to see that character. He’s supposed be locked up and working with GCPD but I do hope we’ll get to see him in action. I’m not really into comics world, I had to do my research on him, but from what I’ve found… Damn, fear toxin torture that show their biggest fears and nightmares would be awesome for my angst crave
- Blackfire - personally I don’t find a reason to panic. I know that the treatment of both Anna and her character, especially in s2 was unacceptable, I 100% agree with that. And it does give a reason to worry for s3. BUT why am I not worried?
1. Damaris Lewis has been promoted to a series regular a long time ago
2. Even with all the stuff happening in Gotham, Blackfire is still set to be the main villain - we had the same situation in s2. Cadmus was brought up to introduce Conner, even though Deathstroke was the main villian. So whatever is happening in Gotham, it’s for the introduction of Red Hood while Blackfire remains main villain.
3. Look at what Anna has been saying and the vibe she’s giving off! Would she be this happy if Kory wasn’t getting more screentime? Would she be getting calls from the showrunner about creating Kory’s background and having a chance to pitch him ideas like incorporating her native culture in building the world of Tamaran? WOULD SHE SAY WITH A HUGE SMILE ON HER FACE THAT THIS IS THEIR BEST SEASON YET?
So don’t worry too much about our girl. I’m sure she’s getting her time to shine. Even if it ends up being not as much as we would want, it’s still progress from last season.
And if the writers follow a similar schematic as for previous seasons, I see it going like this:
Blackfire = Deathstroke = Trigon (Main Villian)
Gotham stuff/Redhood = CADMUS/Conner = The Organization/Nuclear Family/Angela (side villian/introduction)
Scarecrow and Barbara = Doctor Light = Amy Rohrbach and Nic Zucco (plot device, appearance in 1-3 eps at most)
I might be wrong though, so don’t hold me on that. Because there’s also another storyline that needs to fit in between all of this
- Rachel on Themyscira - I am sure they won’t show as much of the island as they were originally planning for the same reason they moved the team from San Francisco to Gotham - weather conditions in this time of year resulting in lower temperatures, shorter and less sunny days. All of that wouldn’t be a problem if it wasn’t for filming being pushed back due to Covid. I also had a feeling from the beginning that Rachel won’t come back victorious, or at least she will come back alone, with Donna showing up on her own later or at the end of the season. Now, with an information of the possible use of Lazarus Pit, it all makes even more sense. All my knowledge about those pits comes from Arrowverse so correct me if I’m wrong, but is Donna going to struggle with Blood Lust because of that? It is possible imo.
- Roy Harper and Tim Drake - I don’t have much to say about them, really. I’m excited to see Roy but the only valid reason for him to show up is to grieve Donna and maybe share his condolences to Dick or something like that. We don’t need more OG Titans drama. And Tim… well, new Robin in town will catch Jason’s attention and definitely spark some jealousy, evolving into a feeling of being ditched and abandoned, further confirming his belief of being a “reject”. All of this will only push him further to Red Hood.
Now, for the things I personally want to happen…
- Dickkory getting together - even if it happens in the finale, we need to see the progress! I don’t want this to happen off screen during the possible time jump. I want to see them supporting each other and being there for each other. I want to see Kory being his right-hand (wo)man and them leading the team together. And most importantly for me - the one thing that really brought them together in s1 - a continuation of their co-parenting of the younger Titans.
- Gar’s trauma being adressed - and I’m talking BOTH SEASONS. He really struggled with killing that guy in s1 and what CADMUS did to him made it all worse. He needs to talk about this with someone (and I hope that someone is Dick). And I really want to know if what happened to him is gonna have any lasting consequences.
- Donna and Dick need to talk things out - the worst thing about her death for me is the fact that these two didn’t get the chance to talk about what happened. Donna wasn’t a saint either and I find her behavior in the second half of s2 very hypocritical. It almost felt like this Donna and s1 Donna are two different people! She and Dick have a very strong bond and a lot of history. I’m sure they’ve had their fair share of fights in the past. I really hope they will sort this thing out and get back to being this amazing duo I fell in love with in s1.
- Rose and Jericho - I really want to see how this relationship will work and progress with them not really knowing each other but sharing one body.
- Growth and progress in Kory, Rachel and Gar’s powers - I think I don’t need to elaborate on that. I want to see Kory and Rachel fly, Rachel using more of her powers and discovering stuff like teleportation and telekinesis, Gar turning into other animals (lets pray HBO MAX will provide a decent budget for all of that). And obviously, following that…
- Supersuits for those three! - do I need to add more? I don’t think so.
- And can we get rid of Hank and Dawn? - I liked them in s1, tolerated them at the beginning of s2 and by the end I just wanted them gone. They are completely useless. Honestly? If I were to pick one… Hank can stay, we can still do something with him. But Dawn can go and don’t come back for all I care. I only need her for one more thing I’d like to see but more about that later.
And now the two most important things for me…
- MORE CORE FOUR FAMILY MOMENTS - this was the magic of season 1 that we only got some crumbs of in 2x01 and then it disappeared completely. I am in desperate need of Dick and Kory co-parenting their two superpowered teenage kids. And can someone FINALLY call Dick a DAD?! I would pay fortune to see that happen.
- Relationship progress between the Core Four - all the possible variants, but especially with the kids. It’s already been pretty much established that Rachel is Daddy’s Girl while Gar is Mama’s Boy. And it was nice to see Dick and Gar growing closer during season 2 while Rachel poured her heart out to Kory. But I was VERY MUCH with Gar and Kory when they both asked Rachel “Have you talked to Dick?” because girl YOU AND YOUR FATHER NEED TO TALK! A lot has happened, okay? (Not just because I am an absolute sucker for this dynamic and they are my favorites, but… get ready for a rant) I really want to go back to the way things were in s1 where they had at least one scene together every episode, where they talked and bonded a lot, where we actually could see the progress of this relationship. We’ve been stripped of that in s2. A little bit at the beginning, something at the end (I’m still mad Rachel didn’t get any closure for that nightmare that scared the hell out of her and yet had no influence on further events). I want to see Dick really embracing that role of a father, stepping up to responsibilities he kinda forgot about in s2. It would be nice to see a callback to his conversation with Dawn in 1x02 about how he’s “not taking her in” because “he can’t do family”. I’d love for Dawn to throw one big “I told you so!” in his face (and Dick agreeing she was right all along). I want to see Rachel leaning on him for support and encouragement while also growing independent in her own way. I also need to see more physical affection. Hugs are great and we always want more of them, but a touch of hand on the arm or cheek, or a forehead kiss would kill me. And I dream about a verbal “I love you” everyday…
Well, I think it’s all for now. Nothing else comes to mind atm. I might update this list as time goes on and we get more details…
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rachelkaser · 3 years ago
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Stay Golden Sunday Reissue: The Heart Attack
Note: This is a repost of an older Stay Golden Sunday that had to be redone for housekeeping reasons.
Sophia becomes very ill one night and is convinced she’s going to die. The Girls confront the idea of mortality.
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Picture It…
The Girls bid farewell to their guests as a storm rages outside. They praise Sophia for the meal she cooked for everyone, and Blanche says it was even better than the food she ate in Italy. The Girls tell Sophia to take a load off in the living room. They start the dishes in the kitchen, while Rose talks about her family’s Scandinavian cooking.
Back in the living room, Sophia says she’s got a “bubble” of pressure in her chest. Rose thinks it might be gas, but Dorothy says her mother isn’t looking so good. Blanche goes to call the doctor. Sophia clutches her chest as the bubble turns to pain. Dorothy lays her down, while Sophia worries she could be having a heart attack. Blanche says the doctor was out, so she called the paramedics.
DOROTHY: Ma, you know, you don’t look good. SOPHIA: I’m short and I’m old. What did you expect, Princess Di?
The two discuss their family’s deaths – which include a fall from a donkey and misfiring a gun while taking out the garbage – to rule out the possibility of heart disease. Blanche and Rose talk about how death should come without pain or illness, getting sidetracked until Dorothy shuts them up. They go to make coffee, while Sophia begins to worry she’ll die. She starts giving Dorothy instructions on what to do after she’s dead, and says Dorothy was always her favorite, even if she never showed it.
In the kitchen, Rose and Blanche discuss death. Rose says her family members live to their 90s and 100s, which Blanche attributes to the Minnesota cold slowing down the aging process. They also discuss cremation vs burial: Rose wants to be buried with all her sentimental items, while Blanche wants to be buried in Arlington Cemetery because it’s full of men. Sophia tells Dorothy she loves her. When Rose and Blanche return with the coffee, she thanks them for keeping her company. She decides to rest while Blanche goes to call the paramedics again.
BLANCHE: Do you want to be buried or cremated? ROSE: Neither! BLANCHE: What do you want to be, flushed down the toilet like a goldfish?
Rose tells Dorothy it’s probably not a heart attack, as she’s seen one and they’re bigger. She recounts Charlie’s heart attack to Dorothy, which happened while they were making love (she told Arnie this back in Episode 3, but this is the first time she’s told one of the other Girls). She dressed him before emergency services arrived, and his last words were that he loved her. Blanche returns and says the paramedics are held up by the storm, and they’ll just have to wait… and pray, as Rose adds.
The Girls crowd Sophia, who wakes up and tells them she had a near-death experience and saw Heaven. She describes seeing her husband and asks Dorothy to get her rosary. Blanche’s main interest is if there are lots of men in Heaven (which… why wouldn’t there be?), and eventually goes to help Dorothy. Left alone with Sophia, Rose bugs the crap out of her by recounting farm stories.
BLANCHE: What about men? Are there lots of men in Heaven? ROSE: Oh Blanche, come on! BLANCHE: Well you asked her about God and Jesus!
In Sophia’s room, Dorothy’s going through Sophia’s things, looking for the rosary. She tells Blanche that she’s not ready for Sophia to die, and that she’ll still feel like an orphan at her age. She breaks down in tears at the thought, and Blanche comforts her by saying Blanche and Rose are her family too, and they’re there for her.
In comes Dr. Harris, presumably Elliott’s replacement as their house-call doctor. He inspects Sophia and finds her side is sensitive, so he asks her what she ate recently. The girls list a truly disgusting amount of food, including scungilli, fried mozzarella, and two boxes of Milk Duds. Dr. Harris says it’s not a heart attack, but more likely a gallbladder attack from overeating. Sophia is instantly relieved, but takes back what she said about Dorothy being her favorite now that she’s not dying.
Later that evening, the Girls minus Sophia (who’s presumably resting) talk about mortality in the kitchen. They question the reason they worry about things like dieting when they’re going to die eventually – a thinly veiled excuse to eat some chocolate cake and ice cream. They do eventually get turned off of the dessert when they realize that, while they are going to die eventually, they’ll feel the negative effects of overeating immediately, like Sophia did. They decide to go out for a walk (one hopes the storm is not still raging), and Blanche brings it back around to her favorite topic:
BLANCHE: Let’s go for a walk. ROSE: Right, burn it off! DOROTHY: Are you kidding? After what we ate, we’d have to walk to Canada. BLANCHE: Oh, Mounties! I love Canadian men!
“You couldn’t say ‘belch?’ What is it, a Viking curse?”
This is the first episode that centers around Sophia, and given the multiple references to her age and health in the preceding nine episodes, it’s fitting that it’s about a health scare. Estelle Getty, who has mostly played comic relief up to this point in the series, gets her shot at carrying the dramatic half of an episode – and she definitely delivers.
To be a little real with you, this episode has been hard for me to watch the last few years, ever since my mother died. She was the one who introduced me to Golden Girls, and episodes like this hurt both because I know now she and I will never have that Dorothy-and-Sophia rapport in old age like I always assumed – my mom was not even 60 when she died – and because I was basically in Dorothy’s position at the time. If I could have chosen a quote to describe the months of my life after my mother died, it’d probably be this one:
DOROTHY: It doesn’t matter. You lose a parent, you might as well be six. It’s scary. And it pushes you right up to the head of the line.
I appreciate that, when confronted with the possibility that she might die, Sophia’s not accepting or serene even though she’s very old. I think there’s a perception that, when you get old, you just have to accept that you might die soon and be okay with it because you’ve “lived a full life” or some such nonsense. Instead, Sophia outright says “I’m not ready” and that she’d take even one more day of life.
I leave it to other shows to try and teach people to accept death with grace. I prefer Golden Girls’s way, which is to say “Screw that,” and portray the octogenarian matriarch as not wanting to die. There’s something very real in Sophia saying she never really thought she would die.
SOPHIA: 80 years old, and it would come as a complete surprise.
There’s quite a bit of real-world backstory to this one, too. Originally, it was intended to be broadcast live, which is why it’s the first episode since the pilot to take place entirely within the confines of the Girls’ home. According to Golden Girls Forever (quite a treasure trove), NBC had done a live episode of Gimme a Break and attempted to replicate its success with a night of live shows, ostensibly to promote Saturday Night Live. Golden Girls would have been one of about five shows to air its episodes live.
At first all the other shows were onboard, but then showrunners protested the final offering of the night, a detective show called Hunter, couldn’t be filmed live. So the live plan was scrapped. Director Jim Drake remembered it as being for the best, since the actresses weren’t really equipped to do the show in a single live, continuous taping. While their shows were filmed in front of a live studio audience, they still had the option of doing multiple takes. Somewhat relevant, but here’s a video of Golden Girls bloopers:
youtube
The other real-world issue that influenced the filming of this episode was one that also cast a pall over the previous episode – the death of Bea Arthur’s and Betty White’s mothers. But while it seemed to throw off the chemistry of the previous episode to a certain extent, if anything it helps this one. There are differing accounts as to whether Rose’s monologue about Charlie’s death was drawn from the deaths of White’s mother or her husband, Allen Ludden. I suspect it’s a combination of both, but you can see she’s genuinely crying while talking about it.
My only real criticism of this episode is that the final scene doesn’t really seem like it’s attached the rest of the story. The Girls talk about their own mortality, and how the fact of dying makes things seem trivial. They don’t even mention Sophia, despite the rest of the episode revolving around her. It feels like a discussion they might have after a friend died – or, more accurately, a scene inserted by a writer who wanted to opine about death for five minutes.
That’s not even mentioning the fact that the way the Girls behave in this scene is very at odds with the rest of the episode. It’s just strange to me that they’d come to the conclusion that, since they’re going to die, they might as well gorge themselves on rich food, when doing so is the exact reason Sophia had a gallbladder attack – and they just heard a doctor tell her that.
Regardless, this is another great Susan Harris episode, and the first episode that puts Sophia front and center. While it’s a bit melancholy there are enough jokes interspersed throughout to keep it from being a downer.
Episode rating: 🍰🍰🍰🍰 (four cheesecake slices out of five)
Favorite part of the episode:
The Girls crowd around a sleeping Sophia (see the image at the top of the article), and she wakes with a shout, scaring them all. When Dorothy asks her what’s wrong, she says:
SOPHIA: What? You’re sitting on top of me. I open my eyes, I see pores like that, I think I’m on the moon!
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aion-rsa · 4 years ago
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Rome: The Long Road of the Original HBO Epic
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It was the biggest show ever produced when it premiered on HBO. Filming in exotic international locations and on sets that went on for blocks, it was an epic spectacle that many whispered couldn’t be done on television. Not with its hundreds of extras in lavish costumes, and not with its cast of more than a dozen major characters. Yet HBO gambled big with a budget that exceeded $100 million on its first season.
These details might be mistaken by many as the genesis of Game of Thrones. But before HBO’s song of ice and fire, this was also the origin of the first actual modern TV epic. It was the story of Rome.
In its debut, Rome was even more gargantuan in scale and opulent in design than Thrones’ first few years. Filmed at the legendary facilities of Cinecittà Studios in the actual Rome, HBO and showrunner Bruno Heller oversaw a vast recreation of antiquity during the life and times of Julius Caesar. From the austere grandeur of the pre-imperial Roman Forum to the eventual seediness of the gangs on the Aventine Hill, the final days of the Roman republic were reimagined in sweaty, shocking, and spectacularly expensive detail.
“We used the most modern scholarship, which suggests that all the sculptures were painted,” Heller says over Zoom as we reminisce about Rome and its Cinecittà extravagance 15 years after the series’ 2005 premiere. Every morning Heller would  be up at 4am, arriving early on set and getting lost in the art direction’s colors. “Walking out there at dawn into the Forum and seeing this world created, it was just magical. It gives me goosebumps now thinking about it, seeing a hundred [Gaul] tribesmen on horseback with great furry helmets charging down a hillside yelling, that sort of thing. No one makes things like that anymore. Even something like Game of Thrones would use CGI for the kind of things that we were doing for real.”
Actor Kevin McKidd, who played one half of Rome’s soul, the honorable to a fault Lucius Vorenus, expresses similar awe when he thinks back at what they accomplished.
“I mean listen, none of these budgets were small, but I think Game of Thrones ended up being smaller than ours,” McKidd correctly points out. Whereas Rome was budgeted at $100 million when it premiered, Game of Thrones debuted with a more reasonable starting price tag of $60 million. Says McKidd, “Ours, it was the first time anybody had tried this, so we just had to spend the money. And I think they figured out, it seems, ways to do it smarter or for less… because our show came out of the gate just huge and bawdy and big, and unapologetic.”
Heller is even more succinct in describing Rome’s making.
“Most films, and even TV, is planning for battle,” Heller says. “Planning for a big TV series like [Rome] is like planning for war, for a campaign. It’s invading Russia.” He pauses, “You have to think about the retreat, as well.”
This was Rome’s war: brief, bloody, and beautiful.
‘Very Unlikely to Be Made’
When HBO first hired Heller to take a crack at a Rome treatment, he didn’t think for a minute it would get made. In the early 2000s, HBO was a different place than it is now. The Sopranos and Sex and the City of course turned the premium cable network into the leader of the prestige cable revolution—or harbinger of peak TV as it would later be called—and the network had its eye on bigger and more dazzling projects. In 2001 HBO even released the most expensive miniseries ever up to that point with Band of Brothers. But that World War II-set series also had the names Steven Spielberg and Tom Hanks attached as producers. The network still relied on bankability.
So when Heller took a meeting about Rome, he was acutely aware he’d be unable to lend that same prestige to a sword and sandals epic. He’d written some scripts before at HBO and admired the vision of then-HBO chairman Chris Albrecht and Carolyn Strauss, then-president of HBO’s entertainment division. But he was being called in to discuss a show based on a preexisting miniseries pitch by John Milius and William J. MacDonald—a pitch the network was already wary toward.
“It’s one of those projects that’s really going for broke and very unlikely to be made, [given] the budget that was required,” Heller recalls of HBO’s attitude toward Milius and his vision. “They were paying me to write a script to take it at least to a respectable point at which time they can say, ‘Okay, thank you.’”
Citing himself as “cheap” at the time, Heller recognized it was easier to pay a young writer for a treatment than a whole production crew for a pilot. So he used the opportunity as an excuse to immerse himself in Roman history and lore. This began via conversations with his co-creators Milius and MacDonald. Their central conceit already had in place the three characters of young Octavian, the boy who would be Augustus, first Emperor of Rome, as well as Roman centurions Titus Pullo and Lucius Vorenus.
In history, as with the series, Pullo and Vorenus were the only Roman soldiers who Julius Caesar mentioned by name in his journals. But other than being Roman centurions in the 13th Legion, not much else is known of the men. And Heller took his first major liberty when he lit on the idea of changing Pullo from a centurion to a coarse, insubordinate soldier beneath Vorenus’ command.
It was a savvy move that mapped the heart of the Rome series. Whereas most other fictions about this oft-dramatized era in history focused on the lives of the legendary patricians—be it Caesar and Octavian, or Marc Antony and Cleopatra—Rome would maintain all those characters and the lower tiers in daily Roman life. Through the introduction of Pullo and Vorenus, and their contentious friendship, the fall of the Roman republic suddenly becomes an upstairs/downstairs dramedy.
Says Heller, “The model that first sparked me on ‘oh, this is how to play it’ was [Tom Stoppard’s] Rosencrantz and Guildenstern are Dead, because the larger story is so well known, like Hamlet, that it’s hard to tell that story. The downstairs story has to be more compelling than the upstairs story, because the upstairs story, a little like Batman, is a given. It’s a myth. Everyone knows what happens.”
It also allowed Heller to dive into modern research.
“There was a lot of very recent scholarship at that time that transformed people’s sense of what Roman [history] was,” Heller explains. “There was much more about the everyday life of Roman people, about how people would have lived in apartment blocks in the insular working class life, and looking at it from that modern perspective.”
Reflecting on the dirtiness and filth that would be in the Roman Forum, the showrunner adds, “It’s lucky that practically every previous representation of Rome on any scale kind of went for the grand imperial late Edward Gibbon velvet drapes and marble columns. Even Gladiator went for that. Whereas, in fact, it looked much more like Calcutta or Bombay, and smelled like that.”
This also provided the writer the chance to explore Roman culture and custom with a greater push for authenticity than many Hollywood films of yore. For example, Heller attempted to learn how to read Latin at least as well as the uneducated Pullo—though he says he only got about as far as being able to recognize “oh that’s a pub” if he were walking the streets. More successfully he came to understand his vision of the Pagan working class mentality when he wrote a scene of Pullo praying to Portunus, the Roman god of locks and keys.
It all informed an extravagant treatment for a series he’d end up writing half the episodes of (and he tells us all 22 installments of the show passed through his typewriter before shooting). Yet, at least per the co-creator, what got Rome greenlit was as much his innovations as the developments of an entirely different epic series at HBO.
“[Chris Albrecht] was looking for something that had to be big and that they had to put money behind,” Heller says. “I think it was going to be Mel Gibson doing Alexander.” Indeed, at the same time HBO was developing Rome, the network was also working with the then-beloved Oscar winning director behind Braveheart for a 10-part series on Macedonian conquest.
“Then it turned out that Mel Gibson was going to do Alexander but he wouldn’t be Alexander,” Heller says. “[But] they didn’t want to be in business with Mel Gibson as a director-producer without Mel Gibson as [the star].”
As Gibson’s project imploded, Rome’s prospects would rise, sans any stars. Clearly things in the entertainment industry were about to change.
A Bottle of Tequila in the Roman Forum
When speaking with McKidd over Zoom, the actor’s affection for Rome is profound. Not 20 feet from his screen rests Lucius Vorenus’ sword, which he safely keeps in his own home. Similarly, within the actor’s mind resides nothing but warm memories. He reminisces about seeing his children spend summers growing up around the actual ruins of the Roman Forum and Colosseum during production; and he savors still the long nights at Cinecittà with British theater legends like Kenneth Cranham, a fellow Scotsman who played Pompey Magnus.
“It was an incredibly social time,” says McKidd. “It was almost like summer camp for British actors. We all got to live there; we went out for long dinners every night and we’d speak to Kenneth and all the older actors, who told us such amazing stories about all their time in the theater.”
But one relationship, perhaps the most significant of the entire series, was that shared by McKidd and his co-star Ray Stevenson, aka Titus Pullo. While there were of course other vital parts to the series, from worldly Ciarián Hinds as Caesar to Tobias Menzies’ despairingly well-intentioned Brutus—and one must never overlook Polly Walker’s Machiavellian Atia of the Julii (Heller’s favorite character)—the heart and soul of the series belongs to Pullo and Vorenus, the odd couple of 48 BCE.
Off-screen McKidd and Stevenson had known each other for years through mutual friends, but it wasn’t until they were in the final round of chemistry auditions in a Covent Garden hotel that they began a significant lifelong friendship. But then, it was a late epiphany to cast the red-haired and fiery McKidd as the straight-laced Vorenus.
For the actor, the process began early when he bumped into Heller, as well as executive producer Anne Thomopoulos and director Michael Apted, while in Romania. At the time, McKidd was there filming the TV movie Gunpowder, Treason & Plot (2004), as it was cheaper to shoot a period piece about 16th century Scottish court intrigue in eastern Europe than actual Scotland. The Rome team was entertaining a similar idea.
“I’m strutting around in my thigh-high leather boots and period costume, and we’re riding horses and swinging swords, and all that stuff and having a great old time,” says McKidd. “And I hear these American voices in the corridor, so I come out, and here is this guy called Bruno Heller.” They immediately got to chatting about the Danny Boyle movie McKidd did, Trainspotting (1996), and about this new TV series focused on ancient Rome. McKidd quickly prepared with his current director a film reel of himself riding horses.
Yet when HBO finally sent him a script, the producers didn’t want him for the Vorenus role; they saw him as Pullo.
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On the casting process, McKidd remembers, “I said to them, ‘I’d love to come in and read, but I would really much rather read for the part of Lucius Vorenus.’ And they were like, ‘No, we really see you as maybe Pullo, can you read for Pullo?’ So I said, ‘Okay.’ So I came in and I read for Pullo. And they’re like, ‘Okay.’ Then a week goes by, and they call and they say, ‘We really love you, but maybe can you come in and read for Marc Antony?’”
So it continued until McKidd begged to get a screen test for Vorenus. It even took so long he initially considered turning the series down in favor of indie projects he was already committing to. That was at least a thought he had on the set of Ridley Scott’s Kingdom of Heaven (2005) until word got around at the pub to co-star Liam Neeson.
“I came down to the bar and Liam was pointing his finger at me and he was like, ‘You, I need to have a word with you outside,’” McKidd says. “And I was like, ‘Ah shit.’” Out in a snow-covered Spanish countryside, Neeson commanded, “Go to a phone booth, find a phone right now. Call your agent and hope and pray they haven’t offered that part to somebody else.”
They had not, and soon enough McKidd was flying alongside Stevenson to the actual city of Rome.
“I remember me and Ray going to Rome in the spring… with Michael Apted, walking around this back lot at Cinecittà, and it was all just scaffolding at that time, there was no frontage. I remember Michael turned to me and Ray and said, basically, we can’t fuck this up, because it was so huge. It was so beyond anything that any of us had ever seen.”
With red paint chipping across weathered doors, and mules grazing in the squares, a Roman Forum unlike any other came alive in the same space where Martin Scorsese just filmed Gangs of New York. The sense of size and scale was overwhelming, as was the pressure on Stevenson and McKidd to anchor it. Fifteen years later, McKidd is candid about how that tension shaped each man and, in the actor’s mind, the series.
During the last day of production on the first season, after shooting had wrapped and festivities began, McKidd and Stevenson found themselves sharing a quiet set of stairs leading up to their Roman senate. Between them was a bottle of tequila. Off in the distance, the faint sound of wrap party debauchery was rising to a muffled roar, yet the central stars of Rome were keeping their own company and having a long overdue conversation.
“I don’t think Ray would be mad at me for telling this story because we’re still close friends and I love him dearly,” McKidd says with a measured tone. “Initially, he and I clashed. We just had very different styles. Ray’s this big larger than life personality, and as Bruno would say, I’m much more this ‘Presbyterian,’ or you could say a little more controlling… and we ended up at loggerheads a lot, and fighting, and being difficult in the first season.”
Yet as McKidd is quick to point out, this translated to perfect chemistry on the screen, as Pullo and Vorenus were often “at loggerheads” during the first season, which culminated with Vorenus’ life imploding on the same day as Caesar’s assassination. Meanwhile Pullo found some semblance of peace. But here in the twilight of a recreated Roman Forum, the season was getting a much needed post-script.
“The wrap party is going on somewhere, and we can hear the music,” McKidd says, “and he and I just sat out there sharing the bottle of tequila. And we had it out, you know? Because we both had been holding stuff in for the season about things that annoyed each other… We got all of it off our chest and we ended up just having a huge hug, and we threw this bottle, this [now] empty bottle of tequila, into the middle of the Forum. We made a pact with each other that from that point on we were going to be the closest of friends, and we still are.”
In many ways, it mirrored the coming dynamic between Pullo and Vorenus in season 2, which McKidd likewise recognizes.
“Our bond was unbreakable in the second season,” he says. “You see that chemistry shift and move, and morph throughout the two seasons, and it pretty much tracks Ray and my relationship.” And it would prove indispensable that second year, especially as both characters, like their actors, were forced to close ranks and face that the end was nigh.
The Cost of Doing Business Like the Romans Do
Founded in 1937 by Benito Mussolini, the international renown of Rome’s Cinecittà Studios has long superseded its less than auspicious beginnings. Celebrated as the home to a highly skilled community of filmmaking artisans, Cinecittà’s name is inseparable with legendary filmmakers like Federico Fellini, Roberto Rossellini, and Sergio Leone. And it’s been the site of landmark Hollywood productions, such as Roman Holiday (1953), Ben-Hur (1959), and even the notorious Cleopatra (1963). Yet as Heller points out, no American production has been back to Cinecittà since Rome.
Says the creator, “It’s Italy, I love it, and it’s part of the culture, but you were there to be picked over and for them to, in completely formal and legitimately legal ways, take as much money out of the production as possible.” He pauses to smile and choose his next words carefully about the difference between shooting a movie and TV series in that environment.
“With a series, you’re making long-term relationships,” he continues. “It’s like a marriage. A movie is a one-night stand. You can be a bastard to everyone on a movie and you’re never going to see them again. So the result is more important than the relationships. In a TV series, the relationships are more important, in the end. It’s pointless having a successful first season of a show and then you can’t do the second season because no one will work together.”
This is not to say the only reason Rome was prematurely cancelled had to do with frustrations over the cost of doing business in Rome—McKidd also cites, for example, Rome eating up too much of HBO’s production budget from other projects in 2006. Nonetheless, reports of high-finance rigamarole even reached the cast.
Says McKidd, “I heard enough to know [about] the scaffolding. I don’t know how many tons of scaffolding was used to build that set, but I remember one of the earlier conversations was, ‘We need to buy this much scaffolding.’ And the people at Cinecittà were like, ‘You can’t buy that much scaffolding, but you can rent it from my brother.’”
Both Heller and McKidd insist there was no criminality or dishonesty about this, and it was simply the way things are done. But for the creator, word was executives high above his pay grade were disturbed by the Byzantine labyrinth of Italian politics. So much so it became contagious throughout Hollywood.
“At one stage, the Italian government issued arrest warrants or provisional arrest warrants for all the fiduciary producers of the show,” Heller recalls. “And that’s a sort of a standard Italian business practice, but when buttoned-down straight-laced lawyers from New York are flying out to Rome and discovering that this is [how business is done], people were spooked.”
It was also just a contributing factor to Rome’s untimely cancellation, which occurred during the pre-production process of season 2—and before the series’ popularity would explode with the international DVD sales and second season launch.
Heller was so far into writing the second season that they were in prep, gearing up to film the second season premiere, when he got the call it was over. The havoc this wreaked on Rome’s remaining 10 episodes, with one of them ready to shoot, was immediate.
When the first season concluded, Gaius Julius Caesar was dead, Vorenus had lost the love of his life, and Rome was headed toward civil war. The second season was always meant to be the fallout of that war, with a study in the brief and doomed alliance of Marc Antony (James Purefoy) and young Octavian (Max Pirkis), as well as the woman between them, Octavian’s mother and Antony’s lover, Atia. All of that, plus the death of Brutus and the other conspirators, would still occur in season 2… but so would Antony’s flight to Egypt and the eventual civil war between a now adult Octavian (Simon Woods) and Antony and Cleopatra (Lyndsey Marshal).
“I had to reconceive the second season basically from scratch,” Heller says with lingering exasperation. “Because when you take out that much history, the jump between the death of Caesar and Marc Antony taking over, and his death in Egypt, it was a huge amount of quite obscure but great, scandalous, fascinating, eventful history.” Most of it had to be jettisoned, too, between Brutus’ death and Antony declaring in his will that Caesar and Cleopatra’s son is Caesar’s true heir.
Some critics and fans were disappointed with the visibly breakneck pace of the second season. Others found it an exciting retelling of that period. One of Rome’s stars seems to be in the middle.
“I think the second season was successful in some ways, but it also feels, in my mind, a little rushed,” McKidd confesses. “And I think Bruno would say that too. Just because so much story was crushed and sort of concentrated down into season 2. I love [it], but I definitely felt like it was a lot condensed in.” 
And yet, McKidd and Heller both seem to lean more toward a satisfaction with it. In fact, the producer even suggests the ending with the ascension of Octavian to imperial status (he takes the title “First Citizen”) was the perfect grace note. While it’s well known among fans the series had a five-season bible with Cleopatra and Antony’s deaths originally marking the end of season 4, and season 5 following Vorenus and Pullo going to Palestine in time for the birth of Christ, that was never Heller’s favorite part. 
“That was one of the elements that Milius was fascinated by that I had no interest in whatsoever, frankly, trying to tie it in to the birth of Christ. Because, at the time, it meant nothing. It would have to be a completely different story. Put it another way, no Romans were worried or thinking about the coming of the Messiah.”
It was a Christmas story Heller didn’t want to tell. Even so, he had some interesting ideas already in place, including a vision of the ancient Holy Lands being closer to Monty Python’s Life of Brian than Ben-Hur.
“Palestine was in ferment at the time, and messiahs were popping up all over the place,” Heller says. “Judaism, at that point, was in a moment very much like Islam at the moment, full of passion and ferment and faith, and dreams of martyrdom.”
Like much else with Rome, it feels like a fascinating opportunity left unfulfilled, but one that the creator is glad to leave unexplored.
All Roads Lead to Rome’s Legacy
Rome shined briefly but brightly on premium cable. Premiering in the fall of 2005, it was gone by spring ’07. But even shortly after its cancellation, there were some small whispers of regret because of the show’s DVD sales; whispers that continue to be heard by stars of the series. McKidd says if you asked HBO in 2020, some would likely wince again at cancelling it, as he heard they did by the time season 2 aired. But “they couldn’t go back on that, or felt they couldn’t.”
But if it burned off like a Roman candle—with fire and thunder in its wake—the show still provided a roadmap for how to produce a massive spectacle as a television series.
“I think a lot of the producers that aren’t the ones that you hear about mostly, like Frank Doelger…  were all pivotal on Rome and went directly into Game of Thrones,” McKidd says. “Frank Doelger was one of the main producers, and he very much was the guy who whipped our show into shape and we learned a lot of lessons. So yeah, I think very directly, those people went into Game of Thrones and had learned a lot about how to do this kind of level [of production.]”
Heller likewise marvels at how HBO learned from Rome’s problems with its initially more affordable and tighter fantasy epic.
“The way they divided crews up in Game of Thrones, it was clever because there was always a general staff of central command, but they had more than one general, and they didn’t lose control of the generals,” Heller says.
And just as Rome carved a path for the modern era of epic television shows, Game of Thrones has now created a space for more diverse TV epics like Netflix’s The Witcher and Amazon’s upcoming Lord of the Rings series.
“[We were] ahead of the curve in the sense that it was too early,” Heller says. “But it’s not so much the audience [changed], as it is the appetite and the ability of networks and studios to make things of that size and to promote them and to market them, and to have faith and the courage to back them up.”
This series walked so that Peak TV could run. It’s a formidable legacy, and one that proves all roads in blockbuster television really do lead back to Rome.
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mittensmorgul · 5 years ago
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Hello. Is there a chance that you know when the decision about Chuck beeing the villain of the entire show was made? And more specifically was season 9 written with this point of view?
Hi there! I’m sorry this has been sitting in my inbox for a few days, but I’ve been turning it over and over in my head trying to figure out how to actually answer. Because I don’t think this is something that was like the writers just suddenly decided, and began plotting everything else in the story around that fact, you know? And while it might be interesting to puzzle over, it doesn’t affect how I personally engage with the show.
I’ve written many times about the difference between a Watsonian Reading of a text versus a Doylist Reading of a text, and why sometimes understanding the Doylist might inform the watsonian read you’re willing to accept, so I can understand the interest in wondering if there was a moment in the writing room where it was declared that Chuck Was Not A Good Guy, and that the entire story should be told with that underlying assumption. For me, personally, it’s been clear since 4.18 that Chuck was not really a good guy, long before it was revealed that he was really God.
Was this always the intent of the writers? We just don’t know. I don’t think it matters. He always came across to me (ESPECIALLY in 5.22) as a self-important dick... but I know a lot of people really love his monologue on everything, and have always had rather warm feelings about it. So was their intent to make him seem smugly self-satisfied from the start, or is that an angle that later showrunners and writers seized upon and played up? Does it even matter when the story has made it clear now that Chuck has been the villain of the entire show from the start?
I understand how my personal opinion from the start here has probably made it easier for me to roll with the more recent canon revelations about Chuck than it would be for folks who have always believed that Chuck was a Good Guy from the start, that God would ultimately be on their side, or that if God wasn’t actively helping them, it was only because he was testing them or having them prove themselves to themselves or whatever. I understand people have clung to the notion that he was essentially still a good guy, even through all the shadiness. I just... could never see him that way.
ESPECIALLY after s11. I don’t think Chuck’s characterization has really changed since then. It’s just been... unmasked for what it really is. I think everything Chuck The Prophet was saying back in 4.18 about being a cruel and capricious god was... pretty on the nose. Then again, I’m fairly sure that Andrew Dabb took over the showrunning duties in mid-s11, and began setting up what he knew would eventually become the series endgame run, with Chuck as the final big bad. So that run up to the end of s11... was Dabb’s doing...
I don’t really know how much Chuck’s character (his fictional being, in addition to just... his personality, like how we’d talk about the character of real people, the quality of his essential being or whatever) played a part in the writing from 5.22 when he “vanished” through 10.05 when he appeared to tell Marie “not bad” at the end of her musical, and then again from that point until he dragged Metatron to the bar at the end of the universe in 11.20. I’m fairly certain that as soon as they began writing s11 and determined that Amara would be “God’s sister” that they knew that Chuck would have to make an appearance eventually. And the entire storyline of the MoC having been derailed and repurposed in mid s10 likely facilitated the escalation of the story. But again... I’ve written heckloads of stuff about s10, the accordion plot, how Carver had been writing toward a series finale in 10 until they got word they’d be renewed and wanted to keep going, and jerked the whole story onto a completely different narrative track in the back half of s10. As a seasonal arc, s10 will forever be my least favorite, because it’s just... a mess. Yes, even s6 comes across more coherent than s10, just looking at the overarching narrative structure. Episode wise, s10 probably wins for a few stellar entries, but yeeeeeesh, it’s a structural disaster overall.
But I have a tag for that, and lots and lots of posts, and Carver himself saying that this was exactly what happened there, so... I think it’s probably valid to say that the writers really hadn’t even thought much about Chuck until the MoC became about the Darkness in 10.23, and then they had to invent a whole mythology to bring in this super-powerful God-level power to the story, and “God’s sister!” sounded like a solid plan...
So I’d say that Chuck was being set up at that point to have to answer for his “original crime” of locking up the Darkness, you know? Though I don’t know how much of how it played out by the end of s11 was Carver’s doing, or Dabb’s. I am fairly certain that from the moment Dabb took over (quietly mid-s11, and possibly knowing he’d be tapped to take over before then and beginning to lay down tracks toward his eventual story plan, and then completely by 11.23) that what we’re seeing play out in s15 was always his intent.
But in s9? I don’t think Chuck was really even on any of the writers’ radar, at all. Even if they all were working from the perspective that he was God in the Supernatural universe. I just don’t think it affected what they were writing, you know?
Well, I mean, there’s earlier episodes where God was referenced... I mean 5.16 Dark Side of the Moon (hey, written by Dabb!) where we learned that God knew all about their problems, but he didn’t think it was HIS problem... I mean from that moment on, it’s really difficult to think of God as a charcacter who’s on their side, you know? And the end of the story he’d been content with was Sam in Hell for eternity, and Dean miserable in suburbia for eternity, and Cas probably being subjugated by Heaven and the Apocalypse starting again anyway... I mean... ew...
Or in 6.20, when Cas prayed to God, begging for a sign, begging for help, to do the right thing, he got NOTHING in return, zip, zilch. He did the only thing he could, and in retrospect, wasn’t releasing the leviathans something Chuck was probably deliriously happy about? More monsters and mayhem! A beloved hero character becoming the villain in the process! I mean, in s9 when Metatron was “Playing God” and trying to write his own story of the universe, isn’t this exactly the story he wanted to create too? Kinda on the nose there, even if they weren’t actively portraying Chuck himself as the bad guy here. They were explicitly telling us that Metatron was literally rewriting God’s playbook as self-insert fanfic.
So even if they weren’t actively writing Chuck as the big bad, they used Metatron-- the scribe of God-- to fulfill that function. In 11.20, when Chuck talks with Metatron about his turn playing God:
CHUCK: You know, you really are a terrific editor, Metatron.METATRON: (Chuckles.) Well, I was a terrible writer. A worse god. It's good I've got something going for me.CHUCK: (Takes off his glasses and stops typing.) Yeah, you know, I have to say, I didn't see the whole evil-turn thing coming.METATRON: Mm-hmm.
CHUCK: (Chuckling.) Why did you try to be me?METATRON: That was just a sad, pathetic cry for attention.CHUCK: (Chuckling.) Who's attention were you trying to get?METATRON: Yours.
He takes all of this and tries to turn it around, to deflect blame from himself as if he hadn’t literally done everything Metatron did, and more.
METATRON: It wasn't just the saps who were praying to you. The angels prayed, too. And so did I – every day.CHUCK: I know.METATRON: You want to sell the best-selling autobiography of all time? You explain to me – Tell me why you abandoned me. Us.CHUCK: Because you disappointed me. You all disappointed me.METATRON: (Stands up and looks at CHUCK with wet eyes.) No, look. I know I'm a disappointment, but you're wrong about humanity. They are your greatest creation because they're better than you are.(CHUCK starts to look more guilty as he looks at METATRON.)METATRON: Yeah, sure, they're weak and they cheat and steal and... destroy and disappoint. But they also give and create and they sing and dance and love. And above all, they never give up! But, you do!
But even after Metatron’s sacrifice, even after everything nearly falls apart, Chuck STILL tries to weasel out of responsibility for anything, still tries to deflect and minimize, even blames Amara for why he had to lock her away in the first place. And that hasn’t changed about him one whit, from the start right through the present. It’s always been an essential part of his character, and he’s been called out on it repeatedly in s15 by Becky, by Amara, by Sam, by Dean... probably by Michael, too. Like... this is how he’s always been, it’s how he’s always been written, even if the intent had never been to explicitly unmask him as the ultimate big bad of the entire series until the end of s11.
Like Amara accused him in 11.22:
Chuck: I'm sorry. For this, for everything.Amara: An apology at last. What's sorry to me? I spent millions of years crammed in that cage... alone... and afraid, wishing -- begging for death, because of you! And what was my crime, brother?!Chuck: The world needed to be born! And you wouldn't let me! Amara, you give me no choice.Amara: That's your story. Not mine. The real reason you banished me, why I couldn't be allowed to exist... you couldn't stand it. No, we were equals. We weren't great or powerful, because we stood only in relation to each other. You think you made the archangels to bring light? No. You made them to create lesser beings, to make you large, to make you Lord. It was ego! You wanted to be big!
and he admitted to Becky in 15.04:
CHUCK: Things were said. Uh… Now I’ve found msyself low on, um… resources. I went to ask my sister for help, and she rejected me. ‘Cause she sucks. And now I’m just… stuck. So, I thought I’d come see you, my number-one fan. And, I don’t know, see if you can help make me feel big again.BECKY: So, you want me to… fluff you?CHUCK: I mean, no.BECKY: You do. You thought you could just come back to me, your pathetic ex, your number-one fan, and get what you’ve always gotten from me… a nice big crank on your ego.
Meanwhile, in 11.22, Amara had asked him if he wouldn’t change, why should she? Yet... she DID change, beginning in 11.23 when she reconciled with Chuck. Only... he never did change at all.
So... to finally circle back to your question again... I don’t know if it’s relevant what the writers were thinking about Chuck and any random potential for him to return to the story in any capacity, let alone as God, let alone as the eventual Ultimate Series Big Bad back when they were writing s9. I don’t even think God/Chuck was on their radar at all, because I don’t think the entire MoC storyline was crafted with the end result that it would be the key to the Darkness’s prison. At least not way back in s9 when the MoC was dreamed up. It only ever evolved into that because of the narrative disaster of the s10 plot accordion. Which is why, while I fucking HATE s10 for it, I can’t be all that mad about what it unwittingly brought about, either.
Heck I hope any of this makes any sense whatsoever. This is one of those subjects that’s just like “insert key, wind mittens up, watch her go” :’D
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littlemisssquiggles · 5 years ago
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I just read a post about Qrow being more angry that Oz kept secrets specifically from him thank anything else, and I agree completely. And I think that James and the rest of their allies in Atlas are going to be a lot more pissed that they were lied to than the information that was withheld- and I can see James as justifying it as they are in war and as a military man, of course he understands that sometimes things that to be kept under wraps. What do you think?
Hello again Miki-chan. Regarding Qrow, in some ways I agree with that point about him being more angry that Oz kept secrets from him specifically.
It would make sense for Qrow to be upset that Oz didn’t tell him everything especially considering that the Branwen man was supposed to be one of his most trusted. 
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I mean, I’d like to think that there were probably secrets that Qrow entrustedOzpin with about himself that he never told anyone, not even his family orclosest allies because he gave him that level of trust and respect. So fromthat perspective, I can agree. 
However on the other hand, I more believe the brunt of Qrow’s resentment towards Oz stems from exactly what he said back in V6CH4:
“No one wanted me. I was cursed. I gave my life to you because you gave me a place in this world. I thought I was finally doing some good…”
Qrow’s whole thing is that he considered himself a ‘bad luck charm’ to everyone due to his  semblance and this has been a social stunt for Qrow since, according to him, his semblance has been what has kept him from forming any true meaningful bonds. In the beginning, Qrow probably believed that he would’ve never mounted to anything in his life and that no one would accept him—not even his own tribe—the Branwen Tribe and family..
As Qrow said, Oz was the first person to make him feel worthy. He gave him purpose outside of what he originally believed was going to be his fate. Instead of being a burden to anyone, Qrow finally had someone who actually believed in him and he owed that feeling to Oz.
Learning of Oz’s past must’ve made Qrow realize all the things he turned away in his pursuit of choosing to remain loyal to Oz. Seemingly Qrow is the onlymember of STQR who chose to continue working with Oz all the way intoadulthood. Raven abandoned everyone after she somehow learnt the truth about everything. Tai seemed to have walked away too once Yang came into the picture and Summer appeared to have followed suit after she stepped in to help Tai raise Yang, ultimately resulting in the two falling in love and having a familytogether with Ruby being born as a symbol of their union. As far as Irecall, we’re not really clear on how much Tai or Summer continued to work onOz’s behalf after becoming adults. If anything, it looked like Tai retired tofatherhood while Summer settled for more traditional huntsmen work.
Like I said, Qrow appeared to be the only one who chose to continue working to stop Salem while his teammates walked away for different reasons that Oz wascomplacent with allowing them do that.
Heck I even seen Qrow’s inclusion in Oz Inner Circle as a sort of promotionin a sense. Qrow has known Oz since he was a teenager starting with Team STQR and eventually he rose through the ranks to become one of Oz’s lieutenants next to Ironwood, Glynda and Leo (I’m not sure how much Theodore—the Headmaster of Shade Academy is involved with Oz. I haven’t read After the Fall).
You can almost say that Qrow’s experience with Oz is kind of similar to Pearl from Steven Universe. While Qrow didn’t harbour any romantic interest in Oz, he did seem to be someone that Qrow admired since Oz saw Qrow’s potential. Oz gave Qrow a chance for him to do good with his life especially when he believed he couldn’t. He gave Qrow a place or at least a chance to make a place for himself. So for Qrow to suddenly learn that all the good he had been doing was for naught, I understand his frustration in the sense of it making Qrowquestion everything of his entire relationship with Oz.
If Oz kept secrets and lied to him then what else did Oz lie to Qrow about besides Salem? Did Oz lie to Qrow all those times he encouraged when he was a teenager? Was he lying when he told him there was actual good he could do?Was he lying when he made him feel like he wasn’t the lost cause he expectedhimself to become? Y'know stuff like that. 
It is for this reason why I sometimes joke that the Fortune Cookies (Qrow x Clover) friendship seems to feel like a rebound of the Clockworks (Oz and Qrow) friendship? Right now, Clover feels like a stand in for Oz—another charismatic fellow with an encouraging persona to be a beacon of motivation for Qrow by helping him to feel good about himself again. I’m still waiting for Clover to help Qrow open up regarding his history with Oz.
That being said, that’s where I think Qrow’s anger at Oz was mostly directed. Unlike the rest of the heroes, Qrow’s beef with Oz is more personal. It’s not just about him keeping secrets from him, it’s more akin to the feeling one might get if they discovered that their idol or beloved mentor—someone they highly looked up to because that person made them believe in themselves— was secretly nefarious person that did bad things.It’s almost a feeling of betrayal because it forces you to question how genuineness of your entire relationship with that person. I think that’s what’s going on with Qrow right now. His anger towards Oz is wrapped up in his feelings about their history together and how he feels about himself and until he comes to terms with at least one of those things, it might be a while before he and Oz can truly reconcile.
As a matter of fact, I think before Qrow can even think about making peace with Oz, he has to face whatever insecurities he has about himself firstly. This is where I think Clover could potentially help Qrow.
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I actually pray this will be the purpose of Clover’s character in Qrow’s story(granted that he isn’t secretly a traitor or any surprising twist like that).While I wouldn’t mind the prospect of a Fair Game relationship, if I may be so bold in saying this, I honestly don’t believe Qrow needs romance right now.
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Qrow seems to be in the process of self-healing. This was symbolized in himfinally giving up his alcoholism after four whole seasons since his introduction.This is the first time we’ve actually seen Qrow focus on taking steps to betterhimself first. It’s a welcomed change of pace for him, especially coming off the huge slump he was in last volume which was admittedly the worst the audience has seen Qrow’s character to date.
Don’t get me wrong. Me implying that Fair Game shouldn’t happen now is not me trying to say no-no to ship at all or the idea of everyone’s favourite Birb Dad being involved in an LGBT relationship. I have nothing against Fair Game. On the contrary, I’m for it. I like Qrow’s rapport with Clover and if the showrunners ever decide to take them in that direction, it would be nice since Qrow would have a partner that compliments him the way Clover does. That being said, this this squiggle meister more believes that now (meaning this volume and right now in the PLOT) isn’t the appropriate time for romance to be a thing for Qrow since he still has his own hurdles about himself to jump through first. I more think that Qrow needs to overcome his insecurities about himself and have a fresh start with more self-confidence.
In the past, as implied back in V6CH4, it seems as if Qrow depended a lot on Oz and/or his work with Oz to provide him some semblance of self-worth. So when that was mirror was shattered for him, all he was left with were the same self-defecating issues that he hadn’t worked through.
This is a chance for Qrow to truly grow as a person and I believe it could even end up helping him in time to repair his relationship with Oz. It felt like Qrow needed Oz to help him feel better about himself. But if Qrow learns to conquer some of his self-doubts then he would no longer need to have Oz give him a place in this world. 
This time, he could make his own place for himself so that the next time Qrow decides to follow Oz, his motivation would be to rekindling his friendship with Oz since he genuinely saw him as a dear friend rather than the man he depended on to make him feel worthy about himself…y’know what I mean?
That’s how I see things going for Qrow. 
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As for Ironwood and company....
“....And I think that James and the rest of their allies in Atlas are going to be a lot more pissed that they were lied to than the information that was withheld- and I can see James as justifying it as they are in war and as a military man, of course he understands that sometimes things that to be kept under wraps. What do you think?”
Nah son! Sorry Miki-chan but this squiggle meister is more inclined to believe that our heroes won’t get off the hook this time, period. 
Let’s not forget that the main reason why Ironwood is in such hot water with Mantle and now the Atlas Council is partially due to his secret work on Amity Tower?
You heard Ironwood’s reaction to Nora’s outburst of his continuous failure to cooperate with Robyn Hill and the People of Mantle.
“...I am so sick of secrets! If we just told everyone about Amity, about Salem---”“ We can’t! If we talk about Amity now, we risk Salem’s forces, who we know are here, working to sabotage it. If we tell them about Salem now, we risk falling to the Grimm before we can reunite Remnant. We have to finish the Tower!”  
All that mattered to Ironwood at the moment was finishing his plan to destroy Salem via Amity Tower.
Speaking of, remember what he said Oscar in C7? 
“...The path you’re heading down, where you’re the only one with the answers. Where you do the thing you think is right no matter the cost, it’s not going to take you anywhere good.”“We have to stop Salem. Nothing matters more.” 
Stopping Salem matters more to Ironwood than anything else currently and he seems to be banking all of his chips on Amity Tower being that ultimate solution. And let’s not forget that the sole reason Ironwood is doing any of this is because he actively believes that Salem can be destroyed.Ironwood has been making active decisions at the cost of the People of Mantle and Atlas on a plan he concocted without knowing the full truth.
A truth that our heroes know about and had a golden opportunity to tell him right after he unveiled his genius plan to stop Salem but they didn’t tell him....because PLOT? 
Do you realize how much drama and issues could’ve potentially been avoided if the heroes had just been upfront with Ironwood from the get-go?
I mean, they may not have been able to thwart Watts’ schemes but at least Ironwood would’ve gotten himself in less trouble with Mantle (and eventually Atlas_ if he didn’t take some of the supplies necessary for the kingdom’s survival to fund the Amity Tower project. I have a feeling Amity Tower could’ve been avoided entirely with the truth since it’s whole purpose, according to Ironwood, was to stop Salem by alerting the world of her existence.
I’m sorry Miki but to me, I don’t see our heroes walking away easily from this. I don’t even expect Ironwood to be understanding of their motives. That to me would be him taking it lightly. I expect him to be downright furious that our heroes chose to keep such an important piece of information from him during such a dire time especially after he gave them his full trust.
Worst yet, if the truth ends up coming out after Ironwood already got the bad news that he was removed from Council then it  would be even worse.
It wouldn’t surprise me if Ironwood does get booted from Council after word that Mantle was decimated during the Mega Goliath stampede as a result of the people’s distress over the heating going out in the kingdom gets back to Atlas, Ironwood is going to be in more trouble with the Council than he ever was before.
Unless Weiss ends up outing Jacques on working with Watts first. Then again, who’s to say that Watts hadn’t already prepared for that? While the whole bit with Mama Schnee secretly installing cameras around the Manor was ‘clever’ on her part,Watts is a genius hacker capable of perfectly forging evidence.
Imagine if…Watts low-key has some kind of invention in his briefcase that is able to pick up on things such as security cameras. I mean, we saw how easily he took out the cameras in Mantle.While I understood that Watts was only able to do this due to Atlas never upgrading Mantle’s security, I still can’t help but shake this weird feeling that Watts probably knew of the cameras in Schnee Manor and might’ve prepared for that too.
Either way, I’m expecting the worse Miki-chan. The heroes aren’t getting away this time. Ironwood is going to be pissed.
And judging by the thumbnail of tomorrow’s episode that was just released, it may seem like my fear is going to come to fruition. Oscar might use the Relic.
My only question is who will train the question on. I still think it would be interesting if Oscar used the Relic to out everyone including Jacques but...that might be too much.
We’re more likely to see Oscar use the Relic on Ruby and...I don’t see things going well after that. I have been waiting for the pin to drop and for the moment where Ironwood loses his humanity and...I think the next episode might be the spark.
I think it might end up being the case where Oscar reveals the truth but at the cost of setting Ironwood off. I can even see a case where Ironwood gives Oscar a bly---he gives him a pass and commends him for ‘his honesty’. However the others get arrested and Oscar is the only one spared of going into custody since Ironwood deemed them as traitors.
While Ironwood might lose his seat on the Council, I feel like he’ll still keep his position as General of the Military and thus, have the authority to send JNR_RWBY and Qrow to jail for ‘treason’.
I feel like that could happen but who knows? I could be wrong. But in the event that I’m right about that, maybe this could play out like what you hoped for Clover and the Aces?
Like he and the Ace Ops end up being forced to arrest Qrow and JNR_RWBY. But in the end, the Aces also end up helping them escape later with Oscar’s help?
Or perhaps, Clover stays in line and it’s Marrow who comes to the heroes’ aid thanks to Oscar? Or maybe it’s both Clover and Marrow since they are the Aces who we’ve gotten to know the most?
Either way, I really think Ironwood is going to go off and next episode will be the spark to it. There’s been too many foreshadows to that for this season.  Either way, it’s  going to be interesting ninth episode. But what do you think about my points about Qrow and the others?
~LittleMissSquiggles (2020)
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truthbeetoldmedia · 6 years ago
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American Gods 2x02 “The Beguiling Man” Review
I’d like to start this review off my giving a huge congratulations to the cast and crew of American Gods because they were renewed for Season 3!  Neil Gaiman’s been working closely with their new showrunner, Charles “Chic” Eglee, for the past few weeks to bring about their vision for a third season!  Congrats and welcome, Chic!
Now onto something just as equally exciting!
SHADOW MOON BACKSTORY! SHADOW MOON BACKSTORY! I don’t care about anything else that happened this episode. We got to see a side of Shadow Moon we’ve never seen before and Gabriel Darku did a fantastic job of bringing him to life! How did we get the Shadow Moon backstory? Well, that’s not at as fantastic.  
You may know him as Mayhem from the Allstate commercials, but the wonderful Dean Winters is here as Mr. Town. Mr. Town was the one who had abducted Shadow from the diner in the last episode. He has Shadow strung up and connected to all these unpleasant-looking wires. Along with some, for lack of a better term, thugs, they plan to torture Shadow for information regarding Mr. Wednesday are well underway. Mr. Town is trying to figure out why Shadow is so important to Mr. Wednesday.  
It’s through this torture that we get the flashbacks to a teenage Shadow coming to America with his single mother, played by Olunike Adeliyi. We see this pair and there is such a strong, fierce love between them. Shadow’s mother raised him to be kind, well-educated, and well-mannered. While out discovering his new neighborhood in Bushwick and trying to make some new friends, Shadow is jumped by a group of guys basically because he’s not one of them. They say things like, “You talk funny, like a white boy.” From the second Shadow went out to investigate his new surroundings, you just knew it wasn’t going to end well. Besides getting beat up, when he eventually got up and tried to run away, a few cops came and arrested him and the others. The innocence is being stripped away.  
Throughout all these flashbacks we learn that it’s always just been Shadow and his mother. His father is dead and she will never tell Shadow anything more than that. These two lived in France for quite a time. It’s because of traveling that they did that Shadow is well-versed and respectful of different cultures. You can see that in how he reacts to all the different gods today. Another thing we learn is that Shadow’s mother died when he was still just a teenager, leaving him all alone in the world. She was sick and you see her get worse until she’s gone. Shadow, wanting to believe in anything, goes to a church to pray and grieve.  
While Shadow is being tortured and reliving his past, Laura and Mad Sweeney are searching for him. Well, Laura is looking for him. Mad Sweeney refuses to let his lucky coin out of his sight. If he’s going to have to fight a war, he’s going to need his lucky coin. Laura is just as annoying as ever, but it appears that her super strength is kind of waning a bit. Sweeney certainly notices when they get a flat and Laura actually gets tired from holding the car up. She’s looking worse and worse each day and I can’t help but hope for her decomposing corpse to disappear one of these days.  
However, that’s not today. After a touching moment between the two characters, they’re magically transported to a bridge with a train going by underneath them. Laura and her Shadow senses are tingling, so they hop on board the train. They are greeted by Mr. Town’s thugs. After a gruesome fight in which Laura actually slowly squashes a man’s HEAD, they are rewarded by discovering Shadow. He’s exhausted and definitely confused at seeing them.  
One scene that gave me shivers was between Mr. World and Bilquis. Mr. World is just very creepy with his soft voice. None of the old gods had changed sides after Bilquis gave her pitch that you either change with the tides or die. If Bilquis knows one thing, it’s that Odin and the others just won’t fall under Mr. World’s command. None of them will give in to him. Bilquis, unfortunately, is trapped in his clutches, despite not being willing to choose a side. She refuses to fight for Mr. World and she’s seen as a traitor by the old gods. She has nowhere to go, really. The mighty and powerful Queen Bilquis looks the most vulnerable here and it’s breaking my heart.  
While those are most definitely the darkest parts of the episode, some of the lighter aspects include Mr. Wednesday and Mr. Nancy. Orlando Jones constantly delivers with his comedic timing, even when you actually stop and think about what he’s saying isn’t actually funny. It’s the truth. The bit about Mr. Wednesday giving Mr. Nancy the fried chicken, while funny because of Orlando’s delivery, is actually incredibly ignorant, as it falls in line with certain prejudices and cliches.
It’s not quite clear what Mr. Wednesday is doing exactly, but it appears that he’s sacrificing his car at the end there. He and Mr. Nancy just abandon it on the train tracks. Mr. Wednesday wants to go to Valhalla, but Mr. Nancy has no intention of doing that, so they might be parting ways? It’s kind of hard to take a guess here.
We’re also getting closer to meeting a new character! Technical Boy was sent by Mr. World to track down Media after her disappearance. We catch up with Technical Boy in Times Square where he seems to have found her. Media appears to be giving him a pretty tough time in appearing in her new form, but she’s getting closer! I can’t wait to meet Kahyun Kim’s New Media!  
Some thoughts on the episode:
Shadow’s backstory is all that matters this episode.
Bilquis makes me want to weep.
If Mad Sweeney could continue getting hurt in hilarious ways, that’d be pretty great! Pablo Schreiber’s pretty good with the physical comedy!
Loving the fact that the embrace in the field between Sweeney and Laura wasn’t romantic AT ALL. It was a way to transport from Point A to Point B.
I could’ve gone my whole life without seeing Laura step on that guy’s head.  
American Gods airs on Sundays at 8/7c on Starz.
Sarah’s episode rating: 🐝🐝🐝
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psychosexualnegan · 8 years ago
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99 days since we last see regan! 99! so we will only get one scene with them in the finale? its disturbing they have talent and chemistry in front of their noses and tptb choose not to use it
I don't give gimple much hell for the show cause I'm still traumatized by the two other showrunners but I have like...so many issues with the pacing of the show. Like I'm never going to fully understand why this half of the season is Negan-lite. We need to feel the threat of the saviors to bring about tension. And just seeing each set of saviors at each outpost isn't cutting it for me. I don't need Negan to be everywhere at once but the fact we're reaching a point where I was force-fed the governor and now I'm not getting much Negan is pissing me off. You're right, the chemistry is great between JDM and Andy. People bitching about the bleakness annoyed me because yeah shit got bad but I honestly love Negan pushing Rick to the brink. I need that tension and it's awesome at some point it'll pay off but it's not going to pack the punch it could have had if Gimple just stayed consistent. I fucking need to know Negan is plotting and planning and not just fucking his wives and praying for a baby.
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